#B kinda loves it too

[obsob]

once more around the sun!! :3

[hauntingjasper]

I was thinking about what costume I would draw for Fionna this Halloween and somehow I ended up landing on Gothic Princess Peach, it's gotta be one of the greatest things I've ever found so here she is

I made some tweeks on her dress ofc but these were my two main inspos

[carnivalcarriondiscarded]

been wanting to scribble them as this meme for a while

[gurlgallade]

Hi! Haven't been able to do much progress on this because we fucked up our wrist a little, but there's embroidery and a presentable amount of Four's assets have color now!

[jontaro-kun]

That one time a pose study (looking at art of pretty women and telling myself I was being productive) turned into Portia

[j-rye]

bun ny bunny bu nny bunny ? @wolfertinger666

[viperwhispered]

Too Hard

Woop part 2 of the trip inside Jamil's head. Part 1 here.

The next time Jamil caught sight of you on campus, his first instinct was to turn around on his heel.

What a stupid thought to have because of you.

Besides, that would only make him more conspicuous, not less.

So, when your eyes met his, Jamil gave you a short nod in greeting. He would’ve left it at that and kept on his way, had you not walked up to him.

“Hi Jamil! How’s it going?” you said with that impossibly disarming smile of yours.

Why was it so difficult to look at you like he normally would? You had no right to make him feel so stiff, so unnatural.

On autopilot, Jamil exchanged a few pleasantries with you - those lessons from his parents had been instilled too deep in him for him to falter too badly in a simple exchange such as this. Still, Jamil quickly excused himself by telling you he still had to find Kalim before his next class.

Jamil didn’t miss the way your smile faltered. Had you hoped to get something out of him?

“Oh, okay. I’ll see you two later, then.”

Something about that irked him, though Jamil did not allow himself to dwell on it further.

His heart really had no business still racing as it did when he walked away, unaware of the frown on his face.

Just act normal. That’s all he needed to do.

After all, he had no time for dwelling in silly fancies.

If Jamil had been acutely aware of you before, it only seemed to worsen now that he was making a conscious effort to not act any differently with you. In fact, the harder he tried to keep you out, the more you invaded his thoughts, unsettling him.

The most innocuous words from you looped in his mind, and even the simplest actions caught his eye. For goodness's sake, he’d found himself staring at you while you were queueing up in the cafeteria the other day, not even doing anything other than standing around and looking bored!

For once, Jamil found himself grateful for all his duties. At least they provided him with something else to occupy himself with.

After all, if he was busy enough, it was difficult to think about those bright eyes of yours, your sweet laugh, or the way you bit your lip while thinking.

Still, sometimes it felt like no matter which way he turned, you were there, ready to throw him off-kilter. Not like it was his fault that often the most convenient route to class intersected with your daily routines. Or that your face seemed to jump out from any crowd, catching his attention.

Which certainly did not help his basketball performance. Jamil certainly did not recall you having such an interest in sports before, yet suddenly you were always there, distracting him. What had changed?

Could you possibly-

Jamil scoffed to himself, forcing his thoughts back on track for the nth time that day.

He picked up the tray of food and started taking it to Kalim. After dinner, he’d need to help Kalim with his homework, there were some housewarden tasks that would need dealing with, not to mention the preparations for the next-

Jamil froze in his tracks.

The voice he heard was quiet, but it was unmistakably you.

Really, it should not have come as such a surprise to him. You had become a rather frequent visitor to Scarabia, and Kalim often invited you to stay for meals. In fact, Jamil had started planning the dorm’s meal prep with your tastes and dietary restrictions in mind, just in case.

Jamil rounded the corner with strange exhilaration, his heart fluttering needlessly.

Yet, his mood evaporated when he saw you.

Why did you stop talking and look so guilty as soon as you caught sight of Jamil?

Jamil knew that look you gave to Kalim, had used it himself a thousand times. The one telling Kalim to keep quiet about something.

What could there possibly be that you would be comfortable sharing with Kalim, but not with him? That would give Kalim reason to sit so close to you, a comforting hand on your shoulder?

Jamil's mind raced with possibilities, yet could not settle for any single explanation.

He’d have to ask Kalim about it later.

Jamil gave you a short, polite greeting, his eyes lingering on you in an attempt to read what you were hiding.

“If I’d known you were coming over, I would’ve prepared something for you to eat as well,” Jamil said, already thinking about which parts of the dorm’s dinner to spruce up for you.

“Oh, no need, just figured I’d pop by. I’ll get out of your hair soon enough,” you said, something sheepish about your expression.

As expected, Kalim asked you to stay and dine with them, and with just a bit more persuasion you agreed - though not before telling Jamil that he should join you too and have himself a breather.

And since Kalim agreed with you, Jamil soon found himself sharing a meal with you and Kalim. Yet, even as he sat down with the food, his mind raced.

Had you been getting particularly close to Kalim lately? But surely Jamil would’ve noticed such a thing. Maybe someone from the dorm had been giving you trouble? But if that was the case, then surely you could let Jamil know about it, too. Unless for some reason you did not want to? But if it was something that concerned Kalim, then sooner or later it was bound to concern Jamil, too.

All the while, Kalim was talking to you about this and that, the latest topic being the animals kept on the Asim estate.

“I’ve got some pictures, let me show you!” Kalim said with an excited grin.

Only, a thorough patting of his pockets and a look around confirmed that Kalim’s phone was nowhere to be seen.

Jamil pinched the bridge of his nose. Where had Kalim left it this time?

Before Jamil even had the chance to say that he would handle it, Kalim sprinted off. Jamil hesitated for a moment, automatically halfway up from his seat, before he decided that leaving a guest unattended would be a worse offense than not helping out his master.

Jamil slumped back down with a sigh, mentally tracing the path Kalim took today, trying to recall the last time he saw Kalim handle his phone.

“Breathe. He’ll manage,” you said. There was the faintest of smiles on your lips, and Jamil could not decide if it was knowing or amused. Perhaps both.

Somehow, despite his frustration, Jamil’s own lips wanted to curl up too.

“Hmm. Maybe he will.”

Sure, Jamil could’ve called Kalim’s phone, to make it easier to find, but it was not that urgent, was it?

Jamil took another bite of his food, keeping an eye on you from the corner of his eye.

How was his mind so empty and so buzzing at the same time?

“You know-”

“So-”

You looked at each other, both just as surprised that the other had spoken up at the same time.

Even your surprised look was so-

“You first,” Jamil said. The way you bit your lip... Jamil had to raise a cup to his lips, slowly sipping his drink.

“Just… Feels like it’s been quite a while since I’ve seen you be still, you know. Or exchanged more than two words with you,” you said. You were attempting a light, joking tone, yet it was quite clear there was more to it.

“You say that like it would be unusual for me to be busy.”

He was not prepared for the way your soft sigh tugged at his heartstrings.

“No. It is not.”

You were both quiet after, poking at your meals. Normally, Jamil would’ve cherished such a moment of peace, yet this particular silence between you two was decidedly awkward.

Where was your usual chatter? Why weren’t you looking at him like you usually did?

“If you’re worried about me, don’t. I’m fine,” Jamil said, some softness creeping into his tone despite his best intentions.

“That's what Kalim said too,” you said. Yet the way you looked at Jamil made it clear you were still skeptical.

Wait.

Had you clammed up earlier because it had been Jamil you had been talking about with Kalim? That Kalim had comforted you about?

The thought twisted his stomach into knots.

Eta: you can find part 3 here, part 4 here, and finally part 5 here. Hasdhfsdf the way I fought with that last scene I swear. I don't even want to know how many versions I went through, trying to figure out how to say what I wanted without rubbing it into your face or making it too veiled. The joys of trying to convey things through a limited pov. Hopefully it came out reasonably balanced in the end. Rip to all those sentences that were lovely on their own but didn’t work for the whole. Hopefully I can rehome y’all one day. I do have thoughts for part 3 and part x (might be some chapters between those two as well, who knows at this point), so maybe we'll see those at some point, too. Tag list: @colliope @crystallizsch @diodellet @jamilsimpno69 @jamilvapologist @twstgo If you'd like to be tagged for future works, let me know! (Just be aware that sometimes I do also write nsfw, though you can certainly ask to be tagged only for particular kinds of works.)

[3gremlins]

me watching the new fallout series: idk about this ghoul, i think they tried to make him too good looking of a monster, idk if it's working for me

*they show a flashback of this character pre-ghoul* also me: oh no he's much hotter as a ghoul, his pretty ghoul face is growing on me -pause in realization, turn to my partner- omg i'm such a monster fucker i'm so sorry

my partner, sitting next to me: i made my peace with this long ago...

[gayalanwake]

but please, you know you’re just like me

[swordmaid]

i am wide awake thinking about that post canon jb au again when I should be sleeping …!!! such is the nature of the jbrainrot…

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[himejoshiangels]

have u ever seen a comic book panel so beautiful it made u wnna cry?

[carnivalcarriondiscarded]

date night! Barnaby planned. well. "planned"

[tumblweeds-omegaverse]

random omegaverse thought:

There must be people who experience specific instinct things with indifference or boredom.

Procreative cycle coming up? "Crap, I've got plans this weekend...stupid skip weeks."

Caught an intriguing scent while walking? "But I need to get to work! Shut up brain."

Had a snap response to a distressed sound? "Who was it?! ...right, it's my day off, I can go back to sleep."

Somebody growled at them? "Kid, I'm not a rival, that's my sibling."

Super cozy cuddle session happening nearby? "I'm gonna pass tonight guys, no social battery left, maybe next time."

Group of friends heading out to flirt and check out other singles? "I'm coming with you but only to make sure you all get home safe."

Setting where fated mates or soul bonds or permanent marks are a thing? "Meh. I don't really want one or care if I ever get one."

People in the actual omegaverse would get as bored of their stuff, as we do of ours, you know? It could be interesting to see that kind of vibe in fics. Biological demands faced with all the excitement of paying bills or doing laundry or tying your shoes.

Even if that kind of energy might not drive a plot, it could be interesting to have as a contrast to the people who do have big feelings about them - good or bad.

There's the friends who can't wait til they have a pack of their own, and the one friend who isn't against it but couldn't care less. There's the group in the office who are all about scent compatibility tests and figuring out one's best match and what sprays most highlight it, and the coworker who has no intentions on putting that much effort in. There are parents who hover and protect their offspring by scenting them multiple times a day, and others who don't see what the fuss is as long as it's done in the morning.

...also: packs with introverts who show care by giving each other space. So often, closeness is depicted through physical touch and tactile affection, but comfortable silence is meaningful too. Knowing people are near, but not having to interact until you're ready. Sitting in the same room doing different things, knowing that all it takes is a "hey, look at this" to share what you're up to. People understanding and accepting each other's differing or fluctuating needs for how and when to recharge. Seeing somebody reaching out or sharing space, beyond what's their norm, as a signal of the fact that they care.

[autumnoakes]

me @ characters who were trained to be not much more than a weapon from a young age

(id: a quick drawing of a person holding what looks like a toy between very sharp teeth. their eyes are red and they're panting. they then start shaking their head viciously and are nothing but a blur)

[stormynightxsblog]