#Because it's dangerous

[enjolraspermettendo]

Trying to buy tickets for Les Mis in Milan next year and I want to cry

[nyxi-pixie]

'wah wah everywhere is falling to the right wing the whole world is doomed' literally like 6 months ago we were talking about how there was a trend in countries getting rid of their right wing governments. poland at the end of last year, france voted in a unified centre left/left alliance, even the UK finally got rid of the tories after 15 years (right wing splitting be damned, it still happened). outside of europe, bangladesh removed a dictator in like 2 seconds, india may have reelected their Evil Guy but on a DISTINCTLY reduced majority, theres been queer rights successes in thailand, with gay marriage set to be legal by 2025, and thereve been positive court cases on it in japan. and this is just stuff i vaguely remember hearing about. im sure theres more if you care to look for anything aside from more reasons to make yourself miserable

the US has a distinct effect on everyone, so this won't be fun for anyone (least of all its population. sorry guys), and there ARE a lot of people sliding into right wing extremism, but presenting this like its an unchallenged worldwide phenomenon is inaccurate, its damagingly bleak, and all it does is encourage despair and apathy. you DO have political power, and you shouldnt forget that just because of bad election results and the media's desperation to make you lose hope

[uncanny-tranny]

I think so many people are so deeply alienated from themselves that they have no clue how to exercise their free will and autonomy. For some, this alienation runs so deep that they are afraid of their own autonomy and humanity. It is completely understandable why one would have those feelings, but it can be worrisome.

I want to help others who feel this way, so here are small things I have done to exercise my free will:

Add "guilty pleasure" songs to playlists and actually listen to them (I have a ton of late 1990s-early 2000s music I listen to now proudly that I never listened to in the past out of shame)

Getting the décor item, bath set, bed spread, ect. in the patterns you like, even if it's "childish" (I got a dinosaur-themed wastebasket from the kids' décor section and I adore it)

Taking a new route to get to a place you go to often

Eat dessert first

Celebrate well, and often

Collect things that are "odd" or don't seem like an "acceptable" thing to collect (somebody on my "for you" page collects dandelion crayola crayons and it was so cool!!!!!!)

Incorporate one new piece in an outfit you wear frequently (e.g., a new chain, a necklace, ribbons, bracelets, ect.). Challenge yourself to add onto the outfits if you feel up for it.

Sing along to songs without worrying that you sound "good" or your intonation is completely accurate

Read a book from a genre you weren't allowed to read as a kid (comics, thrillers, mysteries, anything!)

Walk without having a specific destination or goal

Pick up a new craft without expecting yourself to master it or to ever be "good" enough. Get your hands messy.

I don't want to shame anybody for not feeling as though they have free will or that they are exempt from exercising it. However, I wanted to give ideas so that you might read this list and find your own ways to express your intrinsic autonomy and will. You deserve to be a person, to feel alive, not just living. That is what our lives are for.

[noknowshame]

why is religious Christmas imagery all so joyful and pleasant? where is the inherent horror of the birth of Christ? A mother is handed her newborn child, wailing and innocent. Her hands come away sticky. Red. Simply by giving her son life she has already killed him. He is doomed from the beginning. Her love will not save him from suffering. Because the thing cradled in her arms is not a baby, it is a sacrifice: born amongst the other bleating animals whose blood will one day be spilled in the name of what demands it. the night is silent with anticipation. Mary, did you know? That your womb was also a grave?

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[chloesimaginationthings]

I know Vanessa regret saying this in the FNAF movie,,

[puppyeared]

renaissance dogys

characters belong to @canisalbus

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[seren-dipitous-art]

This ship has been bugging me for days now. Supers and bats just have the best dynamics.

I love these boys so much.

[hunter-rodrigez]

I love how Discworld introduces Granny Weatherwax.

She is introduced as a witch, but it's not actually clear if she can do any magic for quite some time. At first all she does is herbal medicine and Headology, aka make-believe, mind tricks, placebos and basically tricking people.

Even when it becomes clear that she flies around on a broomstick and can project her mind into other living things, it's still not obvious if she can do any magic beyond that.

And then she and her buddies magically move an entire country 15 years into the future, and it becomes very clear that she's not only very much capable of doing magic, but she's one of the strongest, if not the strongest magic user in the entire world who can do stuff like summon death himself with nothing but a candle, and I am not even sure she really needs the candle.

Compare that to the wizards. The first impression you get of them is that they're powerful magic users, I mean they are wizards in a fantasy world, people fear them for their magic, and they got a whole magic college, so they must be powerful, right? They even look down on witches because they "don't use real magic"... and because they're usually women.

Granted, the very first (and best) wizzard we're introduced to can't even do any magic, but he seems like an outlier. Then you hear more and more about the magic college and other wizards, and it becomes clear that most wizards are arrogant and lazy fucks who can't do much magic beyond basic fireballs, turning people into frogs and maybe teleportation. Even the head-wizard of the college was completely helpless after running out of juice from a single teleportation spell.

Even when all the wizards become incredibly powerful, thanks to circumstances beyond their control, all they use their magic for is building really tall wizard towers and raging wars against each other. Wars which are ripping holes into reality, which threaten to release unspeakable horrors from the unspeakable horrors dimension.

Like... the books used most reader's assumptions and expectations, aka 'Headology', to make them underestimate Granny Weatherwax while overestimating the Wizards.

Just *chef's kiss* world building.

[captainjonnitkessler]

MBMBAM Question Asker: I'm an electrician, what can I say that's cooler than "Fuck!" when I get shocked? I get shocked a few times a year.

Griffin: Hey, that's pretty goo-

Travis, the only brother to work in a trades-adjacent job to my knowledge: turn off the power before you work on it

[lavendervirgos]

Do you ever just look at a guy's hands and go yes, you can choke me any time?

[m4ggot5]

[gale-force-storm]

Thinking about the fact that, to pull Gale from the stone and get him in the game at all, you have to decide to try to touch an extremely dangerous looking swirling mass of unstable magic. Something that is, objectively, a terrible idea

Like, the options it gives you are to either touch the sigil or leave, and if you leave you just... don't get Gale in the party

You have to take the risk. You have to let your curiosity override your common sense. You have to look at this unstable, possibly dangerous malfunctioning magic sigil and go "...Ok, but what if I poke it?"

In short, to get Gale in your party, you have to do exactly what he would in that situation, and indulge in a moment of reckless curiosity. And I just think that's delightful

[mouseshift]

stan sketch page

[acediscowlng]

charles going "i'm aces with other people" literal seconds after he died from being murdered by his friends is absolutely fascinating, this kid's optimism and sheer determination to bullshit his way through every traumatic event he goes through and pointedly refuses to examine really knows no bounds