#B/F

[sourdoughbutch]

@tiffanyetaylor_sapphicauthor on instagram's caption of the second picture - "My butch spouse and our now 19-year-old daughter on Gulfport Beach in 2006. I so ❤️ them."

[foolsdiamond]

talk to me about bill and Frank from ep 3 of the last of us show I'm fucking crying with my wife

[nicetoseesofttotouch]

A Dragon claiming YOU

Iconic behavior

[irlplasticlamb]

mom, am i still young? can i dream for a few months more?

prints + merch + comm info pinned to profile :)

[animatedtext]

requested by f-a-b-l-e

[novembermorgon]

viserra

[alicentsgf]

“You look so much like your mother in certain lights.”

The Lady Alyrie Hightower (née Florent)

[hotdaemondtargaryen]

young and adult versions.

green siblings au — jaehaera and jaehaerys + their dragons morghul and shrykos.

credits to the artist @crazytom0712

[coleoffduty]

finally rendered those baela and rhaena sketches;

baela, lady of driftmark 🌊 & her younger twin sister— rhaena of pentos 🪷

(post on x)

[greenqueenhightower]

Alicole was underwhelming, but B&C takes the cake as the worst adaptation of a single asoiaf/f&b event so far:

It was so rushed and whitewashed and did not focus on Helaena at all. Where is Helaena pleading for her son's life and offering up her own life instead? Where is Maelor whom Helaena was coerced to offer up as a sacrifice and does not bear to look at? Where is Heleana being forced to make a decision that haunts her entire life? She is obviously traumatized by what happened, but having her just say "they killed the boy" does not do her character and her grief justice. I really hope we get to see more of Helaena in episode 2 because it would be really upsetting if the show just brushes her off.

Not to mention Alicent's absence from the events of B&C. Alicent was really there, worried for her daughter's and grandchildren's lives, and was the first person to offer Helaena some comfort and consolation. The more I think about it the more mad I get because we got robbed of what could have been a truly harrowing and distressing scene that would do the events and the characters justice. Book!B&C was about two mothers and their shared agony, pain, and grief. It could have been powerful and shocking from an acting perspective alone if they had followed the events of the book.

[dumbfuckpiano]

glam

adult

femme

bi

he/him | sie/hir

alter

hiiii

💕@herecomespolly 💕

[darklinaforever]

And yes, Daemon's daughters (Baela & Rhaena) and Daemyra's sons (Aegon III & Viserys II) survived the dance. Not Alicent. Sad. Nah, I'm joking. It's just as well that this bitch is dead. The Greens stans make me laugh trying to make believe that Alicent survived everyone in the end. No way. She will be locked up, hating the color green for the rest of her days before dying of fever. Not very glorious. (On the other hand, those in the comments who try to say that Daemon may have survived... No. He's fucking dead. Stop having weird fantasies about him fucking surviving !)

[bluerbell]

❝ she sees much and more, my Alys. ❞

a rough redraw of this old piece <3

[irlplasticlamb]

kool kids.

prints + merch + commission info pinned to profile :)

[fatimaaart]

new rhaenicent fanart just dropped ‼️

[alicentsgf]

genuinely do think house hightower is cooler and more interesting than the targaryens, like dont get me wrong i like both but the hightowers take it. easily. their shadowy history of alchemy and necromancy, patronage of westeros' cultural and religious institutions, and big fuckass taller-than-the-wall lighthouse has bewitched me body and soul. dragons, blood magic, and a destabilising obsession with incest is all well and good - but institutional corruption and the delicate mastery of soft power? just too tasty. been on the wrong side of several wars and never lost a head or a penny from their main line because they know how to play the game. one of the richest houses in westeros and they know how to do it right ! funding the arts, sciences, faith. controlling the narrative. every message goes through the maesters, them and septas tutoring little lords and ladies, all roads lead to oldtown, and thats just how its done why would you even question it. how could you question it. and all the while the lord of the hightower sits up in the clouds in a tower built atop an unsettling ancient labyrinth of black stone, burning a flame that can be seen for miles, lighting the city every night. like good luck getting away with shit when theres no shadowy corners to hide in. the metaphor isnt subtle. every other house would wish they were the hightowers if they could conceptualise the higher plane this familys operating on.