#BUT ALSO I'M JUST . BITTERSWEET

[supernovasilence]

Ok we all talk about the Pevensies' trauma at returning to Earth at the end of The Lion, the Witch, and the Wardrobe and their trouble readjusting to life there again but think of all the funny/good parts too

They return from the country, and their mom is surprised when all her children hug her at the station. Even Peter, who thinks he's all grown up. Even Edmund, who went away surly and withdrawn. She doesn't know her children haven't seen her in over a decade.

They miss their dear Cair Paravel, but they absolutely do not miss its chamber pots. Indoor plumbing is amazing.

It takes a while to remember how modern technology works, though. How many heart attacks did the siblings give their parents or the professor because they walked into a dark room only to turn on the light and find the children sitting there in the dark. (They were by the window! There was still plenty of light from the sunset! They would have gotten a candle in a minute!) The kids sheepishly remember oh yeah electricity is a thing.

(Edmund has a new electric torch in Prince Caspian. He was so excited to get that torch. Almost more excited than you'd think a kid his age would be, and his parents expect Peter at least to tease him, but the siblings all agree light in your hand at the touch of a switch is terrific.)

Suddenly getting really high grades in some subjects and terrible in others. Their grammar, reading comprehension, spelling, vocab, even penmanship? Amazing. History and geography? They don't remember anything. One time in class Susan forgets Earth is round and wants to die.

Also they can never remember what the date is supposed to be because Narnia uses different months and years. They can estimate time really well by looking at the sun though, and Edmund at least can always tell which way is north etc without thinking about it (again, using the sun)

Okay but how many times did they go to pick something up or reach something and realize they are so much shorter and less muscled than they expect? It's a common sight to see Peter climbing on counters to reach a top cabinet, grumbling about how he's High King this is demeaning. (No he never takes the extra five seconds to grab a stool. He will climb that shelf.)

Peter and Susan being delighted because they are no longer almost thirty. (In a few years Edmund and Lucy will tease them about being old and their parents will not understand.)

Lucy doesn't have to deal with periods anymore for a few years yet. Susan might not either. Heck yeah

Lucy loves to climb into her siblings' laps and be cuddled. In Narnia she eventually she grew too big, but now she is small and snuggleable again. Peter is her favorite, and if she's upset, he'll tickle her and tell bad jokes until she's smiling again, but really she loves cuddling with all her family. She grew up without her parents; how many times did she just want to crawl into her mom's lap and her mom was a world away? Imagine the first time she realizes she can now. Or, imagine one day, a cold and grey sort of day, when the rain is pattering against the windows, and it sounds like the rain on the windows of the Professor's house, that first day they went exploring. It sounds like the day they played hide and seek. It sounds so like the rain on the windows of Cair Paravel, that if Lucy closes her eyes she can imagine she's back there, having tea and chatting with Mr. Tumnus before the fireplace of her room, and soon the rain will stop, and they will go out on the balcony and wave to the naiads and the dryads and the mermaids, who have come out to enjoy the rain and visit one other on the banks of the Great River winding past Cair Paravel down to the sea.

But if Lucy looks out the window, all she'll see is the rain over London, so it's not only a cold and grey sort of day, it's a lonely sort of day too.

Susan and Edmund are playing chess in the living room (and they must have studied with Professor Kirke, thinks their mother, because they certainly weren't that good when they left). Lucy goes over to Edmund, and oh dear, thinks their mother, now he's going to call her a baby and be horrible to her, but instead he picks her up and puts her on his lap without even taking his eyes off the chessboard; it's simply a matter of course.

"Doesn't the rain sound familiar?" says Lucy in a solemn, wistful way.

Their mother doesn't know what that means, but her siblings must, because Susan says, "Yes, Lu, it does,” and Edmund gives her a little hug with his free arm as she tucks herself under his chin to watch the chess match.

(Five minutes later there is a crash from the next room as Peter falls off a counter. Their mother does not understand the words he must have picked up from the Professor, but he's grounded for them anyway. His siblings have no respect for their High King, because they refuse to stop laughing.)

[lotus-pear]

"feels like we could go on for forever this way.." (x)

[aashwarr]

cameron's date. as a programming enthusiast, cameron is attending the 50th annual foxbury charity gala. chasity is tagging along to be a supportive girlfriend... and because her favorite simfluencer will be there.

[zu-is-here]

Hi :) Hi Hi Hi! Helloooo Sooooo I don't know if you do requests or not but JUST STAY WITH ME ON THIS- XD So.... what about... some Monarch Shattered Dream and Knight!Cross content ( ͡❛ ͜ʖ ͡❛) Just a suggestion XD

set them free

Monarch by @wishingstarinajar || Shattered Dream by galacii-gallery / galacii

Knight by stankychee || Cross from xtaleunderverse by jakei95

[brethilach]

gollum is a little freak but I genuinely get so upset thinking about him because we know that was still a lil freaky even before he and deagól found the ring but he very well would've had the opportunity to have a good live and BE good if they hadn't. and no matter what happened afterward, he couldn't go back home. even if he confessed to his crime he very likely would've still been kicked out of his community, or at the very least socially shunned to the point where he might as well just leave anyway. the ring would've consumed him no matter what, and for no fault of his own (or at the least, no faults that would ever warrant some cosmic punishment amounting to what the ring Did to him). by the time Bilbo found him he was far, FAR past the normal lifespan of a Hobbit. After the Ring was destroyed Bilbo began deteriorating at 130, and he had only beaten the current record for the longest Hobbit lifespan by a single year. Gollum was at LEAST 3x older than that. Very likely more. No matter what happened—even if Sam was a little kinder, Faramir was a little gentler, or Frodo was able to fully reach "Smeagól" in the way he so desperately wanted to, even if he helped destroy the Ring himself, or he didn't fall into the fire—Gollum would've died with the Ring. Even if the Quest FAILED and Gollum successfully claimed the Ring like he wanted, he STILL would've died (because Sauron would have never let him hold on to that thing for hundreds of years again, if his body could've even handled that). There is no reality where Smeagól would have a happy ending, whether he was "redeemed" or not. Yet all of it was such a fundemental factor in the success of the Quest (and even Bilbo's success during the Quest of Erebor). Definition of Doomed by the narrative

[casscainmainly]

Small question, does it have to be Gotham for Cass? There's charas like Dick that can go establish their identity in a different city. Then there's Bruce, Steph, Jason and Duke who are so intrinsically tied to Gotham that this has to be the city for them. Where does Cass lie on this spectrum? Tq!

EXCELLENT question. I think Cass' situation is somewhat unique because of the way her character was handled post-Batgirl (2000).

In favour of Cass not staying in Gotham, she doesn't have the same emotional connection to Gotham as the four people you listed. She wasn't raised there, and in Batgirl (2000), she has next to no ties to Gotham civilians. In fact, it's when she moves to Bludhaven in Gabrych's run that she gains her first civilian friend and civilian love interest. The iconic volving panel is from Bludhaven, too. It's undeniable that the distance from Gotham, from Bruce (and arguably Babs), helps her grow:

Batgirl (2000) #71

It can't be overstated how important ownership is to Cass. To own something means, necessarily, that you not an object. You are a person who something belongs to, and who belongs to something. By calling Bludhaven the "first place that's ever been... mine," she's explicitly saying that Gotham was not hers. Bludhaven was the first place that made her feel fully human.

But there are caveats to this. Cass goes to Bludhaven in the wake of Stephanie's death, a Gothamite through and through. It's probable that Steph's death colours her view of Gotham here, and her willingness to embrace Bludhaven is in response to the pain that Gotham now brings her. (This is also after Babs calls Cass stupid). Feeling like Gotham doesn't belong to her might stem from these specific circumstances, and not be applicable in current canon.

Still, if the story had ended there, I'd say Cass doesn't need to stay in Gotham. Unfortunately, it doesn't.

Red Robin (2009) #17

After Bruce's death, Cass goes to Hong Kong. Well, 'goes' is putting it nicely. She was written off to make Steph Batgirl, which resulted in Cass a) not appearing in most comics, b) being stripped of the bat symbol, and c) being isolated from everyone she cares about, besides Tim. It's a horrific and undeserved fate, reversing everything Cass' story once stood for (narrative agency; becoming a hero; finding a family).

Though Cass regains the symbol and becomes the Bat of Hong Kong, she is no longer part of the narrative; her distance from Gotham became a representation of her distance from narrative importance. That's the real danger of Cass leaving Gotham - unlike Dick, who is a big enough character to be guaranteed solos in Blud, Cass leaving Gotham will forever hold the threat of erasure.

I'm discussing this in a meta-textual sense, but textually Cass knows the danger too.

Gates of Gotham #5

Here, Cass rebuffs Dick's assertion that Gotham will never keep either of them because they don't belong. She says, "It's about how you choose to see the world. Everything else is just an excuse." She's repudiating multiple things: editorial's decision to boot her from Gotham; Bruce's decision to take Batgirl away; even, somewhat, Dick's ascension to the Bat mantle when she wasn't given a chance.

This is ultimately why, though Cass could work elsewhere, I think she should work in Gotham. It's the place she ran to after David Cain, the place she chose to stay in, and the place that gave her Batgirl. Most importantly, it's the place that rejected her. It's not about Gotham itself - It's about how she was ejected from it, and how she fought her way back, over and over again. Cass staying in Gotham ensures history doesn't repeat itself. It rewards Cass fans who survived OYL, Batman Inc, and New 52 with the light at the end of the tunnel.

This is just my opinion! I do love her stint in Bludhaven, so I understand other people preferring her elsewhere. Just for me, she may not belong to Gotham in the way Bruce, Steph, Duke, Jay, or Babs does, but she deserves to be there.

[dollsome-does-tumblr]

i have no idea how somebody somewhere bottles the absolutely magical feeling of having the most fun, silly conversations with your friends -- like, the extent to which this show captures exactly what that feels like and how ebulliently wonderful it is ... it shouldn't be possible to capture that so accurately in a tv screen!!! but it does it!!!

[hipsternumbertwo]

Arasha gets a hotdog!

[myreia]

— v. raison d'être

It was never going to last. They knew it from the beginning, all of them. Their time in the First was temporary, fleeting. For some, that would have been enough to give pause, to keep distance. For them, it made these moments all the more precious—even when it was difficult, even when it was unfair. Ryne knows they are both proud of her. That will never change, even when they live in separate worlds. It is a bittersweet thing to say goodbye, to close one chapter and begin the next. But change is necessary, a fundamental aspect of life. There is no sense in clinging to the past when the future—with all its countless possibilities—lies ahead. There is no looking back. Only forwards.

[1pcii]

my fave alabasta shipping dynamics is pre-established zolu playing matchmaker (how successful they are? eehhhh) for pining namivivi

[koka-mi]

I feel ill

[ptanalo]

happy pride!!!!

[beldaroot]

murai yakumo: using guilt to grieve

i find it so interesting how inukai-sensei implied that yakumo treating survivor's guilt like a luxury and using his classic big canvases weren't a proper way in handling the theme of guilt.

because in the later chapters we learn that yakumo himself has survivor's guilt over sanada's death. and while he claims sanada's death was "likely an accident" he probably feels like he had a hand in it since he didn't go shopping with her that night because he was annoyed at how effortlessly good she was at art so he wanted to paint instead. he's had to live with the guilt of surviving as well as the guilt of possibly being able to have prevented her death plus the guilt of resenting her for her artistic talent. that's why he always refers to sanada being "killed" as if he played a role in killing her.

but then momo says that sanada wasn't killed. sure, there are multiple "what-ifs" that could be said like "what if that man didn't call out to sanada and shock her into falling in the sea?" or "what if yakumo did go shopping with sanada that night?" or "what if the ledge wasn't so icy and the water so cold?" or "what if sanada wasn't so curious?" - but it's all a guessing game because the reality of it is that in the end, sanada still ended up dead and they all have to live with that. i think momo is reflecting inukai-sensei's previous argument against yakumo that guilt isn't something fortunate. that's why she calls yakumo a "brat" about sanada's death because he's treating it like some luxury of being alive instead of properly coping.

it's been three years since sanada's death but yakumo is still in the denial stage of grief. he's been in arguments with hacchan about how he moved on too fast after sanada's death and he hasn't even talked with momo about it at all. he's likely just scared that those feelings of guilt that he had when she died are slowly fading. yakumo knows that he's childish and he has been trying to grow-up and move on, but i like that he also uses his naiveté as a source of inspiration and drive to complete his art of japan piece. through his art, i think he can finally say his goodbye to sanada. and i'm curious if this piece will allow him to let go of notion that survivor's guilt is something luxurious.

[dreamingpartone]

They lay down in the soft sand at the foot of the dunes, and then they heard the first bird calling.

[slurpyboii]

That ended exactly how I expected it to and, as expected, I am entirely neutral on it. Wasn't a satisfying ending or a super hype ending or anything like that, literally just the ending that may as well have happened. Not a single thing surprised me that whole conclusion, it felt unfortunately predictable. You can tell he's excited for it's end though so I'm happy for Horikoshi regardless, hope he can get proper rest now.

[wildflowercryptid]

sometimes, i think about the extra bit of depth alex's romance is given when you date him as a guy and i just gotta. stare at the ceiling for a bit...