#Aziraphale loves food

[humbledragon669]

Lockdown Episode Write Up P2 – dialogue

Introduction

I don’t think there’s much linking the dialogue with the images (apart from the cake sequence), so I’ve broken this write-up down into tableaus and dialogue, because there are just as many Easter eggs (maybe more) to be had from the tableaus as there are from the script. This part of the write-up will address just the dialogue, with the tableaus addressed in a separate write-up. Right, housekeeping done, let’s get stuck in shall we?

Dialogue

So Crowley picks up on the second ring, sounding very irritated. Considering he’s about to tell Aziraphale how bored he is, you’d think he might actually be relieved about the prospect of somebody calling him. And poor Aziraphale; the brusque greeting clearly puts him off, presumably because he was hoping for a more enthusiastic response, particularly given that Crowley openly tells the angel he knows that it was him calling in the first place.

AZIRAPHALE: Uh… Hello. It’s me! CROWLEY: I know it’s you, Aziraphale.

My thoughts about this exchange? I strongly suspect Aziraphale is the only one that ever calls Crowley. Not only that, I think he’s probably calling the demon multiple times a day at this point. I mean, think about it – neither of them work for their respective agencies anymore. For the first time in 6000 years they can be open about their friendship, no more hiding. And for the first time in those 6000 years something other than Heaven or Hell is making it impossible for them to see each other. I know, they really could have formed a “bubble”, or just ignored the rules completely, given their otherworldly status, but they didn’t because don’t forget – this is a PSA film at heart. Everybody had to STAY AT HOME. Besides, it makes it so much more angsty if they can’t be within physical proximity to one another during this time.

AZIRAPHALE: Just calling to see how you were doing in Lockdown.

Aziraphale actually says makes it sound like this is either the first time the angel has spoken to Crowley during Lockdown (which had been going on for almost two months by the time this minisode was released), or that they don’t speak very often. Personally, I don’t buy this, not least because the demon openly says he’s incredibly bored. And what does Crowley like to do best when he’s bored? Hang out with Aziraphale. Be his personal nuisance.

CROWLEY: I’ve decided that if I can’t think of anything to do within the next two days, I’m going to have a nap and I’ll set the alarm clock for June.

I *think* this is the first time we have confirmation that he does sleep, at least as far as the show is concerned (I’m not counting cut/missing bits from the Script Book, or from the original book). There’s also proof here that he’s actually an optimist, despite his efforts to convince the world at large otherwise – he’s convinced that everything will be back to normal by June. Interestingly, the UK’s really strict national regulations had actually been eased by the time the minisode was released, allowing those who could not work from home to return to work (yeah, we didn’t really know what that meant either, considering those of us who were classed as key workers never stopped going to the workplace), but June was still a very optimistic estimate – whilst restrictions were eased as we went into July, local governments were given the authority to impose local lockdowns where necessary. And boy, did they.

AZIRAPHALE: Oughtn’t you to be out and about doing things?

It's interesting to hear Aziraphale actually encouraging Crowley to be more demon-like. And he doesn’t just encourage, he gives him very appropriate suggestions for things he could be doing to fulfil his demonly duties. To my mind, it suggests his preference for Crowley in a demonic state. Or it could be an opportunity to emphasise the STAY AT HOME message, seeing as (for once) Crowley seems keen to stick to the rules. Take your pick. I know which one I prefer. Either way, there are two pieces of information here that I find noteworthy – firstly, confirmation that Crowley can’t get sick because he’s a demon. I think it’s interesting what human weaknesses the angel and demon are susceptible to, and which not. Alcohol, for instance, albeit in larger quantities than a human could imbibe, has the same effect on their human bodies as it does to humans. Illness and disease on the other hand, it would seem not. Laudanum, as we see in series 2, has an entirely different effect on Crowley than it would do to an ordinary human, but Hastur informs us that ordinary fire would easily discorporate a demon. Makes me wonder if the effect that a Heavenly or Hellish being has on its hosting body is one to do with constitution – where the body has an increased resistance to toxic substances but is unaffected in its ability to deal with trauma.

The second piece of information in this little plea from Aziraphale is that he says Crowley still has a job to do. Which, given the outcome of season 1, he doesn’t. I don’t think it was made blatantly obvious that neither of them report to their respective agencies anymore, so perhaps this is just a slip of the pen, so to speak. It might have been a bit more difficult to slip in this blatant reminder to people that leaving home was a BAD thing to do and that staying at home was the GOOD thing to do otherwise, and this little speech is very clear about listing certain things that were being actively discouraged at the time.

CROWLEY: I could do that. I mean I could… but if I did then… well…people might follow my bad example and get ill. Or even die.

Crowley’s response is… less than enthusiastic. It’s funny to hear him say that people might follow his bad example – surely that’s exactly what he’s been contracted to do for thousands of years? But again, I am forgetting – the whole point of this piece of media is to remind them why we should all just STAY AT HOME. So, with that reminder, let’s look a little more about Crowley’s actual feelings on the subject, shall we?

CROWLEY: I know I ought to be making people’s lives even worse but everyone’s so miserable cooped up right now anyway I just… don’t have the heart for it.

And therein lies the problem for Crowley and his existence as a demon – he actually doesn’t like to make people miserable. He loves to cause mischief and make trouble, but not with the sole intention to bring misery into people’s lives. Ultimately, he’s just too soft at heart to be a very good demon, which David himself has described beautifully.

AZIRAPHALE: I’m not miserable. CROWLEY: Really?

I really love this little exchange. Crowley sounds genuinely shocked that Aziraphale is so certain in his proclamation that he’s not miserable. And it’s hardly surprising really – I strongly suspect the reason that Crowley is feeling so down in the dumps is because he’s not getting a regular fix of his angel, so it stands to reason that he would expect Aziraphale to feel the same way. He’s probably had a little bit of his heart broken to hear that his angel is seemingly coping without him so well. It’s a good thing we go on to hear that basically the reason why Aziraphale is so happy at this time is because he’s not getting any customers in with the threat of trying to buy one of his books, although the angel’s speech does present the writer with another opportunity to remind us of our obligations at the time – social distancing and STAYING AT HOME.

You have to be paying attention, but Crowley doesn’t seem too pleased with the idea that Aziraphale might have needed rescuing from some errant youths that he wasn’t able to help with; there’s a quiet groan from him when he hears the retelling of the story. I’d be lying if I said I didn’t think there was some sort of double entendre going on here with Aziraphale’s tease of there being “a few young lads” who “broke in through the back���, so that groan could actually be one of relief rather than frustration. What is interesting is that Crowley openly mocks the only potential rescue scenarios that Aziraphale would have had available to him – he’s obviously smarting that he didn’t get to be the white knight for once.

CROWLEY: Did you smite them with your wrath?

I’d be very interested to know if the script had been finished and handed to David and Michael at this time, because that particular line feels like a very obvious reference to the smited/smote/smitten exchange. And if the reference is a genuine one, my double entendre idea doesn’t seem so outrageous, given Crowley’s tone – could he be a little bit jealous?

What now follows is the only time that the images in the minisode link directly with the dialogue going on at the time, and they’re all to do with cake. Trigger warning, what follows is a lot of pictures of cake. If, like me, you are inclined to go out and buy cake as soon as you see a picture of one, I would suggest you look away now.

What I love about Crowley’s reception of the knowledge that Aziraphale sent the little vandals away with cake is that he uses the same expression that Anathema uses when she asks about the name of Newt’s car.

CROWLEY: I’m going to regret asking…

His tone shows just what he thinks of the angel’s method for rescuing himself. And if you consider Aziraphale’s tale to be a truthful account of what took place, it does seem odd - that somebody could just have a little chat with some wannabe robbers to change their minds, and then send them away with some excess cake. There is however a missing scene in the Script Book where several thugs enter the bookshop and start to make a mess in an attempt to get Aziraphale to sell the land the shop sits on. In a somewhat “miraculous” turn of events (see what I did there?), they change their mind, clear up the mess they made, and leave without a fuss. I suspect the same sort of turn of events occurred to the lads that turned up to steal the cash box.

AZIRAPHALE: It turns out I have a whole cookbook section here in the bookshop.

I love this idea, that the bookshop is so sprawling and diverse that even Aziraphale doesn’t know what it contains, despite the fact that he must have stocked it in the first place. And I love it because that’s the how every second-hand bookshop feels to me. I’ve spent my fair share of time in Hay-on-Wye and its multitude of bookshops, and I genuinely feel like I could get lost in some of them. There are another couple of lines from Aziraphale that suggests that he does not think it possible to eat anything unless it comes from an eatery.

AZIRAPHALE: Well all the restaurants and cafes are closed […] and I got peckish.

Because he couldn’t just go to the supermarket and buy some cake, could he? Like the rest of us were doing (and were allowed to do). He even goes on to say that he had to miracle the cherries in for one of his creations – quite why it was only the cherries he miracled in I don’t know, I mean he must have gotten the rest of the ingredients from somewhere. Which leads me on to another question – where is the kitchen in the bookshop? There must be some facilities somewhere, otherwise he couldn’t make all of those delightful looking goodies. He’s got to have a kettle or a stove for boiling water/milk at the very least for making his cocoa, so where is all that stuff?

Aziraphale then goes on to reel off a list of cakes that he’s made (another nod to the domestic activities that were going on up and down the country – for those not based in the UK, you might not know that during Lockdown it was virtually impossible to get hold of flour or eggs, largely owing to the huge increase in home baking people did), which includes angel’s food cake (you could argue that all of the cakes he makes is angel’s food cake, hahah. Hah. I’ll get my coat). I don’t know whether it’s interesting, whether it’s an oversight, or whether it’s deliberate, but there’s no devil’s food cake on the list that he gives. I’ve made and eaten devil’s food cake before. It’s awesome. I don’t think that he wouldn’t have made this particular recipe because of its lack of deliciousness. I actually wonder whether its absence is an indicator of Crowley’s eating preferences (and as a reminder, I’m someone who is of the mind that he doesn’t enjoy eating – more on this shortly).

 AZIRAPHALE: And then, once I’ve baked them, I have to eat them all myself.

This line makes me properly snort with laughter, because he simultaneously manages to make it sounds like eating all the cake is something he definitely doesn’t want to do whilst also expressing sorrow that he has no-one around to eat them in front of with. The idea that this angel would ever not want to eat food is laughable. Crowley takes the bait on the sub-text though, employing some his tried and tested temptation techniques to try to get what he wants.

CROWLEY: I could hunker down at your place. Slither over and watch you eat cake. I could bring a bottle of- a case of something… drinkable?

This is my favourite line of the whole thing. The throwaway reference to his serpent form is delightful, and who’s to say he wouldn’t transform for his trip over to Soho to avoid being stopped by humans? There’s  the idea that he would very much like to get drunk with Aziraphale again, and this time without an impending Armageddon to spoil the mood, and with the knowledge that he wouldn’t be going home at the end of their binge. But most of all there’s that line about the cake. He doesn’t say he can help Aziraphale eat the cake – he says he can come and watch the angel eat it. Which would not only go some way to confirming my suspicions that he doesn’t like to eat but would also help to cement the popular theory that watching Aziraphale eat is a pleasurable experience for him. The whole line is said with such longing too, it’s impossible not to hear it.

AZIRAPHALE: I’m afraid that would be breaking all the rules.

If you listen carefully to Aziraphale’s rejection of Crowley’s (quite frankly, adorable) suggestion, you can hear another little bit of the demon’s heart breaking with disappointment. I suppose he probably shouldn’t be surprised that his request of Aziraphale to go against protocol wouldn’t have gone down well and besides we were all supposed to STAY AT HOME, remember? What sort of a PSA film would this be if people just went around to other people’s houses for some flirting nookie company when there was a Lockdown in place?

AZIRAPHALE: I’ll see you when this is over.

So of course, Aziraphale says no thank you very much (quite a lot of Tory party members could have learned a lot from the angel’s morals, and none of them are half as likeable as he is), but how incredibly sad does he sound at the prospect of not knowing when he and Crowley will see each other again? Crowley might have quietly voiced his disappointment multiple times during the conversation, but Aziraphale’s own disappointment here is stated loud and clear.

Crowley’s upset can be heard again after this very final sounding line from his angel (and this time it breaks my own heart a little bit) but he rallies well, changing his planned nap end time to July, rather than June as declared earlier. It’s a pretty perfect way to get out of missing someone, isn’t it? Just go to sleep until you can see them again; I’m sure there are a lot of people that would definitely be on board with that approach. He doesn’t leave any further room for discussion either:

CROWLEY: Good night, angel.

It’s very definite – conversation over, nothing more to say. My thoughts are that he’s just too depressed to carry on talking on the phone to the one person he would much rather be spending time with in person, and now that he’s found a quick and painless solution to the problem (a nap), he just wants to get on with it. Charmingly though, this parting line sounds nothing like the dismissal it seems like it is when you see it written down. The delivery of this line conveys the familiarity and comfort that exists between the two of them, and actually makes it sound like this is a regular conversation that they have, despite the dialogue suggesting otherwise. As it turned out, July wasn’t really long enough to get completely clear of the restrictions that would see our heroes united freely, but who can blame him for being optimistic? And at least if he’s asleep, he’s definitely STAYING AT HOME.

Well I think that’s the lot for this write up. So much for this being such a short episode that it wouldn’t need a lot of time devoted to it. It was a fun little thing; in truth I think it serves more as a PSA that as an additional source of storyline/character development but that hasn’t dampened my enjoyment of it. Time to move on to season 2 now (which I am both excited and a little bit nervous about – there is so much to say!), so for the meantime, questions, comments, discussion: always welcome 😊

[rcreveal]

Punting

Summary:

Crowley and Aziraphale are courting and a people watcher observes them on a pleasant afternoon.

Work Text:

Day 6 Prompt How you say I love you on a sunny Tuesday with sunshine in your hair

The water of the river below is smooth and dark, with silken ripples where mayflies alight and trout rise.  The warm summer breeze is cooling your back and rustling in the willows on the bank as you look downriver from your perch on the old stone bridge. 

From upriver come the sounds of laughing voices that seem to blend in with the birdsong and the breeze.  There's something in their voices, that lets you know these people really care for each other.

As the prow of the punt boat comes into view, you look down eagerly to see the party below.  Two men sit comfortably in the prow, one wiry and lanky, but whose only concession to the heat of the day seems to have been to take off a tailored black suit jacket.  He’s still wearing black slacks and a black dress shirt tucked in but with the sleeves rolled up.  His arm is companionably draped over the shoulders of a fellow all in cream and tartan, wearing more seasonal linen, but in shirtsleeves and a waistcoat.

As they pass through a band of sunshine, the red, sinuous hair of the darkly clothed man catches fire at the same time as his companion’s white blond curls become blindingly white.  You hear the man in the dark clothing inviting his partner to “Try the pâté” and the look he gives him over a sip of white wine as his companion’s face breaks into a delighted smile is love and satisfaction at a food love language well sorted.

As they drift further down the river, their red and blonde tresses blazing out in each sunbeam, you turn to walk back to your car.  It’s almost time to pick up your sweetheart for a surprise punt boat ride on a sunny Tuesday afternoon.

[iwillfightgodandwin]

Man, Crowley must've been so uncomfortably-comfortable in the scene where Azi eats that entire fucking ribcage

[gahellhimself-blog]

Aaah finished!!

Some mistakes in the details.. but I was impatient to share it with us… so

Hope u like it

(Don’t have title for this one..)

Edit : forgot to promote my Kofi again...

So if u want and if you can, support me on KoFi :) For much more Gomens fanart and comics : Ko-Fi/GaelHimself

[asexualcybertronian]

My Pinterest board really brought up my good omens board for a recipe for stuffed marshmallow chocolate chip cookies. My life is complete

[j4y-k4y]

aziracrow in the wild wild west 🌵

[golswia]

ineffable retirement

[sic-vita]

GOOD OMENS + Aziraphale being relatable to me

[motion-blur-crowley]

shax asking for help with the boiler: haha, cute

shax mocking aziraphale (incidentally for the same things as the archangels): 😡😡

yes, aziraphale loves humanity and he loves crowley and that is what makes him so powerful and so vulnerable

Shax instantly went to my permanent shit list for the petty jabs she took at Aziraphale right before the demons started heading up the spiral staircase.

The look on his face when she calls him Crowley’s emotional support angel and then when she asks if they should send up sushi - he looks genuinely embarrassed and crushed.

[fiovske]

ngl the early s3 post-divorce pre-making up era angst of he-means-a-lot-to-me-but-if-any-of-you-ever-mention-him-in-my-presence-i-am-going-to-kill-everyone-in-this-room-and-then-myself crowley and aziraphale are gonna be delicious.and brother i am but a dickensian orphan waiting for my food to arrive

[humbledragon669]

S1E4 – Saturday Morning Funtime Write Up P2 - Saturday (The last day of the World) from The Fields of Megiddo to "You're better off without him."

Given the rather abrupt interruption I made to the previous part of the write up for this episode, let’s just get stuck straight in and pick up where I left off. Other than the lovely implication that selfies are the work of the devil, there’s only one thing I want to talk about in relation to this scene, and it’s the music. It’s been a while since I waxed lyrical over David Arnold’s soundtrack, so I’m sure it’s about time I brought it up again. We can hear a piece of incidental music playing throughout the conversation between Hastur and Eric (or Junior Demon if you’re looking at the original script), the character of which perfectly underscores the tone of the conversation. There are three sections to it – one for each iteration of the disposable demon, each growing less playful than the last (represented by the harpsichord in the orchestration). What I especially love about this little piece of music is that if you listen really, really carefully, you can pick out some instances of the motif from the theme music (played by a glockenspiel). It’s a lovely reminder of how much music enriches our experience of film and television without us even realising it.

Without giving a blow-by-blow description of what’s going on in the episode (which I’m sure you’d agree would be tedious both to write and read), I don’t have much to say about the next scene either, other than pointing out Anathema’s pathological desire to feed the kids whenever they appear. It makes me wonder if she’s like that with everyone (in which case Aziraphale would probably adore her) or it’s just children (in which case, creepy). It is interesting to see that Adam’s nature is starting to be corrupted by his powers – where the consequences were previously of a childlike innocent nature, they are now starting to manifest in his attempts to dominate others. We also have confirmation that the change in his nature is now being noticed by others in his vicinity.

Hastur’s next scene, other than providing some lovely moments of perfectly delivered black comedy, forms a mainly narrative purpose, serving nicely to remind us why Aziraphale was so incredulous at the Antichrist being left with an American diplomat’s family in the first place – they’re abhorrent. The Dowlings I mean, not all Americans. Or even all American diplomats. Not that I know any American diplomats to say any different. Anyway. We also see how quick Hastur is to come to the (correct) conclusion that Crowley is to blame for this monumental cock up. Given that Hastur shows his dislike of our demon just prior to the baby switcheroo 11 years earlier (and who knows how long he’s actually felt that way), it’s almost surprising that it’s taken him this long to find something concrete against Crowley.

Alright, Easter egg time! The scene of Crowley in the cinema has a couple. Let’s start with the one glaring at us from the movie theatre screen.

That’s our episode title, right there in front of our eyes! I don’t know whether these creepy little rabbits were always intended to be holding the banners and this is where the episode title came from, whether the episode title came first, or whether it’s somewhere between the two but I love the meta-reference nonetheless. Whilst we’re on the topic of those weird little fuckers, has anybody stopped to wonder why, in the name of all that is and isn’t holy, has Crowley would pick this film to watch? I know we get that deliciously dark sequence of a bunny massacring another bunny as a result, but it’s an odd choice for the demon you have to admit.

Second Easter egg:

The only other audience member in the movie theatre, in case you didn’t already know, is played by a certain Neil Gaiman. Who also happens to provide the voice for the cutesy-wutesy bunny rabbits on the screen. It’s tempting to ask the same question about why on earth an adult man would choose this child’s cartoon to watch, alone, on a Saturday morning but really I’m just chuffed to bits that they found a cameo for Neil.

As a quick side note, I also want to point out that the attention to detail has not been neglected in the cartoon – the frog (toad?) on Hastur’s head can be seen gesticulating in line with his speech. Not to mention you can sporadically hear a “ribbit” in the background. Bloody genius.

Back with Anathema (who, for once, does not offer her guest any food) and Newton, there’s an interesting return to the idea that the same word can be used to convey different meanings dependent on its recipient. Remember back when Adam showed up on her Anathema’s doorstep and she renamed herself to accommodate his preconceived ideas? Well she switches right back to calling herself a witch here, for the exact same reason, but with Newton instead. In fairness, he’s playing the same game in calling himself a computer engineer. And whilst I appreciate the need to remove matches from this particular individual, I wasn’t actually aware that he had any, though we do know he has firelighters.

Side note: there is a note written on a newspaper article pinned on the board in this scene:

It might be nothing at all, but if anybody has any suggestions as to whether there’s an Easter egg to be found here, I’m all ears.

Moving on into Adam’s rapidly increasing decline into his true nature, the only thing I have to say about the scene with The Them being dragged through the woods is that the speech delivered by the aspiring Antichrist here is incredibly relevant to current day.

Everything’s being killed or used up and no one takes it seriously. Everyone thinks somehow it’ll all get better again.

Makes it rather difficult to argue with him, doesn’t it? Don’t get me wrong, I don’t believe global extinction is the way to go about fixing things, but his point is valid. And from a child’s perspective, it might actually seem logical that the way to solve the problem is to just start everything from new.

OK, I need to take a moment here to do a little bit of an outline, because for some reason, my brain really struggles to comprehend the timeline of the Crowley and Aziraphale scenes for the rest of this episode. Which isn’t so unusual, given that we don’t see them all in chronological order, but there’s just something about these scenes that I find hard to make them piece together into a whole story. So, here’s the sequence as I understand it:

Crowley visits the movie theatre, where he discovers that Hell knows he has something to do with the Antichrist mix up.

Crowley goes to Soho to try and convince Aziraphale to run away together.

Aziraphale is confronted on the street by a group of archangels, telling him he has to choose a side (complete with a threatening wall slam).

Aziraphale attempts to talk to God, where he discovers that Heaven intends to have their war, regardless of any external circumstances.

Hastur and Ligur arrive at Crowley’s apartment (probably concurrent with Aziraphale talking to Metatron) to “collect” him.

Aziraphale calls Crowley to tell him he knows where the Antichrist is (and presumably to suggest they do something about it together), approximately 28 minutes after his attack.

Shadwell enters the book shop, triggering the Aziraphale’s discorporation and causing the fire to start.

Crowley leaves his apartment to go and get Aziraphale having heard the voicemail he left. This may or may not be after Aziraphale has already been discorporated.

I think that’s it. Even now I feel confused about it all, and I have no idea why. I probably didn’t need to spell it all out quite so explicitly for anyone other than myself but hey, this is my write up, so my rules.

OK, let’s move on to another horribly painful exchange between Crowley and Aziraphale, shall we? Before we get there though, it would be remiss of me not to talk about the Bentley’s registration plate. I *think* this is the first time we see it properly, as it’s obscured by the front bumper in most of the shots in episode 2.

It’s a pretty poor picture, but the registration is “NIAT RUC”. As in “curtain” backwards. As I understand it, this is a reference to some writing on the wall of a mausoleum in “Monty Python’s Meaning of Life”, paying homage to Terry Gilliam (one of the Monty Python members) who was involved in the first attempt to bring Good Omens to the screen.

Alright, first question about the upcoming scene. Why doesn’t Crowley just park the Bentley in his usual parking spot and go looking for Aziraphale? We can be pretty sure that the only reason he would be driving through that particular street in Soho is going to be something to do with Aziraphale. The space across the book shop is empty when he drives past it, yet he barely slows down to take the corner. Why not just park?

Next question about the exchange that takes place between our hero pair. What exactly is Crowley apologising for? By my reckoning it was Aziraphale that delivered the deciding blow during the breakup in the previous episode, even if his reasons were honourable.

My money on the answer to this question is that Crowley is in full panic mode at this point. He knows that apologising is likely the only way he’s going to be able to spark any sort of conversation with Aziraphale, hopefully taking him so off guard that he simply does as instructed. And it nearly works – you can see the angel’s relief when his shoulders relax.

He’s desperate – why else would he offer such a carte blanche apology for “whatever he said”? The fact that Hell have finally twigged to his involvement has sent him into full flight mode and the only thing he’s stopped to collect on his way out of dodge is the only thing that really matters to him – Aziraphale. He doesn’t believe he has time to talk about it – it has to be now and he’s asking Aziraphale to trust him. As a human resident on Earth, I feel obliged to side with Aziraphale on this one, seeing as he’s still trying to find a way to stop the obliteration of the human race. But that doesn’t make the rejection any less heartbreaking, even though he does seem to give it a micro-second of consideration before he digs his heels in.

And can we just take a pause on Crowley’s choice of words for his plea? “Run away together”, that’s what he says. This is such a clear indication of the true nature of their relationship to me – running away together is generally not the sort of thing people entertain in a platonic way, is it? Noticeably, Aziraphale doesn’t reject the idea of being “together”, which further serves to the idea that they are already familiar with exactly what the connotations of the word, and that it’s something he’s comfortable with. His rejection is actually grounded in the fact that he thinks he can still persuade the powers that be to just call the whole thing off by simply talking some sense into them, so he brushes Crowley’s panic off as “ridiculous” (side note: the music kicking in at this point should tell us that this discussion is on a road to nowhere – we’ve got slushy strings in a minor key again). What he fails to realise is that even if he can by some miracle (no pun intended) actually pull that off, Hell will still be looking to wreak some sort of personal revenge on Crowley for his involvement in the Antichrist mix-up. Crowley hasn’t forgotten that though, you can see the panic written all over his face as the realisation that Aziraphale isn’t on the same page as him.

What Crowley has failed to realise is that he’s not the only one panicking. Aziraphale is on that train too, but he’s taking a very healthy dose of denial with him. He simply cannot contemplate the possibility that the whole situation can’t be fixed. Crowley’s pleading might be painful to hear but I find it harder to watch Aziraphale’s version of the same emotion – you can almost hear him screaming at Crowley, trying to explain how terrified he is and how much he needs him on side.

Let’s not forget that Aziraphale desperately wants to be a company man. He wants to believe that his side is the inherently good side. That everything they do can be justified by sound moral decisions. Asking him to stop believing that would undo everything he is and ever has been. Even if it is completely ridiculous. We shouldn’t forget that because Crowley, in his panic, does.

You’re so clever. How can somebody as clever as you be so stupid?

That one little line, emotionally vomited as it is, conveys so much about Crowley’s feelings. I’m trying to think of another instance where he reveals an opinion he holds about Aziraphale, particularly one that is complimentary, and I am coming up blank. Admittedly I don’t know the entire script by memory (probably not far off) so I wouldn’t swear by it, but I think those three words about Aziraphale’s intelligence are exceptional as far as Crowley’s talking of the angel is concerned. And then he has to go and spoil it by calling Aziraphale “stupid”. There is little doubt at how affronted he is at that particular term.

We all know what’s coming next. Aziraphale’s very own stick-the-knife in phrase to counter Crowley’s use of the “s” word.

It’s not the first time we have seen Aziraphale express a desire for Crowley to be forgiven, but it is the first time we see him actually offering forgiveness. When I watched this scene through for the first time, I found myself wondering what Aziraphale thinks he’s forgiving Crowley for, but having seen the fleeting looks of panic on his face we’ve seen throughout this conversation, I think it’s for not understanding he needs him to stay, for not hearing the subtext he has been trying to convey. I also happen to think that Aziraphale actually uses this 3-word phrase as a coded way of telling Crowley that the conversation is over, nothing more to discuss, not unless the demon makes a compromise. I will be talking about that a fair bit when I get to its use in the Final 15, but for now let’s just say it has its desired effect – Crowley’s response is one of frustration and the discussion is indeed over.

What I find interesting is that Aziraphale appears to be confused by the reaction he gets, before the pain of watching Crowley walk away again sets in. It’s almost as if he realises he might have misjudged the situation, failed to understand how frightened Crowley is, and I think we can see real self-doubt there for a second before the demon delivers the final blow as he characteristically runs away from the difficult situation.

I think there is likely a bit more than a literal meaning to Crowley’s statement that he’s going to be “off in the stars”, particularly given what we saw of Lesley demise earlier in the episode. As briefly mentioned, the concept of entities residing within starlight at the end of their mortal lives is something that Neil uses in other works too (and not just in his work – this idea can be found in varying guises across multiple faith systems). Perhaps this is part of the reason Aziraphale is so reluctant to go with him? Either way, I don’t think it’s too much of a stretch to say that Crowley is clearly bluffing with his departing line, and knows he is.

WON’T EVEN THINK ABOUT YOU GIF

The whole dismissal feels full of holes really, after all, why on earth why would you need to go and get anything at all if you were planning on leaving the planet? Why didn’t he just take the things he wanted when he left his apartment on his way to Soho in the first place? Honestly, I don’t think he thought he’d entertained the idea that the conversation with Aziraphale would have resulted in anything other than them joining forces again, one way or the other, but the fact that he announces to Aziraphale that he’s going home says to me that he has no intention of doing anything other than that. He knows he has to reassess his options now that he doesn’t have what he came for. And how much do we all love that passer-by? He sees their relationship for what it really is, just from a single line of heated argument.

I’ve been there. You’re better off without him.

Importantly, Aziraphale doesn’t try to correct him in his assumption that they are a couple. And the passer-by is wrong of course, we all know that Crowley and Aziraphale are much stronger when they’re together. Better together you might say. Even Aziraphale knows it.

Right, that’s the lot for this part! As usual, comments, questions, discussion, always welcome. See you next time 😊

[armageddidnt]

Now we know EXACTLY what memory was running through their heads during that scene in season 1 👀

[sentientsky]

obsessed with the fact that every David/Michael interview looks like this

[foolishlovers]

a lasting impression by foolishlovers (T, 4k, complete)

for @sabotage-on-mercury

Crowley's dull shift at the pasta bar takes an unexpected twist when the charming bookseller from the shop around the corner drops by. To his dismay, Aziraphale doesn't seem to recognise him, despite Crowley's frequent visits during his breaks earlier this year. It's been a couple of months since then, but has he really left no impression at all?

[geraiodli]

Azazel and Jophiel from @/asleepyy's au dining!! I hope nothing ever bad happens to them🫶🫶

Flat colours+line and bonus because I can

[wanyinchen]

uh oh you hurt his demon, whoospies

He may be a big softie but DO NOT push his buttons.

Hello everyone! I'm "new" to the fandom :D (LIES i have been lurking for the last two years before summoning the courage to draw for it, yes, i am like that, unfortunately)