#Bc THAT'S WHAT WAS IMPLIED

[edwardallenpoe]

Um. Prepare yourself for the s&co episode. The representation (if you can even call it that) of DID is BAD. Once I realized that the person had DID I was pretty pissed to say the least. I emailed them like 4 paragraphs on how shitty that was. I feel like a Karen but it was honestly deserved. But if you’re upset by portrayals of people with DID I’d skip this one.

i opened my inbox this right after listening to it. Thank you for the heads up tho, but it is far too late.

I honestly feel a little sick. Not gonna lie.

"we now understand more about the human condition" I lost braincells, John. I think we actually DEVOLVED. We LOST knowledge of human existence with this one, chat. And then. Also. John defending Tory's. Ya this was a really fucking bad episode. Wow. It was so avoidable. That entire thing was so avoidable.

You are definitely not a Karen for emailing them, I'm low-key tempted to email them myself but I won't. I need to process that dumpster fire for a little longer. Wow.

It's like. I specifically remember Sherlock listing off DID on his disorder list in the first fucking episode. He has DID. Did Joel and co literally look up the index for the DMS-5 then put them in their notes app or something?????? Like were they just like "yeah anything and everything but PTSD for the plot mate" just for Sheelock to have smt to say?????? It's seems so impossible to me that they have such amazing rep for both PTSD and autism and such but DID was butchered that badly. Woooow. I can't even.

I love this show but that was. So bad. I rlly hope Joel says smt soon about this because woooow . That's all I can rlly say. Just wow.

[haunted-xander]

If you skip a meal Senshi will materialize next to you w/ food at the ready

[ruvigapo]

Run boy run!! The sex monsters eat salmon!!

In which i arrive Fashionably Late to the fishssek party

[sunlit-mess]

hmm bitter luci doodle

[transmechanicus]

I know some people have unfathomable beef with the term but i really don’t see the issue with transmascs describing their specific experiences with societal mistreatment and persecution as “transandrophobia”, like i think it’s good to be able to discuss specific experiences and articulate the problems you’re facing actually.

[roseworth]

(if u add a + just vote for whichever one you add it to <3)

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[mumblesplash]

gem, what happened to your eye?

(wanted to upload this panel separately, original is from this comic)

[claraoswalds]

I'm just... post-bi-generation. Ah, it's more than that.

DOCTOR WHO The Giggle

[girlatrocity]

I think it's rly cute that spinner's and toga's birthdays are back-to-back <3

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[tibli]

magolor is so funny bc its like. here's this wizard guy. he cosplays an ancient civilization because hes basically their equivalent of a fucking weeboo, to the point where his name translates to 'false paradise' in their language. he's deliberately judas-coded. he basically becomes god for about 5 seconds before he gets his ass beat so hard he dies and goes to superhell. he looks like a sopping wet cat in a cardboard box the entire time hes there atoning for his sins. his final fight is against a fucking tree. and then he opens a theme park to say sorry for trying to take over the entire universe. who else is out here doing it like him

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[gothiethefairy]

shuro really asked her to marry him without actually trying to date her first and poor falin just going "i thought we were just hanging out??? wtf???"

[vwoop-prince]

YJ S3 Dick, still in the midst of his fever dream, hides underneath the 'souvenir' instead of behind some boxes, and accidentally opens the airlock trying to take care of the Parademons. The others get it to close... but not before Nightwing is thrown into space.

There, he stares at the ship holding his friends and mentors. There, he wishes more than anything that he can, somehow, survive. There, he tries to live, if only so his family don't have to bury him like Jason.

There, Nightwing dies, wanting to save everyone, even with the cold seeping into his bones far too quickly for a regular section of space.

Then, Dick opens his eyes to... Earth? There's a little house, and grass, and trees, but there's a bubble of green over it all. Outside of that green was an entire castle, one that looked like it should have far more support beams than it does for even a hope that it stays standing.

And the sky was swirling shades of that same green. It makes him think of Lazarus.

"Well, that's something you don't see every day." He whips his head behind him, a bit too fast for Earth's atmosphere, but it doesn't hurt him. Past the bubble of green was a blue-skinned adult in purple robes, the insides of a grandfather-clock fitted inside their torso, and a black staff with a stopwatch on its top. Beside them was a man with snow white hair, glowing green eyes, a crown of frozen fire dancing above his head, and the most galaxy-like cloak Dick's ever seen clasped to his shoulders. He's wearing... a hazmat suit? Maybe? The twinkling stars and odd lighting of wherever he is were giving him a bit of a headache.

But in front of those two, within this bubble, was...

"DICK!" Wally shouted with unrestrained glee, a blur overtaking his spot for barely a heartbeat before Dick's stuck in a crushing hug that he reciprocates once his brain stops feeling like its melting.

He doesn't know how long it took for them to calm down, but the man with the crown spoke up after a time, as Wally was still wiping their faces free of tears. "Welcome to the Infinite Realms, Nightwing." Dick barely even registered that he was still wearing his suit, but now it felt suffocating. "I suppose you're the one Clockwork was holding out for; There shouldn't've been enough Ectoplasm around you to form a Ghost, and your physical body's still in space. I can see why you like this one, though, Clockie," he states flippantly, turning to his companion. Almost like he didn't expect Dick to pay too close attention to what he was saying.

"Either way, there's two options for you." The man didn't let Dick swallow his tears and question anything. Dick's not sure if he's grateful or not. "First: Stay in the Realms permanently. You'll see Kid Flash whenever you want and learn to be a Ghost with the denizens of the Realms. Maybe find your parents."

"But..." Dick pulls away from Wally, keeping him at arms length, eyes flitting between them. The two outside the bubble were distinctly... ghost-like, so the mentions of 'Ghosts' make sense. But Wally looked... alive. A bit pale, a bit thin... but alive. Dick can't see any of his own skin to see if it was blue or tinted that way, but the Nightwing symbol on his chest kept flickering between its own blue and this 'Realms' green. "But--What about the others? What about you? Why can't you come home?" The last two, he focuses on Wally, because now he can feel a heartbeat beneath his gloves. Wally's alive. He's alive.

His friend just shrugs. "Something about their portals not fit for the living? I'm meant to wait for someone to figure out a permanent portal, but they won't tell me how long that'll take." Wally glares at the... 'Ghosts'? There was a heat to it, but it also seemed like this was a well-worn argument.

"The permanent portal was always an 'if', Wallace West. And that is entirely dependent on if Richard Grayson takes the second option," the clock Ghost--Clockwork?--speaks up. But instead of the adult Dick was expecting, there was an elderly Ghost in their place. Still with the time motif. Was that... more literal than Dick took it?

"Yes, the second option..." The crowned man glares daggers at Clockwork. The temperature dips below comfortable. Dick tries to blink the spaceship and stars out of his sight, withdrawing his arms from Wally to try and warm himself. Tries to remember he's not in space. "The second option is that you return to your body... changed. You'll be able to protect Earth better, stay with your alive family, save the Lost Ones... for a price."

Dick doesn't know if he should ignore the plural in 'Lost Ones'. He doesn't know if he's reading too much into how, in this Realm, apparently only his parents were able to be found. Where's Jason? He doesn't dare hope, but...

"What's the price?"

The man smiles and a ring of blue forms around his waist. It splits in two and travels up and down his body, replacing the cloak and whatever clothes he was actually wearing with a NASA shirt, worn jeans, and red sneakers actually duct taped together. The blue tint to his otherwise tan skin fades completely. His hair turns black. His eyes turn blue.

He was like a taller, slightly slimmer, way hotter version of Bruce.

The man walks through the bubble, but doesn't disturb the grass beneath his feet. "You become the Ghost King's vassal." Dick flinches away and almost hides behind Wally. "Not my idea! But, well... it is either this, or your permanent death."

"What does becoming a vassal do to him?" Wally asks, gently trying to stop Dick from breaking his ribs with how tightly he was hugging himself. Does he even have ribs?

"He gains my powers. Ice, electricity, invisibility, intangibility, flight... He becomes a Halfa. He becomes what I was, in life. Just... needing to make offerings to me, now and then. Something like that, at least. I give him powers, he gives me a chunk of, I don't know, chocolate once a week. Like a warlock."

Wally keeps talking to the man, keeps getting information that he knows he should pay attention to, but something in his chest screams to accept this deal, and he can't focus on anything else.

Nightwing can protect. He can return to life and go back to Blüdhaven, be the Vigilante they need. He can visit Gotham every now and then, help with cases and stop criminals from harming others. He can see his brother. He can see his friends. He can eat Alfred's cookies, and have little get-togethers with Babs and the Team--hell, he can argue with Bruce.

And all he has to do is... give an offering to this guy? The Ghost King? Every once in a while?

"There's no other price?" The King turns his attention to Dick. His eyes had shifted to a blue-green that almost hypnotize him. The green swirls, the blue forms and melts like snowflakes, and he can't look away.

He takes another step forward and Wally steps to the side. There was familiarity between them. Wally deferred to him. Dick can't quite tell why. Though, with how Wally hasn't once looked at Clockwork, maybe it's because he's... grounded? Are all speedsters in trouble with, what, the Ghost of Time? That... actually makes perfect sense.

"I'll be honest, Nightwing: You've impressed me." The weight behind the King's words lifts the ones that've been on his shoulders since he was nine. "You remind me of myself. Maybe, if I wasn't a Halfa... If I had a mentor... I could've been like you.

"Despite Clockwork's insistence over the years that I get back in touch with the living, I've held off. When he eventually suggested that I help create another Halfa, I locked him in his tower for twenty years. I didn't want anyone to go through what I had. But, now... I see that you won't. You can't. Even if you hide this deal--our shared powers... You'll still have people by your side. Strong people. Smart people. You can already handle yourself. And I'd love to see what you can do--who you can save--with my help."

There was maybe two inches between their faces when the King finishes speaking. Dick roves his eyes across the other's face, trying to find the common and familiar ticks that show lies and deceit and manipulation. All he finds is sincerity and genuine care.

Wally plays with his fingers from the corner of his eye, gaze hopeful as he looks between the two of them. Wally, who was alive and breathing and able to leave if he accepts. Eventually. Somehow.

Dick Grayson sends a quiet apology to his parents and hopes they will forgive him for being a little bit selfish.

"I accept."

He flings his eyes open. Above him, domino mask too wobbly to be properly secured anymore, was Robin crying and begging him to wake up. His hands were sloppily placed over his heart. Batman was trying to drag him away, the firm set of his jaw screaming grief.

Nightwing gasps once he registers his lungs burning.

There's a large cacophony of noise, multiple bright suits and people hounding over him, and the distinct artificial taste of slightly-too-much oxygen that the ship with the Parademons had. That he flew out of and died. He was still too cold.

Someone moves their arm beneath his knees and shoulder and Dick passes out.

(Dick 'Nightwing' Grayson dies in space. Ghost King Danny Phantom likes this too-human Hero. They split their souls in half, take one piece of the others, and all they know is that Phantom is now Nightwing's Patron Deity. Danny uses ice, for electricity killed him. Dick uses electricity, for ice killed him. They are opposites, and yet so incredibly similar. Clockwork was looking forward to when Danny starts putting off his paperwork to hang out with his new 'friend'.)

[writer-room]

Its so funny that Arin and Sora have shown to have significantly better emotional intelligence than any of the ninja from all of the old seasons combined. "You should be taking care of your mental health" and "yeah saving the world is upsetting! no wonder you're having stress dreams" oh my precious children. You are surrounded by a teen dad with massive self-worth issues, the only one of two people who remembers the genie incident and also turned into the sea once, guy who's died like 3+ times and committed genocide under mind control, and a child soldier who's been living the hard knock life since age 2.

I hope to god you two are prepared to witness the most mentally unwell behavior you've seen in your entire teenage lives. You think you've already seen how bad it can get now? Fools. Just wait until you get a mission involving the Departed Realm