#But not really realistic

[gemwolfz]

i think the best genre of image is "creatures trapped in starbucks cups with receipts reading [cup of water (no water, no ice, creature)]"

[bixels]

The final TF2 issue really got to me. Spoilers, but it’s the reveal that all of this suffering and murder and war over gravel and shitty land was for nothing but senseless, bottomless hatred. That the administrator can’t even remember where this revenge plot started as she flashes through different false memories of her parents’ deaths. There was never a tragic backstory or justification, only terrible people doing despicable things. And despite how crass and stupid and unserious TF2 is, the story subverts every expectation by showing the survivors and inheritors willingly breaking the cycle. Ms. Pauling lies to the administrator and chooses not to save her, and finally lets her die. (Hurts even more if you read into the subtext that Ms. Pauling is in love with the administrator.) She lets the final cache of Australium go and walks away from the burden and legacy of a century-old bloodfeud. Hale lets Gray’s daughter go and live her life freely. Spy is the first to arrive at Scout’s house and meet his big family, finally takes off his mask, and helps with the kids. Even Merasmus exhaustedly makes peace with himself and Soldier and chooses not to curse him or something. There’s nothing to finish, no promises to keep, and no one to avenge. The only thing to do is break the cycle and walk away.

It feels odd how happy and warm everything is, but it feels so right and earned. These bloodthirsty, awful, violent men were expendable cogs in a machine of endless violence, and they found a way out. It’s a genuinely great message about letting go the past that burdens you and finding the will and a way to hit the bricks, change, and be happy. Maybe they don’t technically deserve happiness, but they’ve got it nonetheless, and they’re not gonna let it go to waste. They’re still all crazy and violent, but on their own terms now and with people who love them! Smiles.

[morganbritton132]

AU where Tim, age nine, walked three miles to his neighbor’s house, held up his bleeding hand to Alfred, and asked if he could please have a bandaid. He got stitches instead, and a hug from Dick, who squeezed him tight and asked, “Can we keep him?”

And then Tim never went home again.

He learns gymnastics with Dick and reads in the library with Jason. He shows Alfred how to reset the wifi and rambles on to Bruce about his latest obsession (shipwrecks), and he never sees his parents again.

Behind the scenes, there was a kid left alone in a mansion while a whole international incident played out. It included a kidnapping, a ransom, a failed hostage negotiation, and two dead parents never coming home.

It pokes at a wound in Bruce when he is told about the Drakes and he has always been productive in tragedy. He knows how to shove the hurt away and build something strong on top of it.

The adoption was seamless. The sell of the Drake Estate was effortless. The trust for Tim. The memorial. The scholarships in Jack and Janet’s names. Bruce does it all methodical and singleminded.

And somewhere. Somehow. They forget to tell Tim.

Sometimes he misses his mom and dad. He misses his old room and being alone in a big house, but months turn to years and he likes it here. He really does. He has brothers here and Alfred, and they say they’re his family. He likes that.

They said they wanted to keep him, so they kept him. Kept him forever.

Then Damian is there.

Tim comes home and there’s a new boy, about the age he was when they got him. Tim asks in a whisper, “Did they take you too?”

[tchaikovskyed]

"Realistic take on arthurian legend" uhhhh no thank you. I would like my arthurian legend to be full of whimsy and unserious gags. Stop giving us that zero lighting game of thrones-esque gritty nonsense and give us more arthurian legend in all their extravagant colours and silly quests!!!

[wasyago]

tango doodles

first you make up a guy and then you struggle to draw him correctly

[ato-dato]

*genders your bent*

[cryptocism]

cute n silly unfinished sketch

and bonus bart:

[chloesimaginationthings]

Have you ever drawn withered chica?

My beloved horrifying monstrosity...

OF COURSE, she’s just a silly gal,,

(Original comic here)

[what-am-i-doing-in-this-fandom]

Let those old men be GAY.

Right NOW 👇😠

[airoarts]

I know several other people have redrawn that one official cloudtail & brightheart art but i wanted to take a crack at it. Hire me harpercollins.

[ID: a digital painting of Cloudtail and Brightheart from Warriors in a semi-realistic style. Cloudtail is a fluffy white cat with blue eyes, and Brightheart is a ginger-and-white cat with one blue eye and heavy scarring on the other side of her face, including an empty eyesocket, shredded ear, and part of her lip torn away to reveal her teeth. The cats are facing towards the viewer, looking happy, with Brightheart leaning her head into Cloudtail's muzzle. They are in a field of tall grass with mountains visible in the background and a tree with a few leaves looming over them. End ID]

Original below the cut for comparison

[ID: a painting similar to the first one, but Brightheart and Cloudtail are drawn in a more realistic style, lacking expression, and not leaning into each other. Brightheart has much less ginger on her pelt and her scarring is reduced to a few scratches on her eye. End ID]

[sysig]

Permission to headbutt: Granted (Patreon)

[alanide-arts]

I was supposed to draw an angsty sketch comic for Caspian but this was more in character tbh

[bixels]

tarpit site.

[ninyard]

Nora shared a thread on Twitter of in-universe memes and I had to join in

[weevmo]

Good evening,

You'll never guess what I just posted.

https://archiveofourown.org/works/60479521/chapters/156202336#workskin

Enjoy 10k more words of content.

From,

Someone actually studding to become an engineer

I ENJOYED EVERY BIT OF IT AND CAINE ESPECIALLY BUT THIS -

THIS BIT MADE ME LAUGH SO HARD

[nokkiart]

As a long time httyd fan who has been heavily involved in the fandom since the first movie and who has spent years working in the animation industry, I’d like to share my thoughts on the new httyd movie. Keep in mind, this is just my personal opinion and it's completely fine if you disagree with me. I just want to say a little something about all this that really bothers me.

The core reason that Dreamworks and Universal made this film is that it’s a quick and easy cash grab for them. Thats it. They don’t care about telling a good story or making a “better” version of the original movie for fans or even having an accurate portrayal of the characters/story. It’s purely about money. They know that fans of the original film will go see this movie, whether it’s good or bad. And those guaranteed ticket sales are all that matter to the studios. And with Universal, it has the added bonus of being a cheap promotional and merchandising opportunity for the new HTTYD land in Orlando that opens around the same time that the film is premiering in theaters.

And to help the studios make even more money out of this, they are using non-unionized VFX companies around the world to make this film, so that they can get cheaper labor and push the artists to do more that would be against American union standards. The same thing has probably happened with the costuming and fabrication for the filming, hence why the costumes look un-weathered and the sets look cheap. They don’t want to pay for the extra time and effort that it would take to make the practical bits of the production look good.

On top of all this, Dreamworks has already announced that they’re shutting down all their in-house animation projects in favor of using AI and outsourcing projects to cheaper international non-union studios.

With all this in mind, I just can’t support this film and I will not be seeing it in theaters. And I hope that others will do the same.

The only way to stop all these horrible “live action” remakes (which are actually just realistically animated remakes) is to not buy tickets to see them. Money is all that matters to these studios, and if they don’t make any money off of it, then they will stop and try something different. Maybe they'll even go back to focusing on original stories!

That’s the power that we hold as audiences. Our wallets help drive the decisions that the executives make. So support unique storytelling and gorgeous cinematography in movies. Support indie films. Support animators as they're fighting for fair pay and better contracts. But don't support a mediocre shot-for-shot remake riding on the coattails of an already successful film.

And I just want to wrap all this up by saying I have absolutely no hate towards anyone that has worked on the new film. Toothless looks incredible and I know the artists and creatives involved in this project did the best they could with what they were given.

But I also know that those same artists have so many more brilliant ideas that they would’ve loved to be given the creative freedom to do. I just wish hollywood would be willing to take a chance and let them do it.