not people calling george unprofessional for his post my god will u bitches never stop dickriding for this corporation is the man who created these characters not allowed to have an opinion on the way they’re adapting his work. they’re HIS characters!
Now this had me thinking... Would Willowpelt die in the same way as canon (although to another creature im assuming since bb!badgers aren't as dangerous as they are in canon)? If she's getting kept around longer, maybe Cricketclaw is the one who sacrifices herself instead? That sounds like a fitting way for her to go, considering she couldn't protect her own siblings?
I feel like I should add a TM to anything that I'm working on in my drafts that has significant progress and is blog-plot-relevant, that will explain something exactly like this LMAO
Forgive me I am, at heart, a bear that eats half a salmon and then forgets I had a fish at all
Willowpelt's brush with death is staying, and is actually a bit plot relevant in Firestar's Quietus! I have a very specific scene which is actually totally written out-- actually fuck it, I'll just post it here
Context and narrative purpose of this scene:
Firestar is informed of a boar on the territory, and gathers a little scouting patrol to try and figure out what sort of hog it is.
VERY IMPORTANT SEGWAY. Because of how Willowpelt gets bitten here and Firestar loses a life saving Sorrelpaw, they all end up in the Cleric's den where Ferncloud is telling a story both to practice her new job as upcoming Educator and to comfort everyone.
The fact Willowpelt is not dead is how I get Littlecloud away from Runningnose and Firestar
Runningnose has a hunch, in this moment, that goody two-shoes little Firestar might be the perfect person to help Brokenstar, and teases the visions and revelations he's about to have
Establishes that boars are the new Big Bad Beastie of BB
Presents Sorrelpaw's epilepsy and demonstrates how it is a danger to her safety
(this is a lot of buildup but this is actually pretty short lmao)
So anyway before I let you go on to the readmore and a preview of Firestar's Quietus, no one takes Willowpelt's death here, and Willow is going to hang on for longer. I wanted to make sure I have a good amount of cats to kill off in the carnage of the White Hart's destruction.
Wherever Cricketclaw dies, it will be for a purpose. Either to show how bloody the TNP conflicts are, or in a greencough epidemic because I'm trying to make sure those aren't just "Kill a bunch of randos offscreen" disease anymore.
WILLOWPELT'S BOAR
The patrol is Sandstorm and Sorrelpaw, Willowpelt, Longtail and Sootpaw, and himself. It's just supposed to be for scouting, hence why the apprentices are coming along.
Unfortunately the hog has other plans, lunging out of a bush and going for Sootpaw
Willowpelt jumps in the way and gets bitten instead
Sorrelpaw acts quick, slashing its sensitive nose, drawing its attention and bolting as fast as she can
RIGHT as she crosses the Thunderpath, her body goes limp and she falls to the ground
She is having an absence seizure, and fallen flat on the road
The hog is hot on her heels, bowling after her, when a monster screeches to a halt out of nowhere
The hog is frozen in the headlights, Firestar bursts into action to pull Sorrelpaw out of the road
(i hear your heart beat to the beat of the drums) BUMP BUMP
The boar and Firestar have been hit by, have been struck by, an automobile
When he sees StarClan, they're about to greet him with love. But their faces turn to shock and fear, the scenery becoming sinister and trees falling down.
A fifth oak tree is crashing down towards them. Firestar stares at it, dumbstruck.
Just before it strikes him, his eyes snap open
Firestar resurrects with a burst of energy, dragging Sorrelpaw off the road and into the safety of a fern on the ShadowClan side
The humans are coming out of the car to examine the boar they struck, but Firestar doesn't have time to consider that or his vision.
Littlecloud's head pokes out of the foliage and he springs into action, checking them both for injury. Breathless, Firestar points behind him and rasps, "Willowpelt!"
Littlecloud nods and bolts across the road.
Runningnose saunters out from a different angle-- one where he would have been able to see the road. Everything that happened.
His gaze is unsettling as ever, pausing, eyeing the leader up and down.
He starts tending to Sorrelpaw, then mumbles,
"Brave of you."
"It's what any leader would have done."
"No. It's what you always do."
Firestar doesn't know how to respond to that, but he's glad Runningnose isn't staring at him anymore.
But continues, "You will learn terrible things in the days to come, Firestar, and StarClan will not answer the questions that find you. If you seek the truth, meet me by the mothermouth on the night after the next gathering."
Sorrelpaw is leaning up now, her eyes dazed and confused, as if she's trying to figure out what happened.
Darren Criss Comes to Little Shop of Horrors with Disney Fandom and a Yen for an American Crime Story
“Suddenly Seymour” from Little Shop of Horrors is, of course, one of the great musical ballads. Beginning with feather-light piano and words of reassurance that are nearly sung-spoken, it grows and grows and grows—much like the plant the story revolves around—ending with a finale so rousing it could probably be heard in outer space.
If there’s one guy who knows his way around “Suddenly Seymour,” it’s Darren Criss. Among his countless performances of the song, he has sung it with Lea Michelle on Glee, on Carpool Karaoke and, most recently, on stage at Carnegie Hall. “There's never a point where I roll my eyes at it or go, ‘Oh god, I can't. I have to play this again,” he told Broadway.com Editor-in-Chief Paul Wontorek on The Broadway Show. The song is “bulletproof."
The number hits a little different lately. In January, Criss stepped into the role of the downtrodden flower shop assistant Seymour Krelborn in Little Shop of Horrors off-Broadway, with Evan Rachel Wood (Westworld, Across the Universe) in the role of the similarly put-upon Audrey. “‘Suddenly Seymour’ suddenly has a narrative context. It's not you and me at a piano bar having a couple beers singing our favorite song. It comes from a real narrative place. It's nice when you are doing the show in context, telling the story.”
Despite a deep love of the musical, Criss never thought he’d play the role of Seymour. “I can't say I ever sat around going, ‘Oh, one day I'll play Seymour'—I just never saw that,” he said. “But here we are and I'm doing my damnedest.”
Criss is especially delighted to be sharing the stage with Wood, a close personal friend. As Criss reveals, he personally asked Wood to join him in the show. "I can't take full credit for it, but yes, I may have nudged it," he said. A couple of weeks into their run, audiences are buzzing about the pair. “Listen, come for me. Stay for Evan Rachel Wood. She's the chef's kiss. I'm just the amuse-bouche that you forget about by the end.”
"'Suddenly Seymour’ suddenly has a narrative context. It's not you and me at a piano bar having a couple beers singing our favorite song." –Darren Criss
Not that long ago, Criss played Andrew Cunanan, the handsome and tormented real-life killer in The Assassination of Gianni Versace: American Crime Story. Weirdly, Cunanan’s story is not worlds away from that of Seymour Krelborn—another killer feeding insatiable appetites (albeit those of a monstrous plant). “I seem to have a thing—I don't know what it says about me—about playing men that will go to extraordinary lengths to accomplish greatness,” said Criss. The stories of Cunanan and Krelborn “have the same sort of parable to them, of the consequences and cost of obsession. There's only so far you can go before really bad things happen to the people around you and to yourself.” Seymour Krelborn: American Crime Story, anyone?
The crucial difference is that Little Shop of Horrors is enormous fun and packed with catchy doo-wop tunes. A lifelong Disney fan, Criss is also enjoying reveling in his love for the late Howard Ashman who, as well as writing and directing the original off-off-Broadway production of Little Shop of Horrors, was a central figure in the Disney Renaissance of the late ‘80s and early ‘90s. Before his death in 1991 due to HIV/AIDS, and in partnership with musical chameleon Alan Menken, Ashman brought tremendous heart and intelligence—and a Broadway sensibility—to The Little Mermaid, Beauty and the Beast and Aladdin.
“As the kids say, he’s like my Roman Empire,” said Criss. (Chatting before the formal part of the interview, Criss suggests that “Mushnik & Son,” with its minor-key Klezmer vamp, is a prequel to “Poor Unfortunate Souls” from The Little Mermaid, while the fizzy frolic of “Closed for Renovation” anticipates “Something There” from Beauty and the Beast.) “I spend a lot of time thinking about Howard Ashman. My whole life, he has been such a North Star in the way that I think about creating things as an actor, as a writer, as a songwriter, as a lyricist—anything. I never had the pleasure of meeting him. But anytime people ask me: ‘Dead or alive, who'd you have dinner with?’ I always say Howard Ashman. I pretend he's in the audience every night—sort of as a barometer of what I think he would like or not like."
"'Being in this is my own little contribution to the altar of Howard Ashman."
–Darren Criss
As an example of Ashman's exquisite dramatic instincts, Criss points to the well known video of Ashman directing Jodi Benson's vocal performance of "Part of Your World" for The Little Mermaid. "If this show [Little Shop] is like proto-Disney Renaissance—if this show is the beginning of Little Mermaid and Aladdin and Beauty and the Beast, which had such a profound influence on my life—then there are so many pieces of those things in the show that I'm tipping my hat to that it's hard not to feel connected to him in some way every night. It's an extraordinary legacy that I've been so obsessed with my whole life. Being in this is my own little contribution to the altar of Howard Ashman.”
Criss is already looking forward to sharing his love of Disney (and all things Howard Ashman) with his daughter, who turns two in April. “I'm praying she likes them. I'm pretty sure she will,” he said. “I mean, listen, you don't have to give me a reason to rewatch anything that I love, but now it's an even more elevated reason, to share it with somebody.”
With a second child on the way with his wife Mia, Criss also shared his thoughts on fatherhood more generally. Child-rearing, he explained, is kind of like creating a storytelling franchise: “Look, if you're a fan of storytelling—which, most of us that love Broadway are—the inevitable, most natural, logical sequel is having kids. Right? Because you now get to experience the same characters and themes with a brand-new character that isn't familiar with the prequel. In that person’s movie, it’s the first one.”
Realised it’s @khoc-week so even though I don’t have the energy to do it daily have this I did a while ago but never posted.
Arxeht my beloved. They came to me in a dream where I was a replica (of multiple people but looked most like Vidar) made by apprentice Nort/Xemnas, who was the fifteenth member of the organisation and also had my knowledge of hit video games Kingdom Hearts and kept getting randomly thrown through space and time.
BEAUTIFUL PERSON AWARD! Once you are given this award you're supposed to paste it in the asks of 8 people who deserve it. If you break the chain nothing happens, but it's sweet to know someone thinks you're beautiful inside and out🖤
STOP HII TYSM YOUR BLOG IS JUST AS BEAUTIFUL THIS IS SO CUTEEE!! 🔥🔥💗
I think fratboy Podlight who sends his powerful grandmother stupid texts is a VERY funny concept.
"My dad didn't love me because he could never move on from the lover he had in his 20s. My sister is up to no good. I party hard at Aftergatherings about it, are you rockin' with me?"