#Book of Thought : lore

[soratsuart]

I find it incredibly funny seeing some fans complain that the movie wasn't "lore accurate" as if FNAF has ever been consistent with its lore, like

Wow, the movie changes a lot of stuff and is not accurate to what we thought we knew? *looks at The Silver Eyes trilogy* I can't believe that, how horrible *looks at The Silver Eyes trilogy* Who would've thought they'd change stuff that makes us doubt what we know about the series *looks at the fourth fucking closet*

[sevenines]

i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.

two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!

[mossy-leo]

I think it should be said this whole thing with the book is for fun.

At the end of the day, unfortunately Gravity Falls is a dead show, it’s been dead for years. It’s great that we have new content, but we have to remember at this point we’re really only to expect scraps. We aren’t owed anything as a fandom and we should not go at Alex for any reason beyond joking support. I haven’t seen anyone do that but I’m just saying. This is all for entertainment and fun.

There seems to be a major connection between TBoB and The Great Gatsby, the second being about letting go of the past so it doesn’t haunt you. The timer on the website? The negatives? The dead ends? Maybe it’s Alex’s way of saying this is the end. To let go. To move on.

[triangular-static]

irregular

just read flatland and i am 10x less normal about bill cipher now. it's so interesting to think about passages of this book with him in mind

(and also as its own book it's very interesting to read as an examination of dimensions and as a satire of victorian society, i very much enjoyed it)

but one of the first things that i noticed when my friend was looking at website codes at the same time i was reading the first half of the book was:

the code for bill cipher's mugshots is irregular. having read flatland this being the code seems like a reference to how shapes with irregular sides are labelled as criminals and morality is very heavily judged on whether your angles are equal or not. the term REALLY sticks out to me having read the book, given it carries. a lot of weight there.

(trust me, there were many excerpts i could have chosen from. even the narrator is very biased against irregular shapes. like. from the way it's used it pretty much reads as a flatland slur)

yeah. i don't know if the unfair link between morality and irregularity existed in euclydia, but with this as a code? it's not impossible. euclydia is not identical to flatland from what we know, but there are still places where they match other than just the base concept.

bill being implied equilateral by the axolotl makes this interesting. while he could definitely be labelled irregular in other ways (his eye), being equilateral would mean he doesn't fit the main flatland definition. but that doesn't mean they wouldn't use it as an insult anyway.

his exact angles could have shifted, which is possible in flatland (and he shapeshifts to forms that look far less equilateral in the show, so i don't think he's really that confined in shape at least currently), but i think him being equilateral yet being the one to destroy euclydia could also be interesting as a subversion of the flatland bias. though him being irregular by a small amount would also align with themes he already has. i think both could work.

but, if irregularity IS as heavily punished in euclydia as it is in flatland, one of his parents being named scalene (a term that is notably quite absent from the book! instead they use phrases like "irregular isosceles", from what i could see. i love when things are made significant by omission), is very interesting as well, if it's more than just a name.

given scalene seems? to be able to lead what seems a fairly normal life from the bare snippets we have? i think if there is discrimination of this nature in euclydia, it could be less extreme, and may be one of the cases where the worlds are different.

but irregular being used in relation to bill as a criminal makes it seem like something in his universe, at least. or maybe it got picked up from a different 2d world and applied to bill later?

at the very least, it adds a layer to his aversion to answering this question in the ama:

TL;DR: the website code "irregular" leading to the color version of the mugshots is likely a reference to flatland connecting it with criminality. which is interesting if that means being irregular is a notable thing in euclydia as well, but even if it's not, it's an interesting reference!

[choices-binglebonkus]

The neat thing about Choices books is that you can always tell whenever one is someone’s passion project vs. just a Nothing Book needed to fill the release roster.

[haveyoureadthisbook-poll]

[whattraintracks]

I kinda feel we didn’t much of raph and splinter’s relationship in 03 thoughts?

Hmm, I suppose that's fair. I've heard it said that 03 isn't a very character-driven story, and I agree we don't see as many character dynamics or arcs explored as we could have.

Below the cut are the pieces of Raph and Splinter's relationship I've pieced together for myself.

Splinter's bio on Raph in Tales from the Sewer presents this interesting duality in Splinter's perception of him. He's a difficult child but just a kid. He trains the most but he's a difficult student. He makes poor decisions but Splinter has the utmost faith in his abilities. As both father and teacher, Splinter sometimes struggles to approach his sons and their needs in the appropriate role, especially when it comes to Raph.

For example, his hands-off approach to Raph's rage, or what I usually think of as emotional dysregulation (either as a product of neurodivergence or his young age). When Raph nearly maims Mikey during a rage attack/dissociative episode (see S1E4 "Meet Casey Jones") Splinter doesn't try to stop Raph or separate him and Mikey, although he very well could have. He doesn't step in until after Leo and Donny have broken up the fight. Despite addressing Raph parentally, he comes at the issue like a teacher offering those ninja master-esque nuggets of wisdom about rage being a monster and a true warrior is balanced in all things. I think he wants to come across sympathetically (gentle voice, physical contact, calling Raph "my son") but there is a sense of disappointment and unmet expectations in what he says.

In the aforementioned bio, Splinter notes that of all the turtles, Raph trains the longest and hardest. He likely equates length of training with dedication to ninjutsu and assumes that because Raph exhibits these things he should be something he isn't: more disciplined less angry. Perhaps he compares Raph to Leo who apparently trains less but fits Splinter's prototype of a good ninja. Speaking of Leo, later in the same episode we see Splinter chastise Mikey and Donny for interrupting Leo's practice and tell Leo to keep practicing his split kick without offering any advice on how to get it right.

We see this idea directed to Raph in Splinter's comment about a true warrior finding balance in all things. It's not particularly informative. This is his version of telling Raph to keep practicing but it's not what Raph needs at this moment, hot off such an overwhelming experience. So instead of reading this as the patient, parental advice I think Splinter intends it to be, Raph's body language screams chastised. He doesn't meet Splinter's eyes and he runs away. Raph (like all of the brothers) wants Splinter's approval and he's devastated to have fallen short in this instance. Then Splinter doesn't let Mikey follow after Raph. And yeah, Raph likely needed that space but it's this hands-off approach, again. Another example comes from the one of Raph's diary entries in the Raphael: Collector Book. He talks about Splinter assigning him more meditation exercises to help him control his emotions and temper. Perhaps training, space, meditation, and nuggets of wisdom are effective tools for Splinter to self-regulate his emotions, but Splinter is also an adult. Raph needs more guidance and practical advice at this point in his life that Splinter isn't providing. The tools aren't enough, he needs to be taught how to use them.

So. Raph responds in a couple ways to Splinter's hands-off, more-teacher-than-father approach. The first is to train harder, and longer, and learn everything he can about ninjutsu. If Master Splinter says becoming a true warrior will help him find emotional balance then he's going to try his hardest to become one. When he meets Casey, he shares with him verbatim the true warrior line but confesses to Casey he's not sure how hot-heads like them are supposed to do that. He still takes the advice to heart even if it's not helpful or he doesn't understand it because he wants to please and obey his father. The collector's book shows us that Raph has taken the time to learn aspects of ninjutsu that are confusing, uninteresting, and even inaccessible to him. This book contains a lot of technical information about ninjutsu techniques and teachings. It presents Raph as even more of ninja nerd than Leo! Some of this stuff appeals to his interests, for sure; the different punching techniques for instance. Some of it, he seems to have only learned to gain Splinter's approval. He has a detailed spread on hand signs that he explicitly finds too mystical and confusing, claims it took forever to learn, and he can't even use it as a three-fingered being, but he hopes Splinter will be impressed with him.

Second, he goes behind Splinter's back. If there's something he wants or needs and he thinks Splinter won't approve of it, he'll take it for himself. Such as going to the surface when he needs space or bringing his brothers to the surface when he thinks there's something important they need to do. This feels, to me, like access thievery, which is the concept (typically applied to disabled/neurodivergent folks) of taking what one needs (time, space, resources) without asking for permission or waiting to be offered it (because you likely won't be). Again in the collector's book, Raph exhibits an awareness of his faults and a self-compassionate recognition that he's just a teen. Splinter know this too but has shown that he can't always offer what Raph needs or won't give him it in some cases (forbids them from going to the surface). So Raph has developed a willingness to take what he needs for himself and sneak around Splinter to avoid the disapproval he fears.

All that aside, I think they're very similar in their fierce love and devotion to family and the ways it can drive them to anger, fear, hatred, and vengeance. There are traits Raph inherited from Splinter they bond over, too. They're both competitive. The Battle Nexus Tournament isn't their thing but we see them playing pokey in "Dragons Rising." I love the idea that they play a lot of games together! They have a similar sense of humility. They know they're skilled but they're more likely hang back and play support while their other family members take the spotlight than boast. Unless it's really personal, then they'll take over, like how Splinter's quest for vengeance guides them in Exodus and Raph's desire to help Casey leads the brothers to sneak out with him in "Meet Casey Jones." I think, they have a similar sense of humor, too. Raph has this silly line in the collector's book about Splinter being proud he used his head, that is, like a battering ram, and you cannot tell me Splinter wouldn't chuckle at that.

[thefloatingwriter]

sunrise on the reaping is where headcanons go to die.

[avernusreject]

So in an impulse purchase, I bought the descent of avernus campaign book and I have a few durge thoughts

1) What if durge spent their time working as an assassin? Running a temple, even one to Bhaal, requires resources that would have to be purchased with some sort of income (lending libraries require money for books/scrolls after all). Not to mention, it provides an excuse for durge to hone their skills. That then opens the door to what if that was how Gortash first meets Durge. They were an assassin he had mutual contacts with. He then made the offer for bhaalspawn gear heist after he realized who he was truly dealing with (maybe seeing the aftermath of a job he paid them for). That would fill in the holes of how he managed to get in contact with the canonically elusive temple of Bhaal. Plus it adds extra context to why he calls them his favorite assassin, because they were originally only another assassin

2) The rumors that bhaal is actually present in the temple could be a misinterpretation of durge’s presence in the temple. They are the literal body of bhaal so that checks

3) Also Orin and Durge apparently should have really fucked up thumbs

[noughticalcrossings]

A Mind of Metal and Wheels

[st4rxdvst]

twinks your triangle or something

[i-am-trans-gwender]

I'm sorry but the ship dynamic of Bill x Ford has the same vibes as the Biden x Trump ship. Biden is Ford and Trump is Bill.

[fandom-geek]

vaguely fascinated by osana sov's naming choices. she chose for her daughter a name that can mean "bitter (strength)" or "lady" in two ancient languages (hebrew and aramaic) and for her son a name that means "old friend" in another ancient language (old english)

like every other golden age character has a name that's pretty normal by our standards, which tbh includes mara, then osana just names her other kid uldwyn. then again, even osana's name is either a variant of the hebrew hosanna or after an obscure and possibly fictitious old english princess-saint whose name means something along the lines of "godly solitude", so i suppose mara might be considered the odd one out

[ramonahblog]

Fighting the urge to write an Epic Winter rewrite because damn, they had an opportunity and flubbed it by making Daring the beast instead of Rosabella but I don't want to deal with the whole...Epic Winter thing.

Wait, hear me out.

Rosabella gives me big "I know best" energy which is typical for teenage activists but easily leads to talking over and ignoring the people one claims to fight for as well prioritising stuff that...doesn't matter or is very minor.

First off, let's get rid of the aura-thing. Or rather, Rosabella can still see auras but she's mistaken in that it reveals the true character. I'm thinking it's really more of a reliable mood ring but not to fuss on what it actually is. Only that it can't be true-character-reveal thing. I get where it was getting at but no. Unless it does but Rosabella is misinterpreting the meanings? IDK, I just dislike the whole aura-thing as it is with her.

Rosabella, in her attempt to fulfill her mother's destiny, assumes Daring will become a beast because she hyper-focuses on Daring's self-absorbed traits to the point she ignores the times Daring is sincere and caring. She also ignores the fact she isn't close to Daring so she doesn't really know him.

In her attempts to "fix" Daring before he turns into a Beast, she (accidentally!) keeps interfering with his genuine kind moments because he's still Daring about it so she doesn't see them for what they are. He doesn't do them like she does. She's a teenager who has been told she'd be the next Beauty of Beauty and the Beast in an universe that is very There is Only One Right Way To Do Things.

And she's the next Beauty, so she can't be wrong about Daring being beastly, can she? She's the next Beauty, so she's helping, isn't she? She's helping and she's right and she helped keep Rugsy in school and made sure people know ogres just wanted to live their life so she can't be wrong, she can't be.

After all, she's the next Beauty and Daring is obviously her beast so she's helping him. She can't be wrong.

Wakes up one day and oh oops, she's now a beast?

This also fixes the fact that Daring had arcs in Lizzie's Date (deliberately humiliating himself to keep his promise to Lizzie) and Thronecoming that Epic Winter backpedals in a way that doesn't make sense.

This leaves a few possibility in regards to Rosabella's "Beauty".

Daring, who has also recently discovered the destiny he was raised and groomed for isn't his, could be someone that empathises with how Rosabella would feel being blindsided. This would show her that just because Daring's method of kindness isn't the same as hers doesn't mean it's no longer kind. And that it's normal for people to have flaws.

Plus the fact the Daring wait from cowering from his Beastly form to checking himself out in just a matter of words...I'm just saying, no one does that unless a part of them already was, you know?

Whether this is platonic or Daring is her beauty (which part of me is tickled at the idea of a kindhearted but vain beauty) or he is her Beauty but platonically is whatever to me.

There's few downsides to making Daring be this character.

First is Daring's been raised from birth to rescue damsels-in-distress. Granted, Epic Winter is set right after Dragon Games so a Daring choosing to comfort Rosabella is still a choice he would have to make. And have to make at his lowest, (and possibly most humiliated) point.

He's also now aimless, his entire purpose was not his purpose. So the whole thing of what had turned Rosabella into a beast could easily get lost.

I suppose this could be upsides depending on the writer but, for me, this is a downside.

The other downside is that Beauty and the Beast seems to be one of the (or only?) few fairytales in EAH where the girl has to rescue the guy has an expected role to play. By having Daring become "beauty", it kinda flips that to an unexpected but still expected role.

The other possibility:

Cerise.

Hear me out (again).

What better way to say Grimm (and EA in general) insistence of by-the-book follow is wrong than have the character The Rules insistent shouldn't exist and is an abomination for existing be Beauty? Someone whose existence has Hood Hollow vying for her banishment to the point they loophole the whole "banishment has to be unanimous" rule they apparently had.

Which gives me so many questions but is irrelevant to this particular post right now.

Having Cerise, who entire existence is pretty much summed up to "You Should Not Exist" and shies away from people because of it, because she's not meant to exist be the one to comfort and help Rosabella is great.

There's also the fact that it would be more of...a difficult* choice for Cerise to be search out Rosabella and help her than Daring as Daring would at least have his hero training to fall back on even while he's at his lowest point.

That and Epic Winter did have Cerise be the only one to react positively** to Daring's beast form during his Daring Walk. So you know, there's that.

If I do write this, I'm probably going to go with Cerise as Beauty simply because I adore how much of a "screw you" it would be to the whole Destiny&Legacy thing that EAH (in-universe) pushes.

IDK if I will write it. I just wanted to put this out here in case it tickles anyone else's brain and they want to write it or whatever creative form they like.

**Epic Winter AU where Daring turns around and sees Cerise checking him out. I have no further thoughts.

[ttrpg-smash-pass-vs]

They're elves of the shadowfell, normal human height. They specialize in teleportation and invisibility, with the casters among them throwing in confusion and fear and illusion. Be careful though, as any trained in combat start making non-elves slower and worse while within 10 feet. From depression, from the sound of it. Their angst about being more ancient and timeless than you wordlessly attaches to you like a parasite, slowing you down. Good for if you enjoy concepts like-

Shadows, but like DARKER than shadow, that lash out when they're moody

looking beautiful unless in shadow, in which case they're corpselike

ignoring pointless things like "comfort" and "morals" and "rules"

being the chosen of the Raven Queen, and on her behalf collecting dark tragedy, sorrow, and feelings of loss.

being corpse pale with jet black hair, pure black eyes, and covered with tattoos/piercings/anything that would make a generic white suburban mom in the 50's scream in terror.

Lumping them all together because they're all the same outside one having mage hand and such. Idc what weapon they're holding.

[bboisawesome]

I got that Garmadon book, cause it looks cool, look at it.

And I was just flipping through the pages and see THIS!

PONYTAIL!

I haven’t read this yet, but I am absolutely not normal about this at all.

Also…

BALD

And I got pt.1 of the dark island trilogy, so let’s just say I will be reading lots of books