#But can't help to be more critical of it when it has a lot of problems Hazbin has aside from pacing
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geddy-leesbian · 3 days ago
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YES. I gotta get on my soapbox, Darkside Chronicles is genuinely a better take on the RE2 story than RE2R. I live for the Claire/Ada beef.
Claire: Where are you hurrying off to?
Leon: Where's Ada go?
Claire: She could've gone to the parking lot. This will take us down to the sewer.
Leon: Let's go.
Claire: Wait, Leon. If she did come through here, why would she go alone? There's something about her that bothers me.
Leon: She just wants to get out of here, Claire, and she needs our help.
Claire: Men… You just want to impress her, don't you?
[Claire and Leon hear someone behind a wall they can't get through, but has a gap at the top]
Leon: Hey, anybody in here? Ada, is that you? Are you alright?
Ada [from other side of wall]: Here. I thought you could use this. [She sets ammo on the ledge of the wall gap for Leon to take.] Good luck, Leon. This is goodbye.
Leon: What? Ada, wait!
Claire [sounding very annoyed]: There she goes again.
Leon: If she can get out of here safely, that's all that matters.
Claire [still annoyed]: Well, if you're worried about her, we could go after her.
Leon: No, it's fine. We need to find Sherry.
⬆️ I think that one might be my favorite moment in the RE2 retelling, the way Leon clearly wants to chase after Ada, but still prioritizes Sherry.
Claire: Leon! What happened? Leon: I got shot… There was a woman– Claire: Wait, you mean...? Leon: No. Not Ada. She–
[flashback of Ada treating Leon's wounds I won't bother transcribing because it's not super relevant to my point, important thing is that Ada agrees to help Leon]
Claire [sarcastically]: I guess she's on our side then. Lucky us.
As good as those interactions are, showing Claire's view of Ada, having one-on-one interactions would be amazing and I wish they had done that for RE2R. (Since the DSC retelling has Claire and Leon together for almost the entire time, aside from Leon falling into the sewer and taking the bullet for Ada, one-on-one interactions just wouldn'tiu have made much sense so the Leon interacting with Ada and Claire being pissed about it was perfect for that game specifically, but RE2R could have made one-on-one Claire/Ada work if they wanted.) Having a full game also would have opened up so much potential for conflict between Claire and Ada, DSC did a fantastic job, but at the end of the day, they still had to squeeze three different plots into one game, things had to be condensed and left out. Comparing it to RE2R just makes me sad because RE2R would have been so amazing if they had taken some ideas from DSC and built on them. Like as much as I like what DSC did with Ada, she doesn't really try deceiving anyone, none of the FBI stuff, she's very suspicious from the start and just brushes Claire and Leon off after realizing Leon doesn't know shit. (She sees him in his RPD uniform and asks if he knows anything about Ben Bertolucci and takes off when he says he just got to Raccoon City and doesn't know anything.) Well actually she does deceive them by faking her death, but until that she never really tries to pretend she's someone she's not and doesn't actively lie, she just lies by omission mostly. Like she won't tell them what she's up to, but she doesn't give them a fake story either, just nothing, says something vague and walks away. I like her being more deceptive/manipulative, it fits the spy thing more than her just avoiding topics which makes her look sketchier than if she had given them a bullshit cover story to keep them off her back.
To shift gears a bit, Leon interacting with Annette was also great! The call really gets me...
Leon: Wait, I'm picking something up. A signal…
Claire: A radio signal? From who?
Annette, from Leon's radio: Do you read me?
Claire: Annette?
Annette: Is Sherry there?
Leon: Yeah. She was attacked. She's in critical condition. [angry tone and body language] Where are you now? [pause] Hey, you still there?
Annette: Be careful… Especially with that woman.
Leon: What woman?
Annette: Ada. She's a special agent sent here to retrieve the G sample. She was approaching the researchers and obtaining information about Umbrella. She'll do whatever it takes to accomplish her purpose. She's highly dangerous.
Leon: I think you're wrong. You don't know what you're talking about. Ada isn't… Annette? Annette…!? Dammit. She hung up on me.
This post is already getting too long so I'm not going to break out more transcripts, but there's also the moment where Annette's dying wish is for Leon and Claire to save Sherry, and says that she wants them to tell her that she has always loved her, even though she failed as a mother. (I also vastly prefer DSC Annette's characterization to RE2R. She's a lot more gray. She fucked up, badly, but it's clear she genuinely loved Sherry and she did a lot more to protect her and made her much more of a priority than in RE2R.) And then in the ending cutscene Leon tells Sherry that the vaccine that saved her was from her mother, who loved her until the very end. (And Sherry just cries and doesn't believe him and says he's lying, because mommy never...)
I really like the concept of Leon being softer on Annette too. (not pulling it up IIRC there's one DSC scene where you can see from body language/tone Claire really doesn't like Annette, but Leon is more neutral.) It kind of goes with my headcanons of Leon having had a very rough upbringing with a shitty family, so he sees that Annette cares a little bit and it's enough for him to view her positively, because his own family didn't even care that much, he's just got a broken normal meter and a very, very low bar for good parenting. He gets a lot angrier with her when the radio call happens, but again softens up when her literal dying wish is for them to get the vaccine and save Sherry's life.
Ada doesn't ever interact with Sherry in DSC, but now that you mention it, that would have been something really interesting to explore.
Okay I'll get down from my soapbox now
i wholeheartedly believe that leon and claire’s roles after re2 (moreso the remake than the og) should have been switched. they’re two sides of the same coin (innate need to help people, wanting to take down greedy corporations, etc), but leon’s more passive and, i would say, more inclined to exposing things as his way of help, whereas claire is much more aggressive and quick to action. in this essay i will—
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celtrist · 4 months ago
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Why does Vassago already have merch, we haven't even met him yet
#Celtrist#cel rambles#I don't particularly care how abundant the merch is on shark robot#It literally feels like they'll take a scrap of anything and make it a pin#Like the Moxie Antartica pin Really sir and a bunch others where they're just a random frame from the show#I mean they're FUN frames at least but I swear I've seen some real random ones that don't even make sense to be a pin#AND I'M SORRY WHY DO THEY HAVE SO MUCH MERCH OF CHARACTERS THAT I CAN'T IMAGINE BEING THOUGHT TWICE ABOUT#Sallie Mae fine I can see why people like her and want merch#Chaz is pushing it especially seeing as he's pretty dead but fine I suppose he has his fans#Glitz and Glam? Okay you already fucked up not going with their beta designs but who really was looking at them and thinking “I want merch”#But fine. I'm sure they have their fans#BUT FREAKING MUFFY?? THE VET RECEPTIONIST? WHO TF WAS ASKING FOR A PIN OF HER? DID YOU EVEN KNOW HER NAME?#They do that shit all the time and it aggravates me. They seem to go by a “quantity over quality” thing.#Which their quality is great btw but the quantity of things they have for characters that don't even matter and are seen once is rediculous#Also when I was gonna look up when we were gonna meet Vassago I saw he was an overlord in the pilot#Curious if that's gonna stay. What's to say overlords can't be hellborns or goetia#Is he a goetia? Not sure.#P-point is I like their merch and the new batch seems to mostly be uniquely made to be merch and I like that#But the amount of “garbage” (that's mean but best way I can put it) merch that has a character little to no one would care about#Or is essentially JUST a screen grab from the show is annoying and just pointlessly fills the shop pages#And while I see from a business perspective why they'd put Vassago out especially since some already like him#I also just think it's silly for him to already have merch when we haven't seen his character other than in the trailer#Surprised they don't have merch of satan out yet lol#Okay but I would've approved only so they could make a krampus joke with him#Granted I don't care about Helluva as much as Hazbin#But can't help to be more critical of it when it has a lot of problems Hazbin has aside from pacing#But absolutely NO excuse or leeway for the reason of the sloppy writing that's present#Lemme reiterate my good ol' phrase here:#You're not in the Sonic fandom for like 22 yrs and don't learn to be critical of the media you enjoy lol#rant
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amelikos · 3 months ago
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Sango being a loudmouth who goes at her own pace and often questions orders, yet cowers at any sign of an authority figure intimidating her is such an intriguing contrast in her character.
She quickly complied and behaved when Hamber asked her and Onyx if they were protesting his orders in HZ024. Kaede glaring at her and scolding her after she made a mess of the cooking competition in HZ047 actually worked, and Sango felt cornered enough that she decided to leave. Kihada explaining the battle rules to her in HZ055 and Aoki telling her that her personal rules don't apply in society got her frustrated and upset enough that she just ended up leaving the battlefield.
There are just many recurring instances of Sango reacting in similar ways towards authority figures. They don't necessarily have to raise their voice at her, yet Sango feels easily intimidated and overwhelmed by implied threats and criticism.
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le-velo-pour-dru · 5 months ago
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I know this is the most immature and childish way to react to it, but it's been really stressful to me how much I've been confronted and contradicted and corrected about the things I say and do recently :(
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roobylavender · 1 year ago
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if i really scratch my head i think maybe the one thing all of this could stem from is mere discussion of the fact that talia and selina's histories with bruce sort of operate in the reverse and inevitably that factors into any contention with either relationship. like it can't really be helped that bruce and talia were married very early on into the latter's history and that this is integral to analyzing talia's entire dynamic with bruce, her evolving perception of her own place in the world, and her eventual decision to break free of bruce entirely. the constraints of a marriage with bruce as desired by her father are foundational lore to the early aughts of her character in a way that selina's settled domestic life with bruce is not. if we're talking about the golden age what was foundational to selina's dynamic with bruce was his ability to recognize above everyone else her consistent capacity for mercy despite her villainous goals on the surface. in post-crisis that was translated along the lines of a class struggle specifically. the villainous goals were interpreted to represent a defiance of men and the state and their collective violence, and they also formed a means of survival. what was initially merely a recognition of selina's capacity for mercy now became a potential recognition of bruce's own hypocrisies. selina acted as a symbol for petty criminals in gotham whom bruce would otherwise have written off as immoral wholesale bc to him the law was the law. and the remarkable thing about it was that none of it required selina giving even an inch to bruce. she was who she was and that was what made her utterly compelling to him. it's not a slight against selina that neither marriage nor a close civilian relationship formed the basis of her relationship with bruce and i don't understand why anyone would take it as one. marriage and domestic life for talia was a mark of the utter tragedy of her relationship with bruce. it was a fantasy and a delusion and it could never have given her what she wanted nor lent her any kind of agency in the long term. and i think when we meander into the realm of comparing the relationships we really start to diminish why certain aspects are important to either. why are the various patriarchal restrictions on talia's agency so integral to her character arc and its exploration of freedom? why is selina's existence in a sphere of life entirely distinct of bruce so integral to her character arc and its exploration of class? the constant back and forth between shippers on either end trying to equalize in terms of what either relationship has gone through in canon like it's a checklist to romantic validity is a bit absurd and i wish we would move away from it when analyzing the relationships or the characters
#it reminds me a bit of when i said that i think selina becoming a millionaire was a stupid development#that was insulting to everything newell and grant and moench had tried to build up about her in the early 90s#and people got upset and called me a hypocrite bc talia is rich. like my guy. can i help it that talia is rich#i can't erase her foundational character traits to make some sort of even playing field..#and frankly the fact that she and bruce are rich /is/ precisely what drives the whole argument about duty between them#they are in no position to complain or grow tired or languish in their reams of wealth#there is a duty they owe to the world while they have power and they have to suck it up and uphold that duty#it is the absolute least they can do and they know that. hence why talia is repeatedly on bruce's ass about it#it is also not lost on me that the above complaint may largely stem from the lazarus affair#where talia was portrayed to be ridiculously haughty and more than willing to show off her wealth#even though she didn't do that in like. any other comic in her pre-assassination era#and the lazarus affair as i have said so many times was a ridiculous comic anyways bc it setup talia and selina to be#combative ship fodder to fuel disagreements between dick and bruce. it is literally the first comic where they were ever#pit against each other. despite the fact that they had co-existed in harmony for a decade prior#and denny o'neil had gone so far as to establish both of them as bruce's definitive love interests in the 70s#like idk man it's not hard to entertain a little more critical thinking and poke at why the comparisons between them are nonsensical#a lot of it. a Lot of it. is stemming from people wanting either ship to one up the other. and you shouldn't fall for it#to be deleted#anyway. not making this rebloggable bc i'm sure you're all annoyed already but this whole thing has really confused me. so i've rambled
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youssefguedira · 1 year ago
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like i do think when it comes to activism there are better places to do it than the letterboxd reviews for the zone of interest
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stromblessed · 1 year ago
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Mizu, femininity, and fallen sparrows
In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.
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If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.
So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.
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I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?
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However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.
Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)
And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.
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Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.
It does not mean she doesn't hurt for them.
Back to Mizu and collateral damage, remember that sparrow?
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While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:
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She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.
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You see where I'm going with this.
When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:
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And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD
When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.
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MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS
No wonder Mizu is as stoic and cold as she is.
And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:
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Speaking of Akemi - guess who else is compared to a bird!
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The plumage is more colorful, a bit flashier. But a bird is a bird.
And, uh
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Yeah.
I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.
But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.
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Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:
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But softness and mercy haven't gotten Mizu anywhere good, recently.
There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.
After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:
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"LET" her die. Because as Ringo points out, she doesn't "know how" to die.
Kind of like another bird in this show:
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tori-artemis · 3 months ago
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Oh this is a great question to think about! Tbh I had a lot of hopes back when the series was premiering (and before when it was just announced), so to go off of those... well first off, I really really wanted an exploration of Loki's trauma, his past and even his psyche. Like I know a psychological thriller/horror probably wouldn't have been in the cards for a Disney+ show, but tbf I feel like the creators of Wandavision touched on aspects found in those types of genres (if in a PG 13 kind of way) so I don't think I was too off base for hoping to see something like that for Loki. (Not to mention the ridiculous comparisons to films like Se7en and The Silence of the Lambs that Mike Waldron kept making... but I'm not gonna get into that rant again.)
I think I would've put a lot of focus on what the hell actually happened to Loki when he fell into the Void and disappeared for an entire year or so, and how he ended up encountering Thanos and the Black Order, how that all went down, etc. Either through flashbacks, or (possibly altered) memories, or Loki recounting those events interview/interrogation-style (and being an extremely unreliable narrator in doing so, like for instance saying something like "I made a deal with Thanos and worked with him willingly" and then at some point you see into his head through flashbacks/night terrors and realize that clearly wasn't the case, just stuff like that). The possibilities were endless tbh, like there's just so many creative opportunities to explore that one aspect of Loki's backstory. And since that's such a burning question to me (and many other fans tbh) still to this day, I feel like that'd be the first thing I'd want to tackle.
Another important thing I'd want to include would be Loki's gender fluidity and his bi identity. Like I don't think it necessarily has to go with Loki referring to himself as bi, like I don't think he has to say the actual word "bi" in order to give any meaningful kind of rep?? Especially now that Agatha All Along has come out, I feel like I'd want to approach Loki's identity in a similar type of way, just unapologetic, and as authentic as possible to his comic book counter part. Like hell, he can have hang ups with those parts of his identity (which would actually make sense, being from Asgard and since he already has a lot of self-loathing issues in general due to being Jotun).
I wouldn't mind that, especially if it was done in a non-typical way, like maybe it's not being sexually intimate with men/males that's looked down upon on Asgard, but - similar to the Norse apparently - it's on what role they play, or basically who's the "bottom" - that gets shamed, or maybe same sex relationships aren't looked down upon at all on Asgard, but giving birth/getting pregnant while being/presenting as male is, bc it's seen as unnatural, and then let Loki go through an experience where he develops deep rooted insecurities about those aspects of his identity due to Asgard's cultural prejudices. And like this doesn't even have to be explicit (tho after the birth scenes in both Wandavision and especially Agatha All Along I can't help but roll my eyes at ppl having a hang up with Loki going thru something like this, especially if they were totally okay with Wanda and Agatha having birthing scenes, but anyways). It can be something as simple and as subtle as Loki finding out he's pregnant (maybe he can magically feel the fetus growing inside him, or he can hear the heartbeat/etc, or maybe it's as simple as having morning sickness and/or a change of diet). And it just ends up with him drinking tea/potion (due to pressure from Odin/Frigga/society, or maybe he's not ready and seeks it out himself) which gets rid of the baby, but again it's done in a very non graphic way. Of course the whole mpreg thing is just an example, and doesn't have to be in a series about Loki (that's what fanfic is for!) but basically: let Loki be queer, he can have hang ups about being queer, and tbh I'd want the hang ups to be kind of different from the usual discussions/portrayals of queerness in media mainly bc Asgard's an alien/fantasy society so I'd want their cultural norms to be pretty different from ours (human society in general), but overall just let Loki be queer, goddamnit!
Furthermore, I'd want to explore Loki's self loathing in particular, and see his view of himself change as he develops and grows throughout the series. If he encounters other versions of himself then I'd want to see what that would look like... and preferably done differently from how the show approached it (regarding Sylvie). Like I don't want him to just, I don't know, praise his other self up the way he ends up doing in the series (I know he also fought with Sylvie at the beginning but tbh I couldn't really take their rivalry seriously, it felt very sibling-like - which I actually enjoyed at the time, mind you, but a reflection of one's internal self-hatred it certainly is NOT, and like overall the whole dynamic just didn't work for me bc I find those two characters so undeniably different from each other and therefore it doesn't really work as a metaphor for self hatred/self love, but that's neither here nor there).
Like - let it be messy! Let it actually be vitriolic and hateful if that's what the series is trying to convey. Let Loki be angry, let him rage, let him lash out - at versions of himself and at other characters, like c'mon! This is a character that has a lot of inner darkness and has suffered through a lot of trauma and has difficulty trusting others due to said trauma (especially if we're going with Avengers era Loki) so how about we Show That.
Tbh I wouldn't have minded for Loki's main villain (both in the series overall and wrt the lead character) to be a version of himself. (As long as it was portrayed in a thoughtful way, like don't just make him evil please, in fact he doesn't even have to be evil at all - he doesn't have to destroy or conquer other worlds, he could literally just be out there destroying all versions of Loki, which would force our protagonist to fight/confront this person hunting him down). Like I think there would be so many possibilities for all of the ways a protagonist could deal with a "villain" - or rather, an antagonist like that. Some far more darker than others, depending on how you want your story to go. Like it could end similarly to the Agent of Asgard comics (where I believe Loki ends up forgiving and embracing his "evil" self... tho I've not read the comics so please feel free to correct me if I've gotten something wrong). Or if I were writing this series, I would've just had Loki forced into a position where, after being worn down to reaching his emotional breaking point, and in a fit of sheer rage, he'd end up brutally murdering the antagonistic version of himself, in the ultimate form of self destruction, and then I'd have him reeling from the internal consequences of such an extreme form of violence done against himself - but that's just my ridiculously morbid psychological-horror-loving ass for you. I'd just want to completely unravel him ngl, before having him overcome the impossible by rebuilding himself once more (w/ a little help from his newfound friends)...
If the TVA had to be involved in some way, I'd want to approach them as an ominous totalitarian organization, and if Loki were to be tortured by said organization, it most certainly would NOT be portrayed as some throw-away-attempt-at-comedy-type-of-scene (AHEM). I'd go for a darker tone overall, and Loki's torture at the TVA would be portrayed with all of the horror demanded by those types of scenes dealing with that kind of subject matter.
Tbh I have so many ideas for a Loki-centric show, some that involve the TVA and some that don't, but there's just so many threads and I don't want to make this any more convoluted than it already is, so to put it simply: I'd want the focus to be on Loki first and foremost. If it's called Loki, then it should be about the main lead, similar to how Agatha All Along was about Agatha, and Wandavision was about Wanda. (Which means, if the TVA has to be involved, then they would be secondary to the series' main focus - which would be on Loki and his relationship with himself.) Secondly, I'd want to see his trauma not only brought up, but fully explored. Which includes his traumatic upbringing (Odin's A++ Parenting, Frigga's enabling, family dysfunction, Asgard's toxic social/cultural norms) as well as the horror he experienced in the Void and on Sanctuary, maybe even some events in the first Avengers film, but seen through Loki's eyes this time. And I'd just want Loki to be queer, so if he's bi then let him have previous (or current!) relationships (or flirtations) with men (or attraction towards men) as well as women, if he's gender fluid then Show. That. Whether he physically transforms into a woman at times, or through his inner monologue where he refers to himself with different pronouns even if his gender presentation hasn't changed, or even his ambivalence towards being trapped/labeled in a one-gender-ticked-box, but Show. It. That part of his identity deserves to be shown, especially in a series where Loki's the central character.
If you yourself could’ve directed/wrote the Loki series, what would you have done differently? What would you have wanted to see in a series about Loki? What would you have focused on? Would the series take place somewhere other than the TVA? Which characters would you include? What would be the end goal? What aspects of his character would be explored?
#Loki#Loki Series AU#MCU Loki#So this was... A Lot.#I guess I had a lot of thoughts on the matter lol...#Also with regards to Thor: while I think his relationship with Loki is very important to Loki's character overall -#- I wouldn't want to place too much focus on their relationship mainly bc Thor already has his own film series...#(Which is meant to focus on Thor and on his relationship with his brother... )#(Now whether the films actually do a good job on conveying those things are a whole other matter... )#But yeah. Basically I'd want the Loki show to be about LOKI.#(Tho further exploration of Loki's love for his family and memories of his brother would definitely fall into this... )#Anyways this was long enough!#Loki Series Criticism#Just in case bc I didn't remain as neutral in tone as I initially wanted to be...#Also also: with regards to morality and redemption arcs... tbh when it comes to Loki I'm more interested in a character study approach...#Tho I wouldn't mind if he reflected on some of the destructive actions he's taken - from the invasion of Earth -#- to the attempted annihilation of Jotunheim...#As well as seemingly ''smaller'' destructive moments... such as when he'd nearly killed a human Thor back in the first film...#His denial of Frigga being his mother right before her death...#As well as his perceived guilt over Frigga's death...#(Assuming he somehow managed to see how his life would've played out had he not taken the Tesseract.)#More than anything I'd want to explore Loki's self destructive tendencies - and ultimately end it on Loki reconciling with himself...#Including the aspects of himself that he hates... whether it's as something as blameless as being born the ''wrong'' race...#Or being so very unlike the Asgardian ideal...#His feelings of being a ''monster'' due to his Jotunness...#As well as due to the destructive actions he'd taken during previous films...#''Deep down Loki wants to be Worthy''#(A paraphrased quote from the Thor: The Dark World BTS that I can't help but think about from time to time... )#If Loki were to have a redemption arc... I'd want it to play out in a way where it's completely intertwined with his self-healing arc...#Basically: You can't have one without the other.
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subrosasteath · 13 days ago
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Making another post actually, because all of the symbolism in Win or Lose is amazing.
Having anxiety be a creature that just grows and grows, and eats away and crushes Laurie down until she can't speak or walk like she used to? Having Laurie's dad always be under the sun, or some kind of light to signify that while Laurie is religious, and looks up to god, what she's really looking to is her father?
The way armour is necessary for some jobs - Frank need to be able to take criticism, and still stick firm to what he knows is true, - and that relief of taking it off? And when it bleeds into personal life, what can he even do? When he's been heart, because he can't open up, doesn't that just make it harder to shed that in the first place?
And then Ira, whose perspective reminds me a lot of Captain Underpants, and is so, so sweet. He's just a little kid, and a little weird, and he just wants friends who like him for that! And he wants his big sister to like him, and spend time with him! And he's so imaginative, the scribbly, cartoon style of his little world he spies through? I was just in love. The fact that he kept picturing the teenagers as super heros and rebels and good guys- and just the fact that he sounds like a kid! Are you kidding, that autraulian joke? I laughed so hard because I've heard kids talk like that, that's what shy, caring little kids sound like when they've been shot down before!
Yuwen's mini me inside his heart screaming like me!!, the version of him he doesn't let out, because it's cardboard and flimsy and so easy to crush. I'm really amazed at the way they portrayed Yuwen and Taylor, because i remember being in middleschool, and while I never dated (cough cough aroace), the depiction of them "picking out curtains and moving in" feels so real, because I do believe that's what love will always feel like, no matter the age. Being in middleschool doesn't mean the love isn't true, or isn't there just because it's not likely to last. And the way they depicted kissing, not by showing them kiss, but by showing what it felt like? I was amazed. Baffled. I can't believe I haven't seen more things like that.
(It's actually incredibly interesting to me, that 2/3 main male characters shown so far, have gimmicks of protection. Protecting themselves, their emotions, and who they are as a person, because they feel they can't be open and honest, they feel they can't trust their emotions to guide them.)
I talked about Rochelle and her mom in a seperate post, but the gasp I let out when I realized Rochelle's gravity was weird because she didn't have the stable force of a mom? Oh my god. Rochelle feels like her family is upside down, that she has to be the adult, and because of that, every force in her life is turned upside. She has no one to rely on and nothing to ground her, until her mom is finally there for her, no phone in hand at the end of episode 4. Gravity rights itself because her mom is there, fully present, to help her.
The way they contrasted Rochelle's episode's mood with her mom's was fantastic, because her mom's felt like a performance. She's performing, always, because she doesn't know how to be otherwise! She performs being a good mom and performs being happy for her audience, and even performs at the party, wether she wants to or not! That was an audience! And everything about her performance has bleeded into the way she sees the world, how everything's pink and sparkling and upbeat. It's only when she finds Rochelle do we see her not performing, we get to see, for the first time, who Vanessa is for just Rochelle. For just her family.
I'm so invested, so obsessed, SO READY FOR THE NEXT TWO EPISODES!!
(As a sidenote, if you haven't seen the storyboards of the cut trans scene, here's a link to the internet archive of them. I can't find them anywhere else. But the Picasso style falling apart, the shattering and splitting of identity, because Kai is scared, and has to act both parts and it's confusing and hurting her and oh- it really just punches me in the gut.
Here's the link directly to the archive: https://archive.org/details/23fr-4r
and the link to the reddit post i got it from: https://www.reddit.com/r/lostmedia/comments/1hhj1zh/partially_lost_deleted_storyline_from_upcoming/
please go watch it if you like the show it's absolutely beautiful <3)
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qqueenofhades · 5 months ago
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I don’t have any words right now for what’s happened. Where in the fuck do we go from here?
I don't know. I really, truly don't know. We can't sugarcoat how bad things are going to get, and we can't pre-emptively give into it anyway. This is going to be an unprecedented time in American history (if, sadly, not world history) and the forces conspiring to make you obey will gain much of their power from you doing so in advance, without a struggle. It seems fair to say that America as it has always been historically constituted is over, and may not return in our lifetimes, but we also do not know that for a fact. If nothing else, the fascists will find it very hard to cancel competitive elections, and we cannot sit back, throw up our hands, conclude that voting is clearly meaningless, and let them do that. There are a lot of other things that we need to do, but that's one.
There are various postmortems to be written and nits to pick, but Harris was thrown into an impossible situation and did the best she could in 100 days. Even her critics agree she ran a pretty much flawless campaign. But this country simply decided that a well-qualified black woman could not be preferred over the most manifestly and flagrantly unfit degenerate to ever occupy the office. They decided this for many reasons, not least because large swathes of the country now live in curated misinformation bubbles that, under Government Czar Musk, will only get much, much worse. They were helped by the cowardice and complicity of the "mainstream media" that could have ended Trump's career exactly like they did to Biden after the first debate, but chose to preserve the profits of their billionaire oligarch owners and did not do so, giving Trump the benefit of the doubt and normalization at every turn. They also hounded Biden relentlessly over the four years of his presidency, never reported on the good things he did, and drove him to the historically bad approval ratings lows for a president who was by any metric, quite successful (and will quite possibly be our last ordinary American president for a very long time). Along with the searingly ingrained racism and misogyny and misinformation, Harris could not overcome that.
Democrats clearly had a messaging problem, but it's also true that the country, quite simply, does not care about "democracy" when the economy is perceived to be at stake. Not to over-egg the Hitler parallels, but yeah. This is how Hitler returned to power in 1933 -- on the backs of widespread economic collapse of the Weimar Republic; voters decided they just didn't care about the overtly fascist stuff, which he then proceeded to you know, do with genocidal vigor. Except the American economy in this case was actually doing well, which makes it even more baffling and indefensible. Enough people simply memory-holed Trump's crimes (aided at every turn by SCOTUS, Mitch McConnell not convicting him after January 6, Merrick Garland being far too slow and timid, the corporate media), liked the racist fascist behavior or felt that it wasn't a dealbreaker, and decided that in this election, he was the "change" candidate. It's insane by any metric, but that's what happened.
The country is deeply sick. We do not know what will happen. It's going to get bad. Barring a miracle, we will not have federalized abortion rights again in my lifetime, and there will be widespread attacks on public health, women's rights, immigrants, transgender people, and other vulnerable people. Even and especially the ones who voted for Trump. Never Thought Leopard Would Eat My Face, etc. Alito and Thomas will swiftly step down and allow their seats to be replaced by 40-year old wingnuts hand-selected from the worst the Federalist Society has to offer. SCOTUS is gone for the next generation at least. There is very little prospect of it being ever fixed in the foreseeable future.
Trump will never face a scintilla of consequences for his previous crimes; all the open federal cases will be closed as soon as he takes office and fires Jack Smith. The best we can hope for is that he dies in office, but then we get Vance and the cadre of alt-right techno billionaires ruled directly from the Kremlin. Putin is celebrating this morning and with good reason; he's gotten everything he wants. Trump will egg on Netanyahu in Gaza and abandon Ukraine. Democracy across the world will remain even more fragile and badly under threat. Authoritarians will be empowered and American withdrawal from international systems will percolate in very dangerous ways that cannot and will not be fixed in the short run. I really hope all the leftists who celebrate this as the "defeat of the genocide candidate" will enjoy all the genocide and suffering that's about to come. And yes, I do think the Israel-Palestine war fucked us in a large way. Jewish voters perceived the Democrats as insufficiently pro-Israel due to the presence of far-left antisemitism, even as the far left attacked the Democrats relentlessly and never targeted the Republicans. Arab voters abandoned them, possibly deservedly. What would have happened without the war? We don't know. You get the historical period that you get. Netanyahu and Trump can now do anything they want. Hope it was worth it.
As I said, I can't sugarcoat it. We are going to be paying for this in some form for the next decade, and probably longer. I'm not as absolutely shattered as I was in 2016, but I am much, much angrier. We all thought, we all hoped, America was better than this. It isn't. That, however, is something that has also happened before. What we decide to do next will shape how the next chapter unfolds.
This would be a great time to stock up on needed medicines, renew your passport online, and anything else you need to do in preparation for next year. Many of us simply do not have the wherewithal, whether financial or otherwise, to leave the country. I don't know what will happen with me. I don't know what will happen to any of us. This was utterly avoidable and yet, America didn't want to avoid it. At some point, there's nothing else you can do. You can point to media cronyism, Russian influence, etc etc., but the fact that two of the most qualified presidential candidates who happened to be women have now lost to Trump twice makes it unavoidable. The virulent rightward shift of young men (of all races) in particular paints a grim picture as to how the reactionary misogyny of the 21st century is going to essentially undo most of the progress for social and gender equality in the 20th. The patriarchy has been a problem for most of human history. Doesn't really seem like it's going to change.
The end result of this, however grim: we're still here. We are still living within our communities. If (and this is a big if) Democrats can retake the House, they can put some checks on the process for the next two years. At this point, we are in full-out buying-time, trying-to-prevent-the worst mode. We could have continued fixing things, but we won't be doing that. We will only be trying to preserve ourselves and our friends and our smaller spheres of influence. It sounds very trite to say that we have to have courage, but we do. There's not much else.
It's going to be an awful winter. We have two and a half months to see this coming and know how bad it's going to be, and... yeah. I don't know how soon the buyer's remorse will inevitably set in, but it will. Tough luck, people. You voted for him. You get the country that you decide to have. But the rest of us are also here, and what Gandalf says is still true. We wish the Ring had never come to us, we wish none of this had happened, but we still have to decide what to do with the time that is given to us.
I don't have a lot more. I'll probably be logging off for a while. I don't need to look at the internet for.... yeah, a long time. (Will I do it anyway? Probably.) I don't know what else to leave you with, aside from again:
Do not obey in advance. Do not act as if everything is foreordained and set in stone. Fascist regimes end. They always do. We are going to have to figure out how, and it will suck shit, but the alternative is worse.
Take care of yourselves. I love you.
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comicaurora · 3 months ago
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A bit of a strange question, but if there were any of your videos you were to "remake" today for any reason (ex: you feel like you misrepresented the original text or spread misinformation), which would it be and why? None of them is a perfectly valid answer
Again: bit of a strange question, but I've been thinking about my own creations and how I could have done so much better with some of them, but I also know that is a sign of my growth and constantly chasing "what if I did this instead" isn't always healthy for nurturing a creative mindset, and I was wondering what your opinion might be as a Creator of Things with a bit more experience than I
There's been a few trope talks where I've thought later of other angles I could've explored that might warrant sequels or part 2s, but I don't dislike any of the summaries enough to justify a rework.
I always find "I could've done this better if I made it now" to be a bit of a fallacy. I'm only better at making things now because I made all those earlier things. If I knew everything I'd learn from making a project before I started the project, it wouldn't come out the same.
I think when it comes to the "rework remake perfect" instinct, it helps to zero in on what the impulse is really grounded in. In my experience, more often than not, it's not actually about making the art better, except incidentally. It's usually about showing that you are better. It's demonstrating your competence and your higher standards and your skills, and more importantly it's overwriting the proof that you were once less than perfect. If people look at your old work and think that's all you're capable of, they'll be judging you poorly!
If that's the motivator, it's a very unhelpful one. You can't control for being harshly or incorrectly judged. It's a fruitless effort to stave off potentially upsetting outdated criticism, and it's not even going to work. Fear of critique is an unreliable and untrustworthy motivator.
If it really is about making the art itself better, perfecting your magnum opus with your newly leveled-up skills, that's a little more solid. But from where I'm standing, it's always better to use those skills to make something new instead of polishing something old. The older, unpolished work has already acquired its audience that finds it appealing for reasons that might never occur to you. Trying to bury or overwrite it just deprives that audience of the thing they like, and maybe makes them feel bad for having liked it in the first place. Also, usually when you look back on the older work, you'll conclude that the problem is everything and it'll need to be torn down and started from scratch. I know when I revisited the first three chapters of the comic, when I let my critic brain spin up, it wasn't shading or lineart I wanted to fix - it was panel composition, overall pacing, the entire structure of the chapters as a whole. I would've had to make them all over again to be happy with them, and they wouldn't be the same story by the end.
I've been thinking a lot about the Discworld through this lens lately. It ended up over 40 books long, but everyone agrees that the first two are not what you should start with, because they're the worst ones. They're entirely parodic, purely referential of at-the-time major fantasy series, and borderline mean-spirited in places. If you haven't read Fafhrd and the Gray Mouser and Dragonriders of Pern, you're not gonna understand like a full 50% of The Colour Of Magic.
It's clear that when he started in on them, Pratchett was entirely focused on taking the piss out of a genre he found mostly shallow and unimpressive. But the Discworld wouldn't leave his head, and everything he made fun of he clearly eventually found himself overthinking. He'd make little one-off jokes in the early books about Dwarves having no women and a hundred words for gold, and then twenty books later he'd have a Dwarf gender revolution make waves across the Disc, and then he'd write Thud!, a book that delves deeper into the nuances of Dwarf societal structure than Tolkien ever did.
If you look for them, there are continuity errors everywhere in Discworld. In his introductory book, Carrot defused a dwarf bar full of rowdy brawlers by guilting them all into writing to their poor lonely mothers back home. Shortly thereafter, Carrot will be outraged at the mere concept of an openly female dwarf. Pratchett even eventually wrote Thief of Time, a book that loosely explains that the Disc makes no sense because history has been broken and put back together incorrectly twice, and therefore any continuity errors are because of that.
He's the writer. He could've gone back and fixed it, edited the reprints to be less disruptively discontinuous with the later books. Instead he continuously moved forward and allowed the world he made to grow without cutting it off from its roots. And because he didn't bury his older, far worse work, we have the privilege of following the Disc's evolution from the very start, and seeing how this shallow, stock fantasy world parody became something incredibly rich and complex without ever pretending like its early installments never happened.
Anyway, that's why I think it's better to move forward. You make more good stuff that way.
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youarewhatyoulove-blog · 1 year ago
Text
the violence of the dog days.
Tumblr media Tumblr media Tumblr media
pairing: jeongguk x reader
summary: In the midst of summertime, after a week of neglect, your boyfriend has a way of making you feel even more heated.
OR
you're hot and horny for jeongguk.
rating: mature🔞 (minors please dni)
genre: non-idol au, college au, established relationship, smut, fluff, pwp
word count: 9.2k words of unadulterated smut.
warnings: reader and jeongguk are absolute horny simps for each other, but they're also so inlove, soft boyfriend jeongguk (because yes that is a warning), jeongguk is a law student (oof), overuse of the petname 'baby', reader hasn't been getting it seven days a week😔, switch jeongguk (kinda), hair pulling, hickeys, making out, thigh riding, nipple play (jeongguk is proudly a boob guy), religious imagery because jeongguk worships reader like a god, usage of the words 'c*nt' and 'p*ssy' (because i know some people are iffy about that), cunnilingus (f-receiving), jeongguk is low-key a sadist y'all (in his fantasies), a bit of dom/sub dynamics, prayers for reader because jeongguk's got that big d🙏🏽, unprotected sex, doggy style, degradation, a teeny weeny bit of overstimulation, creampie - like this is just pure smut guys 😬, possessive sex, choking, aftercare, reader kinda hints at having attachment issues (but don't we all).
author's note: 1. please ignore any typos :). of course, i'd appreciate any feedback or constructive criticism. but if you find yourself uncomfortable by any of the themes in this fic, there's no need for hate, just kindly move on. 2. also, this is a lot longer and softer than i intended. this fic was supposed to be purely hard smut, but i fell in love with the characters and their relationship, and some aspects of the story just turned out sickeningly sweet - so proceed with caution.
You're an hour into tossing and turning when you can't take it anymore.
The heat.
With June coming to a close end, the surviving remnants of summer creep in through your bedroom window with barely a whisper of a breeze. It clings to every part of your skin, that ever-lingering humidity thickening the air, and wraps itself around your body like a cloak. For some reason, you thought that scrolling aimlessly through the various apps on your phone would help distract your mind from the muggy weather or maybe, by some miracle, even lull you to sleep.
But it hasn’t—of course it hasn't. Because summer is here to stay, burrowing deep within your bones and making a home there. Each passing minute is a testament to that, insomnia creeping up your spine with ill intent and wriggling into every cranny of your mind until you feel like you're losing it.
Perhaps you are, you think.
Because when the desk fan a few feet away suddenly stops whirring and the fumbling grasp you had on sleep slips from your reach like a fleeting dream in the morning light as a result of it—drifting further and further away—you hit your breaking point. The lack of white noise and cool air blowing your way mounts your frustration into place. It hangs there in the ether like a looming shadow but, unlike your slumber, has no plans of deserting you.
With an annoyed huff, you drop your phone back onto the nightstand for the umpteenth time and kick your leg out from under the duvet.
“Fuck.” You sigh, rolling onto your back.
A thin sheen of sweat lingers on the surface of your skin, causing the sheets to stick uncomfortably to every part of your body. You spread your limbs out like a starfish in some futile attempt to cool them down, hoping that you'll catch a draft, but the action only reminds you of how largely cavernous your bed feels right now.
The space beside you is missing a particular doe-eyed boy and, as your hand brushes over the empty spot, you realize that it's not so much the seasonal heat that's making you feel weirdly restless, but rather Jeongguk's absence. In an inconveniently clingy way, you need his body settled next to you at night, your legs and arms a tangled mess beneath the blankets.
You don't know why that is. Why sleep eludes you like a compass without direction, unable to find its way to you when Jeongguk isn't near. But you don't mull over it or give the thought a foothold to stand amongst the endless anxieties already in your head.
All you know is that cuddling up with him in the evening is perhaps one of your favourite pastimes. Akin to a baby with it's bottle, falling asleep in his embrace is something you've grown incredibly used to, maybe even a little dependent on—like a security blanket or night-light—and there's nothing you can do about it.
Sneaking a glance towards the dim light spilling in from beneath the bedroom door, you picture Jeongguk on the other side. Chances are, he’s still where you last left him. Sitting cross-legged on the couch with a laptop balancing carefully on his lap, eyebrows scrunched together in concentration, as he catches up on coursework.
You worry your lip, the thought of your boyfriend causing your mind to wander...
He looked so good tonight; adorned in a pair of grey sweats and a baggy t-shirt with his tattoos fully exposed. His dark hair was strewn across his forehead, falling into his eyes in a way that made your fingers itch.
You, on the other hand, are sporting an old, oversized shirt you opted to steal from Jeongguk's wardrobe to combat the high temperatures, but it hasn't helped much. The heat still loiters, creeping up the back of your neck and imbuing your cheeks with warmth.
It makes you long for winter, for the bitter nip of frosty ice and pelting rain, and the desire for that inadvertently reminds you of that fucking silver lip ring Jeongguk had gotten recently.
The memory of its cold, metal sting against your lips as he kissed you goodnight sends a distant, carnal hum coursing throughout your veins. It's probably tugged anxiously between his teeth right now whilst he types away, eyes deadset on the screen before him, and the image of that sends you reeling. Makes your skin flush further, yearning to feel its steel bite again.
For some reason, it propels you into motion, skin prickling as you throw your legs over the edge of the mattress without a second thought.
The last thing you want to do is bother his progress or interrupt his work, but selfishly, you persist. That gnawing feeling deep within your chest is too hard to ignore, heart beating voraciously with each step you take because it longs to be satiated by Jeongguk's presence. Your boyfriend is only one room over, just four thin walls separating the two of you, yet still—you miss him, want him.
Treading lightly, you hear the persistent click-clack of his keyboard and the muffled sound of typing only grows louder as you step out into the hallway. The wooden flooring is frigid beneath your feet, a sensation you immediately relish in as soon as the fiery crawl of discomfort across your skin begins to lessen. Your shirt—or more precisely, Jeongguk’s shirt—falls flat from your waist, landing a few inches above your knees, as you wander further into the apartment.
Just as you’d predicted, Jeongguk is all pretzelled up on the sofa, too focused on his work to hear you enter. A few empty bottles of soju and convenience store snacks litter the coffee table, serving as silent witnesses to the length of time he's been out here. He must have dimmed the lights as well because a faint, warm glow shrouds every facet of the room, making him look particularly soft at this hour.
You walk up behind him, wrapping your arms around the length of his shoulders as you bend over the couch's headrest to envelop him in a hug. ”Hey,” You hum softly, pressing a kiss to his cheek.
Jeongguk startles slightly at the contact, shaken from his deep concentration as he angles his head to look up at you. “Shit, baby. You scared me.” He breathes, voice rough from disuse. It rumbles through you like a distant thunderstorm, body vibrating with electricity.
“Sorry,” You murmur, glancing at the assignment he's been working on and tiny pangs of guilt gradually trickle into your stomach. “I didn't mean to disturb you, but-”
“You're not disturbing me.” Jeongguk instantly reassures, scanning your face with a knowing look. “Can’t sleep?” He asks and you nod, burying your face into the crook of his neck. The scent of his body wash immediately encompasses you like a warm embrace, wild pinewood and bergamot invading your senses.
“I thought you’d be in bed by now.” You mumble against his skin, unable to hide the pout in your voice.
Jeongguk frowns, eyes flickering to the time at the bottom of his laptop screen.
Shit, he hadn’t even noticed how late it’s gotten, the hours skulking along the cusp of a new day. He should probably be turning in for the night, head to bed and worry about this project tomorrow, but he’d rather not postpone his responsibilities. Not when you’re staying over the weekend and he could be spending that time with you instead.
“I know.” Jeongguk responds, hand coming up to intertwine with yours. “I’ll be there soon, okay?” He promises, bringing your knuckles to his lips. The featherlight kiss he presses there soothes you like a curative balm.
“Okay,” You relent, untangling yourself from his body. “But, can I stay here for a bit? It’s too hot in there.” You half lie, gesturing towards the bedroom while simultaneously walking over to the kitchen only a few feet away.
“Yeah, of course.” He murmurs, eyes following your movements.
“Thanks, Kook.” You smile, sparing him a glance over your shoulder as your eyes sparkle with mirth. “By the way, your fan broke down again.”
“Again?” He laments, eyebrows furrowed together whilst he runs a disgruntled hand through his hair. “I seriously need to get that old thing repaired or maybe even replaced.” He grumbles to himself, before a guilty afterthought occurs at the sight of you. “Fuck, I'm so sorry, baby. No wonder you couldn't sleep.”
You don't tell him that it's not so much the heat keeping you awake but, more so, him.
“No, don't worry about it.” You settle on instead, trying to dispel his concerns. “It's not your fault.”
This isn't the first time that Jeongguk’s fan has given him problems. He's had the thing since high school; so it’s no surprise that the motor tends to give in every now and then, running a little too hot. He’s been meaning to get the issue sorted, but hasn’t really found the time to do that these days.
“Plus, I'd much rather be out here with you.” You add.
Jeongguk smiles at you so sweetly then, dimples making an appearance, and your body flushes all over, burning once again.
God, what is wrong with you tonight?
You need to calm down, cool down. At this rate, you feel like an overheating engine, bound to crash in on yourself and combust.
Grabbing a glass of ice water from the fridge dispenser, you rein yourself in, distracting your mind with conversation. “I promise not to be a bother though, like you won't even notice I'm here.” You say, before chugging the cold liquid down on the spot, completely ignorant to the way that Jeongguk drinks you in.
A welcome sight is what you are, so cute tonight with your hair all mussed, practically drowning in his shirt. “You’re never a bother.” He responds, mouth going dry when you lean back to empty the glass. The action causes your shirt to hike up, the creamy expanse of your thighs further exposed to his hungry eyes.
He feels his dick stir at the sight.
“How much longer do you think you’ll be?” You ask, wiping your lips with the back of your palm, as you place your cup in the sink and shuffle over towards your boyfriend.
“Uhh…” Jeongguk clears his throat, broken out of his stupor. He turns back to face his laptop, skimming the Word document that's open before him when he feels you nestle into his side a second later. Automatically, he brings a hand down to rest against your leg.
“I’m not sure,” He grumbles, thumb rubbing soothing circles against your bare thigh. The absent-minded touch ignites something in you, skin blazing at the contact, and you try your best to suppress the goosebumps that rise in Jeongguk’s wake. “Maybe another hour or so?” He guesses.
“Oh.” You mumble and, although you fight the disappointed curl of your lips, Jeongguk doesn’t miss the deflated look on your face.
“I’m sorry,” He squeezes your thigh apologetically, frown overtaking his pretty features. “I know it’s been a while since we spent time together.”
A week exactly, you note, but ultimately keep that detail to yourself. After all, neither one of you is to blame for being so busy, constantly caught between work and university.
You think that's maybe the reason you're feeling so needy tonight, body set ablaze by every minor look and touch from your boyfriend. In a way, you're feeling a little neglected since your relationship’s taken the backseat, not by choice but by consequence, and you don’t know how to deal with it.
“It's fine.” You shrug. "It's not like we can help it.”
You try to be nonchalant about the matter, injecting the slightest hint of indifference into your tone, but Jeongguk sees right through you.
He always does.
“Come here.” He says suddenly, voice soft as he shifts his laptop onto the coffee table.
You look up at him, confusion clear on your face.
“What?” You blink, but your question falls on deaf ears because Jeongguk merely uncrosses his legs and pats his lap.
“Come here,” He then repeats and reaches for your waist.
You're uncertain for the briefest of moments, eyeing Jeongguk suspiciously, before you ultimately give in like malleable clay in his soft hands, allowing him to pull you onto his lap with ease. “I've been working for hours.” He grumps once you're comfortably straddling his waist, hands resting on either side of your hips. “Hardly seen you since you got here.”
You hum, pulling your bottom lip between your teeth in thought. It's no secret that you've been spending a lot more time at Jeongguk's place in lieu of your ratty little dorm room. You felt bad about it at first, feeling as though you were invading his space and overstaying your welcome. But your boyfriend couldn't be happier about it. He rather likes the idea of your lives interlocking, melding together as if they were puzzle pieces falling into place. He likes that when he's working, like on nights like this, that you're just on the opposite side of the door, not one phone call or car ride away.
He likes that you're his and he is, equally as much, yours.
“I wanted to leave you to your work.” You explain, curling your arms around his neck. Your fingers absentmindedly play with the ends of his hair that have grown out and the light touch only brings about the memory of how much he has missed you these past few days.
“Well, it's about time I take a break, don't you think?” Jeongguk muses and you become hyper-aware of the way his fingers brush up your spine. “Give my girl some attention…” He trails on, eyes flickering to your lips.
You practically preen at the idea, smiling shyly as you lean into his touch. “I wouldn't object to that.” Your heart patters in your chest, beating wildly at the mere sight of Jeongguk. At the thought of him finally touching you, kissing you, quenching your thirst after this week-long drought. “I've missed you.”
Jeongguk chuckles faintly. “Me too, baby.” He murmurs, perching his head upwards to press his lips against yours.
The kiss is gentle, chaste, his plush lips feeling so featherlight against yours. You almost imagine they were never there to begin with because Jeongguk pulls away before you can truly savour the taste of them.
“You know, you look so pretty in my clothes.” He begins, large hand spreading lazily around your left hip and up your back. “Kinda makes me want to wreck you.”
“You already wreck me.” You breathe without missing a beat.
“Yeah?” Jeongguk rasps, his voice low and a little dark. It sends a thrill straight up your spine.
You nod in response, feeling the heat rush to your cheeks. “No one makes me feel the way you do.” You admit, eyes flitting across his face. It's an unwavering truth—one that simultaneously scares and excites you in this quiet dead of night.
“Can I kiss you again?” The words come out as a breathy whisper; as if you've been holding on to them for too long, as if they're the oxygen you so desperately need to breathe, and Jeongguk tilts his head, bewildered frown on his face.
“How is that even a question.” He gripes, slanting his head in a means to meet your mouth halfway, but you have another idea.
You press into him instead, leaning forward, and set out to peck lovingly along the curvature of Jeongguk’s jawline. He huffs in amusement, endeared by the way you take control. Because, although he’s usually the dominant one in the bedroom, he doesn't mind when you take charge like this. In fact, he's grown to love it. Loves the way you come into your own, toying and teasing with him, until your own actions cause you to grow desperate.
It's one of his greater weaknesses, his Achilles heel, and right now, you want nothing more than to expose it. Unveil a certain side of him. The one that'll see how far you can push before he starts to push back. The one that'll give in and take you right here on this couch after he's entertained your antics for long enough and you finally beg him to fuck you.
Your body practically hums at the thought.
You map out his skin, lips brushing against the surface like you're exploring a new land. Every movement careful, every touch claiming what's yours. And it almost goes to your head—how quickly Jeongguk submits to your mouth’s assault, his body relaxing into the couch like he's letting you have your way with him.
Jeongguk doesn't tell you that he is. That your lips are a holy grail he'd happily yield to.
When your teeth graze lightly at a particular soft spot below his ear, he lets out a small groan, eyes falling closed at the sensation. You feel the sound roll through you, the ache between your legs becoming hard to ignore when you think about the fact that you've roused that melody from his mouth.
It spurs you on, makes you want to hear it again and again. You want to paint the entire column of his neck red and then watch your confession of love fade to a bruised purple in the weeks to come. You want to rediscover all the ways that you can make Jeongguk sing, and the way your body dances to his tune in turn. Your lips lap him up, kisses becoming indelicate with desperation, teeth nipping with intent along his upper jaw, tongue tracing over the skin before you repeat all these gestures twicefold.
You can feel yourself growing wet, relish in the way that Jeongguk's hands tighten around your form. “Shit,” He mumbles and your body crows. Without pause, you shift against his lap and move to the neglected side of his neck, targeting the skin there. You can feel him getting hard beneath you, your core situated right above his growing erection, and it causes a shiver to run down your spine.
You plant a few messy kisses against his throat, nibbling vehemently, but then Jeongguk tuts and pries his eyes open before you have the opportunity to really sink your teeth into him.
“Baby,” He warns, curling a hand into your hair to form a makeshift ponytail. “No marks. I've got a presentation on Monday.” He says and pulls you back by an inch. His movements are somewhat hesitant, voice rough, like he's not entirely sure he truly wants you to stop.
But he has to. He can't afford to show up to class on Monday and present the most important project of his life with hickeys all over his neck.
“Next time.” He promises, but you consider outright ignoring him for a second, even though it's nonsensical, like some twisted form of punishment for a week of neglect.
But it’s Jeongguk—Jeongguk who’s been extra stressed lately about completing his degree. Jeongguk who’s carving time out of working on his big assignment right now—one which, not only counts forty percent of his grade, but could also earn him an internship at one of the top law firms in Seoul if he's lucky enough—all to pay special attention to you.
So, “Fine.” You give in, albeit a little petulantly, and brace your hands against his chest, face feeling flushed. “I’m sorry. I just wanna be close to you is all.”
“I know. Me too.” He rasps, grip on your hair loosening a touch, but not completely. “We don't have to stop though, just don't mark me up.” He explains, free hand rubbing up and down your thigh.
“Okay,” You slide your palms up his chest, feeling the toned muscles tense beneath your touch. “I really love you, you know?”
Jeongguk's eyes soften, a hint of a smile creeping up on his face. “I know,” He hums, tugging at your hair in a way that makes your scalp tingle. “But I don't think it comes close to how much I love you.” He rasps, using his grip as leverage to pull your head backwards until the delicate skin of your throat is exposed. “It's incomparable.” He murmurs, placing a single kiss on the side of your mouth before he travels south, lips peppering across your jawline.
You shiver, hands twisting into the thick material of Jeongguk's t-shirt. You want to tell him that it's not a competition, that you'd love him until the sun stops rising and, even if this one week of distance had been more, you know that he feels the same.
But the heavy palpitations in your chest causes the words to dissolve on your tongue because Jeongguk pulls the collar of your shirt to the side a second later, exposing more of your skin, before he traces a path along your décolletage. He's touching you like a starved man, mouth just as desperate and feverish as you’re starting to feel.
A stuttered gasp escapes your lips, your hands moving upwards, unsure of where to be, when he nips at a particularly sensitive spot. You settle them on his shoulders.
“Jeongguk,” You moan, the tingling between your legs maturing into an unbearable ache.
“I know, baby.” He abruptly pulls away from your clavicle—lips red, eyes blown. “Tell me what you want.”
His demand goes over your head because you don't know what you want; can barely think straight with the lingering feeling of Jeongguk's lips on your neck. With the growing wetness sticking uncomfortably to your panties. With the burning, hot embers laying at the base of your stomach, begging to be set ablaze. And Jeongguk knows that. Knows that you're neither here nor there, only somewhere in the middle, teetering on the line of endless choices. So he lets go of your hair then, manoeuvres your body until you're straddling only his left thigh.
“Don't think about it, baby.” He murmurs, both hands moving to your hips. He guides them back and forth, slow and gentle, with just enough pressure to relieve that desperate throbbing in your pussy. “Just feel.”
And you do, sinking into your own little bubble, a paradise as impenetrable as the gates of heaven. You take your time to grind up against him, moving in tandem with the flow of his hands and a soft whimper climbs up your throat at the sensation of your clit brushing against the firm muscles of Jeongguk’s thigh. You're already so soaked, underwear absolutely sodden from the relentless pendular motions of your pelvis, and when you look down to find a dark, damp spot beginning to stain Jeongguk's sweatpants, you can't help but intensify your movements.
It should be embarrassing, how quickly you've become turned on, how much you're dripping, when Jeongguk's barely touched you, but instead you just feel liberated. Pure power coursing through your veins because your boyfriend has given you the reins, is letting you use his body like a bitch in heat, and it's exhilarating; intoxicating every facet of your mind.
“That's it,” Jeongguk purrs, deserting your hips once you gain momentum to instead sneak both hands up the hem of your shirt.
Your breath escapes its chambers when he trails past the soft curve of your waist and straight to your breasts. “Fuck, you're so beautiful.” He grunts, gaze intent on your every reaction, like he's watching artwork unfold. His nimble fingers circle your nipples, tracing them with the most tantalizing pattern, until they begin to harden.
“Please,” You choke, clasping his shirt in between your fists like it's some sort of lifeline. You're not even sure what you're begging for, pace quickening as you ride Jeongguk’s thigh more aggressively. Every rut forward sends sparks shooting throughout your body, nerve endings alight, and when Jeongguk pinches your nipples between his thumb and forefinger, your back arches in pleasure. A throaty moan penetrates the room otherwise filled with nothing but your uneven pants and the sound of Jeongguk's voice.
“Gonna make you feel so good,” He groans, hands inching towards your shirt’s lower seam. He drags it over your torso, itching for better access to your breasts. Even in your muddled state, you meet him halfway, raising your arms above your head until the damned thing is off and you're left in nothing but your lacy underwear.
You hardly have time to adjust to the humid air hitting your torso, when Jeongguk tips his head forward, enveloping your right nipple into his mouth with reckless abandon. The response is instantaneous, a strangled sob slipping past your lips at the feeling of his warm mouth encased around your stiffened peak. His tongue swipes across your nipple, shockwaves manifesting at the blissful contact, and you don't know how much longer you're going to last—an embarrassing feat you don’t ponder on too much.
Instead, you squeeze your eyes shut, focusing on the attention Jeongguk pays you. Whimpering when the pads of his fingers move to fondle the nipple of your forsaken breast while the other submits to his mouth’s pleasurable torment, each purposeful pinch causing them to tighten all the more. Your skin feels like it's on fire, the warmth of Jeongguk's touch igniting the cinders glowing from deep within your belly. “I-I think,” You swallow, your pussy rubbing deliciously into Jeongguk's leg. “I think I'm going to come soon,” You manage to admit through a repressed whine, voice so strained it sounds foreign even to your own ears.
You don't think you've ever hit an orgasm this quickly. You've never had to. Because you and Jeongguk are like inseparable magnets; every atom in your bodies drawn to each other, always connecting like two poles seeking the other out—never going more than a few days without some form of intimacy. Never mind a week.
At least, not until now.
So when Jeongguk bounces his leg upwards to meet the force of your pussy coming down on his quadricep, adding to the way you slam into him, your clit positively throbbing at the impact, you feel the onset of that familiar coil in your stomach tightening.
“Just let go, baby.” Jeongguk rasps, granting you permission with one final flick of your nipples and then you're coming undone, white fiery heat flooding every fiber of your body, as you cry out his name. Only his name, forever on your lips. You feel the way your entire form convulses, the way Jeongguk helps you through it, flexing his thigh so that you can get the most out of your orgasm, and your hips buck forward—unrelenting and greedy—before they finally ease into a slow rut. Grinding into him until the receding, minuscule waves of pleasure begin to fade.
With the last few clenches of your pulsating core, you slowly catch your breath, muscles slackening as you become pliant in Jeongguk's arms, the weight of your body suddenly too much for you to bear. Your boyfriend holds you tight though, both hands moving to your waist to keep you secure.
Behind the darkness of your closed eyelids; you hear Jeongguk softly murmur your name and feel the way his hand comes up to your face, tucking a few stray strands of hair behind your ear before he cups your cheeks. “You okay, angel?” He asks, voice emerging as a hushed tone.
When you manage to tear your eyes open and give him a soft, affirmative nod, Jeongguk seems satisfied, pressing a delicate kiss to your sternum before he shifts you from his lap and onto your back in one fell, but gentle swoop.
Your head hits the soft leather of the sofa with the aftermath of your climax still lingering against your skin like crackling electricity, fuzzing up your mind. “You think you can take more?” He asks, eyes flitting across your face to get a read on your current state of mind.
You nod your head assuredly, reaching out to make a grab for his body, to bring him closer. “Yeah I can,” You say confidently, arm's snaking up his back to explore the taut muscles that reside there.
Jeongguk is hovering over your body, thigh pressed hotly between your legs, and even though you can feel the rush of arousal, brought on only a second ago, pooling uncomfortably in your underwear—you want more. You want him. “I want to carry on.”
Jeongguk studies your demeanour, casting your body and expression a careful once-over, because he wants to feel you, be in you, wants to make you see stars. But it's only a matter of whether you're able to handle that right now. He has barely had his way with you, but you already look so fucked out, so perfect for him. It makes the blood rush straight to his dick. “You make me crazy.” He rasps, eyes locking with yours as he brings a hand up, tracing his thumb along your bottom lip.
You almost cower beneath his touch, beneath the sincerity of his gaze; appraising the very depths of your being as if you were a delicate treasure, as if he were staring at a god or something of a divine beauty.
Jeongguk thinks that maybe he is; thinks you’re the light, the one thing he’d worship morning, noon and night through blind faith. And there are barely enough words in the dictionary for him to express this notion to you, so instead he settles for “I love you.” Voice as rough as the high tides, but softer than moonlight.
He feels compelled to tell you this every chance he gets, a hopeless slave to his feelings for you. “Like I've never loved anything else in my life.” He continues. It's a quiet confession in the night, not a new one, but the words mean just as much as the first time he admitted them to you.
You feel yourself melt, can't remember ever feeling this cherished. Not since before Jeongguk and hopefully, never after. “I love you too.” You murmur, taking a moment to drink in every detail of the man who has left you restless all night.
Your eyes flicker over the defined cut of his jaw. The delicate curve of his lips and the pretty mole resting just beneath it. The small kissable scar on his cheek. The feathery flutter of his eyelashes. The strands of hair that have fallen over his face, and you retract your hand from his back to push them away.
How did you ever get this lucky?
“So much.” You emphasize and your voice thickens with the weight of your words, spoken from the very depths of your soul. “More than you could ever know.” Because there aren't enough words in the dictionary to get this notion across, so instead you lift your head, planting a firm kiss to Jeongguk’s lips as if sealing a vow, a promise of forever.
Jeongguk receives your kiss like he does with everything else related to you; openly, hungrily. His tongue swipes across your bottom lip—once—twice—and you instantly become pliant under his weight. Your fingers find his hair, tangling into the dark tresses as you deepen the kiss. It’s hot and it’s heavy, and in the distant part of your mind, you register that Jeongguk tastes like peaches, most likely from the alcohol he’s been drinking.
The sweetness of his lips immediately goes to your head; drunk and euphoric, and all grace flies out the window the next second. “Touch me,” You murmur breathlessly against his mouth, fingertips skimming over the nape of his neck. “Please, I need you.”
Jeongguk groans, a husky sound resonating from deep within his throat. “Fuck,” You can feel how rock hard he’s gotten, his erection pressing into your inner thigh and it's making you delirious with need. “I’ll give you anything you want.” Jeongguk rumbles, his mouth forming a wet, messy trek away from yours to embrace the flesh of your breasts.
You want to tell him that it's him, only him you want. Puppeteering your every move, body relinquishing itself to his touch. But you don't. You can't, not when Jeongguk's teeth leave scarlet marks across your chest that render you mute, words evaporating on your tongue like sacramental bread.
“My pretty baby,” He coos tenderly and you fight the urge to rut up against him. “Always so fucking ready for me.“ He praises, kisses traveling southward and it burns, searing, everywhere that Jeongguk touches you. You think you might erupt or shatter, and nothing less, if he doesn't meet you where you really need him to, your cunt begging to be satiated with his fingers, or his tongue, or his dick—anything.
A whimper escapes your lips, an embarrassing, desperate sound hanging in the thick air, as you glance down past your heaving breasts. You watch as Jeongguk abandons your boobs, planting a trail of kisses across the expanse of your stomach, your hip bones—takes the tiny little ribbon on your underwear between his teeth and tugs. The deliberate gesture causes your panty to rise up a bit, ever so slightly brushing against your clit in the process, and you bite down on your bottom lip, holding back an ungodly moan.
You can't take it anymore, all this teasing.
Jeongguk can read it on your face; sees it in the way you swiftly tilt your head back, eyes closed, brows scrunched together. He knows you like the back of his hand, which is how he gauges that you've fallen back into a place of submission—done with the tortuous foreplay, done with calling the shots, done with delaying the inevitable. You want him to fuck you, to use your body the same way you had used his mere minutes ago. And if his dick could get any harder at the thought, it would.
Jeongguk licks his lips, slips a finger into the curve of your waistband as he murmurs, “I’m gonna take this off now, okay?”
You nod your head, not daring to open your eyes to confront the image of Jeongguk's face a mere hair's breadth away from your cunt. It's too erotic. Too much. You feel him drag the thin garment down your legs, a string of arousal following suit, and suddenly feel self-conscious, attempting to close your legs to hide how shamefully wet you are.
But Jeongguk's not having any of that.
He carelessly chucks the lacy material to the side like it’s nothing but a rag, a nuisance, and then grips your inner thigh. “Don't you dare,” He grunts, using his grasp to keep your legs apart, lifting them upwards until your knees are bent to your chest and your ankles are resting over his shoulders, giving him the perfect view of your dripping cunt.
You barely have time to register the ticklish feeling of Jeongguk's breath fanning against your core before he dives straight in, licking a long stripe across your pussy, and your hips instinctively buck up. “Shit,” You mewl, rejoicing in the way his tongue traverses from your slit to your clit, lapping up every drop of arousal.
Jeongguk groans, a sound so low, stemming from the heart of his diaphragm, when he samples that first morsel of your leaking nectar. You taste like heaven, so sweet and unbearably wet, and all just for him.
“So fucking good,” He grumbles, mouth drinking you in. His tongue is unrelenting in its efforts to devour your pussy, and the overwhelming sensation of him slurping and sucking—of him eating you out like a connoisseur tasting the rarest of delicacies—causes frenzied pools of pleasure to ripple within the base of your belly.
He keeps at it, nose brushing against your clit as a byproduct, and after a few minutes the pure, unwavering rapture of Jeongguk's tongue becomes excruciating. A feeling so good, it’s almost too much. “Jeongguk,” You wail, heels digging into the couch as you try to back away from his mouth, but your boyfriend merely hooks his arms around your legs and pulls you closer. Holding you in place; unable to run or escape from the ruthless onslaught of his tongue, from the metal bite of his piercing brushing against your lower lips. “I can't,” You cry, writhing beneath his touch.
With his grip keeping you firmly anchored, Jeongguk brings one hand down to toy with your swollen clit, fingers moving in languid, clockwise motions. “You can,” He grunts thickly, tongue slipping between your folds and prodding deliciously at your hole. “I know you can, baby.” He mumbles in between fucking your drenched pussy with his fleshy muscle.
You shake your head frantically, eyes screwed shut, as you feel the waves of your second orgasm surfacing. “Not like this,” You beg, using your hands to reach down, fingers twisting into his fluffy hair as you desperately try to push him away. “Please, I want you in me.” A sob runs free, your walls pulsating around nothing because Jeongguk is taking his time with you, teasing your opening like he's got all night. But you don't. You're close, so fucking close, you can feel it in the tightening muscles of your pelvis, in the quivering of your legs.
But Jeongguk isn't giving you enough. He isn't giving you what you need. Your boyfriend, in all his hot glory, is taking you there with his tongue, swirling insufferably along your orifice—bringing you right up to the edge of the plank with an ocean of pleasure waiting just below your feet, but then he pulls you back. Drags you from the precipice before you can allow yourself to fall in, and it causes a frustrated whine to escape your lips. You need his cock deep inside, filling you up, pushing you off the ledge and into troubled waters. Your pussy throbs at the very thought. “Please Kook,” You find yourself beseeching for the second time. “I wanna cum with you in me.”
And any thread of composure Jeongguk has been holding on to up until that point, snaps at the pure neediness burrowed within your tone.
He looks up at you; lips glistening, eyes dilated—a mess of a man. But you don't look any better—or, if you were getting a glimpse of yourself through Jeongguk's point of view, never better—skin flushed, gleaming with a fine film of sweat, lips swollen from the way you've been biting them, and all at once, Jeongguk is overcome with the desire to give you everything you've ever wanted.
“Fuck, okay,” He curses, rising to his knees and you force your eyes open at the rough edge tainting his voice, at the overwhelming relief of getting what you wished for. “But it’s going to be a bit of a stretch, baby.” He says, not having prepped you fully. It's been a while since the two of you have had sex and, if he had it his way, he would have given you his fingers first, would have warmed and widened your lubricated walls, to ease the initial discomfort of him entering you.
But you look so pretty beneath him, so impatient, and—“I can handle it,” You mollify, voice a sweet concoction of sultry persuasion.
He nods in response, a curt motion, because if he thinks about how eager you're being, about how you're willing to take a little bit of the pain for the insurmountable pleasure, he might just come right there. Might just think of all the other ways you like to hurt; of the way you'd react if his palm made rough contact with your ass cheeks, or what would happen if he handcuffed you to his bedpost and stuffed you full with a vibrator and butt plug—if he fucked you tonight with no end in sight. He wonders if you'd cry, if you'd beg him for more or want him to stop, sopping and spent. More than that, he wants so badly to find out.
Jeongguk’s dark eyes find yours, their typical doe-eyed demeanour having turned hooded a long time ago. Yours are twinkling with anticipation, watching intently as he pulls his sweatpants down, letting them hang low beneath his buttocks. His cock immediately springs free, slapping against his stomach, and you sink your teeth into your bottom lip at the sight.
“Come here,” Jeongguk's voice carries a jagged intonation, raw and untamed, and breaks through you like crashing waves. But when he makes a grab for your body, his hands are nothing but gentle, hoisting you up onto your knees and positioning you on all fours.
With your ass bared before him, face pressed into the cold faux leather of the couch, Jeongguk smooths a hand down your back, watches with satisfaction as your spine yields before his touch, and then he takes a hold of his dick. Doesn't even bother giving it a few preliminary pumps because he's already painfully hard, precum leaking from the tip as he lines himself with your hole.
He doesn't put it in though.
First, he teases your little cunt with only the head of his length, not fully embedding himself within your warmth just yet. You whimper pathetically at the testing prod, fingers balling into frustrated fists, while Jeongguk watches in awe as your entrance narrows, pleading to be stuffed.
“God, look at you.” Jeongguk groans, eyes traveling from your glistening pussy to the state of your overall servile form.
He places one hand on your hip, fingers digging into the skin there, as he inches just the slightest bit forward, his dick slowly pushing into you. Your mouth parts at the sensation and you shakily prop yourself up onto your elbows, head falling forward with a moan. “So fucking needy, huh.” He goads when you attempt to meet him in the middle, subtly backing up against his pelvis.
“No,” You shake your head as if it's some sort of lie, as if you haven't been thinking about this moment since you stepped over the doorsill of Jeongguk’s apartment earlier. And your boyfriend laughs—he actually laughs—a maniacal, derisive sound that rings in your ears.
“There's no need to deny it, baby.” He drawls like smooth liquor hitting the back of your throat, a silky succour that, for some reason, has you dumbly nodding along. Because Jeongguk’s entering you more now, his dick fighting against the tight restraint of your heat, and you're too distracted by the feeling of it to fully comprehend what he's saying.
“I mean,” He continues, reaching down between your legs to gather the wetness clinging to your folds before he bends over your back, lips brushing against the shell of your ear. “You’d think you've never been fucked a day in your life.” He murmurs, bringing his slick fingers to your level of sight.
You flush instantly, burning at the way your arousal dwells on Jeongguk's digits and forms a translucent web when he parts them into a V shape. “I can't help it,” You breathe shamefully, about to protest that it's his fault for letting you go so long without attention, for not taking care of your sexual needs and making you this susceptible to moments of depravity, when Jeongguk fully entrenches himself into your heat without so much as a warning.
“Aah,” Your jaw slackens at the sudden stretch of his length against your walls, the sensation so unfairly delicious you find yourself clenching around the intrusion with a gasp, and your boyfriend uses the opportunity to stuff his letch-laiden fingers into your mouth.
“Clean them.” He grunts, lazily rocking forward and you choke back a moan, mouth instantly closing around his fingers. Head full of clouds, pussy filled to the brim, you obey. Your tongue licks up the juices stuck to his slim digits, gliding sensually across each one with care, and you vaguely hear Jeongguk curse below his breath, hips grinding into your core. “Fuck, just like that, angel.” He praises, allowing you to suck them clean for a few more seconds before he pulls them from your lips altogether with a lewd pop.
“Such a good girl,” He murmurs lovingly, pressing a singular kiss to your shoulder blade before he straightens to his full height behind you. “Always so perfect for me.”
Jeongguk's hands find your ass again and he gives the supple flesh a few gentle squeezes, savouring the way you whine in response.
“Please,” Your words come out embarrassingly broken and wretched, heart hammering in your chest with want, as you peek at Jeongguk over your shoulder. “Please, no more teasing. Just fuck me.”
“What do you think I'm doing?” Jeongguk asks, eyebrow raised, voice harbouring a hue of cockiness. He withdraws his thick length from your warm embrace at an agonizingly slow rate before thrusting right back in, repeating the motion steadily. “I'm fucking you right now, aren't I?”
You want to cry, your need to come so severe, it's starting to physically hurt.
Your fingers leave deep indents in the couch as you tackle the burning coals of frustration setting every inch of your body on fire. “M-More,” You stammer, feeling a pearl of arousal trickle down your thigh. You're so turned on right now, your mind an empty haze as Jeongguk edges you into oblivion, cunt so wet, you can barely feel the brush of his shaft against your walls anymore. “I need more.”
Jeongguk grins, feels the crown of his cock brush against a particular soft spot, and then decides to give you what you want. Because he loves it when you beg, when you become a blubbering mess beneath him, so cock-hungry, you forget yourself.
Without a moment's pause, Jeongguk pounds into you with unbridled vigour. His hips slap against your ass, the sound echoing throughout the room, and your body jerks forward at the impact. Your core is so drenched he's able to enter you with little resistance now. Emitting a rough, throaty groan, he fixates on how your creamy arousal coats his cock, disappearing in and out of your cunt.
“F-Fuck,” You hiss, your hand reaching back to firmly grip Jeongguk’s wrist for support, but he takes advantage of your extended arm and yanks you up until your back is pressed to his chest.
The new position gives him better access to your front and Jeongguk ghosts a hand around your waist without a second thought, smooths it down your stomach until he reaches your clit. Your body jolts the instant his fingers make contact with the swollen bud, legs quivering with the strength it's taking you to stay upright.
Your boyfriend notices your struggle and hooks his other arm around your waist, his fingertips holding you so tightly you won't be surprised if some bruises appear there tomorrow.
“Fuck, I've missed this.” He rasps, more to himself than you, whilst drilling against your g-spot. But the words affect you just the same as your pussy tightens in response, squeezing him into a death grip, and Jeongguk's hips stutter. “Jesus,” He groans, making a mental effort to stave off his own orgasm, trying to focus solely on you.
You really are going to be the death of him.
He breathes heavily through his nostrils before starting up again, slowly driving into you and his cock burrows so deep, you swear you can feel it in your uterus.
His fingers skim over your clit, tracing the nub ever so slightly because you're starting to flinch from his touch, starting to grow sensitive. And when your head falls back against his shoulder, a choked whine forcing its way out your throat, Jeongguk knows that you're close.
“You gonna come for me?” Jeongguk's lips brush against your temple, his hand deserting your pussy in sympathy to knead your breasts instead. You feel his thumb run over your nipple, static lightning steamrolling across your skin with each sweep.
“I-ah!” You can barely form a coherent sentence, the inklings of even one lucid thought slipping from your empty, fucked out mind as Jeongguk slams into you. He's setting a brutal pace, the noise of skin-against-skin undeniably obscene, but you can hardly find the will to care when the muscles in your abdomen begin to tense. They twist up like a clockwork toy, winding and winding, until Jeongguk hits a particular spot that makes your toes curl, and then you're coming undone for the second time tonight, knees buckling with the sheer force of your orgasm.
It hits you like a freight train, your body spasming. White dots of euphoria blur your vision, the pleasure so blinding, and Jeongguk's hold around your midsection is the only reason you don't collapse right there onto the couch.
“That's it, baby.” He reveres, hips never ceasing their movements even as your walls contract sporadically, determined to fuck you through it. An uncannily pornstar moan spills from your lips, mind and body having finally plunged into the silvery, stormy torrents of your climax, and the strangled sound causes something impossibly primal to rupture within Jeongguk. It thrashes at his chest like a wild caged animal, demanding release, and he recognizes the feeling all too well.
“You're mine, right? ” He finds himself grunting, voice husky with strain. The hand that was attending to your boobs instinctively ascends to your throat, squeezing slightly as he chases his own high, gives in to that grueling streak of possessiveness that only every rears its head when he has you like this—naked and vulnerable—and you groan at the familiar pressure.
You hum, walls clenching around him. “Only yours.” Your own hand reaches up, cuffing around his wrist for support as a tremor runs down your spine.
Jeongguk feels his balls tighten, the knowledge that he’s the sole witness to this side of you, so subservient and docile, sets him off the deep end.
Then you angle your head to the side, joining your lips with his. It's a messy, sloppy kiss, but the intimacy of it all causes Jeongguk's last bit of composure to crack.
He spills into you with a groan, the sound muffled by your mouth, as he rocks forward until every last drop of his seed is snug within your warmth.
The feeling of his cum bursting inside of you, length twitching, causes your pussy to flutter by reflex, milking Jeongguk of every ounce of cum, only suspending their contractions once he's thoroughly depleted.
By the end, you're both a heaving mess; chests rising and falling in unison as you come down, the electric current pulsing through your bodies fading into a comfortable hum.
Your skin is still buzzing, head befuddled, when Jeongguk presses a few lazy kisses across your shoulder—as if to ground you, to bring you back from the constellations he's painted behind your eyes.
“You were so good, baby.” He commends, smoothing the hair at the side of your profile and you can't help the soft, but dopey smile that breaks out onto your face then.
“I've been dreaming about that for forever.” You murmur, submitting to the assault of his lips. Your boyfriend chuckles in return, nuzzling your neck as he commits the smell of your skin, an alluring scent of sex and lavender, to his memory.
“Me too,” He hums, thumb gliding gently across the contour of your waist. Your sensitive pussy throbs at the light touch, rousing from the stimulation; which only reminds you of the unpleasant remnants of arousal coating your inner thighs.
As if reading your mind, Jeongguk whispers against your skin. “Let's get you cleaned up, okay?”
He eyes your figure carefully, waiting for any hint of consent before he leaves you here alone.
You manage to muster a nod and then feel his dick slip from your entrance a second later, withdrawing in a way that makes you cringe and leaves you feeling oddly empty.
“I’ll be right back.” He assures, his lips quickly, but comfortingly, brushing against your hairline. Thereafter, from your peripheral, you see Jeongguk detach himself from your side, pulling his pants back up as he disappears into the bathroom to do what he does best—take care of you.
In the meantime, you resist the temptation to slump back onto the sofa, feeling a hefty load of cum leaking down your thighs. Every muscle in your body feels relaxed, those sparks from earlier sizzling down into sleepy, smoky remnants that weigh you down. Mind a dazed mess, not sure of how much time has passed, you almost give in—the slumber you so desperately sought out at the beginning of the night finally settling into your bones—when Jeongguk walks back into the living room. He's changed into a pair of briefs and is carrying a wet cloth, as well as, a small tube of ointment.
Your body instantly perks up, a little rejuvenated by his presence.
“Hey,” Jeongguk murmurs once he's back in your close vicinity, fingers brushing against your cheeks as he peers down at you with a soft smile.
“Hey,” You tiredly grin back, pointing a finger at the items in his hand. “Those for me?”
Jeongguk hums, draping an arm around your waist to steady you. If you had the energy to freshen yourself up, you honestly would but currently, you can barely keep your eyes open. So instead you lean on your boyfriend—figuratively and literally—clutching onto his biceps as he brings the warm cloth to your nether regions. You hiss a little at the contact, still feeling delicate down there, but Jeongguk handles you with a gentle mindfulness that makes your heart swell. Makes you think back to a little over an hour ago, when you were alone in bed unable to fall asleep because he wasn't there.
And sometimes it worries you. How much you need him. How much something as simple and basic as sleep, needs the warmth of his touch to make its mark on you. How much you’ve grown to love him in the span of a few months, your life endlessly orbiting around him like the earth to the sun. How much the deepest crevices of your soul, where the vile fear of abandonment and instinctual desire to run, relinquish themselves to the light of Jeongguk’s unconditional love.
You watch him toss the used washcloth to the side before unscrewing the top of the ointment. Sigh; as his fingers, tender with purpose, apply dabs of vitamin K salve to your hips where the marks from his fingertips are starting to surface. “Shit, I'm so sorry baby.” He apologizes, the raspy, hushed tone of his voice communicating how guilt-ridden he feels. “I didn't mean to be this rough.”
And, you've never known a love like this. One that rustles through your hair like the wind on the drive down to your parents. One that meets you in the dead of winter between classes, wrapped up in coats and scarves, and coffee as the snow falls. One that kisses you goodnight, hands cupping your cheeks while the street lamps flicker outside.
One that dresses all your bruises.
It makes you want to run in the opposite direction every now and then, fleeing until you forget that you ever knew it could be this good, this safe.
But, staring at Jeongguk and the careful, intricate way he's massaging ointment onto all your black-and-blues, you bury these trepidations away, laying them to rest in the one place they belong—the past.
Because yes, you’ve never had this sort of love before—the seriousness, the commitment.
The emptied-out drawers for your clothes.
The spare toothbrush at his place.
The conversations of a future together—the clear line being crossed from fling to forever.
Even though it's a concept so scary and unfamiliar, and foreign to you—you never want to let it go.
You never want to let him go.
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unveilandresist · 3 months ago
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Got a glimpse of where we're at as a country medically via the r/nursing subreddit. People are really not okay and it's deeply scary. 'Letting it rip' when it comes to covid is killing thousands and disabling millions. With the latter, here's what it looks like:
Nurses saying they are seeing ear infections in kids all the time secondary to other illnesses (or routinely in adults which they have never seen before), nurses saying their hospitals are overrun by flus, rsv, norovirus, mycoplasma pneumonia. many people saying they went to the doctor sick as a dog and came out with 3 different illness diagnoses at the same time or that they and their kids get sick over and over and over. it is not normal for this to happen. we were lied to about covid, y'all.
have you and the people around you been physically as well this last year or two as they were in 2019?
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If you didn't know, as a lot of people don't - covid makes you immunocompromised. It damages the immune system, blood vessels and organ systems. It's a vascular infection, not a cold. the more infections you get, the worse it is. In the lab it's considered a level 3 pathogen (categories are for risk level/safety protocols), in the same category as tuberculosis. People are being treated with IVIG, because it's for immunocompromised people.
Also there is improper preparation and tracking for a h5n1 (type of bird flu) that has a very real chance of evolving to become a pandemic this and/or next flu season. they are finding it in wastewater all over the country, someone in Louisiana is in critical condition with it. Flu vaccine provides partial protection to it so I'd highly recommend getting that this and next winter.
Following epidemiologists is really important and helpful. The government wants you to go to work and think things are normal so they don't have to send you another check - they are not invested in our collective wellness (in fact, they take tons of lobbying money from insurance companies invested in keeping you sick). With some of these folks saying it is taking them weeks to recover from the flu, I wonder if some of it isn't bird flu, though it could be just being significantly immunocompromised.
fwiw masks work. I haven't gotten as much as a cold in years. well fitting kn95s and n95s protect you. even if you can't wear one at work, wear one to the doctor, at the grocery store and pharmacy. it would really help disabled people in general too.
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lady-raziel · 11 months ago
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idk man i know times are hard but i can't help but feel that watcher putting all their eggs in the basket that is their own streaming service is a bad call. like sure i totally get wanting a platform where you have full control both creatively and financially but i feel they might be misjudging how much loyalty non-hardcore fans might have for what they're creating. in every internet fandom there's a subsection of people willing to pay with actual money to support the creators they enjoy, and that's what services like patreon are for. but to expect that casual viewers will sign up and pay a monthly fee to get access to just watcher content when a large portion of them were likely just watching the content because it was free and accessible on youtube assumes that someone who isn't a diehard fan won't just go "oh well" and find something else on youtube that IS still free? that seems like a miscalculation to me. the massive fanbases online content creators have may literally be only possible because the content is available to anyone-- it seems foolish to assume that every single one of those fans is going to stick around once you try to upsell them.
i hope this new venture goes well for the watcher crew. I really do. but i also know that a lot of brands and startups that bank on the loyalty they earned when their product was free or low cost and expect that to sustain them while they try to do something that historically has not gone well for the vast majority of businesses. at best, they'll have halved their fanbase by alienating those who can't or don't want to pay and made it much more difficult for remaining fans to create fandom products like memes or gifs that promote their shows on social media. at worst, they'll discover in the near future the independent streaming service model is unsustainable with only the fans they have left and by that point they'll have already deleted themselves from youtube and made it impossible to come back to the level of success they had before. any attempt to return to youtube will be an admission of a critical miscalculation and i doubt many remaining fans will tolerate the back and forth. they'll have crippled their credibility, relevancy, and fanbase loyalty over a very short period of time-- and i don't know if it would even be possible to come back and still be beloved after all that.
worst of all-- if the watcher streaming service crashes and burns after they've already removed all their content from youtube, all the watcher shows are essentially going to become lost media, only accessible via reuploaders willing to risk a copy strike or if you know someone who has a copy downloaded. given how genuinely good the watcher content is in the sea of lackluster youtube mush, that really seems like a damn shame.
i hope the watcher team sees how everyone is responding and decides to course correct before it's too late and get away with only the hit to their reputation that they've already taken by announcing this, instead of pushing forward on a path that might lose them everything instead. nothing i've said here is with any hate intended toward anyone involved or those who are excited about the new service, but this just seems like a really ill-advised decision to me.
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david-talks-sw · 7 months ago
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Debunking myths in the GFFA: Luke Skywalker isn't the One True Jedi™ and doesn't "reject the Jedi teachings."
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The myth:
Luke's Jedi mentors - trained to be dispassionate and mission-driven - callously tell him to let his friends die in service of a greater cause.
"In The Empire Strikes Back, Luke becomes Yoda's Padawan, and there are echoes of Anakin's training and the dilemmas he faced. Like Anakin, Luke is told he is too old to begin the training. Like Anakin, he has a vision of his loved ones suffering in captivity, and receives cold advice from Yoda, who tells him to sacrifice Han and Leia if he honors what they fight for." - Jason Fry, “Family Tradition; Rejecting the Jedi Teachings” Star Wars Insider #130, 2012
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The intended narrative:
The Jedi are actually right on all points. Luke isn't ready or fully trained and he's arrogantly letting his emotions rule him and rushing into danger. By ignoring them, Luke gets himself into a spot of trouble that actually jeopardizes the lives of the very friends he tried to help, as they now need to rescue him.
“It’s pivotal that Luke doesn’t have patience. He doesn’t want to finish his training. He’s being succumbed by his emotional feelings for his friends rather than the practical feelings of “I’ve got to get this job done before I can actually save them. I can’t save them, really.” But he sort of takes the easy route, the arrogant route, the emotional but least practical route, which is to say, “I’m just going to go off and do this without thinking too much.” And the result is that he fails and doesn’t do well for Han Solo or himself.”
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“Luke is making a critical mistake in his life of going after- to try to save his friends when he’s not ready. There’s a lot being taught here about patience and about waiting for the right moment to do whatever you’re going to do.”
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“Luke is in the process of going into an extremely dangerous situation out of his compassion— Without the proper training, without the proper thought, without the proper foresight to figure out how he’s gonna get out of it. His impulses are right, but his methodology is wrong.”
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The myth:
The Jedi want Luke to repress his feelings and kill his father, to destroy the Sith, their religious enemies. As emotionally-detached Jedi, it is inconceivable that a Sith would come back from the Dark Side, and thus wrongly believe that the only solution is to kill Vader.
"It's easy to miss that Luke disagrees sharply with his Jedi teachers about what to do. Obi-Wan and Yoda have trained Luke and push him toward a second confrontation with Vader. He is, they believe, the Jedi weapon that will destroy both Vader and the Emperor. When Luke insists there is still good in Vader, Obi-Wan retorts that "he's more machine than man-twisted and evil." When Luke says he can't kill his own father, Obi-Wan despairs, "Then the Emperor has already won."  But Obi-Wan could not be more wrong. It is precisely because Luke can't kill his own father that he defeats the Sith." - Jason Fry, Star Wars Insider #130, 2012
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The intended narrative:
The Jedi never tell Luke to "kill" his father. That's just a fact.
They tell him to "confront" and "face" him.
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Their bottom line is that Vader and the Emperor need to be stopped.
If Luke can manage to do so without killing his father, that's great.
"In Jedi the film is really about the redemption of this fallen angel. Ben is the fitting good angel, and Vader is the bad angel who started off good. All these years Ben has been waiting for Luke to come of age so that he can become a Jedi and redeem his father. That's what Ben has been doing, but you don't know this in the first film." - Star Wars: The Annotated Screenplays, 1998
(credit to @writerbuddha for finding the above quote)
The problem is: Darth Vader has a track record of murdering loved ones who refuse to kill him. Be it his wife...
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... his father/brother...
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... and if you're going by Canon, his little sister.
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As such, there's a very strong chance that Vader might do the same to his son as well.
“A Jedi can’t kill for the sake of killing. The mission isn’t for Luke to go out and kill his father and get rid of him. The issue is, if he confronts his father again, he may, in defending himself, have to kill him, because his father will try to kill him.” - 1981 story conference, from The Making of Return of the Jedi
Now, as the last Jedi left, the fate of the galaxy rests entirely on Luke's shoulders.
If he dies, then the galaxy and its billions of inhabitants are doomed to live in a tyrannical dictatorship forever.
“He knows a confrontation is brewing between Luke and his father. Ben hopes Luke will either save his father or kill him, because whatever extra powers Luke's got in his lineage, he is the one person that can probably fight his father and win.” - The Star Wars Archives: 1977-1983, 2018
There's a time for talking things through... and a time to do your duty. Above all else, a Jedi's duty is to end conflict.
Obi-Wan was once tasked with this same duty.
And while he managed to weaken Vader considerably (thus avoiding the catastrophe of a full-powered Vader being unleashed onto the galaxy)... because of his attachment, he failed to kill Vader.
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Twice, if you include the Kenobi show.
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(A show which, per Pablo Hidalgo, is one of George Lucas' favorite recent Star Wars projects, a tidbit that doesn't surprise me one bit considering how much the series perfectly aligns with what Lucas said about Star Wars (see here, here and here))
Point being: because Ben failed his duty, the galaxy suffered for it.
Luke is now in danger of doing the same.
If he's unable to end the conflict in a peaceful way, then Luke needs to be ready to do so in a more permanent manner. Because while Luke has qualms about killing his father, there's a very big chance that the feeling won't be mutual.
So Luke isn't rejecting his teachers' orders to kill Vader. He's saying he's unable to confront Vader altogether, because he'll be half-assing the task. In the (very likely) worst case scenario where reasoning with Vader fails, Luke is concerned he won't be able to follow-through and do what he must.
Further, there's also a worse outcome to Luke dying: Luke joining the Dark Side and becoming yet another asset of the Emperor, more dangerous than Vader himself.
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It's thus essential that Luke steel himself and mask his emotions, because the Emperor is a master manipulator who'll likely attempt to corrupt Luke via the strong emotions he has for his friends.
Obi-Wan is not telling Luke to repress his emotions. On the contrary, he acknowledges that these feelings do Luke credit. But the fact remains that when your opponent can jiu-jitsu those feelings against you and your friends, you need to keep a poker face.
And judging by how close the Sith Lords come to seducing Luke to the Dark Side...
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... that advice is completely on point.
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The myth:
"It isn't Jedi teachings that save the galaxy, but bonds the Jedi tried to forbid - such as the love of a father for his son, and a son for his father. Emotional attachments, in other words." - Jason Fry, Star Wars Insider #130, 2012
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The intended narrative:
In Return of the Jedi, Luke isn't doing anything different than what other Jedi have done.
He does his best to avoid lethal force unless he deems that it is necessary (see his fight against Jabba's hostile forces).
He sacrifices himself for the greater good and let himself be captured, in order to allow the mission to be carried out.
He tries to reason with his enemy, hoping to avoid conflict.
He spares his enemy, showing mercy.
That's all standard Jedi stuff. We've seen other Jedi do all those things, both in the films and The Clone Wars.
If that isn't enough, just look at how Lucas describes what Jedi normally do (left), versus what Luke does in Return of the Jedi (right):
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See what I mean? There’s pretty much no difference.
In Lucas' narrative, Luke isn’t “better than” or “rejecting the teachings” of the Jedi who came before him. He’s following the Jedi path. And he's really good at doing so.
Because this idea that Luke "rejects the teachings" makes no sense! They're Lucas' teachings. He agrees with the Jedi, they're the mouthpieces he uses to deliver the audience his own values.
Lucas having his main character do something he'd ideologically disagree with is something that doesn't make sense.
And part of this confusion comes from a misunderstanding of the word "attachment", in Star Wars.
It doesn't mean "emotional attachments" or "feelings" or "affection." It comes from the Buddhist principle of non-attachment.
It's not about depriving yourself of relationships or affection, it's about accepting that everything comes and goes and letting go of those very things you hold on to, when the time comes.
Lucas makes a distinction in his discourse between attachment and compassion.
"The whole idea of the movie, ultimately is that you have the Light Side and the Dark Side. The Light Side is compassion, which means you care about other people. The Dark Side is you care only about yourself. And you are obsessed with yourself. Getting your pleasure and getting all your stuff. The other one, you give it to everybody. You give goodness and health to everybody else.  So the issue of love... there’s a line between loving somebody compassionately and caring about them and helping them. But the other line is not to be greedy or... once you are greedy then you get fearful. You don’t want to lose what it is you have that you are getting. So you have to learn to give up everything. And ultimately for a Jedi Knight, it’s very easy to give up." - Celebration V, Main Event, 2010
In-universe, this is something Anakin knew the theory of, but never really applied all that much.
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Luke on the other hand, was able to learn the lesson and apply it.
Speaking in Lucas lingo, it's not Luke's attachment that makes him spare Vader. It's his compassion. And in turn, that compassion inspires Vader to do the same.
"It really has to do with learning. Children teach you compassion. They teach you to love unconditionally. Anakin can’t be redeemed for all the pain and suffering he’s caused. He doesn’t right the wrongs, but he stops the horror. The end of the Saga is simply Anakin saying, ‘I care about this person, regardless of what it means to me. I will throw away everything that I have, everything that I have grown to love - primarily the Emperor - and throw away my life, to save this person. And I’m doing this because he has faith in me, loves me despite all the horrible things I’ve done. I broke his mother’s heart, but he still cares about me, and I can’t let that die.’" - The Making of Revenge of The Sith; page 221
Or, to put things more simply:
Attachment (selfish love), is what makes Anakin do this:
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Compassion (selfless love), is what makes Luke do this:
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Now, could Lucas have made his narrative more explicit, to avoid confusion? Maybe.
But I think it's also fair to point the finger at the biggest cause of these muddied waters:
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Simply put, the Expanded Universe (the Star Wars books, novels and games that spun out of the films) established new lore elements that didn't necessarily align with Lucas' vision of things. Namely:
Jedi can get married, and Luke marries Mara Jade.
Jedi can begin their training as adults, and Luke takes on many apprentices that are already adults.
When considering George's minimal involvement in the development of EU stories, it's easy to see why these plot points were allowed to come through.
But when he made the Prequels, his headcanons came to light and the above plot points needed to be retconned.
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George Lucas' narrative:
"Nope. You can't be a Jedi and be married."
This isn't actually coming out of left field.
When Timothy Zahn asked for Luke and Mara to be married or engaged, back in 1993, Lucasfilm initially vetoed the idea.
And over the years, Lucas and other Lucasfilm employees have made it it clear that "Luke getting married" did not align with his vision (so much so that it's a plot point in Attack of the Clones).
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So the question becomes: why can't Jedi get married?
It's about commitment.
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Simply put: you can't have two marriages. Eventually, your commitment to one of them will falter and you'll ruin them both. A Jedi is already married to the cause and to the Order.
If they want to get married, they have to leave the Jedi.
"One of the things [the Jedi] give up is marriage. They can still love people. But they can’t possess them. They can’t own them. They can’t demand that they do things. They have to be able to accept the fact, one, their mortality, that they are going to die. And not worry about it. That the loved ones they have, everything they love is going to die and they can’t do anything about it. I mean they can protect them as you would ordinarily protect, you know, ‘Get out of the way of that car.’ Somebody charges you with a gun, you knock the gun out, but there is an inevitability to life which is death and you have to accept that." - Celebration V, Main Event, 2010
And this is another example, really, of how Lucas' own values and past experiences shape the Jedi's teachings.
Marcia Lucas divorced George because he was constantly working on Star Wars, even when he wasn't directing it, which she said led to an emotional blockage in their marriage...
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... and this leads us to the reason why George didn't double-down on the success of the Original Trilogy: he decided to take time off to raise his three kids as a single Dad.
He learned his lesson, reasoned that he wouldn't be able to be both a good, present father and a successful blockbuster film director.
When you're dealing with time-consuming commitments of this scale, you need to make a choice, or you'll end up (half-assing and thus ruining) both of them.
"Nope. Jedi get taken in as babies for a reason."
Once again, this has to do with Lucas' definition of "attachment."
"Jedi Knights get taken from their families very young. They do not grow attachments, because attachment is a path to the Dark Side. You can love people, but you can't want to possess them. They're not yours. Accept that they have a fate. Even those you love most are going to die. You can't do anything about that. Protect them with your lightsaber, but if they die they were going to die. There's nothing you can do. All you can do is accept that fact. In mythology, if you go to Hades to get them back, you're not doing it for them, you're doing it for yourself. You're doing it because you don't want to give them up. You're afraid to be without them. The key to the Dark Side is fear. You must be clean of fear, and fear of loss is the greatest fear. If you're set up for fear of loss, you will do anything to keep that loss from happening, and you're going to end up in the Dark Side. That's the basic premise of Star Wars and the Jedi, and how it works. That's why they're taken at a young age to be trained. They cannot get themselves killed trying to save their best buddy when it's a hopeless exercise." - The Star Wars Archives: 1977-1983, 2018
Jedi need to maintain objectivity and neutrality, in their day-to-day lives of mediating peace between planets.
And learning to "let go of your attachments when the time comes" is part of that training. But it is something that takes discipline and time, and thus the child needs to be young enough to develop this skill. Otherwise, they end up like Anakin, who always struggled to properly learn it and eventually was doomed by his greed.
This being part of Lucas narrative is also evidenced that in his earlier plans for the Sequel trilogy, he'd have Luke train children, not adults like he does in the EU.
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"Luke is trying to restart the Jedi. He puts the word out, so out of 100,000 Jedi, maybe 50 or 100 are left. The Jedi have to grow again from scratch, so Luke has to find two- and three-year-olds, and train them. It’ll be 20 years before you have a new generation of Jedi." The Star Wars Archives: 1999-2005, 2020
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The EU's retcons of Lucas' narrative:
Now, obviously, the addition of all these rules and other elements such as midi-chlorians... it does something to the older audience. They grew up on the Original Trilogy, dreaming they could be a Jedi too if they just believed enough. Now that bubble is burst.
"Wait, if I'm a Jedi I can't get married?! And I need to be taken in as a toddler, with a certain kind of blood score?! That's bullshit!"
More importantly... it goes against about a decade's worth of established EU lore (which Lucas never factored into his storytelling)!
So what does Lucasfilm Licensing do? They go with it.
They take these "weird" rules the older audience and authors don't like, and retcon a new narrative around them to ensure both the books and the new films all stay canon within the EU own continuity.
George Lucas revealed new information about his universe in Episode II that ran counter to earlier stories of the Expanded Universe. Among the surprises: the Jedi Order is monastic, with love and marriage forbidden to its members. This would necessitate reforms to the Jedi Code over time to separate the ancient era when Nomi Sunrider was married to a Jedi, seen in the Tales of the Jedi (1993–94) comics, as well as the post-Empire era when Luke Skywalker married Mara Jade in the comic series Union (1999–2000). LucasBooks also needed to create plausible exceptions for Ki-Adi-Mundi, a Jedi Master who had multiple wives in the Prelude to Rebellion comics (1999). - Pablo Hidalgo, The Essential Reader’s Companion, 2012
When it comes to Luke specifically, the narrative becomes:
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"Uh... y-yes. The old Jedi Order forbid marriage, only took in toddlers and had a blood pre-requisite... which was weird, wrong, too detached, too systemic, and part of why their Order failed! But, uh, Luke's New Jedi Order allows marriage, unlike his dogmatic predecessors, because anyone can be a Jedi guys!" Hahaha! (fuck's sake George)
But as already explained above: those new rules aren't meant to be perceived negatively. It would make no sense if they were, they're based on Lucas' own values.
You know what it does do, though?
It cements the narrative that Luke is the One True Jedi™, who rejected the dogmatic teachings to forge a new path forward.
That's not the intended narrative of the Original Trilogy, nor the six-film saga as a whole.
If you've made it this far in the post (congratulations) and are interested to read another all-encompassing post about that, you can check out the link below :)
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sixdegreesofbali · 8 months ago
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I see a lot of Max fans being critical towards him for today and I'm not saying that you can't be critical of him, but maybe we should actually start to think about why he's so damn angry and frustrated?
I know Max comes across as if nothing ever affects him, but let's remember all of the drama RBR has been through pretty much since the passing of Mateschitz, but especially in the past few months. Besides the power struggles and whatnot, do you think it's easy for him to try and handle his father and his boss being at each other's throats all the time? Both of them being in the RBR garage? Seeing their star designer leave in the midst of it all? Seeing their advantage completely disappearing in the span of a few months time? Having to carry the team on his back because the car is just not performing and he has no teammate to help him out either?
Then whenever he gets into an incident the entire world seems to turn against him. No matter if he's at fault or not. Not to mention FIA or the public never seeming to give a fuck whenever someone makes dodgy moves against him, but when he does it he gets penalties and hit pieces.
Then when he can usually at least rely on good strategy even that is letting him down right now.
He's been keeping it together very well up until now and has handled everything with class, patience and maturity. But he's only human and at some point things will start to catch up to him.
Yes, maybe was too angry and frustrated today, but I honestly feel like we should regard him with a bit more sympathy and understanding instead of judgement.
Mental health is a thing for everyone. Even Max.
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