#But I did attempt!

[seaweedraindraws]

Omg them

[redstonedust]

i appreciate the attempts a lot of game devs are making with gender neutral character creation, and i appreciate that it's actually a very difficult task to implement that depending on the game's base code. but it's so funny to me when you hear an uproar because some game has "entirely removed the gender option from character creation!!!!!" so you go to check it out and its just like

[hinamie]

oversaturate

[finneroo]

I am a violin maker learning to tattoo so here is a banana with the decoration from the Hellier Strad violin

[ruporas]

and together we set out on a journey to find treasure! (id in alt)

[loxleyo7]

it was stuck in my head

[krysmcscience]

Call this the Whoopsie AU (it's barely an AU)

I mean. Narinder never explicitly SAID the Lamb would stay dead... :3c He probably should have been more specific. >:3c

Part Two:

Well. The Lamb tried, but...sorry, Nari, the crown hates you now. Shouldn't have been so quick to lend it out, I guess. :D

Aaaand Part Three:

'Isn't he just adorable?' -The Lamb, probably, while their followers smile and nod and internally scream at the brand new hellcat they now have to share living space with...

Anyway, nothing says 'Dead To Me' like following a person around to loudly remind them of how dead they are to you. Right? Right. Narinder's got this all figured out. <:]

[pigswithwings]

Show some love! [Based on this post]

[morganmnemonic]

I can't stop thinking about the relationship between Jon and Helen as perhaps one of the most important ones in the entire show. They are narrative parallels for each other, and they both know it. They've both known it from the very start!

Helen walks into the Archives, paranoid, unsure of who to trust, and Jon sees himself in her. And he thinks "If i can help her, maybe there's hope for me too." Then he can't save her. The next time they meet, she's a monster. They're both monsters. There was never any other way their stories could have gone, their fates entwined from the very start.

And Helen answers his original thought with one of her own: "Maybe if we can help each other, there's hope for us both." But Jon looks at her and sees everything that he fears becoming, and so he turns her away, and refuses to accept that their stories are still one and the same.

Helen went to the last person who was ever kind to her, the only person who both knew her as a human and had the context to understand what she'd become, and he hated her. He hated her because he liked Helen, and told her that she couldn't be Helen.

So she stopped trying to be Helen, and embraced being a monster. Reveled in it even. Then Jon wakes up from a six month coma, more monster than person, and tries so hard to cling to the things that mattered to him when he was human. Even with no support, even with the entire archives staff against him, he chooses humanity and compassion over and over again.

And this is a direct threat to Helen's world view. Their stories are entwined. If Jon can continue to be a person even after everything he's been through, then she could have clung to her humanity too, if only she'd tried a little harder. And that terrifies her! She wants to conceptualize herself as someone who was completely overwhelmed by forces beyond her control, who never had a choice but to become a monster. She want's to be an innocent victim. But Jon argues with his actions that they'd both had choices.

And, Jon, in turn, holds out hope that she might make better choices until the very end.

This is the conflict between them for all of season 4 and 5. Jon wants to prove that they can both be decent people, and Helen wants to prove that they were never going to be anything but monsters. This is why she's so devoted to trying to goad Jon into enjoying his newfound godhood. She knows that they are the same, and wants that to mean that he has a spark of evil inside of him, and not that she was always capable of doing good.

When Jon kills her, she loses her life, but wins the argument. Helen is nothing but a dangerous monster who needs to be killed for the good of everyone, and in the moment he decides that, Jon dooms himself to the same fate. Their stories are one and the same. "If i can help her, maybe there's hope for me too." he thought. But he couldn't help her, refused to, even, in the one moment when it actually mattered. And thus, there was never hope for him.

[artist-rat]

some epilogue vibes (an excuse to draw some hugs. and my durge so many times)

[catsharky]

And on that day, Garrus learned two things: to shut up and let Shepard fight the losing battle against gravity, and a whole lotta new human swear words

Comic Masterpost

Also, while I didn't end up being able to match the vibe of the rough for this panel, I like it so much that I must share it with the world

[noornight]

Long distance besties. This definitely happened after the third movie (source: trust me bro)

Based on this

[hollowtones]

Make A Terrible Comic Day 2024! This was my morning. (I think it finally stopped raining here as soon as I finished this...)

[lonelyroommp3]

okay seeing as i’ve unwittingly started a trend on here i’m going to make you all do another quiz but it’s hard mode this time

ceremonial counties of england 🏴󠁧󠁢󠁥󠁮󠁧󠁿

[disclaimer that in an ideal world i’d have had a third set of answers for those of you in the other british nations because i feel like you’ve got a better chance at this quiz than someone outside of the uk entirely, but also i didn’t want to offend anyone by lumping you in with the english against your will. you know how it is]

[ruvigapo]

Run boy run!! The sex monsters eat salmon!!

In which i arrive Fashionably Late to the fishssek party

[soosoosoup]

rewatched treasure planet