#Build Prop Commercials

[g-on-ef]

Vivzipop has to make every character dumb in order to prop up Stolitz.

Let's start off with the grimoire okay if this book is as powerful as every single sin claims it is why on earth is it not under better protection ??? !!!

You would think the higher ups of Hell would keep a closer eye on it and make sure it is heavily guarded and that it doesn't fall into the wrong hands or gets stolen.

Like you mean to tell me not once did any of the sins or Lucifer caught wiff of what was going on that a powerful object was being misused to kill people ???

Not a single royal took notice that imps were traveling to the living world with a powerful object ??? !!!

Like Blitz knew where to find it and easily stole it you would think again you would think someone would've caught wiff of it if this object was so powerful and would realize it was stolen especially since it was shown on a commercial for all of Hell to see {and yes while he air it on a channel that no one watched you would still think the higher ups would keep track of their objects and at least have some type of tracker or something to let them know it was stolen !!!}

Like they made such a huge deal of the grimoire but honestly the book lost all its credibility when we knew about the crystals and when they themselves don't even care about it even if it's at the hands of a prince/royal they would still try to keep a better eye on it !!!

Now with the whole Stella and the other bird {I forgot his name} again yall mean to tell me they never realized that Blitz is using the book to gain access to the mortal world ???

Like how the freak did Striker knew about it but they didn't ??? !!! How did Striker knew Blitz had access to the book but Stella and her gross brother didn't ???

And if yall tell it was Millies parents why would they tell a stranger about it ??? Either way it makes no sense that Striker knew but two royals didn't !!!

Striker oh my baby you were such a manipulated suave sophisticated character and viv destroyed you !!!

I said it before and I'll say it again I would die on the hill if Norman was still voicing him he wouldn't be this dumb down nor would he be whatever the hell Viv has done to you.

But anyways back to the subject at hand.

The court room oh boy oh boy oh boy oh boy first of all I'm not gonna get into the sheer stupidity of Stella's Brothers plan others who can articulate it better have already spoke on it so imma just focus on how Viv needs to make everyone stupid for Stolitz to succeed

Now onto the case someone explain to me why Ozzie didn't tell the court the full truth ??? He knew about Stolas and Blitz deal so why didn't he defend Blitz when he had the chance ??? Why didn't he tell Satan that hey listen they had a deal but it's off because now he's using one of my crystals ???

Like why didn't he step in like he did when Mammom attacked Fizz and protected him ??? He knew about the deal and yet *makes hand gesture at the mess*

Now let's get to the world building

Imma talk about Striker and

Listen I'm bias on striker so what I'm about to say is my personal bias !!!

My own personal opinion Harvest Moon Striker is what Viv wants Blitz to be.

from Striker's introduction he hated royals he was the first to openly mock them he was the first to try and kill a royal {I know it was an Assassin job but it still doesn't change the fact he was the first to try and kill him} and he was the first to call out Hell and how the system was rigged against him and his people !!!

Not only that but it makes me laugh so hard that people were praising Blitz for calling out all the deadly sins in the courtroom but hated Striker for doing the same to Stolas but than again Blitz wasnt stabbing their beloved bird so I guess it don't count.

If Norman still voiced Striker Viv would've given Striker that storyline the one that involved Striker getting revenge for his people and actually tried to kill the higher ups !!! But he doesn't so Viv is giving him every mistreatment she can think of.

Also Viv you cannot call your character that's calling out how the system and how two of his kind basically became what Imps are expected to be {fiz a "pet" and Blitz a sex toy} a supremacist and than have your other character do the same calling out the system and how royals treat them !!! Like lady do you even know the words that you are using or are you just calling your characters every big word to sound smart ???

Like Viv just needs to kill Striker cause at this point every time she has him on screen she is either making him dumb or making him contradict himself like please just kill my snake boy off

Striker you deserve better and in a talented writer's hand you could've been one of the greatest villain/morally grey character ever written

Now back to the world building imma be honest mastermind and the whole court trial means jack shit because throughout the show we are shown that imps and all other hellborns are treated fairly !!! {Ironically the only time we saw them being treated badly was when Striker was first introduced}

Other than that they basically are treated decently !!!

Like if imps are treated so horribly why

Blitz and Co are able to run a successful company that they have "a shit tone of clients" and sinners already know about them once they are dead ???

Moxxie was able to not only get reservations at a high end restaurant but also preform there ??? {Let's also not forget Moxxie wasn't punished for disobeying a royal because Ozzie basically told him his club only allows derogatory things to happen there and the fact that after Ozzie told him to sing about it and chose to sing about romance and basically insulted a royal by not listening to him (yall can say I'm reaching but the fact that in other media if this happened the culprit would have punish) and he still sang it even after being told no

Millie got away with hurting Ozzies partner {in other forms of media if someone hurts a royals partner they would have been killed at the stake}

Fiz was not only able to quit working for Mammom but also insulted him and humiliated him in front of a large crowd and still got away with it {even if he was with Ozzie the other sins and royals would still punish Fiz}

Tex and Fiz are able to openly date royals

Loona was able to insult a royal and get away with it

Blitz was able to book an appointment at one of the best hospitals in Hell that they even treat Royals even if it takes years he was still able to book one.

And so much more like again the only time we the audience are reminded of the awful treatment of imps is when Striker is there like *makes wild hand gestures*

Octavia my sweet Octavia you deserve better you fucking deserve better !!!

I've seen a lot of people hate on this scene but me personally I love it

Stella didn't have to look for Via she didn't have to look for Via but she did she went to look for her daughter knowing she'd be hurt and comfort her.

Sadly I just know viv is gonna destroy this relationship so for now imma enjoy these little moments.

Helluva boss would've been a great show if Viv stuck to her original plan of them hunting down people and becoming a fou d family instead of turning it into the stolitz show sadly we are stuck with this shit show for as long as Viv wants it

[2dmax]

2dmax commissions info spring 2024

last updated april 12th

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text and additional info below the readmore.

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[desidov]

The Structure of a Successful Game Changer pt. 1 - Make Some Noise

An analysis of the stages comprising an entertaining and innovative Game Changer episode, explained by breaking down the episode Make Some Noise.

Stage 1: Our contestants have no idea

With prompt "cow," Josh responds "cow." Sam replies, "I'm sorry, that is not the answer I was looking for."

Often only a turn or two, this first stage is comprised of the players identifying the core mechanic of the episode—getting a basic understanding of what each question will ask of them and how they might earn points or advance further. Other examples: the first forays into navigating the Jeopardy board, or Sam’s opening instructions for “Sam Says” demonstrating an instruction not preceded by “Sam says” should not be followed.

Stage 2: You all understand

With prompt "duck," Zac responds "quack quack" and receives a point. Josh comments "Okay I see, I see what this is about, okay."

Here the players realize the structure of each question, and witness some behaviors receiving points while others do not (excluding non-point-earning episodes.) Sometimes, this is all the players need to understand the fundamental premise (mimic the sound produced by the prompt) while sometimes unraveling the mystery of the premise is the overall conceit of the episode (tell us about yourself, yes or no.)

Stage 3: Escalation of Rules

After Zac's response to "frog," Sam says "I'm gonna toss it up to the other two contestants [to steal the point.] Brennan, give me your best frog."

An expansion to the initial rules is revealed, allowing players to further advance/gain points beyond the initial bounds of the premise. Here, the escalation is that players may steal prompts from each other—others include incorporated phrase bonus points from The Official Cast Recording and the hidden immunity loop-de-loops from Survivor.

Stage π: Departure

Sam says "We are now headed into our first mini game." Each player attempts to recreate a melody on an otamatone.

This optional stage, typically presented as a “mini game,” is thematically connected to the premise but operates on its own rules. Make Some Noise iterations typically include a mini game where contestants are provided a prop and must mimic a given sound with that prop—no spoken entries qualify. Similarly, A Sponsored Episode and its continuations feature a mini game of providing commercial voice-overs for stock footage (where non-commercial interpretations are not rewarded,) and a mini game of identifying brand taglines/logos.

Stage 4: Escalation of Concept

Sam introduces the next prompt, "Your word is jack hammer." Josh makes a jack hammer sound, bouncing with a hand above his head and explaining "that's him keeping the hat on."

While Stage 3 adds on to the rules of the episode, Stage 4 applies the same rules to something new—here transitioning from animal calls to all manner of sound effects. Escalation of concept can be clearly demarcated, as this example is, or more gradual, like the escalations from common animal calls to obscure animal calls or from physical prompts to intangible prompts like “anguish.” What matters is that escalations continue to push the format to new heights and prevent the conceit from stagnating.

Stage 5: Expansion of Concept

The prompt is a stock photo of a smiling young adult white man. Brennan roleplays the man arrogantly describing his improv group, ending with "This date's going well."

Though similar to Stage 4, I characterize this stage as a dramatic alteration to the format of prompts—here from text prompts to image prompts. This can be for several turns, as it is for MSN, or just one, such as “go” from Sam Says or the cockroach union from “Do I hear $1?” This builds a finale that presses the bounds of the format to their limits, capping off the episode.

[referrix]

I'm currently working on trying to find locations for some of the known rooms and things inside Alfea, (at the moment specifically, I'm working on the kitchen and dining hall) before I put myself through floor plans again. So I thought I'd share what some of my working out looks like behind the scenes.

And why it might be a problem that Season 8 turned these flat topped towers:

Into these much shorter flat topped towers:

Because I'm currently fairly certain that was the dining hall in that upper half.

Trying to figure out where the dining hall is, isn't a one room tracking operation, because we know there's a kitchen, we've seen it, we've seen the Winx Club set fire to it with their negligence. You don't typically put a food making place far from the eating place, so tracking one, should help track the other.

We first see the kitchen in episode 105, when the girls are on dinner duty (or making a spell with potato peels and a magical back-flip if you're a 4kids truther), and during dinner prep they head back to their dorm to help Stella pick an outfit.

From their dorm, they're able to smell the smoke and react, racing to the kitchen before even the chef and Griselda arrive, though not by much in Griselda's case. (Also, Bloom uses the same spell Griselda does a few episodes later back on Earth in her house while cooking with Vanessa. Just saying.)

This means, or at least suggests that the kitchens are not only in the same building as their dorm, but reasonably close by.

When we return to the kitchen in episode 115 we actually have a little zoom around the rear tower and focus in on a spot above/behind the rear most dorm balcony on the building before phasing inside to the girls walking along a hall to the kitchen.

While the hallway is different between the two episodes, background continuity is not Winx Club's feature, but it does double down on the idea that the kitchen is in that building.

(In 105 the girls turn a corner into a short hallway, while in 115 it appears to be a long straight hallway with windows all along it. Though later in the episode the looking out view does look kindamuch the same as 105?)

(props to Alfea for having non-magical fire extinguishers for added safety)

Or at least one of the kitchens is in that building, I wouldn't be surprised to find out there are two. Or at least a smaller communal kitchen for the other mirrored building, so the girls don't have to go across campus for a midnight snack.

Further, although the exterior and interiors of the school don't always match up exactly, in several shots of the dining hall, we can see the six bays of tall windows. Now there is a chance they could just be windows from the middle floor, one of the balconied window sets, but the shape and compactness matches much more closely with the tower's rear facing window wall, the one that leads out onto the flat balcony.

The number of windows/bay divisions don't match up perfectly, but again, internal-external logic consistency isn't 100% at Alfea,

Additionally, in these shots from season two, we can see some smaller windows lining the upper sections of the wall opposite the window wall, which match up loosely with the windows on the rear towers, where they meet the roof of the dorm section.

We should also talk about sizes and room dimensions.

Based on the door below the smaller windows, the windows are at least three maybe four meters off the floor. The tables run about 5 meters.

Estimating for girls behind pillars, the most packed side holds 16 students, while the least packed has space for 13.

A quick bit of research into bench tables brought me some numbers.

The longest commercial tables I could find that came with suggested sizing by seat number suggested that for a 10 person table (4 on each long and 1 per end cap, so realistically for out count and 8 person table) would range between 2.2m, 2.6m, or 2.8m depending on how comfy or squished the seating is expected to be. Doubling those numbers to get tables to seat 16 max per side, we end up with tables ranging 4.4m, 5.2m, and 5.6m.

Doing a quick eyeball and stamp measurement, and given that the room isn't perfectly circular, but there is at least one (suspiciously straight) hallway outside it, I'd be okay saying that we're looking at a space with a rough diameter between 9 and 15 meters.

Finally, there's the thing that might be a door opposite the teachers' dais, which I think might match up with the external door on the tower that leads up a protruding staircase to a spiral staircase that leads to the observation platform on the top of the tower.

Or at least an elevator or internal spiral staircase up to the external door, or even a door across a corridor to the external door, depending on how big the overall dining hall really is in relation to the tower it's sitting in.

Why don't I think it leads to the kitchens?

Well, let's look at the kitchen: it looks roughly square, or at least not a whole lot longer one way than the other, so we're looking at a squarer sort of rectangle at most, and with that we can do a few quick calculations based on what's in the kitchen.

First, my research tells me that in a commercial kitchen, like for a restaurant, recommended kitchen size is .5m² per seat. The count of the students at the table (estimated 16+14+14+13=57 plus three teachers) give us around 60 seats, which makes our estimated kitchen around 30m².

(That's a fridge in the left corner as far as I can tell, though I did for a short time assume it was stairs. Gosh darn pattern on the door, fooling me.)

Further, commercial fridges, double ovens and cupboards give me widths of 610cm for a fridge, 60.96-68.58-76.2cm for double ovens, and 1200cm for a cupboard. recommended ventilation distance between ovens is a suggested minimum of 15.24cm, and there are four ovens along one wall with the fridge and the free standing cupboard. Using the largest width for ovens, we're looking at a room of at least 5.62m across.

It's important I note here, that the room isn't actually square, while the main body of it looks that way, there's also a little alcove attached along that wall.

Now there is a bit more space between the ovens than is recommended, enough for Musa to hide between them comfortably, but this gives us a starting base.

Even if the dining hall is 15ms across on the outside, that's still enough room to fit the kitchen in the tower given some of my other calculations which have the width of the mirrored buildings at 24-30m across, which should translate to the width of the flat topped towers.

But again, there's that zoom in, and the fact the girls come in from the side and turn left into the kitchen. I think we're looking at a kitchen position that's a little something like this:

Although I am hoping that despite the lack of any doors in the alcove, there's actually a walk in fridge/freezer behind the back wall, because there's plenty of cooking spaces, but there doesn't seem to be much in the way of food storage outside the free standing fridge in the corner, the pantry by the alcove, and the alcove.

Maybe there's more in the various short cupboards, but at least a portion of those would be for cooking utensils, crockery, cutlery, and I don't see any that are different enough to indicate cold storage vs long-life/shelf.

[puppetwoman17]

Ladies and gents, my first Billy Batson-centric fic! It’s called: The Batson Family Soap Opera: Ft. The Justice League

Here’s a snippet of the first chapter, already released on AO3 under the name SunShade878

In Study Room #1, Billy propped himself up on a chair and opened his laptop. The screen lit up the room, showing a half-finished Whiz Radio broadcast script. On another tab, Billy pulled up a bullet point list of topics to cover, and got to work.

He took bites out of the sandwich he got from the cafeteria as he worked. Looking from tab to tab, Billy paraphrased some of his talking points and left slots open throughout the script for a few brief questions.

He tapped a nail against the table when he paused after a commercial break slot and glanced at the time.

“Five minutes ‘til monitor duty,” he muttered. “Better close off for now.”

Not to say Billy was satisfied with his work, but he was proud of his clean punctuality record from his time with the League. It also translated to his reporter work, so that was a nice bonus. Now that he thought about it, Morris told him he could give Billy a small bonus if he turned everything in today…

Nope! He shook his head. Monitor duty now, Whiz work later.

Billy quickly packed his things and slotted his laptop in a cubby before making his way toward the monitor station. He checked the time on his watch, sighing in relief when he saw he was two minutes from the beginning of his two hour shift.

Okay, good.

He quickened his pace toward the familiar room, dutifully ignoring the concerned and curious looks on several familiar faces.

I swear, you’d think I was catatonic with the way these people look at me.

The monitor room had a large, imposing window that showed the expanse of space. It was something Billy could never get over, no matter how long he stared at it. Multiple screens were lit, showing various cities with superheroes of their own, helping children out of burning buildings and stopping robberies in progress.

A transparent hologram of Earth spun around slowly in the middle of the room. Graph lines went over and across each section of land and sea. Several small, red dots blinked green, and Billy smiled in satisfaction that they were doing good. He was doing good.

“Hey, Little B!”

Billy rolled his eyes. “Hey, Hal.”

Billy doesn’t have to turn around to see the Green Lantern’s cheeky grin as he sauntered into the room, power ring glowing emerald. “Ya seem tense, little man.” The grin faltered, revealing what Billy knew to be truer than the smile. “You okay?”

Now, you remember what Billy said about loving how protective the League was, right? And the thing is, he didn’t lie. He didn’t blame them for it, and he understood the need to protect people younger than you. Hell, he was well known enough in Fawcett for the younger street kids to know him by name. For them to know he knew all the best hiding spots and hoarding spots around the Cobbler District.

But sometimes it could just be so. Damn. Annoying.

“Oh, it’s just some last minute revisions for my broadcast tomorrow. Nothing major.”

“You remembered to eat, yeah?

Don’t roll your eyes, he’s not being condescending. “Took a sandwich from the canteen.”

“Cool, cool.”

Yeah, this was definitely one of those times where he felt coddled instead of protected. Now, maybe seven year old Billy, who’d just learned that he was now responsible for the wellbeing of an entire community and subcommunities of ethereal-infused life, would’ve loved the worry on Hal’s face.

Fourteen year old Billy, on the other hand, couldn’t help the queasy feeling in his stomach.

“Anyway, we should get started, huh?”

The whites of Hal’s domino mask widened. “Uh, yeah. Let’s.”

Billy mustered a small smile as he propped himself on one of the two chairs facing the screens. Hal flopped unceremoniously onto the other one, the smile on his face more prominent. Weird. Before, the smile seemed…dim, somehow.

Now, though, with the two of them looking through screens and chatting quietly as the hours ticked by, Hal’s nervousness and tenseness was chipped away, revealing the bumbling idiot Billy knew and cared for. The easy way with which they communicated was something Billy was thankful for. If anything, his identity reveal only strengthened their relationship.

It sort of felt like he was the reason for Hal’s better mood. But that was silly.

Right?

Tell me what you think on AO3!

[candywife333]

One of the guys

pairing: OT7? alphas X chubby wingwoman HYBE employee Y/N (omega in hiding)

NEW MINISERIES (almost resembles a series of just dribbles)

Summary: She's the man. No literally. She totally is. At least in the perception of everyone at HYBE. She hangs out with the guys like a pro , strategizes with them to get them any girl of their choice, gets rid of their one night stands with ease, convinces their FWBs to leave them alone, provides constructive criticism about their sexual techniques, and even counsels them when they are having mental breakdowns. In essence, she makes MEN out of boys. Is that her job description? Not exactly. But she does it anyway. Because Y/N just happens to be one of the guys.

Warning: cursing, crude language, eventual smut

PART 1

"Y/N, does this outfit look good for the date tonight?!!!", Taehyung paced around in a panicked fashion, worried about being late for his date.

Y/N turned around slowly in her revolving chair nursing a freshly baked croissant in her hand, quizzical expression on her face, right eyebrow propped up in a strong arch. She calmly advised, "Lose the ugly plaid shirt and replace it with a plain black turtle neck. Get rid of that thirsty look on your face and wipe the sweat on the nape of your neck. You don't want to look like you just ran a marathon. As much as old spice commercials try to convince guys that women like sweaty men, we don't like guys looking like drowning rats on first dates".

Taehyung opened his mouth open in shock and disbelief at her cutting words. Y/N questioned nonchalantly as she propped her sweat pant clad right leg on the coffee table, munching on her crispy treat, " Have I ever mislead you boi? Till now, have you not bagged a chick under my guidance"? Taehyung winced, because he very well knew that not only him, but all the other members never lost when Y/N advised them with regards to the workings of women. Especially in regards to the mindset of omegas.

They were all alphas and any girl, or omega for that matter that they chose to pursue, they got. Mainly because of Y/N. You could call her a lifestyle manager or a counselor. The words were not apt enough to describe her position completely. She was all encompassing in her role. Nobody would be able to replace her.

Y/N was originally one of their junior managers, till they slowly realized that she was worth more than just that job role. Taehyung remembered the day they had met her. When Jungkook had been bemoaning his lack of p***y at the time, Y/n had remained in her usual uniform of black sweatpants and baggy black shirt with a smirking expression on her quiet face. Side note: None of them knew how y/N even looked like under those baggy clothes, she never changed her clothes, ever. Under any circumstances.

She had taken one look at Jungkook's pitiful, pathetic little face propped up like Orphan Annie on a blue loveseat, and remarked in her usual quietly cutting manner, "You need to wash that BO off your armpits boy. Brush your teeth. Use some salicylic acid on that face. And learn what weights are. Girls don't like oily spaghetti. We like it in our mouth when we eat it, but we don't like f**king it". They had all been startled at the time.

But she had resolutely continued her tirade, "You can take the advice or leave it. But I guarantee that if you fix what I said, you will have girls falling all over themselves for you, like flies over lasagna". After her curt statement, she walked away, a baggy legend , without even a glance backwards.

Over the years, since their debut, she remained in the background, mostly staying in HYBE's main building, acting as a mix between manager, mental health counselor, life coach and sex therapist. If anyone had questions that they couldn't get figured out anywhere else, they came to Y/N. Cause she was just that good. New idols swore by her, even giving up time off some times, just to have appointments with her biweekly.

She was too good, to the point that even the jade rock statue that was Yoongi, would consult her when he was struggling. And he never even consulted his parents, so that was saying a lot. It was even more hilarious that their head of PR and sometimes even Bang PD were found creeping into her office. She was a magician and a queen and she knew it.

Taehyung nodded at her suggestions, not questioning her and got ready to head out the door as Y/N made her way out of his dressing room. She rarely did much strenuous activity, so she had this habit where she calculated her steps daily and would be found randomly pacing around the HYBE building with her tablet in hand.

As Y/N left his room, Jungkook walked in, smiling at y/n in glee, making grabby hands to try to hug her. She swatted him away with a smirk and walked away as he entered the room. He grunted, " Looking good Tae. Off to bag Ashley I see. You are pulling all the stops for this one". Taehyung shrugged , "No choice dude. She is super selective about who she dates. Which is why Y/N told me to go for a basic but chic look. And she told me to keep some gum on me, in case my breath stank. Because apparently classy girls hate garlic".

Jungkook nodded absently, clearly not interested in girls like Ashley, the daughter of a makeup corporation's CEO. He motioned for Taehyung to come closer, as if what he were about to say were a top secret, "Do you ever wonder what Y/n ACTUALLY looks like"? Taehyung, bopped him on his coconut head with his right hand. "The hell do you mean, what she actually looks like. Not like she is lying to us. The girl doesn't even wear makeup". Jungkook shook his head frantically, "That isn't what I mean. I mean, we don't even know her shape, she dresses so baggy she looks like a blob. And her face is obscured by her thick black specs that honestly look more like sunglasses because of the tinting. And her hair is always pulled up into a bun, so we don't even know the texture of her hair".

Taehyung pondered these sentiments. For sure, Y/N was very bland when it came to appearance. The only distinctive thing about her was her ocean breeze fragrance. Otherwise she blended into the background. "Why are you suddenly so curious Jungkook? She's worked for so long at HYBE. Why does it matter"? Jungkook looked uneasy as he proclaimed after a pregnant pause and gathered Taehyung even closer as if to divulge some national security threat, "I have a suspicion that she has a........please don't tell anyone my conjectures........big ........ASS".

Dumbfounded at his outlandish statement, Taehyung exclaimed in disbelief, "You mean a BADUNKADUNK, A G WAGON, A DUMP TRUCK? OUR Y/N"?!! He nervously tittered, "no way man, no way". Jungkook winced as he continued, "Well I am sort of curious, because you see...", he twiddled his thumbs with trepidation, "I sort of was looking when she bent over to pick up a pen...and her shirt sort of slid up and I saw something that looked massive. You know, of global proportions". He paused as if in deep concentration, finger on his head, "Worldwide, if I had to put it in the simplest terms. And the stranger thing, is that her scent smelled like strawberry cheesecake for all of 2 seconds till it switched back to her usual fragrance".

Both of them stood there, puzzled in a quandary. This may not seem like a big deal. But it definitely was. Because if Y/N was pretending to be someone else entirely, their world view and perception of life, may have just shifted drastically.

[zeldahime]

I did math on David Tennant's hands (so you don't have to)

EDITED WITH MORE ACCURATE PHONE INFORMATION AND A DIFFERENT CONCLUSION.

I swear all I wanted to know was what kind of phone Crowley has in season 1.

See, I have an iPhone, and one of my gigs shares a building with an Apple Store. I was taking a screenshot of his contact picture for Aziraphale, and noticed that the camera on the back of his phone is laid out horizontal. Most iPhones aren't! So, I fell into this rabbit hole: what phone does Anthony J. Crowley have?

(The bit where you can see the cameras, immediately before the cool heart-in-flames picture he has for Aziraphale's contact, is basically impossible to screenshot; the phone moves very fast and reflects the environment. But his contact photo for his angel is so neat and I love it ❤️‍🔥)

I figured out very quickly the only iPhone with that camera layout is the iPhone SE series, but there have been only three generations: 2016, 2020, and 2023. Season 1 of Good Omens was released in 2019. The iPhone SE first generation was also Apple's "budget" phone. It just didn't make sense to me that Crowley would have an old budget phone, but the new SE wasn't commercially available so it also didn't make sense to me that the prop department could have given him a new phone.

The main visual differences between gen 1 and gen 2 are threefold: gen 1 didn't come in black; gen 2 has slightly more beveling; and they are different sizes. The first two visual differences are basically meaningless, because it's trivial for a props department to turn a white phone black and the beveling difference only is obvious in comparison. So I had to figure out what size Crowley's phone was.

We see Crowley's phone in s1e4 and s1e5, but the only thing in its environment we can really measure to get an accurate read on its size is... Well. David Tennant.

More specifically, we get a fairly good shot of the phone in his hands, held level with the screen, and thumb easily available to use as a reference.

But if anyone has done David Tennant Hand Math before, they weren't on page 1 of Google and therefore may as well not exist. So I took up this quest myself.

So first, I had to find a picture of David Tennant holding something of known dimensions. I am, first and foremost, a Doctor Who nerd. There's only one answer to that.

Another Doctor Who nerd on the internet went and figured out 10th Doctor's sonic screwdriver was about 160 mm and the head of the sonic from tip to the joint with the middle section was about 40 mm.

I then got out my actual goddamn fabric tape and measured this man's fingers on my computer screen. After converting the measurements back to scale, first to second knuckle on his middle finger was 54.55 mm.

Then to figure out how long his thumb is, I needed a photo of his hands. This one is courtesy of the GO Reference Server:

His thumb came out to being approximately 68mm long. (My thumb came out to 55mm long. Not relevant, I just got curious while I was doing all this measuring.)

Finally, the data necessary to the main event: the goddamn phone.

Using the thumb as a reference, the phone came out to 136mm in length.

The iPhone SE Gen 1 was 123.8 mm long; the Gen 2 was 138.4 mm long.

Given that I rounded quite a bit during my calculations to keep things at 2 digits or less, I'm very comfortable saying: Crowley had an iPhone SE (second generation) during the events of Good Omens Season 1, a phone that would not become commercially available until April 2020.

I don't know how the props people got their hands a phone that wouldn't be released for a full year and change after filming, but they did that for us. It's a character note that practically nobody noticed, for a prop that gets barely a full minute of screentime. They could easily have used an iPhone XR or iPhone XS Max, which were the newest iPhones actually on the market at that time and which people would have recognized when the episode aired, but they knew Crowley would have the newest iPhone before anybody else had the newest iPhone and by Jove, he did.

After I posted this in Discord, @giveintomay pointed out that the iPhone SE second generation used the same build as the iPhones 7 and 8, which came out in 2016 and 2017 respectively. So, he most likely had an iPhone 8, which would have been the latest generation while filming (as generation 10 became commercially available over the summer and fall).

[shadeops21]

MWII Cosplay - Ghost "Urban Ops" WIP - "The Haunted" Chimera prop

[CW/TW: Pictured below is a gel blaster replica firearm. This is NOT a fully functional firearm.]

I have been working over six months now to work on replicating the same rifle that Ghost wields during the opening mission, as well as Alone & Ghost Team.

It's available in MWII Multiplayer through the blueprint known as "The Haunted", and I have managed to create a near-1:1 match of the build with a Honey Badger gel blaster.

I did have to compromise on some parts and details, and there are a couple of details that I've yet to add on but they're very minor.

Pictures below the cut!

Here's the blueprint taken from in-game:

And here is my build:

So, first things first: the handguard is a 3D printed adaptation of the in-game model. The actual handguard isn't commercially available as I don't think it exists. Discussions with a friend have concluded that it is a hybridized form that incorporates the factory handguard produced by Q and elements from the Geissele SMR handguards.

Compromises:

Game textures have it painted black and a dull green-grey colour, however I was unable to obtain a matching colour. Seeing the model in-game under lighting had it show more as a tan however, so I have opted for tan.

Front foregrip I've used is an H&K Assault Grip, as my KAC VFG is on another build of mine, and this was the closest I have to the grip used in-game (again, a fictionalised design to my knowledge). Still searching for a match however I'm coming up empty.

I've used a clone Aimpoint CompM2 instead of an Aimpoint PRO. PROs are hard to find clones of, especially in Australia. Same basic shape and silhouette though. I don't have the lens covers for it though. Same with the mount, not the exact same type unfortunately but close enough.

In-game, it's equipped with a laser aiming device. I've swapped that out for a replica Surefire Mini Scout M300C because if/when I do use this on a field, I want to be able to light up my target and see it.

I'm struggling to source black rubber bands to add around the stock's adjustment button, so I may get different colour ones or ditch them entirely.

I've gotta source pens in the right colours so I can add the "07"/"B07" marks on either side of the receiver.

May omit the strip of velcro with the little UK flag on the left upper receiver.

Either way, I'm very pleased with how this has turned out!

Let me know what you all think in the notes/reblogs!

I'm a week and a half from taking this to Supanova Brisbane!

[carefulfears]

What do you think of the episodes Gillian and David wrote/directed and which one is your fav ?

i love gillian and david's episodes, i always think of this post about how they write each other's characters as they were at the beginning, as they are at the core underneath everything that builds up. david's scully as bright and joyful and curious. gillian's mulder as rash and authentic and gentle. david's msr is flirty and lighthearted and introspective; gillian's is combative and devoted, she writes love as an action, dedication as a decision.

they love these characters, and they love to explore together, and seeing them through their eyes is special.

i also really love how metaphorical and foreign david's writing is. the unique unreliable narration of the unnatural, the way that the present day setting starts to shift to question the tale that's being told. characters weave in and out of the past, the props get older, the details get fuzzier. the moral of the story is bookended, "life on this planet" being understood and sought out.

the last temptation of amor fati, choices offered that are rooted only in true purpose, in commitment to something both larger and smaller. the internal struggle to not lose sight of that.

his dancing zombies at the end of hollywood a.d., dead and forgotten, happy and in love; just like mulder and scully holding hands before them.

my favorite of them all is hollywood a.d., i just love it. i smile to think of it. it's iconic and reflective and goofy. it has practically no plot whatsoever. it has more quintessential and referenced lines than any other episode. it just got the characters, it's all about the small moments in the face of commercialized imitation. it somehow tied together jesus/judas, dostoyevsky, and ed wood. it is absurdist fluff written by someone with most of a phd in english and i adore it.

[abandonedaccount1234]

MY THOUGHTS ON EPISODE 7X08

First off: RIP RICO PRIEM. There needs to be better safety precautions and LAWS put into place, not just contract negotiations, to ensure the safety of all cast and especially crew. No one should have to die to see our favorite show get made. We can week a few weeks/months between episodes if that is what it will take. Our little weewoo show is not more important than people getting home safe.

-honestly, tell him how it is Amir. Bobby affected more lives than just the 148 he took. As much as I love his growth and how he’s healed, the trauma extends past his victims into generational trauma that will probably be felt for several generations.

-it’s so emotionally jarring sometimes to see fun loving bobby who’s worked hard to piece his life back together. and then also remember, he’s the cause of 148 lives being taken. like....how does the man have a job? he would not experience the same treatment of the freedom he’s been allowed post apartment fire if he was a man of color.

-i love how the characters are flawed and not perfect people.

-MAY GRANT where you been my baby

-Athena/Bobby goals 🥰

-so bobby comes from a long line of abusive alcoholics and has been a people pleasing emotional therapist for most of his life, good to know. good. to. know.

-i haven’t personally been too fond of the whole amir’s gonna burn the building down because it kind of plays into stereotypes of black men being violent and unable to work through their emotions in a healthy way.

-i do think race aside, it’s a possibility but after tonight’s episode, it’s not something i wanna be dead set on or right about because fighting fire with fire is not good for anyone involved, no matter how much gut wrenching pain they’ve caused you.

-i mean the cartel is a storyline they haven’t touched on before. i wonder what’s next? bridge collapse? plague outbreak? eddie being demisexual?

-side note: that guy’s flowing long hair is actually so pretty

-his mother should have stepped in more

“you can keep your amends, i didn’t ask for it. it doesn’t mean a damn thing to me.”-oh damn damn DAMN they got me crying on bridgerton day AGAIN

-oh please don’t tell me bobby learned how to cook out of trauma of almost burning his house down because he had to take on the role of his mother after she left his alcoholic father

-Bobby Nash? Nah. Bobby BURNT.

-Get up Amir! Don’t die! You’ve come too far! (in the wise words of my father: a black man can’t ever catch a break, can he?)

-is he actually a ranch worker? don’t trust a man with a truck you don’t know kids. DONT DRINK THE WATER. ITS GONNA KNOCK YOU OUT.

-of course the guy with the car WAS HIS GRANDSON

-did i not just tell you to not take candy from a strange man you just men in the middle of nowhere?

-BOBBY NASH DOES HIS OWN STUNTS

-ommercial break mantra to calm myself: athena will always find you, don’t worry. do what you gotta do to survive guys.

-back to bobby/amir: i think it’s important for bobby to meet someone who can’t forgive him for what he’s done, who no matter how much he’s grown, will never be able to see him apart from the trauma and pain he inflicted. it’s more realistic.

-Who Can It Be Now? Song by Men at Work

-Bobby’s dad dies in an alcoholic accident after he verbally assaulted him for being a kid who was left on his own to figure things out is INSANE TIM MINEAR SHIT.

-i don’t think he’s alive anymore bro...

-is bobby can drop to his knees and pray or something?

-welp he dropped to his knees

-poor little bobby

-NOT HIM BLEEDING ALL OVER THE SCRAPBOOK WHAT IN THE WORSE THAN EVAN BUCKLEY TRAUMA IS THIS SHIT WTF THAT’S UNCALLED FOR NO WONDER HE BECAME AN ALCOHOLIC JESUS CHRIST

-stay alive by matt alder

-I hope Amir sticks around. I like him. He keeps things emotionally interesting. I needed a good cry.

-commercial break thoughts: where tf is charlie now? i didn’t realize how much older he was supposed to be

-BIG PROPS to the makeup team

-i like this new girl, hope we see her again. her hair is flawless.

-acting pro peter krause

-“i live my life just trying not to make anything worse”

-michael jamal warner. incredible work tonight my man.

-what in the offbrand huge hulk loke tommy/buck/eddie are those firefighter dudes

-DONT DO IT LITTLE BOBBY YOU ARE A CHILD WHY DID THEY LEAVE HIM ALONE

-I WAS RIGHT THEY TRY TO BURN BOBBY’S HOUSE DOWN WTF I WAS RIGHT I BET ITS THE DAMN CARTEL

[darkmaga-returns]

What is being ignored by the mainstream media are the dangers facing the global economy

Dec 03, 2024

On the economic front, it is more of the same, but just a different day.

The U.S. equities keep riding high following the re-election of Donald Trump.

While there are fears that his tariff policies will have negative effects on the economy, at this point, it is a guessing game.

The same with his plans to cut taxes. Will the richest Americans reap the biggest rewards like his last cuts in 2017, or will We the People of Slavelandia get a cut?

What is being ignored by the mainstream media are the dangers facing the global economy.

Economies were artificially propped up with trillions of dollars in fake money backed by nothing and printed on nothing, plus negative and zero interest rate policies, are now suffering from the draconian COVID lockdown policies imposed by politicians that destroyed the lives and livelihoods of billions of people across the planet.

We continue to report on the looming Office Building Bust that will cause Banks to Go Bust.

Need more proof?

The recent four-week office occupancy rate of the largest 10 cities in the U.S. was, according to Kastle Systems, down to 40.6 percent. Much of the decline was a result of the Thanksgiving holiday, but overall, for the year, the average is around 50 percent, while the vacancy rate, meaning empty office buildings, is at around 20 percent.

As of last week, the delinquency rates on commercial mortgage-backed securities (CMBS) was at 10.4 percent, up one percent in November, hitting its fastest spike in two years... the depth of the COVID War lockdowns.

According to Trepp data, the current CMBS delinquency rate is just .3 percent below the 10.7 percent spike during the Panic of ’08 Great Recession.

Illustrating the danger ahead, but again banned by the mainstream media, was the 31 October 2024 article in Wall Street on Parade, New York Fed Report: 27 Percent of Bank Capital Is “Extend and Pretend” Commercial Real Estate Loans... which in part states the dire office building crisis as a result of the vacancy rates and how it is being covered up.

They quote a paper written by Matteo Crosignani, financial research advisor at the New York Fed, and Saketh Prazad, a former research analyst at the New York Fed who is now a doctoral student in the Business Economics program at the Harvard Business School who wrote:

“In this paper, using detailed supervisory data, we document that banks have ‘extended-and-pretended’ their distressed CRE mortgages in the post-pandemic period to delay the recognition of losses. Banks with weaker marked-to-market capital—largely due to losses in their securities portfolio since 2022:Q1—have extended the maturity of their impaired CRE mortgages coming due and pretended that such credit provision was not as distressed to avoid further depleting their capital. The resulting limited number of loan defaults hindered the reallocation of capital, crowding out the origination of both CRE mortgages and loans to firms. The maturity extensions granted by banks also fueled the volume of CRE mortgages set to mature in the near term—a ‘maturity wall’ with the associated risk of large losses materializing in a short period of time.”

One of the scariest potential outcomes referenced by the authors is their so-called “maturity wall” when the debt bombs come due and losses pile up suddenly. The authors write this:

“…we document that banks’ extend-and-pretend has led to an ever-expanding ‘maturity wall’, namely a rapidly increasing volume of CRE loans set to mature in the near term. As of 2023:Q4, CRE mortgages coming due within three years represent 27% of bank marked-to-market capital, up 11 percentage points from 2020:Q4—and CRE mortgages coming due within five years represent 40% of bank marked-to-market capital. We show (i) that weakly capitalized banks drive this expansion, consistent with their extend-and-pretend behavior, and (ii) that the maturity wall represents a sizable 16% of the aggregate CRE debt held by the banking sector as of 2023:Q4.

“Taken together, our results highlight the costs of banks’ extend-and-pretend behavior. In the short term, the resulting credit misallocation might slow down the capital reallocation needed to sustain the transition of real estate markets to the post-pandemic equilibrium—for example supporting the conversion of office space into residential units and recreational spaces in large urban areas. In the medium term, the delayed recognition of losses exposes banks (and all other holders of CRE debt) to sudden large losses which can be exacerbated by fire sales dynamics and bankruptcy courts congestion.”

Further illustrating the reality of the looming CMBS debt bomb, today Wall Street on Parade noted that:

“Life insurers continued to allocate a substantial percentage of assets to risky and less liquid instruments, such as leveraged loans, collateralized loan obligations (CLOs), high-yield corporate bonds, privately placed corporate bonds, and alternative investments. Moreover, life insurance companies have material direct exposures to commercial mortgages and are large holders of commercial mortgage-backed securities (CMBS). This exposure to illiquid and risky assets makes life insurers vulnerable to an array of adverse shocks, including that of an economic downturn or of a significant further deterioration of the CRE [commercial real estate] market.”

TREND FORECAST: Yes, the significant further deterioration of the CRE [commercial real estate] market,” that so few are talking about... a mega trend we warned about when we had forecast the Office Building Bust and its socioeconomic implications.

[disco-elysium-via-polls]

🎵 Whirling in Rags, 8 pm

GARTE, THE CAFETERIA MANAGER - "Can I help you?" He arches an eyebrow.

3. "Garte, I saw another *thing* at the Whirling..."

GARTE, THE CAFETERIA MANAGER - "Another thing -- great. I love those."

"Klaasje. In Room #3. She nicked the phone line."

GARTE, THE CAFETERIA MANAGER - "Why?" He stops himself. "No. Fuck it. I don't wanna know. I don't want to know why these degenerates do what they do. I thought we had *one* good guest in the building..."

SUGGESTION [Easy: Success] - He really doesn't like it being Klaasje.

"Yeah, I bet you didn't want it to be her."

"Well, anyway, mystery solved. I don't like loose ends."

"You have Lena. Lena is a good customer."

GARTE, THE CAFETERIA MANAGER - "What's that supposed to mean? Fuck you, buddy -- she's not my taste. Good thing she pays for her stuff on time, I'll forward her the bill and be done with it."

+5 XP

VOLITION [Easy: Success] - Hmm... wow. She really isn't his taste. Her spell hasn't spread here.

GARTE, THE CAFETERIA MANAGER - "Now was there anything else? I have, like, four thousand coasters to stack and then I need to wash dishes because it turns out I have to do that too now."

3. "There's something else I want to ask about."

GARTE, THE CAFETERIA MANAGER - "Yes?"

4. "Garte, I need to sing karaoke now."

GARTE, THE CAFETERIA MANAGER - "No, you *don't*. It's not happening."

COMPOSURE [Medium: Success] - He tries not to look at you -- it's dangerous to *acknowledge* the karaoke man.

"Yeah, but..." (Look him in the eye) "Johnny Law is about to tear it up sad-style."

"Why do you even have the PA system if no one's going to use it?"

"It's part of my quest of self-discovery. Help me."

"This is my way of apologizing for the trouble I've caused. Please let me say I'm sorry."

"You're right, it's not the right time yet."

GARTE, THE CAFETERIA MANAGER - "The Whirling doesn't need more *sad style*. That's one of the styles it can do without right now."

3. "It's part of my quest of self-discovery. Help me."

GARTE, THE CAFETERIA MANAGER - "The Whirling's not a charity or a musical therapy clinic, it's a commercial establishment. You're going to scare away the customers."

2. "Why do you even have the PA system if no one's going to use it?"

GARTE, THE CAFETERIA MANAGER - "It's for the..." He begins confidently, but then stumbles on his own words. "It's for no one. It's a prop. I'm not letting anyone use it after the Great Karaoke Catastrophe of '44."

"What happened in '44?"

"It's not a prop. It's for your clients. I know it's used."

"When was the last time you had a band play here?"

GARTE, THE CAFETERIA MANAGER - "A lot of people got killed because some asshole wanted to sing karaoke."

"It's not a prop. It's for your clients. I know it's used."

GARTE, THE CAFETERIA MANAGER - "Okay, yes, it's for *some* clients," he admits reluctantly.

"I'm a real client, I've paid my bills and I have the right to use the karaoke machine."

"Okay, *fuck* me then! Just FUCK me!"

GARTE, THE CAFETERIA MANAGER - "Hah! Well!" He comes up with a counterargument. "We don't have any tapes. They all got stolen."

DRAMA [Challenging: Success] - He's lying. But whatever, you don't really *need* his lame tracks.

"It's all right, I have my own song with me." (Give him the tape for "Smallest Church in Saint-Saëns".)

GARTE, THE CAFETERIA MANAGER - The man in the vest and the violet shirt stares at the tape you've just given him. He begins to frown. Hard.

AUTHORITY [Easy: Success] - This is the look of a man who's *defeated*. He knows he's out of excuses.

GARTE, THE CAFETERIA MANAGER - "Fine. Fine. Climb on that stage and do your thing, just get out of my hair." He shakes the tape at you. "I'll plug it in for you. Damn this karaoke machine..."

PERCEPTION (HEARING) [Medium: Success] - "I'm having it uninstalled," he mumbles to himself.

INLAND EMPIRE [Easy: Success] - Oh yeah. Time to do the damage.

And we still have half an hour before the evening ends. Nice.

KARAOKE STAND - The stage is all set up for your performance. Feels... silent. You can hear the pellets creak under your feet.

SAVOIR FAIRE [Easy: Success] - You feel a little dizzy. A little *unsteady*, suddenly.

GARTE, THE CAFETERIA MANAGER - "So, are you ready for your... *thing* now? Let me know when I should turn on the karaoke carousel."

"Look, Kim, I'm going to sing karaoke!"

Put your lips against the microphone -- test it.

Look around the room first.

[Drama - Formidable 13] "I'm ready, Garte. Hit play."

[Leave.]

KIM KITSURAGI - "I can see that." The lieutenant steps away from the stage, ready for your performance.

2. Put your lips against the microphone -- test it.

KARAOKE STAND - Immediately a loud feedback noise startles the room. You feel like an amateur. How are you supposed to hold the mic? Should you just *sing* into it? Where should you stand?

3. Look around the room first.

KARAOKE STAND - The bar is full and buzzing with chatter. No one is paying you any attention, but still you feel your knees turn to noodles. Okay, now a couple is looking at you! Even worse...

INLAND EMPIRE [Easy: Success] - They are going to hate you.

4. [Drama - Formidable 13] "I'm ready, Garte. Hit play."

-1 Too close to the mic. +1 Superstar cop.

We could have gotten way more modifiers to this check.

DRAMA [Formidable: Success] - The air is thick with anticipation.

Someone dims the lights as the music starts... Okay. Here we go...

ANCIENT REPTILIAN BRAIN - "I would often go there. To the tiny church there. The smallest church in Saint-Saëns -- though it once was larger.

How the rill may rest there. Down through the mist there. Toward the seven sisters -- toward those pale cliffs there

I would often stay there. In the tiny yard there. I have been so glad here -- looking forward to the past here

But now you are alone. None of this matters at all."

DRAMA - A lazy applause fills the room. You feel your hands shake as awareness of your body returns to you.

Thank you, Ancient Reptilian Brain.

"I want dedicate this song to whoever wrote me that fucking letter. I still love you. Thank you very much, asshole."

"I'd like to dedicate this song to my partner, Kim Kitsuragi." (Nod to the lieutenant.)

"I'd like to dedicate this song to Garte for letting me sing it. It's all shit, Garte."

"I don't want to dedicate this song to anyone. I performed it for myself."

DRAMA - This guy really carried you.

[2dmax]

PAY WHAT YOU WANT, GET WHAT YOU GET

Minimum charge is $50. I make my art traditionally and digitally with a variety of media, but primarily nib pens & ink, alcohol marker, gouache, colored pencils, crayon, and oil pastel, and the program Clip Studio Paint.

The lower your price, the more creative control I ask to retain. Higher prices net you more figures and poses in higher detail to higher degrees of your specification, with more revisions allowed.

Couples, groups, furries, scalies, ferals, robots, metahumans, backgrounds and props all OK. Not sure? Just ask!

Here’s what to expect:

Send me a PM with basic info; what you would like me to draw, your budget, and if you have a deadline.

I will ask a few questions to be able to build up the concept. I will also give you my e-mail, where you can send me further info and any references you'd like to share!

Your sketch is typically ready within a week; I’ll always update you on my progress. After we agree on the sketch, payment will be due. After it’s paid, I will give you an estimate for when I will be finished with your piece.

Your finished artwork will be e-mailed to you. I am also happy to mail physical art!

terms of service and other usage notes below the cut!

Thank you for reblogging, even if you’re not interested in a commission right now! 🎨⭐

Your commission is for personal use; icons, roleplaying, in your blog theme, as a wallpaper, or to print out and tape to your fridge.

You may credit me on the platform used. If you’re not sure what account to credit, please credit my instagram @/maximumgroove.

You may not use my art to promote anything hateful or illegal. You may not claim it as anyone else’s creation. You may not use it for commercial uses, or to edit, adapt, trace, or directly reference, without getting permission. I may use my art in my own promotional material.

[stillsonfilm]

What Does a Still Photographer Do?

A still photographer is a professional who captures images that tell stories, convey emotions, or highlight specific subjects, often in a single-frame format. Unlike motion or video photographers, still photographers focus on creating standalone images that can range from commercial shots of products to intimate portraits, architectural photography, and behind-the-scenes images on film sets. These photographs serve various purposes, including marketing, branding, editorial features, and creative art pieces.

What Does a Still Photographer Do?

Still photographers can work in diverse settings and genres, but their primary role is to create compelling images that align with the vision of their clients or projects. Here are some common areas of focus:

Portrait Photography: This includes individual and group portraits, often aimed at capturing personality, emotions, and expressions in a way that resonates with viewers.

Product Photography: Essential for e-commerce, this style of still photography showcases products in detail, making them visually appealing and true-to-life to attract potential buyers.

Architectural and Interior Photography: Focuses on capturing buildings, structures, and interior spaces in a way that highlights their design, function, and aesthetic appeal.

Food Photography: Often seen in marketing materials, magazines, and online content, food photography emphasizes the colors, textures, and presentation of food, enticing viewers.

Behind-the-Scenes (BTS) Photography: Common in film, television, and event productions, BTS photography documents the production process, capturing candid moments of cast, crew, and set elements.

Responsibilities of a Still Photographer

Concept and Pre-Production Planning: Working with clients to understand the vision, purpose, and style required for the photoshoot, including storyboarding and planning for lighting, props, and settings.

Setting Up and Composition: Using technical knowledge and creative composition to arrange subjects, frame shots, and control lighting, which enhances the overall quality and mood of the image.

Shooting On-Set or On-Location: Whether in a studio or on location, still photographers work to capture high-quality images that meet the project’s needs while making adjustments for natural or artificial lighting, background elements, and subject positioning.

Post-Processing and Editing: After the shoot, photographers edit images to adjust exposure, contrast, color, and sharpness, retouching as needed to ensure the final product is polished and visually impactful.

Skills Required for a Still Photographer

A successful still photographer blends technical skills with creativity and often adapts to a range of subjects and environments. Here are some key skills:

Technical Proficiency: Mastery of camera equipment, lenses, and lighting setups, as well as post-processing software like Adobe Photoshop and Lightroom, is essential for producing professional-quality images.

Composition and Visual Storytelling: Understanding how to arrange and frame subjects to evoke specific moods or narratives within a single frame.

Adaptability and Problem-Solving: Still photographers often face unpredictable conditions and must be adaptable, adjusting settings or setups to capture the perfect shot.

Communication and Collaboration: Many projects require working closely with clients, models, art directors, and marketing teams to ensure the final images meet expectations and project requirements.

Types of Still Photography

Still photographers may specialize in a particular genre or work across different types of photography, each requiring unique skills and approaches:

Editorial and Lifestyle Photography: These images are commonly used in magazines and websites, often capturing candid or natural moments that convey a story or lifestyle vibe.

Fine Art Photography: This genre allows photographers to express their creative visions and is often seen in galleries or art publications.

Event Photography: From corporate events to weddings, event photographers capture moments that will preserve memories for the subjects or document the event’s progression.

Nature and Landscape Photography: Showcasing natural environments, landscapes, and wildlife, these images often require patience, timing, and an understanding of natural light and weather conditions.

How to Choose a Still Photographer

Finding the right still photographer depends on your project’s specific needs and vision. Consider the following:

Review Their Portfolio: Look at the photographer’s previous work to get a sense of their style, technical skills, and versatility. Ensure their strengths align with your project’s goals.

Understand Their Experience: A photographer’s experience in your particular industry or type of project (e.g., food photography, fashion, or architecture) can impact the quality and relevance of the final images.

Budget and Availability: Discuss your budget upfront and ensure the photographer’s rates and availability align with your timeline and project constraints.

Personality and Communication: Since photographers often collaborate with teams or clients, their communication skills and ability to understand your vision are essential for a successful outcome.

Final Thoughts

Still photographers bring stories to life through single frames, creating images that resonate, inform, or entice viewers. Whether it’s a product that needs to stand out in a crowded market, a portrait that captures character, or a scene that provides a behind-the-scenes glimpse, the skill and artistry of a still photographer are crucial. By blending technical skill with a creative eye, they turn moments into lasting visual memories, giving projects a visual identity and impact.

[glowingskull]

Group Costume Project: Want to be part of a group costume, but don’t have the connections to other costumers to make it happen? We’ve got you covered! We’ll announce a theme for the group costume after Worldcon in Glasgow. Just bring your own costume on the theme to Seattle, and be part of our group costume meetup. We’ll get a great group photo, and you’ll have a chance to connect with other costumers. Have a great idea for the theme? We want to know! Send suggestions to groupcostume@seattlein2025.org. The theme should be broad enough for lots of interpretations, but specific enough to spark people’s creativity and create a fairly cohesive group. It should also be accessible to costumers of all skill levels. Let us know what you think! Single Pattern Contest: Keep checking for the announcement of the Single Pattern Contest – we’ll choose a commercially available sewing pattern. You will make something cool using that pattern – let your creativity run wild! A team of judges will evaluate the entries. Winners will be announced publicly, and prizes will be given. Props Contest: Show us your best atomic age, retro-futuristic prop! Whether it’s a ray gun, communicator, or other prop, we want to see what you can come up with to build yesterday’s future. A team of judges will evaluate the entries, and we’ll showcase them to the membership.  We can’t wait to see what you come up with!

All of these sound like they're going to be fun, but particularly the Single Pattern Contest.

[briochebrioche]

MegaCon 2022 !!! ( I'm Batman )

The most recent convention that I’ve been to was MegaCon (2022) in Orlando. It was more comic book based, but there were many different fandoms and genres present. The venue was a really massive building that had multiple rooms for showings, small parties, and interactive areas. I’m pretty sure there was a small Vocaloid concert in one of the rooms as well. The main attraction of course was the main room where all the booths were set up. As I walked through the convention, I was able to appreciate just how much these fans had elevated the media to more than just entertainment.

First, there’s the place itself. The giant open hall was divide into multiple sections, such as the retail area, the artist alley, the celebrity booths, and the food courts. The retail area was mostly people selling props like ninja blades or things of the sort, body pillows, masks, shirts, cards, etc. It was a lot of merch for a variety of mediums including comics, anime, games, and movies. The other main attraction for me was the artist alley. It was just a very large area lined up with booths and booths of independent artists. It ranged from their own personal art to art of characters from beloved series. It was not just a commercial thing, but also a display of the huge variety in artistic styles. I saw spray paintings, watercolor on paper, acrylic accessories, metal pins, stickers, hand drawings, sculptures, and so much more. Personally, I got a My Hero Academia sticker of my favorite character (lemillion), a watercolor ghostface poster, and a metal pin of Calcifer (from Howl’s Moving Castle) for a friend that couldn’t be there. I think it’s really amazing how all of these fans are able to produce so much due to their love for these franchises. Sure, it has become a huge business that can earn someone a living. However, it’s the way that fans are able to physically possess this fiction that is so cool to me. The characters come to life in a way, jumping out of their source material to be presented by us in the real world in unique ways. It adds an interactive layer to the entertainment we all love. Relating to this extra layer, I didn’t even talk about the cosplaying and voice acting yet.

Walking around the con, I saw so many different cosplays that I recognized. Spiderman characters, DC villains like the Riddler and joker, Tanjiro from Demon Slayer and others from the series, Five Nights at Freddy’s characters, and so much more. I went dressed as Batman (the Robert Pattinson version) and had a blast. So many people came up to me to take pictures and tell me how cool my costume looked, and some even treated me as if I was the real batman and roleplayed a little. My favorite part was when a little boy (probably 10) came up to me in his own batman costume and took a picture with me. It was just very wonderful to see how the community was so positive and having fun. It really felt like a space where everyone could express themselves however they wanted and be encouraged instead of judged. It was also cool to learn about how people put together their cosplays, as a lot of them were hand-made or modified. One more thing that was awesome was the fact that there were a lot of voice actors and popular cosplayers that showed up. The most notable of these, for me, was Kevin Conroy (the iconic voice of batman in the animated series and the games). Being able to meet the person who voiced one of your favorite characters, as well as seeing all the cosplays around you, really makes you feel like the fiction has come to life. It’s also very validating to see other people enjoy these characters and shows as much as you do. Overall, it was an amazing experience that I will definitely do again.