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rcmclachlan · 2 days ago

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8x06 fix-it fic: Amnion

Buck doesn't bounce back from Tommy the way he did with all his other breakups for reasons he can't articulate or even look at. He thinks of how long it took him to recover from Abby, but even that felt different, because he'd had hope carrying him through most of it. He doesn't have that now.

The worst part is it's bringing everyone else down. It's starting to affect the job, and he can't take any more of Bobby's pity dinner invites or the kid gloves Eddie handles him with. Then one day, Chimney (in an attempt to lighten the mood) asks Buck if he's pregnant, and it awakens some primordial rage in Buck that he never knew he possessed and damn near rips off Chimney's head about it.

But once the blood levels in his adrenaline start rising and he calms down, he starts thinking about it. Before he knows it he's thinking about it day and night, and now that's starting to affect the job more than his heartbreak had been.

Then one night Maddie invites him over to watch trash TV and eat junk food until they can't feel feelings anymore, but instead of the patented Maddie Hug he's expecting, she hands him a First Response test stick the second he walks in the door.

Five minutes later, he comes out of the bathroom pale-faced and dripping tears because there are two lines in the test result window, and Maddie leads him over to the couch where they curl up and cry together. Just like the old days.

Maddie asks if he's going to tell Tommy, but there's no judgment in her voice, like she's behind him no matter what he decides, and Buck tries to make her laugh when he says, "How do you know it's his? I could've been living it up for the last month. New person almost every night. Exploring myself."

She just gives him a Look. Also patented.

Under the weight of her scrutiny, Buck thinks about Tommy's face before he left the loft that night and how ''Buck'' looked and sounded so wrong coming from him. Like the shape of it was so painful he could barely move his mouth around it.

Finally, he shakes his head. His eyes well up with more tears, which feels impossible, because the human body can't possibly produce this much liquid. He's going to drown them both. "I thought... I thought we had a future, Maddie. I really did. I guess I still get one... but only with part of him."

A couple of months pass and Buck's entire world shifts. The 118 have rallied around him in a way that almost feels like they're closing ranks to every other firehouse. Eddie becomes especially protective and devises a 5000-point care plan that makes him twitch if Buck so much as thinks about deviating from it, but he also keeps telling Buck that he needs to tell Tommy about the pregnancy.

"If only to get his family history," Eddie says reasonably, but there's something pleading in his voice every time, like there's so much more under the surface that he's trying to keep under wraps. Like there's more about this that he thinks Tommy should know.

Chimney's in the middle of explaining why he's stealing the cool uncle crown from Buck and sitting pretty on the throne when Buck asks him about it.

"Is there something about Tommy that no one's telling me?"

It trips Chimney up. Literally. He just barely catches himself from going headfirst into the kitchen counter.

Buck's heart starts pounding. "Chim, does he know?"

"No," Chimney says, firm and almost a little offended. "We promised you we wouldn't say anything. But Buck... you should tell him. You should talk to him."

Part of him wants to whip his phone out right then and there and dial Tommy's number. He could do what he did the first time: ask to meet somewhere and laugh about bad coffee and plead his case for a second chance. He could reach across the table for his hand, but this time, he'd stand up and walk over to Tommy and place it on his belly. "I don't care about firsts or lasts," he'd say. "I care about only's. And you're the only one I want."

But the other part of him, still licking its wounds, hormones in flux and forcing organs to shift and bend as it makes room for the thing he and Tommy made together, bares its teeth and snaps, "He made it very clear that he had no interest in hearing what I had to say."

Chimney never brings it up again.

Meanwhile, Hen goes a little overboard with forcing him to undergo random physicals—she pops out of the shadows twice a day to ambush him with the blood pressure machine, and he keeps threatening to avoid rooms that have doors—but he loves it. His body is a complete stranger to him for the first time in a long time, but the changes he's experiencing are interesting and he's having a blast cataloging every new one. He and Hen have a spreadsheet with like fifty tabs, and she helps him navigate every test his actual OBGYN sets him up for.

He's over her house at least once a week, although pregnancy talk at the dinner table is verboten.

"If one of you says the word 'amniocentesis' one more time, I will start a food fight," Karen had said, finally putting her foot down. Across the table, Denny perked up.

As much as he hesitates to even think the Q-word, it's a pretty quiet pregnancy. The cravings are kind of wild, though, and he goes most of his first trimester feeling like he's going to die if he can't eat rice krispie treats with cottage cheese. Every time Bobby sees him cracking open another container of Hood, it looks like he's seriously reconsidering sobriety.

But as incredible as they are about the pregnancy, they're all tiptoeing around the other elephant in the room: when Buck is going to stop working scenes. He and Bobby have a series of discussions that satisfies neither of them and resolves nothing, and it builds to a big blow-out that ends when Bobby tearfully begs Buck to stop risking his own life and the life of Bobby's grandkid.

After that, it's like some stone thing in him dissolves into sand and he finally eases back a bit in his fifth month. He doesn't put up a fight when Bobby orders him to only handle the winch or stick with hose duty, and if he stays a little closer to the engine because he gets winded so easily these days, no one comments on it.

In his sixth month, the inevitable happens: there's a call out at Palos Verdes and it's all hands on deck, which means the 217 is there too. At first he thinks he might make it through without running into Tommy at all, but he turns a corner and—there he is. Smudged with mud and looking like a drowned rat because of the downpours, but in his turnouts he's big and capable and, for a second, he's walking into First Presbyterian and apologizing for missing the ceremony.

But the memory is easily wrestled back into the past the second Tommy's gaze fixes on Buck's belly.

Buck wants to stage a retreat that would make the Allies at Dunkirk stand up and applaud. He wants to throw his arms open so Tommy can get a better look at it, say something cool and mean, like, "Did you know that INNOTEX makes turnouts for carriers these days? Pretty progressive of them, if you ask me."

He wants to be weak and ask if Tommy will spare him a hug. Just one. Nothing greedy. Just—a moment to soak in his warmth, to inhale the smell of his skin. Enough to carry him through the rest of it.

But he does none of that. He inhales through his nose, lifts his chin, and says, "Firefighter Kinard."

At that, Tommy smiles, and it's completely awful. There's no joy in it. Not even amusement. He looks like he wants to be sick, and Buck feels like a monster.

But Tommy swallows and says, earnest as anything, "Congratulations. I-I knew you'd find it. I never doubted for a second that you'd find the person who'd be your last."

Even as he says it, Tommy's face does something indescribable, but it rips through Buck's chest and shatters his ribs, tearing through pericardial layers until it scores the vulnerable muscle of his heart. It's so shocking that it almost knocks the truth right out of Buck's mouth.

Someone comes over the radio and requests all available first responders with flight experience to report to the B-zone, and Tommy straightens up and locks whatever it was away.

With an unsteady hand, he tips an invisible hat to Buck and says wryly, "Firefighter Buckley," before jogging away.

And Buck stands there like an idiot watching him go. It's that night all over again. It's Buck instead of Evan.

"See you around," he whispers, and then runs back to his post in the A-zone.

Tommy gets the call when he's halfway through a burrito foisted upon him by Dana, who had taken one look at him and said, "You look like a flood victim. Eat something before I get HR involved."

He'd taken a mutinous bite and couldn't argue with her. Months later and it still felt like he'd watched everything he loved wash away with a tide he couldn't fight. Except he'd sent the tide himself. He had no business feeling like this.

But they send him to the site of a car accident where a pregnant driver had been T-boned by some asshole who ran the red light, and the RA unit called to the scene didn't have the right equipment to assess the fetus. But the victim's belly was hard enough to warrant a med evac.

By the time Dana gets the victim loaded on the backboard and inside, Tommy's already on with both First Presbyterian and LA General to see whose neonatal surgery team is available.

The door on Tommy's side slides open and Tommy turns in his seat to ask what the hell Dana's doing over there, but it's Hen who's pulling herself inside.

His stomach clenches with dread. "Hen?"

"I'm riding with you," she shouts, taking the headset that Dana gives her.

He looks just beyond her and wishes he'd had the presence of mind to listen to the manifest when Dana had read it aloud to him, because Evan Buckley is strapped to the gurney and looks like he's on a completely different planet.

"Hen." Tommy can't hear him say her name, but he sees Evan's mouth shape the word. Evan reaches clumsily out for her with one hand while pressing the other to his belly.

Hen murmurs something to him that the comms can't pick up, and Tommy wonders if they've notified Maddie, if they've notified the father, whoever they are. If they're already at the hospital waiting for them. If Tommy will have to see them, talk to them face to face.

Tommy bites the inside of his cheek until he feels the hot wash of blood over his tongue, then forces everything down to join the burrito from earlier that really wants to make a reappearance. It isn't his right to know any of it. That went out with the tide, too.

He locks it down tight enough that he gets them into the air so easily they might be a feather on the wind, then he heads in the direction of First Presbyterian. The real start of it all.

They're maybe halfway across the city when Evan shouts, desperation and fear carrying his voice over the rotors, the words sliding together, "Hen, check Nora! Y-Y'need to ch—"

"Nora's fine, Buck," Hen says, her voice clear as a bell in Tommy's ear.

Staring at a skyline he can't see, Tommy says, "'Nora'? Was someone else in the car with him?"

When Hen comes over the comm, her voice is as inescapable as a flood. "Nora's what he decided on for the baby. It's her name."

Tommy's hand tightens on the cyclic so the way it starts shaking won't be so obvious. "Nora was my grandmother's name."

He'd told Buck about the woman who was basically the only family he could stand, who was responsible for not letting him become his piece of shit father, who accepted him when no one else would. She'd meant the world to him. She'd been the world to him. And for Evan to give his kid her name—

Realization hits like a levy breaking, and he turns to look wide-eyed over his shoulder at Hen, because it can't—he couldn't be—

"Patient, male, 33, prenatal course complicated at 8 months gestation," Dispatch had said.

The timeline is right.

Hen stares right back, as good of a confirmation that he could get outside of a DNA test.

Without breaking her gaze, Tommy tells Dana to take over. She gives him an unreadable look but says nothing except, "Copy that," and smoothly resumes their journey while he squeezes into the back. There's hardly any room next to the gurney and his knees are compressing his lungs, but he takes Evan's' hand and stares blankly at the shiner forming around his right eye until Hen breaks the silence.

Why didn't you tell me, he wants to demand, but he knows that if he so much as opens his mouth, he's going to start screaming until someone sedates him.

"For the record," she says, "I hate what you did. I hate what you took from him. But I understand why you did it."

Tommy rolls his lips inward and wants to suffocate himself to death. She understands? Does she? Does she know a life can be obliterated in the span of a minute? Does she know what it is to live a half life, to walk through the world like a five-year old drew a scribble on a blank sheet of paper that was supposed to be a person?

Does she know what Evan looks like when his joy is sucked away? Because Tommy does. She hates what he did? No one hates what he did more than him. No one hates him more than him.

Shakily, he lifts his other hand and touches the tips of his fingers to Evan's birthmark, which used to know the touch of his lips so well that Evan would joke that it was actually in the shape of Tommy's mouth print. Like a brand.

He forces himself to inhale. It seems impossible that Evan's here, carrying their child, their Nora. Evan used to say the lightning strike gave him super powers, made him invincible, and Tommy's ashamed to admit that he almost believed him. It seemed like nothing could ever bring Evan Buckley down, but here he is in Tommy's sky, halfway to Heaven already.

He glances at the LifePAK—where Evan's life has been concentrated into a series of lines and numbers, the reading strong despite everything—and then looks back at Evan, who is still the most beautiful man Tommy has ever seen even now.

"Evan," he chokes out.

There's no answer. At least not from Evan.

Across from him, Hen breathes through her nose and then quietly says, "I'm only going to say this once, Tommy, so I hope you're listening. If you can't trust him to know what his own heart wants, then this flight will never have happened. When he wakes up, you will not have been here. I'll change the manifest myself."

Tommy closes his eyes. Something hot spills down his cheeks.

"I know things haven't been all sunshine and roses for you. Lucy's said you've basically shut down since it ended. I know you're hurting just as much as Buck is... which is why I'm telling you: be sure. He's going to have enough on his plate without worrying about whether or not you're going to swan out of his life again. You need to be sure, Tommy."

Tommy doesn't say anything, but he opens his eyes and holds her gaze without flinching, and he tightens his hold on Evan's hand.

The rest of the flight passes in the kind of silence that feels like a cyst was lanced. Or maybe a boil, as it were.

Buck wakes up in stages to find he's in a hospital bed, and when he puts a hand on his belly it's smaller and almost deflated beneath his palm. He is just starting to hyperventilate when suddenly Tommy's there, murmuring to him, "You're okay. Everything's okay, I promise, she's fine. She's fine. Look."

And Buck, heart racing, forces himself to breathe slowly while he follows Tommy's gaze down to the bundle in Tommy's arms. Then he stops breathing altogether.

"She's fine," Tommy says. "A little early, according to the doctor, but absolutely fine."

Buck collapses back to the bed and weeps in relief, because she's fine. She's here and she's fine and she's perfect. Tommy gently places her in Buck's arms before retreating to the chair next to the bed which has a dent in the vinyl in the shape of his ass.

But Buck is enraptured with Nora, who smacks her lips in her sleep, and he marvels aloud, "She has my mouth."

"Thank God for that," Tommy says with a laugh. "It'll help take the focus off my nose. Poor kid."

It hits Buck like lightning that Tommy is here. He's in this room and talking about Nora like—like he knows. And there are things Buck should probably be saying, like apologizing for not telling Tommy about her as soon as he found out, or asking why he's there at all, but the words are crowding in his mouth and he can't figure out which ones should go first.

Tommy's lips twitch in a smile that is awful to look at, like he completely understand Buck's struggle, but his voice is soft and even when he says, "I need you to know that it wasn't about you. Not you personally. It never was."

Buck stops trying to speak and just stares at him, because that is bullshit, and oh, he knows which words should come first, and he opens his mouth to release them into the wild but Tommy holds up a hand.

"I know," he says. "I was a coward and an asshole, and I'm more sorry than I can possibly say. I won't ever be able to make up for what I did. But I need you to know why I did it."

And, in fits and starts before he finally finds the thread, Tommy tells him about Jeremy.

After Tommy ended things with Abby and then finally came out, he dated around for a long time before he met Jeremy, who was brilliant and fun and new. Tommy was the first man Jeremy had ever been with, and Jeremy was the first person Tommy saw a future with. He'd been so sure about Jeremy. He'd believed that Jeremy was it.

Until, almost two years in, Jeremy ended it. He'd sat Tommy down and said kindly, cruelly, "You're amazing, Tom, but you're just the first. You can't be my last." And then he'd left Tommy completely shattered in the rearview.

"That night, when you asked me to move in... it was like I was watching him put on his coat all over again," Tommy says shakily. "But what I felt for you was lightyears beyond anything I felt for him. I'd fallen so hard for you that I knew if I had to watch you walk away I'd never get up again."

Buck stares at Tommy, eyes rimmed red, and says, "So instead you made me watch you walk away."

It must land like a fist because Tommy exhales sharply and hangs his head, bowing around the pain. He sits like that for a moment, absorbing it, before he lifts his head and nods. "Yeah. That's exactly what I did."

There are deep, dark circles under Tommy's eyes that speak of a hundred sleepless nights, and his body is sharper, leaner, trimmed entirely of anything soft. He's made entirely of angles. He's so unfairly hot. He's miserable to look at.

Buck swallows and murmurs, "You look like there's no love in your life, Tommy."

Sucking in a trembling breath, Tommy smiles weakly and sketches a shrug. It looks like the fatigued steel of his edges are starting to crack.

"I left all my love with you that night." His gaze darts down. "Among other things."

Buck looks down at Nora, who's sleeping the sleep of someone already exhausted by existence, or maybe just by her fathers' drama, and thinks that maybe he really has been carrying all his love plus Tommy's around. Because otherwise he has no idea how he's so full of it.

"She's absolutely perfect," Buck says, smiling dopily.

"She's... more than anything I could've ever dreamed of."

He looks up in time to see Tommy drop his gaze to the floor at the same time his shoulders lift and lock like they're bracing for a blow. And in a voice so thin it's barely a sound, Tommy says, "I know I don't have... any right to ask, but is there any... any chance I could be part of her life?"

The tears that have been languishing at the edges of Buck's eyes finally see an opportunity. He doesn't think he could've held them back any longer if he tried.

Mouth trembling, he whispers, "Just hers?"

At that, Tommy looks up, eyes wide, disbelief and hope chasing each other across his face like dogs. He jerks a little in his chair but he doesn't move. He doesn't move.

Buck stares at him, a tsunami pulling everything back from his shoreline, and bites out, "Thomas James Kinard, if you don't get over here and kiss me, I swear to Christ—"

But Tommy's out of the chair and at his bedside, cupping Buck's face and tenderly smearing a kiss over his open mouth, licking the relieved gasp right off Buck's tongue.

Between them, Nora makes a tiny noise, and Tommy startles away just enough that he can press the side of his head to Buck's and gaze down at her with a tremulous smile.

"She really is something, huh? Sorry about the nose, kiddo," he says softly.

Buck knocks their heads together and says, "I happen to love that nose, thanks. And like you said, my lips will help balance it out."

Huffing a laugh, Tommy kisses Buck's lips. And the side of his nose and the bolt of his jaw. Then he leans down and presses a kiss to Nora's little pink and blue hat.

"I'm sure if you are," Tommy murmurs, tilting his chin up so he can flash a brave smile up at Buck, who smiles back.

"I was always sure."

#bucktommy #bucktommy fic #tevan #tevan fic #mpreg #911 8x06 #fix it fic fest 2k24 #fun fact: i originally wrote this in the tags of another post but guess what! there's a tag limit! and i lost 2/3 of it #it forced me to actually write it as a story instead of tag fic though so... thanks tumblr?

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solarmorrigan · 18 days ago

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The Witch and The Carpenter

For the @steddie-spooktober day 23 prompt: Witch Rated: T | Words: 2862 | CW: None | Tags: fantasy AU, witch!Eddie Munson, carpenter!Steve Harrington, Steve Harrington gets migraines, Eddie Munson needs a hug, Steve Harrington needs a hug, they're perfect for each other hugs all around Divider credit: @saradika

Eddie hears about the new carpenter within hours of his rolling into town – of course he does; any witch worth their salt knows exactly what’s going on in their town at all times (it’s hard not to, when you’re the one providing the potions and charms that help everyone else keep their secrets).

His name is Steve, and he’s come with hopes of filling the hole left when Benny, the previous town carpenter, had died without an heir to his business. People say that he seems hardworking and capable, that he’s strong and handsome, that he’s friendly enough, but that there’s something a little distant about him – a little lonely (though the older ladies who give Eddie gossip do tend to romanticize at times).

Eddie doesn’t expect to meet him as soon as he does, but before even his first week in town is out, Steve turns up on Eddie’s doorstep, looking at once earnest and wary, and just as handsome as the gossip had said.

(Not that that last bit has any bearing on anything.)

“People in town say you’re the one to see for remedies,” Steve says when Eddie gets the door open.

“People in town say a lot of things,” Eddie replies. “But in this case, they’re right. Come on in.”

Inside, Eddie finds out that Steve is seeking a remedy for headaches. But not just any headaches; these seem to be full-body affairs that can keep Steve down for days at a time. He gets dizzy, nauseous, is bothered by any noise, and even candlelight can be too bright for his eyes.

Eddie mixes him up something strong, gives him strict instructions on how it’s to be taken, and then moves on to the matter of payment.

At that, Steve begins to look sheepish.

“I’ve only just set up my business. I… don’t have much money yet,” he admits. “I was hoping you might be willing to do a trade.”

Eddie cocks an eyebrow at him. “And what do you have to trade that you think might interest me?”

“Your door?” Steve offers.

“…what about my door?” Eddie asks after a long moment of confused silence.

“It sticks. You were having trouble getting it closed earlier. I could fix that,” Steve says.

And it’s true – Eddie’s front door does stick. So does the back door. The shutters often refuse to open or shut properly, and the porch sags a little, and there’s a leak in the roof when it rains hard enough. While Eddie is the best in the business when it comes to working magic, he’s not so handy with home repairs.

(It doesn’t particularly help that witches exist in an odd sort of social limbo. Every town needs one—this is generally acknowledged as truth—but no one particularly wants them around. Eddie lives a little ways away from town, up against the forest line, where it’s easy to ignore him and his shabby house unless someone needs something from him. No one has ever exactly been chomping at the bit to come help him fix the place up.)

Eddie shouldn’t say yes. He often trades goods and services, but he doesn’t know this man. He doesn’t know if he’s reliable, doesn’t even know if his work is any good – but something in him wants to agree, anyway.

Maybe it’s the earnestness of his offer, or the hope in his expression that he’s clearly trying to quash, or maybe Eddie’s just a sucker for a pretty face, but eventually he finds he can’t say anything but, “Okay, sure.”

“Thank you,” Steve sighs as he accepts the potion. “How would tomorrow work for you?”

Still not entirely sure he expects Steve to show up, Eddie says that tomorrow is fine. If he doesn’t show, if he thinks he can fleece a witch and continue living peacefully in town, he’ll quickly find out otherwise. And if he does come back – well, it would be nice to have a door that doesn’t stick anymore.

“What’s your favorite color?” Steve asks before he leaves.

“Red,” Eddie answers, one brow raised in a question that Steve doesn’t answer.

“Red.” Steve nods. “I’ll see you tomorrow.”

The next day, Steve is back bright and early with a bag of tools and a pot of paint. He tells Eddie not to mind him, he’ll just get to work and try to stay out of Eddie’s way, but Eddie can’t help but watch as Steve inspects the door hinges, the frame, and then not only trims the door down, but sands and paints it, too.

Red: Eddie’s favorite color.

Anyway, it isn’t Eddie’s fault for getting distracted. There’s an unfairly attractive man doing manual labor in front of his house, what’s he supposed to do?

Eventually, though, Eddie does force himself to look away. He shouldn’t get attached to things he knows he can’t have. He’s the witch; he’s in the background of everyone else’s story, he doesn’t get to have one of his own – especially not with someone like Steve.

And that’s fine, Eddie had accepted that long ago. He likes being able to help people, and it’s sort of the only thing he’s any good at. He won’t deny that it stings sometimes, the way people talk about witches—about him—but what should he care about what other people think?

In any case, it doesn’t matter, because once Steve finishes with the door, it’s unlikely the two of them will cross paths again any time soon.

Steve finishes the door (it now opens and closes smooth as butter) and goes home.

And comes back the next week.

“Finished what I gave you already?” Eddie asks.

Steve shrugs. “Stress always makes the headaches worse, and with travelling and setting up shop…”

Eddie nods, pursing his lips in thought. “I could make you a bigger batch, but it would cost you more.”

“I can fix those shutters.” Steve nods towards the windows. “And you mentioned something about the back door?”

“You’re going to neglect your real customers, spending all your time fixing up my house,” Eddie teases.

“I can make the time,” Steve says, smiling at Eddie. “I think it’s worth it.”

Eddie has to turn away again, reminding himself that Steve is talking about the medicine, not him.

He fixes up a bigger batch of that same strong potion he’d made the previous week (“I’ve never had anything work so well,” Steve had practically gushed. “It was more than worth my work.”) and Steve comes back the next afternoon to start work on the back door.

They talk more this time, when Steve takes breaks, when Eddie is between tasks and brings him cool water to drink, and Eddie finds that Steve is funny and sweet, and catty and sharp, and a bigger gossip than even Eddie himself. And he reminds himself, again and again, that Steve is not for him. This isn’t how the story goes.

Witches don’t get nice things.

(And that’s fine. Eddie is fine with it. He’s fine.)

They do, however, get increasingly nice houses, apparently. Or at least Eddie does. Steve paints the back door red, too, and then gets to work fixing the shutters. Those, to Eddie’s bemusement, he paints a buttery, golden yellow.

“They don’t exactly scream ‘witch’s cottage’,” Eddie points out.

Steve only shrugs. “It’s my favorite color,” he says, flashing a grin at Eddie. “Besides, I think they go with the doors.”

Eddie doesn’t argue.

It goes on like this. Eddie brews medicine for Steve’s headaches, and Steve finds things around the house to work on. He fixes the leak in the roof, the creaky porch steps, the drawer in the kitchen that will never stay closed; his business picks up in town, but he always makes time for Eddie.

As much as he can, at least.

“I’ve got a few big orders built up,” he says apologetically one afternoon as he collects his medicine from Eddie. “I’m not sure when I’ll have time to get to the cabinets like I said I would, but I can pay you–”

“Nah.” Eddie waves Steve’s offer away before he can pull out any coins. “I’ll just put it on your tab.”

Eddie doesn’t do tabs.

Steve looks skeptical. “If you’re sure…”

“Of course I am. And if, for some reason, you welch on our deal,” Eddie gives Steve a sharp grin, “I do know where you live.”

“You should come visit, then,” Steve says.

Eddie falters. “What?”

“If you want to, I mean.” Steve shrugs, avoiding Eddie’s gaze. “Just– if I can’t make it out here, maybe you could come see me, instead.”

And again, he’s so earnest, trying so hard not to look too hopeful, that Eddie can’t say anything but, “Alright, I will.”

The way Steve lights up at that is worth just about anything he could have Eddie do.

Eddie tries to remind himself of this as he ventures into town the next week.

He doesn’t go into the town proper very often; he grows a lot of what he needs and trades for a lot of the rest of it with customers; he’s a rare enough sight that some people stare, and whisper, and Eddie does his best to hold his head up high and walk without a care.

And if he pulls faces at some of the more egregious offenders, causing them to gasp and scurry away, scandalized, well – Eddie is allowed his simple pleasures.

Anyway, Steve is all smiles when he finds Eddie at his door, and that’s the most important thing. He ushers him through the shop (a large, warm space that smells of wood shavings and sweet smoke, just as Eddie’s come to associate with Steve) and into the living space above. He serves Eddie tea and cake with a studied nonchalance that says he doesn’t want Eddie to realize how excited he is.

How excited he is to see Eddie.

Eddie searches for anything else to focus on before he does something ridiculous, like act on the rising warm feeling in his chest. He finds it, oddly, in Steve’s eyes.

“Have you been sleeping?” Eddie asks him; the shadows beneath his eyes look almost like bruises.

Steve shrugs. “I’ve been busy.”

His hands are shaking, Eddie realizes, as he pours the tea for the both of them. Steve must notice Eddie noticing, because he folds his hands back into his lap with a little huff.

“Happens sometimes,” he says brusquely. “More annoying than anything. Carpenters are supposed to have steady hands.”

(Eddie wonders sometimes what must have happened to Steve, but he’s seen some of the scars that adorn his body, has seen the faraway look that gets into his eyes from time to time, and he thinks he knows. Steve has the bearing of a soldier, and the eyes of a man too kind to have ever been made to fight for a king who doesn’t give a damn about him.)

Taking the hint, Eddie changes the subject, but the thought of Steve’s shaking hands follows him home. All those tools, all those sharp things he works with – maybe Steve isn’t his, not his to worry over or to care of, but Eddie decides he’s damn well going to do it anyway.

The next time Steve comes by, Eddie slips him an extra packet along with his usual potion.

“You brew it like tea,” Eddie says to Steve’s confused glance. “Should help steady your hands, when you need it.”

Steve stares down at the packet for several silent seconds. “You didn’t have to–”

“But I wanted to.”

Shaking his head, Steve looks back up at Eddie. “How can I–”

Eddie waves him off before the question is fully formed. “Let’s say it’s on the house, for my best customer.”

“I’m not sure that’s a compliment,” Steve says, not without amusement.

“Then how about my favorite customer?” Eddie offers.

Steve is smiling now. “Are you allowed to have favorites?”

“I’m the witch,” Eddie reminds him with a smirk. “I can do whatever I want.”

And so it goes.

And so it might have continued going, if it hadn’t been for the night Steve turns up at Eddie’s door well after dark, looking grey and haggard and haunted.

Eddie ushers him in, sits him down, makes him some tea, and tries to get some words out of him.

“Do you make anything to help people sleep?” is what Steve finally asks.

“I can,” Eddie says slowly, watching Steve carefully.

Steve drops his face into his hands, rubbing harshly at his eyes. “I just– I just want to sleep. I don’t want to dream, just for one night,” he says, so low that Eddie has to strain to catch all the words. “Just once.”

Eddie weighs his options. He knows how to make an elixir for a deep, dreamless sleep; he won’t deny that he’s used it himself, when certain memories had become too much, but that’s exactly how he knows that it hits hard and fast. It can be disorienting – maybe even a little dangerous, if you don’t know what you’re doing.

“I can make something for you,” Eddie says, “but only if you stay here tonight. I don’t want you walking back home in the dark, it isn’t safe.”

“I don’t… I don’t want to impose,” Steve says, as if he could ever be an imposition to Eddie.

“I’d feel better knowing you’re here,” Eddie says, and that seems to break Steve’s resolve.

By the time Eddie finishes the elixir, Steve is barely awake in his seat. He doesn’t even argue when Eddie leads him to his own bed, lays him down, and tells him to drink.

He’s out like a light in minutes.

Eddie closes the bedroom door and sets himself up in a chair by the fire, but he doesn’t sleep for a long time.

He wakes in the morning to the sound of someone moving around in the kitchen. He follows the smell and coffee and sizzling bacon to find Steve there, flitting around the room, cooking.

“Hey.” Steve smiles, broad and true, when he sees Eddie in the doorway. “I was going to come wake you soon, breakfast is almost ready.”

Eddie blinks at him, wondering if maybe he’s the one who took the sleeping elixir, because he can’t quite fathom what he’s seeing: Steve, happy and sleep-rumpled, using his kitchen to cook breakfast like it’s familiar to him, like it’s something he does every day, smiling at Eddie like he’s the final piece missing from the morning.

“I don’t know how I’m going to repay you for what you did last night,” Steve says, determinedly poking at the bacon in the pan. “I can’t– I can’t tell you how much I needed that. How much it helped. But I figured I could at least start by making you breakfast.”

Eddie watches him cook, and feels like his heart is about to crack, because for some reason he’s getting this taste of what life could be like, but he doesn’t get to keep it.

This isn’t for him.

(And Eddie wants to be fine, but he isn’t. He isn’t.)

Something must show on his face, because when Steve looks up at him, his own expression falls into a concerned frown. He forgets all about the bacon and moves over to Eddie, arms outstretched to place his hands on Eddie’s shoulders.

“What’s wrong?” he asks, so invested, so concerned, that Eddie feels like he might lose his mind.

“This isn’t right,” Eddie manages, and Steve only looks more upset.

“Should I– should I not have done this? Did you want me to go, or–”

“I never want you to go!” Eddie blurts. “I always want you here, but this—this morning, breakfast, you—I don’t get to have this. It’s – it’s not right.”

Steve’s expression softens, eyes warming with understanding. “You can have it, if you want,” he says softly. “You can have me. You always could have. Since the beginning.”

Eddie shakes his head. “This isn’t… this isn’t how the story goes.”

“Then let’s write a new one,” Steve says.

There isn’t anything Eddie can think to say to that, but that’s alright, because that means his mouth is unoccupied when Steve leans in to kiss him.

Steve never has to trade anything for his medicine ever again, after that, nor does he have to come over to fetch it – he’s already there. Eddie’s house becomes the nicest in town, what with his live-in carpenter, and all. It’s painted in bright colors, and it draws people in, and makes them want to stay just a little longer, exchange pleasantries just a little more, and get to know Eddie just a little bit better.

Steve keeps his workshop in town, goes there every morning, and returns to Eddie at night. They start their days with breakfast together, and they end them in bed, pressed together like spoons in a drawer, and with every day that passes by, Eddie believes, more and more, that maybe this is something he gets to have.

Maybe this is something he gets to keep.

#steddie #eddie munson #steve harrington #stranger things #steddie-spooktober #this is one of my absolute favorites for this month #it wasn't at all what I'd planned on writing but I'm so pleased with it anyway it was so fun #solar wrote #eddiesteve

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