#But I think this post is long enough

[g1deonthefirst]

wasn't alfred a hedge fund manager? i get where ur coming from re: the class divide post otherwise btw but am somewhat stumped ab this bc he was definitely the one making the most money and likely highly educated as well, and ended up a cav. ig it is STEM/nonSTEM divide?

hi! yes, alfred was a hedge fund manager — he was also augustine's brother and so comes from a similar (presumably very wealthy) background. this exception doesn't really disprove the rule to me: either way, john was disproportionately likely to make people who were highly educated necromancers and people who were not cavaliers. i want to walk through a couple possible reasons for this.

the first possibility is that john (1) believed that people who were more "intelligent" were more likely to be able to understand necromancy and (2) implicitly believed that people who were academically high-achieving like scientists, lawyers, doctors, etc. were more "intelligent." clearly, john and the lyctors all seem to think pretty highly of their own intelligence. john in particular went from being a poor māori kid to being an accomplished scientist, and i don't think it's a stretch to say he probably believed he deserved it on the basis of intelligence.

in contrast, both alfred and cristabel have their own talents and intelligence disparaged — john describes alfred as "useless, but a darling" and augustine describes cristabel as "not hav[ing] the intellect you'd ordinarily find in a sandwich or an orange." additionally, necromancy is talked about in scientific terms, which lends itself to the idea that you might need some scientific understanding to be good at it. i think it's entirely possible that john consciously decided that some people wouldn't be intelligent enough to hack it and made them the cavaliers, a problematic assumption chiefly in that it equates academic achievement with innate intelligence.

the second possibility, and to me the more likely one, is that john simply made the people closest to him necromancers while making people he wasn't as close to (essentially his friends' friends) non-necromancers. it's pretty clear that the people john made necromancers were people who directly worked on john's original cryogenics project with him, while the cavaliers were all people who got dragged into his cult by those original project members. alfred is a perfect example of this — he's there because he's augustine's brother. other people have made posts about the possibility that john did this to intentionally separate his friends from the people they loved.

but either way, i think this demonstrates who john as a character cared about. john, as a successful scientist, surrounded himself by people who were highly educated and successful, predominantly (as you note anon) people in STEM. people who are disproportionately likely to be white, neurotypical, and cis, or at least disproportionately likely to be able to conform to white/european, neurotypical, cis standards. not only is john not as close to people in his project-turned-cult that aren't as highly educated, but poor people aren't present at all. there are no janitors, no retail workers, no manual laborers, no farmworkers. i don't get the sense that john ever really unpacked his internalized biases or questioned why he primarily values people who are highly educated.

"but," i imagine my hypothetical reader who's somehow made it this far protesting, "of course he's surrounded by highly educated people. he's working on a cryogenics project!" well...precisely. tumblr user sophelstien's scratch a liberal and a fascist bleeds essay touches on how this project demonstrates that john is not as progressive as some people assume he is, but what i'll say here is simply that john didn't have to make the people in his cryogenics project the leaders of his new society. and by installing the very people who our society rewards into positions of power, john — consciously or not — shapes the new society he's creating with the old society's inequalities.

[the-lavender-room]

Thank you for asking @aloeverii , now I get to talk about my BABY and show off some mostly old art of him. Let’s start from the beginning!!

I made Atlas in middle school; his name was Charlie and he was supposed to be a half demon.

He was based on a character from a pretty well known and kinda problematic Creepypasta comic (iykyk) and the marionette from Fnaf 2. He was one of 4-5 ocs I made at the time and is currently my fave.

since 14yo me watched a bit to much creepypasta I partially blame it for my than inability to create and visualize characters that weren’t paper white teens/tweens with straight black hair. Charlie (beta Atlas) was the only one to not have just black hair; it was black and white and I thought it was cool! He also had red lightning powers.

As I got older Charlie/Atlas also changed and around to end of middle school he looked like this

A gray, leathery dragon (I think he was at this point) assassin. This was also about when I gave him red hair. A couple of my oc got their “Roles” in this era. Wren became the necromancer and dangerous bird assassin lady. Sol became the death cult leader and tortures people. Luna (name may change) became an unhinged horror who lives in the void and terrorizes people across different dimensions.

I had/made a few more ocs at this but I neglected them :/

And here we have this asshole. He has his name, his mane, and his bright blue fur but he’s missing an arm. finally, I know what I want to do with him and start planning out a story for him (it has changed and will change more)

and here’s the now:

Atlas was born into the Royal family of a race of large, space traveling dragons; With long bodies and many wings. He was next for the throne after his grandparents. Around the time he should have started learning to fly he fell ill. It was a common illness; a few days of rest and he would have been better, but his mother grew distressed and no one could calm her. One night, they vanished. The prince of A-ON and a Sub-Rex left to plant without a notice.

———————

Atlas was a beloved and well respected member of his village. He worked hard on his parents farm that provided for the village. He used his towering high and nimble body to help others. He even volunteered to teach children skills that their parents couldn’t. Atlas was the youngest, oddest, and kindest of creepy, old Aldrick kids. He was a mystery. No one knew were he came from, not even his parents. His features didn’t match with any race or hybrid in the world. And no one had an answer for the mini me he started trotting around with; not even Atlas himself.

The people of the village scorn the day Atlas, his sister (Eve), and their father (Aldrick) left town. He’d scream that someone had murdered his mother and stolen his child. The mother was found dead; mouth bloody and blood poisoned. Without the family, the village need to fine other people to get their food and materials from. The village ran into debt and were unable to afford much food or teach their kids. When the three returned; the village people turned away; acting like it’s a another traveling merchant. Not that they could give a warm welcome; scared and beaten, these three and a half pairs of eyes held nothing but pain and anger that would lash out at any camaraderie. Even Atlas head his head low and his fur prickled.

Atlas stopped helping people around town; he stopped working on the farm; he stopped coming outside. Recloose in his cottage all day and only left at night. No one knew what happened to Atlas, but the mailman said he saw a tiny little grave stone behind his cottage. After his sister had left for a bigger city and his brother’s life taken; Atlas started leaving his house. He claimed to have fallen in love, with a being one could describe as “the unliving embodiment of Death” Atlas’s mood lifted as he had fallen heed over heels with someone, something who could not return his feelings.

——————

Atlas-Rex; the Siren king. But he was a far cry competent ruling of Solarflare-Rex before him. His short temper made him stand out among the gentle sirens. He kept his life and family a secret until the tragic day he died; leaving his daughter, Bellatrix to rule.

——————

The day Atlas was born was the day Death smiled. 25 years before the end of the beginning.

At age 20, “Atlas” remembered everything.

[mangozic]

my dead goth son and his friendly neighborhood personified concept of insanity

[gerrykeay]

im not putting this post into words. beams into your mind The Parallels

.

.

.

.

.

.

.

.

.

.

.

.

[poorly-drawn-mdzs]

Vibes based grading system.

(for @epistemologys, who wanted some post-canon, teacher WWX)

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[kmesons]

the tgwdlm soundtrack: a visual summary

[dunmeshistash]

What if

[buttercupshands]

(Forgot to post again)

A birthday present for a friend :)

[bloobydabloob]

Holy shit I love your Dirk interpretations, it's so true and I could talk about this shit forever. I feel like another part of his character that people seem to forget (along with Roxy for some reason) is that he's from the future in solitude in an apocalyptic wasteland. I just see that part of his character always removed which is disappointing because I feel like that's a pretty big part, especially regarding his themes around technology, his brother's theme of Time, his own isolation, and how he plays in the vastness of the universe and spacetime.

Art I drew related to the subject because I like to respond to asks with art.

But absolutely. I certainly understand where the lack of discussion over his isolation + upbringing comes from, considering a majority of the fanbase that I have seen builds their ideas based on their own version of postcanon. I’m not entirely sure how that would be fixed, but certainly even in the somewhat recent past I would see a lot more content regarding his upbringing both literally and symbolically. I don’t have much to add regarding the things you’ve mentioned, because they just are what they are. Dirk being confined to a singular room left to him by a father figure he never met, in a future where the only other person left on the planet is someone he cannot pursue a relationship of because of himself, with purely 3 robots to keep him companion, one being an exact replica of his own brain who is *also* trapped inside a pair of glasses, is about as literal as it gets to me.

The contrast to me involving the flooded, organic world in comparison to the little speckle of Dirk’s apartment packed with the dude and his technics is not only a representation of his isolation and entrapment within himself, but also of his lack of control. I think his obsession with & themes of control are a direct product in the case of Dirk specifically *of* this kind of upbringing. His themes of technology are also related to his themes around control. So much of his character is actually revolved around this to me like so much. Dirk is so deeply disconnected from humanity in every way and so much of his character + symbolism is based around that.

It doesn’t even have to be about the symbolism or anything though. It’s just pretty *interesting* in the literal sense that he lives in the middle of the ocean in the future. There’s not only a lot to theorise on to do with his young life there, but on how it might affect him in the way he acts for the rest of his life. The latter part is probably what I see mentioned the most by people talking about Dirk regarding this, I’m surprised I don’t see more discussion on the former too though. I really ought to actually talk more about Homestuck stuff on here. I will do it myself.

Roxy & Dirk’s relationship is largely ignored though because there is a narrative a certain demographic spreads that Dirk resented and blamed Roxy for her interest in him, and thus too many people believe that their relationship was or would continue to be an abusive one. Realistically, I believe it’s important to acknowledge that the way Roxy treated Dirk regarding his homosexuality wasn’t right while still acknowledging the obvious amount of respect and admiration Dirk had for Roxy. I mean we have a huge piece of dialogue from their post trickster mode conversations on the quest beds from Dirk purely stating how he feels about Roxy that people completely ignore somehow. I think this usually happens to characters that are women though. I know everyone says it, but it is true. Jane gets the exact same treatment of boiling her down to solely her negative aspects. The things I see completely mischaracterising both of them are horrific.

I mean how much more explicit can it get that their relationship is obviously very important to Dirk? But I digress. I think the best or I should say “most interesting” interpretations of their relationship usually come from DirkRoxy shippers actually.

I would be interested to hear about Dirk’s relation to his brother’s theme of time though. I don’t have any thoughts on this and I don’t recall ever hearing anyone talk about it before. If you or anyone else would be willing to enlighten me I’d be thrilled.

[sandflakedraws]

the perils of reaching out early on

[remxedmoon]

go my hyucker (human gucker)

ssso my good friend pastell @startagainaprologue mentioned it was struggling with making a human design for the guide and i rubbed my hands together evilly and got to work. aaaaa this was super fun to work on!!!!! thankyou again for letting me draw this graaaa. as always my deranged character design ramblings are below the cut 👍

CHARACTER DESIGN BLAST

most of guide’s colors are slightly shifted to be closer to red and more… desaturated? my default bonnie colors clashed with the palette i usually use for guide so they got changed slightly. i did add the blue on the sash as a reference to my nille design however! and i tend to use cooler colors to represent countries outside of vaugarde, so you could interpret it as a link to the island. if you so desire :3

speaking of the sash, just about everything they’re wearing here is based on another character!! in this case, it’s meant to resemble nille’s waist sash! but with a different pattern. something something only having an imitation of what it lost. the stars are meant to represent siffrin and loop, and also just the universe in general. fun stuff!

i mostly just made their shirt longer for the sake of looking Different from normal bonnie? but combined with the sash it has the fun bonus of having a silhouette similar to siffrin’s cloak. not full intentional but hey! i’ll take it!

the gems on its tail are there to represent odile!! as well as referencing the ka buan tradition of compressing ashes into diamonds. you can draw your own conclusions there! and they go ding ding when it walks :3

the hat/halo isss probably self explanatory? it’s a way to fit guide’s Spiky Head into the design. the halo was added pafter pastell drew buns version of the design auau. i like both! so their hat can be whatever shape you please.

okay! nno more talking about clothes i promise. similar to my ghostlight loop design, i gave it spikier hair!! i have to give sponsors spiky hair to resemble their Spiky Heads. it’s the law. their hair was supposed to be shorter but. i’m pretty sure this is the exact same length i usually draw bonnie’s hair. oops? oh well it looks cute. the stars are honestly just there for fun i didn’t have anything specific in mind

in a similar vein, i changed their eye shape to match the eye shape on guide’s ref! perpetually Sad Looking. on the bright side they aren’t constantly crying anymore!

thheir body is. mostly the same? i decided to make their body Red Tinted for the sake of consistency and i removed the separated limbs aaand. that’s basically it? not much to say! i did add the halo bracelet around their wrist as a callback to the separation though. i didn’t do the same for its shoulder because i am Lazy 🩶

aaand i think that’s everything? well it Isn’t but i think everything else is self explanatory and frankly this is long enough as is. here is the """greyscale""" version as compensation 🩶

[baltharino]

Enchanted (2007) + References

[alicornze7]

Silly guys goin' on silly adventures:]

@rorydrawsandwrites's puppeteer au but the only difference is that jax gives consent

My contribution to this wonderful au has been long overdue:')

Rambling in tags ehe (cw: ribbun:p)

Well maybe it's not the only difference

[arolloyd]

Ykw scratch that tlnm and the Lego movie DOES take place in the same universe after all... I feel like most ppl don't really talk about this too much because tlnm is usually associated w Ninjago rather than the lego movieverse

[poorly-drawn-mdzs]

Happy Birthday to Fallen London; My favourite British people beefing it with bats simulator.