#But I've liked multiple people

[sortingmyideas]

Male character: I'm not attracted to women.

Fandom: Oh, he's gay.

Female character: I'm not attracted to men.

Fandom: Oh, she's a lesbian.

Any character: I'm not attracted to anybody.

Fandom: Well, we don't know that they're ace/aro/aroace. It's open for interpretation. They're not canonically ace/aro/aroace unless they specifically say they are.

Hmmmm. I wonder why we're so frustrated in fandom spaces. I wonder if there's a reason.

[palarien]

sketched this out at jury duty actually

[dazzelmethat]

Cricket Cat concept. Do you see it? Do you see my vision? I don't think they'd purr or meow, just chirp with their wings.

[johnnysilverpunk]

Expedition 33 Spoilers ahead!

The thing about the way the narrative of Expedition 33 pivots halfway through is that while the focus shifts, the main idea remains the same. In the beginning, we're introduced to the gommage and the central question is "what do we do when our world is ending?" And it answers it right away. We continue. This idea is reinforced multiple times, like when Gustave and Lune are arguing about finding Maelle. Gustave wants to take her back home, and Lune has to remind Gustave that they must continue. Or after Gustave's death when they cross the bridge, Lune has to remind Maelle why they have to keep going, to both honor those who died to lay the path and to provide hope for those to come.

Then we move from a macroscopic scale to microscopic one. Instead of looking at a society's grief, we look at single family's grief. But the question remains the same. After a loss like the Dessendre family experiences, it feels like the world is ending, like nothing will ever matter again. The death of Verso shattered the Dessendre family much in the same way the Fracture shattered the continent. They were a family that, despite their flaws, clearly loved each other immensely. How do you heal from losing someone you loved so deeply? How can life ever feel the same again when they won't be around to share it?

Both the tragedy of Lumiere and the tragedy of the Dessendre family ask, "What do we do when our world is ending?" The game reminds you of its answer to that question at the end of every single fight. We continue. In the face of cataclysmic events, all we can do is continue. To try and do our best to make the world better even when things feel hopeless. In the face of grief, all we can do is continue. To try and do our best to move on even when a piece of your heart is missing. Sometimes we succeed, and sometimes we fail, but we must continue.

[canisalbus]

Idk if you've ever seen it, but I imagine Machete coming to Vasco in his dreams like bambi's mom does to him in bambi 2. Just this beautiful golden field they played in, shining butterflies haloing Machete who isn't sickly, isn't in pain, a healthy beautiful dog but still undeniably himself. Looking at him with so much love and kindness, even though his mortal form is gone, he's been so truly blessed. Gives Vasco the strength to go on.

.

[lesbianwithchainsaws]

I always find it so annoying when something bad comes out about a media or creator of said media and half the responses are always "(thing) was never good anyway" "I can't believe people ever actually liked (thing)" like art is subjective anyway, but those responses also seem to frame it as, if it was good, then it would be excusable? Like if you personally didn't like it, that's fine, but trying to pretend like terrible people don't and have never made anything good is just stupid

[knockknockitsnickels]

God I don't want to be too harsh because I know nobody means any harm by it but the way people analyze the Voices drives me crazy sometimes. Not even in the sense that I disagree with what's being written, but more in the sense of how these analyses treat the Princess.

I feel like in a certain section of the fandom there's this reluctance to admit that the Voices aren't always "positive" (for lack of a better term) characters? You'll see people give lip service to the idea that "it's good for a character to have flaws!" and then turn around and try to excuse their worst moments (and it's like. You don't have to do that. You can still like them).

And one of the consequences of this type of analysis is that the way the player's and the voice's actions affect the Princess is downplayed. I have seen analyzes of Happily Ever After which barely even mention the Princess, because they're so fixated on defending Smitten. I've seen people write off entire chapters as "bad" just because they didn't like the way the Voices were acting (with, again, barely a mention of the Princess). The Greys and the Witch chapters are arguably where both the Player and the Voices are at their worst, but fans will still twist around to make the Princess the sole villain of the story.

I don't know. I hate making these kinda posts because I don't want to shame anyone from writing/drawing something they love. But as a big fan of the Princess it's really saddening to see her pushed aside in favor of the male characters.

[soleminisanction]

I keep seeing posts of people insisting that Steph is a "great detective" and "good at solving puzzles" and... no? There's zero evidence of that, guys. I literally went to the (ugh) Stephanie Brown wiki and searched for every variation I could think of for "riddle," "puzzle," "solves," "Stephanie solves," "Steph figures out" etc. and couldn't find... anything. And that's a site that skews everything to make Steph look like the most talented and important person in the entire universe.

No no, what Steph's actual (non-combat) skill set is, what she's actually good at, is being a spy.

Steph doesn't "solve her dad's puzzles" in no small part because, by the time she's around, their whole dynamic is that he's not leaving puzzles anymore. He's "cured" of that compulsion. That's why she's called The Spoiler, she spoils his supposedly flawless plans by leaving the clues FOR him. What she does is hide in the shadows or listen in around the house to hear what he's planning, then sneaks out and screws him over.

Even her costume is designed to sneak -- for as bright as the purple part can sometimes be colored, it'd still ultimately designed to blend into the shadows. That's probably also why they gave her the invisibility belt that one time, and she has a tendency to sneak up on other people, even when it's not a good idea, like that time at the start of Red Robin.

Frankly, the idea that Steph "likes puzzles" is bizarre to me -- why would she ever like something she associates with her father, when her primary motivation is that she hates him, everything that reminds her of him and anything that even implies she might be slightly like him? It makes way more sense that she'd dislike them and try to brute-force her way through any she can't just steal the cheat codes for.

TL;DR, I don't think Steph is the Bat you call for puzzles. I think she's the one you call to do an infiltration.

[cloudinal]

(Very) belated Mitsuru birthday!

[wardingshout]

Hi Livi!

I finally gathered the courage to send something to your ask box. There’s so much I want to say, but I'm not very good at expressing myself, so if my words seem a bit jumbled, I hope you don't mind.

I started using Tumblr a little over a year ago, and I remember stumbling upon one of your artworks after searching the “alttp” tag. I was so incredibly happy and excited — I loved it immediately, especially because it’s so rare to see ALTTP-related art where I’m from.

Back then, I didn’t pay much attention to who the artist was and just kept browsing. But over time, I realized that so many of the amazing pieces I loved were actually created by you! Honestly, your art is breathtaking. The way you portray Link and Zelda outside of the game’s narrative makes them feel so real. Your inspiration and creativity seem endless.

Your use of bright, intricate, and emotionally resonant colors fills every piece with a sense of story — sometimes with a gentle sadness, sometimes with tiny, charming interactions that make me smile.

I remember seeing that you draw on a particular site, and I tried using it too. It was really hard 😣 and made me admire your work even more — I’m amazed at how you manage to create such rich, detailed pieces on such a tiny canvas and with such limited tools.

Your compositions and the way you frame your scenes are incredible too — the perspectives you use, whether it's looking up, down, or close-up, show such skill and depth. I’ve been obsessed with your artwork for a long time 🥺🥺

And the outfits you design for Link and Zelda — they’re absolutely beautiful. They’re so different from the classic green tunic, yet they feel *exactly* like something the characters would wear. I don’t think any language could fully express how much I love your costume designs. Please allow me to scream for a moment here.

There’s still so much I want to say, but now that I’m writing, I find myself at a loss for words. So I’ll just say this: you are truly an amazing artist. Your work is astonishing and deeply captivating.

Also, I drew some of your versions of Link and Zelda — I hope you’ll like them! (Screaming again, their designs are just too beautiful 😭😭)

VIOLET HI!!! 💕💕💕

I'm sorry I have no idea where to start here, I'm feeling so overwhelmed in the best way ever! I just barely managed to load this ask before leaving the locker room at work yesterday and ended up hiding there until everyone else left bc I didn't want them to see my cry haha💕,,

I don't think there's any beginning or end to how emotional this got me and to how honoured I feel to have my art described in such a way;; this is!! absolutely everything I've ever dreamed of reaching with my art, so having someone else putting it into words just from looking at is so incredible !!!! ;v; even if it's hard to feel happy about my own stuff it seems like I can still portray the things I want to, this makes me so happy 🥹💕💕

and especially because a lot of this is stuff I absolutely love about your art too!!!! you have such an incredible way of creating soft, yet somber atmospheres and your compositions always come off so intentional and interesting !!! the way you blend so many different colours into everything looks both natural and interesting and it's one of my absolute favourite things from art !! ✨✨✨

Seeing you back on tegaki was such a joy too !!! ;v; even if it ended up feeling difficult, I was so excited to see you there and getting to check your posts for new comments brought me so much joy !!!! I always wanted to send you more comments but got so caught up in the excitement of you posting smth yourself I got distracted from it too often...

in general I'm always so excited to see you post new art !!! and super grateful we get to see a lot of your sketches lately too !!!! you art has such a consistent and pretty style and always comes off so smooth and effortless and interesting and it has inspired me so much !!! 💖💖💖🥹💕

I'm feeling a bit lost for words since there's So much I want to say it's difficult to phrase it properly. but you bringing up fun tegaki memories reminded me of the most fun way to thank people! (I tried bringing out the classic palette too!)

and since I also really love the way you draw them too and I was sad I missed maid day (yet again) them !!

I've been absolutely losing my mind over the way you drew my little guys!!!!!!!;; I've been looking at them so much already they almost feel ingrained into my brain, to the point I almost forgot they were real !!! there's no way I could properly thank you for all of this; the amazing art, the incredibly nice words and all the art inspiration you bring me by sharing your work!!! I'm feeling so so lucky and again so so honoured ;v; 💖💖💖💕💖💕

[serpentface]

Hibrides and Kagnomara, who was a trainee hittlatlamii physician she briefly had an affair (in a very loose sense of the word) with.

Hittlatlamii are highly specialized midwives considered uniquely equipped to address women's medical needs, predominantly in terms of pregnancy/childbirth/postpartum care. They are distinct from the much broader practice of midwifery in general, being formally educated in medicine and recognized as a minor subdivision of the priesthood of Ganmache, representing the cult of anmir-Ganmache (God as the hearth). Teachings specific to their art pass directly from mentor to mentee in a very long training process, lasting from the age of 15 to 30.

Kagnomara was an apprentice to a hittlatlamii who was hired to oversee the latter two thirds of Hibrides' first pregnancy. She's Hibrides' type in general and immediately struck her as charismatic. Kind of liked to hear herself talk but was very friendly, and her chattiness was welcome in dispelling the discomfort of these medical visits. As an older apprentice in the last couple years of her mentoring period, she was given a lot of free reign to do the more routine work solo.

This was a particularly difficult time in Hibrides' life and getting to be alone with a friendly, attractive woman who had a vocational excuse to be massaging her with various oils was welcome. Hibrides tends to be nervous about people who show any immediate and pronounced interest in her and that applied here as well, but they struck up a genuine rapport and this became a relationship on the downlow within a couple months. This got to the point of making loose future plans- hittlatlamii provide some generalized medical care as well and have significant freedom of movement even when married, so they could probably see each other on a routine basis even after the pregnancy was over.

Unfortunately for this whole thing, Kagnomara dealt with the low pay of hittlatlamii training and funding her unwed lifestyle via a habit of stealing from the homes she visited, and Hibrides caught her in the practice of lifting a handful of silver spoons. Even more unfortunately in some respects, Kagnomara genuinely liked her and had not merely been taking advantage of her to lift easily missed valuables (in fact, had convinced herself that Hibrides probably wouldn't be That upset if she found out given it was her husband's stuff and she didn't like him all that much). This was a missed call and Hibrides did not react well to the absurdity of the situation, made the judgment call that she was being taken advantage of and felt extremely betrayed. She snitched on her to Janeys and he caught her with the contraband and reported it. Hibrides never actually saw the end result but Kagnomara would have lost her job at the very least. She hasn't seen her since.

Hibrides has had plenty of reason to question whether she made the right call there and whether Kagnomara had Really just intended to steal from behind her back and then ditch her (though would have been mad about the theft either way, frankly) and has been a little haunted by this ever since.

[starflungwaddledee]

at long last i present... a proper starstruck dee reference sheet! 🎀✨ have a peruse and learn a little bit (but not too much!) about this totally normal waddle dee!

[russell-crowe]

in light of the latest “real person turns out to be an actual garbage human” situation and the wave of "parasocial relationships are bad!!" takes that inevitably follow, i want to say something that might be a bit controversial: parasocial relationships with famous people can actually be amazing and incredibly valuable. :) and they are not morally bad! :)

as a wise mutual of mine who actually studied this phenomenon once put it: “parasocial relationships are common and perfectly normal. humans are wired to form attachments. it’s literally a survival mechanism. as long as it doesn’t tip into (actual) obsession, then have at it”

people are so quick to demonise parasocial relationships, treating them like some sort of intellectual crime, but they’re natural and often beneficial. most people who form these connections are perfectly capable of separating the idea they’ve created of someone from the real-life person. and honestly, these relationships can offer a lot.

yes, it sucks when someone you admire turns out to be a shit stain of a human being. but isn’t that the risk of forming any kind of connection? whether it’s with a celebrity, a fictional character, or even a real-life friend, there’s always the chance that the person won’t live up to the version you had in your head. that doesn’t mean we should shame people for caring or tell them to stop forming connections altogether.

the truth is, people are overcomplicating something that’s both natural and usually harmless. parasocial relationships aren’t inherently bad. they’re just another way we process the world and ourselves. and as long as you have the awareness to recognise that your somewhat idealised version of the celebrity is not their real life private version; go nuts man.

[psink]

A count of all the times Christmas happened:

1. Chapter 33

2. Chapter 80

3. Chapter 129

3.5. Chapters 178 and 225/226 show the New Years' but Christmases were skipped

4. Mission 22 from the 3ds game

5. Event 11 of psi battle

[rustedhills]

Somewhat articulate Kris thoughts, ch. 3+4 edition. Heads-up for spoilers and discussion of the series' themes of familial abuse. And why "Kris is evil actually" sucks.

Man, the ending of ch. 4 is genuinely kind of heartbreaking, and even more terrible in a way than any of the others--because it's so obvious that Kris is just a kid dealing with way too much.

Beyond the Knight stuff, the delta warrior stuff, the prophecy... Kris is just the town weird kid who came home with a friend, saw their mom dancing wine-drunk with the convenience store guy (after an entire Divorce Gameshow Extravaganza and a Horrible Visit to Noelle's Household ft. her abusive mom ft. horrible soul hockey, not to mention all the exhausting darkworld adventuring), and who just has to deal with all that. Unrelated but someone noted that Susie saw a drunk parent and immediately left and I can't stop thinking about it.

Kris is pulling their soul out more and more--maybe we just haven't seen it until now, but it seems like they've had to do this for a while (Toriel mentions that Kris just runs the tap and acts chaotic on impulse sometimes, lol how quirky amirite anyways) and no-one has recognized or been able to help, except now Noelle (hopefully that proceeds well?). But of course, monsters don't have souls--and Kris needs a lot of help with a lot of things that their parents etc. just can't handle. Toriel checking out that book on human care so much speaks to that lack of resources / knowledge.

Even amongst their family, Asgore is a complete outcast, Asriel is away at college, and a lot of the adults in town are nice but ultimately unable to help them. Take away the fantasy, and you're left with a community of friendly but ineffectual guardians who can't--or won't--recognize that Kris is dealing with chronic mental and physical issues. Susie is the bad kid, Kris is a nobody, and Noelle is the nice girl. They all have to fight to be seen as anything other than the stereotypes people envision them as.

Maybe that's why the dark world is so fun(?) for Susie and Noelle--you can literally fight the things that hurt you. Lancer's dad sucks, so Susie gets to have her big arc by telling him off. Queen is controlling, so Noelle triumphantly says "no" to her. But Kris...?

HOLY [[Cungadero1997]]!!! KRIS, YOU [[little sponge]], YOU'RE FUCKED!!

Every character whose insecurity ties into Kris' own--Tenna's desperation as a tool turned to trash, trying to keep a drifting family together, Spamton's garbage life as a puppet controlled by a voice on the phone... they fucking fail. I think they're ok on some level? Even Berdly gets to have a more cathartic end-of-chapter arc than Kris!

Kris isn't Evil, or the ultimate secret bad guy, or whatever. They're a traumatized kid clinging to any guardian figure they have, even when that guardian is overly controlling and potentially abusive towards them, just so long as they promise a way out of the present situation. Especially Carol and Mike (if the voice on the phone is indeed Mike).

Like, with all the marionette strings and fucked up families in the previous chapters, it's safe to say that Kris is in a bad situation (thematically and narratively), and deserves empathy--even when / if they do hurt others. In the next few chapters, they'll likely lash out in some really nasty and terrible ways, but... so would a lot of people.

So would a lot of [[BIG SHOT]] [[puppets]]

[kennyomegasweave]

You will never make me hate Save. Sorry I'm not sorry. I actually thought he was gonna be the one to put Grandma in the hospital after his conversation with Hope last week, so nothing he did this week surprised me.

Like, he's been with Hope since they were kids and he saw him hella beaten, bloody, and passed out on his floor (he didn't even get his apartment door closed first) because his boss beat him. I'm not surprised he's willing to do anything to try to make things better for him. Especially since it's heavily implied this has happened before. And yeah Hope likes fights and being violent, but it's not a fight against Arun's dad. That's his boss that he can't do anything against in his own defense.

Is it okay what Save did/is doing? No. Do the other residents of their neighborhood deserve anything he's done/will do to them? Hell no. Does Jack deserve any of this happening? Fuck no. Is this going to bite him in the ass because now the boss knows he will do anything for Hope (and vice versa)? Almost certainly. But all of his actions make complete sense when you acknowledge he's doing everything trying to help the man he so clearly loves. You don't have to like him or agree with his choices, but they didn't come out of nowhere and there aren't just because he's an asshole. He and Hope are stuck in poverty and debt themselves. He's living in a tragedy too, the only difference is his story just isn't what this show is about.