#Britney spears I’m Not a Girl Not Yet a Woman

[90s-2000s-barbie]

Britney Spears - I’m Not a Girl, Not Yet a Woman (2001)

[joshuatonks]

[y2k-2day]

Britney Spears - I’m Not a Girl, Not Yet a Woman (2001)

[gaybd1]

do u guys remember fucking. hit clips

[soulc-hilde]

Hiiii could you do a chubby reader with like 1999-2000s em and like how the media would react to him being with a girl that's bigger than him? But basically 1999-2000s em x chubby reader? Ly <33

I hope you enjoy!!

Pairing: Eminem x plus sized! Reader

Synopsis: He was a popular yet controversial figure in the limelight. He doesn’t appeal to the glamour shots of the industry, but it’s not easy to ignore the wave of women that surround him. Of course, that’s a given after being bestowed as ‘girlfriend’, but that wasn’t what thrived your concerns.

Christina Aguilera and Eminem. Two of some of the hottest artists taking over the Y2K era have caught themselves into this ongoing cat and mouse game. Christina merely started It for the attention, the drama – though she did find him attractive, until much like any other gossip girl, her lips moved far too much and became another name to this man’s list.

Eminem, on the other hand, already had himself a lady. Granted, it started off rough after the divorce with Kim and his current girlfriend being responsible and protective of her heart, but nonetheless, he was a newly taken man by a beautiful woman. However, that was Marshall. As Eminem, by Paul’s words, he has a rep to protect and is involved with a business that thrives off of appearances and glamour rather than emotions.

Specifically, pure emotions.

Once he caught wind of Christina’s ongoing compliments toward him that slowly turned into cheap disses that not even a five-year-old would spew, he played the game. He entertained her and the media, she tried to bring in reinforcements in the form of little Britney Spears. Caught during a childish game, Spears supported her former co-worker as a woman and a friend until her father tightened the reigns and Christina was gone with the wind.

Despite the words and lyrical disses tossed between one another, no careers were destroyed over the feud. Instead, the only harm that came from this – outside of Britney realizing Christina wasn’t a good friend – was his relationship.

“Marshall, if you like her, then you like her,” you huff, marching around the kitchen as you make dinner. “There’s no need for you to drag this out or act like some pre-school boy. If you wanna go then do it before dinner’s done, so I don’t make too much.”

The dyed blond leans against the counter, shaking his head. “Baby, that’s not what’s happenin’ and it never will. Christina just talks too damn much, she started to speak on Kim an’ our divorce an’ then our relationship. She nearly put your information on blast, baby, on the fuckin’ radio!”

“And let me guess, you protected me by complimenting her figure? Standin’ on stage, calling her your reward for a damn trophy?” Your lips curled, snarling, ready to smash the half of the onion in his eyes.

He shakes his head, “that’s, that’s not what happened?” Your head snaps around, “word? As if that shit wasn’t aired? Marshall, don’t piss me off, right now.”

“Not that, I didn’t mean to say that,” he stutters, “but like, she’s a beautiful woman, just talks too much.”  You slam your hands on the other side of the counter, glaring him down. “You engaged her bullshit because she’s pretty, Marshall. She’s the new eye-candy with the picture-perfect body, you wanted her, and you thought it would slide.”

“Well, it didn’t. You’re about as subtle as a damn goldfish surrounded by Koi fish. If you want someone new, someone familiar, hell, a fuckin’ model then be my fucking guest, but don’t you dare insult my fucking intelligence.”

Distracted, you storm out of the kitchen and for the bedroom. He follows, face scrunched with confusion. “What the hell are you talkin’ about? I’m not insultin’ shit, if anyone is insulted it’s me.”

You stop at the doorway, fingernails gripping into the wooden frame to restrain the urge to just throttle the shit out of him. “What… the fuck?” You gawk at the rambling man. “Do you ever, like, listen to the words that leave your mouth or is everything impulsive?”

“You’ve insulted me multiple times as if I don’t notice shit. You did it when you sought after me when your divorce had yet to be final, you did it when Kim kept stopping by my apartment half naked and lookin’ for you, and you’re doing it now with Christina. I’m sick of the bullshit, Marshall.”

He raises his arms, exasperated, “what do you want from me? Huh?” He steps closer, “obviously, there’s somethin’ deeper on your mind. Talk to me.”

Involuntarily, a pout forms on your lips as your body shrinks into itself. You shuffle to the edge of the queen size bed, sitting down. Your face begins to sink as the wear and tear of your demons, your insecurities – the little voices in the back of your head, take over. You were no longer the raging girlfriend who’d stomp around, wave a knife or something, and end an argument with her word as law. You were the little girl who watched everyone she knew find love – the good and the bad – while she stood in the background, waiting her turn.

The same girl who no one would willingly choose, the inspiration behind the heartbreaking dares and victim of explosive, public outbursts and humiliation. All because her heart was as big as her stomach and as warm as her hugs. As that little girl grew older, taller, bigger, the shadows of the past followed her with devotion. It tainted friendships, dates, and even small social interactions. To her, eyes were always watching her. Focused on the way she talked, how many times she stuttered, how’d she walk, how’d she dress.

Her life was a show. She was the fool and people were her audience.

You and Marshall, in another world, would’ve never come into fruition. He’d be a player, yet a gentleman, eyes focused on his music, his daughter, and the skinny groupies that followed his every move. He could’ve flirted and bashed singers like Christina and Britney without worrying if his woman at home would flip out. His decisions would be based on the moment and not on the memories. Meanwhile, you’d live life in a loop, stuck in her bubble of nerves.

“Baby?” He whispers, falling to his knees in front of you, hands hover over your knees. “Talk to me.”

You begin to tremble, fingers clutching onto your lips in hopes to distract you from the pain that wished to spill. “Do you,” you breathe, “do you actually like me? Could you close your eyes and imagine me as I am, happily? Curves and all? Could you… could you look at me and know that even in a different timeline, we’d be together?”

“Where’s all this…” She cuts in with a small shake of her head, “just answer me, please. Just for tonight.”

He gulps, nodding, “yes. I do like you. When I close my eyes and think of you, every inch appears. I can’t, ugh, I can’t focus on just one feature. And – and when I do, I feel at peace. Like there’s nothing expected of me. If things were different, I don’t think we’d be together. I’d think you would meet someone far less douche than me, who thinks about you before they act recklessly.”

You break into sobs, your head shaking repeatedly. Back and forth, back and forth. “Then why… why won’t you go outside with me during the day? They already know you’re dating again, so why keep me hiding? I don’t care if, if we were spending our time at a fuckin’ park, I just want to spend time with you. Out of this goddamn apartment, staring at the same fucking walls!”

“You saw how the media weaseled its way into my marriage with Kim,” he sighs. “Granted, a lot of our problems stem from before the fame, but once the paps started showin’ up at fucking McDonalds or just, whenever I was with family, things got rough. They followed me, stalking for any source of material and stalked her, hoping to catch her in a scandalous moment.”

He looks down at his digits as they mindlessly rub at your smooth skin. “There wasn’t peace, there wasn’t privacy. I was ready to fuckin’ lose it and I did. And then,” he settles on his heels, “I met you. You never asked for a photo, an autograph, or to meet Dre or the boys. You were willing to go at my pace. It pissed me off, but you’d rather wait for the court to announce me as a single man then to just take my word for it.”

“I just want to do better for you.”

Your bottom lip trembles freely, “you don’t have to. I could never do it, no one could. I mean, fuck, look at me now. I’m still huge as fuck. I can’t go outside in a shirt and shorts; I have to be covered. I have to hide. And I don’t wanna hide anymore, Marshall. I’m sick of hiding.” The last of your words slur into cries.

His sits up, pressing your upper body onto him, holding your head against his neck. He scatters soft pecks around your ear and down your neck, whispering words of comfort to soothe you. “Then you won’t. We’ll start slow, get you comfortable with yourself. See your body, your soul, for who you really are. The reasons I love you and we’ll move on. We’ll get better.”

“I love you,” you whisper, lips brushing against the pulse point of his neck. A small smile dawns his face, “not as much as I do you.”

[opsbritney]

BRITNEY SPEARS I'm Not A Girl, Not Yet A Woman (Oprah Show)

[jewishbarbies]

Forgive me but I have so much I can say about this that it physically hurts that her fans believe this nonsense…

“she has always been on the frontlines of change in the industry and setting trends”

When?

“she literally changed the demographic of country music from just being for/about older women to teen girls”

There were female artists before that those “older women” listened to when they were teens. When Taylor’s fans are older women there will be a new singer that teens listen to. It’s how the music industry and freaking aging works. 

“she was one of the first people to really centralize social media in marketing”

She’s literally not. The singers that came up in the early 2000s are. They think 2006 is when the internet was being utilised for promoting singers because of Taylor. Google was invented in 1998. Social media & the internet was being used for almost a decade before. JLO is the reason google images was created for goodness sake.  

“she left RCA because she felt that even if they gave her a good deal they would diminish other writers on the label.”

Do they really think she’s the only so singer to leave or stand up to their label. Britney Spears stole her upcoming song from her label and released it to a radio station in 2004/05. 

“she unabashedly writes about her feelings as a young girl and a woman despite getting shit for it at every turn.”

Most female artists who came before her have struggled with this. Dolly Parton would win awards and get up on stage and not be allowed to speak because her MALE partner spoke for her. Even though Dolly was doing all the work. 

“she's one of the first artists to successfully transfer genres from country to pop.”

This is just false. It happens all the time. Not to mention it happens with different genres and artists all the time. 

“she stood up against streaming when literally no other artist did, got them to change some of their policies”

Because she’s the only one that is selfish enough to publicly pick a fight with someone and pretend it’s got nothing to do with her own bank account. Even when I was a fan of hers I knew she was doing it for herself. 

“yet now the exact thing she was worried about has happened.”

Because she was greedy and arrogant and didn’t buy the masters when they were offered to her because she thinks she better than everyone. 

“her move into pop music was completely different than the type of pop that was being made at the time and it influenced pop for years to come.”

Am I deaf? She stuck to the pop model created by those before her to make sure she was successful. Madonna, Janet Jackson, Britney Spears, Billie Eilish they all took risks with their music and careers to push the envelope and change the sound of pop. Not Taylor “stick to the formula” Swift. 

“all before the me too movement.”

The act TS did herself was admirable but this sentence. This belief that this Swiftie (and potentially other Swifties too) have is a slap in the face to what this movement initially represented and what it meant for women who had endured this. 

“her rerecording process is the first of its kind to be this successful and others are now following suit.”

Wtf does this sentence even mean. They don’t know sh*t about her recording process especially in comparison to other artist. Are they seriously so deluded to think no artist was successful before Taylor. How can they compare her to anyone if they believe this. This statement alone makes it sound like she is the reason music is successful. 

“the way she publicized her fight to own her masters”

Yes for public sympathy cause she’s a narcissist. 

“she also basically started the crop top set trend of the mid 2010s”

One quick google search and this is what I found. “Although the crop top first gained prominence in the fashion industry during the 1930s and 1940s - the latter in particular due to fabric rationing in World War II” I’m sure if I spent more time researching I could find more. But I also know it became very popular in the 1970s with men and carried in through to the 80s and 90s for men and women. Then the 2000s was when the trend reignited. 

“heavily influenced the twee fashion of early 2010s”

This is not the compliment they think it is. This fashion trend is layered with the issues. Her racist fans probably love it because it’s a style that is deemed acceptable by those Hampton holidaying rich white mothers and fathers that got sent to boarding school in England when they were young (I hope that analogy makes sense). It was also equated to thinness particularly at the time it was popularised. Not to mention you google Twee and the pictures you see are if Jess from New Girl, Blair Waldorf from Gossip Girl (a character from a 2000s show) and Alexa Chung. 

Also such a bizarre way to end their long winded rant. 

They are all so blatantly ignorant and stupid. I wasn’t going to say stupid but it really is all it is at this point. They are stuck in this cult they can’t even make reasonable arguments anymore. It’s exhausting constantly being bombarded with them all in every facet of life. I see so many videos of Swifties singing her music in public settings like that video of them on the plane, if I was on that plane I’d have jumped out of it, and it’s just infuriating the lack of respect they have for the rest of the world. Yet they expect everyone to respect and worship their cult leader. It’s disgusting and exhausting. 

Sorry this was so long. I don’t have many followers and I know you’re a safe space for people who don’t like her. And I feel like this is something others might agree with. 

[rifki16]

Love is Better the Second Time Around ep 4

Photo Credit : Love is Better the Second Time Around Promotional Account on Twitter | https://x.com/koi_nido/status/1772596502365356096?s=46

Gosh, this episode really made me so happy. It really compensated the massive emotional blue balls which I had because of Cherry Magic the Anime episode 11

SHORT REVIEW HERE WE GO ! SPOILERS SPOILERS!!!! DO NOT PROCEED IF YOU WANT TO BE SURPRISED BY THE PLOT

The biggest thing that popped up to me from the episode is the Sukida vs Aishiteru difference in Japanese. Before watching the episode, I had this understanding that, okay, Japanese people prefer to just use Sukida as the stand-in for "I Love You" rather than using the actual phrase of Aishiteru. Even when Hitro described how much he always loves crab cream croquette, he used the word Sukida - chuto sukidasteo -, instead of Aishiteru, granted that he was describing how he loves an inanimate object, not a person. In the cold open, Hiro used the noun form of love, which is "Koi". OH and the nighttime postdate pier confrontation. I really would love to understand which words Takashi actually used. "まずは さ僕と恋をしてみようよ" - Takashi actually used the noun form of love - koi -, the second time in the show. "のに 君が思ってる以上に僕もずい��ん君にはまってるよ" was what Takashi said before the date, here he used the word "into you" or more literally "addicted to you". But then, during the sex scene, while Hiro was riding Takashi I MUST ADD, I was so shocked that Takashi actually said "Aishiteru". The notion of Japanese people being too afraid of standing out by saying "I Love You" really just blew out of my mind immediately. Of course, the context of the scene might actually describe the intensity of their love that crosses the mass mentality of conformity and hence, the utterance of "I Love You". And also, it happened very privately. Not in some streets where other people might judge you more, ergo lowering the bar of whether to say "I Love You" or not. This case of saying I Love You or not is very interesting for me, I really want to understand more Japanese speakers preferred dictions.

The second biggest thing that I noticed from the show is their way of saying Sex. My understanding is that in BL Japanese works, they will just flat out say "Sex" rather than coding it, like what happened in Tokyo in April is..., Straight J-Dramas, on the other hand, just used the word "it". In one of the episodes of Turn to Me Mukai-Kun, the only straight J-Drama that I've watched Mukai-kun talked with one of his previous sex partners, they used the word "it" to describe their no-strings-attached sex. Of course, it's just an observation, I have not watched that many straight J-dramas. However, it turns out, in this series, they much prefer to use the word "it" as well. In episode 3, when Hiro said, before leaving the onsen, "Just because we have done it, doesn't mean we're dating". I really thought it was just due to Hiro's disbelief that he had sex with his ex-boyfriend, hence the implicit shame in admitting, and uttering that he had "sex". But now, in episode 4, during Haru masturbation scene, he says "そもそも好きだししちゃったし", again, the use of "it" Even though, I think the context has shifted, Haru was slowly admitting his love and feelings to Takashi; hence, he may not see the sex as something to be ashamed of anymore. But again, this might come from a very amateur observer of Japanese linguistic culture, I mean, the use of "it" might actually signify the idea that Haru doesn't see what he does with Takashi as "Sex" maybe they see it as "making love" lol, I know, such a corny phrase. However, maybe, Haru is just not at the point of saying that they are making love yet, but not calling it something as casual as "sex", (I’m Not a Girl, Not Yet a Woman by Britney Spears playing in the background). But that hypothesis doesn't really stand as Hiro actually said the word "sex" as they were having sex. What exactly are the connotations of the word "sex" for Japanese speakers?

I really love the consent feature of this episode. Hiro was too drunk to give consent, so Takashi just entertained him in his house, and they went out after Hiro became sober. Weird that they didn't use the trope of being too drunk and being needed to be carried by your love interest lol.

I also love that they used Uke taking care of Seme trope. it happened in My Personal Weatherman, Sasaki to Miyano [not definitive], If It's with You [not definitive], to say the least. I know it's not good in equating all of these heteronormative gender roles to a gay couple, but I think it's a nice trope to show that Ukes have dignity and play such a crucial role in gay relationships. I think it's much better for Japanese viewers to understand the out-of-the-box ness of queer couples by showing more on how Semes can also take care of Ukes - like in The End of the World with You.

ALSO. My brain itch still stands!!!! HIRO REJECTED TAKASHI. NOT THE OTHER WAY AROUND. Gosh, the unequal love trope was called back in this episode. Is this a new trend amongst Japanese BL works?

FURTHERMORE. How can Takashi be that rich? Are university lecturers in Japan paid that well? the apartment, the stuff? HE HAS HIS OWN OFFICE, like what?

P.S. I really love how just mid-wild the sex scene in the end is. It's so typical of this show to be crazily in the middle.

After Takashi proposed and they all got lovey-dovey, omg they look so cute in acting like newlyweds.

Of course, they're gonna break up before reuniting in the finale, wouldn't be a bl if it didn't have one. Gosh, I'm gonna cry so hard in the next episode.

[swiftpolls]

*created by spotify

[rrrrrrrrrriot]

BRITNEY SPEARS | SINGLES RANKED

1. gimme more

2. i’m a slave 4 u

3. toxic

4. baby, one more time…

5. overprotected (darkchild remix)

6. break the ice

7. everytime

8. stronger

9. circus

10. piece of me

11. boys (co-ed remix)

12. my prerogative

13. criminal

14. hold it against me

15. radar

16. if u seek amy

17. (you drive me) crazy (the stop! remix)

18. ‘til the world ends

19. me against the music

20. oops! i did it again

21. womanizer

22. 3

23. s&m (remix)

24. do somethin’

25. born to make you happy

26. slumber party

27. someday (i will understand)

28. don’t let me be the last to know

29. scream & shout

30. hold me closer

31. i wanna go

32. lucky

33. make me

34. work bitch

35. i love rock n roll

36. i’m not a girl, not yet a woman

37. from the bottom of my broken heart

38. pretty girls

39. perfume

40. sometimes

[foreverbritney]

— I’m Not A Girl, Not Yet A Woman by Britney Spears

[tigercallalily]

so i’ve been listening to the audiobook of britney spears’ memoir the woman in me and rather than rant at one person with massively long texts or at my parents i just gotta throw everything out incoherently, even tho i’m not quite finished yet

so like, first things first, the writing is not stellar. honestly about what you would expect and it fits if it is a bit slow in the beginning. i saw a review that it reads like a high school girl’s diary which i’d say is pretty accurate for the beginning but less noticeable the farther along

next, we hate justin timberlake and kevin federline. when i was talking to my parents about the book and her relationships, they both said that they already didn’t like jt bc of someone else he cheated on i think and then federline bc he’s a scumbag. they both suck and also the blatant double standard for men and women specifically in hollywood/fame but also just every where. which she points out several times

next, its sexist as fuck and also a problem, but in child custody, if both parents want custody, it’s usually ruled more favorably for the mother. but federline smeared britney’s reputation so fucking well that they gave him more custody of their two sons under the age of 5. like tabloids did such a number on her entire reputation and seems like absolutely no critical thinking was entertained by anyone that hey maybe some of this other shit we’re doing is causing these problems and she can’t get away from any of it

so i was 10 when she walked into that hair salon. i knew approximately zero things except that i was being told that she was going to rehab for drug abuse i think. and i don’t know what was known then but she talks about being swarmed by paparazzi and taking care of two babies by herself and her husband being closed off from her and like??? then she gets her reputation smeared in their custody battle and it’s all very public and i’m sitting here like “yeah, no shit she snapped. that’s a fucking lot to deal with”

finally, holy shit there had to have been some sort of bias, if not corruption, in the courts for her custody and her conservatorship. or potentially the courts were overrun (which is likely) and britney’s case is the one that got the least effort. i don’t know if it’s what i’ve been told or the actual general public opinion, but there was always the dumb blonde, ditz, butt of the joke directed at britney. it always came across as she was stupid. she made some stupid mistakes, which she admitted, but she wasn’t stupid. specifically about the conservatorship, she was lied to by plenty of people and didn’t know who to trust that would tell her the truth or if they would lie for her parents because they were paid by them. sidenote but law is confusing and pretty much everyone is stupid about one part or another which is why laypeople shouldn’t represent themselves. anyway, she knew the conservatorship was fucked up from the beginning but when she said she went along with it because it let her see her sons, it was a lightbulb for me.

again, the writing isn’t stellar but then we get bangers like “At what point did I promise to stay 17 for the rest of my life?” and “My freedom in exchange for naps with my children — it was a trade I was willing to make” britney you can’t make me emo about these things while i’m driving. looking back on my vague memories, it feels insane that the tabloids picked her to completely ruin. bc it doesn’t seem like there was anyone else who ever got focused on quite so harshly.

[denimbex1986]

'I love a good Doctor Who needle drop. Most of the time, they come out of nowhere, remind you of a song you haven’t heard in ages, and add just the right amount of camp to any given scene or episode. They are a joy to behold, and the one included in “The Giggle,” the last of Doctor Who’s 60th anniversary specials, is no exception.

Now, the Toymaker, perhaps better identified as the Celestial Toymaker, is a terrifying villain. He’s essentially unstoppable. His powers are unknown but seemingly limitless, the Timelords had no idea where he came from, and yet, despite all this potential, all he really likes to do is ensnare and torture his targets by playing silly little games. So, naturally, to make Neil Patrick Harris’ horrifying version of the Toymaker even scarier, his grand entrance in UNIT’s headquarters involved him dancing and lip-synching along to the Spice Girls’ iconic number “Spice Up Your Life.”

I mean, really, what else was he expected to do?

Of course, this isn’t the first time a Doctor Who villain has brightened up our lives while performing a choreographed routine to a popular song, or used music to destroy the world. The Master, especially, is a big fan of pop music. Who can forget the time he used “Voodoo Child” by the Rogue Traders to rain destruction down on Earth? Or, just after that, when he danced to the Scissor Sisters’ “I Can’t Decide” just to torment his captives? (Though, sadly, this sequence seems to have been removed from the streaming version of the show in the U.S.) Of course, one can’t ignore the Master’s iconic dance to Boney M.’s “Rasputin” during Jodie Whittaker’s run as the Doctor, either. There’s just something so deliciously twisted and messy about a villain dancing along to pop music that gets me every time.

And, before anyone thinks I’ve forgotten, a special mention must go out to Doctor Who’s use of “Toxic” by Britney Spears in the first season of NuWho. I’m still not sure the show will ever be able to top that moment, though it’s certainly come close.

The song choice is what makes the scene—and “Spice Up Your Life” was definitely the right choice for “The Giggle.” The Spice Girls are a British institution, and any song by them is bound to fit in with Doctor Who, but “Spice Up Your Life” has long been a personal favorite of mine. Like millions of others, I was obsessed with the Spice Girls when I was a kid. As a five-year-old, “Wannabe” was, predictably, my favorite. But now, as a somewhat wiser adult woman, I can recognize that “Spice Up Your Life” is just so much fun. Despite some rough lyrics, the song’s energy is unmatched, and it immediately makes you want to dance. The Toymaker clearly agrees with me.

I just love the idea that this all-powerful being enjoys the Spice Girls as much as the rest of the world; enough to know the lyrics and choreograph a violent dance to one of their songs. He has good taste and a great sense of rhythm. Who knew you could twirl someone into a wall with enough force to practically knock them out and time it perfectly? This was the best way to showcase the Toymaker’s astounding abilities and his unnerving personality. An excellent performance, to be sure.

Now, if Russell T. Davies ever wants to include another Spice Girls song in a future episode—perhaps when the Master makes their inevitable return—might I suggest “Who Do You Think You Are”? That disco-inspired bop is sure to make any scene with a Doctor Who villain just as memorable as the one in “The Giggle.”'

[opsbritney]

BRITNEY SPEARS I'M NOT A GIRL, NOT YET A WOMAN @ CDUK

[theweirdkidinside03]

Trending Hits of 2022: Harry Styles’ As It Was ruled the year

1. As It Was - Harry Styles

2. Heat Waves - Glass Animals

3. Left And Right (feat. Jung Kook of BTS) - Charlie Puth

4. We Don’t Talk About Bruno - Encanto Cast

5. Anti Hero - Taylor Swift

6. Unholy - Sam Smith & Kim Petras

7. Super Freaky Girl - Nicki Minaj

8. Betty (Get Money) - Yung Gravy

9. About Damn Time - Lizzo

10. First Class - Jack Harlow

11. I’m Good (Blue) - David Guetta & Bebe Rexha

12. abcdefu - Gayle

13. Enemy - Imagine Dragons & JJD

14. I Like You (A Happier Song) (with Doja Cat) - Post Malone

15. Made You Look - Meghan Trainor

16. Bam Bam (feat. Ed Sheeran) - Camila Cabello

17. Sweetest Pie - Megan Thee Stallion & Dua Lipa

18. because i like a boy - Sabrina Carpenter

19. Hold My Hand - Lady Gaga

20. Sunroof - Nicky Youre

21. Light Switch - Charlie Puth

22. Yet To Come - BTS

23. Boyfriend - Dove Cameron

24. Bad Decisions - benny blanco, BTS & Snoop Dogg 

25. Late Night Talking - Harry Styles

26. Until I Found You - Stephen Sanchez

27. Oh My God - Adele

28. Woman - Doja Cat

29. Let Somebody Go - Coldplay & Selena Gomez

30. The Joker & The Queen (feat. Taylor Swift) - Ed Sheeran

31. Middle Of A Breakup - Panic! At The Disco

32. One Right Now - Post Malone & The Weeknd

33. The Outside - twenty one pilots

34. I Hate U - SZA

35. Sacrifice - The Weeknd

36. WYAT (Where You At) - SB19

37. PINK VENOM - BLACKPINK

38. Don’t Wake Me Up - Jonas Blue & Why Don’t We

39. That That (feat. SUGA of BTS) - Psy

40. Glimpse Of Us - Joji

41. Celestial - Ed Sheeran

42. Hold Me Closer - Elton John & Britney Spears

43. HOT - SEVENTEEN

44. Muli - Ace Banzuelo

46. Amazing - Orange Rex Country

47. Bones - Imagine Dragons

48. So Good - Halsey

49. Fast Times - Sabrina Carpenter

50. Bejeweled - Taylor Swift

51. Potion - Calvin Harris, Dua Lipa & Young Thug

52. Blow - Jackson Wang

53. Out Of Time - The Weeknd

54. Calm Down - Rema & Selena Gomez

55. Stay With Me (feat. Justin Timberlake, Halsey & Pharrell) - Calvin Harris

56. Where We Started - Thomas Rhett & Katy Perry

57. Falling Back - Drake

58. Maybe You’re The Problem - Ava Max

59. Churchills Down (feat. Drake) - Jack Harlow

60. Million Dollar Baby - Ava Max

61. Get Into It (Yuh) - Doja Cat

62. Nail Tech - Jack Harlow

63. Make You Say - Zedd, Maren Morris & Beaux

64. tears in the club (feat. The Weeknd) - fka twigs

65. DON’T YOU WORRY - Black Eyed Peas, David Guetta & Shakira

66. Sharks - Imagine Dragons

67. When You’re Gone - Shawn Mendes

68. COMPLETE MESS - 5 Seconds of Summer

69. Honest (feat. Don Toliver) - Justin Bieber

70. Copped Up (with Roddy Ricch) - Post Malone

71. Gasoline - The Weeknd

72. Forever My Love - J Balvin & Ed Sheeran

73. Loser - Charlie Puth

74. Music For a Sushi Restaurant - Harry Styles

75. The Loneliest Time (feat. Rufus Wainwright) - Carly Rae Jepsen

76. Lift Me Up - Rihanna

77. It’ll Be Okay - Shawn Mendes

78. When I’m Gone - Alesso & Katy Perry

79. That’s Hilarious - Charlie Puth

80. SUBSTANCE - Demi Lovato

81. Don’t Let The Light Go Out - Panic! At The Disco

82. Lost Without You - Kygo & Dean Lewis

83. Every Summertime - NIKI

84. Part Of The Band - The 1975

85. I Ain’t Worried - OneRepublic

86. Are You Entertained (feat. Ed Sheeran) - Russ

87. psychofreak (feat. WILLOW) - Camila Cabello 

88. Dueles Tan Bien - Bruses

89. Easy Lover (feat. Big Sean) - Ellie Goulding

90. ex i never had - LANY

91. Me, Myself & I - 5 Seconds of Summer

92. Like This - Marshmello & 2KBABY

93. Love It When You Hate Me (feat. blackbear) - Avril Lavigne

94. Humankind - Coldplay

95. Words (feat. Zara Larsson) - Alesso

96. 2step (feat. Lil Baby) - Ed Sheeran

97. Dangerous - Madison Beer

98. I Lost Myself In Loving You - Jamie Miller

99. For Your Love - Gunnar Gehl

100. Can’t Handle It - Brevin Kim