#Bangladeshi Artist

[brownbitchshit]

I currently have 700+ followers. And I will urge all of you to read about what is happening in Bangladesh. What has happened in Bangladesh. I am adding irrelevant tags of the fandoms I follow to garner more attention. I apologize in advance.

The government of Bangladesh killed pressumably 950+ people, innocent people, students, all because they demanded a system that will give them government jobs based on merit rather than quota. To suppress the students Sheikh Hasina and its government imposed 5 days of total internet blackout. While imposing this blackout they killed off anyone of the streets. They killed people from helicopters by shooting and throwing grenades. Many kids died in their own homes as the bullet shot them through their window.

Sheikh Hasina and its police took away all the dead bodies and the death registries from the hospital. The official death toll is 200. But various journalistic and medical staff sources confirm the death toll is over 950 in Dhaka alone.

That monster of a PM didn't acknowledge the death of the students. Instead she is crying over the infrastructure vandalism. I request you,rise up and speak out about this. Educate yourself and let other people know. The internet blackout have suppressed the truth at large. The Bangladeshi people are in deep surveillance and the government have made 2000+ arrests on false charges just because they have shared the Information. There is mass fear mongering. I know most of you people are not Bangladeshis and that's why you need to help us and speak up about it. Join your local protests, share the news in your social media, twitter Instagram. I beg you, don't let my people's murderers get away with it. Don't let my people's death be forgotten.

I am attaching some links for you to understand the horror of it all.

This Facebook page Bringing justice to you has documented all the horrors and the massacres that happened on Bangladeshi people. TW : all kinds of blood, gore, death bodies, every single horrible things imaginable but shows what went down.

This ig page is also another page that brings you the horror stories.

https://www.instagram.com/thebangladeshivoice?igsh=YXBpdzQyem54cmZj

Al-Jazeera has been a very credible news source while the Bangladesh was under blackout. They have made several segments. I am attaching the latest one.

UN Human Rights have called out Bangladesh for explanation regarding the crackdown

View this post on Instagram

A post shared by United Nations Human Rights (@unitednationshumanrights)

Amnesty International's report of Bangladesh government using lethal weapon against its people and mass murder

There are many more contents, proof and videos to show you the horrors that was unfolded in the crackdown. Sheikh Hasina killed her people like insects and violated every single human rights imaginable. Please share these. Support us. Help us. I beg you all.

[marzankabir]

Portrait of Umma Habiba Meem

[suehprokram]

Bengali Muscle Woman

[melon-babu]

suffering from genocide

[b-h-art]

" রাশিয়ায় ছিল জেনারেল উইনটার, আমাদের জেনারেল মুনসুন"

[artbyresistant]

“The Night Before The Wedding.” (Mehndi Night) 2024.

59.4cm x 84.1cm

Drawn in Polychromo Coloured pencils.

Finally after 2 years I’ve completed this portrait! This is a part of my protect titled “The Ones That Came Before Me.” This portrait is of my mum during her wedding season. This project is about documenting the life of my family (my parents, grandparents, uncles, aunts etc). It’s been a rollercoaster of emotions throughout this journey of two years. So much of my personal life felt like it wasn’t moving in the direction I intended. With so much new uncertainty & society pressures & what’s happening in Palestine, it all was taking an effect to the duration to complete it, however I remained resilient & managed to see it through to its completion. Can’t wait for you to see this in person at one of my art exhibitions hopefully this year!!!

#art #artist #drawing #portrait #familyportrait #artbyresistant #bengali #bangladeshi

[higherentity]

[shakespearenews]

The son of Bangladeshi immigrants, Zaman was first seduced by the theatre’s siren song as a teenager. “I know exactly when it happened. I was 15 or 16, and my school took a group of us to a show in Newcastle, which was an international telling of A Midsummer Night's Dream. It was an RSC production, with an entire company of actors from the Asian continent, across East and South Asia, all speaking different languages. The whole play was done in every language they spoke but English, and it was so beautiful and physical. I was blown away by it, and seeing people who looked like me on stage.”

[brownbitchshit]

Bangladeshi students are again starting their protests from today 29.07.24. This time they want public apology and resignation from the government for the murder of 1000+ people. They are ready for revolution and they are ready for fight. 9000+ unlawful arrests have been made and students were picked off from their homes just for being students. I will beg all of you to go to twitter tonight spread the news. Keep making as much as noise you can about Bangladesh and Bangladeshi students so that Sheikh Hasina's armed forces can't shoot one single bullet in any of them. Bangladeshi students are getting ready for battle in the morning and you all need to be their shields. Post, repost, and spread the word to all the international media. We are going to keep these young students safe this time. ✊🏾

P.S : Sorry for the irrelevant tags. It's life and death now.

[nailamoonsi]

Writeblr intro (open to mutuals)

Hello again @ writeblr...! I'm Naila--Bangladeshi-Am (South Asian), sapphic, neurodivergent, they/them, incredibly nerdy about certain media like Revolutionary Girl Utena, and someone who has been very, very focused on their LGBT epic science fantasy for several years.

Fun fact is that for 5 years as a child I lived in Japan and only spoke Bangla and Japanese. I forgot both by the time I was 6 to 11, though I can understand spoken Bangla (and am fluent in English). 💦💦

I'm pretty much in love with my LGBT epic and multimedia science fantasy verse, once called Another Sky WIP and now called Blue Horizon! It's about three generations of alchemy-oriented mages upon a faraway planet obsessed with ancient Earth (our era) and their troubles across thousands of years!

I'm planning on releasing the first epic science fantasy novel (and side light novel/novella) at some point in the next months!

I'm both an artist and a writer, so you'll get art and writing topics from me! A lot of it is in my Blue Horizon tag.

Despite that, I feel like I haven't gone all-out to make mutuals here on Tumblr. I'd love to make more mutuals who are 20 and older and interested in fantasy fiction (especially featuring BIPOC and LGBT characters)! 18 and older is fine too, but I won't mutual people who are younger than 18. (I'm 32.)

My main warning is that my novels are aimed for adult demographic and even my art can contain blood TW and cursing. Sometimes older Blue Horizon characters will have sultry/sexual implications, too, and not just romantic! (However, despite the main novel being an epic science fantasy and very romance-oriented--as far as I understand, it doesn't perfectly fit people's idea of Romantasy due to particularly intense and serious topics at times. I think of it as a epic science fantasy with a lot of gay, sapphic and LGBT romances and implied romances.)

I'm open to tag games. ^^ If people are open to being tagged, feel free to mention it in this post, my pinned, or message/ask box me!

Hope to connect with more people here! 💗

[embrace-and-love]

Thank you everyone that recommended artists on my previous post, I've already asking them stuff and got answers, so I really appreciate it. 😊 But now I'm looking for a Muslim artist, or at least Bangladeshi/Bengali, to commission something more specific with Armand. If you're one or know people who are, please let me know. Thanks again! 💗

[nakibistan]

List of notable Muslim allies of queer, trans or LGBTQI+ folks

Imam al-Nawawi – ally of Mukhannathun or trans femmes, female transsexuals and effeminate queers

Saint Khawaja Gharib Nawaz – ally and patron of Hijra and Khawaja Sara communities

Saint Baba Bulleh Shah – ally and patron of Muslim Khawaja Sira communities

Saint Lal Shabaz Qalander – patron of Khawaja Sira & trans Muslim communities

Abu Muhammad Ali Ibn Hazm – ally of queer Muslims

Ayatollah Ruhollah Khomeini - ally of transgender & intersex folks

Sheikh Muhammad Sayyid Tantawi - ally of trans & intersex folks

Amina Wadud - ally of LGBTQI+ Muslims, founder of Queer Islamic Studies and Theology (QIST)

Gulbanu Khaki/Gul Khaki - ally of LGBTQ+ muslims, mother of a gay imam

Khaled Hosseini - ally of transgender & proud muslim dad of a transgender child

Siddika Jessa - LGBTQI+ activist, mother of a gay muslim son

Ani Zonneveld

Pamela Taylor

Laura Silver

Omid Safi

Kecia Ali

Ghazala Anwar

Ensaf Haider

Saleemah Abdul-Ghafur

Farid Esack

Zaitun Mohamed Kasim/Toni Mohamed Kasim

Anne-Sophie Monsinay

Imam Kahina Bahloul

Imam Philip Tuley

Scott Siraj al-Haqq Kugle

Farouk Peru

Abdennur Prado

Ingrid Mattson

Hasan Minhaj

Reza Aslan

Alia Bano

Zaid Ibrahim

Azahn Munas

Ayman Fadel

Inayat Bunglawala

Shahla Khan Salter

Nakia Jackson

Jeewan Chanicka

Taj Hargey

Michael Muhammad Knight

Maajid Nawaz

Shehnilla Mohamed

Mustafa Akyol

Writer Sabina Khan

Activist Jerin Arifa

Urvah Khan - LGBTQI+ ally, co-founder of Muslim Pride Toronto

Imam Khaleel Mohammed

Imam Tareq Oubrou

Imam Dr Rashied Omar

Shaykha Fariha Fatima al-Jerrahi

Shaykha Amina Teslima al-Jerrahi

Scholar Hussein Abdullatif

Maysoun Douas

Fátima Taleb

Aydan Özoğuz

Omid Nouripour

Özcan Mutlu

Ekin Deligöz

Cem Özdemir

Artist Nadia Khan

Marina Mahathir

Siti Musdah Mulia

Karima Bennoune

Grand Mufti Sheikh Assadullah Mwale

Muneeb Qadir

Dr. Amir Hussein

Dr. Sana Yasir

Dr. Sali Berisha

Dr. Omer Adil

Hashim Thaçi

Albin Kurti

Supermodel Nadia Hussain

Irish-Bangladeshi singer Joy Elizabeth Akther Crookes

Salma Hayek

Fouad Yammine

Pakistani Director Asim Abbasi

Pakistani Actress Nadia Jamil

Indian Actor Saqib Saleem

Indian Actor Irrfan Khan

Indian Actor Aamir Khan

Indian Actress Zeenat Khan/Aman

Indian Actress Shabana Azmi

Indian Actress Saba Azad

Indian Actress Sara Ali Khan

Indian Actress Huma Qureshi

Indian Director Zoya Khan

Pakistani Actor Furqan Qureshi

Bangladeshi Actress Azmeri Haque Badhon

Actor Muneeb Butt

Indian Actress Zareen Khan

Indian Actor Imran khan

Pakistani Actress Mehar Bano

Filmmaker Faruk Kabir

Filmmaker Saim Sadiq

Filmmaker Sharmeen Obaid-Chinoy

Riz Ahmed

Zayn Malik

Sally El-Hosaini

Malala Yousefzai

Hafid Abbas

Hojatoleslam Kariminia

Singer Sherina Munaf

Writer Alifa Rifaat

Writer Ismat Chughtai

Activist Nida Mushtaq

Activist Aan Anshori

Abdul Muiz Ghazali

Kyai Hussein Muhammad

Marzuki Wahid

Gigi Hadid

President Abdurrahman Wahid (Gus Dur) - ally of waria or transgender females

Sinta Nuriyah - ally of trans & waria folks

Politician Keith Ellison

Mayor Sadiq Khan

Politician Ilhan Omar

Politician Rashida Tlaib

Politician Rushanara Ali

Politician Nabilah Islam

Politician Shahana Hanif

Politician Rama Yade

Politician Humza Yousaf

Politician Zarah Sultana

UK Sectratary General Zara Mohammed

Turkish politician Kemal Kılıçdaroğlu

Bengali Influencer Sobia Ameen

Shaykh Michael Mumisa

Muhammad Musharraf Hossain Bhuiyan

Mufti Abdur Rahman Azad - Hijra ally

Sheikh Hasina - Ally of hijra-intersex communities

Lawyer Iftikhar Chaudhry

Amani Al-Khatahtbeh

Professor Amel Grami

Professor Muhammad Aslam Khaki

Mohammad Hashim Kamali

Mehrdad Alipour

Lawyer Imaan Mazari/Iman Mazari

Shireen Mazari

Syed Murad Ali Shah

[fabiotheguitar]

i love glass ceiling feeling BUT can we talk about how the fact that Saira’s narrative struggle of not being able to write a song about the systemic oppression of Muslims is left unresolved? glass ceiling feeling is the resolution to the band’s interpersonal conflict with each other, and them ditching the label is the resolution to their interpersonal conflict with the label. but saira never finishes her song. the band does not become expressly political. the conflict is unresolved and that bothers me more than it should. throughout the show we the audience are supposed to read the show’s implied political commentary (fish and chips being an acknowledgment of colonialism, jokes about people associating them with terrorists, Saira’s Bangladeshi children comment). this show exists in a world where the so-called war on terror, imperialism, disenfranchisement and genocide of Muslims exists and the characters are aware of it. ngl I was shocked when the characters criticized saira for her songwriting. i want to see lady parts respond to sister squire’s criticism and mature artistically but i won’t get it bc of tv censorship 😭😭

[richincolor]

Title: Four Eids and a Funeral Author: Faridah Àbíké-Íyímídé & Adiba Jaigirdar Genres: Contemporary, Romance Pages: 321 Publisher: Feiwel & Friends Review Copy: Purchased Availability: Available now

Summary: Let’s get one thing straight: this is a love story.

These days, Said Hossain spends most of his time away at boarding school. But when his favorite hometown librarian Ms. Barnes dies, he must return home to New Crosshaven for her funeral and for the summer. Too bad being home makes it a lot harder to avoid facing his ex-best friend, Tiwa Olatunji, or facing the daunting task of telling his Bangladeshi parents that he would rather be an artist than a doctor.

Tiwa doesn’t understand what made Said start ignoring her, but it’s probably that fancy boarding school of his. Though he’s unexpectedly staying through the summer, she’s determined to take a page from him and pretend he doesn’t exist. Besides, she has more than enough going on, between grieving her broken family and helping her mother throw the upcoming Eid celebration at the Islamic Center—a place that means so much to Tiwa.

But when the Islamic Center accidentally catches fire, it turns out the mayor plans to demolish the center entirely. Things are still tense between the ex-friends but Tiwa needs Said’s help if there’s any hope of changing the mayor’s mind, and Said needs a project to submit to art school (unbeknownst to anyone). Will all their efforts be enough to save the Islamic Center, save Eid, and maybe save their relationship?

Review: [There are two deaths that impact this book, both off page: the recent death of an adult from cancer, which puts the plot in motion, and the past death of a child due to a hit-and-run accident. Additionally, Tiwa, who is Black, faces on page racism from within the Muslim community in a few scenes.]

Even though a funeral is what puts the plot in motion, Four Eids and a Funeral is on the lighthearted side of the contemporary romance spectrum. Authors Faridah Àbíké-Íyímídé and Adiba Jaigirdar crafted a cute, fast-paced story about childhood friends rebuilding their relationship despite various problems popping up in their community and personal lives. Tiwa and Said have distinct narrative voices, and I appreciated seeing life in New Crosshaven from both their eyes. I especially enjoyed the contrast between Tiwa, who stayed and maintained close ties to the community, and Said, who left and started drifting away.

One of the strengths of Four Eids and a Funeral is the breadth and diversity of the cast. The Muslim community in New Crosshaven is varied; Said is Bangladeshi American, and Tiwa is Nigerian American. Said and Tiwa relate to their community and their religion differently, and Said’s sister, Safiya, has a cute lesbian romance subplot. Tiwa faces some anti-Black racism within the Muslim community, too, and the small-town politics plots highlighted divisions within larger town. New Crosshaven felt like it had life to it, which was no small feat when you’ve got just two POV characters.

On the other hand, I think there were actually a few too many plot threads in this book for its length. There were some things I felt should have gotten far more page time than they did, like Tiwa’s younger brother’s death and what happened to her family afterward. I wanted those events to have more emotional impact on me. The truth behind why Tiwa and Said drifted apart and how they reacted when they uncovered that information was a little disappointing to me as well.

That said, the authors did say right at the start that Four Eids and a Funeral was a love story. I got distracted by my desire for additional drama and tragedy and forgot that the epigraph quoted Much Ado About Nothing. This book is solid craftsmanship with a pair of engaging protagonists, and the bits I was dissatisfied with were largely an expectations mismatch on my part.

Recommendation: If you’re looking for a contemporary romance this summer, you should consider adding Four Eids and a Funeral to your list. Authors Faridah Àbíké-Íyímídé and Adiba Jaigirdar created a cute romance about childhood friends reconnecting against the backdrop of vibrant Muslim community.

Extras: Q&A: Faridah Àbíké-Íyímídé & Adiba Jaigirdar, Co-Authors of ‘Four Eids and a Funeral’

[fatehbaz]

Kurdish ecology. Indigenous seeds and food heritage. Palestinian edible plant archive. Ezidi foods and reverence for landscapes. The narratives of “exiled foods.” Suryani, Zaza, Kurdish, and Armenian displacement. Okra and mustard greens. Dispossession and native plants in  Anatolia and the Mediterranean. Imagining alternative worlds and affirmative care structures. Landscapes breathing in slow, deep time. Seed exchanges and “entanglement of solidarity” across regions in defiance of military surveillance, industrial monoculture, and extraction. “Homeland is not where you were born, it is where you are fed.”

---

Okra is strong and can survive the precarity of exile and migration: it can be found in a Bangladeshi vegetable stand in Rome, an Ezidi camp in Diyarbakır, or a guerilla garden along the highway in Kowloon. Okra is one of the world’s oldest cultivated crops, spread by the processes of colonization and the slave trade from Africa and India to the Mediterranean and westward to the new world. Its versatility makes it well suited for states of dispossession and survival. [...] The colonization and standardization of landscapes is always rooted in controlling the cultivation and erasure of localities. [...] Today, the same region [Anatolia and the Mediterranean] is inundated with wars and oppressions that destroy not only biodiversity but also the intangible heritage of ingredients and their narratives across our earth.

“Survival-with” and “through” is something of an entangled kinship that can be described as migrating ingredients, refugee seeds, and exiled foods. Works by artists Seçkin Aydın and Gülsün Karamustafa deal with forced eviction and exile from their homelands in different historical periods in the last century in Anatolia. Aydın is a Zaza minority from an evicted Kurdish town called Kulp (Diyarbakır Province). His work I can’t carry my grandma, i can also not eat her or wear her (2015) uses the metaphor of Aydın’s grandma keeping small fruits in his pocket during their journey of exile when he was a child. [...]

Karamustafa’s work Heimat Ist Wo Mann Isst (1994) depicts three spoons wrapped in an old cloth. The title means “Homeland is not where you were born, it is where you are fed,” which refers to cross-Balkan and Anatolian transnational migration.

---

Practices of collecting and archiving heirloom seeds are a form of solidarity and resistance against extractive capitalism and industrialized agriculture. Such projects protect and aim to restore natural habitats and biodiversity. They are critical of dominant monocultural approaches [...]. How can we consider a more-than-human ethics around seed and seed heritage? How can we collect cross-narrative assemblages of seed heritage? [...]

Indigenous phenomenologies are essential for tracing food heritage and the ingredients that are tightly connected to local communities of Zazas, Ezidis, Armenians, Suryanis, Kurds, and others who are continuously exiled by force in the ongoing extracted landscapes of the Tigris. Often with colleagues we find ourselves discussing, for example, the giyayê xerdelê (mustard greens) that can be easily foraged in the hills of Heskîf, a millennia-old archeological heritage site that has almost been destroyed by the nearby Ilisu Dam, which justifies the expropriation of lands from Kurdish villages and from many nomadic shepherds who were forced to leave. Military surveillance of farmers and of the common grazing grounds of Ezidi, Suryani, and Kurdish villages leads to a loss of the network [...].

Kurdish ecology activists Bişar İçli and Zeki Kanay, who were banned from their municipality and their university positions by the Turkish government in 2017, started an agro-ecological solidarity commune in Diyarbakır. They archive, exchange, and create networks of seeds around the Tigris River basin, producing an entanglement of solidarity infrastructure among Kurdish communities against military surveillance and capitalism-led extraction in this region.

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Cineria, an Ezidi village near Batman, Turkey, was nearly emptied out in the 1980s due to conflict in the region between the Kurdish movement and the Turkish state. [...] Soil, stone, rocks, caves, and water are fundamental cosmological elements of Ezidi cultural practice connecting the past, present, and future. Each year the village hosts semi-nomadic Zaza shepherds who migrate from another southeastern Turkish city, Bitlis [...]. The Ezidis accommodate the shepherds for six to seven months in Cineria; both communities communicate using the Kurmanji language. [...]

Long walks through landscapes are a basic practice of Ezidi women, where they learn about the land and the cultivation cycle connected to Ezidi cosmology, which is about keeping and protecting ingredients, seeds, and healthy soil. Honouring nonhuman elements is fundamental to Ezidi cosmology. As Ezidi women walk through the landscape, they tell stories of dispossession, mourn for lost soil and seeds, and whisper continously: “av, agîr, erd, ba, roj.” [...]

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Palestinian geographer Omar Tesdell, who created the Palestinian edible plants archive, tells us that landscapes move in slow, deep time, and that all wild plants, seeds, and healthy soil are our heritages. These heritages will not only support our precarious societies but may create an ethical, responsible entanglement of resilient coexistences for our collective future. [...]

Following an okra plant through narratives, infrastructures, forgotten languages, and entangled exiles is not a metaphor. As artist Jumana Manna writes, we strive toward “imagining alternative/affirmative care structures that remain, within and beyond the current reality, aligned towards plant and human life alike.” Navigating through migrating ingredients, refugee seeds, and exiled foods, we witness and learn about extractive strategies, state-making, and slow violence.

---

Text by: Pelin Tan. “Entangled Exiles.” e-flux (journal). Issue 131. November 2022. [Italicized first paragraph/heading added by me.]