#But I think I'll save that for another time

[ssentimentals]

Hiii!! It is been a long time since i got here 🤧, I hope you are doing good. I saw the new request prompts and the number 47. Sickfic/caretaking has attracted my attention, so I was going to ask you if you could write a woozi x reader who has bad migraines and maybe it is mixed this time with back pain.

You can change it if it is too specific or do not do it if you don't feel like it!!

hiii angel, you should come here more often 💜 i am good, hope you're well too! i definitely can, thank you for requesting!

prompt: sickfic/caretaking

woozi could see it. you tried your best to hide it and he gotta give it to you - it took him few days to catch up. he hates how you go all out to help and support others, but don't let others do the same for you, always ignoring your problems because they are not 'big enough'. he knows that probability of you admitting you're in pain is as low as snow during summer, but he still tries: 'how are you feeling, babe?'

you look up from your laptop, your face illluminated by blue screen. you were grimacing few seconds earlier but now you're trying to smile at him: 'all good, just a bit tired.'

your lie falls flat. woozi is always careful, always tries not to voerstep and make you start lecturing him on whole 'i am independent and strong woman, i can take care of myself' thing but his patience snaps. without saying anything he comes closer and points at your laptop: 'save your work. save your work and close your laptop.'

you blink at him. 'what-'

'do it yourself before i take that laptop away and just turn it off without saving shit,' he bites, not caring that his tone is off. 'you work can wait, we need to stop your migraine first.' at this your eyes widen and woozi quirks an eyebrow at you: 'you hid those pills well, baby, but not well enough.'

you have nothing to say. those migraines started few days ago and yesterday they got so bad that your eyes dtarted watering against your will. add back pain on top of that and you turned into a one big exposed nerve and you knew that your boyfriend saw right through you and your attempts to hide it. lie that you're fine is on your tongue but you swallow it, following woozi to the bedroom. you don't like admitting but it feels nice to be taken care of, to have someone else fret over you. woozi is not very expressive, but you can feel all of his feelings even when he doesn't say much. right now you know that he's worried and annoyed at your for not saying anything, for example.

'we can try cold and hot packs on your neck, which one do you prefer?' he asks in a business tone. when you get under the covers, his hands instantly smooth the blanket and he fluffs the other pillow, making sure you're comfortable. 'i'll turn off the light, do you want lavender oil? i'm not giving you another pill, i'm sure you've taken plenty already.'

'cold pack,' you answer, grimacing when back echoes in pain once you fully lie down. 'and no oil for now, i think.'

woozi nods and quickly gets to work. in few minutes you have cold pack pressed to your neck, light turned off and window open. he places cup with a herbal tea nearby and gingerly lies down. woozi is not used to seeing you like this - his usually strong girl never looks this fragile. it pains and angers him; he reaches out to take your hand in his. 'never hide this from me,' he asks quietly with a slight tremor in his voice. 'i don't want you to suffer alone. i'm always here to help you.'

'it's just a migraine,' you whisper and a sudden pain that shoots from your neck straight to your head makes you gasp. 'oh god.'

'nothing is 'just' when it comes to you,' he mutters and leans closer, worried. 'is cold pack not helping? if it's very bad-'

'give it time,' you interrupt. 'ten minutes or so. we can change it to hot pack if this one won't work.' you open your eyes, squinting at him. 'i am sorry for not telling you sooner. i thought it'd go away. didn't want to bother you.'

'you never bother me,' he instantly says, scowling. 'stop thinking that. nothing about you is ever a bother. let me take care of you.'

you sigh and close your eyes. a bit later you feel cold lips pressed on your forehead. woozi kisses your forehead, tip of your nose, both of your cheeks. you smile and lips press on yours in a light kiss. 'try to sleep,' woozi whispers. 'i will change packs. rest, baby.'

'i love you,' you whisper back without opening your eyes. cold pack helps with the tension, easing the pain. 'thank you.'

'i love you more, my strong girl.' woozi kisses your forehead once more. 'now rest. i'll be right here when you wake up.'

putting his phone on 'do not disturb' woozi lies down next to you and carefully wraps one arm around you. he'll be right here for you even if you can't ask that out loud. he'll still be here.

a/n: hopefully you liked it!! - nini

request your own here

my other seventeen work is here

[bingbongsupremacy]

Hey I saw your old post asking which fanfics you should do next. I know it didn’t win but could you please please please do “Tell Me You Love Me Again” with Eddie. Im in dire need of some good angst ❤️

Tell Me You Love Me Again

Sorry this took me so long to write! I have had some massive writer's block. Hopefully, this is okay!

Pairing: Rockstar!Eddie Munson x reader

Story Type: Angst

Warning: Y/N use, swearing, Eddie's a bit of a greedy ass ngl

Summary: You've been with Eddie since before he was famous. It used to be a loving relationship. As the years have passed, things have changed. Can you save the dying spark between you?

*Not Proof Read*

□□□□□□□

"Baby, you wanted to talk. Why are we just sitting here in silence?" Eddie asks with a grin. He casually flips through a music magazine, observing all of the new instruments for sale.

I take a deep breath. How do I even start this conversation? He's been so busy launching his band's new line of merch that I doubt this is a great time to talk about our relationship. Who knows when we'll have another opportunity? This is the first time I've been able to see him privately in weeks. I don't know how long I can keep harboring my frustrations.

"We do need to talk...here goes nothing." I sigh. "It's about our relationship."

Eddie pulls his eyes away from his magazine, his smile fading into a serious expression. "What about it?"

"I've been feeling very frustrated lately. I feel like you're never home, and I never get to see you anymore. I miss you." I reply honestly.

Eddie sets the magazine on top of the coffee table that separates us. "I know it's been busy lately, but it's great for us! Now I can take you anywhere you want to go. Name any place, and I can bring you there." Eddie's playful smile returns.

I let out a tired laugh. "Eddie, that's nice and all, but the problem is you don't have the time to take me anywhere I want to go. I just want you to dial it back a bit, please. Spend more time with me, and I'm sure Wayne would love it if you spent some time with him, too."

I'm not even sure if Eddie has time to call Wayne anymore. I might be the only one talking to him regularly.

"I spend plenty of time with Wayne." Eddie's expression is slightly offended.

"It's just the past year; you've rarely been back. Can't you take some time off? Cancel a few tour dates or reschedule some photoshoots?"

"I can't just abandon my career, Y/N. My band has worked so hard for this." Eddie argues. "It wouldn't be fair to the boys."

"What about what's fair to me, Eddie?" I let out a frustrated sigh. "I'm not asking you to abandon anything, Eddie. I just think you should prioritize our relationship a little more. We barely see each other anymore!" My heart pounds. "When you're not on tour, you're constantly doing promotional videos or photoshoots. We haven't gone on a date in almost a month."

My flurry of emotions has caused tears to prick the back of my eyes. Fuck, I can't cry right now.

Eddie's shoulders are tense. His usual animated and playful exterior is replaced with a frustrated and angry one. One I rarely see, especially not when talking to me.

"That's part of the job. I'm a fucking rockstar, Y/N. I can't exactly blow off the world tours and photoshoots. My label and manager expects me to get shit out quickly. You don't understand! The moment I stop making songs and producing new shit, the moment all of this, " He gestures around the room to all of his expensive nicknacks and furniture. "disappears. I'll become irrelevant. My band will become irrelevant. This is my life, Y/N. And you're going to need to learn to accept it."

My frown deepens. "Do you hear yourself? How can you not see how greedy you're becoming? What happened to just loving music? Loving the art of creating, no matter how many people heard. When did this all become about money?" I stand up from my spot on Eddie's couch, needing to put some distance between myself and the man. I avoid making eye contact with him, knowing if I do, I'll burst into tears.

This room suddenly feels so suffocating. "Is this really all you care about? How many shows you can sell out? How deep your pockets can get?"

"For fucks sake, Y/N." Eddie groans as he leans back against his recliner. His head hits the back of the seat, an annoyed expression flashing across his face. "You're being so fucking dramatic."

I shake my head. "This is not what I signed up for. You are not the man I signed up to be with."

Eddie stiffens. Hurt crosses his eyes. His face turns stoic as he looks me dead in the eye. A dark anger replaces his hurt. "Things change. People change. Obviously, I've changed. If you hate me so fucking much, why don't you get the fuck out and find someone new? Someone who better suits your lifestyle since you're not happy with me."

I freeze. My heart drops at his bitter words. He's never spoken to me like this before.

He's so different than the man I fell in love with all those years ago. Life seemed simpler in Hawkins. I'd work the night shift at The Hideout and he'd play with his band. I was able to see him regularly while he was still able to do what he loved. No massive world tours to separate us for months. No partying until early the next day. Just the two of us, supporting each other and doing what we loved.

I feel my cheeks heat from embarrassment and anger. He's right. He's changed, and it's obviously been for the worse. "You know what, you're right."

Eddie's eyes widen slightly in surprise, like he didn't think I'd agree.

"You don't want to work this out like an adult, so I'm going to leave. We're done, Eddie. I can't do this anymore. I deserve someone willing to set aside time for me. I shouldn't be the only one giving 100% to the relationship. I need someone who respects me and what I need. You can't give that to me." I grab my purse from the couch. I pause right before I reach the door. " Eddie, " I turn to look back at the man.

He doesn't meet my gaze. His eyes are trained on his locked hands. He looks like he's in disbelief.

"I hope you find what you're looking for. Just know that you'll never have enough money or fame to please yourself. Materialistic things can only bring you so much happiness. You'll suffer until you realize that. I just hope it isn't too late when you finally do."

With that, I leave the apartment. As soon as the door behind me clicks shut, the tears begin to fall. I lean against the wall near Eddie's door and wrap my arms around myself for some sort of support.

I wish he loved me enough to apologize. I wish he would come out here, tell me he was wrong, and that he was going to try to fix things.

I finally garner the strength to push away from Eddie's wall and make my way downstairs. With every step, I think of new things I wish Eddie would do.

When I take my last step out of the apartment building, disappointment settles in my chest as I realize none of my wishes came true.

Eddie's a rockstar. He'll never love me as much as he loves his lifestyle.

I was stupid to think he'd always be the man I fell in love with in Hawkins, Indiana.

[yuurei20]

Updated Sebek Facts Part 40: Sebek and Silver (pt3)

Silver saves Sebek a second time in Lilia's dream, telling him to think about Malleus, crafting dreamworlds in complete solitude: “A retainer isn't there to simply be a yes-man to their liege. Sometimes it's important to speak out against them.”

Sebek concedes that Silver is correct, admitting that he has been second guessing his choice to stand against Malleus and haunted by the look in Malleus’ eyes, but his dream to become Malleus’ finest retainer cannot come true within another dream.

Afterwards, Silver admits that what Sebek said made him waver, and he too started to believe that staying in their current dream might make Malleus and Lilia happy. 

Silver is taken down by emotional turmoil of his own later on, with Sebek joining him in the darkness to save him. At one point Sebek threatens to tell an embarrassing story about Silver if he does not make his location known, but he later claims he has forgotten what he was talking about.

Upon discovering Silver, Sebek is forced into using his unique magic to save him, though he has not yet mastered it.

Silver is distraught over the thought of Malleus and Lilia hating him as the son of the man who murdered Malleus’ mother on behalf of the people who drove the fae from their own lands and Sebek declares, “I've always known you were a fool, but I never realized it was to this extent.”

He demands that Silver draws his weapon despite Silver’s refusals, as no amount of verbal reasoning is going to get through to him.

Sebek loses their duel, with Silver asking if Sebek allowed him to land the final blow on purpose. Sebek says that he sincerely fought with all he had, and Silver is simply that much stronger. 

Sebek scolds Silver for insulting both him and Lilia with the idea that he is hated, after Lilia invested so much time and effort into raising him into someone strong enough to stand against Malleus himself.

Sebek says, “Don't you ever make a mockery of my—of OUR teacher again, Silver!” and collapses to the ground, sobbing.

(A significant moment in their relationship, as we see in a flashback that 7-year-old Sebek declared on his very first day of training that he would never consider Silver a fellow pupil.)

Silver promises to never lose his way again, and Sebek responds, “I'll hold you to that!”

[shaunashipman]

i told my friend i would find him some beginner’s giffing tutorials, but all the one’s i could find were either years out of date, used a method that made me go “huh”, or incorporated ready-made actions. all perfectly fine, but if i’m sending someone a tutorial i’d rather it be one for a method i understand enough to help with.

so, here is a beginner’s guide to giffing, as told by cleo, a neurotic, detailed, and organization happy individual. there will be many pictures.

this tutorial will strictly cover the gif making portion of the process, from getting your screencaps to importing in photoshop, resizing/cropping, and sharpening. i was going to briefly go over colouring, but tumblr only allows 30 images and i ran out of space, so i'll have to do a separate colouring tutorial (which also means i can go into more detail, yay).

downloading the videos, whether direct downloads or t*rrents, is also another tutorial. but make sure you’re using at least 1080p, and the bigger the file the better. a single episode of a ~45 minute show should ideally be 2gb at minimum. a full length movie should ideally be at least 5gb. imo 2160p/4k files are not really necessary; the quality increase is negligible, and it takes a lot longer to screencap them. if you do use 2160p/4k files, try and make sure it is not HDR, as those videos are often washed out and require a different screencapping program to fix.

Programs

I am using a cracked version photoshop 2022, but whichever version you use should be pretty much the same

Actions. not a program but a function inside photoshop, where you essentially record a series of steps, and then you can simple play that action when needed and those steps will repeat, which saves considerable time when giffing. I will note which parts of the tutorial are best saved as actions, and explain how to create actions at the end.

For screencapping i use kmplayer it’s free and very simple to use

not at all a necessary program, but i use freecommander instead of the regular windows file explorer as i find the dual panels very helpful when moving the frames around

Screencapping

there are many programs you can use to get the screencaps from a video, a lot are basically the same, some are better suited for particular video file types. kmplayer is a very simple program to use, but afaik the capture function only works on mkv. files (the only other file type i’ve tried is mp4, which plays but does not capture)

once you open your video file in kmplayer, we’re going to open the advanced capture window, found under capture→advanced capture, or alt+v

the window should look like this

A-this is where all your screencaps will save to. i recommend making a specific folder for all your screencaps

B-make sure this is set to png for best quality

C-this is the number of screencaps you want to take, guesstimate how many you will need, keeping in mind that most videos are approx. 25 frames per second, and you should always cap a bit more than you think just in case

D-make sure “every/frame” is selected and set to 1

E-make sure “original” is selected, resizing will be done in photoshop

F-make sure “correct aspect ratio” is unselected

go to the part of the video you want to gif, and pause it just slightly before that part starts, then select ‘start’. the screencaps will start to save to the file, no need to play the video, and will automatically stop once it has capped the number of frames you have chosen

and here is how they look inside freecommander. i have already made a folder for this gifset, which is on the left. now you’re going to make a folder for each individual gif. i’ve decided this one will have four gifs, so create four folders (i just label them gif 01, gif 02, etc) and then move the frames for each gif into their respective folder

while you can always delete frames once the gif is made if it’s too big, i prefer to make sure i have the correct number of frames before i start. the gif limit on tumblr is 10mb, so it’s good to look at the scene/shots you’re giffing and decide approx. what dimensions your gif will be. full size gifs have a width of 540px and your choice of height. if you go for a square gif (540x540) you can usually fit 40-50 frames. if you’re planning for a smaller height (such as 540x400) you can usually fit more around 50-60 frames.

and here are the caps inside the folders. another reason i like freecommander is it’s ability to “multi-rename” files. the default file explorer can do so as well, but you have to do each folder individually and you can’t customize the new names as much. either way, i prefer to rename the files to each gif just to scratch my organization itch.

Introduction to Photoshop

NOTE: i have changed many of my keyboard shortcuts in photoshop to ones i prefer, so any you see listed in the menus of these screenshots are likely not the original shortcuts. you can see and change them yourself under edit→keyboard shortcuts

quick run-down of the photoshop interface. i have adjusted placement of some things from the default so this isn’t exactly how your photoshop will look when you open it, but everything is labelled, either on top or by hovering over the element. once you’re more familiar and have your process down i would recommend adjusting the workspace to suit your process.

A-your main tools and colour selector. almost all the tools have either several tools in one, or have alternate options which can be accessed by right-clicking the tool. you can also hover over each tool to get a pop-up with a quick explanation of the tool

B-additional “windows” such as history, properties, actions etc. can be opened from the window menu at the top and moved around with click-and-drag. history and properties should already be there by default, but probably on the right hand side instead. each window opens and closes with a click

C-the timeline window where the gif is made. the white square is a single frame of a gif, and on the row below is the play controls. this will not be there by default and will need to be opened from the window menu

D-adjustment layers for colouring

E-layers box. this is where the screencaps will show, along with adjustment layers, text layers, etc.

Opening Screencaps in Photoshop

go to file → open navigate to the folder for your first gif, select the first screencap, and check the image sequencing, and click open

a window will open labelled frame rate. set it to 23.976 and select ok

the screencaps will open in the timeline view, seen as the blue panel line at the bottom, and the screencaps are combined into video layer in the layer panel on the right.

Creating Frames

technically, you could go right into your cropping/resizing and sharpening from here, however if you do that directly then you have to keep the screencaps in the folders you have, otherwise if you save and re-open the gif it won’t move.

this next part should be made into an action.

at the top right of the timeline window, click four vertical lines to open the menu and select convert frames → flatten frames into clips. depending on how long the gif is, this can take a minute.

the layers panel should now look like this, each frame of the gif is now its own layer.

the very bottom layer will be the video group. this can be deleted as we’ve made the frames from it

in same timeline menu as before, right under “flatten frames into clips”, select “convert to frame animation” and the screen should now look like this. this will be the end of this action.

Cropping and Resizing

with widescreen footage, sometimes it’s just shorter than 1080p, but most of the time it will have the black bars on the top and bottom, and frustratingly, they’re not always the same size. it’s good to save the most common sizes as actions.

to find the size of the actual screen you turn on the rulers under view→rulers and check the height. then open your canvas size dialogue box under image→canvas size and change the height, making sure pixels are selected in the dropdown. yellowjackets is what i call “xtra wide” which is 800px. “normal” widescreen is 960px.

next we’re going to resize the caps. i also make actions for this, one for each potential gif size. open the image size dialogue box under image→image size and change the height of the image to your desired height plus 4 pixels. these extra pixels are to prevent a line at the top and/or bottom of your completed gif. now re-open the canvas size box, change the width to 540px, and the height to the desired, removing those 4 extra pixels. i have set this one to 540x540. this is where you would end the resizing action.

and as you can see she is off-screen. select the top layer, hold down shift and select the bottom layer to select them all, and with the move tool (the very top one) activated, click and drag to move it left to right as needed to centre the figure/s. as you move it a box will appear telling you how far you are moving it in any direction. make sure you are only moving it left or right, not up or down. to be certain of that, open the properties tab.

the y axis is your up/down, x is left/right. for this gif the y needs to stay at -98. you can also manually change the x axis number instead of dragging the image. also helpful for making sure multiple gifs of the same shot are all positioned the same.

the layer are currently ordered with the 1st at the top and the last at the bottom. with all layers still selected, go to layers→arrange→reverse. the last layer will be on top now. if there is movement in your gif, check if you need to alter the position again to make sure the movement properly centred. but once you are satisfied with the position, the layers should be in “reverse” position, of last layer on top. this is to ensure that the gif plays forwards.

Converting Gif

this should also be made into an action, going through sharpening process

in the timeline menu, select “make frames from layers”

the frames are now populated in animation window. in timeline, click select all frames. go to any of the frames on the bottom and click the little arrow beneath it, select other, and enter 0.07 seconds. this is not a necessary step, as we will have to adjust the frame rate at the end, most likely to 0.05, but if we don’t change the frame rate here, then when we play the gif while working on it to check how it looks, it will play very fast.

in the same menu at the right of the timeline box, select “convert to video timeline”

then, making sure all layers in the panel on the right are selected, go to filter→convert for smart filters. this turns all the layers into a single smart object.

but if you look where i’ve circled, it says the gif is 99 frames long*, when in fact there are only 47. if you are making regular “scene” gifs, basic colouring and maybe a caption, this is fine and does not need to be fixed, it will play at the same speed. if you want to change it to display (approx.**) the correct number of frames, go to the timeline menu on the right, select “set timeline frame rate” and change it from 30 to 15

*if it does not list a frame number by 4 digits but instead says 5f, 10f, 15f, etc. go to the timeline menu on the right, select panel options, and change timeline units to “frame number”

**the reason why this is only approximate is because the actual frame rate is not a a whole number, so when changing the frame rate it isn’t a 1:1, and 47 frames becomes 50 frames. the extra frames are removed at the very end, but if you are not doing any edits that require working frame by frame, there’s no need to change the frame rate here at all

Sharpening

this is, as it sounds, making the gif look sharper. to start go to filter→sharpen→smart sharpen and this window opens. play around with the dials to see what each ones does. the below settings are good for most high quality footage.

Amount-basically, how sharp do you want it

Radius-hard to explain, but this essentially sets how deep the lines of the sharpness are

Reduce Noise-smooths the pixels

once you click okay your single layer should look like this.

you’re going to then right click the layer and select duplicate layer. with the top layer selected, go to filters→blur→gaussian blur and set the radius to 1.0 pixels.

then change the opacity of the top layer to 10%. this is to essentially soften the sharpening a bit, as if it’s too sharp it can make the colouring wonky. this opacity level can also be changed depending on need.

finally, select both layers, right click, and click “group from layers”. your gif is now fully made and sharpened.

Colouring

yeah. ran out of image space. but this is where you would do your colouring and add a caption or any other text.

Converting & Exporting

when all your colouring is done, you’re ready to start saving your gif. you can do it directly from your current file, but that means essentially losing your colouring, as all those layers will be merged together. i am someone who likes to save my psd’s (photoshop files), at least until i’ve posted the gifs, in case i need to fix something in the colouring. if you’d like to keep yours as well, open the history tab and select the first icon at the bottom “create new document from current state”. this will open a copy of the file in a new tab. save the original file and you can close it, continuing all work on the copy file.

select your all your layers, convert them into a smart object from filter->convert for smart filters, then follow the same steps from Creating Frames above. once you're back in frame animation, select Create Frames From Layers, and once again set the frame animation speed.

most people set the speed to 0.05. i personally set it to 0.05 or 0.06 depending on the length of the gif. check how it looks at 0.05, if it seems too fast, try 0.06.

now to save. go to file->export->save for web (legacy). the number is the lower left corner is your gif size, it needs to be under 10mb or else you'll have to delete some frames.

the right panel is your save options. the preset dropdown has some built-in settings, but you won't use them because (at least on my version) the presets only go up to 128 colours, instead of the full 256. the 3 i've highlighted in green are the only one's you'll adjust as needed. the settings below i use for i'd say 90% of my gifs. i'll sometimes change the adaptive dropdown to one of the other options, ocaissionaly the diffusion, and rarely the no transparency dither, but play around with them and see how they change the look of the gif.

when you're satisfied with the look of your gif, click save at the bottom right of the window.

voilà! you now have a gif.

Actions

this is your actions panel. the triangle on the left side is the button to open it. remember, if it's not already there, go to windows->actions to open it.

the buttons on the bottom, left to right, are stop recording, record action, play action, new folder, new action, and delete.

as you can see, i have different folders for my resizing, sharpening, captions, saving, and my 1 step (temporary) actions. to run an action is very simple; click the action, and click play.

to create an action, click the new action button, a box will pop up, give the action a name, and click record. the record button at the bottom of the action window will turn red. now perform all the steps you want it to record, and click stop recording. keep in mind it will record every single thing you do, including in other open files, so if the action you plan to record will have a lot of steps, it might help to write them down first.

to modify an action, select the step in the action above where you'd like the new step to be, hit record, perform the step, stop recording. select the step you'd like to delete, and click the delete button.

steps within the actions can be clicked and dragged, both within that action and moved to other actions. actions can also be moved between folders.

[thoughtspeaker]

The Second Watcher of the Dark Cacao kingdom had only been meant to guard the door while King Dark Cacao Cookie spoke with Pure Vanilla Cookie after the other ancient gave an abrupt visit.

What he hadn't expected was for the king to suddenly shout out midway through the conversation, loud enough that despite the thick chocolate walls, the Second Watcher could make out each word of it.

...What had Pure Vanilla Cookie told the king to make the normally stoic leader say such a thing about the normally calm healer?

...The Second Watcher wasn't sure he wanted to know.

[licorishh]

i be like "i miss rex a normal amount" and then i almost pass out watching scene packs

(alternate versions under the cut because i am indecisiveeee)

[kanejbr3kker]

my theory for soc 3 is that it's gonna open with a zoyalai wedding, and the crows are just there cause nikolai likes them, and then someone fucks up and then the plot actually starts.

[jimmyspades]

"Perhaps I should assume control... Just out of curiosity, if you were in control–" "I'd shut up and kiss you." ... "It's funny, I don't feel in control." BOSTON LEGAL 5.11 "Juiced" (Deleted scene)

[sleepgarden]

new headdress I'm working on for my shop. Lambkin, the pet name varré gives us in elden ring, is such a cute word. The pink yarn is very light against the cream, it's hard to capture but it "blushes" in light, almost disappearing under certain angles and light! Accented with antique lace, and it'll have a gorgeous matching ribbon and bows.

I haven't posted any personal work in a while so here's something I'm taking time on for myself ^-^

[camellcat]

in the the bandillow au that I live in I think spuffy would quietly bond over the fact that they still belong to the ones who brought them back from the dead. gave them new existence. spike is dru's, a little bit forever in some sense, just as buffy is shaped by willow and xander. spuffy are bound, and they can pull on their leashes, but they don't even really want to be freed. if they realize that's an option at all in the first place

[revvethasmythh]

tbh still thinking about how Luc's whole color scheme (green, yellow, orange) is like the Veth/Caleb color scheme and how 🥹 I am about the obvious influence Caleb has had on Luc, almost in equal measure to his parents', at least visually in the art (the matching flame & crossbow bottle caps, the flame shoe, the book holster right above his mother's crossbow, the green, yellow, and orange beads in the necklace, etc)

[shikai-the-storyteller]

It's taking me ages to write this chapter because every time I look through old VODs / notes to check something, I come across moments like this that make me want to lie down face-first on the floor:

[Context: Pac commits to the idea of taking the Happy Pills so he can create a cure. He's about to write a note to Cellbit to explain his plan.]

Pac: If Cellbit puts himself in this position, it's worse for everyone, because Cellbit is smarter when it comes to coming up with strategic plans, so he is the thinking mind of the Favela Five group, so if he no longer has the mind, he’s not capable of solving this whole problem, you know? But if I put myself in this position to help Cellbit so he can get the cure... You understand? It's better if I'm the bait. Right? I can't- I can't carry things alone guys, I've already lost Mike [...] if I lose Cellbit and I alone had to carry things, I won't be able to. But I think Cellbit can manage better. He is more independent, and he has Roier. He has a husband. I'm trying to– to be lucid here, understand? That's all.

Date: September 11, 2023 || Timestamp: 03:10:10

[skrunksthatwunk]

how do i tell my roommate that her cat repeatedly pissing on and destroying my things is something that people usually offer to clean or replace or apologize for instead of shrugging off

[torgawl]

instead of just cross eyes and star eyes distinguishing dynasties in khaenri'ah, why do some khaenri'ahns cover one eye specifically? there’s many things that seem interconnected regarding the lore:

crimson moon turning around to look like an eye; irmin the one-eyed king; the unknown god’s cubes containing eyes in their design (same ones present in the cataclysm as well as the crimson moon), her glitching looking like arlecchino’s, and the four pointed star pattern that appeared when she showed up to the twins; forbidden knowledge and nibelung’s influence; fischl's auge der verurteilung aka eye of condemnation (crimson eye) and her skin's description "o holiest of sovereigns, high princess of immernachtreich (kingdom of evernight)!".

kaeya's note about the alberich saying "i saved this one memento from the fire 'father' made while he wasn’t paying attention. this was in violation of our principles. our clan's affairs should never be recorded" and "though we could not restore khaenri'ah to life, we of the alberich clan should lead lives as those who blaze like fire, rather than those who wallow in the embers [small piece of burning or glowing coal or wood in a dying fire]", father being in quotation marks and references to fire and ashes; the orphanage in khaenri'ah that wanted to house children from destroyed worlds and non-threats that leaked into the kingdom, in hopes of finding beings from beyond the sky who could transcend the gods; perinheri's first memory being transversing something like a chimney, filled with ash and being asked if he wasn't dead just for him to see the eye (crimson moon) and being told he was reborn; dust and the blood of of dragons (or dragon-like beings like durin and elynas) being connected to rhinedottir and the art of khemia; fire as rebirth and life but also, the balemoon blood specifically being connected to loss of memories and loss of memory being equivalent to death (not physical);  despite the orphanage never being able to find that transcendal person, it had many unusual individuals who became knights of the kingdom.

irmin as the first divine halberd (that once pierced the axis mundi [cosmic/world axis, world pillar, center of the world, world tree, etc.] and connected the nine worlds), the prinzessin der verurteilungas (fischl) as the last one; fischl and kaeya comparing themselves to one another and their parallels to irmin and odin; der ring des nibelungen, in which the dwarf (or nibelung) alberich creates a ring capable of controlling the world, using gold he stole from the rhinemaidens (or rheintöchter "rhine-daughters"). the conflict that arises over the ownership of this ring eventually leads to the destruction of the gods and their home, valhalla.

irminsul (irmin + sul) meaning great pillar and being a reference to the yggdrasil, the tree that supports the universe; the description of the item silver twig – collected in the center of the world - talking about a sage that hanged himself upside down in the irminsul tree to gain knowledge of the runes and the cosmos, then going into a secret kingdom down its roots [also a reference to hanged man in tarot that symbolizes wisdom, divination, sacrifice, prophecy, etc.]; odin who hung himself upside down from the sacred world tree, yggdrasil, for nine days and nights sacrificing his eye and throwing himself on his spear (gungir) as a ritual sacrifice in order to obtain secret wisdom; memories, fire and crimson moon hand in hand with the irminsul, king irmin and the concept of fate; the fake sky, the stars and being able to see fate but also fate being a means of the heavenly principles to control the world (neuvillette calling it puppet strings); khaenri'ah, a supposed godless nation but the crimson moon dynasty revering the moon (and hilichurls worshiping istaroth); the crimson moon having an eye on humanity and always being present associated with punishment and destruction (fall of gurabad, remuria and the catclysm).

crimson moon's semblance (arlecchino’s weapon) implying the crimson moon sought vengeance (“few survived the utter destruction of their kind, hiding in the shadows where the sun did not shine, longing for the crimson moon to decree their desire for vengeance be repaid”); the design of the weapon and arlecchino’s boss attacks resembling the double helix present in deathly statuette material dropped by abyss heralds, abyss lectors and shadowy husks, which has a single red eye. it apparently whispers "see, my child. all that lies under the throne of heaven shall be destroyed by upheaval. the eternal peace of the pitch-dark void shall embrace us all.” as you gaze at it.

the abyss order being founded by chlothar alberich and pierro being the first harbinger; the "sinner" – the crystal in chains from the chasm, protected by an abyss herald - not being a god but still worshipped by the abyss order. the voice stating to chlothar and the traveler’s twin that he "[knows their] fate well" and urged them to become a "transcendent one" saying he would "shed a tear at the end of time... as i gaze back upon your life". he also imbued chlothar with the power of the abyss, which alleviated his worsening conditions. the “sinner” refered to chlothar as “dear creature”; dainsleif, pierro and kaeya being examples of khaenriahns who hide their right eye; dainsleif being called “bough keeper”, bough is a branch of a tree, but also his constellation being a snake ring like ouroboros – representing the eternal renewal cycle of life, death and rebirth; the loom of fate being an operation of the abyss order first encountered during "a herald without adherents" quest.

“the threads of your fate lie in my hands” a quote by fischl connecting to the weaves of fate; fischl stating that if she does not obtain the divine halberd “...this world and everything in it is going to burn in hellfire” (legend of the shattered halberd vol. ii). some other excerpts of the book also include: “but unbeknownst to him, this was the greatest cursed sword of all, that had once burned the entire world to cinders: laevatain [in norse mythology, a weapon crafted by loki and the only capable of defeating the cockerel viðofnir, inhabiting the top of yggdrasil], the sword had extinguished after the world was burned, but... it burned bright once more. ‘the whole world... destroyed again...’ weiyang [fischl] fell unconscious as she spoke” (vol. iv), and, "the world is beyond repair. it shall be born anew from the ashes of the last” (vol. vi); dainsleif saying “none will escape the flames. see for yourself” but also neuvillette’s character story including “the puppet strings glossed as "divine rules" would one day be burned away by the fires of judgment” when talking about constellations; burning away the old world, project stuzha by the fatui and the image of dottore burning the irminsul; nahida saying fontaine's prophecy was engraved in the irminsul, implying the tree also contains the history of the future; sibylla, a prophetess who guarded the irminsul in an ancient city located in what later became the high seas (referred to as abyssal depths). she sacrificed her life for the sake of creating phobos, remus' grand symphony, but her lack of a will ultimately caused the project to fail, as her vague desire to "grant happiness to all in the world who are called humans" caused phobos to attempt to satisfy everyone's desires — including destructive and selfish ones — and set remuria towards the course of its self-destruction (possibly tying concepts of will and fate together); thinking of dottore's plan, it would make sense to burn the tree that holds memories with a fire able to erase them (arlecchino's balemoon powers) so that the world can be born anew breaking away from the shackles of fate.

there’s also the improvisation kaeya does during the play in his hangouts. "do you believe in fate? if fate decreed your life was to end in tragedy, what would you do?". he then throws a prop and we interact, choosing if we would face our fate bravely or challenge it and rise above it. kaeya then goes on saying "then so must it be! yes, so must it be! i shall discard this intaglio and rid myself of the shackles of fate", "fate means to send the machinations of war to every corner of the land to fan the flames of conflict till they ungulf the entire world… fate would see my sword tainted with the blood of innocents, that the bright banner of my homeland might fly in every nation known to mankind. but i shall not bow to the will of fate i am no pawn in heaven’s plan. i, qubad, will spend the rest of my days in a foreign land, 'till i breathe my last in a place far from home" and finishes the play with "but i must walk this path, or freedom dies by my hand. goodbye, my tribe and kin. farewell, sweet land of my birth". the prop we get from kaeya, the intaglio, symbolizes the noble origins of prince qubad in the play and the blood-red jewel (blood, red... funny, uh?) is said to be a crystallization of the question kaeya asked us about destiny. furthermore, an intaglio can be a type of engraved gem or metal signet ring.

[maliciousalice]

Hear me out (or don't... it's fine I'm just venting and mean) yeah um I don't believe Chakotay was saved in Prod*gy s2.

[orcelito]

Thinking again about my plans for Vash and Knives in ITNL

Which I can't really get into the specifics for How I'm going to do things w/o going into spoiler territory. But I Do have Vash & Knives tagged on the fic for a reason. I set up in the first chapter that Vash is determined to try to save Knives too.

Which. That choice, as well as the entire basis for all of this, depends so much on that final fight in trimax. The one that was literally a scene away from where ITNL Vash went back in time. His mentality just a hair's width away from that...

At the end of trimax, there was reconciliation, however brief and incomplete it was. In ITNL, my question to myself was How could I induce that again? Under different circumstances, How Else could we get there? And that is the long-game in ITNL.