#Braids & War Paint

[corukant]

don’t you know what i am?

lil anakin study while i get my sw stuff off the backburner rn but i am in the process of making sample merch!! pins, keychains, prints, da whole shebang >:)))) we’ll see how they turn out 🫡🫡

[phereshift]

reminisce

[id: A greyscale illustration of Commander Cody from Star Wars in knight armour. He is centered in the frame and is seated, loosely propping up a sword against his chest with an arm and a knee. He is looking off to the side towards the sword with a neutral expression, as if distracted or thinking about something. He wears a cloak draped across one shoulder, with the other shoulder showing off a bright yellow sun on his pauldron. The sword he carries is simple, with three engraved stars on the flat of the blade by the hilt, and the jedi insignia on the pommel. /end id]

[redbean-nom]

some designs for tusken era boba :)

unarmored/pre krayt hunt armored/post krayt hunt

alternative lighting style and flat colors

[getooine]

My sister asked me to draw Luke with a padawan braid so here it is :D

(Pls forgive the quality, I painted this on my phone)

[dreadfutures]

Sara | Spencer | Ifan

Sara is a dragon tamer and racer who can see magic with her draconic eyes. Evan is the most powerful spellsinger alive, able to hear and weave his spells into the Harmony all around them.

And Spencer is a college drop out with anxiety :)

[un-named-dumbfuckers]

some misc works in progress from my star war brain.

creds to @furious-blueberry0 for the padawan braids redesign that led me to start designing to my padawans braids/chains.

[theartsalsa]

This because I was watching The Believer and definitely sensed Mayfeld flirting with Cara and Din getting pissed sO hErE yA gO

[fantasticalleigh]

i literally drew that last week thinking how much i'd love for chelsea drew and piper to interact someday and then the Smackdown transfer rumors started swirling back up and i'm sorry for manifesting that

[foone]

A guy gets isekae'd to a fantasy world and it's completely disconnected from our own world, like no shared history.

Except.

Words keep popping up. Someone mentions a "French braid", and he's like "a what braid? Where did you hear about France?" and no one seems to know the etymology. He gets in some minor trouble for assaulting a bard who can't explain where he heard Old Town Road.

The local Duke shows off his new portrait and it's somehow AI generated? And still painted?

He's going slowly mad trying to figure out why there's our-world references leaking into this fantasy world. Is there someone else who is isekai'd here? Is there a portal between here and earth? A wizard who can travel back and forth? What the fuck is going on?

He falls to his knees sobbing in the street when he sees a poster for a play being put on in the Capitol city. It's called "War of the Stars" and it's about Lucas the Sky Walker who is given a holy sword to fight the Black Knight who never removes his armor, and he rescues a beautiful princess from a hidden fortress with the assistance of a wizard mentor, a traveling merchant, and his werewolf companion.

[sourcherryandsprinkles]

Jacaerys returns to Dragonstone after spending some time in Winterfell. He comes back looking differently…and has learned some new things 😏👅🐱

Request: 9 for Jacee ‘’Where have you learned to do that?’’

Warnings: 18+, smut, oral (f receiving), slight fingering, assumption of cheating

my taglists are here + you can send requests here at any time

—

Months have gone by since the prince Jacaerys left for Winterfell to gain House Stark and the North for the cause of his mother, Queen Rhaenyra. His visit should have been a short one, but Cregan Stark insisted he spent more time in the North. According to his letter, Lord Stark had taken a liking to him and wanted Jacaerys to get a true experience of the North. He said that getting closer to the northmen would help gain their support. 

Life on Dragonstone was lonely without him. A part of yourself was missing. 

You spent time with Baela and Rhaena, helped Lucerys get more confident with his dragon, played with Joffrey when no one would. You were in the early stages of a civil war, the adults didn’t have much time for the young boy. The Queen was grateful for your help. 

A few days ago, after you got back from riding your dragon, a raven came from Winterfell — a new message from Jacaerys saying he should be expected to return in the late afternoon. 

Excitement bubbled in your stomach. 

Rushing to your chamber, you didn't want to greet him smelling of dragon. You shed your riding clothes as a handmaid helped you fill your tub with hot water. She added rose oil to make your skin soft and you made sure to scrub extra hard with the brush. You wanted to look nice for Jacaerys. 

After bathing, you put on a clean dress and asked Baela for help with your hair. She was the best at braiding. 

‘’Do you think he missed me while he was away?’’ 

Behind you, Baela chuckled as she twisted your braids and pinned them. ‘’I wouldn't doubt it, Lady Y/N.’’ 

Hearing a dragon's roar, you jumped and went to your window. The air was gloomy, making it difficult to see through the horizon. You bit your lip, searching for an olive green shape. Although he was a small dragon, Vermax’s red wings were easy to discern in the skies.

You glanced over your shoulder to Baela. ‘’They’re here.’’ 

She finished your hair, ensuring every strand fell perfectly in place, and you descended the stairs with Baela on your tracks. 

As you reached the great hall, you saw the Queen and her children standing near the painted table, accompanied by a hubbub of voices. Lucerys talked animatedly about sword practice while a very excited Joffrey was jumping on his feet, excited to see his big brother. Rhaenyra told them to quiet down and give Jacaerys some air, which made you laugh. 

The sound caught their attention, and Jacaerys' eyes shifted to you. 

He had grown since he left — his shoulders broader, his stature more commanding. His once pin-straight hair now cascaded in soft curls that framed his face perfectly. He looked nothing like a Targaryen anymore. 

‘’Jace,’’ you whispered, a smile lighting up your face as you approached him.

For supper, a small feast was held in his honor. Daemon and Rhaena joined you for the meal, raising their cup to Jacaerys’ return. 

When the hour started to get late, you and Jacaerys retired to your chamber. Half-way there up the stairs, he pulled you into a corner of the staircase and kissed you the way he had been dying to since he got back. You pulled a moan out of him when your teeth glided against his bottom lip, and circled your arms around his neck as his hands were gripping your hips with a strength that was new. 

A voice came from the staircase below — probably one of the servants —, prying the two of you apart. You giggled against Jacaerys' shoulder. 

Once you reached the privacy of your chamber, Jacaerys shut the door and drew you to him again as he kissed along your jaw and down your neck. You moaned under the touch of his mouth, melting against him as your fingers worked on each other’s clothes, pulling at the laces and buckles until they fell off your bodies and onto the floor.

You tried to not step on your dress as you walked back to the bed, then let your shift slip down your shoulders and pool at your feet, leaving you fully naked. 

‘’Gods.’’ 

You blushed as Jacaerys followed down your neck to between your legs, taking his time to admire your body. You had never felt truly desired before him. Only objectified — as were all women in Westeros.  

‘’Do you like what you see, my Prince?’’ you asked, his eyes finding their way back to yours. 

Jacaerys didn’t respond. All he did was gently push you down into the bed. 

You expected him to get on the bed too, but to your surprise, he kneeled at the end of it and pulled you close to the edge. A frown drew between your eyebrows as you looked down. You opened your mouth to ask what he was doing on the floor, but the words got caught in your throat as Jacaerys kissed the inside of your thighs. 

It was something new, but not disagreeable.  

Then, he pushed your thighs further apart and pressed the sweetest kiss right over your slit, causing you to squirm. 

‘’Jace, what are you—’’

Your question died on your tongue as he peaked out and flicked your clit, sending a jolting sensation up your core. Jacaerys didn't stop there — he was far from finished with you. He laid his tongue flat and licked a fat strip up your entrance to your clit, stirring a gasp from your lips. 

Your reaction made him smile, encouraging him to pursue. He took a second lick of your cunt, then captured your clit between his lips to suckle at. You let out a mewl of pleasure, your hand traveling down your body to clutch at Jacaerys's soft hair. He alternated between sucking and licking at you, the room filling with obscene noises as your legs tightened on each side of his face, caging him. 

Releasing your clit, Jacaerys slid his tongue between your folds, tasting your arousal on his tongue. You've had his fingers inside you, but never his tongue. Arching your back, you pushed against his face, asking for more. And Jacaerys was happy to give it to you, adding a finger to the mix and pushing deeper inside you.

With your free hand, you clutched the sheets, biting your lips and holding back the moans that wanted to slip out. Had Lucerys’s bedchamber not been so close to yours, you would not have held them back. But y0u didn’t wish to scar his young ears. The poor boy would not be able to look you in the eyes again. 

Jacaerys withdrew his tongue and added a second finger, moving the former back to your clit and making a slobbering mess all over you. 

The rush of pleasure filling your body intensified and you rolled your hips into his face with abandon as your orgasm snapped. Your husband’s name left your lips in a delicate whimper, throwing your head back as he lapped at you, taking everything you were giving him. 

Easing your hands off his hair, you slowed your hips down. 

Jacaerys took the cue and left your pussy alone. 

‘’Where did you learn that?’’ you asked, looking down between your legs as he wiped his mouth with the back of his hand. 

He rose to his feet and fell back on the bed with you. ‘’The North.’’ 

Your heart sank, and a knot formed in your stomach. Thoughts raced through your mind, thinking he had bedded another woman. You would have never thought that he would commit infidelity.

Seeing the concern etched across your face, Jacaerys reached out to gently cup your cheek, his touch warm and reassuring. ‘’No,’’ he said softly, his eyes searching yours for understanding. ‘’Not…’’ He shook his head. ‘’Never.’’ 

His words washed over you like a wave of relief.

‘’Northmen, when they get drunk, they talk a lot. About their hunts, about their horses, about the things they do to their women in bed. I didn’t know women could be kissed there, but I wanted to try it. Did you…did you enjoy it?’’ 

A smile curled on your lips as you looked at him. His physique may have changed while he was in the North, but inside, he was the same nervous boy you wed in the spring. 

You nodded slowly. ‘’Can you do it again?’’

—

House of the dragon taglist: @khaleesihavilliard @domoron @ididliquorice @lover-of-helios @lover-of-helios @shine101 @tanyaherondale @mikariell95 @serrendiipty @lantsovheiress @gilliananderfuckme @shine101 @tetgod @clayzayden@memeorydotcom @tnu-ree @futuregws @blackravena @winxschester @mysteriouslydelightfulchaos @xxlaynaxx @secretsthathauntus @pilarxxxaguayo @emmavan39 @stargaryenx @erylilly @bbblackmamba @rainedrop97 @dreamer087 @gothicgay14 @ashlatano7567 @superkittywonderland @justaproudslytherpuff @evesolstice @buckysmainhxe @padfootsvixen @scarletmeii @evesolstice @dkathl @kaywsworld @tetgod @padfootsvixen @domoron @weird-addiction @angeliod @xjennyx2 @adaydreamaway08  @mymultiveres  @secretsthathauntus  @puffycreamcakes @thirsty4nonlivingmen@naty-1001@katiepie67@moshpot24x@hc-geralt-23 @lovelynerdytraveler@saturn-sas  @zgzgh @sssjuico10 @tabloidteen @timetoten @deekaag@wondxrgurl@aerangi@strmborns@astridyoo15 @daemonslittlebitch @queenbeestuffs @severewobblerlightdragon @agentstarkid @msliz @vane1999-blog @fairyfolkloresposts @todaywasafairytale07 @otomaniac @zgzgzh @thebeardedmoon @golden-library @kikyrizuki @hnslchw @camy85 @winxschester @armstrongscommentsection

All and more taglist:  @kenqki  @hawkegfs  @gillybear17   @black-rose-29 @fudge13 @cece05 @laylasbunbunny @gemofthenight @beautyb1ade   @mellabella101 @vxnity713  @bisexualgirlsblog @queenofslytherin889 @thatbxtchesblog @softb-tterfly @ethanlandrycanbreakmyheart  @xyzstar  @graceberman3   @mikeyspinkcup @jackierose902109 @daisydark @laurasdrey @mischieftom @fanatic4niall @peterholland04 @idkwhattonamethisblogs  @lexasaurs634  @notasadgirlipromise @zoeynicolas @thejuleshypothesis @multi-fandom-bi-bitch @lexasaurs634  @notasadgirlipromise @thejuleshypothesis  @katherinejess  @rafesgirlstuff   @lafleshlumpeater @iamluminosity  Anouk nani-2305 @books0fever

[israaverse]

Anat the Canaanite goddess of sexual love, war, and hunting. Progenitress of heroes, lady of Palestine.

Info on each sketch below:

Top right: Anat is shown here in a man's war kilt and her hair pulled up, a nod to the Anat statue head found in Gaza. This is after Baal Hadad's 'death', with her cheeks gouged by grief and face painted to resemble a man's beard. This beard imitation combined with her topless clothing and the horned headdress she wears is to evoke a sense of Baal having risen from the dead to claim revenge.

Bottom Right: An exploration of her musculature, with a focus on the markings on her hips and stomach. Drawn from female Canaanite fertility idols that show similar markings with a lot of emphasis on the navel/bellybutton.

Bottom Left: Anat at the feast of Baal's new palace. She wears expensive, imported Egyptian linens. Her hair is braided, eyelids darkened with kohl, and hands darkened with henna.

Center: Anat's fullbody with lots of influence from historical Palestinian dress. She is shown with a vulture because Aqhat, killed at her order, was eaten by vultures and because Anat is often shown with wing imagery.

[mylight-png]

Today, my school's Chabad held a Jewish joy/pride festival right in the middle of campus. They set up a bunch of booths with Jewish activities. There was a booth for braiding challah, making bracelets with our Hebrew names, various Jewish pride stencils to spray paint Chabad shirts. There were tables to pick up shabbat candle kits or wrap teffilin. Jewish music played loudly (but without disturbing nearby classes of course) and people were dancing along to songs like Am Yisrael Chai, I'm a Jew and I'm Proud, Very Narrow Bridge, and other blatantly Jewish songs.

Most of my friends and I couldn't stop smiling. This spot in campus where just last year people were shouting for the destruction of our homeland and our families and us, after nearly a year of being shamed for our Jewish pride and being told we shouldn't be proud, and so much time spent on a campus filled with hate, we were bringing joy back to campus.

I feel like most of my latest posts have been fairly negative. It's hard not to write my heavy heart onto the screen, especially after the murder of Hersh and the other hostages, and just everything going on overall. But this festival reminded me of how much power Jewish joy holds.

If you're feeling upset about the war, I'm with you. Few days go by without tears shed or pain felt. But remember that being Jewish is infinitely more than antisemitism and loss. Being Jewish is joy, and it is pride. We are our ancestors' wildest dreams, we are all miracles, and we cannot forget this for a single moment.

Be joyful in a world filled with sorrow, and bring light with you wherever you go.

[melmedardaapologist]

ambessa costume design analysis: war and family

*rubs hands together* Alright let’s do this

I think we forget that, before season 1 episode 8 “Oil and Water,” we didn’t have a reference for the Medarda standards that Mel supposedly failed—this is why Ambessa’s first appearance is so striking. While Mel has completely scrubbed red from her wardrobe, red is the first thing that jumps out with the cape and the accents—a bold color that is associated with passion and violence and decisiveness, all traits that Ambessa proudly boasts

The grey and black then point to functionality and metals like iron, which are used more for warfare, in contrast to gold, which is a softer metal

The immediate next observation is the functionality of the outfit—the shoulder and hip guards, the belt and abdomen armor, the pants, the boots. While in good condition, the immediate conclusion that we get is that, like Sevika and Vi, this is a character who likes a free range of movement to dish out violence, and the casual way with which she wears this outfit shows how at ease she is with this violence, how she values her physical strength

(hilariously, in the art book screenshot below, the top right draft for Ambessa’s outfit shows her in a symmetrical white waistcoat with gold and black accents like Mel’s Piltover outfit, which I’m glad that they didn’t use in the end, but I think Ambessa would’ve worn it at least once to freak Mel out)

Her hair is free and wild, almost careless, again in contrast to Mel’s carefully groomed braids (keep this in mind for later)—where Mel lets her put together appearance speak of her character, Ambessa’s not carelessness, but her confidence

The picture with Mel and Ambessa in front of the former’s painting is also interesting, because we can see how the red from the sails matches Ambessa’s red—unity with nation, as for the purposes of the story, Ambessa is Noxus, but then we see that the ambient coloring of the painting is gold—Mel’s color. The painting—Mel’s vision—is the closest we see mother and daughter aligned, with Ambessa just having invited Mel to come back, and the beautiful and almost dream-like scene behind them unites them briefly

Of course, this is Arcane so that never happens, which brings us to one of my favorite images of Ambessa:

Firstly, this is just mwah so sexy there’s the ambient red of the scene from the ashes and fire, adding to the association of red as violence, but more significantly:

It’s the first time she wears gold—and it’s in a war mask, already smeared with blood and green chems

So this outfit just—props to the design department. Just. Gorgeous. Beautiful. Outstanding. 100/10 villain outfit

So there’s a lot going down here, so I’ll start with real world inspirations: from this post by @hyperfixationcritter (it has so much more info, i would def recommend the whole thing!), we can see that the headdress could be inspired by Zulu isicholos and the red threading is similar to the Dahomey warriors, which I love, as they could’ve just gone with the Roman and/or medieval aesthetic natural to Noxus, but instead they went with African influences, so when we see the pinnacle of Medarda splendor, it’s distinct and unique

Also here’s some art book insights (my eternal thanks to @stealingpotatoes for the photo!)

So from the regal outfit drafts, we can see them cycling out different ideas of war-like aesthetic, from the more modern military aesthetic with the side cloak and clean lines which would be more like a cleaned up version of Ambessa’s first outfit, to the symmetrical wing-like gold breastplate that, interestingly, mimicks Mel’s back tattoo. I still like the version that they settled on the most, but I love how we can see what aspects they wanted to evoke through the process

The blood mask is definitely more Viking-like in aesthetic, but I feel this is something a younger Blood Sweat & Tears Ambessa would do

And going to the actual mask, it’s interesting to note that it looks more Noxian gray and iron than the final color, which brings me to my favorite point:

Firstly, I love how you can see the similarities in features in mother and daughter, but more than that, what jumps out?

Gold—Ambessa’s decadent earrings and lip ring, the breastplate, the accents on the outfit, except in contrast to Mel, Ambessa’s gold speaks of war—the earrings are triangular and pointed, the breastplate is a functional piece of armor

Narratively speaking, when Mel disappears, Ambessa is not only politically but also visually primed to take her place as the power in Piltover

Also I want to share insights from this post by the fabulous @melmedarda

And it leaves you to wonder, is it a Medarda custom to braid their hair when at war? To wear gold to war where all of Noxus wears red and black and silver?

Mel choses her battleground to be politics and subtlety and diplomacy. Ambessa choses the wolf and the blade

Furthermore, the coloring is primarily white, black and gold—Mel’s colors—showing how even if she did return, these signifiers of the identity she built for herself have been overtaken and their meaning inverted—in a way, her mother has stolen that from her, and that’s so twisted and incredibly interesting at the same time (also interesting to note that Mel seems to be primed to be Caitlyn’s support after Cassandra Kiramman’s death, but then Ambessa takes up that role, and then it returns to Mel during the final battle)

After this change, we really only see Ambessa in her workout martial arts outfit with Caitlyn, otherwise it’s variations on accessories on a basic theme, much like Mel’s season 1 outfit really only changes with the ratios of black and white, and while yes, I’ve said before that it would be cool to see some variation, story-wise giving a character a recognizable outfit works towards creating them as a recognizable and steady figure—Mel as the stable reference for wealth, Ambessa as the glory of war

I love this photo so much—firstly, the only change is the hair, which has been reworked from it’s complicated headdress into functional twin braids, and there’s a beautiful balance between the blade and the Medarda ring on her hand. This is probably the most gold we see her wearing, at the height of her military power, before the power of a butch with beautiful eyes compels Caitlyn to betray her

Here we can clearly see that the regal outfit is very easily turned into a functional outfit—even at her most decadent, it takes two seconds to lose the coat and have free range to wield weapons

Returning to the mask, in the final battle, we can see its iconic claw marks from Warwick—wear and tear from the war that we saw happen onscreen from a clash of two Wolf-coded figures (I have thoughts about the wolf metaphor in relation to social dynamics and the lone wolf idea as portrayed by Vander and Ambessa, but that’s a whole other discussion)

Design-wise, it’s also very smart to have the anti-magic runes be green—it makes them easy to spot against Ambessa’s usual design

But of course they can’t save her, and Ambessa dies, and in the final shot, she looks like this:

The lack of focus on gold or armor makes us focus on her face, and for a moment, there is such softness and tenderness there as she gazes at Mel. Because yes, she was the armor and the blade and the iron and gold, but in the end, she was just a mother who loved her daughter. She was a horrible parent and a violent warlord, but the love was there, and at the end of her life this is what we focus on, because everything else were just the expressions of the power she sought to protect them.

[divinegrey]

ᴘᴀɪɴᴛ ᴛʜᴇ ᴛᴏᴡɴ ʙʟᴜᴇ / ᴊɪɴx x ꜰ!ʀᴇᴀᴅᴇʀ

sorry for the wait everybody!! been writing other things in the meantime, arcane hasn't been my sole focus. also i have homework and exams. but here's something to appease all of you!! anon, i hope i did this prompt justice!

prompt: I'd like to request a Jinx x Fem! Reader. I like the idea of the reader being a follower of Jinx, as I think the dynamic could be fun. I think it could be cool to explore a follower of Jinx getting to know her and realizing that she's more than just a symbol. She's a multifaceted individual.

words: 1585

warnings: none

It started when she caught you tagging the side of a building. With her face, no less. 

With all the shit going down in Zaun in the wake of Silco’s death and every gang leftover fighting for scraps of power, it was only time before Jinx caught up to the fact that while yes, her face is plastered everywhere on wanted posters, there are about a dozen more spray-painted graffiti tags of her over them. Which was the goal of what you were doing when she dropped down from a building and walked to your side. 

All she did was look at the statuesque version of her face, washed in shades of blue, and say, “My nose doesn’t look like that.” 

And she was right.

Of course, with time, you got better at it. The wanted posters did a mean disservice, honestly. The only thing they got correct were the pink eyes, pink eyes that followed you when you went to your shitty box of an apartment and flopped onto a mattress flattened by years of use. You’d go to sleep, wake up, grab your paint duffel, and head back out again. The nice thing about Zaun is that there’s always an empty spot just waiting to be tagged. 

Somehow, Jinx always finds you. 

“You know people see you as a leader, right?” You say, shaking a can of neon pink, the ball rattling around inside the canister. You glance over your shoulder to where Jinx sits on some pipes connected to the wall, her braids dangling and the gold bullet casings wrapped around reflecting the faint light that falls through the fissures. With a gesture to your own head of hair, dyed an insane hodge-podge of bright colors, blue included, you continue, “Silco’s gone. Whole world down here has turned upside down. But for the first time in a while, we’ve got hope. Cuz of you. Cuz of what you did to those fuckin’ Pilties.” 

“For all the good it did,” Jinx remarks, a dryness to her tone you’ve come to know and love. 

“I’m serious. C’mon, you can’t tell me you don’t know the reason why I keep painting you? Why a dozen other taggers I know keep painting you? Why the color blue is nearly sold out in every damn shop?” You kneel down, arcing a curve of pink paint along the grey brick wall, moving quick and precise. Overthinking it makes it worse. “I’m not wearing spray-painted clothes in your colors for nothin, Jinx.” 

She turns, peering at you. In the shadows, her eyes seem to reflect some more, glowing like a cat’s would. “Because y’all have some weird, deluded sense that I’m a leader, or somethin’.” 

“You are. To me. To us.” You point at the other tags in the alleyway, some of them copies of the same mark you’ve seen a dozen times around town. Jinx’s name, sigils of BOOM! and explosives doodled about. You twist and take a seat on the scaffolding, your legs dangling off the side of it. “I didn’t know you when I first started drawing you. I heard what you did, and I thought damn, there’s someone out there willing to actually do something. In a single day, you did more than Silco ever did in years. Sure, we might be going head long into a war, but dying free is better than living under someone else’s boot.” 

Jinx hums. She leaps off the pipes, crossing the gap between you and her with ease, landing on the wooden scaffolding. She straightens up, gazing at the half-finished tag you’re working on. With a hum, she turns to you, and puts something in your hand. Before you have the time to look down and figure out what it is, Jinx says, “Nozzle control. Quality on some of your cans are shit, no offense. Slap that thing on it and you won’t have an issue after that.” 

“Oh, thanks—” 

“Don’t mention it!” Jinx steps off the scaffolding, landing on the ground below with a THUD. “And for the record, I ain’t the kinda person to follow.” 

“You’re gonna have to try harder than that to convince me!” You call down, grinning from ear to ear. Her brows furrow together, then a small huff, a hint of a smile on her own face. She walks away, off to do… whatever it is that she does when she’s not hanging out with you. 

It isn’t for some time that you see her again. You’d say you’re worried, but you pass through the crowds hearing whispers of Jinx sightings. Every day, it seems another head of blue hair appears, the quiet signs of revolution brewing in the heart of Zaun as the enforcers grow more and more strict, searching anyone and everyone for some hint or clue to find the one that destroyed the Council Chamber in Piltover. You’ll never say a word. 

You walk into your apartment. Work was… work, boring and mind-numbing as it always is. You wonder if you can handle another day of it, but another day will bring another chance of seeing her out there, so you decide not to fly off the handle just yet. You shrug off the soot-stained work clothes, and where you reach for your paint-splattered jacket, it isn’t there. 

Instead, a note. 

Never had anyone believe in me quite like you. The Hound’s statue, midnight. Come and get it. 

With the pink lettering and the doodles of monkeys and bombs scribbled across the page, it doesn’t need to be said just who left this note. You snatch it off the wall, utterly beaming; Gently, you fold it into fourths, tucking it into your shirt. Thank god for the late shift— less waiting!

Any of the weariness you might’ve felt before is gone as you race through the streets, taking any and every shortcut you know. The night is quiet, what with the enforced curfew put up by the Pilties to discourage wandering, not that they’ve done a good job of it. Zaun is Zaun, and the cogs down here will always keep turning, whether Piltover likes it or not. 

When you arrive at the open plaza where the statue erected to Vander, the Hound of the Underground, is, your mouth drops in shock to find the entire plaza covered, every square inch of it, in neon paint. Sigils upon sigils that you have seen time and time again, glowing in the dark. It reaches all the way to the statue, pink highlights in Vander’s hair and blue accents along his metal jacket. 

Sitting on the shoulder of the statue, paint can in one hand and your jacket in the other, is Jinx. 

“Shoulda known you’d be a little early. Good thing, I work fast,” Jinx remarks. She crooks a finger at you to come closer, and you do, taking care to step over the paint lines on the stone. You’re a little in awe of the work she’s done— how has nobody taken notice? Come to think of it, you heard there was a scuffle a few blocks away. The logistics don’t seem to matter anymore the closer you get to her. 

You arrive at the base of the statue. “How’d you even know where I live?” 

“Sweets, there are a lot of things I know about you. And a lotta things you know about me. Things that might drive other people away, but not you,” Jinx says, something like an angel as she looks down upon you from the statue. In the flash of a second and the trace of neon light left in the sky, she’s standing in front of you, your back pressed against the statue. The beam of moonlight that breaks through shines on her, her shimmer-pink eyes locked onto your frame. “You keep sticking to the inside my brain, can’t stop thinking about you.” 

“Could say the same for you,” you reply, a little breathless. “Why’d you do all this? Get my jacket and bring me here?” 

“Cuz you showed me somethin’ important. That people, for whatever crazy reason they got in their head, believe in me,” Jinx says. She holds out your jacket to you, and you take it, slipping your arms through the sleeves and fixing the collar so it stands upright. Her eyes go from bottom to top, taking her sweet time. “I wanna show em what I can do. Give those people with my blue in their hair a reason to keep going. To keep fighting.” 

“You have me. All the way, Jinx,” you say, putting a hand over the front of your jacket, where a pink heart has been painted. “So what do you wanna do? Other than all this?”

“Right now?” Jinx cocks a grin. “I wanna kiss you.” 

What? You blink, wondering if you heard that right, but her taking a step closer to you only confirms that yes, you did hear it right. You swallow the nerves, finding your cheeks hurting from how hard you’re smiling. “And then what?” 

“And then, we show Zaun all the fun we have to offer, and we tell Piltover to shove their Hextech where the sun don’t shine,” Jinx finishes, her hands grabbing the lapels of your jacket and pulling you in. Your lips touch hers, something you never thought would happen, not in your wildest dreams. 

But here you are, arms wrapped around Jinx as she kisses you in the streets of Zaun, the cry of revolution soon to come. 

~~~~~

A/N: thank you for reading!! comments are always appreciated <3

[heli-writes]

A dragon's heart, part 9.

Pairing: Barbarian!Bakugou Katsuki x female!reader

Summary: The dragonblood tribe is known for being cruel, barbarian warriors that slaughter, loot and rape all places they pass through. They are feared among the villagers and even bigger cities. Having lost most of their women to a plague, they're trying to ensure their tribe's survival by kidnapping women from other places. However, they're not the only monsters in human form out there. When y/n experiences this first hand, she has no choice but to ask for help from no other but the barbarian leader Katsuki Bakugou himself.

Disclaimer: mentions of injuries, mentions of forceful behaviour towards women, bad family dynamics

[Please don't read if you are sensible to or triggered by the topics mentioned above.]

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10

Series Masterlist

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

Y/n has no idea what is happening. Currently, there are two elder women around her who undressed her, redressed her and now are pulling her hair and painting her face. And by painting her face, it must be clarified that they don't put pretty delicate makeup on her but that they draw bright red lines on her face, arms, and legs. It looks like full-body war paint, y/n thinks.

Also, y/n is not convinced by the outfit they put her in. It's a two-piece. A loose neck holder top ends only a few inches under her boobs. She's also wearing a floor-length skirt. However, she's not sure if the word 'skirt' fits the piece of clothing around her hips. Two long pieces of fabric are strung in multiple hold chains that sit tightly around her hips. One piece covers her backside, the other the front side.

The squishy part of her tummy and her belly button, as well as her arms and legs, remain uncovered. Y/n usually feels comfortable in her body but it's a bit too revealing. At least for this weather. Also, she's a bit scared her butt cheeks can be seen when she's walking.

She tries not to think about it too hard since the two women working on her hair are wearing similar clothes. It seems as if this is normal for women around here, even if they are a gazillion years old.

The women don't speak to her. Also, they don't speak to each other.

When Katsuki left her alone with them, y/n felt a bit relieved since this was the first female company she had in a long while. But now she just feels awkward.

The women braid her hair and pin it up in a lavish updo which y/n finds very pretty. When they're done, they decorate her hair with golden hairpins and put necklaces around her neck that look similar to Katsuki's. They also want to put earrings on her but y/n doesn't have her ears pierced so they leave them as they are.

Absently, y/n massages her earlobes. She wonders if they'd like to pierce them. They have multiple piercings and also Katsuki wears earrings. She's also positive that she saw men with piercings in their noses and other places in their faces yesterday.

She shudders. It's against the beliefs of her people. Her people believe that one is born by nature's divine design and altering your body by piercinging or tattooing it, is a heavy insult to the great being of things. Some even refuse makeup and say it's not how nature wants them to look. Y/n isn't so strict about that but also wouldn't usually wear any form of paint on her body.

All of this feels so very foreign to y/n. Of course, she knew that Katsuki must live a different way of life but when being with him, that rarely became apparent. This outfit makes it painfully aware of just how different their cultures are.

Somewhen, Katsuki reenters the tent again. He wears a similar body paint as her. He lost the cape and more necklaces than usually hang around his neck. He also wears a bunch of bracelets, he usually doesn't wear.

When the ladies are done with y/n, they present her to him. Y/n gets up from where she is seated and gives him an unsure smile.

His eyes run up and down her figure. He has a stern look on his face the entire time, but he gives her an approving nod. Then he steps closer to her and pulls a delicate chain from his pocket. Carefully, he places it on her head.

Immediately, the women step closer and pin it into place. Y/n touches it carefully. The chain is thin with strings of golden beads. In the middle of her forehead dangles a drop-shaped pendant in a rubyred shade.

Katsuki puts a hand on her shoulder. The weight from his arm grounds her. She didn't notice how shaky her breath was.

The funny thing is, she doesn't even know what this is all about or what will happen when they leave the tent. Based on the outfits and Katsuki's grim expression, it must be something meaningful, something big.

She wonders if he drags her down an aisle. Figuratively speaking, because her people don't marry in churches where you would have to walk down an aisle. Her people marry in lakes and rivers or creeks. They believe all life comes from water and therefore they tie their lives together in it.

Y/n is pretty sure, she would refuse to step in a lake around here. It's just too cold for swimming on the tip of a mountain. She wonders if she'd walk down an aisle with Katsukin if that's what is going to happen today.

Anxiety chews at the sides of her stomach. Truth is, she doesn't want to get married. She wants to be with Katsuki, yes, but again in her culture that doesn't mean one just immediately marries. Y/n thinks that a challenge or crisis must be overcome first before two people can truly know that they belong together. That hasn't happened so far.

She needs more time and she doesn't know if Katsuki or his people are going to give her more time.

The two women leave the tent and Katsuki and y/n remain alone. Katsuki steps a bit closer and carefully puts his hand on the side of her head. He leans closer and puts his forehead against hers. The pendant presses into the skin of y/n's head and it doesn't feel as reassuring as it probably should feel.

Y/n swallows hard.

Katsuki leans back and stares into her eyes. The red of his eyes looks particularly hard today.

Meanwhile, Katsuki can see the fear in y/n's eyes. He wants to explain to her what they will do today but he knows he can't. It makes him angry he's never been taught the common tongue. His mother was traditional like that.

He is racking his brain for any words or sentences he picked up. Unfortunately, most of the things he learned, he picked up in battle or from captives or the women they took. He doubts however that things like "die", "you bastards" or "please, no" will be reassuring to y/n.

"Okay?", he tries, the word feeling foreign on his tongue. He holds out his hand to her. Y/n stares at his hand, then at him. She takes a deep breath. "Okay", she whispers and takes his hand.

*~*~*~*~

Katsuki takes her to the bonfire square. It's where his mother, her ladies-in-waiting, and the rest of his people wait for them.

He's as anxious as y/n looks like. He has to admit that while y/n looks absolutely stunning in his tribe's clothes and paint, she also looks smaller and weaker than ever. He tells himself that things will be alright. That even if his mother doesn't approve, he can take her on as his mate anyway. He's chief, he makes the decisions.

But deep down, every child wants to please their parents. And Katsuki looks up to his mother. She's fierce, she's strong and the only reason he's chief to begin with is only because she stepped down after the plague. Some people blamed her for it even though everybody knows that it's not something a human being can control. Maybe that is why she feels so strongly about Katsuki taking on a good mate that will produce lots of offspring.

Katsuki shudders even though he's not cold. He looks at y/n who is also shivering. He holds her hand a bit tighter. Y/n looks up to him and gives him a small smile.

At least she doesn't despise me and comes along willingly, he thinks.

The past few presentations since the plague have been anything than pretty and joyful. After raids, men brought women from other places. Women that didn't want to be there. It was either impossible to make them look presentable due to them fighting it or the paint on their faces was ruined by the time they stepped in front of Katsuki.

Usually, his men have to present their future mates in front of the chief and he has to decide whether they are acceptable or not. Since he's chief, it's his mother who will do the presentation. In contrast to Katsuki's decision, his mother's is completely representative and meaningless. He's chief after all. And still, he feels like he needs his mother's approval. Maybe part of him is afraid that his people won't respect him or his mate when she doesn't approve of her.

They approach the square. His people are lined up at the side desperate to get a view of the woman Katsuki brings along. His mother and her ladies-in-waiting are sitting at the other end of the square.

Katsuki can feel y/n stiffen at his side. He gives her a glance and can see how her face is pale beneath the red paint on her face. She's not shaking anymore but her muscles are tightened to a point where they will probably ache tomorrow.

He links her arms with his and proudly struts along the square. He tries not to walk too fast so that she doesn't stumble over her feet. He's seen women stumble and fall on their presentation and it was always humiliating for her and the man. Of course worse are the cases where they have to be dragged or carried into the square while crying and loudly protesting.

Quickly, he tries to shut out these thoughts. This is different, y/n's different. She's coming willingly, she's looking more than just presentable, things will be fine.

He steps in front of his mother who looks at him with a hard stare. She doesn't even spare y/n a glance.

„Mother, I present to you the woman I have chosen as my mate.“, he tells her. His voice sounds hard and determined.

His mother sits up more straightly. Her eyes shift from him to y/n. Katsuki doesn't dare to look at y/n. He just hopes she holds eye contact with his mother. His mother, Mistuki, looks y/n up and down.

Then she stands up and walks up to the couple. Gently, Katsuki lets go off y/n's arm and takes a step to the side.

His mother circles y/n while examining the woman infront of her. She lifts y/n's skirt a bit and peers under it. She touches her hair and the necklaces that dangle around her neck.

„She's skinny.“, Mitsuki comments. Katsuki stays silent. His mother stops infront of y/n and looks her up and down again.

„She has no muscle mass whatsoever. Can she even carry a bucket of water from the creek to your tent?“, his mother continues.

„She arrived yesterday. I'm sure she can build up muscles over time.“, Katsuki answers her calmly.

Mitsuki cocks her head to the side.

„Can she? She looks cold. She might also freeze before she even finds her way back to your tent.“, his mother continues.

„I get her warmer clothes.“, Katsuki argues.

His mother gives him a glance.

„Sure, sure. You can. But what if she catches a cold? Is she sustainable enough to survive that? To survive childbirth?“, his mother asks frowning.

Katsuki steps closer again and pushes y/n's top to the side a bit.

„When we met, she had an arrow stuck in her shoulder. Look, it healed quickly and without infection. I'm sure she can heal well after giving birth.“, he explains.

„Struck by an arrow?“, his mother says with a raised eyebrow and Katsuki instantly regrets mentioning it.

„That means she lost a fight? Are we not a tribe of warriors?“, Mitsuki asks sharply.

„It's a wound of a warrior. I've been struck by arrows before. Are you saying I'm not a warrior?“, he bites back.

His mother gives him a long stare before returning to her seat. She leans her head onto her arm and runs a hand over her face. He knows what comes next.

„I don't approve.“, she says and Katsuki's face twists in anger. Whispers run through the crowd.

Before he can answer her, Mitsuki continues.

„Katsuki, you understand you are our leader, yes? You understand that it is necessary that you have plenty and healthy children, yes?“, she points out angrily.

„Of course, mother. I intend to ensure our tribe's survival in any way I can.“, he tells her calmly.

Mitsuki slams her fist down and stands up.

„Then, why are you intending to bond to this frail excuse of a female? Why do you not wait until one of our own is of age?“, his mother says loudly pointing towards a few girls at the age of 10-12 at the side next to her ladies-in-waiting.

„The longer I wait or any man of this tribe waits, the bigger the gap between the generations will get. This poses a threat to our tribe. You know that. It's why we began bringing in women from other places in the first place.“, he argues back angrily.

„Wrong“, his mother says cooly, „We began bringing other women here because so many of us died that even the next generation of women can't ensure the tribe's survival.“

Katsuki grinds his teeth. She's not wrong.

„Do you know what kind of insult this is to these women? That their leader chooses a foreign, weak female like that over them?“, his mother continues and gives y/n a demeaning gesture.

Katsuki starts to see red.

„They're not women, they're children, mother. Do you intend to make one of them my child bride? Isn't that an insult to their mothers who died? Is that all they're worth?“, he yells at her.

He knows that will hit a sore spot. His mother cares deeply for these young girls and grieves the death of their mothers equally as deeply.

Absolute silence engulfs the square. No one dares to even move a finger. His mother gives him a long, cold stare. Then she sits down again.

„You're chief, Katsuki. Do whatever you want, but I'll warn you. Your example will precede this tribe. If you fail to produce an heir, this tribe will not survive under your reign.“, she tells him.

Katsuki is fuming. He wants to yell at her, maybe even throw a knife at her. But people are watching and he has to be careful what he says next. He must strengthen his position as chief even if that means demeaning his own mother.

„You've brought this fate upon us in the first place. Why do you think you have the answer to how we ensure our survival? Didn't you step down because you don't have the answer?“, he says striking to kill.

His mother's face contorts in anger and shame. He doesn't give her a chance to reply. He turns to his people.

„This woman came here by her own free will. She's proven herself a great healer and skilled hunter to me. You all feasted on her success at yesterday's bonfire. Therefore, I approve her of being worthy as my mate.“, he declares to them.

Without waiting for a reaction from his people or his mother, he turns around grabbing y/n's arm and he leaves the square with his head held high.

~*~*~*~*~*~

Y/n stumbles after Katsuki. Her head spins. The last few minutes have been nothing but bizarre to her. Obviously, she didn't understand a single thing that's been said but y/n isn't stupid. She quickly picked up on the atmosphere of the conversation. Which was not good.

Even before Katsuki and the women started yelling at each other, y/n knew that the conversation was not going well. It's easy to spot when Katsuki gets angry. Really angry, not the normal state of angry he always seems to be in.

Katsuki walks fast and y/n has trouble keeping up with him. He drags her all the way back to his tent. Only when they're inside, does Katsuki let go of her. He doesn't say a word.

He walks over to the table and pushes it over with a loud, angry yell. Y/n flinches at the action.

Katsuki kicks a bucket filled with weapons to the other side of the room and lets out a string of angry words that y/n guesses are insults.

She's never seen him this angry before and it scares her. She wants to get closer to him, put a hand on his shoulder, and comfort him in his frustration. But when Katsuki starts destroying one of the chairs with a battle axe, y/n is sure it's best to not get close to him at this moment.

So, she stands helplessly in the middle of the room flinching and trying to avoid flying splinters of wood.

Suddenly, there's a rustle at the entrance of the tent. A red-haired warrior enters it.

„Yo, Bakugou!“, the man says carefully and steps next to y/n.

„What the fuck do you want, shitty hair?“, Katsuki yells at him, his face contorted in anger.

„Making sure you don't scare the poor thing to death.“, the man says and points towards y/n.

„Fuck off, Kirishima. She's fine.“, Katsuki growls at him

The man named Kirishima sighs and gives y/n a side glance.

„You sure? She doesn't look too happy about this. You still have to mark her, maybe tune it down a bit until then.“, Kirishima tells his chief.

Katsuki drops the bits of wood he is holding and frowns.

„Whatever, shitty hair. What do you want?“, Katsuki asks.

Kirishima pushes his hands into his pockets.

„Looking if you're alright. I mean the presentation went... not well, I guess.“, the red-haired man says carefully.

Katsuki scoffs. „I'm fine. The hag's opinion doesn't matter. I'm chief.“, he declares.

Kirishima nods. „Of course, you are. And your decision stands.“, he reassures his leader.

„And if you ask me, I think you made a good choice.“, Kirishima continues.

„From all the women that we brought here over the last few years, that one is definitely the calmest. Remember when I brought mine? She was a mess, well, actually still is but I don't need to tell you that.“, Kirishima tries to reassure him.

When Katsuki doesn't answer, Kirishima quickly adds: „Also, she's very pretty.“.

Katsuki straightens his posture and looks y/n up and down.

„Yeah, she is.“, he tells his red-haired friend.

Kirishima nods cheerily. „Exactly. So why bother thinking about your mother's words? Why don't you and... uh...?“, Kirishima gestures towards y/n.

„Y/n“, Katsuki tells him.

„Right, why don't you and y/n come and join us at the stables? Denki, Sero, and I are heating up some mead. Have a drink with us.“, Kirishima proposes.

Katsuki shrugs. „I don't know. Y/n might not feel comfortable meeting more people after this.“, Katsuki tries to excuse himself.

Kirishima gives him a toothy grin. „Oh, what a gentleman. You're really smitten, aren't you?“, he teases.

Katsuki shoots him an angry look. „Shut the fuck up, Kirishima. It's just been a lot, ok?“, he mumbles.

Kirishima doesn't fail to notice the pink dust covering his chief's cheeks.

„Alright, what about this. Y/n stays here and can collect herself. You come with us for a drink. Maybe we can come back and catch her later. What do you think?“, Kirishima tries to convince him again.

Katsuki shrugs.

„I guess we can do that.“, Katsuki says reluctantly.

„Great!“; Kirishima says clapping his hands. „Y/n, you stay! We'll come back later.“, he tells the woman next to him who looks at him with wide eyes when he speaks directly to her.

Katsuki steps over the destroyed chair and follows his friend outside without sparing y/n a glance.

~*~*~*~*~*~

Y/n feels like crying. She's standing in the middle of the half-destroyed room all alone. She's so confused.

What on earth happened?

What's going on?

Who is that red-haired man?

Where is Katsuki going?

Her head starts to hurt by the amount of force she uses to suppress her tears. Eventually, she can't hold them back anymore and hot tears run down her face.

She makes sure that no one can hear her sob.

~*~*~*~*~*~*~*~*~*~*~*~*~*~*~*~

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[shotmrmiller]

y'all know davy jones who can only step on land once every decade?

right, make that Simon, but he's something else.

He shows up hours before someone's passing. An inky nondescript shadow that blends into the background, unnoticed by most. But to those whose final specks of sand trickle through their hourglass?

They see him.

An entity condemned to a lifetime of servitude. A wretched, pitiful existence. Something that saps the life out of everything it touches. Something that can't feel the warm rays of the sun seep into his skin, can't smell petrichor in the dewy morning, when the world begins to wake.

He lives yet he doesn't. An eternity of suffering, of wishing he never begged for a way out of the braided strands of hemp that had tightened around his neck for his crimes so long ago.

His freedom forfeit the moment he pleaded for it.

With a lantern that glows an eerie green, he leads deceased souls to their final destination, even the ones who resist, who cling futilely to life, to what is no longer theirs.

Some might call him death, others Hermes. The only name he's ever cared for is his own, the one that his mother had given him back when men still sailed the seas in search of treasure, when men and women alike were hung at the gallows.

But now he is a nameless servant of the natural order that guides them all.

However, he was also given a boon. One single day, out of every ten years, the tight collar around his neck comes off, and he turns human.

A man of flesh and blood.

His lungs fill with the crisp, biting air that he never feels. Cheeks sting from the cold. Fingertips numb without gloves.

For one blessed night, the heart in his chest beats. For one blessed night, his body is warm, flush with life.

And it's been this way for as long as he can remember. He would roam the docks of back then, the briny air stinging his nose, the dulled thumping of hooves resounding in his ears. The chants of drunken men coming from inside lit taverns.

He roamed when cars began to be a form of transportation, when children, boys, began marching to war.

He had been so busy, then.

And he roams now, in the modern age, where medicine forestalls the inescapable.

But then, you. Blood rushes to his face the moment he lays eyes on you. His throat dries, turns to the paper that's used to strip paint.

He's never seen something so beautiful. So plump with vitality, life coursing through your veins. A sweet little thing, whose dulcet voice makes his knees weak.

And when you shake hands with him, palm engulfed in his much larger one, as you ask him for his name, his tongue feels as if it's coated with tar, swollen and heavy. But he garbles out his response anyway.

"Simon."

The way you breathe it back, like a sigh from a lover, could still his heart.

Everything else is a blur, his eyes only ever focused on you when he ends up in your arms, in between your spread thighs, inviting him where no creature such as he belongs.

But he's always yearned for what was never his, and so with fervor, he takes. Grabs at soft skin, and whimpers at the fact that you're not dead with his touch. Surrenders himself to you, completely; makes the little dove under him sing until the short arm on the clock gets close to 12.

This is where he departs, with a promise he swears to never break, and wrenches his heart out of his own chest, placing it in your gentle hands.

He swears to come back for it, once every ten years.

Whenever Simon turns back to whatever he's cursed with being, he keeps a keen eye on you. And then the one time he passes by, feeling like nothing but an artic breeze to you, he sees your life is close to an end.

Simon, for once in his pathetic existence, saves a human life. The car that crashes into you at a lethal speed, does nothing but total your vehicle. It is considered an absolute miracle to everyone, except you.

That should've been your demise. That should've been it.

His little dove, too smart for her own good.

The time will soon come again, and when his head rests on your chest, listening to the lulling sounds of your heart beating, will he tell you what he is.

(maybe, or not idk)

"It's a heady tonic. Holding life and death in the palm of your own hand."