#BUT. we are. showing kindness

[choatic-bumblebee-agenda]

Lemonade crunchy ice Ann have grace Ann be nice

[secondbeatsongs]

for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal

before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"

and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"

[mmelolabelle]

“Ares…is a moron.”

I honestly don’t think that anyone is more amused by the whole “this douchebag decided to try and fight the child of the sea god on a fucking beach” of it all than Poseidon.

[counting-stars-gayly]

I’m actually LOVING how Rick Riordan, and the other writers of the show, took his initial concept of a Percabeth rivalry fueled by that of their parents and kind of turned it on its head?

Now, instead of Annabeth being wary of Percy because he’s a son of Poseidon, he’s wary of her because she made a callous impression on him. They get off to a rocky start even before finding out who Percy’s father is, and when they finally do, Annabeth doesn’t care. Instead of them fighting because of who their parents are, they’re fighting over their own opposed worldviews.

Then, instead of them arguing over which of the gods is cooler and who was right in the story of Medusa, they realize that, just like Medusa, Annabeth is a victim of her mother and that, unlike Medusa, she is a far kinder and stronger person, unwilling to repeat the cycle of hurt. They realize that, like his father, Percy often acts without considering potential consequences and that, unlike his father, he is a far kinder and stronger person, willing to step up for someone he wronged and whom he cares about.

Instead of Percy and Annabeth’s rivalry being focused on that of their parents, it’s focused on who they are, themselves. But the path to friendship is still the same: a realization that they have each other’s backs, no matter what, because they’re not their parents after all.

[bixels]

Learning that fans hated Applejack and called her "boring" is crazyyy to me because I genuinely, unironically believe AJ's the most complex character in the main six.

Backstory-wise, she was born into a family of famers/blue collar workers who helped found the town she lives in. She grew up a habitual liar until she had the bad habit traumatized outta her. She lost both her parents and was orphaned at a young age, having to step up as her baby sister's mother figure. She's the only person in the main gang who's experienced this level of loss and grief (A Royal Problem reveals that AJ dreams about memories of being held by her parents as a baby). She moved to Manhattan to live with her wealthy family members, only to realize she'll never fit in or be accepted, even amongst her own family. The earlier seasons imply she and her family had money problems too (In The Ticket Master, AJ wants to go to the gala to earn money to buy new farm equipment and afford hip surgery for her grandma).

Personality-wise, she's a total people-pleaser/steamroller (with an occasional savior complex) who places her self worth on her independence and usefulness for other people, causing her to become a complete workaholic. In Applebuck Season, AJ stops taking care of herself because of her obsessive responsibilities for others and becomes completely dysfunctional. In Apple Family Reunion, AJ has a tearful breakdown because in she thinks she dishonored her family and tarnished her reputation as a potential leader –– an expectation and anxiety that's directly tied to her deceased parents, as shown in the episode's ending scene. In The Last Roundup, AJ abandons her family and friends out of shame because believes she failed them by not earning 1st place in a rodeo competition. She completely spirals emotionally when she isn't able to fulfill her duties toward others. Her need to be the best manifests in intense pride and competitiveness when others challenge her. And when her pride's broken, she cowers and physically hides herself.

Moreover, it's strongly implied that AJ has a deep-seated anger. The comics explore her ranting outbursts more. EQG also obviously has AJ yelling at and insulting Rarity in a jealous fit just to hurt her feelings (with a line that I could write a whole dissection on). And I'm certain I read in a post somewhere that in a Gameloft event, AJ's negative traits are listed as anger.

Subtextually, a lot of these flaws and anxieties can be (retroactively) linked to her parents' death, forcing her to grow up too quickly to become the adult/caregiver of the family (especially after her big brother becomes semiverbal). Notice how throughout the series, she's constantly acting as the "mom friend" of the group (despite everything, she manages to be the most emotionally mature of the bunch). Notice how AJ'll switch to a quieter, calmer tone when her friends are panicking and use soothing prompts and questions to talk them through their emotions/problems; something she'd definitely pick up while raising a child. Same with her stoicism and reluctance at crying or releasing emotions (something Pinkie explicitly points out). She also had a childhood relationship with Rara (which, if you were to give a queer reading, could easy be interpreted as her first 'aha' crush), who eventually left her life. (Interestingly enough, AJ also has an angry outburst with Rara for the same exact reasons as with EQG Rarity; jealous, upset that someone else is using and changing her). It's not hard to imagine an AJ with separation anxiety stemming from her mother and childhood friend/crush leaving. I'm also not above reading into AJ's relationship with her little sister (Y'all ever think about how AB never got to know her parents, even though she shares her father's colors and her mother's curly hair?).

AJ's stubbornness is a symptom of growing up too quickly as well. Who else to play with your baby sister when your brother goes nonverbal (not to discount Big Mac's role in raising AB)? Who else to wake up in the middle of the night to care for your crying baby sister when your grandma needs her rest? When you need to be 100% all the time for your family, you tend to become hard-stuck with a sense of moral superiority. You know what's best because you have to be your best because if you're aren't your best, then everything'll inevitably fall apart and it'll be your fault. And if you don't know what's best –– if you've been wrong the whole time –– that means you haven't been your best, which means you've failed the people who rely on you, which means you can't fulfill your role in the family/society, which makes you worthless . We've seen time and time again how this compulsive need to be right for the sake of others becomes self-destructive (Apple Family Reunion, Sound of Silence, all competitions against RD). We've seen in The Last Roundup how, when no longer at her best, AJ would rather remove herself from her community than confront them because she no longer feels of use to them.

But I guess it is kinda weird that AJ has "masculine" traits and isn't interested in men at all. It's totally justified that an aggressively straight, misogynistic male fandom would characterize her as a "boring background character." /s

At the time of writing this, it's 4:46AM.

[idolomantises]

Man is it just me or are a lot of TV shows nowadays are written to have big emotional episodes in scenes with very little build up.

[technically-human]

Bisexual crisis Crystal edition

[egophiliac]

roll out the red carpet guys we're going to the SHAFTLANDS

[theribbajack]

"Now, the vow will be honoured, and my Lord brother's soul will return."

Radahn stans keep winning, but I personally am in Miyazaki's walls rn

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

[First] Prev <–-> Next

[aethersea]

I do think Blazing Saddles handled its one depiction of native americans very poorly, and the full extent of its representation of chinese workers on the railroad is they were literally just there. not even one single speaking line. unclear if this is worse or better than the redface.

it's fucking phenomenal at lampooning antiblack racism though. extremely blatant, extremely funny satire, which is constantly and loudly saying "racism is the philosophy of the terminally stupid at best and morally depraved at worst, and we should all be pointing and laughing at them 24/7"

plus the main character is a heroic black man who has to navigate a whole lot of bullshit but is constantly smirking at the extraordinarily stupid racists and inviting the audience into the joke. the one heroic white character is a guy who was suicidally depressed until he met the protagonist and they just instantly became buds, and he's firmly in a supporting role the whole time and happy to be there. the protagonist saves the day with the help of his black friends from the railroad, and uses the position of power he was given to uplift not only those friends, but all the railroad workers of other minorities too, in an explicit show of solidarity.

anyone saying "Blazing Saddles is racist" had better be talking about its treatment of non-black minorities. it had better not be such superficial takes as "oh but they say the n-word all the time" or "they have nazis and the kkk in there!" because goddamn if that's the full extent of your critique I very seriously suggest you read up on media analysis. there is too much going over your head, you need to learn to recognize satire.

[supercutszns]

rotten to the touch; luke castellan

series masterlist

wc: 3.2k

pairing: pre-tlt luke castellan x f! reader

synopsis: you’re pretty sure you’re an awful person. you’re pretty sure luke castellan is too. and you’re pretty sure you want to make out with him.

warnings: reader is flawed & not the greatest, luke is ... a little dark🫣, small mention of blood, swearing, lots of making out but no explicit nsfw, a bit toxic, & no more more ‘i can fix him’ or ‘i can make him worse’ it’s ‘he can make ME worse’

notes: this is… sluttier than my usual stuff so it’s not as good but i’m trying, feedback is appreciated! also i wonder what cabin we think this reader would be in, let me know where you’d place her im curious :) maybe i’ll write more of her in the future she’s interesting!! and thank you for 100 followers i am so grateful<3 designated song for this fic is crush by ethel cain

You are a miserable, wicked, asshole of a person, and everybody knows it. Including you.

It’s unclear to you why you turned out this way—every reason to blame never satiates the fury searing your insides. All the campers hate you. The counsellors, too. Even Chiron looks down on the viciousness inside you. You are Camp Half-Blood’s black sheep; a mean, bitter person with no love for the people around you. And it’s not just for show. You know you’re rotten. You know the anger will never go away.

It’s evident in the things you think about other people—the way you pick them apart in your head, toss them aside, because they just don’t see it. This miserable, unforgiving world, with children sleeping on wooden floors because the people who created you think you disposable. Because they can just make more of you. More, more, more, until one of you comes out rotten, born of all the ugliness they have inside them. You are the worst parts of Godly blood. The wrathful parts.

Everyone hates you. Everyone hates a person with an unquenchable anger.

But everyone loves Luke Castellan.

He’s a saint at Camp Half-Blood if there ever was one. Handsome, generous, kind. Goes out of his way to help out the new kids and gives them homes in his cabin. He’s the best swordsman in camp by a mile. Shit, you’d even love Luke Castellan if you didn’t know any better.

But you do, and you don’t, and it’s complicated, okay?

Because there’s something you know about Luke Castellan that nobody else does: he’s miserable and wicked, too.

You see it in his eyes sometimes. The way they look at you at dinner, when you’re picking at your food away from anyone else at your table. Something familiar rises in them, and your stomach twists. His body tenses whenever someone mentions his father, but the smiles he flashes are so charismatic nobody notices. But you do. It’s exciting.

During sword practice, he quips back and forth with the kids and laughs whenever they take a jab at him. He’s light, easy, carefree. But you see how he holds back, the tension in his shoulder, the way the arc of his sword never fully finishes. So you wait until everybody leaves and he’s alone, with the training dummies and the setting sun. And you. Hiding.

He slashes through them and spears through their heads. You see it, the gnashing of his teeth, the sweat curling down his cheeks. There’s something there. A chasm he’s hopeless to fill.

Before you know it, you’re going out of your way to catch him training alone. It’s creepy, you know, and awful, you know, but the more you watch him the more you see a sort of violence scabbed under his skin.

Whenever you see him now, the feeling you get is entirely foreign to you. It’s almost . . . longing.

Wherever she is, you’re pretty sure Aphrodite’s having a cosmic fucking laugh. And you’re sure she’s laughing double tonight.

The Aphrodite cabin is hosting some secret party for the older counsellors. You’re definitely of age to be a counsellor, but you’ve never been made one because that would probably make half the campers drop out. Chiron and Mr. D don’t know what to do with you. You’re sure you’ll be kicked out of camp soon for good.

But you’re here anyways, for a reason you don’t want to admit, and you stay tucked in a corner as the world around you mingles. Luke is on the other side of the room, lovely as always, laughing with a few other counsellors. He brings a drink up to his lips, and you have a startling thought of what it would be like to kiss him. And you’re fucked. You’re so fucked. Because for the first time in your life you want something tangible, something real. You want to hear him and feel him and pry him apart, and a part of you wants him to actually see you, see all the awful things that might make you the same. You feel like a teenage girl with a crush, and it is infuriating.

An Aphrodite girl comes up to you with a foolish smile. “Hey, sorry, you want a drink?”

“Fuck off, you idiot,” you snarl.

You wait for her to leave. She doesn’t. “You know, you don’t have to be so mean all the time,” she says evenly. “If you’re here, you might as well enjoy it. So yes, I want to give you a drink.”

“Have you ever thought that I’m not being mean? Maybe I just am.”

You glare at her. She looks you up and down. “Sure,” she shrugs, walking away. There’s a vivid picture in your mind of her falling through a hole in the cabin floor. It doesn’t soothe you, but at least the fantasy is there.

The night drones on. You’re sick of the smells and the laughs and the heat. And you’re sick of yourself. You can’t believe, underneath all your sourness, you came here to stare at a boy you barely know, and you don’t even know why. He’s fascinating, and you resent him, and he’s also beautiful. But he’s looked back at you all of three times tonight and you’re sick of the way your skin crawls when he does.

Leaving the cabin brings the relief of the cool night air, and the singularity of your body. You are the only one who feels this rage. You are the only one who hates.

To stave off your discomfort you walk around to the back of the cabin, to the crest of the hill facing the water. The stars above twinkle at you in spite. There’s a bitterness in your throat you want to wash down with something worse (maybe you should have taken that drink), but you know it won’t matter. Nothing matters. Those stars and whatever they hide are apparently the only important things in the universe, so why should anyone care about anything?

They stars only get brighter. It’s probably their goal to piss you off. You grunt, “Oh, fuck you,” to them. It’s not enough, never nearly enough to expel the rotten part of you. “Fuck you. Fuck off!” You groan at the sky. Nothing happens. Until:

“I’m guessing you’re not having a fun night.”

You whirl around. It’s hard to see in the dark, but whatever light is left catches a long scar on a cheek. Your stomach knots.

“Yeah, me neither,” Luke Castellan says, hands in his pockets as he meanders towards you.

Even when he’s close enough, you don’t say anything. If you do, you’re afraid it’ll be something ugly. Like I kind of want to make out with you. Are you awful too? I need a lobotomy.

The thoughts almost make you laugh. Been a long time since you’ve been funny.

He nods at the sky. “Those things don’t talk. You do know that, right?” He’s still so captivating, so self-assured, even when there’s no one around but you.

“Gods, you’re the worst,” you scoff. You really mean it, so you can’t look him in the eye.

“Then why have you been staring at me all night?”

It catches you so off-guard that you whip back to face him. He has an eyebrow raised and the itch of a smile that makes you burn with shame. “What the fuck are you talking about?”

He shrugs, leaning against the cabin wall. “I’m not stupid. You’ve been brooding in the corner watching me the second you came in.” He cocks his head to the side, adding, “Actually, you stare at me all the time. At meals and stuff. I really hope you don’t think you’re being subtle.”

You huff. “Okay, if we’re really being honest here, you started that! You do it too! All the time!”

His hands shot up like he was being arrested. “Hey, I never said I minded it. A guy’s . . . just gotta wonder. What’s up with you spying on me when I’m training alone, anyways?”

“You have no idea what you’re talking about.”

“You watch me when there’s nobody else around. I’m not blind. It’s weird. If you want tips you can just ask me. Or if you like what you’re looking at, at least be upfront about it.”

You speak before you can take in that last sentence, or the way his smile took pride in itself when he said it, or how embarrassed you should probably feel. “You didn’t answer my question about why you started staring at me first.”

The anger (shame) blinding you made you forget how close you are to him right now. Close enough to touch, but not enough to see. But almost there. Almost.

“People think you’re mean,” Luke says after a moment, his dark eyes probing you. The words curl out of his mouth slowly, like he’s choosing them all with care. “You’re rude. You never listen to anyone. You judge everything. They all think you’re awful.” Again, he looks you over. “I’m not so sure.”

“If I’m awful, then you’re awful,” you spit before he can say anything else.

He just shrugs. “Well, I guess that’s why I’m not sure.”

It’s irritating, his calmness. He has the same anger you do. How come he can just . . . shove it down? You try to unearth any fury in his eyes, but it’s too far back. Simmering. “Jesus,” you mutter, “You’re worse than me.”

He looks genuinely taken aback by this. His scar deepens when his brows wrinkle. “What?”

“You’re a pretender—that’s what you are.” It’s your turn now, to step closer, to make his skin crawl. “Look at you. Everyone loves you. You’re this perfect golden boy and you’re sweet and attentive and whatever the fuck but you know it’s one giant lie. At least I’m honest, but you just sit pretty and act like you don’t have that . . . thing that I have. Resentment. Insanity. Whatever you want to call it. We’re the same, but I’m the only one getting shit for it.”

Now, you are close enough to really see him. The patterns on the wood behind him frame the vision of his ever-shifting face. You realize that this, like most things are to Luke Castellan, is a challenge. You also can’t remember the last time you saw him lose one.

But when you play, you play to win.

“You don’t know that,” he dares.

“Oh, I do. You’re rotten, Castellan,” you sneer, index finger jabbed into his chest. You can feel his heartbeat if you concentrate. “And you’re not owning up to it, so you’re also a coward.”

However scathing you look, it isn’t enough. If anything it only makes Luke’s manner more playful. Nothing feels playful anymore. Everything, inside and outside of your mind, feels like constant, exhausting war. Maybe that’s why you don’t slap his hand off you when it wraps around your wrist, keeping it pressed to the middle of his chest. His heartbeat thrums through you.

He tilts his face towards you, grinning, “Then why do you want to kiss me?”

All right. What the fuck. It feels like you’ve been electrocuted.

“What the—what are you talking about?” You blunder, but he knows, of course he knows, because there’s something between the two of you that has been formed and understood by eye contact alone. He can probably read your mind. As much as you don’t want to admit it, you’d like to read his just as much.

He cocks his head. “I mean, you did call me pretty,” he teases, and it’s almost endearing. “You’re pretty like this too.” His other hand comes up to your face, and you’re surprised you don’t flinch when his thumb gently smooths the crease in your eyebrows. “Don’t call me a coward, heathen. Then we’ll both be embarrassed.”

The nickname makes you want to fight, but the touch makes you dizzy. “You don’t want to kiss me, Luke,” you say with all the control you have, which, right now, is increasingly sparse.

“You’ve gotta stop telling people what they want,” he muses. The hand on your wrist traces further down your forearm. The one on your face snakes around your hips. “One of your more disagreeable qualities.”

His words fan over you. That fire simmering in his eyes has finally come to the surface.

“One of?” You challenge.

“You let me make out with you and I’ll give you a whole list.”

You snort, hoping it hides the shortness in your breath. “What a charmer you are.”

His lips brush yours. “Well, that’s what makes me so rotten, isn’t it?”

There’s hardly time to unravel if that’s a question or a statement because you grab a fistful of his shirt and he kisses you. Your heart detonates. It is not rotten in the slightest.

His body is warm and firm. You smell the cabin wood and the drink on his breath. It all matters, and none of it does. You’re warm everywhere as he wraps both arms around your back, and the way he kisses is, unfortunately, exactly how you thought he would. Your hands are tentative in his hair. So is your mouth on his. But Luke is so deliberate in the way he kisses that you know he’s thought about this, too. It makes you all the warmer.

His hand takes your jaw and tilts it up. You know your neck is shaky with breath, and you’re pretty sure he’s admiring it. You don’t complain when he presses a kiss to your jaw, then another one, like he’s testing the waters. “You’re so nice like this,” he mutters almost to himself, thumb running across your neck. “If only people could see you.”

“Then they’d see how mean you are too, no?” You huff. “You don’t want that.”

Another kiss to your jaw. “Not yet, sweetheart.”

Whatever feeling is harbouring in your body right now, it’s so fulfilling it almost makes you uncomfortable. You want to reject it. You’re not supposed to want things. Worse, you’re not supposed to get things. Luke starts marking a path down your neck and you are so determined to enjoy this that you’d kiss a fucking baby if someone asked you to. You might as well be a saint.

He bites the pulse point on your neck, sure to leave a mark, and a shudder rips through you. You’re pretty sure the bastard starts laughing. You hit his shoulder in retaliation.

“Easy, heathen,” he reprimands in your ear, and you know he’s still smiling.

“Don’t—don’t call me that.” You hate that you start to smile, too, and that your stomach burgeons with butterflies when he pulls back to look at you.

He touches the corner of your upturned mouth, kiss-bitten and red. His expression is boyish. “Hard to when it makes your face do that,” he goads. “I thought it was impossible for you to smile.”

“Be quiet.” You thread a hand through his camp necklace and bring him closer. You can almost taste his mouth on yours, but he sweeps past you at the last minute.

He gently tugs your earlobe with his teeth and whispers, “Yes ma’am.”

Fuck him. Seriously. You might have to.

It’s a tangle of teeth and hands and smiles kept hidden, as you slip your fingertips beneath his shirt and he does the same, and you’re both angry and greedy and incredibly destructive, but it doesn’t matter yet. Now you’re just teenagers fooling around at the back of a party, and it’s the first good thing either of you have had in a long time. Luke leaves you gasping whenever his mouth hits certain places, maybe too many places, and he teases you accordingly. “So sensitive,” he taunts, pressing his knee between your legs so he can see you squirm. You rake your nails through his scalp and he tilts his head back to groan. It shuts him up for a while.

He bites your neck until you say his name. You trace lines on his stomach till he takes your hand in his own. You’ve been hungry for something your whole life, and you finally have something to sink your teeth into. For better or for worse.

After Hades knows how long, laughter floats out from the front of the cabin. Sounds of feet tripping over each other and muffled goodbyes. You pull away from Luke, chests heaving together. His hair is wild, his shirt crumpled, and he looks entirely satisfied with it. Smug little shit. “Party’s letting out,” you mutter.

“What a damn shame.” His hand rubs your jaw, and it’s too tender a gesture so you angle your head away to peek over the side of the cabin. You barely pay attention to the kids straggling back to their bunks.

“Is now the time you tell me all my horrible qualities?” You ask once you’re ready to look at him again.

He clicks his tongue against the roof of his mouth. “Actually, I came up with more since I said that so I’m pretty sure it’ll take more than one night.” He fakes a wince, “Might have to spread it out for a few days.”

You roll your eyes, “Oh, you ass.”

“I’ll give you one for starters.” You feel like a tornado when he kisses the juncture between your jaw and your neck. “Your hands are too cold.” They’re tucked underneath his shirt right now, pressed against his back. You don’t move them. “And,” he adds, “you’re incredibly crass.”

“Thanks, dipshit.”

“Thank you for proving my point, heathen.”

The commotion at the front gets louder, and you know your time to go undiscovered runs short. “You meet me again tomorrow, and I start telling you the rest?” He raises his brows.

The prospect both repulses and excites you, although perhaps they’re hand-in-hand. You tentatively reach up to trace the scar on his face. A faint, jagged line that holds scripture within it. His eyes flutter shut for a moment. “Even though I’m rotten?” You ask, and there’s an echo of mischief in your voice, too.

He’s got a strange expression when he looks at you. “That’s not true.”

He leans down, angles his head to kiss you. It’s slow, but bitter, and he bites down on your lip until you’re pretty sure there’s blood. “Luke,” you murmur, and he kisses you softer. You lean into him like a hapless, lovesick fool.

After you part, he loosens his grip on you. The bumbling campers have gotten louder. He stares at you, and you see the chasm in his eyes again, brimming with fire. Same as yours. You know you’ll see him tomorrow.

He says, “You’re not rotten. You’re right.”

And damn it, you really do believe him.

[donutdrawsthings]

🎶 There's always a twist in the end!

[minhosblr]

The only singer ever!

[lexavillanelle]

[naomistares]

mini comic about a kinda freaky terrible queen and the nonsensical takes she has about the times people have tried to kill her

(more thoughts in notes)

UP NEXT! ANOTHER short comic, (and then one more) this time taking place one month before the kings death, in which we will have: one annoying prince! one lousy fight scene! rejoice's dismissive nature! and row reveals a secret.... tune in next time for all that