#But that all aside

[explosivequill]

"You dabble in Shadow, but you have no idea what it truly means"

I feel that way about being autistic, ma'am please stop calling me out like that

[poorly-drawn-mdzs]

The math just adds up!

[qiinamii]

one braincell transfer (divided by four)

[wearily-confused]

older sister = beautician💫

[wojtekaneko]

That's how it went

[marisatomay]

It's so funny that everyone immediately called Eddie gay for doing the Risky Business dance and he is but he also just beat for beat recreated what Tom Cruise did in Risky Business and. well.

[franeridart]

more dragon

[deancasforcutie]

"your angel" with such little context is another way of saying "your sweetheart" romantically and well. they're not wrong

[hit-tab]

[probablybadrpgideas]

Hasbro: Huh, I notice we still have a tiny amount of Goodwill left among our fanbase.

Hasbro: Time to nip that in the bud!

Hasbro:

[hinamie]

spiraling

[majunju]

scarabia aftermath

[fairyroses]

when your partner transforms into an eldritch herald of the arcane to escape the burdens of human emotion but unfortunately for him you're into that shit 😏

(a redrawing of this comic)

+ some textless close-ups because I like them:

[zorangezest]

chat you do not want to know what hour of the night it was when i drew this

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[enema-no-jutsu]

you love silco as a sexy androgynous twink who wears guyliner and has a hunk boyfriend. I love silco as a scrawny old man with a caked face, no ass, no bitches, a daughter with severe BPD, and a failing drug empire. We are NOT the same