#Bittersweet!Link

[shrimpari]

Beat ToTK a bit ago and all I could think about was them.

One day I’ll get to play a new Zelda game that gave me the same or similar emotional rush that Twilight Princess did

[storge]

Zhou Xiaobai was the best performer and singer here, but she had a conflict with Shifu and was chased out.

JIANG MENGJIE as Zhou Xiaobai Link Click (2024)

[mrs-theirin]

Maya Holland @ MHolland i am once again telling you to listen to bittersweet memories. right now. on any platform. youtube spotify apple music i don't CARE

(logo creds to @gncrezan)

[amanitacurses]

":P"

[wrathyforest]

s c a r s

[psychopomp-namine]

some thoughts on the photo diving ability users

this is more of a speculation post. I want to talk about the main theme of link click, revisit cheng xiaoshi's character arc as we can now compare him to other users with the photo diving ability, as well as some thoughts on the narrative roles of shao yuanyuan and lu guang. they all kinda relate to each other, so I'm putting them here in one post.

i. past or future, let it be.

others have pointed out reasons why the possibility of cheng xiaoshi also time looping would be a disappointing turn from his character arc, which I agree with. I will not go into that here. instead, I wish to revisit a theme that I really wish link click would go back to as its main motto: "past or future, let it be."

I still believe this is and has always been the core theme of the show as a whole. and it's one of the reasons I personally fell in love with S1 and even in S2. you can't change the past. and even if you could go back to the past, you're only doing so to change your future, but you can't undo what has already happened. you can't jeopardize the present. past or future, let it be.

although yingdu deals with butterfly effects instead of closed loops, I don't think it's exempt from this lesson either. the fact that lu guang is now learning to make this final timeline count and that he is, for the first time, looking towards the future and not the past (because this is the "last time") is him finally reaching the same place as cheng xiaoshi in terms of the character growth cheng xiaoshi exhibited by early season 2. they are, for the first time, running towards the same direction together. a shared future. this present future. there are no do-overs after this.

even if cheng xiaoshi ends up diving into the past and timeloops for whatever reason, I don't want it to be the solution to everything. changing the past has never been the solution in link click (yingdu arc notwithstanding). it goes against the main lesson of the show. so if he ever does that, I want it to be because he wants to stabilize the past and prevent any more changes to it.

more than two people timelooping for each other, I think there's more catharsis in two time travelers committing to make this final timeline really count. this is the last time. this is their only time. so, past or future, let it be.

and if the lyrics to songs like train trail and break are anything to go by (they literally include the phrase "past or future, let it be"), I think we'll definitely still loop back to this theme again in S3.

ii. revisiting cheng xiaoshi's character arc

on that note, I want to make a quick comparison of our photo diving ability havers, because I think lu guang and shao yuanyuan serve as a useful comparative lens for us to see cheng xiaoshi with. I did this in the tags of a previous post but I think it deserves its own post now.

cheng xiaoshi gets called immature a lot sometimes by other people, which I don't really believe to be true or an accurate description of him. and shao yuanyuan provides me with another reason that bolsters my belief in this.

the ability to change the past is a dangerous power, but it's cheng xiaoshi who learns the lesson of link click the fastest. past or future, let it be. lu guang is willing to erase the present timeline by diving into the past, and shao yuanyuan is doing... whatever it is she's doing to save cheng weimin.

in comparison, cheng xiaoshi matures relatively quickly about not abusing his powers, and he is overall more resistant to the temptation of using time travel to undo death by S2. after emma, cheng xiaoshi learns not to change a death node. not even that of his best friend's, whom he loves very dearly. this is a marked contrast not only to lu guang, but also to his mother.

it's a very underrated aspect of him because cheng xiaoshi is often described as impulsive and reckless, but he does take these lessons to heart and as long as he's given space to think things through, he comes out with rather emotionally mature decisions. I love this aspect of him sooo much. his big heart carries so much responsibility, and he takes it very seriously.

which is why I am very confident that in S3, we can trust cheng xiaoshi with the timeline. so much so that I do believe he can make things right without having to change the past drastically (but I'm very sure the show will tempt him to anyway).

if there's anyone in this show who can be trusted to take care of the timeline, it's cheng xiaoshi.

iii. shao yuanyuan and lu guang's narrative roles

on the flip side, let's talk about our other two divers. there's a really great "what if" post written by @sonchop that I've been thinking about recently that I'll touch upon later. I highly recommend reading through it.

when talking about lu guang, we have to remember what constraints the writers are writing under with regards to his character. see, lu guang is a tricky character to write under censorship rules. my personal understanding (which may run contrary to some fans', but I believe there's a lot more lu guang apologists here on tumblr lol) is that lu guang is meant to be a hypocrite willing to do morally questionable things for cheng xiaoshi. but he is also most likely slated for a happy ending. it will be difficult to make both things happen under censorship. these are the limitations the writers are working with.

for example, let's look at how lu guang was written in yingdu arc. lu guang wants to murder vein, hence why he talked about creating an "unchangeable node" -- aka, a death node. his intentions are very clear, and the show even frames this by animating him as wang qing's puppeteer and even "crushing" his hand as vein gets a heart attack. but he can't be shown directly actually murdering vein if we want to give him a happy ending later, because that's a no-no under censorship.

think of it as similar to how in S2 they had to pivot the red eyes concept because they can't let red eyes remain at large after stabbing lu guang.

so lu guang has to be written in such a way where his intent is not necessarily "morally acceptable" but his actions are in such a way that a really good lawyer can defend him in court. he didn't technically kill vein. he's not the murderer technically speaking. you can't charge him guilty just for talking to vein for 30 seconds.

the way I personally see it: lu guang is in a precarious narrative position and needs to be written delicately to “deserve” his happy ending under censorship rules.

so. circling back to the post I mentioned at the beginning of this section. my theory is that introducing shao yuanyuan as the main wildcard of the timeline changes will be what narratively "absolves" lu guang from his own timeline trampling "sins" thereby making it "acceptable" for him to get a happy ending. a sort of situation where, as the post says, what if shao yuanyuan's own timelooping caused the butterfly effect that led to lu guang timelooping. he wouldn't have needed to timeloop if they fix shao yuanyuan's timelooping. (<- speculation only)

anyway, so I think in S3 it'll be interesting to see how far they can take lu guang. but I probably won't expect him to like, actually kill people himself or whatever. the best he can do is probably something like his chessmaster style "gambling" in yingdu. which I guess works out for the liu xiao paralleling.

at the same time. for the bittersweet ending likers, there's still hope!! even if it's possible they'll give lu guang a happy ending, I think cheng xiaoshi will lose something in any ending. with the way they're setting up shao yuanyuan's role, I don't think cheng xiaoshi can have both his parents and lu guang together in his life atm. maybe they'll show us something in the future to make that possible, but for now, I don't see it. (something something, "just because you can't see hope doesn't mean it's not there)

anyway. if cheng xiaoshi is supposed to be the character — the hero — who learns to embody the lesson of link click ("past or future, let it be"), shao yuanyuan is the character who, as far as we know, refuses to. I mean, she left cheng xiaoshi in 2008. he's an adult now. she hasn't learned to let go in all these years. it'll be a wonder if we can find a way for her to let go after all this time. and lu guang so far is the character in-between the two spectrums. he could have ended up like shao yuanyuan, but the ending of yingdu makes me think he's committing to this "last" timeline. his line about looking into the future is an important moment for him.

it'll be interesting to see the three of them deal with the timelines in S3.

again this is all just thoughts and speculation. in any case, whatever happens in S3, I am very excited for what's in store for us, as I'm really liking what they're setting up with our three photo divers.

[sainz100]

x

[hadesknockedupintheunderworld]

Thinking of the end of Zelda Twilight Princess and TP Link again

Since the start of your journey, all you've tried to do is keep your home and your loved ones safe. You hardly understood your own destiny at first, the major role you were to play in this world. Though you could never have refused the future that lay before you, it remains that it's this wish to protect your home, your loved ones, and to bring everything back to normalcy that drove you in the beginning. And it, too, remains that even though you found others to care for and had accepted your destiny (that there became a point where you embraced your role in fixing everything), that original goal still remained. After all, you, the people you care about, none of you can go home or live in safety until the threat is defeated.

What if you'd started out as a boy from a small, rural town, one who'd hardly dreamed large, but couldn't shake his curiosity in the world outside. You never wanted to leave your village for long, but you were interested in getting a chance to see Hyrule's capital, meet those people your older friend had told stories of. And then, when the monkey's paw curled and the goddesses gave you a grand adventure, all you wanted was to pave the way for everyone to be able to go home, including yourself. Once it was all over, you and everyone else could finally relax, right? Things would finally go back to normal, wouldn't they? And the children could forget the horrors they'd seen, like none of it ever happened.

But after all that... Even after shedding the hero's tunic, returning the sword of evil's bane to its resting place, and finally returning home with everyone...home is not the same anymore. You were supposed to feel safe again, comforted by the sounds of the nearby wood, the smell of the goats, and the rough texture of the pumpkins that grow in the village, but even lying in your own bed makes you restless and feel on edge. Sometimes, the children still run around the village like they used to, playing pranks on each other and playing hero, but each one of them has an air of...maturity that wasn't there before.

Colin is more confident. He doesn't follow you around or spend as much of his time watching the other kids play. He spends time telling his baby sister stories and training with his father (like you once had) to learn the way of the sword. The other kids don't pick on him as much anymore either.

And Talo. Talo thinks the village is much too defenseless now, especially after everything he's been through. He never really left the rooftops of Kakariko Village, the village lookout who was trying to protect everyone the only way he could. He's even confided in you before that he's trying to learn a weapon too, and trying to convince Colin to join forces with him as village protectors. According to Talo, Colin says there's no need to worry with you and his dad around. No better protection than a hero, right? But Talo says he knows you and Rusl won't always be around. And...maybe that's true. One day, you too will grow old with time, but something about the way Talo says it makes you feel...uneasy. As if he was seeing right through you. Was he seeing something you were ignoring, or was he really truly talking about the day in which you are no longer able to protect anyone?

Beth is still a bit boy crazy, still fancies herself more mature than the others as she had before, but there's some respect there now when she interacts with them. She refuses to tell you what she's been up to, but you've seen her working in her mother's shop, talking to Uli as she feeds her baby, reading with her father, and helping Ilia wash Epona in the spirit's spring. Ilia seems to know more than she lets on when telling you that it's a casual hangout, but you have an inkling of what it's about. Given the others, it's no surprise if Beth, too, is trying to find her place here, trying to help in some way.

Malo is perhaps the one who'd changed most obviously. While everyone had been happy to go home after the defeat of Ganondorf, Malo couldn’t simply stay the same quiet kid who'd followed his brother around. He'd built a growing business back in Kakariko, dedicated to making goods affordable to the common person and raising funds to fix up local infrastructure. He couldn’t continue to run it from Ordon (though Sera's told you that he'd made an offer on her shop). You've even been able to hear him muttering under his breath about the state of Malo Mart management, and plotting to skip town (after all, young as he is, and after everything that's happened, there's no way his parents would just let him go back on his own). As before, Malo doesn't speak to you often, but he had...said something that shook you not long ago. He'd not so subtly "hinted" that you could make an excuse to leave, and that it wouldn't be hard for him to stow away as you went on your trip. You didn't know quite what to say, but when you began to mention his parents he'd cut you off. "So you're too scared to leave."

(Are you too scared? No, of course you could leave if you wanted to. And you don't want to, do you? You're home again, which is the only place you've wanted to be since the world went to shit. It'll just take...time for you to feel okay again. No better place than home to heal, right?)

But it's...not just the kids who've changed. Fado was happy to have you back, of course (he's always said no one wrangles the goats quite like you), but he’d... Well, even though he was the one who extended the offer, he seems to fear this is beneath you, that he's tying you down, keeping you from a grander life. No matter how much you assure him this is exactly where you want to be, that you just want things to return to normal, he doesn't seem convinced.

Not to mention the rumors in the village of your feats, all the talking behind your back. You'd been celebrated as a hero when you and Rusl returned back with the missing children, and now, since you've been trying to return to normalcy, others continue to be weird around you. You're a hero (were at least), yes, but are you not the same Link the villagers have known as long as you've lived here? Do you not occasionally assist with their troubles. Do you not try to make occasional small talk as before? So why do they seem to have trouble talking to you? Why do they have so much to say, and yet none of it said to your face?

Home has changed. And even that which has stayed the same doesn't feel...correct. That which is still familiar feels like nostalgia slipping through your fingers, not the reality before you.

But then again, when you spend weeks following your old routine, trying to act as you did before, and nothing seems to get better. When you lay in a bed (your bed) that's the same as it was when you first left it, you wake up sweaty and fearful from nightmares, and you feel exposed when you should feel safe, is it home that's the problem? What about when you look at the sunset and dream of places faraway, of the people you met and the things you've seen, and it feels like something's missing (something, perhaps, not wholly unrelated to the person people you'll probably never see again)?

Ilia was the one who first assured you that this path was the right one. When she finally had a chance to relax, deal with her amnesia head on, it was reminders of home and her past which comforted her, allowed her to get better. Of course, you know she'd never just forget everything she'd been through before, and she wouldn't expect you to either, but she'd agreed that being home would allow you to heal too. That's...that's what you've been hoping.

On many occasions you think about confiding it all in her, telling her what you've been going through, but you can't go through with it. Not when she seems...happy again.

So, after weeks of letting bits and pieces slip, you finally confide in Rusl. It's a day similar to all those months ago. The sun is setting as you and he sit at the spirit's spring after a long day, and he tells you about his week. You tell him that even as things get better, they don't really get better. When you don't have nightmares of tragedy and never ending battles and failure, you're dreaming of the people and places you met during your journey. No matter how much time you spend there, or how much furniture you move around to your liking, or decorations you add to the walls, the idea of your home being home feels like you and the feeling are separated by an impenetrable wall of glass. You can see that feeling of comfort, of home, of familiarity, but you just can't quite touch it. Your house is yours, and yet you can't seem to fit in it anymore. You've gone back to normal, and yet everyone is treating you differently. You try to relax, and you just can't quite sit still, feeling like...

You finally admit that feeling you've been stuffing down to him as you ramble (something rare for you to begin with). It's not just that you can't feel safe at home, that healing is a tough process, but that you feel like there's something yet you need to do. It doesn't feel right trying to be the person you were before. The routine which should be great for its simplicity and famliliarity feels wrong, almost stifling.

Did you really think you could just go home after all you'd seen and been through, go back to that small world and cut off the rest of it, just so things could be like they were before?

Maybe it's you who's wrong. Maybe you're broken and your edges dulled and chipped so the old pieces don't fit back together anymore–

But Rusl, ever a comforting presence in your life, just hugs you. He says he cannot even begin to comprehend the things you've been through. He acknowledges how hard it is to heal. Both things you already knew.

Then...he tells you his story, that he knows how hard it is to return to all of this after such an ordeal. You are not the only person who must deal with it now. You're not alone.

And then, as you consider telling him that if everyone is dealing with this, then surely they're handling it better than you, he tells you something that causes you to freeze.

"If you need to leave, you can."

"Of course," Rusl continues, "if you want to stay, we'll support you. You don't have to pretend everything is normal. And even if you go, it's not like you'll be banished. You can always come back here, even if you can't stay."

And so you speak the words you've thought every time someone suggests leaving here, or suggests that you won't stay. "Do I have to go? Is...does everyone just want me gone?"

Rusl shakes his head. "Of course not. We all love and care about you like we always have, hero or not."

Then...why do I feel like...this around everyone? you think.

"The question is...it's not whether anyone wants to you go or thinks you should go." Then, Rusl places a hand on your shoulder, face deeply serious as his eyes lock onto yours.

"The question is: Do you want to go? Do you need to go?"

For a moment...you're speechless. You know what you want, you think. You've wanted to return home all along, haven't you? That's...all You've been trying to do since you defeated Ganondorf, lost bid Midna farewell, shed the garb of the hero and returned the master sword to its grove. But...what do you need?

"I don't...I don't know what I need," is all you say.

"...Well," Rusl says, after a moment of contemplation. "I can't tell you what you want any more than I can accurately guess what you need. And I can't make your decision for you."

"...Right." So that's it then. Either you go, admit that there's no fixing you, no point trying to fit a misshapen puzzle piece in an old hole, or you stay, keep trying to move on and get things as close to normal as you can as you have been for weeks.

"Hey," Rusl says after a moment. "Hey, listen to me for a second."

You raise your head, shift your eyes from where you'd cast them at your sandals.

"You'll be okay, Link. You've been through a lot, and it's changed you—like it's changed all of us. But, you have your whole life ahead of you, and I suspect you have more choices than you even believe."

"...Yeah."

"I may not be able to tell you what you need, but I can tell you to follow your heart. If you listen to it, it'll lead you where you need to go."

"My heart?" You sound a bit skeptical.

"I mean...isn't it your heart that got you here? You didn't undertake the journey and save your loved ones by being weak of heart did you?"

And that...that's true. With everything that was at stake (especially that which you cared about most), it was your heart that wouldn't allow you to back down, wasn't it?

In the end, you nod.

Rusl smiles. "Then why ignore it now?"

"Why ignore it now?"

The rest of what Rusl has to say goes unsaid, but...you think you get it anyways.

"Why ignore it now? Has it ever lead you astray?"

"...Thanks, Rusl," you say, finally. You don't tell him that you feel a bit better now, but his smile grows regardless.

"It's no problem, Link. Anytime you need."

And so the sunset passes into night passes into morning, and there's a weight on you when you wake up. You know, somehow, in this moment, that a decision has to be made, a potential path chosen. There's no ignoring it.

And you find her—Ilia—in the spring.

"You're...leaving, aren't you."

"I..." You haven't even put on any gear, nor unearthed that special tunic tucked in your basement, nor have you saddled Epona up yet. When you woke up, you still didn't know what it is you need.

"...I am," you say finally.

There's a moment of silence.

"I...some part of me knew you would." Then, she adds, "One day."

"...Why?"

She shakes her head. "I can't explain it. You just...you haven't seemed...quite right lately."

I haven't?

You thought you must've seemed at least fairly normal, must have with all the effort you put in.

"You're... You weren’t..." Ilia hesitates for a moment, as if afraid to say the words at the edge of her tongue. But then, she sighs.

"You don't seem happy here."

"I-I've...I've tried to–"

"I know," she says, cutting you off. "I know. I have..."

You wait for her to finish her thought, but she never does.

"Hey, Link, before...before you go... Come back to this spring. I'll wash Epona for you."

There's a bit of strain in the smile Ilia gives you, but you nod, smiling back.

It's...it's not easy to leave. It never is, and it never gets easier, no matter how many times you have to do it. And so, as you gather some final supplies, thank Rusl for his advice, and put on your gear (finally unearth the tunic you'd hidden away), you remind yourself that this isn't truly goodbye. You're just...going on a little trip, chasing your heart. You'll visit sometimes, right? It's just a little trip.

And eventually, geared up, you make your way to the spring. As expected, Ilia is there, grooming Epona when you arrive.

Out of everyone, you feel Ilia has been both the easiest and the hardest to read. Ever since everyone returned to Ordon, it made sense the way she stuck right back to the comforts of home and her old routine. She's...not all okay, but it's seemed to make her happy. And yet...there's something else about her. There's a bit of weirdness there you can't parse out, and there's something in the way she speaks that always feels like there's something going unsaid. You feel it more than ever as she turns to face you in the spring, seems hesitant about giving Epona over, even as she says that Epona is washed and ready.

Although, then again, there's something nostalgic about this moment. As you mount up Epona and Ilia asks you to take care of her, and not to take on more than you can handle.

You know the moment is here. You can feel it. It's time to go.

And yet, there's one last thing holding you back. You look down at Ilia as she begins to speak again.

"...Link, I–"

"Hm?"

Silence.

"I...never mind." Ilia waves you off, mustering up a smile. "You should... You should go. Don't let me hold you back."

You nod in response. Her expression is a bit bittersweet, although perhaps the smile you return her is just the same.

And so you take off with Epona, galloping across the bridge between Ordon and Faron. You leave her standing outside the spring, and you make a beeline for Hyrule Field, craving to feel the wind in your hair and the sun on your face.

Your wants, your desires...those deep down ones may be impossible. But it's something. Traveling, following where your heart leads, it feels familiar. It feels...right.

And once your journey begins, you think it's almost laughable that you thought that you could just go back home after all that you'd seen and experienced and...lost. At least now, though your future is uncertain, though you still can't quite feel safe, though you still can't banish the nightmares, at least you no longer feel...stifled.

At least you can be free now.

[skyloftian-nutcase]

Lovelies, I really am sorry, these blorbos still have me in a freaking chokehold...

Despite the chaos of the battle, something distinct caught Ganondorf’s attention. In a sea of red hair and brown skin paired with leather and steel, in a sea of armor and white banners, there was light gold, like the pale yellow chrysanthemums Orik had gifted to Hemisi.

Orik. Link.

Link was here.

Damn that child. He’d told him to stay away. He knew the boy hadn’t listened, but to have the audacity to fight where Ganondorf himself was…

Well, he had to admit the boy had far more gumption to him than he’d realized. It was no wonder Hemisi had fallen for him. Ganondorf caught the attention of his commander. “Bring Link to me. Alive.”

[aufi-creative-mind]

[BotW-TotK Family and Legacy] Modern AU (Wishful AU).

Something different from my list of WIPs. A lighthearted pic of Link hugging his Mum (OC), Selene. Cuz I just need some wholesomeness.

[kitsquared]

Haha i cant do this

[elibean]

So there’s really only two options for how link click can end, now. Either:

A) death really is an unchangeable, inevitable node. CXS has to die. LG can’t save him.

or

B) there’s some secret power or loophole that can save him. They get their happily ever after, but not without a lot of pain and strife

[bunny-hoodlum]

be the end of me - chapter nine

Think I might finally be all angst-ed out for the time being 🥲

[emerald-hobbit]

If This Is The Final Time We Meet...

Summery:

What if Loki defended Mobius immediately when Sylvie snapped at him? Stayed to make sure he was okay before talking to Sylvie? How does that effect their final moments? How does that effect the story onwards?

Filled with love, sadness and bittersweetness all round.

*Is really a one shot with chapter one since I have no clue where to go with this... Ill leave chaper two up anyway*

[psychopomp-namine]

I love that the commentary for The Eye starts with, "director li haolin tried to make the requirements of the song easier this time! no need to reverse a song, now we just have to make a song with british influences but still use traditional chinese instruments. totally not challenging this time (narrator: it was, in fact, still a challenge)"

[silverslipstream]

New BCB fic out!

A Secret, Special, Unexplainable Third Thing

It's a winter evening in David's second year of college, and he's lying in his old bedroom, trying not to think about all the pieces his life has shattered into. This is his first time back in Roseville for ages, he hasn't spoken to any of his friends in ten months, and the unanswered questions and half-truths about himself are beginning to eat away at him from the inside.

Then he accepts a call from an old friend, and as they reconnect, it turns out David's not the only one who's changed since the gang graduated from Roseville High...

Tags: Angst with a Happy Ending, Alternate Universe - College/University, Aromantic, Asexuality, Queer Themes, Queerplatonic Relationships, Coming Out, Recreational Drug Use, Implied/Referenced Abuse, poor David's been through some shit, and Paulo's not doing the best either, but damn it these two are gonna smoke a joint and talk shit out, my favourite boys are hurting and only they can heal each other, Implied Romantic Tension, background character lore!!