#But again- the quality is not the actual thing that makes them the legends they are. Theyre only legends because we call them that

[guiltycorp]

Damn i really want to know tf happened in the writing room of arcane s2. Some of the downgrades were inevitable due to the show's corporate limitations (not being able to progress the class war story in a meaningful way, having to tie things back to league of legends in terms of making playable characters more appealing to well, play... rip Mel and Viktor in particular), sure. But i still feel like it's even worse than that? There are so many bad decisions that i couldn't even start listing them all... the characters, plot, pacing, themes, it's just such a mess? Even the dialogue writing, it feels much more mm Marvel at its worst i suppose. What i am most bothered by is probably just the straight up harmful messaging so um... Cycles of violence and abuse can be broken by individual decisions to become a better person! Got nothing to do with systemic oppression, living conditions, mental health issues, you can just conveniently ignore aaall the social context, live laugh love and then things get better automatically yep, oppressors famously stop oppressing you when you show them that you're harmless and won't put up a fight anymore. Literally three out of three suicidal characters dying to redeem themselves? Not even in a tragic/cathartic way but in a bittersweet 'they finally atoned for their mistakes' way? Groundbreaking lmao. Romantic relationship between Vi and Caitlyn including no communication about their biggest fight, just conveniently skipping to sex and getting back together - would have loved that if it was framed as the unhealthy fucked up thing that it is, skipping over Vi's hurt and her background to once again become a cop, her girlfriend's direct underling at that (!) due to her not having any other support systems... But nope that was our cute lesbian romance wrapped up, a good thing all around, not concerning at all. Jayce telling Viktor that what he 'always admired about him' was his disability and his deadly disease (??? from a character who spent the whole s1 and first act of s2 desperately trying to help Viktor find a cure? sure) and that those imperfections don't need fixing, just wtf truly. Magic bullshit was also weird, some implications of 'natural magic is ok, but achieving that power through other means corrupts you into a crazy robot bitch or just wilts your trees i guess', but tbh it was written in such a weird and inconsistent way that we can skip this one... Yeah actually a lot of things were just such a mess that I feel silly pointing to specific moments or lines I didn't like, I mean duh, it barely makes sense as a story at all... I am happy we have s1 which comparatively was a masterpiece, and i also really enjoyed s2 act1, i truly believed it would lead somewhere good at the time, my mind still kind of cuts off the story at that point when i think about it, that WAS the open ending of the show to me (is it possible that there were rewrites? targeting act 2 and 3? idk, wishful thinking perhaps). Despite my extremely negative feelings about this season's conclusion i remain glad that so many people appreciate the show regardless, it is clear that there was STILL a lot of love in the process of its creation (although i'd argue that even some of the visual aspects of the show suffered in quality, once again i have to wonder about behind the scenes mood of it all) and i get very upset when i see creatives online despairing over reception of their projects even when i'm absolutely in the disgruntled crowd hahaha... ...however yeah, this wasn't great In a world that increasingly grows more and more right-wing politically... we really needed something different i think.

[ronithesnail]

When i say art is less about the quality of the thing itself and more about the impact on its audience (a very cliche statement yes i know), i mean like an iconic tv show is less about the quality of the actual show and more about how feral it makes the fanbase

[mouwrites]

Creepypasta/MH - Doing Halloween Stuff With Them :)

(Characters: Tim/Masky, Eyeless Jack, Jeff the Killer, Nina the Killer, Jane the Killer, Ticci Toby)

Tim/Masky

Hear me out... corn maze

I believe that Tim enjoys a good puzzle every now and again

He loves trying to figure things out (specifically when there's nothing at risk)

Getting to show off his navigational skills is also a major plus

He just likes to impress you, even if it comes off as annoying sometimes

"See? What'd I tell you? The exit's right there."

Though he does like the satisfaction of completing the maze, what he really treasures is that time you spend together figuring it out

Once you finally find the exit, you'll celebrate with hot cocoa :D

Eyeless Jack

This man LOVES carving pumpkins

He goes all out; definitely one of those people who makes the crazy intricate designs that look like they take hours

He'll love it if you help him!

If you have a steady hand, he'll let you do the details

If you don't, he'll task you with gutting the pumpkin/handing him tools

You guys collaborate on multiple pumpkins throughout the month, setting them in random locations for everyone to see

If there's a design you want to do, just show it to him, there's no question he'll be down

If it's too simplistic, he'll try to add more details

"Ooh, Jack, look at this one. Can we try to re-create it?"

"Of course! Though I do have some ideas on how it can be improved..."

Jeff the Killer

Another pumpkin carving enjoyer

But for a different reason... a very different reason

He loves the goriness of gutting the pumpkins

He couldn't care less about making actual designs, he just wants to get messy stabbing the pumpkin and gouging out its insides

That being said, he'll 100% gut your pumpkin if you ask him (he'll probably end up doing it even if you don't ask)

It's honestly a little disturbing watching him work

He just gets this look in his eye...

"You, uh... you doing okay there, Jeff?"

"Hm? Yup! Never better!! Say, can you grab the big knife from the kitchen for me?"

Nina the Killer

You best bet she's the costume queen

Spends the whole year planning matching horror-themed costumes

She'll settle for no less than creativity and perfection

High-quality props and articles only!! She'll even make them herself if she has to!

You can expect to spend at least an hour in front of the mirror while she does your makeup/adjusts your clothes

She's an SFX makeup legend, loves incorporating as much gore into your costume as possible

Don't ask why it's so realistic (it's not like she knows how the wound would look if it was real or anything)

"Wow, Nina... It's almost like I can feel it! It's so real!"

"No, no. If you were feeling it, you would be screaming pretty loud right now."

You can also expect to attend multiple parties where you show off your costumes

You guys dominate costume competitions

Jane the Killer

Horror movies!!

Specifically, making fun of them

You both pick apart the plot, the characters, the dialogue, the special effects, everything

No horror film is safe from your scrutiny

If you're the type to get scared during horror movies, her snide comments will help distract you

"Ooh, I can't look!"

"Oh, come on. Look—I bet they used corn syrup for that fake blood. It's way too thick."

When the movie ends, you're both feeling more amused than scared

She doesn't like to see horror films in theaters because she doesn't get to make commentary, plus she doesn't want to "waste" money on a "stupid tryhard-horror flick"

She'd much rather dig up some old indie DVD/VCR and have a home movie night with you

Ticci Toby

Halloween sweets are his bread and butter

Candy apples, fun-sized candy bars, candy corn, pumpkin bread...

He would perish if you made anything homemade for him

Spends the whole month gorging on sweets almost as fast as he can get his hands on them

He will not share with anyone but you

And even you only get a small portion of his goodies

Robs at least one child on Halloween night, mostly for the candy but also because he likes scaring little kids

"Where did you get all that candy?"

"Got it from a little birdy. By that I mean a kid in Falcon cosplay."

"Toby! ... save me the (favorite candy)."

Thank you for reading! Have a good day/night my spooky pookies <33

(divider by saradika)

[crazylittlejester]

What are your hair headcanons for the chain? I personally think Wild, Wars and Legend have the longest hair but thats just because I think Legend's hat is full of hair he just pretends isnt there so he doesnt havd to brush it(warriors is going to kill him when he realizes)

Oooooh nice!!

I think Wild’s is definitely the longest, no contest. And I don’t think it’s THICK, it’s just dense. Like, the individual strands are rather fine, and his hair is soft and silky but he’s got a LOT of it. It’s definitely waist length, and has a slight natural wave to it, and he’s a natural dirty blonde. He’s experimented with temporary dyes because he got bored though. Also he does a lot with his hair and he takes really good care of it! It’s not HIS fault he wiped out and fell in a bush and got a bunch of sticks in it 😔

Second longest for me is Time, whose hair to me goes about two inches past his collar bone. He’s a warmer toned blond, and the color is completely natural, he doesn’t do much to his hair. I hc he has bad sensory issues and his hair can sometimes really bother his neck, but if he cut it short he’d never make it through growing it out again so when it bothers him he ties it up off his neck. Any hairstyles he does don’t have a WHOLE lot of thought put into them, but Malon and Wars have done pretty things with his hair before and he enjoyed it. He just can’t do that for himself. I also hc his hair is very thick and naturally wavy and Wars is constantly one toe over the line crossing into GENUINE jealously because Time does NOTHING and his hair just looks incredible and it hurts Wars to know that if he out just a Little effort into it it would look even better

Legend’s is about the same length as Time’s but most of it is always tied up and/or shoved into his hat. He’s naturally strawberry blond, and his hair is thick but pretty straight. It would hold a curl if he did curl it though, and he’s (of course) dyed it a few times in his life

We all know Four’s fuckass /pos bob. What an absolute legend I love his haircut. I hc his hair is very thin and fine, but it has that really pretty silky quality to it? It’s the type of stick straight hair that won’t curl even if you spray it to death and say a prayer. Its a cooler toned blond and it’s a lighter color than any of the other naturally blond Links

Hyrule to me has very dark 3c hair and if he pulls on it to straighten it out then he for sure beats Time for second place, but where his hair actually like falls to is right at his shoulders. Like it just rests at his shoulders. He had to learn to take care of it before he let it get that long because it was just kinda hard for a 10 yo kid to care for when he was so on his own, but he’s got the hang of it now and he’s really happy with how it looks. He doesn’t often do too much with it in terms of styling but sometimes he’ll braid it because it is kinda annoying to have to pick sticks out of it when he and Wild take a tumble and both walk back to camp FULL of sticks and then Warriors has to help the both of them

Sky’s hair to me has natural loose curls and is a fairly dark, slightly red toned brown. It’s very thick and just brushes his shoulders. It’s long enough that he can tie it back if he wants to, but he usually doesn’t because its so thick his arms will get sore from spending so much time trying to tie it back in a way that doesn’t look absolutely atrocious because theres just so MUCH of it and its hard to handle

Warriors’s is similar to Sky’s in length, and it’s naturally very thick, dark and curly, but he straightens and bleaches it to death. His roots are a very dark brown, but he does his best to cover that up. He also tries very hard to keep his hair as nice as possible and do what he can to prevent further damage. It’s curlier than Sky’s is naturally, but when it starts to curl up again it because of humidity or because he didn’t straighten it very successfully it looks a bit similar

Wind is a different styling technique away from a bowl cut. His hair is curly as fuck, not QUITE as curly as Hyrule’s is but definitely close, and his hair is naturally brown but has been highlighted and appears very blond. His roots are clearly brown, but not as dark as Warriors’s. His hair is very thick and hard to manage and Wars taught him how to care for it properly so after the journey when he’s more confident in how it looks, he lets it grow out past his shoulders. I hc Wars helped him LOVE his hair

Twilight is out here fighting demons but the demons are him. His hair is thick as hell AND dense as fuck, and it’s a bit wavy. It doesn’t listen to him, ever. He can’t so much as PART it differently because it’s gonna do what it’s gonna do. His hair was naturally a reddish brown, not a super dark color but definitely brown, but since the transformation he has a constantly dark roots no matter HOW much his hair seems to grow out, and his hair still has a red tone to it but he thinks it looks darker. It also takes him forever to wash his scalp because his hair refuses to let the water in anywhere and he gets a bit annoyed. Length wise you CAN see the back of his neck a bit, and it was definitely cut like, around his head in the sense that it’s not just layered with the intention of it hanging down long. the hair coming from the top of his head which is the longest part of his haircut are like 6 inches long MAX

[jbk405]

I think I've found one of the key reasons why I prefer the old Expanded Universe to the current Star Wars content: Unique types of villains.

More specifically, people who weren't just Evil Force Users With Long Robes And Red Lightsabers. While there were always a few Darth Vader-clones that popped up to fill up space, so many of the Arc Villains were distinct not just in personality, but also how they were dangerous.

Grand Admiral Thrawn was a military tactician, which wasn't the point of any of the main villains in the Original Trilogy. Grand Moff Tarkin was a "Build a bigger superweapon and bludgeon the galaxy into submission" kind of villain, and Vader and the Emperor were mystical dark wizards. This isn't a complaint or criticism, but just pointing out that military tactics were never on display in the films since that wasn't the type of story they were telling. But Thrawn didn't have prophetic powers or Destiny, he had to analyze and plan around what he could learn about his adversaries. It's a different type of fight than Literal Magic. In the original Thrawn Trilogy, Captain Pellaeon frequently internally narrates how different Thrawn's style of leadership was to either Vader or the Emperor (Even if his art-analysis did verge on magic by itself).

Ysanne Isard was a political and/or espionage manipulator, which was even less a point of the Original Trilogy than military tactics were. She took advantage of the realities of actually needing to build a nation out of an underground military movement. With all of the dirty gutter politics, self-serving agendas, and logistics that doom so many revolutionary movements. I'm not as big a fan of her arc as I was when I was younger (I re-read the Rogue Squadron novels a few years ago and the writing quality is not as good as I remember, and Isard's plans frankly don't hold a lot of water), but the concept is still fantastic.

Warlord Zsinj on the surface seems like a merger of Thrawn and Isard -- he's a military commander who specializes in espionage -- but he also has a big focus that neither of them demonstrated: Business. While he still blows stuff up with his giant space ships and is sowing dissent through brainwashing and spycraft, he's simultaneously establishing a galaxy-wide network of completely-legitimate commercial businesses that he owns through untraceable pseudonyms. They fund his campaigns, give him influence on planets outside of his direct control, and allow him to control resources without any of his adversaries even being aware of it.

Even one-shot enemies like the Ssi-ruuk were so unique: They're invading the galaxy because their technology is powered by living souls and they want to harvest all life in the galaxy. That's messed up, and so distinct from the general "Take over the world" motivation of the Empire.

But as time went on, more and more of the enemies were just "Darth Vader Again". Another Jedi who fell to the Dark Side, or another long-lost schism of the Sith who rediscovered mainstream galactic society, or some other thing that is eventually resolved by a one-on-one lightsaber duel and a personal grudge against the Skywalker or Solo families. It definitely felt like they were out of ideas and kept running through the same villains over and over again.

This kicked into high gear after the Prequels came out, and continued in the new continuity after the EU was rebranded as "Legends".

I wish we could go back to the idea that there could be an enemy who wasn't super powerful in the force and consumed by Hatred Of The Jedi. With their own skills, their own methods, and something that makes them more than just another wannabe-Sauron. Pirates who are just pirates, marauding ex-Imperial Warlords who are just marauding ex-Imperial Warlords, and corrupt politicians who are just corrupt politicians, instead of revealing that Palpatine returned (somehow) all over again.

[flawseer]

What are your headcanons on the Nightwing Tribe's views on Art? Do they like it, or, like some humans, do they think it is a waste of time?

It's somewhat ill-advised to paint an entire culture composed of many thinking, feeling individuals with one brush; there will be Nightwings who fall into one or the other camp, and others still who haven't really formed a definite opinion on the matter. But in terms of general societal norms and expectations, I think I imagine it like this:

The ancient Nightwing tribe, circa 3000 AS and before, had an active art scene. We actually see some glimpses of this in the Darkstalker Legends book. There were implied school classes on painting and (presumably) other art forms, and art pieces were being displayed at fairs and public celebrations. The hallways of the palace were decorated with mirrors, and there were glassblowers making sculptures and such. I believe Nightwings may actually have had an affinity for glasswork specifically; not only because of the glass sculptures, but a Nightwing with glasses appeared in that book, and Mastermind also had glasses in the graphic novel adaptation. It was probably practical for them, since they lived right next to the continent's largest sand pit back then.

When the Nightwings relocated due to the whole Darkstalker debacle, their priorities must have shifted. Not much at first; there were probably efforts to restore their old way of life as authentically as it was possible on the island, which would have included artistic expression. But over the years, with the volcano becoming more active and reducing the quality of life, the tribe shifted gears into a "survival first" mindset. With their very existence threatened, the tribe needed to become more efficient. The Nightwing government became much more overbearing and artistic pursuits were regarded as frivolous; if what you were doing wasn't filling bellies, improving the quality of life, or advancing Nightwing interests, you were seen as wasting time and resources and may have experienced pushback from your neighbors. The tribe needed soldiers, doctors, scientists, hunter-gatherers; and kids needed to be pushed towards those careers so the supply didn't suddenly run dry.

I don't believe artistic endeavors were completely suspended during that time though. That's kind of impossible; where there's life, there will be art. But I imagine artistic pursuit became more of a counter culture thing, practiced as a way to voice discontent with the poor life standard and the crown's apparent inability to provide a better existence for the people. Think subversive, anti-authoritarian displays, likely created anonymously. Naturally, the Queen would have been cracking down on this eventually, declaring such outlets as acts of delinquency that were eroding the moral foundation of Nightwing society.

I don't know, I can just picture Fierceteeth leaving an unflattering graffiti of Morrowseer and Battlewinner on some wall in the shade after being reprimanded for sneaking into the rainforest and seeing firsthand what the Queen's regime was depriving them of.

Now that the Nightwings have relocated yet again and are living in conditions where they won't have to worry about either suffocating or starving to death 24/7, I believe artistic expression will see a general resurgence in popularity. We already kind of saw this with Mightyclaws, who has taken up painting (the story frames it as Starflight having suggested painting to him, but judging by the apparent quality of his work I believe he already had a prior inclination towards it, and Starflight's suggestion was to make use of a pre-existing hobby as a therapeutic outlet, rather than to start it up). So yeah, art is on the upswing again.

Those are probably my thoughts on the matter.

[vicmillen]

I think some of the chain sucks at cooking the way I'd probably also suck at cooking if I need to do it for nine young boys over a campfire. Point is, cooking in bulk is different to cooking for yourself and cooking over campfire is different than cooking over a stove or whatever.

Anyway I just think most of them are either not used to cooking with campfire or not used to cooking a large portion, or both. Not necessarily just bad at cooking period. Unlike Hyrule

Wars would probably be the only one with at least some experience with campfire cooking in bulk, what with the army training. But he only knows how to makes like, a total of three stews that somehow managed to taste exactly the same. Even if it's not really bad, it get old really fast. Wind would also have some experience helping with the ship's cook in Tetra's crew, but he's only good with helping the prep, and he doesn't necessarily like doing it.

Four, Sky, Time, Legend, and Twilight could probably managed a half decent meal, if they're at home and if it's only for a maximum of three to four people. Although Sky knows how to make a good pumpkin soup, courtesy of community service at Lumpy Pumpkin. Which Twilight is also good at, I think? But other than that it's always a hit and miss if they're put on cooking duty. There's constantly problems with seasoning, doneness, pot boiling over, burnt bottom, portion sizes too little or too big, and all the unholy mess that happens when you make things in a unfamiliar portion size.

Hyrule and maybe Time would be better off with foraging ingredients than with anything involving a fire, at least they sometimes help provide for some fresh veggies and fruit. But again, it's not a reliable source, what with them constantly changing worlds and caught up with fights.

So yeah Wild with his amazingly plentiful recipes and experience doing it in bulk does get appreciated a lot. If nothing then for the consistency in quality and quantity. Not to mention he actually enjoyed doing it, the weirdo.

[senanatheskenana]

Genshin Street Racers AU

Contains the OG Genshin boys (No inazuma/ Sumeru but may do them later idk)

TW- some implications of sex but not actually smut. Illegal driving. 

Please don’t break the law kids!

~~~~

Kaeya

Kaeya is infamous on the street racing scene. He's known for being unpredictable in the streets, so people often try to stay out of his way in case he drifts to close. He's agile and fearless, a combination that's both got him onto and out of a huge array of problems. 

His car is his baby- an icy blue classic Mustang, modified by the best mechanic in Mondstadt. Thanks to Albedo the car easily does 170mph,   0 to sixty in 3 seconds flat. Kaeya never races a car with a roof up, because he say there's no point without the wind in his face, so each night when he finishes a race, his blue hair is always windswept in that alluring way it had been the night you first met.. 

That's what he told you the first time he met you, shades pushed up his nose, hair completely messed with. He asks you if you've ever seen a car like his and when you say no he asks if you wanna take a ride. And like that, you ditch your friends outside the bar and hop in the passenger seat.

What you didn't expect was to be going 130 miles an hour down the Galesong highway, 'highway to hell' playing loud enough for the whole city to hear. He laughs at you when you grip the door handle like you're gonna fall out the car when he weaves between average, law-abiding drivers.

And when you get back on the unmoving ground, you surprise yourself by telling him you'd d it again.

~~~~

 Diluc

Diluc is not the sort of street racer people want to go against by choice. He's honourable, but he's completely brutal, with a car that breezes past 60 mph in less that 3 seconds. 

He drives a Chevrolet Camaro, all black on the outside, with a sleek vermillion leather interior.  It's honestly a car that completely suits him. 

The windows are tinted black- privacy more for your sake than his. He's adamant that you never stay in the car for a race but, every once in a while, you'll end up in there, wrists pinned to the Italian leather of the back seats as he kisses down your neck, making every moment count before a race begins.

Diluc keeps one of your necklaces around the rear view mirror, his good luck charm dangling like a symbolic air freshener.

~~~~~

Venti

Venti started motorbike racing at the age of 15, stopping and then restarting in his mid 20s after overcoming his alcoholism he developed in his teen years.. He's known as one of the youngest racing legends in Mondstadt.

He rides his Yamaha r1 like it's sationary, sometimes ever being so confident as to take his helmet off just so he can wink at you.  He's small but there's no rider more agile than Venti.

It took Venti a while to garner your affection- multiple races to impress you, even taking you out on his bike, going slower than he ever has before just to keep you safe. 

There's been times where Venti's risks caught up to him. He's legendary but he sometimes forgets that it doesn't mean he's immortal. It's after the close calls that he makes it up to you, leaning you against his bike while he gets to his knees in front of you. It's in those moments that he apologises for the stupid things he does. 

~~~~

Albedo

Albedo doesn't race but he knows a hell of a lot about racing. If anyone in Mondstadt needs a ride modified and chopped, he's their first pick. He's not cheap but that's the price of quality. 

It's in his body shop that you meet him, face smeared in oil as he rolls out frum underneath a car. At first he's only interested in the car, before you roll the window down and stare at him. Oh he's down for it. 

Albedo builds your car like it's his own, because he takes pride in seeing you win in a car he's chopped. Everyone knows it's a Kriedprinz car when it roars to life at the starting line and they shudder in awe.

Though he doesn't do it often, Albedo can drive- WELL. He hardly ever drives with both hands on the wheel because the other is planted on your thigh. If you weren't the owner of the car, you'd think he was the racer.

~~~~

Xiao

Xiao is always testing his limits. He's hardly ever off his bike- and make no mistake, it's fast. It's a Suzuki GSX-r1000, flat black with blue accents and an engine that roars. Easily it reaches 190 but he's always pushing it to the limit.

Xiao's identity was a relative mystery for a long time because he never took his helmet off, even after the races. In fact you were the first person to see his face. 

You had been caught in a dark alley by a group of thugs but before they could do anything, Xiao's bike had sped right between you and them. He rips the helmet off and hands it to you before ordering you to get on. Of course you do, feeling your heart pound in your ears as your arms wrap around his black leather jacket.

His manager, Zhongli often remarks about how you make Xiao more distracted but he always denies this fact, knowing full well that his first thought after and during a race is coming back to you and taking you in the dead of night.

~~~~~

Tartaglia

What a show off Childe is. He'll take any risk as long as it has a pay off of some kind. The adrenaline he gets from maxing out the speed dial is something he craves all the time.

He's a rich bitch who races purely for fun and it irritates people to no end that he's casually a driving prodigy. He drives a Lamborghini Huracan, hardly ever going the speed limit on any road- after all, who would be willing to raise a complaint to the Fatui mafia about one of their Harbingers.

He hardly ever attends a race if you aren’t there to impress. You're the only thing there that interests him. We all know what's on his mind during the races. He's only ever thinking about getting you in the car so you can fool around.

He's had to evade police multiple times for indecent exposure because of his excitable and insatiable nature.

He'll try it on anywhere. Sometimes he's even on the phone with you during a race, telling you about what he plans to do to you. Cocky fucker. 

~~~~

Zhongli

Zhongli's a now retired legend in the street racing community of Liyue, though he still drives from time to time, he really only manages his protégé, Xiao.

He's responsible but he does seemingly dangerous stunts because he's confident he can pull them off. In fact, he's one of the only guys that would be ok with you being in the car during a race.

Zhongli teaches you to drive his Nissan patiently, hands holding yours steady with you on his lap as he pushes the accelerator down and changes gear. Having you so close to him is undoubtedly making things happen but he hasn't shown any signs that he's lost composure.

It's when you meet his fellow street racer legends that things finally become clear as to exactly how renowned Zhongli- Morax was. They always called him his old stage name as a mark of respect. It's also in those moments that you're overcome with pride at seeing and being with such a master driver. And you make sure to call him by his rightful title once you get back in the car.

[insane-control-room]

Strange Stories

ink demonth - hoax

The studio seemed to attract… strange people.

Rated: G Warnings: None AO3 Link: https://archiveofourown.org/works/57924832 Length: 500

Sammy did not have a secret room inside of the music department. 

It was an outright, blatant lie. 

No, no. 

If Sammy had a secret room inside the music department, then he would not have put it inside of the music hall, obviously. Since he was so stressed about deadlines and the such, who in their right mind would suggest that he would take valuable time away from the musicians and talent under his conducting stroke? 

What a silly idea. 

Too bad it was true. 

It drove everyone else crazy, what with the way the crazed musician behaved. Anyone who would say that insanity was not contagious had not seen the music department at Joey Drew Studios. 

The person that seemingly seemed to suffer the most from the lunacy of Sammy Lawrence was, unsurprisingly, the studio lyricist. Poor Jack- what used to be his office would be continuously flooded and swarmed by the murmuring and complaining musicians. It was overwhelming for the man, and he, without asking, carved out for himself a little space in the sewers- where, even if other people knew where he worked, they were less inclined to approach. 

That, of course, is a joke. There is no way that the music department’s head was insane and locked himself in a garage in the music hall, and that the second in command would hide himself away from the cacophony and objections by making a hole in the floor and working in literal sewage. 

You can ask the silent projectionist, who saw it all, he would tell you it was all a hoax. Then again, old Norman was a singular figure himself, with rumors abound about him too. There were rumors that he would spy on other studio members, film them for blackmail, or that he was content in the bottom levels of the studio, enjoying the quiet whispers from the pipes. There was, of course, very little proof about either of these accusations, and if you approached anyone about any of those rumors, you would be looked at as though you were an interesting specimen of extinct fish- somewhat funny, odd, and yet, uncomfortable and serious. 

Well. 

At least the lead voice actress, Susie, was relatively normal. 

Except for that weird thing that she potentially had for Sammy. And/or the boss, who, according to rumor, had gone out with the singer. And that strange proclivity to be called her character’s name. 

Actually, you know what, everyone in this studio is nuts. 

From top to bottom, not a single person seemed to have common sense or normality; from the janitor to the top dog. There was a strange quality to everyone within those wooden walls. It was impossible to deny that. Either rumor or hoax or fact or fiction, it was still apparent that these individuals were all something… different. 

Or maybe it was a story warped by time. 

Isn't that where the best stories come from, though?

From myths and hoaxes. 

Just ask the legend, Henry. 

[just-a-gamer-daydeamer-girl]

So now I’m hyper fixated on Rayman again I should probably post some of my head canons on the limbless guy

Rayman is a master at playing all the instruments in the plucked string family. Including the harp. Every time I hear his theme in Rayman M I keep thinking he is the one completely rocking the Banjo.

He also has a hobby in painting. Just anything he feels like painting he paints, he mostly just does it for himself and doesn’t give any of his paintings away even as gifts. It’s more a hobby for himself and he either doesn’t feel comfortable with giving his works away or doesn’t think that there good enough.

His love language is quality time, he doesn’t care what they do he just wants to spend time with others. Weather it’s sleeping together with globox, helping Ly or listening to murffy ramble.

He does have a spa day at least every week.

Rayman often leaves his home, no one in the glade knows where he goes or how to find him but he always comes back after a few days. The popular theory is that he trains his skills in private during this time but no one knows.

He gets really angry when others blame him for things he has no control over or when he ends up failing and telling him that it’s his fault .

Rayman and Barbara have a bit of a toxic relationship. They both enable each other’s reckless behavior. But their friendship is more of a friendly rivalry more than anything. They are adventurous buddies to the end.

He knows how to fight with a battle axe, and other weapons, Barbara and the other princesses taught him.

In legends he ended up getting captured several times and Barbara had to save him. (Like from the giant toad in the Rayman legends trailer)

He and Barbara often wrestle and have some playful fights together. Sometimes this goes on for hours.

Rayman has a strange relationship with Betilla, she is both his mom but also kinda not. Betilla is conflicting because she genuinely thinks of Rayman as her son (even if she doesn’t realize it) but her duties as a Protector kinda conflict with that (basically her feelings are conflicting with her logic) as she created Rayman to save the world. They really need to talk about their relationship but Betilla kinda keeps pushing the subject away. This is one of the main reasons why Rayman left the valley, he was sick of not getting a straight answer. But he does genuinely care for her.

This odd relationship extends to the other Nymphs, who all adore and care for Rayman but due to their duties keep bit of distance from the limbless boy. Except Voodoo Mama, she full blown calls herself Auntie Voodoo to Rayman and insists on calling Betilla his mother. She is the one who helps Rayman leave the valley, understanding all of his reasons to do so.

The magician (Rayman 1) actually helped raise Rayman if Betilla was too busy. He taught Rayman important lessons about morality. He also liked hyping him up with dramatic speeches and was the first one to call rayman a hero despite, him haven’t done any heroics yet.

Rayman keeps his past and his relationships with his mother and aunts a secret but he does let some things slip every now and again. Hence why the Phantom knows about Mr dark.

Rayman is a foodie, he loves all kinds of food and enjoys eating anything. And he can technically eat anything with no problem, but that doesn’t mean he likes the taste.

He sometimes visits has conversations with both Polokus and Jano.

He is asexual (I don’t think he ever shown any interest whatsoever) but he may be open to a romantic relationship.

Some nights he can’t sleep and just watches the sky.

Hates being picked up and held like a doll or a kid.

The way he ‘ages’ is different from others as instead of growing up naturally he instead incorporates energy, lums and magic into his body which allows him to get bigger and changes his appearance over time. (I think the limbless are creatures who are unable to age)

Rayman makes a majority of his own clothes or gets them custom Made. Not a lot of shops made for limbless people around.

He likes a wide variety of music, mostly he likes 2000’s music though.

Rayman loves to enjoy the little things in life, he likes the idea of riches and glory but doesn’t love it.

He loves children, and is a really good babysitter.

He actually gets really scared when facing threats, he gets scared when fighting Mr Darks forces, the robot pirates, the hoodlums, the knaaren, even the Rabbids scare him. But he knows that fear isn’t something to be ashamed of, embraces it, and manages to act despite of it. That is genuine courage. 

He is clever, and can be an absolute troll when he wants to be, using his extended reach to pull pranks.

He takes care of the walking shell like a pet, it has a weird power of putting itself back together.

There are a lot of legends and rumors about him from what he accomplished and what he looks like to his backstory. Some of them are extremely wild and a lot of people don’t realize that the Rayman in the rumors is the same guy when they meet him in real life.

His hands and feet sometimes wanders around with out his knowledge when he is deep in sleep.

He is very aware that one’s species and looks do not attribute to how good or evil they are. He learned this lesson from others who judged him purely on looks, many people have attacked him in the past due to his appearance and thinking he is a monster.

He ended up ultimately failing to save Globox’s children from the Rabbids, someone else saved them. But he did in up accidentally saving the Rabbids by unknowingly teaching them to enjoy the little things in life, that it’s okay to make mistakes, enjoying their own sense of fashion and getting them into hobbies, allowing them to actually be happy and Turing them away from their conquest and destruction in the long run, and this all eventually leads to the Rabbid heroes in Mario + rabbids. Some Rabbids actually worship him as a god for opening their eyes to the wonders of the universe. To bad no one really knows about this connection.

After the Rabbids invasion Rayman starts having trouble sleeping (Ubisoft gave him eye bags in sparks of hope) and his friends (minus Barbara who hasn’t been aware of this situation due to reasons) were a bit disappointed in him after failing to defeat the Rabbids, not offering him any comfort or compassion to him, treating him differently then they used to. This did not help his mental health, and he started taking longer trips from home. (This is not my original idea but I love it.)

Rayman went to the phantom show because he had nothing better to do.

The Phantom invited Rayman because he as a few memories of him before he got fussed, he is also a bit jealous of the limbless hero.

There is quite a bit of distrust between Rayman, Rabbid Mario and Rabbid peach. Beep-o has to play peace keeper. (There is no way he instantly trusts them just because they say they’re heroes.) They do end up forming a genuine friendship by the end of the game but there was a bit of drama we didn’t get to see.

Rabbid Mario is the most friendly to him, liking Rayman’s vibe. But it takes awhile for Rabbid Peach to warm up to him. Rayman is visibly untrusting but civil to all the Rabbids.

When asked about why he doesn’t like the Rabbids by Beep-o he tells the truth about how they originally came from the glade of dreams, invaded and captured others and all the other horrific stuff. He says that he knows that it’s silly to judge if someones good or evil because of their race, but that’s not gonna stop him from being weary of the Rabbids. Rabbid Mario just looks horrified, Rabbid Peach just scoffs saying that she would never be apart of some dum- but never finishing her sentence.

Rayman is technically a demigod.

If he ever met Ramon he would except him as a family member.

He knows the value of listening

Might do more later

[aleksanderscult]

Favorite Darkling quotes

I'm gonna write my favorite Darkling quotes 'cause a) I'm bored b) I love him and miss him so much.

Anyways I'm not gonna rate them cause every one of them is fucking iconic (as he is).

Let's get into this!

"Blue sky. Once more. Speak my name once more... Don't let me be alone."

These might be my most favorite quotes of his. His last words. 'Cause with his last breath he showed that he was only human after all. Cruel and damaged, yes. But still human.

There is no safe place. There is no haven. Not for us. There will be, he promised in the darkness, new words written upon his heart. I will make one.

I ADORE these lines. Less than 24 hours ago two Grisha tried to kill him (one of them a supposed friend) and what did he tried to do after that? Create a safe space for his kind in order for them not to go through what they went through. If he's the villain for this then I wish we had this kind of villain in our world.

‌"All men can be made fools."

OKAY OKAY LISTEN. I love this line for two reasons. Firstly, cause it's true. Every person can be made a fool. BUT! Secondly and most importantly, he hints to Mal and Alina (Alina actually cause Mal didn't know he was there) that he was made a fool too because of Alina. He fell in love with her and felt hope for the first time after centuries that this new person would be like him, live with him and spend eternities together. He would no longer be alone. And she seemed that she wanted him too as far as he could tell. And then what happened? She run off, found Mal and turned her back on him and their country. That mostly disappointed him, I think. In a large degree. And he must have thought what a fool he was to trust her and fall for her. Hence that amazing line.

Let me make a mark on this world before I leave it.

And boy did he not make it? Years after his death in R&R and people still talk about him. He made a mark not only on the world but on people too (no pun intended for Genya I swear. I love her😭). He made a huge impact and even antis have to admit that. Actually more than the actual protagonist but anyways *coughthe fact that the villain made bigger impact than the heroes in the storycough*

"Fight me as long as you're able. You will find I have far more practice with eternity."

You fucking iconic legend with your fucking iconic lines. And yes, I believe him. No matter how many decades Alina would fight him, he would be unmovable.

‌"It’s harder when you like them. You mourn them more."

That line is so true. The more you care, the more you get hurt. I'm sorry but a quality that people often overlook about the Darkling is his wisdom. I would sit and listen for hours to him talking about life, love, death and people. After so many centuries he's so knowledgeable.

Also, this line makes me wonder how many people he had loved, lost and mourned. Because obviously he talks from experience. *Sigh* I would die to read a book about his whole life before Alina.

He only wished that it wasn't winter. He wanted to turn his face to the sun and feel it warm him. He'd been a long time in the dark.

Yeah he's cruel and manipulative and the villain and blah, blah, blah. But again this line proves his humanity. He loves the sun (how much are you willing to bet people that his favourite season is Summer😏), he loves the sunlight, its warmth and light (another clue that Alina is his soulmate dc what anyone says). Our baby was resurrected and first things first he wanted his wife beside him and the sun to hit his face (priorities people🥹😍).

"Then I'd be alone too."

(*whispering*don't cry, don't cry, don't cry)

So. Heh. I may have a soft spot for fictional characters that suffer from loneliness. Probably because I have suffered from it too most of my life (🫠). I'm sorry but you can hate him all you want alright? No one can stop you. But people that don't feel an ounce of sympathy or pity for him and what he has gone through are just useless to talk to. Most of all he wants someone to make him company to this endless sea of eternity.

Deep blue like the True Sea. Red like the roofs of the Shu temples. The pure, buttery color of sunlight—not really yellow or gold, what would you call it? All the colors you couldn't see in the dark.

(fuck. lost control of my tears after all)

Baby shadow summoner can control the dark and its blackness and yet he loves all colors that are bright. But most of all the sunlight.

(DARKLINA STANS RISE)

Also, he made the Grisha keftas blue, red and purple because he loved these colors the most, change my mind *sip tea*

‌"Fine. Make me your villain."

Ah, yes. The cult classic one. Honestly, this line makes me feel bad for him. Cause he has tried the peaceful solution so many times (not with just Alina but generally). At this point he's like: "Fuck it. If I have to become a monster then so be it." They leave him no choice and furthermore he's obviously grown tired of trying diplomacy.

"I’ll be certain you hear it when I make her scream."

I froze the first time I read this line but now I laugh every time I do. Here he shows how petty he can be and how much shame he doesn't have (in your face Mal😚).

‌"My Alina. You cannot run from me."

OKAY LISTEN

I know it sounds creepy but "my Alina" and "I'll always find you" MY DARKLINA HEART GUYS

‌"I know what you thought, what you always thought of me. It's so much easier that way, isn't it?"

My strategic baby. But this line is also sad. Cause he knows how Alina views him and, even if he hides it well, deep down I bet it hurts him.

‌"You two have a bad habit of acting like fools and calling it heroic."

Isn't that the truth tho? Our boy spitting facts once again. Also this line can be applied to other characters from different fandoms as well.

‌"I seem to be a victim of my own wishes where you are concerned."

TRANSLATION: I TEND TO FORGET ABOUT THE WORLD-DOMINATION PLAN CAUSE I WANT TO BE WITH YOU, LIVE WITH YOU, LOVE YOU, MARRY YOU, HAVE 7 KIDS WITH YOU AND DRINK SOME TEA ON THE PORCH TOGETHER WHILE THE SUNLIGHT HITS US

TRANSLATION NO2: I GOT MY ASS KICKED CAUSE I WAS TOO BUSY THINKING THAT I WAS KISSING YOU AND WOULD FINALLY HAVE THAT WEDDING THAT I WAS PLANNING BABE

Is this line a kind of love confession or what? 🥺🙃

‌"We all have our secrets."

Mostly I love this line cause it just sounds cool. But after I read the book for a second time I realized that it could tie with the "Demon in the Woods" book. It's a nice little nod. If you get it, you get it😉.

‌Why did you go to her? Because with her he was human again.

A nice (though bittersweet) little way to end this post. 🥹

With Alina he felt human again. That part that was buried deep beneath him and rarely if not ever got out. Do you remember how she made him laugh with her honest remarks on "Shadow and Bone"? How his eyes closed and his breath stopped when she reached to stroke his cheek on R&R? How he broadly smiled when she laughed about how common his name was? That was Aleksander Morozova (especially that last part). The boy that grew up forcefully and was thrown to a cruel world too soon, too violently. They were these 400+ years that made him cruel. It was eternity that broke him. Loneliness and pain that made him withdraw. Until Alina came. And she could bring to the surface that buried, broken boy. And it felt good to him (although inconvenient too). She made him feel vulnerable. And when he was resurrected he seeked her out to feel that way again. Human.

*sigh*

Thanks for coming to my ted talk guys. 😔✌️

Feel free to write in the comments your own favorite quotes of him 😊❤️

[alexanderwales]

Game Review: Legend of Zelda: Echoes of Wisdom

Let me lead with a score: 7/10.

I overall enjoyed the core gameplay and thought that the story was completely mid, which normally would result in a better overall impression of a game. Unfortunately, the core gameplay was a lot weaker than it should have been owing to some of the game design decisions, and I have to knock the story points for taking far too much time and being sluggish to get through.

The idea of Echoes of Wisdom is that you collect "echoes" of objects you find and then use them to get through the game. You get the echo of a bed and use two of them to cross a gap. You use the bed to make a ladder to get to higher places. You use the bed to make a bridge, which is really just crossing a gap again. You use the bed to press a switch to open a door. You learn "old bed" very early on, and in my case, it felt like the solution to far too many problems.

The biggest issue is just game design: they didn't do enough of it. In theory from a game mechanics standpoint there should have been ~10 echoes that are mechanically orthogonal to each other, fulfilling different roles. In practice, there are 127 echoes, the menu for accessing them is a mess, and the vast majority of them are redundant. Even the ones that are technically distinct don't have much mechanical distance from each other: you use fire to light torches and lightning to light up green crystals, and this really felt, while playing, like a lazy reskin.

It kind of reminded me of the Green Lantern having the power to make "anything he can imagine" and then 90% of the time using it to make a fist.

Included in those 127 echoes are "combat" echoes, which you get from defeating enemies. They fight for you, and some of them can do other things, but mostly it's the fighting. In most circumstances, you just use the most powerful guy you can, with the exceptions being flying enemies and very rarely needing some kind of elemental counter or the bomb fish.

Some of this is surely driven by game design principles, namely "don't let the player get stuck because they didn't pick up the right echoes along the way". I sympathize with this, but it also kind of sucks, because it makes everything feel bland. There's surely a "minimum echoes" category, just like Mario Odyssey has "minimum captures", and my guess is that you'd only need around 10, and that of those 10, there's just not that much that they actually do differently.

This is especially a shame when compared to Breath of the Wild or Tears of the Kingdom, where the tools are wildly different. Magnesis, Bomb, Ice Block, Time Stop? Those four together have more mechanical variety and combinatorial possibility than all 127 echoes in Echoes of Wisdom. And Tears of the Kingdom was amazing, one of those times when I would sit back and marvel at how much variety and complexity there was, how many challenges were brought forth by really good game design. That doesn't exist here.

So the game mechanical premise is cool, but they don't do too much with it. How's the story?

Told in a different way, I probably would have found it fine. Instead, the heaps of dialogue, slow animations between pieces of dialogue, minimal quality of those animations, and cutsceneitis made me repeatedly roll my eyes. The fact that it was the same locations as other Zelda games also detracted from it, which is something they're going to run into if they keep having the same fantasy races over and over and over.

I think the older I get, the more I hate being stopped in the middle of a game to read a bunch of text, and this is especially true when the gameplay disconnects itself from its story. So if they had snappy responses to me pressing the "yes, I have read this" button, and animation skips that have been present in the vast majority of games for the last five to ten years, I would have liked it better. Instead, I was fighting annoyance with how slow they made everything, particularly the animations for nodding and looking surprised and all these other things. You can have these animations while the text box is being read! We have the technology!

The mute protagonist also doesn't help, and I don't really understand why they used it here except for legacy reasons. Zelda is the character we're spending the most time with, she definitely has a history and perspective, and instead we get very little of her thoughts and feelings. If the intent was to help me project myself into her shoes, it did not work.

So I think this is going to be my last Nintendo game, at least for a while. This game as an 86 on Metacritic, and I'm going to take my overall dislike of many aspects of it as a sign that it's just not for me. I was giving Mario & Luigi: Brothership an appraising look, but this is the game that convinced me that I just don't like the slow, clunky interface to formulaic surface-level stories. I would look past that for good, mechanically rich gameplay, but now it's seeming more hit and miss.

[time-to-write-and-suffer]

So. Hmm. Idk how to put this.

I never thought of Critical Role as particularly high-brow entertainment, ya know? But something about The Legend of Vox Machina feels like the story has gone from high-quality fast food (original campaign) to pure junk food (animated series). And that's not necesserily a bad thing? I guess? If you're into that? But the way the story has been flattened while upping the spectacle and the presentation feels very ... schlocky. Ya know?

Like. There's something very incongruous with how much gore and sex and inexplicable fart, vomit, and poop jokes there are, with how "mature" the show is attempting to be, while also having just the flattest most boring version of each character and their arcs, while also also offering some of the most trite baby's first found family/friendship is magic/believe in yourself themes possible. These adults who shit and fuck and curse and kill and maim and torture are also, still, somehow, on an shonen anime protag journey, each and every one of them, learning to believe in themselves and to rely on their friends over and over again.

Those aspects were present in the streams, yes, but they were often implied or strengthened by action and characterization, and often came about mechanically through it being a DnD campaign where becoming friends and comrades-in-arms is the whole main draw of the genre. But instead of focusing on how much depth the cast managed to create with improv storytelling, the thing that's mostly kept in the show is the childish humor and the ... gore? But what made the dirty humor in the show work was the improvisational, clever nature of them, it was appropriate for the moment (or inappropriate, but you know what I mean) and it was usually strengthened by the reactions of the other cast members. The gore was fun not because it was gratuitous or "adult", but because it showcased Matt's ability and creativity and heightened the characters' impact on the world, making both them and the viewer feel like players' actions had true consequences and making them feel badass.

The fact that they kept the gore and the shit jokes (and tbh exaggerated them) but flattened and Flanderized the characters is very baffling to me. I can't figure out who this show is for? Cuz as an adult I do not find it very compelling storywise, even if it's a visual spectacle.

And before anyone says "they're writing their own characters so this is good and accurate actually!!" I mean ... it's entirely possible that they're better actors than they are writers. Ya know? And once the excuse that it's improv is removed, I feel like it's totally fine to put the characterization under greater scrutiny than they were when they were just being improv'd by the cast. Ya know?

People say "of course something is lost in translation, it's a different medium!" like it's a given, and, like, it is. But people use it to excuse the shortcomings of the translation, when in reality, some translations are better than others. And sometimes you lose nuances that made the original great to begin with. Some things are hard to translate, and losing them can and does make the translation lacking when compared to the original. That's why some people learn entirely new languages to read their favorite media in the original language.

Once you take the improv and the dice rolls and the long-running nature of the streams, and try to shorten and structure them and lay them out in a logical progression the same way traditional media tells stories, you realize that none of these characters are very unique, their stories aren't unique, and the way the whole thing is constructed is very bland. But the visuals are nice so it tricks you into thinking it's better than it is.

Which is kinda. Sad? But also fascinating.

So yeah. Kind of a big dookie disappointment. At least I still have the original show.

[howlsmovinglibrary]

Hello! I saw your response to the "5 things you could talk about for an hour" tag game, and I just wanted to say that I am in fact very interested in your perspective on how fandom/fanfic has impacted media literacy and the publishing industry, if you'd ever like to yap on Tumblr about it!

hmmm... other people have said it better than me in various different tumblr posts but I'm a yapper why not?

(under the cut to save a long post)

fandom/fanfic impacts on media literacy:

media is viewed through shipping goggles first and a critical lens second (both of them are allowed! i love my shipping goggles! but i also like having multiple tools of analysis in my arsenal!)

this also sometimes means that media devolves into relationships and 'fan service' moments, above plot or delivery of a good and satisfactory story (I'm not saying OFMD but I kind of am. I'm not saying BG3 additional content that has focused on popular characters and ships above incomplete and underwritten narratives... but I kind of am)

because fandom now also has a big purity culture kick back, and fandom has become mainstream, that means mainstream media also has a purity culture kick back (for instance, everyone performing scandalised and 'disgusted' reactions to Saltburn, when actually all that is is a... psychological thriller)

fandom/fanfic impacts on the publishing industry:

the Locked Tomb's popularisation of fic-ish writing, alongside the reylo fanfic boom (Ali Hazelwood serial numbers filed off -> romance pipeline) kind of coincided perfectly with the pandemic. as did the success of Travis Baldree's coffeeshop AU, Legends and Lattes. people wanted comfort media, but at the other end, publishing industry professionals were working from home and likely spread thin. I think this created a perfect storm for 'fast fiction' (like 'fast fashion') where basically a fanfic can be quickly changed into a book with minimal editing that doesn't matter anyway bc it provides a dopamine hit. None of this is inherently bad. I don't dislike fanfic-to-published-novel on principle. What I *hate*, is bad editing. Extremely high quality editing is what trad publishing has, in a way fic doesn't. Bc fic can be as long as you want it to be, and can linger, and can have fun - it's not designed for efficiency or quality control bc that's not the point. that being said... quality control can, in fact, improve a work's quality. but trad publishing doesn't have good editing anymore, bc the pandemic proved it didn't necessarily need it, and publishing companies love to not spend money on things, especially if it will make them a profit without that care or attention.

what i will also say, is there is a reason it's easy to file the serial numbers off. reylo fics are very far from canon, for a number of reasons. Legends and Lattes is a coffeeshop AU, without any character work. This doesn't mean they are bad. It just means they feed into a general trend of 'fic as tropes' - rather than 'fic as character study', for instance - which in turn means that romance in particular has also become 'romance as tropes' (or even 'romance as smut' which is another thing I have feelings about, bc bad editing + fiction as smut = really, really bad smut actually lads)

in general 'fiction as tropes' has then obviously been aided by tiktok as the primary marketing platform. rather than provide an explanation of your story, providing an explanation of its tropes encourages your book being read this way

another thing that has happened as a result of fic is 'queer rep' as being 'there is queer people in it' or 'there is queer romance in it'. again, not inherently a bad thing. i love a gay book. but gay and queer experiences exist on a spectrum. a book with queer MCs for the sake of having queer MCs may end up feeling tokenistic, if the writer has included queer rep for the sake of queer rep, or (and we need to admit this happens!) to be trendy!! to hit on the 'queer rep' zeitgeist!!! similarly, a queer book without any romance in it can still be queer, but gods forbid we have *that* conversation.

As I said, all of these things have been discussed in tumblr posts far better than mine. In terms of my personal experience - teaching undergraduate literature classes, this is what I've noticed:

because of fandom or social media with fandom lite edges, a lot of my students are very up-to-date on things such as intersectional feminism, gender performativity, compulsory heterosexuality, queer coding, etc. I don't need to define these terms, whereas they were defined when I was an undergrad.

however, the flipside of this is they often approach the texts I teach only with a contemporary mindset. The biggest example I have of this is Jane Eyre. Jane Eyre actually benefits from a contemporary mindset - after being heralded as feminist in the 1960s, intersectional criticisms in the 1980s/90s by postcolonial critics called out its racist treatment of Bertha Mason. BUT if I have to read another essay about Jane Eyre's relationship with Rochester being 'problematic', I will scream. Not bc I don't agree, but because criticisms of this novel need to also acknowledge that in the victorian era, such a blatant discussion of female sexual desire was radical for its time. That class and sexism was a big enough issue in the 19th century that for Jane to get to marry a man from the landed gentry on equal footing was a big deal at the time. It's fine if you decide Jane Eyre isn't feminist! but you need to prove that through multiple critical lenses and not just a jezebel-article style treatise. (for instance, one essay critiqued the male gaze in Jane Eyre... Jane Eyre was written by a woman looking very disrespectfully actually, and also... film hadn't been invented yet. while the male gaze existed in art, the normalising of female objectification, sexually, required film. also... the male gaze is a term that requires a man with eyes to be making that piece of art.)

the other biggest problem I have when teaching, is the 'queer character as queer representation' thing, and ESPECIALLY "good queer representation means morally good queer characters'. I teach Giovanni's Room. Anyone who has read Giovanni's Room, knows that the main character is both gay... and a bad person. That book isn't just talking about being gay, but about being closeted, trapped in compulsory heteronormativity, and also... 1950s racism. One of the biggest challenges for me as a teacher is to ask students "don't just tell me there's gay people in it, look at what those gay people are doing. is queerness portrayed positively or negatively? what aspects of the experience are being represented? do these aspects have value, especially when it is a queer artist making the art?"

(people also feel like they can't call a gay character mean or bad, because of the whole 'gay is inherently virtuous' part of fandom's mindset. spoilers: gay people can suck too. and are allowed to be portrayed as such in fiction, once you have a tool in your toolkit known as nuance).

anyway, aside from the fact it means i occasionally struggle to find good romance books bc I want not just well written sex but character development - which fanfic has! I'm not saying fanfic doesn't have it! but the fanfic that gets published sometimes doesn't, and certainly very rarely has both! - my teaching is absolutely where I see fandom's impact most clearly.

[that-ari-blogger]

Deadly Simplicity (Percy Jackson and the Lightning Thief)

The Percy Jackson series is one of those ubiquitous franchises that almost everyone has at least heard of. The books single handedly sparked a growing interest in mythology and history, with a focus on Ancient Greece. But there is more to them than that, suffice to say, you don’t get to be the first google search result for “Uncle Rick” for nothing.

I have never been one for rewatching or rereading stories I like. I have a ton of books on my shelf that I read once and then never came back to, but having this blog inspired me to start re-experiencing things from a critical lens.

I decided to reread the Percy Jackson books and genuinely wasn’t planning on posting about them until a thought struck me. Percy Jackson and the Lightning Thief is simple by design, and relatable on a level I was not expecting it to be.

Let me explain.

SPOILERS AHEAD: (Percy Jackson and the Lightning Thief)

First up, a confession.

I got into the franchise in the weirdest way possible. The movie that we all try to forget came out when I was too young to understand why it was so awful, and my childish brain got hyped on the cool magic stuff. So, I read the first book, and then the Heroes of Olympus series that began releasing in the same year and I began to understand exactly how wrong I was.

This story would be unusual, if I hadn’t also done the exact same thing with Avatar: The Last Airbender. I’m sorry, I promise I didn’t do it on purpose. At least that one was a few years later, and my first experience of the true series was genuinely Bitter Work, take a guess at how quickly I worked out the difference in quality.

Anyway, Percy Jackson and the Lightning Thief feels like a bedtime story, and that’s pretty much what it was. But I would propose that the story also functions as a legend, or a folk tale.

I want to prefix this by saying that I am not a semanticist. The word “legend” has a specific meaning, and my basic knowledge leads me to believe that it fits, but if someone with more understanding argues contrary, they are the authority.

However, I’m not arguing pure definition, I’m arguing more on vibes, which are conveniently more difficult to pin down, and leave me with some wriggle room.

In any case, Percy Jackson is a legend because of how it develops. It’s a simple story told with a purpose, that evolved over time. Like the legends of King Arthur.

The series overall is famous for making writing about heavy subject matter with respect look effortless, but looking at the first in the series, its noticeable how many of the themes that would become central in the later books are absent entirely.

This is a story of empowerment about ADHD and dyslexia, that abruptly gains some family thematic at the very end. It’s got a cool backdrop with magic and a sense of humour, and that’s it. This isn’t trying to be anything more.

Which, for the record, works uncomfortably well. I am not dyslexic, so I can’t speak for that experience, but I was recently diagnosed with ADHD, and with that hindsight, Perseus Jackson came to my house, knocked down my door, and said “I see you.”

In every behaviour, from the inability to focus except in moments when he can’t do anything else, to the struggle with school, to the unrivalled inability to read a room, I have seen in myself a thousand times. But the key here is that these are reframed as empowering with one majour exception that is actually quite funny.

Percy’s ADHD becomes an explicit divine gift that will help save his life time and time again, and his Dyslexia becomes a secret language that only a select few have access to. It doesn’t even ignore the issues of living with the two, it just adds on a few cool magical powers to make them feel special. When you are a kid, or even as an adult, sometimes you need the affirmation.

But I mentioned an exception, and that is the main conflict of the story. The book doesn’t have a main antagonist, and Ares is tagged on at the end as a boss battle. But there is an opponent, the Summer Solstice itself.

Filling the role of villain in a story about a character with ADHD, is the threat of a deadline. And from that perspective, the story about characters getting sidetracked by everything under the sun, before getting their arses into gear the night before becomes half funny, but also empowering. It says, “you can do this, and you will do it your way.”

When I watched the Disney + series, I was originally offput but unable to put my finger on why. But I think it’s the tone. The series feels like it was written from the perspective of an adult looking at the adventure and going “he’s twelve, he’s gonna get killed”, while the first book oscillates between that and “I’m twelve, I’m gonna live forever”.

Case and point, book Percy gets annoyed at his father about twice, and immediately forgives him, while series Percy is well aware of the situation, and reacts to it with that knowledge in mind.

Watch this space for my coverage of Percy Jackson and the Sea of Monsters for more details on this, because that gets really interesting.

My single biggest bugbear with modern internet discourse is the drawing of similarities between stories as if its some great revelation. Like, congratulations, you’ve discovered tropes, what’s your point?

In this context, the similarities being drawn are between Percy Jackson, Star Wars, and The Galbraith books (Harold Pots and the Spooky Triangle, Harold Pots and the Hole with a Snek in it. You know which books I’m talking about).

I’m not going to argue that there aren’t similarities, but I challenge you to write a story that is made up of entirely new ideas that nobody has ever thought about before.

All stories, for example, feature a young hero and a coming-of-age story. All have a tragic backstory and a wacky mentour. All have an introductory adventure to tie in a hint of worldbuilding, then lead into the greater story for the second act. All feel like they were written to be standalone stories with hints at a future added as an afterthought.

However, the differences between the three are so much more significant. Star Wars is trying to fit into the Hero’s Journey, the definitive writing stereotype, and it did so well at it that anyone trying to compare to the trope now compares with Star Wars.

Harrold Pots and the Life Rock of Live Giving Rockiness is trying to be a Bildungsroman, which is separate from the Hero’s Journey, but does have a fair few similarities. Notably the travel into a symbolic new world of adventure, and the return home as a changed person. But the theming is different, Harrold Pots, for all its many flaws, is a story with a solid theme. With friends, you can accomplish anything.

It also, as a side note, heavily implies the idea that forcing someone to be something they are not (I.e., the protagonist’s relatives trying to convince him that he is not a wizard) is impossible, and I chose to read that as trans affirming because I know Galbraith definitely didn’t mean it that way and I am petty.

To further back up this point, some people in the story aren’t born as witches or wizards (AMAB, assigned muggle at birth), but are accepted regardless. This reading is definitely based on the flimsiest of reasonings possible, but it’s a testament to what can happen when you see patterns in stories that aren’t there or aren’t as significant as the author meant.

Back to Percy Jackson, it baffles me that this gets lumped in with the two aforementioned franchises, because it’s truly awful at sticking to a specific structure. It’s a hero’s journey at parts, and a Bildungsroman by technicality, but it’s its own thing.

Percy learns about the stolen lightning, the title of the story, just before halfway through the book, and then he departs on his quest. I’m genuinely not sure to see the story as five act, four act, or even two act, and I don’t think it matters. That’s part of what I meant about this feeling like a legend, because it has the same meandering structure, it’s a story meant to be told, not marked on a scale.

Which leads me to my point about empowering. This book, by its very structure, backs up the simple theming of the story. You can do it, and you will do it your way.

Final Thoughts

There are so many little details in this book that I could talk about, so I’m going to focus in on two more before I leave.

Dionysus is my boy in the mythology, but in his introduction in this book, he manages to have more teeth than any other god in the series. Sure, Zeus is throwing storms around and being generally big (in a physical sense), but Dionysus comes across as powerful because he shows Percy just what he is capable of. Show don’t tell is a hell of a thing, and the choice to make the threat of “I can drive you insane with barely a thought” by literally getting in Percy’s brain and giving him examples of what Dionysus can do from the perspective of those he’s cursed shows a level of power and raw intimidation factor that nothing in the rest of the series will get close to.

There is one other similarity between this book and Harold Pots and the Oh-My-G-d-Its-Robert-Pattinson, and that is the one thing I dislike about the story. In this book, and only in this book, Riordan has a habit of indicating morality with appearance. Every evil person is ugly, every good person is beautiful. Once you notice it, you can’t unsee it.

But interestingly, this stops in the final few chapters with Luke’s betrayal, which is the series’ main turning point. Well, one of two. And this only works because the book has conditioned you to expect the handsome Luke to be benevolent, so the twist hits hard. It works, but I’m glad Riordan didn’t continue with the trope.

Next time, I will be looking at Percy Jackson and the Sea of Monsters and exploring just how much this book is the opposite of the one I just covered. So, stick around if that interests you.

[only-by-the-stars]

more little NL vs NH thoughts because I can't stop playing NL again and apparently can't shut up about it (it is so important to me okay?)

-villager dialogue is just so much better in NL. I've heard people complain about the villagers not being mean anymore in that game like in older ones, and I have little opinion on that, but whew can I ever see the downgrade between NL and NH. the regular dialogue is so bland, and there's fewer options for when they have something to ask you for. in NH, it's:

wanna come over/can I visit your house RIGHT NOW? I had a fight with [other villager], can you deliver this gift? I'm trying to sell stuff, will you buy this from me?/here's a random item (this always happens when I'm digging up clams and need empty pockets...) can you catch this bug/fish for me? (very rarely) want to play a treasure hunt game?

whereas with NL it's:

wanna come over/can I visit your house RIGHT NOW? wanna come over/can I visit your house later? can you take this gift to [other villager]? I'm trying to sell stuff, will you buy this/can I trade you for item in your pockets? can you catch this bug/fish for me? wanna play hide and seek? can you bury/dig up this time capsule for me? can you bring me a piece of fruit? I need to speak to [other villager] but can't leave my house, can you bring them here?

I'm probably forgetting something, but you can see the disparity anyway. regular dialogue was generally more interesting too. I also like that you had to bring a sick animal medicine for *three* days instead of just one, it felt like nursing a sick friend back to health instead of one and done and was more rewarding.

-speaking of more rewarding... SHOP UPGRADES, MY BELOVED <333 my file has T&T Emporium, and it is SO NICE, OMG. ;w; I loved the process of working towards the shop upgrades and seeing it become gradually bigger and with a better item selection. ALSO I MISS YOU, GRACIE. </3 the fact that NH has the nerve to try and sell me ridiculously expensive furniture without the GracieGrace brand attached, smh.

-it was the Bug Off today! if I'd realized, I would've prepared last night, but oh well. I still got to get a couple cute furniture pieces and I think I'll place first, so that was fun.

-doing item customization yourself is more convenient (because you can see what things will look like without using a guide) and faster, but... I actually still like using Cyrus? I know he's at the co-op on Harv's island if you shell out enough cash, but that's so expensive and his prices have gone up. customization kits aren't cheap either! in NL you paid less, and had to wait a half hour for an individual item to be ready, but I like that. I like going a bit slower. NL in general is slower and so much more relaxed and relaxing, I like walking at a normal pace and getting to soak in the atmosphere and music.

-as much as I appreciate getting to hear Blathers blather about the donated stuff, I also like the convenience of getting to look at the info in the museum itself without having to bring him another one. it's part of what makes going to the museum soothing, despite that there's no wow factor in the design of the exhibits.

-Main Street in general is just so nice to have, and it makes the actual town feel bigger. I do like being able to decorate outside, but... at the same time I like the simpler feel here and the PWPs that we had. and remodeling town hall and the train station was so neat!!! why can't we do that in NH???

-GOD I MISS THE LEGEND OF ZELDA ITEMS AND VILLAGERS SO MUCH.

-the music. again, the music. NL remains one of my favorite video game soundtracks ever. when it hit 7 PM last night and The Song started playing... oh man... ;w; will we ever have that level of music quality again?

-cannot stress enough how much I miss Tortimer Island. the minigames! the easy access to summer bugs and fishing! AAAAAHHHH

-I... forgot what the Aquarius Urn looked like in this game and now I'm annoyed all over again at the blandification of the Zodiac series in NH. IT WAS BLUE AND FILLED WITH WATER. I COULD'VE. IT WOULD'VE LOOKED SO GOOD AS PART OF MY ZORA-THEMED AREAS. AAARGH!!!

-odd little discrepancy, but why is it when you talk to Gulliver to try and wake him up in NH you have to put away any tool you're carrying, but not so in NL? weird.

-I like the hyacinths and windflowers, but I also miss the violets and carnations. the purple roses were also a LOT prettier in NL.

-also, for all that NH offers more freedom in some aspects, it really took a big step backwards in house customization??? you can't even GET a different exterior until you have ALL the rooms, and you have NO CONTROL over the room size??? and the exterior options are all SO BLAND. you could be way more creative and aesthetic in NL by choosing which rooms to have, how big they were, and you had way more and more interesting exterior options.

-sure were more events and generally things to do in NL. :< the only part of winter I liked was playing snowman bingo and trying to make the different snow people for various rewards! and they took THAT away too! there was more charm, too, I loved the coziness of the "small forested village" that I got in NL, and I prefer taking the train to flying everywhere, and the post office was so cool, and I liked the reliability of taking Dr. Shrunk fruit to learn new reactions. I really hope the next game is a return to form and not more of the same problems that still plague NH...