#But I still had a comeback to classical music?

[ace-detectiv3]

This beat is fire not going to lie (<- Listening to classical music )

[zapreportsblog]

❝corny lines wins the girl❞

✭ pairing : rory keaner x reader

✭ fandom : my babysitters a vampire

✭ summary : sure rory’s looks changed since becoming a vampire, he’s got a bit more muscular and he grew a few inches but he was still the same the old geeky rory, a bad flirt with even worse pick up lines, turns out some people are into that kinda thing.

✭ authors note : i definitely had a crush on this boy back when I watched disney

Rory Keaner had always been the quintessential nerd. With his mop of unruly brown hair, glasses that constantly slid down his nose, and an obsession with all things sci-fi and fantasy, he was a familiar face at Whitechapel High School. But there was something different about him now, something that caught the attention of his best friends, Ethan and Benny.

Since being turned into a vampire, Rory had undergone some changes. He'd grown a few inches taller, and his once lanky frame had filled out with a hint of muscle. He still wore his nerdy graphic tees and carried around his trusty backpack filled with books, but there was an air of confidence about him that hadn't been there before. Vampirism had its perks, it seemed.

One sunny morning, as Rory, Ethan, and Benny made their way through the crowded school halls, a hush fell over the students. Heads turned, and whispers of excitement rippled through the crowd. Rory followed their gazes and froze in his tracks.

There, standing near the lockers, was a girl he had never seen before. Her name was (Y/N), and she was a vision of beauty. Long, flowing hair cascaded over her shoulders, framing a face that seemed like it belonged in a fashion magazine. Her eyes sparkled with an indescribable allure, and her smile could have lit up the darkest of nights.

Rory's heart skipped a beat as he watched her. He couldn't tear his eyes away. She was the kind of girl who seemed to belong to a different world, a world far removed from the one he inhabited. But that didn't stop him from hoping.

Ethan and Benny exchanged knowing glances, and Benny couldn't help but tease his friend. "Rory, buddy, I hate to break it to you, but she's way out of your league."

Ethan nodded in agreement. "Yeah, man, she's like a movie star or something. What chance do you think you have?"

Rory couldn't help but smile, a newfound determination in his eyes. "You'll never get anywhere in life if you don't try," he said with a shrug. "Besides, you never know until you take a chance."

With that, he walked over towards (Y/N), determined to introduce himself and see where this unexpected encounter might lead.

Rory took a deep breath and leaned casually against the locker next to (Y/N)'s. He couldn't believe he was actually doing this, but there was a newfound confidence coursing through his veins. Clearing his throat nervously, he turned to her and flashed a somewhat awkward smile.

"Hey there," he began, trying to sound smooth but failing slightly. "I'm Rory. Rory Keaner."

(Y/N) looked at him, her lips curling into a faint smile as she glanced up from her book. "Nice to meet you, Rory. I'm (Y/N)."

Rory's heart raced, but he pressed on, determined not to back down now. He took a deep breath and delivered a classic, albeit corny, pickup line, "Did it hurt when you fell from heaven?"

(Y/N) chuckled softly, her eyes twinkling with amusement. "No," she replied with a playful smirk. "But I did cut up my hands and knees a bit crawling up from hell."

Rory grinned, relieved that she was playing along. "Well," he said, his voice dropping to a conspiratorial whisper, "that must be why my heart's on fire for you."

(Y/N) burst into laughter, her melodious giggles filling the hallway. It was a response Rory hadn't expected, but it was music to his ears. He couldn't help but feel a surge of happiness at her reaction.

"You certainly have a way with words, Rory," (Y/N) said, still laughing. "I have to admit, that was a good comeback."

Rory blushed, feeling a warmth spread through him that had nothing to do with his vampire abilities. "Thanks," he stammered, trying to regain his composure. "So, do you come here often? I mean, to this locker, I mean...not that I'm stalking you or anything!"

(Y/N) laughed again, this time more gently. "No worries, Rory. I just moved here, so this is my first day. I guess we're locker neighbors now."

Rory's heart soared. He couldn't believe his luck. "Well, in that case, welcome to Whitechapel High, (Y/N). If you ever need help finding your way around or just someone to talk to, I'm your guy."

(Y/N) smiled warmly at him, and for a brief moment, the bustling school hallway faded away, leaving just the two of them. It was the start of something new, and Rory couldn't wait to see where this unexpected encounter would lead.

Rory's world seemed to revolve around (Y/N) from the moment they met. Fate, or perhaps a dash of daring, had brought them together, and he couldn't have been happier. In the days that followed their first encounter, Rory found himself sitting next to (Y/N) in most of their classes. He was determined to make her smile, even if it meant bombarding her with corny pickup lines.

In their English class, he leaned over and whispered, "Are you made of copper and tellurium? Because you're Cu-Te."

(Y/N) raised an eyebrow, a smirk playing at her lips. "Well, you must be a vampire because that line was pretty dead," she replied, her tone teasing.

Rory couldn't help but chuckle at her clever response. He wasn't used to someone who could match his wit. Meanwhile, Ethan or Benny, who happened to be in the same class, watched the exchange in disbelief. They couldn't understand how their nerdy friend had become so bold and charming.

During chemistry, Rory leaned closer and said, "If you were a compound, you'd be sodium chloride because you're salty but essential."

(Y/N) laughed softly, shaking her head. "Nice try, but I think I'd be more like helium. Rare, mysterious, and you can never really hold onto it."

Ethan or Benny, depending on the class, nudged Rory and whispered, "Dude, I can't believe you're doing this. And she's actually enjoying it!"

Rory gave a proud, albeit somewhat smug, grin as he continued his pursuit. In history class, he leaned over again and asked, "Do you believe in time travel? Because every time I look at you, time seems to stand still."

(Y/N) let out a small giggle. "Well, good sir, you may have just created a time paradox."

As the school days passed, the playful banter between Rory and (Y/N) continued. It was a unique connection that neither of them had expected. Rory found himself looking forward to each class they shared, eager to see what clever retort Y/N would come up with next.

Ethan and Benny remained astonished by the transformation of their friend, unable to believe how he had captured the attention and humor of such an enchanting girl. It was as if Rory had found his own magical potion, and it came in the form of witty pickup lines and a girl who appreciated them.

[loonarii]

Idolizing Imperfection: The Ancient Allusions of 'Midas Touch' - KISS OF LIFE (an essay)

I have missed writing kpop essays so much and after watching the new Kiss of Life MV, I couldn't resist doing a scene by scene (with some lyrics) breakdown of the allusions to ancient mythology - (there are lots of other modern references, especially to Britney Spears, but the ancient ones are what I will be focusing on here, believe me there is more than enough to talk about.) I don't have any official qualifications surrounding this field (yet), but I am studying classical civilization and roman literature for a qualification, and I have a long time obsession with Greek mythology especially. Obviously all of these are my interpretations, this is not a definite guide to what exactly the creative direction team at S2 Ent. were thinking about for this comeback, and if you think I missed something or have a different interpretation of one of the scenes, please let me know in the reblogs/comments.

Let’s begin with the title of the track, ‘Midas Touch’. It references the Greek myth of King Midas, who (according to Ovid’s ‘Metamorphoses’) after winning the favour of the god Dionysus, was granted any wish he desired. Midas chose the ability to make everything he touched turn into gold, a wish driven by greed. Midas revelled in his new found powers, but the problems arose when he realised that all food he touched would be turned to gold too - he had condemned himself to starve to death. The myth is essentially a cautionary tale about the effects of greed; Midas is a tragic hero that brought about his own suffering due to his hamartia (tragic flaw) - his blessing becomes his curse. Today, having a ‘midas touch’ means that everything you are involved with is successful, but the main association of Midas with greed still remains. In the context of the song, KOL are saying that a relationship with them, although destined to end in tragedy, would be worth it for the ‘gold’ they can bring - “위험할수록 재밌잖아” (“The more dangerous it is, the more fun it is”).  Midas may have died a tragic death, but his time alive was quite literally golden. Still, it feels slightly odd that KOL are associating themselves with someone so flawed - an idol should be the image of perfection, and in this way, the meaning of the song becomes quite subversive on a meta level. Keep this interpretation in the back of your mind, we will return to it later.

Within the music video itself, each of the four members are given solo scenes that I believe allude to different women of Greek mythology. Julie is first, depicted lying on a blush pink velvet heart with gold embellishments, shell and heart shaped boxes littered around her. The composition of the framing, as well as the beach imagery seems to allude to Boticelli’s ‘The Birth of Venus’, linking Julie with Aphrodite/Venus, the goddess of love. In Greek mythology, Aphrodite is seen as beautiful beyond compare, but is also often characterised as highly vain and self absorbed. After hearing that some Greeks had begun to worship the ludicrously beautiful mortal woman Psyche instead of her, (and also out of protection of her son Eros to whom Psyche was married), she sent Psyche on a series of impossible trials designed to kill her, so she could remain the most beautiful. Once again, KOL compare themselves to people in the ancient world who were famously flawed.

Natty is seen next, intertwined with glittering spider webs. This is perhaps a reference to the tale of Arachne, a mortal woman who was highly skilled at weaving. She boasted that her skills were greater than Athena herself, the goddess of handicraft (and many other things), and Athena transformed her into a spider as punishment for her hubris (excessive pride). Like the tale of King Midas, Arachne’s story also centres around a fatal flaw bringing your own downfall, and like Midas and Aphrodite, Arachne is not typically remembered fondly within Greek Mythology canon.

Perched on a half dress, half throne that resembles a peacock, Belle is seen next. Originally I wasn’t certain who was being referenced here, but after some research I believe it may be Hera, although if you have another interpretation here I would love to hear it. Hera, the goddess of marriage and fertility, queen of the gods, and wife to Zeus, is affiliated with peacocks as they are one of her sacred animals, and are said to pull her chariot like horses. Hera is also, like Aphrodite, a goddess often portrayed in a negative light in mythology, repeatedly characterised as jealous and spiteful. A famous example of this is when Hera sent two snakes to strangle Heracles/Hercules, the illegitimate son of her husband Zeus, out of spite and jealousy for the boy’s mortal mother. Whether Hera had a right to be annoyed at her husband’s repeated adultery is another discussion, but generally speaking, when Hera is in a myth, she is often the villain.

Finally, we see Haneul, perched upon a corinthian style column (we love a greek column) surrounded by severed heads on spikes, a clearly war ridden scene. This is the allusion I am the least confident about, but I think perhaps she is supposed to be Helen of Troy? Helen is famous for being the catalyst for the Trojan War (perhaps this is the war scene she sits within?), she is the ‘face that launched a thousand ships’. Depending on the source, Helen is either a victim, kidnapped by the Trojan prince Paris, or she was seduced and went willingly, abandoning her Greek husband King Menelaus. The second seems to be the accepted narrative among many Roman authors, with writers such as Martial (in Epigrams 1.62) portraying her as the polar opposite of Penelope, who was seen as the image of loyalty. As a result, Helen is commonly portrayed as disloyal and unfaithful, the opposite of what an ideal woman in the ancient world was supposed to act like.

In their group scenes, there is also SO MUCH Medusa imagery - with snakes crawling all over their faces and hissing at the camera, and half broken stone statues littered here and there. As I am sure you are probably aware, Medusa is very much a villain in the myths she is depicted in, and despite modern reevaluations of her story (that I agree with) portraying her as a victim, in the primary sources, she is essentially an evil monster for Perseus to destroy - her death marks Perseus’s ascension to hero status.

So why oh why are KOL comparing themselves to figures so flawed? In their previous releases, especially their first comeback with ‘Bad News’, the girls are depicted trying to fix injustices in society - they expose corruption in corporations, they combat casual misogyny and sexual harassment, and they call out bullying and abuse. In ‘Midas Touch’ I believe they continue their addressing of injustices and double standards, this time with a focus on the idol industry, their own stomping ground. In the kpop industry, idols are expected to be perfect in every way - beautiful, highly skilled, never controversial, and loyal to their fans. Should an idol fail to uphold these impossible standards, they are relentlessly punished, especially if the idol is a woman. Last month, Karina’s earnest apology to ‘fans’  for falling in love exposed how ludicrous the standards are to the world, and other idols like Sakura, Wonyoung, and Jennie, continue to get bullied on a daily basis for not meeting all of the bars the industry sets them. A kpop idol should be talented, but never show off, they should be beautiful and care about their looks but never be vain, confident but never egotistical, and driven by passion, not the desire for fame and money. It’s all fucking impossible, especially when what constitutes being called the second traits is utterly arbitrary and depends on how many people woke up on stan twitter and decided they didn’t like you that day. In ‘Midas Touch’ KOL calls this out by openly depicting themselves with the traits that kpop stans hate - Julie is Aphrodite, beautiful but vain, Natty is Arachne, talented but boastful, Belle is Hera, confident but jealous, Haneul is Helen, influential but disloyal, and they all are Midas, spurred on by greed instead of passion. They recognise that these accusations are unavoidable, and by reclaiming the imagery of these symbols of undesirable traits, they call out and reject the standards the idol industry places upon them. Like Medusa, they may be seen by many fans as a villain, a hurdle for their favourite groups that have more promotion and budget to overcome on their way to the top, but in actuality, they are victims of an industry desperate to mould them into products to be bought and sold. I’ve seen lots of discussion online about what KISS OF LIFE’s concept is, as it seems to vary every comeback, but after ‘Midas Touch’ I am led to believe that their concept is rebellion, against society, idol culture, and the things they deem as wrong in the world. Other groups have  done concepts similar in the past, such as LOONA in ‘Butterfly’ (you really thought I wasn’t going to bring them up at some point?? Are you new here??) but KOL is doing it explicitly, and consistently, and to me, that's very exciting. The kpop industry is ever changing, and with the foundations of the new 5th generation being established as we speak, perhaps KOL could cause it to change for the better. In summary, I am SO excited to see what they do next.

That honestly took a turn I wasn’t fully expecting at the end, but I hope you enjoyed regardless - I didn’t really talk about the actual song here, but I fucking loved it, and my full review will be part of my April monthly roundup - see previous installments on my masterlist. I encourage all of you to listen to ‘Midas Touch’ if you haven’t already, congratulations KISS OF LIFE for graduating nugudom, stream Birth by ARTMS, stan loona, and prepare for the loossemble comeback - lmk if you have any thoughts on my analysis or any other interpretations, or any topics you want me to write an essay on. cya next time ~ ari

[catientie]

LIFE ON THE STREET | PREV & NEXT ➜ VACATION BIBLE STUDY

AKITO SHINONOME — main vocalist alongside kohane & songwriter of vbs. one of those music artists that can also paint/draw (it's that shinei shinonome influence i'm afraid...). has the best music taste of the group. project sekai entertainment stylists tend to remove his piercings so fans go feral when he has his full set of piercings on his posts. he had pre-debut songs but they were just him beatboxing and he never posted it. BADARCHIVES out soon.

TOYA AOYAGI — main rapper and composer/producer of vbs. despite of being a son of a famous classical artist, people preferred his hip hop and electronic side of toya. self writes all of his raps. has a lot of song credits under his name. stands very awkwardly in award shows and then perform absolutely perfectly onstage. i think people would often say just how much coffee he takes every single day that they might get concerned for his health. BADARCHIVES out soon.

KOHANE ASUZAWA — main vocalist alongside with akito & songwriter of vbs. had no official “training” but still one of the best vocalists under project sekai ent. the spokesperson for her group during award shows. stan twt debated whether her or an was the official leader but kohane is the “face of the group”. photographs for other groups except her own :((. ppl still have yet to find her dark gangster past… people were TERRIFIED when she went on live with her pet snake. [REDACTED] out soon.

AN SHIRASHI — main dancer and producer of vbs. her father was a popular artist before so people were excited and shocked when his daughter debuted under the same company. COOK #1 in the whole group. accounts often say how “an isn’t beating the gay allegations” whenever kohane is around. she’s filipino, fight me. snatched waist from all of that working out!!! crop tops >>> i got a feeling that she would have some kind of tattoo on her back/lower belly/waist. [REDACTED] out soon.

SYNOPSIS. after your successful comeback as a soloist with your album called “angel destroyed”, your sudden fame rose and landed you a contract with the most famous japanese idol company called project sekai entertainment. not to long after, a rampage on idoltwt involving with you and vivid bad squad member akito shinonome after he mentioned you in his live. unknown to him, this led to massive changes to your new and upcoming relationships with him.

TAGLIST. @lampiridaes @hpd--ena @finanah @totallynot-alex @mybelovedakito @akitosheart @sillynene-13 @ariisho

NOTES ➜ 1. atp i may as well rush through the intros and get the first chapter up soon 🫡 2. making the usernames made me giggle a little bit 🤭 (i’m in love with akito’s and an’s the most 🗣️🗣️) 3. ignore the whole 6 posts on instagram on all the accounts, just pretend that everyone has more posts 😖😖

CATIENTIE. any acts of plagiarism, tracing or translation is strictly prohibited on any other platforms.

[bisnes-socks]

The Big Finnish Music Project for International Kääryleet, part 2.

Go to part 1 for context. We continue where part one left off, and we're in the 1980's right now, as the list is (more or less) in chronological order.

Hanoi Rocks

One of the most successful Finnish acts internationally, especially in the 1980's, and they were a significant influence on the entire genre of glam rock. The likes of Foo Fighters, Manic Street Preachers and Pearl Jam have all mentioned Hanoi Rocks as a favourite or an influence, and Axl Rose has said there would be no Guns N' Roses if it wasn't for Hanoi Rocks. This is one of their earliest hits, Tragedy.

Dingo

Hysteria is the only word to describe the popularity of Dingo in the 1980's. They had a couple of huge hits but they broke up quite soon after reaching their peak. They've made comebacks since, but never reached the same popularity as what they had for a couple of Dingo hysteria years in the mid 80's. This is one of their big hits, Autiotalo. 

Popeda

Considered to be the fathers of "äijärock". I don't know how to translate äijä, but if you look at them and their vibe, you'll get the idea. They're also part of the Manserock scene of Tampere. They are hands down one of the oldest still active rock bands in Finland, a band that just simply everyone knows. This is their song Pitkä kuuma kesä, originally from 1985. This live performance is from 2002.

Leevi and the Leavings

Iconic. The moment. The voice of the nation. A poprock band that never performed live (only one exception) but were insanely popular, especially in the 1980's. The frontman of the band, Gösta Sundqvist (passed away in 2003), is considered one of the best songwriters in Finland, and is definitely one of the most beloved. Leevi and the Leavings had their own recognisable sound while also being quite experimental. Their lyrics are often exactly the sort of thing that i've mentioned in multiple Käärijä analysis posts as being incredibly Finnish: songs about difficult and hard subjects with actually kind of hilarious lyrics at times. I could have chosen soooo many different songs from them, but decided to go with Teuvo, maanteiden kuningas, simply because I felt like it and because it slaps.

Kaija Koo

Kääryleet might know Kaija Koo as the artist who was the main act of the Helsinki Olympic Stadium gig. She rose to fame in the 90's and has had quite a steady career ever since, slowly growing to her iconic status. This is one of her huge hits, Tinakenkätyttö.

Aikakone

As 90's as it gets. Aikakone basically defines the 90's dance vibe in Finland, and this song is etched into every millennials brain. Very much just a Finnish version of the same style of music, that was globally massive in the 90's. The song is Odota, from 1995.

Apulanta

One of the biggest names in Finnish rock. They started in the 90's and have been a significant influence in the scene ever since. This is one of their early cult classics, Anna mulle piiskaa, from 1996, which i chose because i figured kääryleet appriciate whipping references.

Ultra Bra

Icons of the 90's, the favourite of all liberal millennial hipsters. Known for their distinctive sound produced by four (originally five) lead singers, and having quite a large band set up where brass and horns play a big part. And also for their yellow raincoats. Their song lyrics are often very poetic and kind of.. odd, thematically speaking, like they have a whole song about pike, the fish. Most of the song lyrics are written by Anni Sinnemäki, who has since become a politician. Their composer and pianist is Kerkko Koskinen, a very influential and highly regarded musician and composer. Ultra Bra is doing a comeback at the moment.

This is one of their biggest hits, Sinä lähdit pois, from 1997.

End of part 2. We've reached the 90's, and the next part is reaching the turn of the century, so exciting times ahead musically speaking.

[stitchyblogs]

Stitchy, How Do I Get Back into The Muppets?

Muppet memes are everywhere. They trend every time Brett Goldstein gets his hands on a microphone, or a British politician puts their foot in their mouth. Let the Muppets host the Oscars! Miss Piggy dumps Pete Davidson! Knives Out III! But, reader... it’s been a long time since you last hopped over to sip Lipton’s on Kermit’s lily pad, hasn’t it? And you kind of miss it.

I’m imagining you, dear reader. Not in a weird way or anything... I’m just being transparent about who I intend my audience to be, because I have Twitter poisoning. You know how it is, you rascal, you. I know, because I’m imagining you into existence! Let’s just go with it! Yeah, so- I bet you’re thirty something, low forties. You say ‘No worries!’ a lot, but you sure do have worries. How can you not? You’re way too online, but you hope to the Great Gazoo you’re pulling it off, looking merely casually plugged in, in public. You maybe don’t have kids, who've forced you to plumb the depths of Disney +, but you do have it, because you’re not immune to Baby Yoda and the bionic biceps of a one Bucky Barnes. Aside from that fatuous affair, you’re also in a ever evolving polycule with at least three streaming services, but they still aren’t *quite* delivering what you need from the relationship. You kind of miss being restricted to whatever 6 VHS tapes were in the TV hutch of your childhood home. If you’re too young for VHS, you at least remember having to mail actual disks back and forth with Netflix. You remember that once, practical effects were the only effects. You have taste! And curiosity! And heart! You tear up when you think about Mr. Rogers for too long, which is very sexy of you. Most importantly, dear reader, you appreciate a bit of cornball. You like a lil goof. A cheeky lil pun. A gag so cheap, the shopkeeper is looking the other way as you pocket it, secretly stoked to get it off the damn shelf already... Nobody’s looking, ya know. It’s okay to admit it! You like hokey jokes. In fact, you're spiritually wearing boxers with hearts on them right now, just in case. Not that I’m imagining you in your spiritual underwear.

Did I make it weird?

Shh, shh, it’s fine. I’m Stitchy, by the way! I am alllllll of these things too- it’s fine! Well, I’m not super into Bucky, if we’re being honest- which we are! Because we’re friends now! And you know, friends can ask each other embarrassing questions. Your question is the headline of this, so I won’t beat around the bush anymore. I’m gonna do you a solid. I’m gonna tell you.... How to get back into the Muppets.

Hey, wait! You sneak! You! That guy peeking over the shoulder of the reader I was just talking to. You’ve never seen any Muppets on purpose at all, and you’re hoping I can set you up, too? Ha! I knew it… Yeah, that’s okay. You can follow this list. I won’t rat you out, as long as you don’t tell Rizzo I said ‘rat’ in that context.

Muppet Immersion PART 1:  The New Shit.

You’ve already seen the stuff that came down the pipeline in the 90’s. You Mnah Mnah’ed your butt off in your tender youth, and nowadays you still get a little confused when there’s only one Marley in non-Muppet Christmas Carols. You vaguely know that the good people at Henson Co. made post-Y2K projects, but you haven’t checked them out, because you had important, more grown up things to worry about, like curating your MySpace top eight. Then time got away from you. That’s okay, bud- because I’ve been on my muppetfrickin’ grind.

(One note: not all Muppet Materials are made with our age group in mind, and that’s okay! I’m sure Muppet Babies 2.0 has its moments, but we’re only looking at the slightly more mature pieces.)

1. The Muppets, 2011 (watch on Disney +)

They struck gold when tapping lifelong muppet freak Jason Segel to write and star in the Muppet’s comeback to the silver screen. With the expert musical-comedy midwifery of Flight of the Conchord’s James Bobin (director), and Bret McKenzie (music), a beautiful baby Muppet was born! It’s a classic tale of “We’ve gotta get the band back together and put on the best show this town has ever seen Or Else!”. The Or Else, if you’re wondering, is oil tycoon Chris Cooper’s plan to obliterate the Muppet Theater. Best work he’s ever done, I tell ya. Same goes for Amy Adams, who absolutely nails her role as the doting but levelheaded Mary, who’s fiancé is troublingly codependent with his Muppet brother, Walter. Oh, Walter. A wide eyed, whistling optimist, who deserves love and puppies and the whole entire world. In the words of Phil Spector (Yikes) to know know know him is to love love love him. A great entry point for returning, or newly budding Muppet enthusiasts. Highlights include the knock off ‘Moopets’, hostage Jack Black, and Muppet turned man Jim Parsons.

1.5 The sequel, Muppets Most Wanted, 2014 (also available on Disney +) doesn’t work for me. Seeing as it’s my guide to Muppet Immersion, I say you can skip it if you’re not feeling like another feature film, just now! My beef may not be your beef, though. (Too much Ricky Gervais, too much faux-Kermit, and not enough Walter... ((My soul will never be at rest until I understand why TPTB lost faith in Walter as the new audience surrogate. I can only hope Serial has plans to investigate.))) Maybe Muppets Most Wanted will work for you! Definitely DO NOT MISS the absolute feast of bops, again penned by Bret McKenzie:

1.5 a. “I’ll Give it To You” 

1.5 b. The Interrogation Song, a thrilling double act by Ty Burrell and Sam the Eagle 

1.5 c. We’re Doing a Sequel!  

1.5 d. Something So Right featuring none other than powerhouse Celine Dion

1.5 e. Something So Right Demo Reel, because you need to have Bret’s Miss Piggy in your ears, too. 

Whenever Piggy wears a hat with one lil’ ear out!? That’s the good stuff.

2. It’s time to play the music, it’s time to light the lights, it’s time to fire up the Baby Yoda machine to watch The Muppets, 2015. Confusing, yeah... It’s the same-named, but sadly short lived series, spun out from the success of the new films. The docu-sitcom format is a natural fit for the fourth-wall breaking Muppets. For the first time since 1984’s Muppets Take Manhattan, Kermit is solidly the leading man. We find him back in the studio, producing Up Late With Miss Piggy, amidst a flurry of Muppet interpersonal problems. As a quintessential Will They, Won’t They couple of the last half a century- it’s kind of incredible that the Muppet media that best portrays why Kermit and Piggy love each other is the one where they are very emphatically Did, But Don’t Anymore. It’s a refreshingly grown-up main story line! Aside from that- we all know C is for Cookie, but B is for B-Plots and running gags that absolutely slap. Fozzie’s beleaguered love life, Uncle Deadly’s wrangling of Piggy’s vast wardrobe, Scooter’s ongoing beef with his mother’s boyfriend, the meddling network president June Diane Raphael... I truly can’t get enough! Because they canceled it! Hmmph! And a pink satin heeled kick, and a hiiiii-ya!!

Anyway, the cameos and needle drops are expertly deployed, as fitting and offbeat as ever. I’m especially fond of Christina Applegate, Ed Helms, and Josh Groban’s appearances.

My absolute favorite episode, if you watch only one, is “Swine Song”. The network saddles Up Late With Miss Piggy with a brand manager who’s dead set on giving the show a face lift. Key and Peele, now reduced to running an Etsy shop after their own fiasco with the brand manager, feature.

I don’t know what happened, that we didn’t get more of The Muppets. Perhaps the 30 Rock-ification of the Muppets might have been more at home on a different network, with a different pool of veteran talents and sensibilities? Were we as a society just not ready in 2015 for a story about workplace friends, grounded by such sincerity? Eh, maybe. It’s no surprise Ted Lasso’s Bret Goldstein is one of the most vocal proponents for a Muppet comeback, with that in mind. Same niche!

If there is any justice in this universe… [clenches fist]

3. The Muppets Haunted Mansion, 2021, on Disney + is a welcome return to form after the platform’s first “exclusive” but paltry offering of Muppets Now (Don’t even... Don’t even bother to look…). Gonzo and Pepe challenge themselves to face their fears and spend the night in the spookiest place on earth, inspired by the beloved Disneyland ride. It’s great. If you’ve taken my advice this far and you’re still in, just. Just go for it. It’s 52 minutes. What else you got goin’ on? You’re elbow deep in some internet weirdo’s ramblings about a fifty year old troupe of talking socks.

Can’t get enough? Need to soak in hours more of puppety perfection?

4. The Dark Crystal: Age of Resistance, 2019, Netflix. Not technically the Muppets TM, but absolutely a must see for a burgeoning Henson buff. Did you ever see the original 1982 film? Do! It’s rentable. The Dark Crystal is some high fantasy, live action, no humans, all puppet madness. It’s disturbing and strange and beautiful. An age old tale of corruption and ideals, told by some of the cutest, oddest little creatures you’ll ever see. (Deet and Hup!!!) And I mean. C’mon. The vocal talent! They didn’t even fit Bill Hader on the wiki cheat sheet, that’s how stacked it is!

5. Fraggle Rock: Back to the Rock, 2022, Apple TV. This one’s definitely made for the kids, but it’s exactly as lovingly rebooted as you hoped.

We’re getting down to some slim, definitely non mandatory pickings, now. Uhhhh…

6. Miss Piggy made an appearance on Drag Race!

7. The creature workshop whipped up some puppets for Coldplay’s Biutyful music video!

8. And here’s a half hour supercut of a bunch of ads featuring the Muppets, in the last fifteen years or so. It’s not entertainment, per se, but at the very least, you’ll see the Kermit Sipping Tea origin.

PART 2: Outside Readings

The road to your Masters in Muppetfrickery has been paved by many scholars. Here are a few peers whose work you might like to check out, now that you’re no longer a tadpole, but a fully grown frog, with hard cover books and podcast subscriptions, and junk!

Jim Henson: The Biography, by Brian Jay Jones

This book is exactly the comprehensive, compassionate deep dive you hope it is. Watch out, though! It did make me cry in an airport.

I Am Big Bird: The Caroll Spinney Story, 2015.

A feel good documentary about the man under the bird. Available on Prime, Peacock, and others.

Muppet Guys Talking, 2017

Five of the original Muppet performers discuss their iconic characters. Muppetguystalking.com

Street Gang: How We Got to Sesame Street, 2021.

You guessed it! A doc about Sesame Street, on HBO.

Defunctland has also done some stellar coverage of the Muppets, Fraggle Rock, and more!  

Follow ToughPigs.com for a survey of what's up and coming in the various Henson adjacent worlds, and top tier curation of Muppet history. They have a podcast, too!

If you are lucky enough to live in NYC or DC, you can even see some Muppets in person!

Museum of Moving Image 

The Smithsonian

PART 3: The Oldies!

Whatever Muppet movies you had access to as a kid- there’s a good chance there’s one you missed! Good news is there’s still time to play catch up- whew!

Stitchy’s TOP TEN of the pre 2000 canon:

1. THE MUPPET MOVIE 1979 (Disney +)

2. MUPPET TREASURE ISLAND 1996 (Disney +)

3. THE MUPPET CHRISTMAS CAROL 1992 (Disney +)

4. THE DARK CRYSTAL 1982 (Rent Only?)

5. LABYRINTH 1986 (Netflix)

6. THE GREAT MUPPET CAPER 1981 (Disney +)

7. MUPPETS FROM SPACE 1999 (Rent Only?)

8. THE MUPPETS TAKE MANHATTAN 1984 (Prime)

9. THE MUPPET SHOW 1976-1981*** (Disney +)

10. EMMET OTTER’S JUGBAND CHRISTMAS 1977 (Prime, Peacock)

If you’ve missed any of the top 5, BOY HOWDY are you in for a treat. Especially if you’ve never seen the original Muppet movie. I am on my hands and Always Conveniently Off Screen Knees, begging you to give it a shot. If it’s been decades- give it a watch with fresh eyes. It’s a sweet, simple, silly story about a frog who dreams of making people happy. It’s about art, and integrity, and joy, and friendship, and it’s just about the only place you’re gonna get Hare Krishna jokes, nowadays.

Of course, this list is just a start. There were quite a few obscure TV specials and series besides, but as they are very hard to track down on streaming, I won’t insist on their viewing. I do highly recommend the series Jim Henson’s The Storyteller, 1987-1989, however. These episodes are all self contained if you can dig one up on Google, and they are exquisite pieces of art. John Hurt stars as the gruff old Storyteller, weaving fantastical yet tactile folk tales that have stuck with me for decades.

***Sheesh! The Muppet Show is like, 44 hours of television. I can do better than just point you at it in its totality! That brings us to:

PART 4: Going Right to the Source.

It’s the OG. THE Muppet Show.

By all means, crack open that laptop and follow your nose! There are legends aplenty to pick from, and just about every one of the 120 episodes has a classic moment, somewhere in there. As you scroll through the many guests, I’m sure you’ll be drawn to such greats as Rita Moreno (This appearance is The E in her EGOT!), John Cleese, Julie Andrews, Bernadette Peters, Steve Martin, Elton John, Madeline Khan, Gilda Radner, the cast of Star Wars, and Carol Burnette. They all put on fantastic shows that are essential viewing, but I must also put in a good word for some personal favorites.

Paul Williams, one of the great American songwriters, author of The Rainbow Connection and many other classics 

Vincent Price, your favorite creepy uncle, and mine. (That’s right! We’re not just friends, we’re also cousins!)

Avery Schreiber, who never ever holds back, and whose episode features the fantastic Electric Mayhem rendition of “Tenderly”. 

Sandy Duncan, who’s “Nice Girl Like Me” is an unforgettable, leggy revamp of the Manilow classic.

Mummenschanz, who are impossible to describe, but who would have ruled Tik Tok.

Leo Sayer, serving up three of my favorite 70’s tunes.

Pearl Bailey, bringing down the house with a pastiche sure to delight any musical theater nerd.

Harry Belafonte. “Turn the World Around” never fails to bring a tear to my googly eye.

Linda Ronstadt, lacerating the ONLY live vocals in the history of the show, and also crushing so so hard on Kermie. Relatable af

PART 4: Looking Forward

 (video) 

And you may ask yourself, "What Muppet Am I?" And you may ask yourself, "Why are there so many songs about Rainbows?"

What should come next for the Muppets? I say, if Disney is gonna own everything and everypiggy, go whole hog! Make Kermit the Avenger’s new therapist. Maybe he’s outside their insurance network (and dimension) but they have great rapport! Give Piggy a real late night slot, and get Grogu on to host a remote segment! Keep making the kids their kid shows, but embrace the grown up Gen X and Millennial audience with their own fare. Get back to the Muppets Sex and Violence roots, I double dog dare ya! Make a Muppet dating sim! Reboot Statler and Waldorf: From the Balcony on Youtube! Hook up Lil Nas X with the Electric Mayhem! Stop dicking me around and get the Muppets to host the Oscars, for real! Bring back my best boy Walter, and take advantage of the Muppets’ unparalleled skill for literary adaptation. A Portrait of the Artist as a Young Muppet is a story that demands to be told! 

Well, we do know one new series on the way in 2023- The Muppets Mayhem. A junior record exec must wrangle the unwrangle-able Electric Mayhem through the modern music industry as they record an album. I don’t know about you, but I’m crossing my furry little fingers.

[cherrygirlystuff]

The Evolution of Indie Sleaze: From the 2000s to Today’s TikTok Revival

Hey babe! 🌟 Have you noticed how the raw, messy, and oh-so-cool vibes of the indie sleaze era are making a comeback? From the early 2000s to today’s TikTok trends, indie sleaze culture has evolved, reemerged, and is now being reinterpreted by a whole new generation. Let’s take a little trip down memory lane and explore how indie sleaze has transformed over the years and why it’s taking over TikTok. Ready? Let’s go! 🎸💋

A Quick Flashback: What Was Indie Sleaze in the 2000s? 📼

Before we get into how indie sleaze is being revived today, let’s rewind to the early 2000s when it all began. Indie sleaze was more than just a fashion statement—it was a whole lifestyle. It was the era of grimy dive bars, chaotic house parties, and an “I don’t care” attitude that was reflected in everything from music to fashion.

1.1. The Music: The Soundtrack of a Generation 🎧

The indie sleaze era was defined by its music—a mix of indie rock, electroclash, and post-punk revival. Bands like The Strokes, Arctic Monkeys, and MGMT were the kings and queens of the scene. Their music wasn’t just played at parties; it was the soundtrack to life for many of us.

Grimy, Raw, and Real: The music of this era was all about authenticity. It wasn’t polished or overproduced—it was gritty, raw, and had that DIY spirit. It felt real, and that’s what made it so special.

Live Shows and Underground Gigs: The indie sleaze scene thrived on live performances. Whether it was at a tiny venue or an underground gig, the energy was electric, and the experience was unmatched.

1.2. The Fashion: Messy, Edgy, and Unpolished 🖤

Fashion during the indie sleaze era was all about breaking the rules. It was a mix of grunge, glam, and a bit of chaos thrown in for good measure. Think skinny jeans, band tees, leather jackets, and smudged eyeliner.

DIY and Thrifted: Indie sleaze fashion wasn’t about buying the latest designer pieces. It was all about thrifting, DIY fashion, and wearing whatever made you feel cool and different.

Messy Hair and Bold Makeup: Tousled, just-rolled-out-of-bed hair paired with bold, sometimes smudged makeup was the go-to look. It was about looking effortlessly cool, like you didn’t spend hours getting ready (even if you did).

Fast Forward to Today: How TikTok Is Reviving Indie Sleaze 📱

Fast forward to today, and guess what? Indie sleaze is back, and it’s taking over TikTok. But it’s not exactly the same as it was back in the 2000s. Today’s youth are reinterpreting the style and attitude of indie sleaze in their own unique way, blending nostalgia with modern trends.

2.1. The New Sound: A Blend of Old and New 🎶

On TikTok, you’ll find that the music of the indie sleaze revival is a mix of the old classics and new indie artists who are inspired by that era. The soundtrack is still raw and real, but it’s also infused with modern influences.

Retro Revival: Songs from the early 2000s are being rediscovered and loved by a new generation. Tracks like “Kids” by MGMT and “Someday” by The Strokes are making the rounds on TikTok, introducing them to a whole new audience.

New Indie Artists: Alongside the classics, there’s a wave of new indie artists who are capturing that indie sleaze spirit. Artists like Clairo, Beabadoobee, and The 1975 are bringing a fresh take on the sound and style that defined the 2000s.

2.2. The Fashion: A Modern Twist on a Classic Look 👗

Today’s TikTok stars are putting their own spin on indie sleaze fashion. It’s still messy, edgy, and a bit chaotic, but there’s a modern twist that makes it feel fresh and current.

Mixing Vintage with New: Thrifted pieces are still key, but they’re being mixed with modern staples. Think vintage band tees paired with high-waisted jeans or oversized blazers with chunky boots.

Glitz and Glam: Today’s indie sleaze has a bit more glam. Sequins, metallics, and bold accessories are being added to the mix, giving the look a modern, slightly more polished edge.

Makeup and Hair: The beauty side of indie sleaze has also evolved. While smudged eyeliner and messy hair are still in, there’s also room for bolder makeup looks and sleek hairstyles, blending the grunge with a bit of glam.

The Attitude: What’s Stayed the Same (and What’s Changed) 😎

While the fashion and music have evolved, the attitude of indie sleaze has remained largely the same. It’s still about being carefree, rebellious, and a little bit wild—but there’s a new layer of self-awareness and irony that comes with today’s revival.

3.1. The Carefree Spirit Lives On 🎉

The indie sleaze revival is still all about having fun and not taking life too seriously. It’s about enjoying the moment, dancing like no one’s watching, and embracing your imperfections.

Authenticity Is Key: Just like in the 2000s, authenticity is at the heart of indie sleaze. It’s about being yourself, not conforming to trends, and wearing what makes you feel good, whether or not it’s considered “cool.”

3.2. Self-Awareness and Irony 🥂

What’s new about today’s indie sleaze is the layer of self-awareness that comes with it. The TikTok generation knows they’re reviving an era that’s nostalgic and a bit ironic, and they’re fully leaning into that.

Nostalgic Parody: There’s a playful element to today’s indie sleaze revival. It’s like saying, “Yeah, we know this was cool in 2008, and we’re bringing it back—just a bit more polished and self-aware.”

Blending Eras: Today’s indie sleaze revival isn’t just about copying the past—it’s about blending the old with the new, creating a style that feels both retro and modern.

Final Thoughts, Gorgeous: The Indie Sleaze Evolution 🌟

So there you have it, babe—the evolution of indie sleaze from the gritty, raw days of the early 2000s to its stylish, self-aware revival on TikTok. It’s amazing to see how today’s youth are breathing new life into this iconic style, making it their own while still paying homage to the era that started it all.

Whether you’re rocking a band tee and skinny jeans, or mixing in some modern glam, the spirit of indie sleaze is all about being yourself, having fun, and embracing that messy, imperfect, and oh-so-cool vibe. So go ahead, channel your inner indie icon, and let’s keep this revival going!

What’s your favorite part of the indie sleaze revival? Are you all about the music, the fashion, or the attitude? Let me know in the comments—I’m dying to hear your thoughts! 💕

[completely-zoned-out]

hehe im coming to say hi here instead of the other way around :3 but omg i think it just hit me now that.... w gwangil gone that's gonna be a very long time without an ot4 comeback and part of me just wants wonsang to enlist as soon as possible so that the time will be shorter until theyre back :( but i wonder if hes working on a lot of songs to put out while theyre enlisted since hes the producer.... i could def see yechan and sangyeop doing some type of comeback or putting out new music and maybe even collabing w other kbands like they did with daybreak. i honestly just hope we still get some new music cause idk how ill survive 2 years with no new lucy music (ik ill survive somehow but ive consistently been able to look forward to amazing comebacks from lucy since i stanned in 2022 during play era so... it'll def be a change of pace) BUT YEAH EMO HOURS HERE I COME 🫠

id be interested to know what you think their plan is for enlistment era. whether wonsang is gonna enlist sooner or later and new music timeline etc!! recently also been thinking about what type of songs lucy would write for you...

yechan would make a super emotional song and ofc its gonna have a beautiful violin section in it, i feel like he could even incorporate some classical music into it and it'd be soooo pretty. but more frequently than writing his own songs for you he'd always take your requests for anything you want him to play

sangyeop would probably put you through some emotions like he'd be singing his heart out to you and after hes done he'd be his usual bright cheery self acting like he didn't just make you cry from his pretty voice

wonsang 100% gonna write an admiration song about you like he did with holly LMAO and would poke fun at your habits or your relationship together, would prob sound like an anime opening too CAUSE HES WONSANG <//3 (my bias rly showing through damn why do i have so many thoughts abt this) but knowing how many songs he writes he'd prob have a range as well with some sadder or just more emotional romantic songs

gwangil is gonna write you the cutest and most heartwarming song ever just like his song would you dance with me !! i feel like hes really into the bright and fun side of love and while his voice is rly suited for slower softer songs, he would want to make you smile with his song, not cry so he'd stray away from that vibe skdjks

man i rly love them so much 💔💔💔 lucy are the best !!

Hi :3

Seeing the photos from their schedules really made it hit home that he isn't there. Stoppp it hadn't even occurred to me that we won't be getting ot4 comeback for a while. I do hope that Wonsang goes soon, but you're right he's probably busy working on stuff that they can put out while he's gone. That would make most sense anyway. I think he'd maybe go around Dec/early next year? I'd imagine they'd want him to be there for award show season if they perform and then he'd go after that? I really hope Yechan and Sangyeop put out music or at least just do schedules while the others are away. Alot of the videos that I had seen when villain came out were just Yechan and Sangyeop, so I wasn't sure if that was them preparing us for how it will be over the next couple of years lol. I think they'll continue to thrive even as a duo, isn't N.Flying still doing well despite being down 3 members? (I haven't kept up to date with them, so I genuinely don't know. All I know is Seunghyub has been in a couple of dramas lol)

I do think we'll get another cb before Wonsang goes! Wasn't boogie man released in Dec? Maybe they'll do another one then?

Yes!! Yechan would definitely have classical or Ghibli vibes in his song! All I can think of is my warm loneliness with it's soft sound and beautiful violin solo in the middle of it. I agree, I think it would be super emotional but also really cute, I think I'd cry if he wrote me a song ahaha. I think Yechan may regret taking requests lol, I definitely would have a few

Sangyeop would be such a menace, writing such an emotional song that makes you bawl and then he'd probably have the audacity to tease you for crying after. I think his would definitely be acoustic (so that you can focus on his voice more) . I think the lyrics would be so beautiful, I NEED him to write me a song lol. I would cry if there was a key change in it, I am a sucker for a key change

Wonsang's song for Holly was so cute oh my goodness. Another song like domino would be so funny. It's such a funny song, especially with the intro ahaha. Maybe he would put funny sound bites from videos of you both in the intro, from clips of you doing the most stupid things (but he finds it endearing because he is so in love with you). Oh and the bit between the verse and chorus could be him listening off things that he loves about you (in his really cute voice 🥺)

I feel like Gwangil would write such a goofy song. I definitely think he would be able to write a really emotional song like Sangyeop, but he's not gonna show you that yet (he's waiting for the right moment because he's going to ask for your hand after, I need to stop lol). I could see it being a really cheesy song or one that's filled with stupid puns because he knows that you hate them but you love him and he's going to be annoying about it. I love how you said that he's "into the bright and fun side of love", I definitely agree with that. I agree that he wouldn't want to make you cry, I feel like his is the only one who wouldn't make you cry with his song (Wonsang wouldn't want to make you cry, but he writes such beautiful songs that I think he would do it accidentally lol)

I think I'm getting a little to in to this, I need to stop (but this will definitely be all I think about for the rest of the day lol). That was very fun to think about

How's life treating you now that it's September? Has your schedule become really busy or is it not too bad? It's definitely been weird to not be in any form of school this year, this is the first time in like 19yrs that I haven't done this (that make me feel so disgusting and old to say that ahaha). Hope you aren't too busy or overwhelmed!

[lastofthe20thcenturygirls]

I will be ur new srk mutual 🫶 which one of his films should I watch first?

such a beautiful ask 🥺

if you're in the mood for a romance movie

1. Dilwale Dulhaniya Le Jayenge: it's as old as me and still running in a theatre after all these years. it's literally that movie. the biggest reason he's called the king of romance and there wasn't even a kissing scene in this. hasn't aged. beautiful soundtrack. and the infamous mustard field

2. My Name is Khan: 14th feb 2010, 3pm show in a single screen theatre and i had the time of my life watching my first srk movie in "talkies". i was so happy i was gonna cry finally in a theatre and wept i did. he was so fucking good in this kajol's comeback directed by karan johar. lots of tears. and some more. 9/11 background but it's a love story still. he should have won the national award and that jury will end up in hell someday :)

3. Veer-Zaara: romeo and juliet's tragedy is nothing compared to veer-zaara's. the songs the music the acting the actors the director the writer everything was just so good. a lot of people don't know this but eye acting was actually invented by shah rukh khan

4. Dil to Pagal Hai: a musical about a musical the soundtrack slayyyyed then it slayyyys now. underrated on current tumblr but i think i am starting to prefer that because DTPH is mine. i never had a crush on shahrukh but if any character of his ever came close it was from this movie. one of his sexiest characters imo. did i mention the songs were way too good.

5. Kabhi Khushi Kabhie Gham: shahrukh really cries like children do. who knew weeping can have range. great songs great cast. kajol in orange. srk in see-through shirts. it's actually a family drama but it's fun also his mother in the movie has a superpower.

6. Om Shanti Om: no bollywood movie has ever bollywooded the way OSO did. love friendship reincarnation hero heroine villain nepotism revenge action comedy great music (and one more thing but that's a huge spoiler) it really just had everything. one of the finest masala movies ever made. it's tumblr's favourite as it should be. also this movie is how i learnt san francisco rhymes with disco

if you're in the mood for thrillers

7. Baazigar: the directors were having trouble finding the lead actor because nobody wanted to take the risk then srk told the producer that nobody can play this role as good as he can and he became the first actor in the history of filmfare to win the best actor award after playing a negative role. a cult classic.

8. Darr: it's the 90s it's the hero heroine villain era when the audiences think the people who play villains are bad people irl and dislike them. sunny deol an already established "hero" is the hero of the movie and srk is the villain a scary stalker and what happened was that the audiences really loved him instead. (my sister got scared of him enough that she started crying in the theatre and my parents had to leave mid-movie a wuss). something that couldn't have been achieved by just anyone except the future king of bollywood. oh lots of switzerland. also the legendary director of the movie kinda adopted srk and started casting him in every movie of his afterwards.

9. Fan: about an obsessed fan (not me just tbc). underrated af.

about brothers and mothers

10. Karan-Arjun: family evil rich guy poor villagers a mother's wait reincarnation revenge very 90s. used to watch it every time it was on tv. also it was shot in my state 😎

11. Main Hoon Na: a cool srk entry. action comedy friendships a whole college adopting a grown up as their big bro beautiful sarees the best dressed character who then got a make-over 🥲 (the only one flaw of the movie) a villain (which was getting rare in the 2000s) the best ending credits ever and whatnot. it was farah khan's directorial debut and she brought fun back to bollywood with her bestie <3

the only coming-of-age movie he did

12. Kabhi Haan Kabhi Naa: i was younger than 4 srk wasn't my favourite "hero" yet but his character from this movie was my first blorbo. my murderous rage awakened for him. the first character i ever related to was also from this movie. gangster uncle 🤜🏾🤛🏾 me. srk was so baby (he was like 28) there was also ra ra rasputin in this. srk loves this movie so do i.

[sunskate]

just in terms of coreography, do you prefer marina or marie-france? i love mf and vm's comeback, but i believe marina was an extraordinary coreographer, not only for vm

Marina. her best programs are just above and beyond. moving and great. her body of work, especially in that peak era 2006-2014 is pretty astonishing. i wish we'd been able to see her choreograph for more higher level teams after 2018. wish KanaDai had been able to keep going - Marina was inspired by them. i didn't love their 2nd season programs - not sure why Marina wanted Phantom for them beyond the tie back to Daisuke's past. but their Soran Bushi and Bayadere from their first season were really good. Marina has something classic in her bones that comes through in her programs, and some of them you can watch again and again and still find new things she did, ways she heard the music

but Marie France never encouraged a team to be at the rink 12, 14 hours even after a surgery, as far as we know. part of her strength as a choreographer is giving teams vehicles that show them off - to really see them and what they can do and highlight that. she definitely has made programs that have been stunning. they feel more collaborative with the team, though, and like you're watching the team rather than her vision through the program

Marina feels like an auteur a lot of the time, especially in the VM era. where Marie's programs rarely feel like they come only from her. so different strengths

[omegaremix]

The Great Cassette Purge.

Cassettes are the life of me. I have hundreds of them. I’ve bought them, recorded off the radio with them, made mixes and traded them with friends and people overseas. I’ve experimented with them and fixed them when they jammed, creased, or snapped themselves. They’ve been with me on bus trips to rival schools, on many a ride to Brooklyn and Staten Island, on ferries to Mashantucket and Atlantic City casinos, and as far up as Rochester for a music festival. They been with me through the golden-age of hip-hop, Top 40 stations, nine years of independent radio, and the reason why seasons came to play with personal mixtapes of mine. They are literal time machines. They’ve made me and Ω+.

The arrival of my 30GB iPod Classic and digital music forced my Walkmans to shamefully retire. The tapes have sat on shelves until I have time to digitize them. I’ve seen the format go on life support and now they’re making a comeback, even if only hanging by their own film (sorry). Some artists, especially punks, beatmakers, and d.i.y. artists still sell them. There’s even Cassette Store Day, and Long Island has their own online dealer in Tapehead City located in Long Beach. Cassettes are dead. Long live cassettes.

One summer day in the early Oughts, My insurance agent inherited two boxes of cassettes from a friend of his. He had no use for them, and neither did my agent. He didn’t want to throw them away, so he gave them to his best customer: my dad. Dad thought he was over-paying for his car insurance. At least he got a little something back for it. I come home and he tells me that there’s a surprise waiting for me. Hey, faithful Ω+ readers, wanna’ roll the dice on what that surprise was? C’mon…take a wild guess.

More good news came a few months later when my bro- gave me another surprise: more cassettes. Another boxes’ worth. He found them in the backseat of a car at a friend’s junkyard��which…didn’t sound right? I’ve essentially doubled my cassette library for free in nine months than I did buying them in twelve years. Way better than the trash heaps of big band records, medieval revival, and polka records dad used to bring home. Twice he did that to me. Twice! Of the nearly 175 cassettes I received, about half of them were library gold.

For doing absolutely nothing except coming home that day, I managed to get six R.E.M. albums and four Kate Bush tapes without even asking. Don’t tell Henry Rollins or Killing Joke’s Jaz Coleman about the U2 albums I got, too. And let’s hear it for three Smiths albums, once upon a time before Morrissey became the racist shit-gibbon he’s been for years.

Maintaining that Eighties quotient is essential with industrialists everywhere. Thank the Lord for Depeche Mode’s Black Celebration and Violator. Three from Adam Ant. Two from The Cars? Childhood justified, and Ric Ocasek produced gems with Alan Vega and Suicide. I even got a few midnight treats as well. The Cure, Siouxsie Sioux & The Banshees, and a Bauhaus double feature? I’m sadder as I ever been.

Alternative has always been synonymous with cassettes; plasticky and shelved nice and neat on display in your bedroom like the CDs you purchased from the mall. Those are authentic Nineties flashbacks. Gin Blossoms have been remembered as one of the more modest and respectable groups in the game. A free space for Jane’s Addiction’s Nothing’s Shocking which I unknowingly purchased again on disc later on. Mother’s Milk from the Red Hot Chili Peppers made One Hot Minute the only other album of theirs I need that matters to me.

More classics with two David Bowie titles and The Velvet Underground featuring Lou Reed. Sadly, the Bowie and Reed tapes didn’t make out with each other after the show. Add two from The Doors as well, because having too much Jim Morrison is never a bad thing. And finally, a good windfall doesn’t come without punk. A Fall release that wasn’t I Am Kurious Oranj which is the equivalent of owning Miles Davis’ Kind Of Blue. Iggy Pop, Husker Du, and The Stranglers also arrived. I can also tell you that since then, Public Image Ltd.’s 9 was one of the better free gifts I ever listened to and what made me a die-hard fan.

That’s the good.

The bad? It’s enough for you to question why I’d be doing Ω+. The law of averages dictate that amongst the larger number of cassettes you get, you’re bound to have a few eye-rolls and head-shakers. I ask myself what am I going to do with six Elvis and Judas Priest tapes? Nothing. The New Monkees without David Jones, Micky Dolenz, Michael Nesmith, or Peter Tork? Might as well give me Fakewood Mac, too. It only gets worse from here. Liberace, Thompson Twins, Simply Red: these are legitimate hits to someone’s reputation. Wang Chung? Corey Hart? Rick Fucking Astley? They lead someone to the firing line with no conscience rounds and no common courtesy to be offered a cigarette.

That’s more than enough of the bad.

Ric Ocasek, producer and lead singer of The Cars, passed away just recently. Maximillian and I were cock-fighting over our record collections and made me realize I had some catching up to do. Count on friends to make you feel inferior and incomplete. Every year I do music library audits and even I surprise myself when I re-discover things I thought I never had. Not too long ago, I pulled out doubles I had of vinyl records I purchased before. I’ve been meaning to comb through my cassette library and rid myself of titles I had no interest in keeping or hearing. Now that’s done, I’m deciding on what to do next. I announced to the world of the Great Cassette Purge of 2019 and—

“OMG where did they go ive been meaninn to expand my cassette collection”, chimed in our former program-director Layne like a random gossip queen. M-Ro, another close friend of the station, got a little bit more sly and posted himself without referencing me. “Attention everyone. if you ever run into the problem of not knowing what to do with your unwanted records, tapes, cds, dvds, etc. I will 100% take them off your hands, just putting it out there.” Yeah, how cute of you.

I haven’t decided to what to do with them just yet. Selling them for money to a record-store on on Discogs is not an option. A ton of these things have been made and are not rare. It sounds like I may have takers, but they haven’t asked me directly like gibbering-wreck wallflowers who piss themselves in front of the girl they want to take to the prom. Only time will tell who ends up getting cursed with the fucking Astley and Wang Chung tapes.

Now, the survivors of The Great Cassette Purge:

Adam & The Ants Kings Of The Wild Frontier

Adam & The Ants Prince Charming

Adam Ant Vive Le Rock

Aerosmith Big Ones

Bauhaus The  Sky’s Gone Out / Press The Eject And Give Me The Tape

Cars, The s/t

Cars, The Shake It Up

Charlatans UK, The Some Friendly

Cocteau Twins Blue Bell Knoll

Cure, The Kiss Me, Kiss Me, Kiss Me

Cure, The Standing On A Beach

David Bowie Fame And Fashion

David Bowie Let’s Dance

Deee-Lite World Clique

Depeche Mode Black Celebration

Depeche Mode Violator

Dire Straits Alchemy (live)

Divinyls s/t

Doors, The Strange Days

Doors, The Waiting For The Sun

Duran Duran Arena

Duran Duran s/t

Duran Duran Seven And The Caged Tiger

Echo & The Bunnymen Reverberation

Echo & The Bunnymen s/t

Echo & The Bunnymen Songs To Learn & Sing

Elvis Costello & The  Attractions, The Best Of…

Elvis Costello Spike

Erasure The Innocents

Fall, The Seminal Live (???)

Gin Blossoms Up And Crumbling

Happy Mondays Pills N’ Thrills And Bellyaches

Human League, The Hysteria

Husker Du Warehouse: Songs And Stories

Iggy Pop Brick By Brick

Indigo Girls Rites Of Passage

INXS Kick

Jane’s Addiction Nothing’s Shocking

Kate Bush Hounds Of Love

Kate Bush Lionheart

Kate Bush The Kick Inside

Kate Bush The Sensual World

Kinks, The Think Visual

Kraftwerk The Mix

Ministry In Case You Didn’t Feel Like Showing Up (live)

New Order Substance

New Order Technique

Peter Gabriel So

Pop Will Eat Itself Cure For Sanity

Pretenders, The s/t

Pretenders, The The Singles

Public Image Ltd. 9

Queen s/t

R.E.M. Document

R.E.M. Eponymous

R.E.M. Fables Of The Reconstruction

R.E.M. Green

R.E.M. Monster

R.E.M. Murmur

Red Hot Chili Peppers Mother’s Milk

Redd Kross Third Eye

Replacements, The Don’t Tell A Soul

Replacements, The Pleased To Meet Me

Sinead O’Connor I Do Not Want What I Haven��t Got

Siouxsie & The Banshees Peepshow

Smiths, The Louder Than Bombs

Smiths, The Rank

Smiths, The s/t

Steely Dan Greatest Hits

Stranglers, The Aural Sculpture

Talking Heads Speaking In Tongues

They Might Be Giants Lincoln

U2 Achtung Baby

U2 October

U2 Under A Blood Red Sky (live)

Velvet Underground, The Words And Music Of Lou Reed

XTC Oranges & Lemons

[warningsine]

Tony Bennett, the American pop and jazz singer who became the torchbearer for the Great American Songbook during a seven decade career, has died aged 96, his publicist said on Friday.

Bennett was perhaps best known for his 1962 signature song I Left My Heart in San Francisco as well as for staging an astonishing career comeback during the 80s and 90s that delivered him sustained popularity into old age. He won 18 Grammy awards, including a lifetime achievement award in 2001, and has sold more than 50m records worldwide.

In 2020, it was announced that he had been diagnosed with Alzheimer’s in 2016. He wrote on Twitter: “Life is a gift – even with Alzheimer’s.” It was revealed that while his cognitive function was impaired, he was still able to sing a whole range of his repertoire.

Bennett’s ability to perform across the genres of pop, big band and jazz won him plaudits and a conveyor belt of willing collaborators. He proved his relevance in 2014 by collaborating with Lady Gaga on the album Cheek to Cheek, which saw the pair tackle a series of jazz standards. It was a No 1 record in the US and made Bennett the oldest living act to reach the top spot, a record he already held thanks to his 2011 album Duets II.

Born Anthony Dominick Benedetto in 1926 to Italian immigrants, Bennett had an impoverished upbringing in Queens, New York. His father died when he was 10 years old, although he was already singing professionally by that point. As a teenager he became a singing waiter, earning money for the family before enrolling to study music and painting at New York’s School of Industrial Art.

Bennett was drafted into the US army in 1944 to fight in France and Germany during the final year of the second world war. It was an experience that scarred him. “It’s legalised murder,” he said during a 2013 Guardian interview.

But he continued to sing while in Germany as part of the occupying force, and in 1949, after returning home, his singing career could begin properly, first under the name Joe Bari and then as Tony Bennett.

His breakthrough came in 1951 with his first No 1, Because of You. The hits continued throughout the decade with songs such as Blue Velvet, Rags to Riches and material that looked towards the swinging sound of his childhood hero Frank Sinatra. Bennett became a teen idol, and when he married his first wife, Patricia Beech, in 1952, 2,000 female fans dressed in black to “mourn” the event outside the New York ceremony.

In 1962 he reached superstar status thanks to his version of the 1953 song I Left My Heart in San Francisco. The song won Bennett two Grammy awards and became a 20th-century pop standard.

Bennett’s style, however, was already looking outdated as the British invasion swept the US charts, and he struggled for relevance during the 1960s. The following decade saw him face a number of personal problems, including the end of his second marriage and serious drug addiction. Yet two albums recorded with pianist Bill Evans would be key to his later re-emergence as a central figure in US music.

The turning point in his life came when Bennett hired his son Danny to be his manager. Ditching the Las Vegas circuit for New York and reuniting with his early 60s pianist and musical director Ralph Sharon proved to be masterstrokes. His 1986 comeback album, The Art of Excellence, was a hit from which he never looked back. Perfectly Frank (1992) – a tribute to his idol Sinatra – topped the US Billboard’s jazz charts, while 1994’s MTV Unplugged saw Bennett win a Grammy for album of the year. Bennett became a fixture on the late-night TV circuit and collaborated with a host of artists such as kd lang, Amy Winehouse, Queen Latifah and Diana Krall, which helped maintain his relevance with younger artists. His 2006 album, Duets: An American Classic, featured appearances from Paul McCartney, Elton John and George Michael.

Bennett was drafted into the US army in 1944 to fight in France and Germany during the final year of the second world war. It was an experience that scarred him. “It’s legalised murder,” he said during a 2013 Guardian interview.

But he continued to sing while in Germany as part of the occupying force, and in 1949, after returning home, his singing career could begin properly, first under the name Joe Bari and then as Tony Bennett.

His breakthrough came in 1951 with his first No 1, Because of You. The hits continued throughout the decade with songs such as Blue Velvet, Rags to Riches and material that looked towards the swinging sound of his childhood hero Frank Sinatra. Bennett became a teen idol, and when he married his first wife, Patricia Beech, in 1952, 2,000 female fans dressed in black to “mourn” the event outside the New York ceremony.

In 1962 he reached superstar status thanks to his version of the 1953 song I Left My Heart in San Francisco. The song won Bennett two Grammy awards and became a 20th-century pop standard.

Bennett’s style, however, was already looking outdated as the British invasion swept the US charts, and he struggled for relevance during the 1960s. The following decade saw him face a number of personal problems, including the end of his second marriage and serious drug addiction. Yet two albums recorded with pianist Bill Evans would be key to his later re-emergence as a central figure in US music.

The turning point in his life came when Bennett hired his son Danny to be his manager. Ditching the Las Vegas circuit for New York and reuniting with his early 60s pianist and musical director Ralph Sharon proved to be masterstrokes. His 1986 comeback album, The Art of Excellence, was a hit from which he never looked back. Perfectly Frank (1992) – a tribute to his idol Sinatra – topped the US Billboard’s jazz charts, while 1994’s MTV Unplugged saw Bennett win a Grammy for album of the year. Bennett became a fixture on the late-night TV circuit and collaborated with a host of artists such as kd lang, Amy Winehouse, Queen Latifah and Diana Krall, which helped maintain his relevance with younger artists. His 2006 album, Duets: An American Classic, featured appearances from Paul McCartney, Elton John and George Michael.

Singing was not Bennett’s only artistic pursuit. His paintings, produced under his birth name, are on display at the Smithsonian Institution and the Butler Institute of American Art. In 2001, he founded the Frank Sinatra School of the Arts in Queens, New York which offers qualifications in fine art, dance, vocal and instrumental music, drama and film.

A lifelong Democrat, Bennett was also a supporter of the civil rights movement who participated in the 1965 Selma to Montgomery marches and refused to perform in apartheid-era South Africa.

Bennett remained determined to perform into his later life. Shortly after his 90th birthday he told the New York Times: “I could have retired 16 years ago, but I just love what I’m doing.”

[7grandmel]

Todays rip: 13/01/2024

RNR (Rip No Riffs)

Season 1 No Album Release (Read More) DND (Do Not Destroy) - No More Heroes

Ripped by Triple-Q

Alright, uh, WHEW - I hope everyone's had a great day in a post-Christmas Comeback Crisis Episode 11 world!! I've been absolutely giddy with excitement and joy ever since I watched it and I'm so glad that the reception has been so universally positive all around. I'm trying to wind down from all of it, and figured I might as well push a rip I had down the pipeline to cover up earlier in the schedule. And hey - RNR (Rip No Riffs) is also somewhat Christmas Comeback Crisis-related! If you haven't heard the rip on its own, you've DEFINITELY heard it within that series.

For those out of the loop, RNR (Rip No Riffs) is used as the theme to the Rapper's Union HQ in the CCC, the hub of the story's chill resistance faction fighting against The Voice. Yesterday with 9​来​4s I wrote a fair bit about how excellent a job dante and c.o. have done in giving the series a very distinct soundscape, but the thing is - that doesn't just apply to composing new songs for the series. Plenty of rips from the channel's life have been used for music in the series without being explicitly made with that purpose, and RNR (Rip No Riffs) is probably the most widely recognized of these tracks?

I think it's an excellent choice for a lot of reasons, quality aside, because of just how well it slots into the series' tone and feel. The original DND (Do Not Destroy) is the laid-back lounge theme of the original No More Heroes, playing whenever Travis Touchdown is at home rather than slaughtering people en masse outside - it's a chill calm before the storm, so to speak. At a first inattentive listen, you may not even notice that RNR (Rip No Riffs) is edited at all, as its edits aren't exactly explicitly out of tune or in contrast to the original tune. As the track's chill vibe plays out, elements from All-Star are inserted into the backing, eventually being replaced with the guitar from Linkin Park's In The End - a song typically associated with pent-up anger, frustration, rage, hatred, the works. Yet the rip builds it all up so subtly, it never interrupts the chill lounge beat that laid the foundation for the original track, and so this change in emotion never truly registers as sounding out of place or wrong.

And to me, that's what makes it such a perfect fit for the Rappers' Union's theme - it's a home where these people relax, where they talk to one another and lounge, yet its also the place where all their bubbling rage against the oppression they face is being stored - the last remaining home to all of these damaged souls. The Christmas Comeback Crisis, for as silly as its premise is, and for as many lighthearted moments that it does have, is still fundamentally a story about strife and conflict, about a bubbling state of disarray that's slowly exploding into full-on warfare. RNR (Rip No Riffs) feels like the perfect theme to embody all of those emotions, a breezy jam playing in the background to a downtrot apartment space that slowly bubbles to become something far more serious, with far more grit and rage.

I certainly don't believe this sort of vibe was what Triple-Q had in mind with the original upload - at the end of the day, it's just a silly, classic Season 1 rip, changing just enough in a familiar song to sound different while still sounding recognizably like the original. Yet I find it so fascinating that the rip still stands on its own two feet, whilst adding some genuine gravitas and mood to the series it was eventually grafted on to - althewhile being such a relatively-obscure pick for a rip to use, that it didn't feel played out whatsoever when it showed up again.

A lot of the stuff I've covered for Season 1 on this blog has been of a sort of "higher" status, be it all-time classics like Live and Ooooooooooooooh and Pikmin Park, the emotional highs of Epic Flintstones and Stone Halation, or just generally ones tied to more well-remembered passion projects like Everyday Goodbyes (SiIvaGunner Band Cover). And in comparison, rips like RNR (Rip No Riffs) may end up feeling kind of...normal, kind of basic and simple in their edits. Yet that simplicity has never been a bad thing, and its never been anything holding rips down from striking pure gold, and there's something just so sweet about knowing that any rip, of any kind, any popularity, can eventually get this kind of association, this kind of retroactive use and meaning, that ends up drawing so many more associations and thoughts to it than were originally intended.

[gaykey]

I really feel like SHINee is making a business decision for continued longevity. And while there are plenty of debates to be had about the nctification of SHINee or appropriation of black music and culture in kpop, especially when it comes to title tracks, the b-sides we've heard still feel authentically SHINee to me. You can feel their personality in those b-sides. I would also say SHINee is very good at making things better than they objectively sound on paper. I think one reason this is rubbing people the wrong way us because they ferl it strays too far from SHINee sound, but they've always said they are a contempoeary band and this is contemporary. They will put their SHINee twists on it, and even though it may not be everyone's favorite SHINee will still make it their own.

I think SHINee's model post-enlistment, in a very different musical landscape from where they've started, is focused on hooking new fans with title tracks and then keeping them with b-sides.

yes anon, i totally agree!

you've put it perfectly.

i admit, in regards to dcm, and more so with hard, this new approach can be quite jarring to an older fan, but, i understand their approach and goal.

i think some fans kinda see it as then selling out? or conforming to 4th gen in some way

but they are, and have always stated, that they're a contemporary band, and that involves adapting to the new styles and sounds. the key to longevity is being able to keep up with changing ideas and opinions.

and same. to me, their album is so full of shinee. it showcases all the elements they're good at, and genres and styles they thrive in. the members individual colours are also so present and i think the album is really cohesive.

starting off with those very new styles as something fresh, and a bit controversial in terms of what we're used to from them, but then hitting those dance heavy, retro and electronic genres that shinee are sooo sooo good at, and then slowly sliding to really good classic vocal heavy tracks.

shinee said they will NOT fall into that rut that so many groups do post-enlistment.

and it's worked amazingly.

they've reached an all-time career high in terms of sales, and got the most itunes number ones in their company for the year so far, being praised by for their talnet, and are hooking new fans EVERY DAY, and that's in their 15th year.

like, as divisive as this comeback is, credit where credits due y'know? their talent is getting well-deserved recognition and ultimately they're happy with their creative decisions.

[justforbooks]

David Crosby, who has died aged 81, was a premier-league rock’n’roll star twice. In the mid-1960s he was a founder member of the Byrds, the Los Angeles band often credited with inventing the genre “folk-rock”. This was defined by their shimmering recording of Bob Dylan’s Mr Tambourine Man, its distinctive harmonies and chiming 12-string guitar carrying it to the top of the charts in Britain and the US in 1965.

Arrogant and argumentative, Crosby was sacked from the Byrds in 1967, but, after producing Joni Mitchell’s debut album, Song to a Seagull, he found an ideal berth with Crosby, Stills and Nash. It was a group of distinct individuals who wrote their own songs, but together they created one of the great harmony-singing blends in pop history. Their debut album, Crosby Stills & Nash (1969), was an immediate smash, and proved hugely influential on a rising generation of west coast artists. Crosby’s long hair, walrus moustache and buckskin jacket made him look like a frontiersman for the Age of Aquarius. Their second album, Déjà Vu (1970), with the addition of Neil Young, and the band becoming Crosby, Stills, Nash and Young (CSNY), felt like the crowning moment of a California golden age. It topped the US chart, reached No 5 in the UK and has sold 14m copies.

The members then embarked on solo ventures and their reunions grew increasingly rare, though they reformed for a stadium tour in 1974, a lavishly wasteful affair that Crosby nicknamed “the Doom tour”. A major obstacle was that Crosby, a regular marijuana and LSD user, would succumb to a ferocious addiction to crack cocaine, with near-fatal consequences. This came to a head on 28 March 1982, when he was arrested by the California Highway Patrol after he crashed his car into the central divider on the Interstate 405 highway. Police found freebasing paraphernalia and a .45-calibre pistol in the car, and it was later determined that Crosby had suffered a seizure from “toxic saturation”.

A couple of weeks later he was arrested again on similar charges, this time at a Dallas nightclub where he was performing. A spell in a rehab facility in New Jersey failed when Crosby fled the premises. His decline from prince of west coast rock aristocracy to struggling addict was halted only when he was jailed in Texas in 1986, following yet another drugs-and-firearms arrest.

In 1985, Spin magazine had told its readers “The Tragic Story of David Crosby’s Living Death”, but after being paroled from Huntsville prison in August 1986, Crosby staged a remarkable comeback. He marked his return with the enthralling autobiography Long Time Gone (1988) and the solo album Oh Yes I Can (1989). He would make six further solo discs, in addition to Crosby & Nash (2004), two albums with Stills and Nash (Live It Up in 1990 and After the Storm, 1994) and American Dream and Looking Forward with CSNY (1988 and 1999). In 1987 he married Jan Dance, who had survived her own addiction purgatory alongside him. Shortly after being diagnosed with hepatitis C, in 1994 he underwent a liver transplant, the operation paid for by Phil Collins (Crosby had sung on Collins’s 1989 hit Another Day in Paradise), and bounced back with renewed energy.

Born in Los Angeles, he was the second son of the cinematographer Floyd Crosby and his first wife, Aliph Van Cortlandt Whitehead, a scion of the influential Van Cortlandt dynasty. Floyd came from an upper-class New York background, his father having been the treasurer of the Union Pacific Railroad, and his mother the daughter of a renowned surgeon. He had tried his hand at banking in New York before working on documentary films in the South Pacific (including FW Murnau’s Tabu, for which he won an Oscar) and eventually moving to Hollywood, where he won a Golden Globe award for his work on Fred Zinnemann’s western High Noon and made numerous films with Roger Corman.

David’s early musical influences included classical music and jazz as well as the Everly Brothers and bluesman Josh White, and he recalled how he would take the harmony parts when the family would gather to sing extracts from The Fireside Book of Folk Songs. A trip with his mother to hear a symphony orchestra “was the most intense experience I can remember from my early life” (as he wrote in Long Time Gone), because it illustrated how musicians could collaborate “to make something bigger than any one person could ever do”.

He attended the exclusive Crane school in Montecito, California, then Cate boarding school in Carpinteria. Though intelligent, he regarded academic work with contempt and refused to apply himself. One area where he did shine was in musical stage shows, such as his performance as the First Lord of the Admiralty in Gilbert and Sullivan’s HMS Pinafore. He subsequently attended Santa Barbara City College, but quit and moved to LA to study acting. However, music was becoming his true focus, and he began playing in folk clubs with his elder brother Ethan (who would take his own life in 1997). When a girlfriend became pregnant, Crosby hastily left town and worked his way across the country towards the folk-singing mecca of Greenwich Village, New York, where the likes of Peter, Paul and Mary, Phil Ochs and Joan Baez were breaking through, while Dylan was about to transform the musical climate entirely.

Crosby formed a partnership with the Chicago-born folk singer Terry Callier and they performed frequently together, before Crosby travelled down to Florida in 1962 to sample the folk scene in Miami’s Coconut Grove district. He then worked his way back to Los Angeles via Denver, Chicago and San Francisco. In LA he met Jim (later Roger) McGuinn and Gene Clark, all of them fascinated by the Beatles and the idea of mixing folk with rock’n’roll. They became the Jet Set, which evolved into the Byrds with the addition of the bassist Chris Hillman and drummer Michael Clarke.

Signed to Columbia, the Byrds had already built an enthusiastic local following by playing in clubs such as Ciro’s on Sunset Strip by the time Mr Tambourine Man was released in April 1965, and its success was followed up by their debut album, released in June. Crosby’s distinctive tenor voice was integral to the band’s vocal blend, and he began to develop an idiosyncratic songwriting style.

Influenced by jazz as much as rock, his songs used unusual chords and unconventional melodies. On the band’s third album, Fifth Dimension (1966), one of his most significant contributions was co-writing Eight Miles High. This psychedelic milestone gave them a Top 20 US hit, and also reflected Crosby’s infatuation with the jazz saxophonist John Coltrane. Their next album, Younger Than Yesterday (1967), featured Crosby’s ethereal Everybody’s Been Burned as well as his self-indulgent sound experiment Mind Gardens, while the song Why reflected his admiration for the sitar maestro Ravi Shankar. When the Byrds met the Beatles, Crosby’s enthusiasm for Shankar helped spark George Harrison’s interest in Indian music.

Crosby’s green suede cape and Borsalino hat had made him a Hollywood Hills style icon, but his days as a Byrd were numbered. He had irked his bandmates at the Monterey pop festival in June 1967 by making rambling speeches about LSD and the assassination of John F Kennedy, and also by getting on stage with Stills’s band Buffalo Springfield in place of the absent Young. Crosby’s song Lady Friend (1967) flopped as a single, and during the making of the album The Notorious Byrd Brothers he was fired after arguments over the choice of material. His song Triad, depicting a menage-a-trois, was vetoed by his bandmates as being too risque (Jefferson Airplane subsequently recorded it). Nonetheless, Crosby played on and co-wrote several tracks, and The Notorious Byrd Brothers is arguably the Byrds’ finest album.

Borrowing $25,000 from Peter Tork of the Monkees, Crosby bought a 74ft schooner called Mayan, where he would write some of his best-known songs including Crosby, Stills and Nash’s Wooden Ships. The obvious potential of CSN immediately won them a deal with Atlantic Records, which released their debut album in May 1969. Their second-ever live appearance was at the Woodstock festival that August. Though dominated by the all-round wizardry of Stills, the album showcased the different writing skills of each member. Crosby’s Guinnevere demonstrated his fondness for unusual scales and harmonies, while the bluesy Long Time Gone was a heartfelt response to the assassination of Bobby Kennedy and indicated the group’s willingness to embrace political and social issues.

Déjà Vu, released nine months later, brought another strong showing from Crosby. The hanging chords and mysterious time changes of his title track made it one of his most mesmerising compositions, while Almost Cut My Hair was his battle cry for the counterculture. However, personality clashes within the group while on tour in 1970 prompted them to split.

All the members made solo albums, including Crosby’s If I Could Only Remember My Name (1971). Additionally, he formed a successful duo with Nash, which brought them US Top 10 hit albums with Graham Nash David Crosby (1972, also UK No 13) and Wind on the Water (1975), and they reached No 26 with Whistling Down the Wire (1976). In 1973 Crosby reunited with his previous band for the album Byrds, and in 1977 Crosby, Stills and Nash released CSN, which reached No 2 on the US album chart and outsold the trio’s debut. However, by the time they made Daylight Again (1981), another US Top 10 hit, Crosby was in the throes of addiction. Allies (1983), a patchwork of live and studio material, was the group’s last effort before he was jailed.

Crosby’s post-prison renaissance continued with regular tours with CSN, who went on the road almost annually from 1987, with Young joining them in 2000, 2002 and 2006. He released the solo album Thousand Roads (1993), which gave him a minor hit single with Hero, then picked up the pace dramatically in the new century with Croz (2014), Lighthouse (2016), Sky Trails (2017) and Here If You Listen (2018). For Free, featuring Steely Dan’s Donald Fagen and Michael McDonald, came out in 2021. His final release, in December, was David Crosby & the Lighthouse Band Live at the Capitol Theatre.

One of his regular musical collaborators was James Raymond, his child with Celia Crawford Ferguson, whom Crosby had left pregnant in California in the early 60s, and who had given her baby up for adoption. She later moved to Australia. Raymond met his birth mother in 1994, then in 1995 introduced himself to his biological father at UCLA medical centre, where Crosby was having treatment following his liver transplant. An accomplished musician and composer, Raymond played in the jazz-rock band CPR with his father and Jeff Pevar (they released four albums between 1998 and 2001), was music director for Crosby’s solo live shows and also became a member of Crosby, Stills and Nash’s touring band from 2009.

Yet Crosby’s creative rebirth coincided with a calamitous breakdown in relations with his old comrades. In 2014 Young said CSNY would never tour again after Crosby described his new partner, Daryl Hannah, as “a purely poisonous predator”, and in 2016 Nash, who had always gone the extra mile for Crosby throughout his addiction years, also announced his estrangement from him.

In 1991 Crosby was inducted into the Rock and Roll Hall of Fame as a member of the Byrds, and in 1997 with Crosby, Stills and Nash. He won the 2019 Critics’ Choice movie award as the “most compelling living subject of a documentary” for AJ Eaton’s film David Crosby: Remember My Name.

Crosby continued to be plagued by health problems. He suffered from type 2 diabetes, and in 2014 was left with eight stents in his heart following major cardiac surgery.

He was the sperm donor for the children of Melissa Etheridge and her partner Julie Cypher: their son, Beckett, who died in 2020, and daughter, Bailey.

Jan and their son, Django, survive him, as do James, a daughter, Erika, by Jackie Guthrie, and a daughter, Donovan, by Debbie Donovan.

🔔 David Van Cortlandt Crosby, musician, singer and songwriter, born 14 August 1941; died 18 January 2023

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

[an-unknown-writers-world]

Meet Me Under the Mistletoe

Summary: Jake gets tricked into going to The Hard Deck to help decorate. Unspoken feelings are finally addressed. (I’m terrible at these)

Warnings: I’m sure I’m going to miss a few here- singular use of Y/N – but it’s there, mentions of deceased parent, cheesy, and if you squint there is a bit of angst.

Pairing:  Jake “Hangman” Seresin x BenjaminNiece!Reader; Bradley “Rooster” Bradshaw x Natasha “Phoenix” Trace

Characters: Jake Seresin, brief appearances by Bradley Bradshaw, Natasha Trace, Penny Benjamin, and Jimmy the bartender

Word Count: 2,290

A/N: Just something cheesy and cute for the start of the holiday season.

Christmas music played loudly from the speakers in The Hard Deck. If your Aunt Penny was around, she would have disapproved of the volume considering the bar wasn’t open yet. Thankfully, she wasn’t; Penny had left you all of the Christmas decorating. You grew up on a Christmas tree farm, and Christmas had always been your favorite holiday. But this was your first one in San Diego, and she could tell you were missing home.

When you had asked permission to decorate her pool house that you were living in and the main house, she wasn’t prepared for it to look the North Pole had vomited Christmas in all of the shared living spaces. And when you asked if you could decorate the bar, the hesitance on her face was impossible to miss. With a promise to keep it limited, she handed over the bar credit card with a smile.

It was Saturday, technically your night off. Still, you wanted all the decorations to be perfect before you met up with Natasha here later. Doorframes were wrapped with garland and lights; tabletop trees and holly wreaths were alternated between tables. You had found a cute sign that said ‘Meet Me Under The Mistletoe’ with artificial mistletoe attached that you hung near the front door.

You were on a ladder securing ribbon and light-wrapped garland on the pillars separating the pool table area, singing out the lyrics of one of your favorite classic Christmas songs. You thought you had heard someone say your name, but the bar was closed, so you dismissed it and continued to belt out the lyrics.

“I won’t ask for much this Christmas. I won’t even wish for snow; I’m just gonna keep on waiting underneath the mistletoe.”

“I don’t see any mistletoe,” you heard a voice again, though this time you recognized the southern drawl and soft chuckle coming from underneath you.

You yelped when he startled you. This made him laugh harder. You wanted to be angry, but his glowing eyes, dimples, and kilowatt smile made it nearly impossible. Calling out to Siri to turn off the music, the bar was suddenly too quiet.

“It’s up there,” You spoke, nodding towards the front door and climbing down the ladder.

He held up his hands in defense, “Huh, I must have walked right by it.” He looked directly at it, then back at you. “You know, you shouldn’t be up on a ladder like that when no one is around. It’s dangerous.”

“Careful, Hangman, that almost sounds like you care.”

You and Jake had bantered back and forth since the first night he showed up at The Hard Deck 6 weeks ago. Before their mission, it seemed like mostly harmless flirting, sometimes just to get under the skin of Bradley, a brother figure to you. But something had shifted since they came back from wherever they were and learned that the detachment had become a permanent duty station. Longing looks, intentional conversations, and sometimes even lingering touches when you handed him his drinks or took a pool cue from him.

He ran his hand roughly across the back of his neck like he had just been caught doing something, “Well, you know, I,” He cut off, clearly coming up short of a response.

You bit your lip, a little disappointed that he couldn’t come up with a clever comeback. Looking down at your watch, you noticed it was just after 3PM. “Did you need something?”

“Actually, I was sent here to help you.” He spoke with a question in his tone.

“Um,” You raised your eyebrow at him.

“You don’t need help, do you?”

“Not really,” You shrugged. “I just need to finish these last three pillars. If you want to help, you can.”

Jake smirked, “Is Christmas karaoke part of the deal?”

You rolled your eyes, “I thought you didn’t like karaoke?”

“Oh, I don’t plan to participate.”

You threw a strand of garland at him, “Then absolutely not,”

“How about you supervise, and I’ll hang these?”

“Sure,”

He stepped back so he could examine the already completed pillar. He wasn’t going to need your direction for what to do.

“Does Penny always decorate the bar for Christmas?”

“No, definitely not. She barely decorates the house. This was all me.”

“I should have guessed.” He laughed, “Mave said when he came home, it looked like Christmas had thrown up at Penny’s place.”

You laughed, “That sounds pretty accurate. It’s my first Christmas away from the tree farm.” You finished solemnly.

He looked down from where he was working, “You lived on a tree farm?”

“Sure did. My dad bought it when he got out of the Marine Corps.”

“I’d think that would make someone dread Christmas decorations.”

“Not at all; well, I guess not for my family or me, at least. November 1st was always decorating day.” You smiled to yourself, “Some years if I got to my dad when he was in a really great mood, I could get away with decorating on Halloween.”

Jake laughed. “How does he feel about having to decorate himself this year?”

“He actually passed a few years ago.”

His face fell, “Shit,” Jake apologized, “I’m so sorry; I shouldn’t have asked.”

You held up your hand to stop him, “No apologies, really. It does my heart good to talk about him.” You smiled, “If he was still alive, I probably wouldn’t be here. But, if I was, he’d probably make me come home for a special trip just to decorate.”

“Were you two very close?” He was still looking down at you, so you could see the earnest curiosity on his face.

Nodding, you smiled at your memories, “He was my hero, therapist, and counselor. It sounds so cliché, but he was my best friend.”

The two of you fell into easy conversation. He asked about your dad and your favorite holiday traditions. And you returned the asks. He shared his experience with his first Christmas on a carrier.

It was a different side of Jake, one you’d never seen but found yourself in raptures with. The way he lit up when he talked about his own family, especially his parents. The genuine curiosity in his expression when you spoke of home. None of the typical characteristics that you’d grown to expect appeared. He was kind and attentive.

Jake climbed down the ladder and stepped back, standing shoulder-to-shoulder with you. He was so close you could feel the heat radiating off him. He looked up at the finished pillars, admiring his handy work.

“Not bad, Hangman. Not bad.” You nodded, smiling at his work.

“You know, you can call me by my name.” He spoke softly, almost too softly.

You turned slightly, catching a glimpse of him, taking in your awe at the decorations.

“Thank you for your help, Jake.” You spoke his name.

There was something about the way his name just rolled off the tip of your tongue like it was the most natural thing for you to say. The corners of his lips pulled up into a soft smile. Whatever you were feeling from saying something so simple, he was undoubtedly feeling too.  

“Oh, hi there,” Jimmy spoke, coming from the stock room. He looked around the bar, “Wow, (Y/N), this place looks great.”

Before he finished his sentence, you and Jake had backed away from each other.

“Thanks, Jimmy!” You beamed, “We are just finishing up here.”

Looking at your watch again, you noticed it was just after 4PM. The bar would be opening soon, which meant Penny would be here soon too.

“Can I help clean up?” Jake asked.

You turned to answer him, not realizing he had stepped closer. You found yourself within a paper-thin distance from him. Your hands landed on his chest, and his arms instinctively closed you in to keep you from falling backward at the sudden contact. You should have moved apart as soon as your bodies were capable of moving. But you found yourself lost in the golden green eyes looking back at you. The hands on the small of your back keep you close to him.

Something was happening. A shift in the unspoken friendship the two of you had developed. His eyes held so many questions; you could only imagine yours mirrored his. You heard the stock room door swing closed, pulling the two of you from your trance.

“Uh,” Jake said, releasing you, “Where does the ladder go?” He asked.

Giving him quick instructions, you watched as he folded it up, walking away from you. The room felt like the temperature had dropped ten degrees, and you could have sworn that your skin was tingling from where his hands had just been. You took a deep breath and tried to shake out your mind.

Clean-up went quickly. You mainly had been cleaning up as you went. After putting the scissors, tape, and tacks in the office, you locked the door and went into the stock room to let Jimmy know you were leaving. He again complimented you on the decorations and wished you a good night off before you left the room.

When you walked back to grab your purse from the bar, you were surprised to see Jake standing there waiting for you. He hadn’t said goodbye, so you shouldn’t have been surprised. Your face betrayed you, lighting up when you saw him.

“You’re still here,” You smiled at him, your voice betraying you as much as your face just had.

He smiled, nodding. “Have to make sure you didn’t any more help. I’d hate to report back that I left you with more to do.”

This made you laugh, “Everything is all set. I was just getting ready to go back home. I don’t work tonight.” You made your way toward where he was standing by the front door.

“You don’t?” He questioned, almost seeming disappointed. “I thought you worked every Saturday.”

“Almost. Penny gave me this weekend off and told me I needed to take a break.”

“You do work a lot.” He agreed.

“You come here a lot.” You laughed. “Though I can’t say that you drink a lot. Half the time, you aren’t drinking.”

He shrugged, “What if I said I came here to see you?”

Your breath caught in your throat, thinking back to all the nights he’d been here since he came back from the mission. He often stayed later than the rest of his team, and on slow nights, he’d sit at the bar and talk to you.

“You know, if you took a step to the left, you’d be under the mistletoe.” He observed in a near whisper.

Without hesitation, you stepped to the left and looked up to ensure you were standing under it. He chuckled softly when you looked back at him and stepped towards you.

His lips were on yours. They were smooth and warm as they molded against your own. His hand rested on the side of your neck and the other on your side, holding you close to him. Your arms wrapped around his waist, wanting to be as close to him as possible.

“Oh, thank god,” You heard Natasha’s voice from behind Jake.

Your kiss broke, but neither of you moved to pull yourself from the other, looking at your mutual friend only to see Bradley and your Aunt Penny had arrived too.

Bradley’s smile stretched from ear to ear, “I told you it would work.” He high-fived Natasha.

“You put mistletoe in a bar?” Penny laughed, pointing at the sign.

“Bet you didn’t think it would have that result,” Natasha laughed.

You and Jake turned back to each other. He kissed you again, chastely, this time considering the audience.

“Okay, okay. We get the point.” Bradley cleared his throat. You could hear Penny laugh as she walked away.

Jake released his hold on your neck, allowing you to rest your head on his shoulder, and pulled you in tight. Natasha had turned curly into Bradley’s side and his arm wrapped around her shoulder, holding her in close.

“We couldn’t handle the pining anymore.” Nat finally offered.

“Mave told me you’d be here decorating,” Bradley added.

“So, I suggested Jake come help.”

“And I told him that I was supposed to, but something came up.”

You were amused at Nat and Bradley’s ability to finish each other’s sentences.

Jake laughed, “I assumed it was just an excuse to get me out of the house.”

“That was just an added bonus,” Bradley admitted.

The four of you laughed.

“I got lectured for being on a ladder alone.” You rolled your eyes with a smile.

“In my defense, she was lost in her own world, anyone could have scared her, and she could have fallen.”

“You mean like you scared me.” You pulled back to look up at him.

“Yes, but I would have caught you.”

“Look, their first fight.” Natasha fake-cooed.

You rolled your eyes.

“I would have trusted you to catch me.” You confessed.

“Mushy,” Bradley coughed. “Can I assume girl’s night is canceled, and I can have my girl?”

You looked up at Jake with near certainty that he’d agree.

“Yes,” Jake answered for you, looking back at you. “I’m not ready to let this one out of my arms.”

Natasha’s smiled in approval.

Bradley patted Jake’s arm, “We’re out of here before I throw up at all this mushy love-sick stuff.” He turned them to start back out the door, “Hey, Hangman,” He called back, “Don’t break her heart.”

Jake nodded back to him, “Wouldn’t dream of it, Rooster.”

You smiled, burying your face in his chest.  Content didn’t begin to explain how you were feeling. 

A/N: If you’ve made it this far - thank you so so so much for reading! My Masterlist can be found here. All work is also available on AO3