#Aziraphale hear's Crowley's voice and turns to him

[yourangle-yuordevil]

First time they make an effort (because going to the bathhouses Barbie style™ would have raised more questions than necessary...)

[bluberryfields]

This is what happens when you're raised by TV and trained in literary analysis

Beyond the crushing heartbreak of that finale, one thing in particular has stuck with me when I look at it in the context of S2 as a whole.

He lays out their relationship, "We're a team, a group. A group of the two of us. And we've spent our existence pretending that we aren't."

He then turns his head away and says, "I mean, the last few years, not really."

He pauses here, facing the interior of the bookshop. Really looks it up and down.

Turns back, "And I would like to spend" before choking on his words and looks toward the window. He can't finish saying something like "And I would like to spend eternity with you" because that's too much, too fast, for both of them.

But it's that "last few years" bit that has firmly lodged itself in my very broken brain.

According to Gaiman, it's been "a few years" since the end of Season 1. Armageddon has been averted. Heaven and Hell have reluctantly retreated. Crowley and Aziraphale have been effectively cut loose from their "sides," leaving them to form their own side.

So at the start of Season 2, we get a glimpse of the “fragile existence” they have carved out for themselves. To me, the biggest difference that we see is how they exist together in front of others. Going to the coffee shop, the pub, and the other shops along the street that Aziraphale has lived on for over 200 years. And don’t forget how they act in front of Nina, Maggie, and sweet, dim Muriel.

At the coffee shop, Aziraphale stammers a bit when Nina asks who Crowley is, but he still seems to have affection in his voice when he says, "We go back a long time."

Compared to Shakespearian "He's not my friend! We've never met before. We don't know each other!" panic, this is an incredible difference.

Of course, each time, Crowley is cool and cheeky and does nothing to indicate that they aren't a pair. Though, of course, he does deny it when Nina asks about Aziraphale being his side piece. “He’s not my bit on the side! He’s far too pure of heart to be anyone’s bit on the side.” And refers to him as an “Angel [swallows]I know.”

When they go the pub, Crowley's joy at doing something together in public that they do not normally do is super cute, including his cheeky order for Aziraphale's sherry. Then, when bringing the drinks over to the socially trapped Aziraphale, he greets Mr. Brown with a truly adorable, "Hello" and a signature DT smile. Then upon hearing how “excited” Mr. Fell is to host the meeting, he looks down and says, “Oh? You astonish me.” while Aziraphale sips his sherry and squirms.

We also watch as Crowley follows Aziraphale as he goes to each shop and talks to the owners about the meeting/secret ball. In theory, Crowley has no reason to tag along, and he certainly doesn’t help sway anyone who doesn’t want to/can’t go. He goofs around at the magic shop. He splays out on the bench, chin on hand, looking for all the world a husband waiting for his wife to pick out a dress at the department store. They are so married it’s ridiculous.

Finally, their behavior in front of Muriel while inside their sanctuary. Crowley sits on the arm of Aziraphale’s chair, somehow looking supremely comfortable on the old-fashioned furniture. He folds up those gloriously long limbs and presses himself as close as possible.

He smiles and plays along with Aziraphale’s coaching of Muriel in her disguise. Calls him Angel and asks to speak in private. And at the end, during the awful wait while Aziraphale talks with The Metatron, Crowley cleans up the shop and tells Muriel that he and Aziraphale will need some “us” time after all this. No beating around the bush. 

Without oversight, they can be openly together and happy. But Heaven just can’t let that happen. 

[regulusrules]

A very long meta explaining why the confession scene in Good Omens is the best that has ever been written and performed on screen

First of, the scene begins with two different realisations that makes each of them believe that their dynamic will significantly change (Crowley wanting to confess his love and Aziraphale wanting to break out the news about heaven). This, you can see, creates an unprecedented shift in their energy, makes them super excited (Azi) and super nervous (Crowley) to break the news to one another. And despite the two matters being drastically different, when Aziraphale begins his revelation we don't get the Miscommunication trope where Crowley listens to the offer and passively retreats back his emotions. No. He is steadfast in his resolution, in his love for Aziraphale.

And that right here is king attitude no.1, because even if Aziraphale just threw something so godforsaken on him, he won't allow himself to be cowardly or let go of the one person he loves more than eternity. Crowley still bares his heart, still lets it all out, because he will not lose Aziraphale in his naivete of still believing that Heaven is good and Hell is evil. (I write this with supreme detachment of my own beliefs lol) He tries to make Aziraphale understand that sides didn't do them any good the past 6000 years, that the only solid foundation they ever had was them, and that Crowley would rather have them than have everything.

The way you hear Tennant's voice breaking when he said “And we spent our whole existence pretending that we aren’t”, is the perfect reflection of how Crowley genuinely despairs the time they lost and wouldn't have any more of it. And even with how bare and raw he's feeling with revealing all this, he still goes on. He still tries to tell him and I would like to spend our whole existence together, but struggles and struggles because he's strung wide open. But he keeps trying.

Now you see here a moment of disbelief on Aziraphale's behalf, because he doesn't understand why Crowley would refuse going back to heaven with him when all Aziraphale remembers of Angel!Crowley was how utterly bright his eyes shone when he lit up the stars and surely Crowley must miss that too? He wants the same thing Crowley is saying, just in a different dimension. The “I can make a difference” immediately changes to “We can make a difference” because that's all what’s ever been for Aziraphale; them changing the small engines of the world according to their partnered will. He is genuinely benign and not ill-intentioned when he says “Nothing lasts forever”, because he truly wants a better life for them, a better existence. And that's when it gets better: Crowley has his walls back up, he's walking away, because he can't bear that he was never enough as he is for Aziraphale. That he was never worth reciprocation.

But Aziraphale doesn't let him leave.

And that is king attitude no.2, because he doesn't want Crowley to leave when things are strewn all over the place that they don't know where they stand. All Aziraphale ever wanted was for them to stand on the same ground. He asks him to come back to him but hides it by finishing it with “to heaven!” because the whole conversation is going too fast for him, and he's undergoing a religious crisis of sorts that does not end in 6000 years, yet even so he still doesn't want to lose Crowley because he's everything he has and he can't do it without him and “I — I need you!”

And that's when it gets reaaally interesting. Aziraphale's expression then turns from sorrowful desperation to rageful desperation, because he's baring his heart and Crowley is walking away from him. Their solid ground is completely shaken when he says “I don't think you understand what I'm offering you” because he's trying to be subtle about his love for Crowley and still direct as much as he can, but Crowley responds with a condescending “I think I understand a whole lot better than you do” and if this isn't peak human beings in their arguments, I don't know what is. Because we all think we are so misunderstood every time we get into an argument with someone we love, and we absolutely despise it when we feel patronized, so it's no wonder Aziraphale bitterly says “Then there's nothing more to say”, because if Crowley understands, truly does, then he'd see right past his fear to how much he loves the ground Crowley walks over.

And on the other hand I don't believe Crowley truly meant to be patronizing, but in a desperate last attempt he wanted to make Aziraphale understand what he is trying to say, what he spent his entire eternity feeling for Aziraphale, what Aziraphale would be giving up if he goes to heaven. What their life sounds like with no nightingales.

“You idiot, we could've been.. us” is the very culmination of love confessions. It took every single emotion and equated it. Tennant's delivery of it was unsurpassed in the way that it truly covers everything. And the way he grabbed Aziraphale, not entirely lovingly but desperately and angrily and, honest to God, awfully, is the reason why their kiss is so perfect. No queerbaiting, no beating around bushes. It is raw and sad and giving and agonising. Crowley wants to say see what you're giving up? See what we can have? And all Aziraphale thinks is how could you lay this on me now after everything, after every chance we could've been something, after me loving you from the first time I've met you. He's angry towards himself too, because nothing he can offer Crowley will be good enough that he chooses him instead of his choices. Sheen's choice in making his character grab Crowley's shoulder and let it go and then grab it once more in desperation is so unexplainably perfect of how much Aziraphale wants to hold onto Crowley.

But in the back of his mind, Crowley isn't choosing the same. Instead, Crowley's choosing to run from something that no doubt will rebound in their faces. They are angels and demons of heaven and hell, how could Crowley expect they could run and hide without being a repercussion later on? At least what Aziraphale is suggesting ensures that they will have a high position of power, enough to make them together, enough to make them happy, but instead, Crowley is walking away.

And when Crowley lets go of him, not the other way around because of course it is Crowley who must let go and detach from the utter pain that pierced his heart, you can see his expression being one of defeated longing. He sees all expressions passing across Aziraphale, sees how torn apart the other man is, too, and awaits just a semblance of anything they could work with. But instead, Aziraphale's face closes, and he tells Crowley “I forgive you”, and Crowley thinks this must be his second falling, because he's never felt more pain. “Don’t bother”, he says, yet still waits for Aziraphale outside and doesn't leave until Aziraphale has left him. Because in the end, Crowley would always be there for Aziraphale, even if he doesn’t feel worthy of it.

And that, my beloveds, is why eternity will remember this scene.

[theladyofmanyfandomsfanfiction]

Imagine Aziraphale finding you and Crowley fuming at one another…

The doorbell of the bookstore sang into the air with a delightful sound as the owner had returned from his trip alone. There was a sigh of content and homeliness as Aziraphale stepped deeper into the room. He took in the sight, noticing a few stray papers and misplaced books but they were all minor corrections.

Turning to his desk, he saw the trusted pair who he had left in charge - one on the chair and the other leaning against a shelf.

“So, how was your time bonding while I was away?” Aziraphale wondered ever so curiously with an excitable lilt to his voice. His adventure had been a silent plot to enhance coorporation between his two friends who had gotten off on the wrong foot and continued down the road.

Without wasting a second, you cast a finger of accusation to the demon lounging on the chair.

“He poisoned me!”

Aziraphale turned to Crowley immediately to hear the explanation but the demon merely waved his glass of alcohol in the air.

“I did not poison you. Not intentionally anyway. It was more of an accidental poisoning.” He more-or-less confessed.

“Oh, Crowley.” The disappointment in the angels voice wasn’t hidden. He had genuinely hoped that the two would have found some common ground to build a steady foundation for trust in his absence.

The angel’s tone struck a chord with the red-haired being who cast an equally accusing finger at his opposition.

“Y/n wouldn’t have been poisoned if they knew not to touch my things.”

You scoffed and crossed your arms. “Oh, please. You’ve been secretly plotting to write me out of this story ever since I foiled your plans of uncontrollable flooding and created the Niagra Falls all those years ago.”

“I’ve been plotting to write you out from the day we met. Believe me.” Crowley sneered back.

“And for what? To have Aziraphale’s undivided attention?”

The book-loving angel felt his face flush at the mention of a battle for his affection. The giddiness swept over his halo allowing him to revel in the feeling until he remembered the heat in the air almost starting to be reminiscent of ‘downstairs’.

“Now, now. I enjoy the company of you both but now I fear leaving you alone for a few seconds. Is it really so difficult to find common interests?”

You and Crowley turned away and looked around the room, pondering an answer. Surely there must have been one thing that you both could agree on?

“We didn’t kill each other while you were out?” Crowley offered.

You snapped your fingers and nodded.

Aziraphale hummed sceptically. “It’s not quite what I was going for but I’ll allow it.”

~ More imagines here ~

[vavoom-sorted-art]

Of Kings And Kids - Chapter 1

Welcome to @gaiaseyes451 and my Christmas collab! We'll be publishing a chapter every day, whith the fifth and final chapter going up on the 26th of December!

Head to AO3 to read the entire chapter.

*~*~*

Aziraphale stood at the town’s well, clay cup in hand, and drank, grateful for the cool water. While the journey from Nazareth hadn’t been particularly arduous, the angel was happy for an opportunity to rest after traversing the loamy, rolling hills; especially after guiding a flock of sheep and goats for the last five days. Michael had assured him, when she was briefing him on the Mission Messiah assignment, that Heaven had an alias prepared this time. Somehow, Silas the shepherd who was leading his flock of bovids to Bethlehem for the autumn livestock auction was not precisely the backstory Aziraphale had expected. Nevermind that Bethlehem had never held a livestock auction before, best not to question these things.

Bethlehem was built around the town’s well which stood in the center of a courtyard. Most inns and lodging houses surrounded the well while private residences were scattered among the slopes. The city was surrounded by a modest wall with roads granting access from the North and South. The land itself was lovely rolling hills with lush grasslands and natural grottos, perfect for grazing livestock. It would have been conspicuous if a shepherd had moved at the same pace as a woman who was about to give birth, so Aziraphale had arrived ahead of the holy family. He was glad for the chance to get acquainted with the town and for the brief respite before the real work started.

Preparing for the arrival of the Messiah really was quite stressful.

Having filled his waterskin, Aziraphale was about to head off to one of the rest houses to sample the local cuisine when a familiar voice called out.

“Hello, angel!”

Aziraphale stopped short. While he was always happy to see this particular demon on his assignments, having him this close to the savior’s birth was a tad disconcerting. He turned and greeted him warmly, even if his smile was a bit cautious. “Crawly! Hello.”

“Ah, actually, call me Crowley.” He said, casually.

“Oh, have you changed your name?” Aziraphale asked.

“Nah, not officially. Just tryin’ it out for a bit. ‘Sides, little odd to have a nobleman called ‘Crawly’.” He said, gesturing to himself.

Aziraphale took a moment to take in Crowley’s garb.The demon was wearing his hair a bit longer, russet waves held out of his eyes by a beaded headband. He was clothed in his preferred hues in a deep charcoal robe and cloak made from fine linen with patterns embroidered in red at the neckline and hem. The cloak was fastened at the shoulder with an onyx snake broach and synched at the waist with a burgundy leather belt with a serpentine fastener. The robe drew his eyes down to strappy sandals that accentuated Crowley’s calves. His wrists were adorned with wide, silver cuffs that emphasized his svelte arms and long fingers.

Aziraphale dragged his eyes back to Crowley’s face and attempted to make eye contact through the dark lenses. “Well, hello, Crowley. What brings you to Bethlehem?”

*~*~*

Keep reading on Ao3 to see additional illustrations! We'd love to hear your thoughts! Find all chapters and additional content for this story here.

big thanks to @goodomensafterdark for the support!

Happy Holidays and Happy Reading!

[hikarry]

Do you ever think Aziraphale watches Ducktales and went he hears Scrooge speaks he is like "...wait!"

"Why were you watching cartoons anyway?"

"That's not the point, Crowley." Aziraphale points at the tv. "Listen." They both keep quiet as the animated wealthy duck speaks to his house keeper.

"So?"

"You don't hear it?"

"Hear what?"

Frustrated, Aziraphale huffs and grabs the tv remote, turning up the volume.

"It sounds exactly like you! But Scottish!"

"Ngk-" Crowley looks up at the ceiling, moving his hands nervously as he searches for the sunglasses on the side table without looking at it.

"Crowley?"

"Mhm." He finally finds the glasses and puts them on, getting up from the sofa. "Gotta go, angel. Fun evening but cartoons are not my-"

"Wait up!" Aziraphale holds him by the arm, stopping him from taking another step forward. "You are nervous." He feels the muscles under his fingers tense up. "You are! You are lying to me!" The angel gets up, ever without letting go of the arm, and walks until he is face to face with the demon. "What are you hiding."

"Mrgyeahknownothing."

"Crowley-!"

"It was just for fun!"

Both fall silent, looking at each other.

"...What?"

"You know I created Disney. Greed and controlling the minds of the young and whatnot." Crowley starts gesticulating quickly, ever without looking directly at Aziraphale. "And then they decided to remake Ducktales and I thought 'Oh, that show was popular back then. And I make a mean impression of Scrooge. I could spread evil through it!' so I maneuvered my way into voice acting with a bit of manipulation and schmoozing and whatever." He was talking very fast and hissing, as he did when he got agitated. "And there I ended up voice acting for 3 seasons - with evil intentions, obviously."

Aziraphale stared at him, mouth slightly open, completely dumbfounded. Crowley finally looked down at him. The angel couldn't see it, cause the sunglasses were pretty good at protecting him, but the demon was indeed nervous. He would never admit to it, but he was. Truly. He never thought Aziraphale would end up so bored he would watch cartoons, much less evil greedy Disney and not some old almost-forgotten relic like Betty Boop or something.

"You...voice act?"

"I voice acted. Once. For one character."

Slowly, a smile spread on Aziraphale's lips.

"Can you do the accent?"

"No."

"Crowley-"

"Absolutely not."

"My dear-"

"Never again."

The angel reached out, putting his hands on each of Crowley's cheeks, stopping him from talking.

"I am an adventurer, boys!" Aziraphale's scottish accent sucked. Badly.

Crowley put his hand over Aziraphale's mouth and pushed him slightly away, just enough for his hands to leave his face.

"Never, ever disrespect Scotland like that again."

[the-ineffable-dance]

In this post, I took a look at the beginning of the Final Fifteen and how Aziraphale's walk back to the bookshop is not the look of an excited or happy angel... instead, it looks like he's upset and desperately making a plan. Whelp, it's time for the next step of the heartbreak that is the Final Fifteen... Aziraphale's dance.

The first thing that happens when Aziraphale enters the bookshop is Nina and Maggie head out from their chat with Crowley. We follow them out, and the camera leaves them and joins the Metatron as he approaches Muriel on the patio reading a book. He checks in on her, and then straightens up, turning around. This gives him the perfect vantage point to stare straight into the bookshop window right at where our angel and demon are talking.

As you can see in the gif above, Aziraphale can see him from where he's standing. Before he even looks at Crowley, he sees the Metatron through the window.

Crowely starts his confession. He doesn't get very far... but really, he doesn't need to. These are two beings who know each other so well they can tell by tone of voice how the other is feeling. And Aziraphale knows just from the tone what Crowley is trying to say. There's a reason that it's taken them 6000 years to say how they feel... it's dangerous. It was never an unnecessary fear on their part, it was a very real and very present danger. And now, Crowley is about to say all the things that Aziraphale wants to hear, and the danger IS STARING AT THEM THROUGH THE WINDOW.

He hasn't even really looked at Crowley yet... heard the tone that Crowley was using, and looking out the window... Yep! Metatron, right there. Note his hands. Up and down. I didn't watch all of Extraordinary Attorney Woo for nothing! Those are "woah woah" hands. Like, stop talking, stop talking, STOP TALKING.

When he finally does look at Crowley, that's not a happy face. Not the face of someone that's finally hearing the confession they've been longing for for millennia. Michael Sheen has given Aziraphale the most endearing heart eyes throughout season 2...

But no heart eyes here? If everything went great with the Metatron and Aziraphale is completely on board with returning to Heaven with Crowley by his side, why in the world would he interrupt this moment? Letting Crowley profess his love would only strengthen Aziraphale's push to stay together. It is "Incredibly good news" after all. No, things did NOT go well with the Metatron, and they are in trouble. And so, Aziraphale is starting to panic. Crowley isn't paying attention to the "shush" hands, or his repeated looks out the window, so the only thing left is to interrupt. Aziraphale's bumbling rush to cut Crowley off feels a lot like "I can't let you continue so you don't incriminate yourself."

SO!! Azi jumps in with his version of his conversation with the Metatron. The "Good News" - "I... (mouth working furiously without sound)... the Metatron..." I don't think it's 'normal Aziraphale stutter' in the moment between those two words. There are plenty of times when Azi gets a little tongue tied when he's too excited (either due to lying OR trying to impress Crowley). But usually when he does that, he looks up and to the left. Instead, this time he makes eye contact with Crowley and does not look away. If you look closely, I'm nearly certain that he mouths the words "We Need Help."

What convinces me of this even more is that Crowley begins to watch him very intently. He's frustrated... certainly! But he doesn't fall into their normal banter. No quips, no growling at being cut off, no gentle arguing. He can absolutely tell from Aziraphale's tone that this is his "Something's Wrong Voice" and instantly listens.

Then the full dance begins. Aziraphale does begin his normal stutter with the wandering hands... he's trying to not say the wrong thing here and make their situation worse while still being convincing that he's going along with what the Metatron wanted.

Crowley tries to play along... until the offer to become an angel again comes up. I don't think that Aziraphale knows just how painful that concept is for Crowley. And with good reason, because I highly doubt that Crowley has been honest with him about it. Aziraphale loves Crowley for ALL that he is, but since he doesn't know how hurtful this will be, he just blunders right into the offer.

Crowley is so hurt? (Offended? Enraged?) by the concept of becoming an angel again, that he can't keep up the dance they've been putting on for the Metatron. In fact, he immediately fires off "And you told him just where he could stick it then." It's not actually a question for Aziraphale... He knows they're being listened to. He's directly telling the Metatron where he can stick it. "We're better than that" = "We're better than YOU (Metatron)"

And we watch the smile fall from Aziraphale's face. IMO, there is no question that Aziraphale suffers from CPTSD. People (and people shaped beings) with CPTSD can have a very hard time when there is a sudden, unexpected emotional response to something they've done or said. He thought they were on the same page, and suddenly Crowley isn't playing along, and he's angry. Furious. And Aziraphale falls back on old habits as he tries to regain his footing... thus, the unfortunate comment of "You're the bad guys." It's a terrible thing to say. And I'm not trying to excuse Azi for saying it... but it was a trauma response to an unexpected situation.

"Tell me you said no!" "If I'm in charge, I can make a difference."

The dance is over... these lines are not for the Metatron's benefit, or anyone else's. This is real. Crowley wants Aziraphale to say no to the Metatron, regardless of the situation. Aziraphale thinks he can only thwart the Metatron/ protect Crowley and the world by going to Heaven.

Ouch my heart! Onward to Crowley's confession (and possibly a post about the prologue to this heartache and the conversation between Azi and Metatrash)

[ourshadowsmeanomens]

THE MEANING OF THE END OF GOOD OMENS SEASON 2 (SPOILERS UNDER CUT)

I binge-watched this entire new season and immediately unleashed every thought I had about the ending of the show alongside MANY others who were experiencing a lot of feelings. After we all calmed down, we started talking and analyzing- and I think we found something way bigger than we saw on screen at the end of this season. And what this might mean for Aziraphale and Crowley going forward into (FINGERS CROSSED) a wonderful 3rd season.

The biggest complaint many of us in our chat had about the choice Aziraphale made at the very end- to ascend to Heaven, leave behind Crowley and the bookshop, to take Gabriel's place. Everyone is saying that it's out of character, there was so much build up all for Aziraphale to throw it away, etc. But the theory- a miracled brainwash. By Metatron, on Aziraphale. Metatron has proven to be a very dismissive and rude character, especially in regards to Aziraphale, since we met him in season 1. During the literal end of the world he still only spoke as God's voice and never appeared in person. Suddenly, Metatron comes down- IN PERSON- to talk with Aziraphale about a promotion. Before we know who he is exactly, we see him buying a coffee and giving it to Aziraphale- KEEP NOTE OF THIS. When Metatron first talks to Aziraphale, Azi says something to the effect that he has "made his position quite clear." The Metatron insists, pointing out the coffee and insists they talk.

HERE'S THE IMPORTANT PART: Metatron says "are you going to take it?" and RIGHT BEFORE Aziraphale says "shall I?" you hear the FAINTEST GLIMMER of the sound effect for miracles. I'll be honest I had to turn my sound up and lean in once someone pointed it out, but it's there and you HAVE to listen for it. They both go for a walk.

Crowley clearly believes Metatron is up to something, and watches them leave and walk but doesn't follow- this isn't addressed again. Then Crowley, Nina, and Maggie have their talk, and this is the part where Crowley is meant to confront his feelings. We switch back to Aziraphale with Metatron. Clearly Metatron and Aziraphale have talked about a deal and Metatron asks him to "think it over." Aziraphale has presumed to finish his coffee at this point, because he heads directly back to the bookshop to talk to Crowley. They fight, they kiss, they give each other up because Aziraphale decides to go to Heaven and leave everything behind. Like I said earlier, this is the part that enraged a lot of people- why would Aziraphale do this? This is so out of character. Why would he leave Crowley behind? Why would he leave his BOOKSHOP behind?

The current persistent theory is this:

Metatron has proven to be dismissive and untrustworthy since we met him. It is odd that he suddenly shows a change of heart for Aziraphale and wants to promote him. We, as the audience and fans, know Aziraphale's desire to live a simple, humanlike life with the person he cares about the most (Crowley) with his most prized possession (the bookshop).

The subtle miracle sound effect when Aziraphale took the coffee was the moment the miracle took place, affecting the coffee to brainwash (or at least to make more easily persuaded) Aziraphale so he'd say yes to the offer Metatron was giving him.

Aside from this, they editors/director/writers purposely wrote in and left the entire part about Metatron getting coffee for Aziraphale (as what? Some sort of peace offering?). The entire ending could have done without bringing so much attention to the coffee that Metatron gave to Aziraphale. It was unnecessary.

Unless it wasn't, and we are meant to find that out in season 3. The coffee is Chekhov's gun. In filmmaking, nothing is ever just a coincidence or an accident. They made a point to give us the miracle sound effect without showing any visible changes, made Aziraphale act wildly out of character, and framed it as though it is not, let's say, an institutional issue that is being covered up 👀👀

And let's not ignore that the episode 6 description specifically says "The Metatron brings an oatmilk latte, along with a final offer." Which would be an odd thing point out if the coffee was a mere prop.

All to say- I personally loved the season. I loved every minute, and I want to see what happens next. I think that people are going to be very angry with the ending, but that there's so much more we have yet to uncover and we shouldn't underestimate the wit of Neil Gaiman.

[cobragardens]

CORRECTED & UPDATED Clothes + Equivocation = Romance: The Husbands in 1793 (Part 2)

From Part 1:

Crowley and Aziraphale share clothes as a common interest. They don't have the same style, but they're both aware of current fashions, and Heaven and Hell aren't. You can't tell me Hastur or Uriel would recognize the significance of Crowley saying "Dressed like that, he's asking for trouble" about someone else while wearing black stockings and cravat and waistcoat himself. And that means Anything the husbands communicate to each other through clothing choices goes undetected by their masters.

SO. With all this in mind, let's go through the 1793 scene again and look at what the husbands communicate to each other without using words or actions to do it, and how their clothing choices help them do that.

Hello. I'm here and I know you're in a spot of trouble. I like you.

It's you! I'm so happy you're here!

Sheen's voice and face when Aziraphale says Crowley's name in this moment makes me think that Aziraphale is in love with Crowley--the demon Crowley, not the angel who became Crowley--long before he consciously realizes it in 1941. The way Sheen has Aziraphale say Crowley's name is so soft.

The way you're he way you're lounging there and what you're wearing are uncomfortably sexy and also incredibly inappropriate for the Bastille at this moment in history. I suppose this is very on-brand for you.

Crowley: I listen when you talk about your interests and goals and keep track of your general whereabouts and pursuits.

Either they've spoken with each other recently or Crowley has been keeping tabs on Aziraphale. Aziraphale isn't upset that Crowley knows what he's been up to, which suggests the former, which in turn suggests they're in semi-regular (every few years or decades) contact at this point.

Also we've now got a general idea for when Aziraphale opens his bookshop.

Okay, brief tangent while I point out two things here.

One, my favorite thing about Aziraphale is that he is a sensualist. This is libertine behavior, y'all. He 'popped across the Channel' during the Reign of Terror because he wanted a specific carnal experience of a specific really lovely food.

And two, even when Aziraphale does weird, frivolous, silly, ill-advised things like this, things that clearly baffle Crowley...Crowley never makes fun of him. He never laughs at him. He always has this look of disbelief on his face, like Am I hearing this?--

--but Crowley never, not once, shuts Aziraphale down.

Until Aziraphale asks him to go back to Heaven.

Anyway. Back to our scene.

Aziraphale: I am unwilling to abandon my sartorial sensibilities even when it threatens my corporation, and I am insane, so I think this is reasonable. At least I'm not wearing a Slutty Monarchist outfit.

You're happy to see me, aren't you. You're relieved to see a demon. Go on, say it.

Tennant's delivery of this line cracks me up. It is so gloating and flirtatious and smarmy and indulgent of Aziraphale.

I am very happy to see you and lucky you're here, and I am willing to say so sincerely even though you are gloating about it.

And then there's the exchange where Crowley very carefully doesn't answer Aziraphale's question about why Crowley's in the area but also reassures him that he didn't cause the French Revolution and Aziraphale can still like him.

We can't speak openly about this. It's dangerous for me.

Message received: I won't mention what you did again. But I want to show my gratitude and spend time with you; is it safe for us to get lunch together?

Yes, but one of us is going to have to change so we can walk the streets of Paris without getting arrested again, and I'm the one doing the rescuing here so it's not going to be me. Your 'standards' will have to take the hit.

Fine, you've got me over a barrel. But hey, if I have to wear the silly hat anyway I might as well go all the way and wear your colors. Except not monarchist. And not slutty.

Oh, I don't know, I thought you looked pretty slutty too. (Meaning 2) I'm having this guy killed for touching you, btw. I will kill anyone who tries to hurt you. Immediately. I see you are having the guy who assaulted you killed in a copy of the clothes he would have killed you for wearing. I wholeheartedly approve of this (Meaning 3), your sexiness in those clothes notwithstanding. The utter insouciance of Crowley's little sniff and the inquiry about what they'll have for lunch drive home hard that Crowley could not be more unbothered by Aziraphale having the man who tried to harm him beheaded.

What really tickles me about this line is not only that Crowley's joke has three distinct meanings, but that Meaning 1 (the meaning that exists without reference to Crowley's clothes) is the opposite of Meaning 3--Anybody wearing clothes like that deserves what they get (Meaning 1) versus It rocks how you just killed someone who tried to kill you for wearing those clothes (Meaning 3)--and yet because of the clothes he's wearing, both meanings come through with perfect clarity, dependent only on whether the listener(s) can see his clothing and know its significance. Aziraphale can, and does, so he receives Crowley's real meaning. Hell/Heaven can't, and don't, so they just hear Meaning 1.

And then we get Aziraphale's pleased little smile and look of tranquil interest as he watches Jean-Claude dragged off to his death. Its such an interesting facial expression for an angel watching a demon have someone killed having someone killed, isn't it?

Crowley has just told him they're probably being listened to by Hell. That means Aziraphale, Crowley, and the audience all know this is the most Aziraphale can safely react. Aziraphale can't show any overt approval of anything an agent of Hell does, because by definition anything a demon does is demonic and angels must be against That Sort of Thing. In light of the fact that Aziraphale is the one who causes Jean-Claude's death, I now argue that this responsibility not to react too positively to something the other side has done falls on Crowley, and that the reason he makes this joke is primarily to tell Aziraphale I see what you've just done, and I like it without identifying aloud what exactly has just happened for their presumed eavesdroppers because an angel arranging a human's murder is the sort of thing in which head offices might take undue interest.

The awareness that their conversation is not private means the audience and Aziraphale know they need to be watching and listening for multiple meanings from Crowley, and it also means the audience and Crowley know we need to be watching Aziraphale's face closely right now. And that little smile shows us that Aziraphale has received Meanings 2 and 3 of "he was asking for trouble."

Or, at minimum, Meaning 3; even if Aziraphale picks up on Meaning 2--You looked really sexy in your vintage clothes, you crazy weirdo--that's not a message he can afford to react to at all. But he does react to the other coded communication Crowley is sending when he says "Dressed like that, he was asking for trouble" while dressed for trouble himself: I will kill anyone who tries to hurt you. Immediately. People who think your clothes give them the right to hurt you can go to Hell, and I am delighted you just sent one of them there.

You just had someone beheaded for assaulting me, I acknowledge and am pleased by your delight at my cleverness. and I could not be happier. Would you like to come enjoy one of my very favorite sensual pleasures with me?

***

EDIT: To be honest I like this reading better than my original, incorrect understanding of the story despite the fact that it is slightly less romantic, both because I love the idea of Crowley as a thirsty witness to Aziraphale quietly being a vengeful badass, because it gives us a glimpse of something important about Aziraphale's character that we don't get to see elsewhere: Aziraphale doesn't have a problem with killing per se.

We learn from the business with the Antichrist that, like Crowley, Az. can't bring himself to kill children. We learn from his perturbation at the Flood and the Crucifixion that he doesn't hold with killing innocents. He gave away his flaming sword. But this scene establishes that Aziraphale will actively cause someone's death if he feels they deserve it. That seems like an important character note for him that may become relevant in Season 3 (feathers crossed that it happens).

And I think there's something else in there too, something about how Aziraphale kills Jean-Claude, not with outright violence but with a trick. One party thinks he's in control of the situation; with a wave of his hand, suddenly a turnip has turned into an inkwell an executioner has turned into the condemned--or at least it seems that way long enough to get the job done. It's a bait-and-switch, like stage magic, and it slots right in to the motif in Good Omens of sleight-of-hand, of characters wearing other characters' appearances (for more on this, see fan theories re: Maggie is possessed), of supplying false meanings to an audience to disguise the true actions going on behind the scenes.

[actual-changeling]

i should start a counter of how many times i have rewatched that scene by now.

when aziraphale runs after crowley, he turns around to face him, fully turns around, right?

his angel says come back, so he does, not entirely but he stops to hear him out.

even though his eyes are covered, we can safely assume he is looking at aziraphale while he speaks. the painful fun part is why he turns away.

we can be together.

aziraphale says EXACTLY what crowley wants to hear. we can be an US you can be with me forever. we can be what you imagined.

except that crowley knows they don't mean the same thing. aziraphale is suggesting life in heaven, something fundamentally different from the life crowley imagined for them on earth. this is the equivalent to someone telling you "i love you - as a friend" after you just confessed your romantic love to them.

you wanted to hear that person say those words so fucking badly and they did, but in entirely the wrong way. they don't love you the same way you love them.

and it HURTS.

mouth open, sharp intake of breath, he can no longer look at aziraphale at all.

look at the way his posture changes, too. straight back, deep breath, eyes forward and away so he does not have to watch as aziraphale promises him forever in the most painful, twisted way possible.

even when he says i need you he does not look back. my guess is that he is holding back a LOT of tears, frozen to the spot. when he does speak again, they both not only move on to mutual anger but his i understand also sounds exactly like my voice sounds when i'm swallowing tears.

we can be together. i need you. i love you

it gives him hope that maybe, maybe if he SHOWS him, if he kisses him and says this is what we could have been, aziraphale will come around. that he will realize they will be happy on earth and don't need heaven at all.

it gives him hope and aziraphale almost, ALMOST says it. almost says i love you. almost.

and then he stops himself and ruins everything, and crowley has to leave with the echo of his words in his head, probably repeating over and over again.

i need you.

we can be together.

he leaves knowing that aziraphale simply does not need crowley as much as crowley needs him.

he can no longer rely on him.

after six thousand years of shared loneliness, he is finally, truly, alone.

[crushmeeren]

Warnings; Female Reader, Female Anatomy Used, Kissing, Pussy Eating, Vaginal Sex, Anal Fingering, Anal Sex (Double Penetration 😏), Dirty Talk, Praising, Cream Pies! Generally just fluffy and smutty, my personal favorite combo.

Note; Well here it is, my Crowley/Reader/Aziraphae one shot. It’s written with a female bodied reader because I’m female and that’s what I know best. I loved writing this. Once again it became very long and I could not stop the train. Hope everyone who wanted this enjoys it.

AO3 Link; The Devils Hour😈

Word Count; 7.5k

If anyone would like me to write Gender Neutral or Male Reader One Shots, let me know! I would love to do that!☺️

It’s 3 am. You notice after glancing at the red numbers on the digital clock currently sitting on your nightstand. It’s the devils hour. Which is kind of funny considering you’re missing the actual demon that usually occupies part of the bed. It’s completely dark in your shared room, the only other light is from the moon peaking through the curtains, letting you see occasional shapes as you look around the room. You hear the sounds of cars driving down your road once in awhile, and you just hope it’s Crowley, pulling up in his Bentley, Queen music blaring.

You’re halfway laying on your belly and your right side, left leg bent and tucked up beside your waist as you reach out a hand to run it over the soft blanket on the side of the bed that Crowley usually sleeps on. Except right now it’s empty. The blanket feels cool to the touch and it’s unsettling. You grip the blanket tightly, knuckles turning white, before releasing it. The bed’s just too big and it teeters on the line of feeling wrong without Crowley there with you and the Angel.

You start to feel a tug in your chest at the familiar ache of missing the demon. The uncomfortable emotion settles in your heart heavily, sinking into your chest, almost like a lead balloon. It weighs you down and presses you into the mattress a little bit more than before. As you lay there contemplating your misery you hear the blanket rustle behind you and you’re reminded you still have your sweet Angel in the bed with you. It makes you feel a tad lighter.

“Angel,” you breathe out, feeling a warm, steady arm wrap around your waist from behind, pulling you closer. Aziraphale curls up against your back, shifting a knee to get between the soft skin of your thighs. Pillowy lips press a kiss into the back of your neck, over a knob in your spine, which he has access to since your hair’s pulled up into a bun.

“Is everything alright my dear? Why are you awake?” Aziraphale questions, voice quiet and raspy with sleep. You scoot back as much as you can into his embrace and rest your hand on the forearm that holds you.

“I miss Crowley, I thought he would be home by now,” you respond, voice thick with emotion, eyes stinging, threatening to fill with tears. You feel as if you’re being a bit over dramatic but who cares, you miss him. You would miss the Angel just the same if he were gone. You pull the soft blanket up over your shoulder, covering you both.

He brings his hand to the bottom of your large T-shirt. It’s some older, worn one Aziraphale never wears anymore. He wants to get closer to you and he slips that hand underneath, fingers rubbing the skin of your belly soothingly this time as he wraps his arm around you even tighter in comfort.

“I know my love, I miss him too. The old boy is alright. He’ll be home soon. He can’t stay away from us for long, you know that,” Aziraphale says, tone reassuring, nuzzling the back of your head gently. You can feel his warm breath on your neck and it makes you shiver slightly, goosebumps erupting up your arms and legs. An involuntary pulse of arousal makes your pussy clench around nothing. You try to ignore it. Which of course doesn’t work.

“I know, I just, well it’s been awhile since we’ve all been in bed together. I miss being with both of you,” you say shyly, craving the intimacy and pleasure that comes with the three of you having sex together. Missing the way one of them stretches open your pussy as the other presses into your tight arse. The image flashes behind your eyelids and your cheeks burn as your entire body feels too hot. Your pussy clenches again and you squeeze your thighs around the Angels knee for some relief. Aziraphale feels the way you press your pretty little arse into his pelvis, feeling his dick twitch at the sensation.

“Darling,” Aziraphale starts to coo, “You’re missing our demon that badly huh?” he teases, fondly of course, raising up on one elbow to lean forward and press a sweet kiss to the side of your neck.

“Yes.” It comes out as a breathy moan. The Angel hums against your neck. He lets his soft lips trail over your earlobe and whispers in your ear.

“Maybe I can help you feel a little better, my pretty little doll.” You breathe in sharply. You can definitely feel your own heartbeat in your pussy. Warmth pools in your lower belly instantly. The Angel presses his knee a little bit further and puts pressure against your aching clit. Just that little bit of contact feels so good, making your limbs tingle warmly. It makes you crave the loving he’s so gifted at giving.

“Please Angel.” Voice on edge, as you squeeze your bare thighs around the knee he has pushed against your pussy. You rock your hips, grinding your clit onto his knee a couple times, groaning softly. Aziraphale watches your movements, feeling your warm pussy rubbing against his bare leg through your panties, a slightly wet sensation. Your sweet noises reach his ears and his entire body flushes hotly, his cock jumping against your arse, filling out steadily. He can’t help but slip his knee free and roll you onto your back, eager to keep going.

You let him manhandle your body and your head ends up resting on a pillow. You look up at his pretty blue eyes. He bites his bottom lip and helps you bend your legs at the knee, placing your feet on the mattress. You only make one short sound of protest at the loss of his touch and he laughs brightly.

“There, there my love, I’ll be touching your pretty body again shortly,” he says, playfully as he makes his way closer between your thighs, pushing them wide open with his hands on your knees. He decides to shove off the fuzzy blanket that was covering the two of you, it had start to just pool around his waist. It gathers at the end of your bed.

You lick your lips and reach out for Aziraphale with a soft pout on your mouth. You grab a fistful of his shirt and tug him to you. His lips pull into an amused smile and he lets himself be pulled. He rests his elbows on either side of your head, gently relaxing his weight down onto you, and you both groan at the feeling of your chests pressing together. His body crushes you slightly and for some reason it turns you on even more. You can feel his warmth through both your shirts and it makes your nipples harden.

You yearn to kiss him, so you grip his shoulders and pull him down to your mouth. Aziraphales sweet, plump lips slotting against yours perfectly. The Angel makes you feel safe, loved, happy and your kiss conveys all of that. He tilts his head as he moves your lips together slowly, intimately. The kiss starts to feel like heated honey, the sweetness of it soothing some of the bitter ache you both feel missing Crowley.

You moan into his mouth and poke your tongue out to run it against his bottom lip. You hear him whine as he opens his mouth instantly letting you in. You twist your tongue with his for a moment just tasting him before sucking his bottom lip into your mouth. You chomp down, biting it and releasing it with a wet sound. He moans low in his throat.

“Oh, you’re such a little tease aren’t you?” Aziraphale tickles your ribs softly as he leans down to kiss your neck. You let out a happy giggle, pushing at his hands without much force. You let yourself enjoy the feeling of his mouth, melting under his touch in a puddle of warm goo. His hands trail down your sides to the bottom of your shirt. He grips the edge of it and sits back on his calves so he can pull it up and off of you. You sit up a little and let him strip you, tossing it to the side. The cool air hits your chest giving you goosebumps again. As you lay back again, his fingers have already slipped into the waistband of your panties. You let out an accidental laugh.

“You’re so eager Angel,” you say, teasing him. He looks at you and grins, giving you a wink. You bite your lip and tilt your head down to watch him. You decide to be proactive and lift your hips for him. He makes an approving noise as he tugs them down your legs, again tossing them aside carelessly. Aziraphale runs his hands appreciatively over your soft thighs and up your belly. You whimper at the feeling of his warm hands. He smiles at you lovingly and leans forward to nuzzle at the space between your breasts. You feel a sharp pinch, like being stung by a bee and you know he’s sucking a love bite into the skin there. You let out a yelp at the sensation of teeth as your hands shoot up to tangle into his soft, white curls.

“Oh! Oh-hah that feels so good Angel.” Whining as he shifts his head to the left, sucking a nipple into his mouth. Aziraphale wraps his lips around your perky bud and sucks harshly, tongue flicking up and down. A low moan vibrates in your chest and your back arches up into his touch. You’re starting to sweat as your thighs clench around his hips and he presses his pelvis down into your groin. His covered cock spreading the slick folds of your pussy. He releases your nipple with a pop and gasps sharply at the feeling of your warm pussy rubbing against him. He pushes his hips up, grinding against your clit, sending tingles of pleasure and relief up your spine.

“Azi,” you say, whining. You let the last syllable drag out. He knows you’re starting to feel it as you only use that nickname when you’re in bed.He snickers a little bit, moving his hips slowly, letting his cock drag continuously through your folds and against your clit. It’s soaking his briefs.

“Hmm? Is your pretty pussy feeling good my sweet girl?” he whispers, in a way that sounds like he’s teasing but it’s wrapped in a loving tone. Aziraphale doesn’t usually speak so filthily, at least not outside of the bedroom. He pushes through the embarrassment each time because it turns him on so much seeing your sweet reactions to his words.

“Yes! Yes, S’good Azi, want you inside Angel.” Crying out to him, you dig your nails into his forearms. Heavens, that really sets him off. He knows his cock is flushed and hard as steel. He can feel the throb of heated arousal in his groin and how his briefs are sticking lewdly to his leaking tip. He groans your name and leans down to kiss at your collarbone. The feeling makes your eyes flutter closed, tilting your jaw up as you lose yourself in him.

“Well, for hells sake, don’t you two just make the loveliest picture. Couldn’t wait for me to get home huh?” A smooth voice purrs from the open doorway of their room. You and Aziraphale immediately freeze in place at the sound of his voice, breaking apart as you shoot up to sit straight up in the bed and the Angel turns on his knees to face the demon. Crowley flips on the switch to the low light of their room, bathing them all in soft, warm light.

Both of your faces light up like the sun as you recognize the voice belonging to the red head and you’re both scrambling off the bed and shooting towards Crowley. Your foot almost getting caught in the blanket as you tumble off the bed. The demon laughs happily as the two of you wrap your arms around his waist, sandwiching him in between you and the Angel. You not caring you’re completely naked and Aziraphale not caring he’s sporting a raging boner that’s poking Crowley straight in the thigh.

“Miss me did we?” Crowley teases in a smooth voice, as he lets himself be squished, absolutely loving it. Sounding like a cat who doesn’t want to admit he wants affection. The two of them release him as they all smile happily.

“We missed you so much love, I didn’t think you’d be home tonight,” you say, voice full of love, excited now that you are all three together. Crowley slips his glasses off and walks to place them on the side table, shrugging off his jacket and toeing off his shoes.

“I wasn’t sure I’d be home tonight either but I couldn’t stand being away for much longer,” he replies, with a smirk.

“Yeah, that’s what Azi said too,” you comment offhandedly, in a joyful tone of voice. You move to sit on the edge of the bed and Aziraphale walks closer to Crowley, getting in his space. Crowleys eyebrows raise up at the nickname as he looks at you briefly before making eye contact with the smug looking Angel.

“Azi huh? Just how good was the Angel making you feel, you pretty little demon,” he says, with a smirk, knowing you only call the Angel that when you’re in bed, when you’re getting all needy and whiny. When you start to feel so good your words slur and you beg the Angel to pound you. Your cheeks turn a bright pink at his words. Aziraphale speaks before you can.

“Oh dear, I was just getting a little bit of a taste of our girl before you came home. I thought you’d enjoy a bit of a feast when you got here. I had a feeling you’d be home late like this…wanting a late night snack my love,” the Angel says, in a teasing voice, sounding ridiculously seductive. Crowley grins wickedly in return and leans down in Aziraphales face.

“You’re such a good Angel,” Crowley coos, as he leans closer and presses his lips against the Angels. Aziraphale sighs happily and wraps his arms around Crowleys neck, melting into the kiss as their lips move together sensually.

You wiggle where you sit on the edge of the bed, belly heating dangerously as the atmosphere between the three of you charges significantly. Crowley fitting seamlessly into the situation, like he was never even gone. Watching the two of them together is bewitching. The way their lips meet and move together with a slick noise. Crowley tugging Aziraphale forward by his hips. Seeing flashes of their tongues disappear in each others mouths. Your pussy throbs repeatedly and you can’t help but let out a whine, wanting their attention. They break from the kiss but not their position, still glued together. Both of them turning their heads to look at you, faces looking way too smug.

“Feeling left out my love? You’re such a needy little demon.” Teasing you, Aziraphale breaks away from his embrace with Crowley. He walks towards you and stops a few inches away from your spread thighs. You nod and bite your bottom lip. You maintain eye contact with Aziraphale as he hooks his thumbs into his briefs and slowly pushes them down his hips. You then watch as his cock bobs free when the waistband of his briefs catches on it. He pushes the underwear the rest of the way off. You can’t keep your eyes away from his pretty pink cock. Thick, but not too long. You reach out a hand to wrap your fingers around his dick but he grabs your wrist. “Not yet my dear. Let’s wait for Crowley okay?” he says, softly, eyes sparkling with amusement at your eagerness. Your lips turn into a small pout and you nod reluctantly as your eyes glance over to see what the demon is doing.

Crowley took advantage of you being distracted and had busied himself with shedding his clothes, leaving him in his briefs and black tee currently. You bite the inside of your lip while you run your eyes over his lanky figure. You notice the Angel so the same. Crowleys lips tug into a one sided smirk.

“Love,” the Angel calls out, gently, to get your attention. You look up at him once again. “Why don’t we get a better view of our gorgeous boy huh?” he says.

“What do you have in mind?” you question, curiously, wondering what’s running through the Angels brain. He pointedly says nothing as he gets on the bed next to you and crawls to the headboard. He props up a couple pillows against the frame and he turns to lay his back against them, letting his legs fall open as he plants his feet.

“Come sit in my lap love, let’s enjoy a show and watch Crowley get undressed,” Aziraphale says, with a sly smile. Your belly flips eagerly as you nod excitedly and quickly move up the bed. You turn around as well and sit in between his legs. You rest your back against his chest as you recline, you can feel his heart beating steadily. Aziraphale maneuvers you until each of your thighs are resting on the outside of his, spreading your legs and pussy open. He wraps his arms around your waist as you watch Crowley move to the end of the bed, standing by the edge. His eyes roam your spread body. As his serpent eyes make their way to your cunt, he licks his bottom lip, forked tongue flicking out, and he palms his dick through his underwear.

“C’mon Crowley, we wanna see you get naked,” you say, feeling amused. You feel the Angels soft breath on your neck as he chuckles. Crowleys head tilts back as he laughs.

“Eager for me?” he jokes. You both nod and Aziraphale squeezes your waist again and rests the side of his face against yours.

“Yes dear, we’ve missed seeing your body,” Aziraphale says, eagerly. Crowley wiggles his eyebrows and he reaches for the bottom of his shirt and in one movement pulls it off, letting it drop on the ground. You both cheer softly. Crowley laughs and hooks his fingers into his waistband, lingering. “Doesn’t our dear boy look so..enticing?” The Angel whispers in your ear. You shiver and nod. The Angel trails one hand from your waist down your belly slowly. He brushes his fingers through the curly hair on your mound. Your heart rate picks up and you feel liquid heat in your belly as he softly places his pointer and middle finger on your clit. You inhale sharply, legs flexing around the outside of his thighs. Crowley watches the movements of his Angels hand and he bites his bottom lip. You see Crowleys cock fill out completely in his briefs as the Angel starts to rub slow, tiny circles into your clit. You feel Aziraphales cock start to harden again against your back. Your head falls back onto his shoulder and you moan loudly as pleasure smolders through you, straining to keep your eyes open and on Crowley. “Ah, that’s a good girl, keep those pretty eyes on Crowley love,” Aziraphale praises, moving his fingers a little faster. You began to breathe a little heavier, wiggling slightly and Crowley can’t wait anymore. He pushes his briefs off and steps out of them.

You’re letting out soft sounds of pleasure and you reach out a hand for Crowley, making a grabby motion at him. He smiles and makes his way up to you both before sitting on his haunches. He grabs your hand and squeezes your fingers before letting your hand rest against your belly. He makes eye contact with Aziraphale briefly as you watch them have some sort of mental conversation, before Crowley smirks. The Angel slows his fingers down and you make a protesting noise. He stops and slips a finger up and down through your folds, covering it in slick before pulling it away. You cry out, whimpering his nickname. He giggles and whispers in your ear.

“What do you want my pretty little doll?” Shifting in place, you flex your open legs briefly.

“I- I want his mouth,” you mumble softly, eyes glued to the demons lips. You’d been thinking about Crowley eating you out for a week now. It being the star of many of your recent dreams. The other two snicker.

“I can’t hear you dear, can’t you speak up,” Aziraphale says, in a bit of a condescending tone, teasing you and kissing the side of your neck. You burn with embarrassment, but it just turns you on even more.

“Such a whiny little demon, can’t even tell us what she wants. Angel, I think she wants me to eat her pussy.” Crowley grins, letting his tongue flick out again. You feel the Angels dick twitch against your lower back at the words. He loves watching Crowley eat you out.

“Oh yeah?” he giggles. “Do you want Crowley to eat your pretty little pussy love?” You groan loudly, feeling so unbelievably turned on by the filth that leaves their mouths. Aziraphale holds onto your hips and makes a tsk sound, like he’s disappointed before he speaks. “Now my dear, use your words. Tell Crowley you want him to use his wicked mouth to eat your pussy.” Crowley rubs a hand soothingly up and down your thigh.

“Yeah sweetheart, tell me you hearts desire,” Crowley teases, trailing a finger down the crease between your wet heat and your thigh.

“Fuckk, Crowley please, I want you to eat my pussy,” you say with a whine, feeling too hot in your skin, legs tingling from where they’re stretched open. You hear Aziraphale inhale sharply as the words leave your mouth. Crowleys smile can only be described as hungry. He moves onto his belly in between your thighs in a way that can only be described as a slither. Your breath catches as his face gets close to your pussy.

“Good job sweetheart,” he says, breath fanning over your clit. Your hips twitch upwards involuntarily in response. Aziraphale rests his chin on your shoulder and looks down to enjoy the view. Crowley keeps eye contact with you both as he closes the distance and his tongue pokes out to slide between your folds and up to your clit. He licks stripes into your clit, swirling his tongue in a circle.

“Fuck! Crowley, oh god!” you choke out, moaning lowly as swirls his tongue leisurely. Your hands shoot out to tangle in his red hair, tugging tightly. His eyes flutter for a second and he moans against your pussy. You and Aziraphale watch the demon with undivided attention.

“Heavens, this is beautiful. You’re such a good girl, letting Crowley eat your pussy.” Aziraphale says, voice breathless. His arms tighten around your waist and you feel his dick throb. Crowley wraps his lips around your clit and sucks gently, flicking his forked tongue at the same time. Your thighs tense against Aziraphales, wanting to close around the demons head. Your eyes squeeze shut as your head falls back onto the Angels shoulder. A wail tears from your chest.

Crowley digs his nails into your thighs and he starts to make out with your pussy. He rolls your swollen clit over and over between his lips, using his tongue to help push you closer to the edge. Your slick and his saliva coating his lips. You can feel it drip down to your arse and onto the bed. You feel Aziraphales fingers grip your jaw, squeezing and tugging your chin so your head tilts down to watch Crowley.

“Eyes open, my dear. Be good,” Aziraphale coos. You start to pant and force your eyes open to watch the demon devour you. Crowley takes one hand off your thigh and brings it close to your pussy, dragging it through your folds as he sucks on your clit again. He rubs the flat of his tongue up and down your clit in a steady rhythm.You jolt in slight surprise as you feel a miraculously lube covered finger rub circles over your arse hole for a moment, trying to loosen you up.

“S-shit Crowley!” you say, shakily as his finger just glides into your hole smoothly all the way to his last knuckle. The demon sucks gently on your clit to help ease the ache. The Angel brings his hands up to grip your breasts, after letting go of your jaw.

“You think you can take both of us tonight my love?” Aziraphale asks, gently and noses at your jaw. You nod quickly, arse tightening around Crowleys finger and he pops off your pussy for a moment, starting to pump his finger and kissing your clit once more shortly.

“Oh, she likes that Angel,” Crowley purrs, before quickly pulling his finger back and adding a second. He presses them in gently past your rim, then all the way in. You moan at the familiar uncomfortable sensation of you arse stretching to fit his fingers, insides throbbing dully.

“I know she does,” the Angel giggles. Aziraphale brings one hand off your breasts back down to rub circles into your clit again, using the saliva left from Crowleys tongue to make his fingers move smoother. You cry out his name and your hands grip his forearms harshly.

“Azi! Yeah-yes, want you both, need you both at the same time!” The other two moan in unison.

“Fuck, okay, yes, let me stretch you a little bit more okay doll?” Crowley rumbles, Aziraphale moves his fingers a bit quicker on your clit and your pussy clenches around nothing as your tight heat squeezes Crowleys fingers. Aziraphale takes his fingers off your clit and grips your breasts again, pinching your nipples between his fingers. He sucks bites into your shoulder, letting you enjoy the feeling of Crowleys fingers in your arse. You sigh in relief, clit getting sensitive and moan at the feeling of fullness. The burning ache, dulling to a pleasurable tingle. The demon focuses on stretching you open for a few more moments. You feel your back start to stick to Aziraphales chest, feeling him nuzzle into the back of your neck, holding your waist again. The demon adds a third finger, spreading them in the process.

“Crowley,” you moan, softly.

“What is it my sweet little demon?” he asks, looking up at you.

“I’m ready, please, no more,” you say, breathily.

“You ready Angel?” Crowley asks Aziraphale, knowing the Angel is brimming with anticipation.

“Yes my dear, I want to be inside of her so badly,” he responds eagerly, thrusting his hips slightly, rubbing his dick up against your back. You feel the discomfort of Crowley slipping his fingers free and you whimper. Crowley sits up on his knees and smiles widely. You reach your hands up to grip his cheeks, pulling him forward into a kiss, realizing you hadn’t had the chance yet. He hums softly against your lips and you kiss sweetly, his lips feeling like coming home. It only lasts a brief moment, all three of you too worked up to wait longer. Aziraphale unwinds his arms, releasing your legs and sneaks out from behind you. He sits at your side and Crowley in front of you.

“Doll, how do you want us this time?” Crowley asks, caressing your cheek with his hand. You look between the two of them and your cheeks heat up. Aziraphale is a little bit thicker then Crowley, meaning he’ll stretch your arse out more, which could be uncomfortable. On the other hand you haven’t seen Crowley in a week and want to be face to face with him, feeling his dick stretch your pussy. They wait patiently for your answer. Each of them with a hand around their cocks, aching for relief.

“I think, I think I want Crowley to be in my pussy this time,” you say, as your blush travels to your chest, feeling a little guilty. Aziraphale notices the guilty look on your face and he leans close to press a kiss to your cheek. He leans back and looks into your eyes.

“Love, don’t feel guilty, there’s nothing to feel bad about. You know I love being inside of your tight little arse.” Grinning, he backs off again. You giggle lightly. Crowley smiles at you both and moves to lay on his back on the bed. He bends his knees and plants his feet.

“Well then pretty girl, come sit on my dick,” Crowley remarks, looking all too happy with himself. You roll your eyes playfully and move to straddle his lap. You feel the heat of the Angels chest on your back as he settles between Crowleys legs.

“Azi, will you help me?” Without turning your head you speak to Aziraphale and you watch Crowleys cock jump as you speak. You wink at him. He sticks his tongue out at you with a little hiss. Aziraphale moans into the skin of your shoulder.

“Heavens love, you’re gonna make me cum before I even get inside of you,” he replies, he grips your hips guiding you to lift onto your knees. You obey and stay still as one of his hands snakes under you to grab onto Crowleys leaking, hard cock. You both hear the demon let out a hiss. Aziraphale lines up Crowleys cock with your soaking pussy. Aziraphale teases you both by rubbing Crowleys tip through your folds, spreading them gently and you both whine, you dig your nails into the demons chest. You hear the Angel laugh before he lets the demons cock catch on your pussy and he tugs your hip, pulling you down onto Crowleys cock. When you start to feel the delicious stretch of the demon, Aziraphale stills your descent.

“Wait love.” Scooting back the Angel gets a better view of you two.

“Angel, c’mon stop teasing us, let me inside her pussy,” Crowley all but growls, you make a sound of agreement. Aziraphale laughs brightly, loving to torture you both a bit.

“I just want to be able to see that’s all dearest. You wouldn’t deny me the gorgeous view of you filling her up would you?” he says, voice teasing. Crowley just groans in response. Aziraphale presses a hand to your lower back, tilting you forward a little bit, exposing you more. He grips both of your arse cheeks and spreads them open. “Perfect,” he breathes. “You can let him fill you up now darling,” he says, squeezing both cheeks.

“How lovely of you to let us start having sex Azi,” you say, sarcastically. He hums in response, eyes glued to where you and Crowley connect. You let yourself sink down onto Crowleys cock, letting him stretch your pussy open blissfully. You and the demon cry out simultaneously as you bottom out, sitting fully in his lap. “Crowley, you feel so good, oh god.” Choking on a moan you brace more of your weight on him.

“For fucks sake sweetheart, your pussy always feels so good. You take me so well, yes just like that pretty little thing,” Crowley cooes. You hear the Angel behind you whimper softly at the sight. You feel Aziraphales hands grip your waist as he encourages you to start riding the demon.

“Azi, shit, shit, yes that feels so good,” you cry out, using your thighs to ride Crowley. Every time you move up and down you feel his warm cock drag against the walls of your pussy, creating friction so good you feel heated sparks shoot up through your spine. Crowley talks a big game but now a he’s a moaning, needy mess beneath you, fingers gripping your thighs tight. Aziraphale looks over your shoulder at Crowley as you ride him.

“Oh Crowley, such a pretty mess you make. Her pussy making you feel good dear boy?” he says, voice soothing. Crowley nods and lets out a groan from deep in his chest. All of a sudden there’s hands on your hips, yanking you down onto Crowleys cock, making you sit still in his lap. Your pussy clenches tight around Crowleys cock, and you gasp sharply. The demon curses in return. “My loves, I can not wait any longer. I need to be inside your sweet arse my doll, need to feel my cock caressing Crowleys,” he says, voice trembling, hands smoothing up your back.

“Yes, yes okay Azi, fill me up please, want you both.” Wiggling your hips in the Angels grasp.

“Are you ready dear?” Addressing Crowley quickly, he already has a hand pressing into the middle of your back, forcing you to bend more and you place your hands on either side on Crowleys head, staring into his snake eyes.

“Yes my Angel, please I want to feel you both,” Crowley answers, voice breathy, making steady eye contact with you. “You can do it my sweet little demon, you can take him, we’ve got you,” Crowley coos, framing your face with his hands. You whine and your eyes widen as you feel the head of the Angels thick cock press against your arse. He must’ve miracled more lube onto his cock, because the tip of his dick pops in past your rim easily. You choke on an inhale feeling a flash of stinging pain as he lets you adjust and he rubs your lower back lovingly, while he tries to keep still. Your arse so tight and warm. So slick it’s almost already too overwhelming for him. You let out a strangled whimper, already feeling the burning ache turn up a notch. The two of them whisper sweet nothings to you and massage whatever skin their hands can reach as you take deep breaths.

“Azi, please, move, fuck me,” you almost sob. The sensation pushing the edge of too much.

“Yes dear, doing such a good job, look so pretty taking both of us.” Aziraphale babbles, whispering sweet praises as he slowly fills your arse all the way up, balls pressing against your skin. He waits only a few seconds before pulling his hips back and thrusting forward again smoothly. Aziraphale starts to find a steady rhythm and the pain starts to fade into immense pleasure, making you sigh with relief. Crowley lets out a sound that must’ve been punched out of him as he feels Aziraphales cock start to drag against his through your slick and warm walls.

“Fuck! Angel, your cock feels so good against mine, hah, she’s so damn tight.” Crowley feels white hot pleasure crash over him in waves and his toes curl as he tries to thrust upwards to match a somewhat steady pace with the Angel. Aziraphales head falls back as he lets out a throaty moan.

“Heavens Crowley, you do feel unbelievable.” As they both start to move your arms give out. The sensation of being filled in both holes overwhelming to say the very least. You have to rest your chest against Crowleys and bury your face in his neck. You cry out repeatedly into his skin, letting out little ah’s as they pleasure you. You hold onto the sheets by the demons head with a death grip. He murmurs your name lowly in your ear.

“You’re such a good girl, taking us like I knew could. Your pussy is unbelievable, you love this don’t you sweetheart,” he says, hushed and quiet in your ear. You’re so blissed out you can’t respond right now, just writhing in his hold, trying to gulp down air. Crowley grips your arse tightly while Aziraphale keeps his hands on your hips. Both of them pulling and pushing in and out of you, filling you over and over. They stretch you to your limits as they both move a bit faster, finding a faster rhythm now. Never leaving you without one of their cocks filling you up.

You all listen to the wet smacking sounds of wet skin meeting wet skin lewdly. Aziraphales hooded eyes meet Crowleys and they interlace their fingers together on the left side of your hip, fucking into you almost roughly now. Your belly tightens dangerously, heat warring in your stomach. Your pussy starts to flutter around Crowleys cock and you know Aziraphale can feel it in your arse too. You get the strange pressure in your pelvis that signals you might squirt and your heart races.

“Crowley,” you whine, words pressing against his neck.

“I know sweet girl, I know, you’re about to cum aren’t you?” The demon soothes you while pressing a kiss the the side of your head. He pants in your ear as he works to keep up the rhythm Aziraphale set. Aziraphale’s been listening to the demon whisper into your ear and he bites the inside of his cheek, his heart warming at the sight of the two of you. It makes his cock throb as he locks eyes with Crowley.

“She’s gonna cum Angel,” Crowley warns, Aziraphale taking the chance to brace one hand on your upper back, pushing you down into Crowleys chest. He’s still holding Crowleys hand. He breathes heavily as he moves his hips, fucking into your sweet spot through you arse in long, fast strokes.

“I know my love,” he breaks off, groaning. “I-I’m afraid I’m getting close as well. Her arse is just too tight and with the way you feel against me, I won’t last much longer,” he says, whiny edge to his voice. Crowley nods and wraps his free arm around your waist, hugging you tightly.

“I’ve been trying not to c-cum this whole time,” Crowley replies, breathless laughter ringing out as he fucks up into you harder. Just like that you wrap your arms around the demons neck, wanting to be even closer to him as the coil in your belly releases. The unbearably warm pleasure of your orgasm gushes through your limbs, feeling like warm caramel. Your body tenses as you sob into Crowleys neck. Your pussy and your arse clenching suffocatingly so around the cocks currently working you through your climax.

“Oh, oh, hah, so good, pretty girl, doing such a good job, making me cum with your sweet arse,” the Angel spews, words spilling out of him, unable to stop. His hips stutter before he’s pressed all the way in, balls tightening and he starts to cum, filling your arse with sticky, warm release.

Crowleys able to watch as the Angels face twists with pleasure, eyebrows scrunching and his mouth falling open into an o shape. Cheeks flushed pink as his eyes fall shut. He squeezes the demons fingers and your arse with the other hand.

“You’re both so pretty when you cum, fucks sake, it’s not fair,” Crowleys whines, moving his hips harder as Aziraphale holds you still. You’re only able to relax for a few seconds before they hear you suddenly gasp.

“Azi, Crowley! I’m gonna squirt!” You cry out, tone frantic, feeling panicked as you cum for a second time. You squeeze around them both. Aziraphale cries out at the overstimulation and Crowley throws his head back onto the pillow and moans through his teeth. Your body trembles and you hang onto Crowleys shoulders for dear life and pleasure sparks through you again, only this time the pressure in your pelvis releases and you feel yourself squirt all over the demons belly and pelvis, Aziraphale can feel it on his balls, making him shiver. You let out a muffled scream into Crowleys shoulder.

The feeling of you squirting and watching the Angels face as he cums, it shoves Crowley off the edge. Not push, it brutally shoves him. He lets go of Aziraphales hand and presses his palm to the back of your head, tucking your face into his neck as he starts to cum. His other arm squeezes your waist even tighter.

“Fuck, fuck, I’m cumming, oh shit.” Crowley cries out, cumming hard. Harder than he expected and he swears his vision whites out and his ears start ringing as he lazily thrusts his hips upwards. He feels like he’s been bathed in sunlight, blood buzzing. Aziraphale groans through his teeth as he feels Crowleys warm cum through the thin layer separating them, the demons dick throbbing in your pussy.

Your body shakes from the overstimulation where you lay on Crowleys chest. You all take deep breaths as you feel the Angels sweaty forehead on your back. After giving everyone a moment to return to their bodies, Aziraphale pulls out first. He does so slowly, knowing him being in your arse is a big cause of the overwhelming sensations you’re feeling. You whimper softly as his softening dick slips out of you and he flops down on one side of Crowley. You twist your head to look into his blue eyes as Crowley releases you from his iron grip.

“Are you alright my sweet doll?” Aziraphale prods gently, brushing hair off your forehead, as he noticed some of your hair falling out of the bun you put it in earlier. You nod your head.

“Yes, yeah I’m okay, I just feel exhausted.” You smile goofily. He presses a kiss to your forehead and your lips. You hum appreciatively and kiss him in return briefly. You two share a sweet, loving look. You lean back a little so you can look into Crowleys eyes, wanting to check on him.

His cheeks are flushed but his eyes are closed. You and Aziraphale glance at one another and you giggle. Aziraphale props himself up on one elbow to see the demons face. You lean down to kiss each one of Crowleys cheeks and he mumbles incoherently before opening his eyes. “Are you back in the land of living Crowley?” You ask teasingly as you brush your noses together in an intimate gesture, giving the demon butterflies.

“Barely,” he responds with one word, making you and the Angel laugh. Crowley grips the bottoms of your thighs and pulls you up his waist a little bit, letting his cock slip out of you. You wiggle uncomfortably as you feel their releases now start to drip out of both your holes. Not to mention the mess you made of Crowleys belly.

“Can one of you miracle away this mess please?” you request.

“I’ve got it my love,” Aziraphale responds, voice sweet and he waves his hand once, making the mess you all created disappear. You all but purr against Crowleys chest in return.

“Thanks Angel,” you say happily. “Should we make Crowley sleep in the middle tonight?” you ask Aziraphale, who hums thoughtfully in response. Crowley cuts in.

“No no, you two are like heaters, I’ll sweat to death if I sleep in the middle.” You slide off the demons chest and you lay on his other side, feeling sore all over.

“Nope too late, you’re sleeping in the middle, right Angel?” you ask, slipping an arm around his waist, resting your head on his chest. Aziraphale giggles. He sits up to grab the blanket at the foot of the bed and pulls it up covering all three of you. Laying down he wraps his own arm around the demons waist as well, rubbing your forearm softly.

“Crowley you can’t say no, you’ve been gone all week dear. Give us this one thing.” The Angel replies, cheekily. Crowley turns his head to glare at Aziraphale who takes the chance to kiss him, pressing their lips together sweetly. Truthfully, Crowley really can’t say no to either of you.

“Fine! Fine, but only tonight,” Crowley relents, pulling away from the kiss. You use a finger to turn his head by his chin. You kiss the demon as well. Crowley moans softly at the feeling. You pull back and lock eyes with your Angel, who smiles at you both with a look that says he’s in love.

“Come here, kiss me sweet girl,” he whispers. You can’t help but lean over Crowley to kiss Aziraphale just as eagerly.

“Oi, oi! No kissing over me, I don’t have the energy for another round right now.” Crowley says, pouting. You and Aziraphale part, nuzzling noses for a second before each laying back down on your respective sides of Crowley. You all snuggle up closely.

“Welcome home Crowley, I love you both,” you whisper, happily as someone snaps their fingers and the light shuts off, blanketing you all in darkness. You feel the demons arm snake under you and curl around your waist and the Angel tangles your fingers together, letting them rest on Crowleys belly. They both whisper I love you in return. Your heart feels full as you no longer lay in an incomplete bed.

[crowleysgirl56]

Wildest dreams wishes for Good Omens Season 3 which will probably not come true but I can still hope hey!

Number 27.

I’ve said previously how I want the silliness in season 3 dialled up to 11. Another scene I have in mind would be how petty Crowley tries to be because “they’re not talking”.

I picture him in the Bentley. Aziraphale walks up and knocks on the window. Crowley slowly winds the window down, then just as Aziraphale starts to talk he very deliberately cranks the volume up on the radio. Extra points if he’s playing something really absurd that he knows Aziraphale would hate like anything by The Darkness. Then he cups his hand to his ear and mouths “what’s that, I can’t hear you!”

You can imagine how frustrated Aziraphale would be. Prim and proper he’d try to raise his voice, tell Crowley he’s being unreasonable. Crowley would go to turn the radio volume up even more.

Finally, the Bentley has had enough. The door flies open, Crowley is launched out right into Aziraphale, bowling them both over sprawled onto the pavement. The Bentley then peels off driverless down the road, blaring the horn for good measure, whilst Crowley yells at her to come back.

Perhaps now they’ll be forced to talk.

[beebopboom]

“It’s always too Late”

An odd but extremely heavy line for the end of episode 3

Not just in the way it is said but also in the way it is shot - it’s alarm bells for This Is Important.

The same energy if not more so from when Aziraphale said “I may have just started a War,” that could just be me though.

but Why is it important?

I’ll be honest and say this is just something I threw in the “To be explained further in s3” pile and left it at that. Not that I’m saying it won’t be but I think there is actually enough to at least explain the basics with this season.

In episode 3 we have The Resurrectionist minisode that gives us this line from Crowley,

“Too late…..It’s a bit different when it’s someone you know, isn’t it?”

He says this in response to Aziraphale dithering about saving Wee Morag with what we can assume a Lazari level miracle that he would more than likely be reprimanded about. End the end they are too late to do anything and Aziraphale is shocked by the quick turn around from Elspeth.

These two quotes from Crowley obviously have a connection but what exactly is going through Crowley’s head when he says it in the bookshop with Jim?

In 1827 he is there to be a voice of reason, the devils advocate so to say. It’s just him and Aziraphale having their moral conversations they tend to have.

but in present day at bookshop with the only one around to hear him is Jim, who is not going to understand, there is no reason. He is saying it for himself.

This is his point of no return.

or, more accurately, realizing that point was two episodes ago.

I mean let’s just look at some parallels and what they did differently between the moment in the crypt and hiding miracle for Gabriel

Both times Aziraphale wants to do something about their situation they are in and the solution is a big ol miracle tipping the Lazari scale.

In 1827 though he never ends up performing this miracle due to being too late and Crowley’s interference, and ultimately Crowley is only one who did something that got him in trouble with Hell.

Present day the miracle is performed split between the two of them. It’s a very quick decision (once they actually start talking about it) meant to just give them time to figure out what is going on.

but this “Too Late” two episodes later is him realizing they never actually had that time.

The miracle they performed was too late and they just didn’t know it yet,

and now they were both in the line of fire instead of just him, like all those years ago in 1827.

death is on the table for them now.

It really is a bit different when it’s someone you know.

(also I’m convinced he knew Aziraphale was heading to Edinburgh to do something irreversible and there truly was no going back for them - somebody check the crypt quick!!)

[vidavalor]

Fish: A Good Omens Sex Meta Thing

A deep dive meta on fish and that deathless death.

NSFW under the cut. TW: Mention of Satan's attacks on Crowley. Also for those who asked me for more on the Ineffable Husbands and trauma-informed partnership.

Aziraphale, listen to me. The supernatural world? It's a mess. Life under the sea is better than anything they've got Up there...

This is basically the requested "Crepes 2" but you don't have to have read that first. I did link it at the bottom if you have not and you're interested in more meta like this one. Thanks for reading. 💕

Couples. Romantic and/or sexual partners who have an understanding of a mutually-agreed upon level of commitment to one another and their relationship. Frequent celebrators of special occasions.

"A team-- a group; group of the two of us." A couple.

Special occasions. Notable life events celebrating milestones and past days significant to a couple's relationship.

"For special occasions." Why Aziraphale bought one dozen cases (144 bottles) of Chateauneuf-de-Pape in 1921, as he either tells or reminds Crowley on the walk to the bookshop in 2008. Only "a few bottles" were still left at that time, according to Aziraphale, after 87 years of Crowley and Aziraphale celebrating special occasions enough times as an unofficial couple between 1921 and 2008 to have drank almost 144 bottles of the wine they only drink on special occasions.

Wedding anniversary. A special occasion; the "big one" of a married couple's special occasions. Celebrated annually by married couples as a romantic day that honors their commitment to one another. In S2, the day of The Meeting Ball is the night that Armageddon: Round Two gets underway. It is also the wedding anniversary of...

Mutt and his beloved spouse. The lovely magician who owns Goldstone's Magic Shop in 2023 and his beloved spouse, who is dry-witted, trans and had on a dress the color of Crowley's eyes at The Ball. Paralleling characters to Crowley and Aziraphale.

Anniversary. For partners who are not married, usually celebrated as a day of significance in their romantic relationship, chosen for its importance to them. Almost always related to a "first" in the relationship, like the day they first met or on which they had a first date.

"This is The Big One, Crowley..." What Satan (while impersonating the voice of Freddie Mercury) said to Crowley about Armageddon while assaulting him in 2008, on the night Armageddon: Round One began. Crowley was supposed to be having dinner with Aziraphale at the time.

The 1.01 sushi scene. Our re-introduction to Aziraphale in 2008. A series of indicators that we learn throughout the course of the season teach us that Crowley was supposed to be with Aziraphale in the Japanese restaurant on this night before he was delayed by Hell, assaulted by Satan, and forced into helping to start Armageddon.

Various scenes in S1 show us that Crowley always comes up on the same side of Aziraphale if he is approaching him from behind when meeting him but we don't yet know that in the first scenes of 1.01. As a result, we might not immediately realize that the reason why Aziraphale opens his eyes and looks to his left after hearing a miracle chime in this scene is because he expected that it was Crowley arriving to meet him after having been running late. In reality, it turned out to be Gabriel on his right-- which Aziraphale first sees in a mirror and which will be mirrored in additional scenes in the show (Crowley dragged to Hell in 1827 and the Gabriel statue on the other side of Aziraphale, etc.). Dialogue from the scene set the next day in St. James' Park that we will look at later on in the meta also confirms that Crowley was supposed to be with Aziraphale in the 1.01 sushi scene.

The sequence of scenes at the start of the 2008 minisode also sets this up by giving us Crowley alone first and letting us revel a bit in how fun he is and like him even more. The contrast with Hastur and Ligur establishes for us that Crowley is about a trillion times smarter and more enlightened than these guys. It's the second scene with Satan, though, that exists to show us that while some of the demons are just idiots, demonic life for Crowley is actual hell.

The "Bohemian Rhapsody" he so endearingly rolled up blaring in The Bentley comes back and now takes on a nightmarish tone as Crowley receives instructions from Satan while driving The Bentley and we learn that Satan can possess him at will and Crowley's sunglasses-- even in the dead of night while driving alone-- start to make more sense. They're a defense mechanism but he's actually defenseless in the face of this threat. It's from watching Satan get in-- through the radio, taking over the music, speaking through the voice of a non-evil entity, jumping through the air and through Crowley's sunglasses through his eyes and into his mind and rendering his body immobile while he's driving The Bentley-- that we are taught the core of what it means to be a demon in Good Omens.

The demons belong to Satan, in Satan's view. They are part of his collective of souls who exist to serve him. They are not individual people existing independent of him. There is no such thing as bodily autonomy in Hell.

What Satan does to Crowley in 1.01 is a metaphor for sexual assault. It's a forcible attack on his body against his will and without his consent. Though the scene is mercifully short, we are left with the awareness that it is short for reasons of the plot in this instance-- because Armageddon is beginning and the purpose of the attack in this moment is to give Crowley directions on delivering the antichrist baby. The scene, though, shows us that Satan can do this to Crowley whenever he wants and Crowley-- an otherwise very powerful being-- has no known defense against it. Crowley is unsurprised by it and that, plus all his various defensive layers already in existence in 1.01, show that it has happened before. Crowley has been on Earth for 6,004 years in 2008 and the implication here is that these assaults have been happening periodically the entire time and are among the issues most responsible for the PTSD symptoms he shows throughout the show.

It's off of this assault, though, that we segue into our re-introduction scenes of Aziraphale in the present and they are, at the start, the exact opposite of this nightmare that Crowley is living. As Crowley is attacked in his car on a dark road alone at night and then has to narrowly avoiding killing a man in an oncoming truck, we move over to Aziraphale's world, not yet realizing that this is the world that Crowley lives in when he can get away from Hell-- that it is actually their world together.

Aziraphale is presented with the sushi from his friend who has prepared it specially for him and we listen to Aziraphale thank him. The Italian of "Bohemian Rhapsody" (symbolic in this moment of Dante's Inferno and Hell) gives way to Aziraphale speaking Japanese (symbolic of mindful living.) The tone is all kind and gentle-- respectful and peaceful. We then get what is, really, the exact opposite of what just happened to Crowley, which is Aziraphale taking a slow breath with his eyes closed, inhaling the scents of the brine of the fish and vinegared rice and the herbs, and centering himself in the present moment as part of the experience of enjoying his meal.

The immediate contrast is drawn between Satan-- Crowley's rapist, who terrorizes him-- and Aziraphale-- Crowley's partner, who loves him, and with whom he has the kind of consensual, mindful, sensual experiences he was supposed to be getting up to on this night when Armageddon began instead.

In S2, the importance of the sushi scene from 1.01 returns as it is mirrored during the attack on the bookshop. Once again, Crowley is away from Aziraphale when he should have been there by that point and Aziraphale is worried about him. Present instead is, once again, Gabriel. This time, Gabriel has undergone a bit of a Jim journey. (Aziraphale offering him hot chocolate instead of tea in 2.01 was also set up by the sushi scene, as it's off of Gabriel being grossed out by the "rose matter" tea, showing again how important the scene is.) In S2, Gabriel is with Aziraphale again, this time pushed back further into the bookshop, and where are they in the bookshop-that-represents-Aziraphale during the sushi scene mirror? They're upstairs, on the landing.

Specifically, they're just inside the top of the stairs in front of a room, the door to which we are shown several times in S2 but which we have not yet seen open.

We have gone into the room next door to it-- that's the guest bedroom, where Gabriel stayed during the season. By process of elimination and out of an idea of convenience here, the room we haven't been inside of that is located at the very top of the stairs is almost certainly Aziraphale's bedroom. So, we've gone from S1 and having Gabriel show up unexpectedly while Aziraphale mistook him for Crowley while he and Crowley were supposed to be having one of their sexy meals together to S2 and Gabriel now there in the mirror scene in front of their bedroom, drawing a bit of a correlation between what these two scenes are both about.

There's also something symbolic to the idea that S2 uses invitations and doors and rooms in the bookshop to symbolize Aziraphale himself and who he lets in and whose voices he is, for better or worse, listening to at different times-- with his mental health crisis being symbolized by the bookshop being essentially overrun to a point that anyone can now get in. The one room that is shown to us but the door to which never is opened in S2 is the bedroom door. The bookshop can get overrun and others can get deeper into it than we've seen before-- demons in the living room, Maggie and Nina and Gabriel upstairs and in the back kitchen table area like the family they've become-- but the bedroom door stays closed because only Crowley and Aziraphale are allowed in there. No one but them can open the door. Metaphorically-speaking... and probably literally as well.

As the sushi scene is paralleled in S2, we get Shax there bullying Aziraphale. Shax is jealous of Aziraphale and his relationship with Crowley and she also fails to understand it because she sees Crowley as a demon like her and presumes he's as dark as she is, having no idea that Crowley's demonic schtick is an act to survive. She gives voice to these questions (and to Aziraphale's most illogical self-doubts-- but self-doubt is never logical...) when she asks:

"Aziraphale, what *are* you? Crowley's emotional support angel? The softest touch? The one who went native? Do you need more big, human meals, Aziraphale? Shall we send up *the sushi*?"

Shax is actually doing something here, language-wise, that the show first did with Hastur in 1.01, and that's making them both useful idiots when it comes to language. Remember Hastur's mistranslation of "ciao" as Crowley leaves the graveyard with the baby? What Crowley said was, as we know, Italian-- Hastur got that bit correct-- but instead of translating it in his mind as meaning the "hello"/"goodbye" that "ciao" means in Italian, he confused it with its homophone of "chow", which he said "means 'food'." It does but in an informal way or in reference to food given to animals.

This is darkly ironic in the scene because of where Crowley is headed in the next scene-- and where he's supposed to be during both scenes. He's supposed to be "chowing down"/having food-- having dinner-- with Aziraphale and food is, as we'll learn over the course of the 2008 minisode, euphemistic for sex in Ineffable Husbands Speak and symbolic in relation to it in the show itself overall. Instead, Hastur isn't entirely wrong when he translates "ciao" as "chow"-- and he might have done so unconsciously in his mind because he knows Satan is going to contact Crowley with instructions soon. He sees Crowley as "chow"-- in the sense of food fed to the animal that is Satan.

In 2.06, while Crowley is taking Maggie and Nina to safety outside the bookshop, Satan is mentioned when Shax demands that Gabriel and Beez be given to her to take "as gifts for Our Master Satan." Dagon-- Head of the Dark Council and not known for mincing her words-- replies that Satan "wouldn't want them... maybe as hors d'oeuvres." Not a single person in the room-- which contains almost every major non-human character in the show shy of Crowley-- disagrees with this assessment. Rape is not about sex-- it's about power-- but in a show that uses food as euphemistic for sex on several different levels, Dagon's comment is chilling.

It not only takes the attacks on Crowley that are already a metaphor for sexual assault and codes them through food in such a way that the feeling you get from the 1.01 Satan scene-- how it comes with an implication that the assaults aren't always a delivery of instructions-- is correct and that, unsurprisingly, Satan is a rapist in every way possible, but it also sees someone who would know in Dagon state that Satan would not actually care that much about Gabriel and Beez. He'd rape 'em, sure, is what Dagon is saying. He's Satan. But they would be just hors d'oeuvres. They're not who he's really fixated on.

The Grand Duke of Hell who betrayed him and their former Supreme Archangel partner are not interesting to Satan is Dagon's statement and not a single person in the room challenges that. No one says anything about it and the scene is deliberately structured so Crowley is not in the room when it's said to create this reaction in the others... the implications of which are just horrible where Crowley is concerned.

Back to Shax in the bookshop attack scene...

Shax parallels Hastur here because they are using her lack of language skills to highlight something to us by what it is that she doesn't understand. Much like with Hastur unintentionally spelling out what's really going on through mistranslations of words, Shax is trying to bully Aziraphale and she's tossing insults at him that are, actually, in the alternative meanings of what she's saying, the answers to the very questions she's been asking.

"Aziraphale, what *are* you? Crowley's emotional support angel? The softest touch?..." In insulting Aziraphale, Shax is using Crowley's mental health issues as a way of insulting both of them here, which shows how Hell obviously isn't exactly the most trauma-aware place. She's obviously saying that Crowley is comparable in mental health issues to humans (whom the demons see as beneath them) who have a need for emotional support animals. Like Hastur with the "chow", there's an animal comparison being drawn beneath the words used here but instead of the ominous lead-in to Crowley being attacked in 1.01, in S2, we have it about Crowley and Aziraphale, not Crowley and Satan.

So, Shax is calling Aziraphale Crowley's pet, right? And then she calls Aziraphale "the softest touch", which is a phrase meaning someone who is really gullible. What Shax doesn't realize is that the other, human-derived meanings of what she just called Aziraphale are the answer to the question of what Aziraphale is to Crowley.

In British slang, "pet" is a term of endearment. To pet someone is to touch and kiss in a way meant to be sexually arousing-- as in, "heavy petting."

The softest touch. This is, quite literally, the definition of a caress.

In S2, Aziraphale pats his and Crowley's pet-- The Bentley-- but he pets Crowley. The only time he tries to actually pet The Bentley is when he's semi-jokingly making it a sexual metaphor for Crowley. It underscores that Shax is almost there in getting it-- she's just not quite understanding the meaning of her own words-- which are words that, like Hastur's ciao/chow moment, exist to tell *us* something in how we look at them more than to tell the character speaking something.

In effect, we get a whole scene in S2 that parallels the 1.01 sushi scene by defining some more what it's really all about through Shax not quite fully getting it. What is Aziraphale to Crowley? is her question and the answer is the softest touch, just in the other meaning from the way that Shax says it. Aziraphale is kind to Crowley and gentle with him. He's the mindful sushi night in the face of the horror chow of Hell. They love each other. It's soft and sweet and that's why Shax has trouble understanding it-- it flies in the face of what she thinks the demon Crowley would want because of the reputation Crowley has sold everyone on regarding who he is, which isn't who he really is at all.

"The one who went native. Do you need more big, human meals, Aziraphale? Shall we send up *the sushi*?" Aziraphale is the angel who "went native"-- he lives a mostly human existence with Crowley alongside the humans. Shax clearly doesn't eat that much as no one has ever called sushi a "big meal" lol but besides that bit of humor aimed our way, this is more tying of food to sex. Aziraphale likes food and he likes sex and in Ineffable Husbands Speak-- which Shax does not speak-- food is euphemistic for sex. What's unnerving about this scene in this moment is that it plays like the later scene between Maggie and Shax does-- as if Shax is reading the thoughts of the character she's bullying and lobbying them back at her. She might well be doing this here and that's why the sushi comes up-- Aziraphale is thinking about it because Crowley should be here and isn't and Gabriel is right near him instead and it reminds him of 2008. (This wouldn't be the only callback to S1 in this sequence, either; there's Aziraphale explaining the fire extinguishers to Nina not that long after this.) Either way, it's writing designed to directly correlate this part of the bookshop attack with the 1.01 sushi scene to further underline what the 1.01 scene is about.

Okay, so, let's look then at why we're so into repeating bits of this sushi restaurant scene in GO and what it tells us about Crowley and Aziraphale's story by what other scenes it ties to...

As the 1.01 episode continues, we get another scene pretty soon after the sushi scene which adds another layer to this by recontextualizing our understanding of the sushi scene-- that's their lunch at The Ritz the next day, in which we learn that Crowley is rather into watching Aziraphale eat and Aziraphale loves it. This then helps to explain Aziraphale's look in the sushi scene when he turns to look in the direction of where he thinks Crowley will be on the left, before it clicks that Crowley is not there and he sees, instead, Gabriel on his right via the mirror on the wall.

Aziraphale hears the chime with his eyes still closed. His eyes are then still on the food when he reopens them and he hasn't had time to see that Crowley is not beside him before he turns in that direction and this is the expression on his face as he does:

That is a pretty sexy little look that was indisputably supposed to be given to Crowley...

In the later scene where they're at lunch at The Ritz, we come in on their meal at the end of it. Aziraphale is on the last forkful of his dessert and we get the idea of kinky lunch from what we see on the tail end of it. But before it? Back at the start of the episode, set the night before? We see that everything that happens the next day at The Ritz actually happens because they weren't able to be together the prior night. It will also help us to understand how Crowley knows about "the fascinating little restaurants where they know" Aziraphale in the St. James' Park scene.

The 1.01 sushi scene tells us that, by 2008, they sometimes sneak out to a quiet, dark place where they think they won't be seen to have dinner together.

What's most notable about the set of this scene in the sushi restaurant is the shocking brightness of one color in particular.

The scene leading into it, as we noted, is Satan's attack on Crowley in The Bentley and that scene is, appropriately, very dark. It's pitch black night outside and Crowley, in his perpetual black clothes, half-blends into the night around him. Flecks of grey and silver are the main sources of light in the scene. The same color scheme tips into the Aziraphale sushi restaurant scene-- with two exceptions. The silver grey remains (Gabriel) and so too does the thick, black darkness but there is more light in the restaurant and it shines over Aziraphale. He looks bright against the black darkness, even though he wears beige. He is the light that is missing from Crowley's scene. But that's not the shocking color to us in the scene. That's the one that saturates its way through the darkness around Aziraphale. That color is...

Pink. The color you get when you mix white (Aziraphale) into red (Crowley). Traditionally, a color of love, romance and health.

Pink plume. The energy field emanating from the bookshop when Crowley and Aziraphale performed a miracle together to protect Gabriel in 2.01. Also: part of Mrs. Sandwich's hair accessory during The Meeting Ball. Mrs. Sandwich represents sex and healthy communication in 'The Whickber Street Shopkeepers and Traders Represent The Stuff of Life' thing the show has going on.

"In the pink." A phrase meaning "in good health."

1967. Flashback scene in the 1.03 Cold Open in which Aziraphale gives Crowley holy water and they discuss their relationship-- specifically, trying to be more openly together. The scene is drenched by the pink light from the sex shops (one called the "Love Shop") that were then in the spot where Give Me Coffee or Give Me Death (symbolic of freedom) is in S2.

Jane Austen. One of the most famous writers to ever live (sorry, Crowley, but she is lol.) Writer of romance novels. A human that both Crowley and Aziraphale knew in the early 1800s. As Aziraphale brings her up to Crowley while they are talking about romance, pink floods the frame through the clothes on the extras in the wider part of the shot besides him. Pink is also present throughout this scene in general, which already parallels 1967 via it being related to set up, The Dirty Donkey and Crowley's turtleneck.

Back to the pink-dipped sushi restaurant in 2008... what else do you notice about this scene that is familiar, now that you've seen all of S1?

Maybe that Aziraphale is actually sitting at a bar? And thought Crowley would meet him there, so they would be sitting at the bar together? Aziraphale also had just spoken at the start of the scene with the restaurant person on the other side of the counter. Where have we seen one of them doing something like that before?

That other rather fish-oriented scene: Rome. 41 A.D....

Rome. 41 A.D.. Aziraphale runs into Crowley in a tavern in Rome. Crowley is miserable and not having the best day of his demon life. Frustrated by the temptations he's been sent to perform for Hell that have him enabling horrible men in the Roman military, he's lonely, tired and grouchy. This initially was worsened by the arrival of Aziraphale, whom Crowley always loves to see but who, in that moment, was a reminder of how broken Crowley felt.

PTSD. Post-Traumatic Stress Disorder. A psychological condition brought on as a result of experiencing the psychological shock of a traumatic event or events. Some symptoms of PTSD include disturbed sleep, difficulties feeling safe, difficulties trusting yourself and others, anxiety, depression, and intimacy issues.

"In the pink." Remember the phrase meaning "in good health'"? Not a lot of pink in the Rome scene... initially. ���

"Salutaria." What Aziraphale says in toast as he and Crowley clink glasses. Means "to your health." Crowley clinked glasses but quickly looked away, leaving Aziraphale thrown in the moment as to why Crowley was not rejecting his presence entirely but seemed uneasy and was putting up some walls between them that he had not in this way up to this point.

So, why was Crowley doing that?

Anorgasmia. Modern, clinical umbrella term for all issues relating to disorders surrounding an individual's ability to orgasm. If physical or medicinal reasons are eliminated, however-- as they often are-- then anorgasmia is a psychological mind-body disconnect.

Not an arousal disorder. Sufferers of anorgasmia still experience desire, compounding the impact of the disorder.

Secondary anorgasmia/situational anorgasmia. The inability to orgasm unless under certain conditions, such as through self-stimulation (masturbation). The inability to enjoy partnered sex. Extremely common in rape/sexual assault survivors.

(Diagnosis for anorgasmia are related to biological sex but Crowley is able to switch that at will so he'd be both of these, which are fundamentally the same thing.)

Hot Water Boiler. Device which heats up water in a house or apartment. In S2, a metaphor for anorgasmia.

In S2, Shax is living in what used to be Crowley's apartment and asks him if he knows how to fix the hot water boiler, as it has "two yellow lights" and isn't working. The point is that this used to be Crowley's apartment. Crowley, in 2023, knows how to get beyond a bout of it. He's fixed his own metaphorical hot water boiler-- and also the literal one when he used to live in that apartment. And while he's being sarcastic because Shax won't stop hounding him and Aziraphale, he's also giving her the most sage advice he knows, as he has continuously been doing during the season. In this case, it's to self-love a bit (which is actually prescriptive for anorgasmia in our modern times as well.) That he does is suggestive of the prior issues with secondary/situational anorgasmia.

Alcohol (in Ineffable Husbands Speak). As we looked at in the Crepes meta: Surface layer: alcohol. Hidden language layer: Sex. Quite extraordinary amounts of alcohol. An extremely alcoholic breakfast at The Ritz.

Whiskey. Alcohol. What Crowley orders in a bar. Usually Talisker, which is a single-malt scotch. (Scotch being whiskey made in Scotland.)

Broken bottles of whiskey. What was in the case Crowley brought Mrs. H in 1941 at the start of the sexual metaphor that is The Bullet Catch.

Trauma-informed partner. Modern term for a romantic and/or sexual partner of a trauma survivor who is aware of the pervasive nature trauma can have on a person and who endeavors to provide a sense of safety-- physical, psychological and emotional-- for their partner and to create a relationship centered on healing and recovery, rather than one that causes further distress.

Frequently survivors of one or more forms of abuse themselves, as Aziraphale is. Not expected to be perfect but just to do their best by their partner.

Characteristics of trauma-informed relationships include kindness, empathy, mindfulness, gentleness, well-earned trust, a sense of playfulness, and a well-developed shared sense of humor. (Sound familiar? 😊)

The Bentley. Crowley's car and Linus blanket. As sexual metaphor, when Aziraphale is feeling cheeky: Crowley himself.

Driver's license. Documentation that must be obtained in order to operate a motor vehicle. Requires permission, experience, necessary skills, and willingness to learn. In London, not originally necessary to drive upon the invention of cars, until everyone realized what an absolute disaster that was. Aziraphale long ago passed his test and has had a driver's license since shortly after Crowley bought The Bentley. They did not require licenses at that time but always-eager-to-be-thorough Aziraphale made them give him a test to be sure he was truly qualified to drive.

As sexual innuendo: Crowley, we're absolutely ridiculous. You won't give up your car and I wall myself off in a fortress of books I can't part with but you've been "in my bookshop" and I've been "driving your Bentley" for an absurdly long amount of time. We even swapped bodies a few years ago. It might not actually be possible to be any more intimately familiar with a person than we are with one another and we both know I had these car keys the moment I asked for them so hand them over. No one was exactly a trauma-informed partner in those days but I was-- aren't I marvelous?😉I'll treat your car as gently as I treat you. Give me the keys or I will just keep going until I run out of car sex innuendo and I should warn you that I have lots more...

Trauma-informed partner. Aziraphale.

Mindfulness. A state of mind that focuses on being in the present moment by being conscious of one's thoughts, emotions, and bodily sensations. A state of the mind being connected to the body and experiencing the present moment consciously and fully. Frequently used to help combat PTSD, anxiety and depression. Also frequently used as a therapeutic intervention for assault survivors experiencing intimacy issues.

Aziraphale and Crowley smelling the magic shop in Season 2 and Aziraphale inhaling the scent of the sushi in 1.01 are both examples of mindfulness exercises. The sushi scene is tied to sex, as the food kinky thing is a form of foreplay, suggesting a focus on sexual mindfulness in bed.

Mind-body connection. What is in need of repair in sufferers of situational/secondary anorgasmia. Sexual assault causes the body to associate a loss of control with being under threat. Whereas people who have not experienced a violation of their bodily autonomy tend to respond to sexual stimulation with a response of pleasure, those who have been hurt have bodies that are wired to react to being touched or to feeling out of control as if they are under threat again, even if they are intellectually aware that the new situation they are in is not dangerous. What is arousing for others can cause a sense of anxiety instead of pleasure. There is also the risk of flashbacks to being attacked.

Healing the mind-body connection requires a trusted partner with whom the person suffering from anorgasmia feels safe and who is willing to help keep their partner in the present moment and help them "re-wire" and recover their body through new, positive experiences.

Asmodeus. The Demonic Prince of Lust. Crowley. A persona to have in Hell to give him big reputation that didn't involve him having to kill anybody and that also acted as a cover for his anorgasmia.

"Crowley." What Crowley asked Aziraphale to call him in 33 AD, just 8 years prior to Rome. An admittance of being mad about Aziraphale.

"What am I supposed to be, an aardvark?" In Rome, as Crowley grows nervous by this wine-drinking Aziraphale who also has nothing to do for the evening that has shown up in his world on a miserable day, he responds to Aziraphale's "still a demon, then?" nervous chatter with a line of his own, asking what else he was supposed to be? An aardvark? Of course, if Crowley was not a demon, being with Aziraphale would be easier and he wouldn't be in this mess in the first place but an aardvark is not just a random animal that Crowley thought up here.

Just prior to this moment, Aziraphale had approached him with "Crawley-- Crowley" and a soft smile. It wasn't actually a mistake on Aziraphale's part but a silent question: is it still alright to call you that? Thanks to S2 and the Job minisode we can see the 33 A.D. scene- in which Aziraphale learns of Crowley's new name-- in a different way. We see it as Crowley romancing Aziraphale a bit-- responding to Aziraphale being obviously a little jealous of Crowley's reputation as the wild Asmodeus with a whisper of how he'd changed his name to "Crowley"-- something that we know now that only Aziraphale understands. In Rome, eight years later, Aziraphale is asking by saying both names if that's still something Crowley feels-- and silently saying he hopes it is by subtly asking and by flirting with him a bit.

Crowley doesn't object to Aziraphale calling him "Crowley" and that encourages Aziraphale to join Crowley, who sends signals that he wants his company, even if he's grouchy. Maybe especially because he's grouchy. He can be grouchy around Aziraphale, who is his friend and will listen.

Aardvarks. Primarily eat ants and termites. In the insect metaphor in the show, humans are ants. (The "ants go marching" of The Flood scene.) Demons were hornets in this analogy but also flies and one could assume that termites might also be a good demonic insect analogy, as termites eat decaying plant material and demolish the dying down into the ground. Since food is sexual metaphor on Good Omens and living creatures are metaphorical in multiple ways, being an aardvark then is being someone who both fucks and kills other demons and humans. Being an aardvark is actually a good metaphor then for what's expected of Crowley in Hell and he obviously has some issues with it.

He doesn't want to kill anybody and he's sitting there wearing Roman military regalia, having been sent by Hell to facilitate some death and destruction in a way that he hasn't been able to Bildad his way out of this time. Aziraphale's presence is always welcome but Crowley's crabby in this moment because he knows Aziraphale is in a place by this point where he wants to sleep with him and they just ran into each other in a tavern and both clearly have the night free and now Crowley's got to decide if he's going to tell the angel or not that he's a disaster of an aardvark.

Aphrodisiacs. A substance purported to increase sexual desire. Named for the Greek goddess of sexual love and beauty, Aphrodite, who has been depicted since antiquity usually nude and on the shell of an oyster (or, occasionally, a scallop), as both are two of the oldest purported aphrodisiacs known to man.

Oysters. History's foremost food-related aphrodisiac... though that's not really proven. A few years ago, Italian and American scientists did a joint study to attempt to prove if oysters really did increase virility. What they found was a very minor increase in testosterone in men brought on by one of the compounds of oysters (which is also found in some other kinds of shellfish.) The difference was so small, though, that the scientists determined that an individual would have to consume a lot of oysters (like, a bucketload) to notice any significant difference. In other words?

Whether it works or not is, like with almost all aphrodisiacs, in the mind of the individual. If you believe it will work, it likely will. It's mind over matter. If you want it to work, it probably will. Thematically, an interesting thing to throw in a scene involving a character deciding he's in a place to work on overcoming psychologically-based anorgasmia.

The ancient Romans were obsessed with the oyster-- particularly the soldiers of the Roman military. Much of the cultural awareness of oysters as having a reputation today as being sex-boosting food is actually rooted to the beginnings of that trend in ancient Rome. Both Crowley and Aziraphale would have been aware of the reputation of the oyster in 41 A.D. and Crowley wearing military regalia might have been one of the reasons, in particular, that Aziraphale chose oysters as an euphemism to convey his meaning.

Oysters. Fish. To eat them, you have first got to get them out of their protective shells.

Adam and Eve. The first humans and the other inhabitants of The Garden of Eden. Parallels to Crowley and Aziraphale. Eve gave Adam food-- showed him the pleasures of eating the apple. It sent them on a path of sensual exploration and Adam, freed by Eve showing him food, gave her sex in return.

The other two in Eden at the time-- The Angel of the Eastern Gate and The Serpent of Eden-- are actually no different.

Crowley tempted Eve but Crowley also parallels Eve to Aziraphale's Adam. Crowley encouraged Aziraphale to try the ox ribs and unleashed the raging hedonist that Aziraphale can be. Rome in 41 A.D. is Aziraphale then realizing just how much they are Adam and Eve. (Something that they become aware of over time and is at the root of things like Crowley dryly saying that it's "time to leave The Garden" in 2019 in S1, when they leave a park to go have kinky lunch together.)

By Rome, Aziraphale is now a devoted gourmand. He also drinks now; he's tried wine at some point in the interim years between the Job minisode and this scene. (This is the first scene in which both Crowley and Aziraphale drink and the first time we see them share a toast-- something that becomes symbolic of them as lovers in scenes in the future, like its parallel scenes in 1941 and 2019-- furthering the suggestion of Rome as the start of their sexual relationship.)

Aziraphale might be in Rome on Heavenly assignment but that's not what he mentions to Crowley, if he is. Instead, he talks about Petronius, whom he assumes from Crowley's military clothes that Crowley will know and whom Crowley does. If referring to, as we suspect, Gaius Petronius Arbiter, then Aziraphale is referring to a being so queer even the historians can't get around acknowledging it-- a courtier who was the taste and style maker of the Roman empire, and who is believed to be the author of The Satyricon, which is basically the foundation of satire in literature but also famously contains a whole chunk of it that is just basically erotica.

Some details of Petronius' life are a little vague so Good Omens is exploiting the wiggle room here to suggest that he actually did own a restaurant. In reality, Petronius wrote in The Satyricon a description of ancient Roman feasts that have been seen as maybe barely satirical because of the whole bacchanalia of the period that Petronius was satirizing. So, by 41 A.D., Aziraphale is moving in wealthy human queer circles in ancient Rome and enjoying all of the pleasures life on Earth has to offer... and he's found Crowley alone in a tavern and is throwing as many of these things together in a sentence at one time as possible to convey an overall sense of would you like to join me?

The Job minisode has already happened. Aziraphale is more than aware that Crowley was enjoying watching him eat. They're both here with the night free and blending in amongst the crowds has never been easier than it was in highly-populated Rome. Aziraphale is used to picking up humans and it's different than it is with Crowley, who is quasi-immortal like he is and his friend and somebody for whom Aziraphale has feelings. There's also something funny about the fact that Crowley is in a (literally) hellish mood and Aziraphale is pretty undeterred and still goes for it. In attitude, Aziraphale is basically like You're in a terrible mood--you need to get laid, Crowley. Lucky I showed up, isn't it? 😂

Meanwhile, Crowley is fully aware of what Aziraphale is up to. He's known since he heard Aziraphale approaching him and has been mulling over how he's going to handle it. The grouchiness isn't just about his bad day-- it's anxiety manifesting as crabbiness. To his credit, Aziraphale seems to get that even before Crowley more specifically shares the source of that anxiety.

So, Aziraphale goes for it and how he does is to pick up on their way of speaking to one another euphemistically that they started in Job's courtyard and introduce food as a way of speaking about sex. This is already amusing in S1 but it's funny as fuck after S2 when we know that the ox ribs have already happened at this point and that that's why Aziraphale is going this route. Aziraphale's like how to see if Crowley wants to smash? Tell him I'm hungry wink wink... 😉

I would also like to point out that they are already in a tavern that sells food. In the wider shots of Crowley in the second half of the scene, a plate of food is on the table beside him. There are oysters *in this bar* lol. Oysters were not uncommon in ancient Rome by this point-- if this conversation were really entirely just about trying this particular kind of seafood, they could just order some from the woman who served Crowley his drink who is three feet away for the entire scene and try oysters right here.

By bringing up Petronius and another restaurant where they sell sexy fish, Aziraphale is laying down an ancient Roman, euphemistic equivalent of do you want to get out of here?

To tell Crowley that he [Aziraphale] hears that Petronius "does remarkable things *to oysters*." To ask Crowley to go to bed with him.

Specifically, to see if the food kinky Crowley wants to go with him to Petronius' new restaurant and try these oysters the human guys are so on about and then go back to where Aziraphale is staying and see if the oysters really do anything to their oysters.

With this one sentence, Aziraphale has just turned "oysters" into three specific, separate-but-interrelated things at once:

1) oysters are fish-- just the seafood itself-- as we're always also talking about the thing on the surface level as well in Ineffable Husbands Speak and this is no different. Petronius makes some yummy oysters, according to the restaurant reviews of ancient Rome, and his new restaurant is an opulent food orgasm of a place and Aziraphale correctly thinks that would be appealing to both of them. He loves to eat and Crowley loves to watch him eat and does Crowley want to go on a little date to do that-- just also with actual sex this time?

2) oysters are aphrodisiacs-- Aziraphale is bringing up the fact that everyone is talking about how eating oysters can increase your sexual desire and bring about more pleasure for you and your partner(s) in bed. Aphrodisiacs are evocative of partnered sex. Not that you can't take them for fun times on your own but most people do not so bringing them up then sets up the verbal italics of "to oysters" that lands Aziraphale's invitation, unintentionally, straight in the heart of Crowley's issues, because:

3) oysters are a partnered sex orgasm-- Aziraphale says he (Petronius) "does remarkable things to oysters" so Petronius makes delicious oysters, which are what you eat to increase sexual desire and therefore what apparently cause you to experience more pleasure for longer and to climax harder... the innuendo is that the oysters (the aphrodisiacs) do things to your oysters (your orgasm).

Surprise twist, Aziraphale...

Crowley has made sure it never occurs to anyone that he has problems in bed and that has included Aziraphale up to this point.

Crowley basically now has a couple of choices. He can gently rebuff Aziraphale's offer, hopefully without embarrassing him too much, and they can try to pretend this never happened, and then he knows that Aziraphale is probably never going to ask him again. Not an option. Who knows when else they might find each other with the night free like this again? and Crowley does want to try.

He can pretend there's nothing wrong with him and stress himself into a disaster, like he's probably tried to do with humans before but they die within a couple of decades and take the embarrassment with them but Aziraphale's going to live for ages, is really his only friend, and Crowley's in love with him. Crowley's self-sabotaging at times but he's also an optimist and a romantic, and it's those things that give him some hope that he might not be permanently broken.

Finally, there's that he can just tell Aziraphale the truth because, let's be real here, the angel wants to try it and like hell is Crowley saying no to that.

So, he doesn't.

(Note the red squiggles on his costume that look pink in the light and like a heart monitor jackhammering-- with anxiety, with arousal-- and the candle that burns a pink flame where the light hits the jug.)

"I've never eaten an oyster." Aziraphale has defined an oyster between them as an orgasm had during partnered sex and that is what Crowley is saying he's never had.

He's also possibly saying that he has never eaten an actual oyster-the-seafood, because even though they were pretty common in Rome in the era, Crowley eats less than Aziraphale does, apparently hasn't been in Rome that long, and has had, until this moment, no reason to try the fish everyone is throwing back to try to increase their sexy times as Crowley's just been avoiding any sexual situation like the plague.

This is both a leap of faith on Crowley's part and a moment indicative of just how much he trusts Aziraphale. He needs every other living being to believe he's Asmodeus but Aziraphale can have the real, unvarnished truth because Aziraphale is the only person Crowley trusts not to hurt him. He knows Aziraphale can keep his secrets and that they have their own private world where vulnerability is allowed. He knows that Aziraphale is his friend beyond anything else.

This is telling Aziraphale that he'd like to try but he's kind of a mess. He doesn't want Aziraphale to feel like it's his fault if this doesn't work and he wants him to know what he's getting into. Crowley has long harbored a suspicion, though, that it would be different with Aziraphale, which is also why he wants to give it a try. If the angel can't help him rewire himself here, no one can.

Emphasizing this is Aziraphale's reaction. If they had been talking about pizza, maybe this reaction would have fit lol but it's clearly not a reaction to learning that Crowley has never consumed one particular kind of squiggly, hard-to-eat, honestly not that great seafood. It's a reaction much more befitting learning Crowley has not experienced something far more delicious and life-affirming than actual oysters-the-seafood.

"Oh-- well, let me tempt you to--" Just consider this moment from Aziraphale's perspective for a minute...

Serpent of Eden Crowley? He is literally the spark that lit the flame of all of humanity here. By tempting Eve into free thought and sensual pleasure, he also empowered her into teaching Adam these things. As a result, Crowley is basically responsible for sex on Earth-- for all of its history. If you live in the Good Omens universe and you've ever had an independent thought, a sensuous experience, or an orgasm, you owe Crowley a thank you note.😂Every play Aziraphale has ever seen, every meal he's ever enjoyed, every human he's ever taken to bed-- all of those experiences are indirectly because of Crowley.

Aziraphale has wanted him for quite literally ever. He compares everyone else to him. No one else has ever made him feel like this. He knows they're attracted to each other but he never felt like he knew what, if anything, he had to offer Crowley. The hottest being he'd ever seen freed him from the prison of his own repression here-- what could he ever give Crowley that was worth something like that? How do you learn together and try new things and adventure together with someone who seems like they're leap years ahead of you and know all the things it took you a long time to find out?

It's at "I've never eaten an oyster" that Aziraphale realizes that the being who freed everyone else got left behind and Aziraphale can fix that. He is good at burning holes in prison walls. Protection and arming others against threats to them and healing and kindness-- that's what he does. He's been here thinking for ages that Crowley would never need anything from him that he knew how to give like this but now he sees it differently. They've shown each other already by this point that they're good at being partners but this one aspect of it always felt to Aziraphale like it would be imbalanced. In Rome, he realizes that it isn't.

Aziraphale doesn't have the vocabulary we have today for these sort of issues and Rome wasn't exactly a bastion of trauma-informed sex lol but he didn't need any of that because he's intuitively good at this. He already knows that it will be fine because Crowley doesn't know it yet but he effectively already told him that it will-- by telling him in the first place. Aziraphale knows that trust and desire are what's needed and that they have those in spades. All he really has to do here is help Crowley relax and get out of his head.

Or, as Aziraphale will put it during the 1941 sexual metaphor that is The Bullet Catch plot: "You do the shooting. I'll do all the hard bits."

What gets Crowley's attention in Rome is how utterly confident Aziraphale is. How empathetic but unpitying. Aziraphale doesn't hesitate and he trips over himself accepting the challenge-- which is awfully cute-- but it's that Aziraphale doesn't treat him like he's broken or seem to see this as daunting that works for Crowley. There is a lot of internalized shame and fear and pain associated with anorgasmia and Crowley has been stewing in this for a very long time up until Rome so for Aziraphale's response to be not dismissive of it but, instead, reassuring, was exactly what Crowley needed. Aziraphale's whole attitude is oh ok no problem should we get going now or..? While he was not happy about Crowley having had difficult experiences before because he doesn't like to think of him in pain, he was really into the idea of Crowley thinking it could be different with him.

Aziraphale really, really, really likes being the person Crowley let in enough for this. Pardon the Crowley pun here but Aziraphale has never stopped crowing about it between them in thousands of years and if Crowley weren't besotted with him, he would have murdered him over it by now. (See: an example in 1941 that we'll look at near the end of this meta and "I had to miracle in the cherries" in Good Omens: Lockdown.)

"No, that's... that's your job. Isn't it?" Aziraphale's use of "tempt" to offer Crowley sex is then something of a joke between them because neither of them are tempting each other in a demonic sense of the word at any time. They find each other tempting though, in the sense that they find each other attractive. To use "tempt" with one another is just to ask each other if they are in the mood for something, not to influence the other into doing anything ("tempt you to a spot of lunch?" and "temptation accomplished" in 2019.)

This is really established first in the Job minisode, chronologically, as Crowley didn't so much tempt Aziraphale to try the ox ribs so much as he just offered them to him and Aziraphale decided to without influence. The same is true for Crowley choosing to try sex with Aziraphale in Rome-- he's really already chosen to by not saying no and that's all before Aziraphale's "well, let me tempt you--".

When Aziraphale replies to Crowley's reaction to the "tempt" line with "No, that's... that's your job. Isn't it?", Aziraphale is teasing him a bit. He's saying he sees through Crowley's massive control issues and that he gets him. You always have to be in control but you don't always want to be. Well, today's your lucky day, Bildad, because we're partners in this now.

Or, as it's known in 2023:

Flame burning pink as Crowley smiles a little for the first time in the scene:

"Oysters! Oranges!" What Juliet (the woman selling snacks) calls out as the opening dialogue in the 1601 scene to entice prospective buyers, the only one of which really is Aziraphale. Oysters-- aphrodisiacs. Oranges-- cinematic symbol of death. Aziraphale chooses...

"Some grapes please! They look scrummy." Grapes. Fermented grapes are wine. Wine is alcohol. Alcohol is sex. We haven't a need for oysters anymore and we shun symbolic death in favor of the little death. The grapes look "scrummy", shortened version of "scrumptious", meaning both "delicious" in food terms and "sexy enough to eat" in people terms. Aziraphale eats them in front of Crowley during the scene.

Oysters. What Crowley and Aziraphale had in ancient Rome.

Oysters. What Crowley and Aziraphale had in ancient Rome.

Oysters (in Ineffable Husbands Speak). Both an aphrodisiac and an orgasm, but...

...since they don't want to bring up anorgasmia every time they're flirting or talking about sex for the rest of their very long lives... and since oysters on their own are really hard to work frequently into conversation and would get a bit old pretty quickly, they need another word.

So, based on what we've seen in the series, it evolved into...

Oysters = Fish.

Fish live in the ocean, amongst other sea creatures.

Fish & sea creatures (in Ineffable Husbands Speak). An orgasm.

Anything related to the ocean (in Ineffable Husbands Speak). A metaphor for sex.

If it is in or lives in water, it's prime material for climatic innuendo. If it has multiple meanings in English? It will be used frequently as part of wordplay. If it pertains to the ocean or lends itself to destructive adjectives (shipwrecks, sea monsters, bubbling seas and rising waves), it will absolutely be a sexual metaphor at some point.

Such as...

Wahoo. A kind of fish. Also: an exclamation of joy. For obvious reasons, Crowley and Aziraphale's favorite fish joke.

In 1941, Aziraphale seeks feedback in the dressing room on their sexual metaphor Bullet Catch performance-- that they are both more than aware of-- and Crowley agrees that it went well and dryly suggests they "chalk up a win for the side of the angel", turning the common phrase that is usually "...side of the angels" singular to reflect only Aziraphale, who is over the moon that Crowley enjoyed it and cheekily replies "wahoo!" before their flirting is interrupted by Furfur.

Decades later, Crowley gives another stellar performance-- the full, epic saga of his M-25 Orbital Disruption-- to the joyless, miserable lot in Hell and concludes it with a line that he plans to tell Aziraphale later to make him laugh:

Carp. A kind of fish. Also means: to stand around and bitch. Aziraphale telling Crowley to stop standing around getting off on grouching and go get Maggie and Nina for The Meeting Ball in S2.

Gravlax in Dill Sauce. Cured salmon. This one is special and we'll look at it in the Dill Sauce meta about the St. James Park scene soon.

Ducks. Waterfowl. Aquatic birds. This is long enough. 😂 They are a whole separate meta.

Pickled herring. A kind of fish, cured in salt. What was dumped out of the barrel by Elspeth in The Resurrectionist minisode so she could use the barrel to transport her corpse. Crowley and Aziraphale spend half the minisode dragging around a barrel that should contain fish (the little death) but actually contains a corpse (actual death)-- foreshadowing the fact that their date will end with Crowley dragged to Hell and the start of the holy water arc of misery for them.

Red herring. A dry, smoked fish that turns red as it is smoked (ooh la la...) 😉 Also: A literary device, in which something is established with the intent of it distracting the audience from something else in the story. Elspeth and her pickled herring barrel are a red herring that changes The Resurrectionist minisode story from what the audience thought it would be into what it is, distracting the audience from the fact that the story actually began with Crowley and Aziraphale meeting in a graveyard at midnight for... ah... reasons. Aziraphale also turned 'red'-- turned to Crowley's side-- during the course of the episode, even as his shot at getting him some "pickled herring" that evening went up in hellfire smoke.

"Sargeant Shadwell." The hilarious, Sean Connery-esque way that Crowley said Shadwell's name in 1967, made funnier by the fact that a shad is a type of fish... and part of the herring family and this scene itself is a red herring. It misleads the audience into thinking we have a whole new plot about Crowley leading a break in to a church that is rendered inert within a matter of minutes when Aziraphale gives Crowley holy water. Shadwell's name is basically 'Fishwell' and, for Madame Tracy's sake, I hope that's true and not ironically funny. Either way, doubtful that Crowley and Aziraphale haven't joked about his name before. Shad also phonetically sounds like 'shag', the British slang word for fucking, and Crowley's tone of voice in the scene had a ring of 'shag' connotation to it.

Kieler Sprotte/Kieler Sprotten. A German smoked herring dish. A hidden reference in the Baraqiel entry in 'The Demon's Guide to Angels...' book that Furfur had in 1941. Baraqiel is Crowley and the entry, based on what's in it, was written by Aziraphale. One of you requested a meta on Baraqiel so that's on deck for now.

Newt. A semi-aquatic salamander. They live in the water but only some of the time. Also: Newt Pulsifier, an extreme parallel of Crowley who breaks all technology he touches, loves his less-attractive-than-The-Bentley car, and falls for a being who has issues with the purpose they feel they were put into the world to fulfill. Newt gets "in the water," metaphorically-speaking, when he has sex for the first time in S1 with the Aziraphale-paralleling Anathema, which is another example of how he's a more extreme version of Crowley, whose parallel to Newt is Aziraphale helping him through his intimacy issues.

Flounder. A kind of fish. Also means: to struggle helplessly in water. "To flounder" is frequently confused with "to founder", which is wordplay intentionally being used by Aziraphale in the "Seeds of Destruction" scene in S1, which we'll look at in the requested Seeds meta soon.

Bananafish. A kind of fish. Also: the first two words of Aziraphale's magic words. Is it "bananafish" or is it "banana, fish"? It's a little unclear and possibly situational. It's also likely both and a reference to wordplay and sex via fish. "The Bananafish" is also a short story by J.D. Salinger about trauma, PTSD and suicide that correlates to S2 quite a bit but we can look at that in a more Aziraphale's-trauma-centric meta.

The 'drunk-in-the-bookshop' scene. Part of the 2008 minisode, in which Crowley and Aziraphale are drunk and talking on the surface about Armageddon but are actually flirting with each other using sea-related terminology to make some drunken sexual metaphors.

Whales and dolphins. Sea-dwelling mammals. Not fish but live like them, alongside them. Damn big brains. Whales, in particular, are their own metaphor in Good Omens-- above and beyond Ineffable Husbands Speak-- but, in this context, they are non-fish creatures that live in the ocean, so Crowley is equating himself and Aziraphale to whales and dolphins in the drunk-in-the-bookshop scene and calling Aziraphale smart and clever in doing so. He is too drunk to come up with how smart they are ("brains the size of... *gives up* damn big brains" lol). His point is that Aziraphale is so smart, which is so hot, and that's his point. Brain city, whales.

Off of this, a drunk Aziraphale has heard Crowley say "damn big brains" and is thinking you know what *else* is big, Crowley?

"Kraken! Oh, great, bigggggg bugger..." Totally plastered Aziraphale is undefeated at Completely Wasted Wordplay, though, and he has a mythical monster and a whole attempt at a sexual metaphor for Crowley here, thanks to whatever brain cells are still kicking around in his damn big whale brain. The Kraken is huge and we aren't just talking about smart anymore, nope... Adding to the humor is the use of 'bugger'-- The Kraken is a massive one and we're talking about both in size and in terms of quite extraordinary amounts of buggery that Aziraphale wants to get up to here...

Giant squid and octopi. Also not fish but live in the sea, much like the whales and dolphins that Crowley had just mentioned and probably one of the reasons why Aziraphale's mind then goes towards The Kraken.

The Kraken. Mythical sea monster from Norse mythology. The Kraken-- and sea monsters, in general-- are thought to be based on giant squid and/or octopi. Particularly before days when squid and octopi were understood, The Kraken was sometimes described as a "sea serpent". Crowley, in Aziraphale's sexual metaphor here, is The Kraken-- is the great, bigggg bugger who is:

"Supposed to rise up-- right up-- to the surface. At the end. When the sea boils." We're talking about Armageddon on the surface but we're talking about sex under the surface and The Kraken is a mythological being who does not exist, making this drunk conversation even funnier. Adam will manifest The Kraken into existence later on in the season-- but, prior to that, the actual Kraken was a myth. Aziraphale and Crowley both know that. Neither of them believe in The Kraken-the-sea-monster. Aziraphale is just using it as a joking sexual metaphor while they're drunk as all fuck to flirt with Crowley using their whole ocean-themed innuendo.

"The Kraken" is "supposed to rise up, right up, to the surface, at the end". The sea serpent going from the depths of the cold black sea to cresting the surface of the ocean at the end of days, which is Aziraphale using destructive sexual metaphor-- using disaster, death, apocalyptic terminology, etc. as a metaphor for sex. Armageddon is the end of days is a sexual climax. "The Kraken" rises to the surface of the ocean "at the end-- when the sea boils"-- when it becomes too hot and there's no other choice but for the sea serpent to come... to the surface. 😉

"There is a lot of 'underlying unspokenness' and it comes to the surface now and again." Michael Sheen quote describing the nature of Crowley and Aziraphale's relationship in S1 in the interview below. I'd bet serious cash he's specifically thinking about The Kraken scene.

Thanks to @procrastiel for showing me the interview.

"Well, that's mah point! Dolphins and whales-- whole sea bubbling-- hard to keep everybody from turning into bouilla--" Crowley's response to Aziraphale's The Kraken metaphor. Actually surprisingly witty at the start considering how drunk they are (it's their damn big whale brains hitting on something every few words lol.) It is, indeed, his point that Aziraphale is talking about-- his boiling point-- but Crowley uses "point" in the other meaning here as well (as in, "that's the point of what I was saying!").

"Whole sea bubbling-- hard to keep everybody from turning into bouilla--" Everybody, eh, Crowley? 😂I thought we were talking about fish being boiled in the end of days here? (Someone ought to get Crowley and Aziraphale to make videos explaining climate change lol.) These fish and dolphins and whales seem like they could be easily mistaken for people? Like, say, you and Aziraphale, hmm?When the whole sea gets bubbling and it's just too hot in here, it might, indeed, be hard to keep you both from turning into...

Bouillabaisse. A fish soup that is frequently referred to as a fish stew, which is what a drunk Crowley calls it. The dish is French and when Crowley is too drunk to get the word out, he keeps repeating the first half of it-- "bouilla"-- which comes from the French verb "bouillir", which means "to boil". He heard Aziraphale's "when the sea boils" and his mind took it to the fish joke of bouillabaisse. To boil is, of course, to cook something in very hot water.

Crowley is too drunk to get the word out in full and repeats the "boil" part of it, getting distracted at one point and calling Aziraphale "baby" while they make hilarious, drunk, kissy faces at one another, before redirecting it with "fish stew-- anyway! It's not their fault."

A bouillabaisse features at least two different kinds of fish cooked together and served alongside one another in the same bowl.

Bouillabaisse/A fish soup or stew (in Ineffable Husbands Speak). Climaxing together/simultaneous orgasm.

"Fish stew-- anyway! It's not their fault." The end of the 'bouillabaisse' portion of the scene and yes, it's not the fault of the actual fish that will be turned into bouillabaisse when the world ends but this is also Crowley thinking of Aziraphale's earlier "hereditary enemies" comment and saying again that it's not their fault, they didn't ask for this. Tossed drunkenly into this getting sloppy sexual metaphor, it's pretty funny as it's also saying wouldn't be their fault if they turn into bouillabaisse later as who could blame them? World ending, been waiting for days, bouilla bouilla baby...

Good thing they sobered up because they were one more bottle of Chateauneuf-de-Pape away from just speak-singing "Under the Sea" at one another. Even the sturgeon and the ray, angel! They get the urge and start to play! That's *mah point*... 😂

"Heaven will finally triumph over Hell." One of the coded things that Aziraphale said to Crowley in the 1.01 St. James Park scene. While the surface layer of this conversation is about Armageddon, they're actually talking on the hidden layer about having not been able to be together the prior night. The key bit to this that I'm mentioning here is the use of the word "triumph"...

Triumph. A triumph is obviously a great victory or success but the history of the word is interesting. It originally meant a victory parade-- a processional-- held for a victorious general upon his return to ancient Rome. It was exclusive to Rome for a time as a word and still is how historians refer to that type of processional.

By using "triumph" in the St. James' Park scene, Aziraphale correlates the would-be sushi night with Rome.

Sushi. Raw fish mixed into vinegared rice, along with other ingredients. What Crowley and Aziraphale usually go out for in the modern era on their unofficial anniversary, which is the date of the first time they had sex in ancient Rome.

1,967. The number of years between the first time Crowley and Aziraphale had sex and when they were trying to meet to celebrate that special occasion in 2008 in 1.01. Armageddon: Round One began on their 1,967th anniversary. A reference to:

The 1967 scene, in which they talk about their relationship, and "dine at The Ritz" is said.

41. The number of years between Aziraphale suggesting they could one day "dine at The Ritz" in 1967 and when they did for the first time in 2008. A reference to:

The 41 A.D. scene in Rome, which shows how they first became lovers.

Well, with one caveat...

Hellfire and Holy Water. Substances produced by the physical corporations of angels and demons which are lethal to one another's "opposite kind"/"enemy." Aziraphale's body can make Holy Water, which could liquidate Crowley into non-existence. Crowley's body can make Hellfire, which could burn Aziraphale into the same.

As such, they spent some time concerned that each other's, em, "hellfire" and "holy water" might be harmful to one another, until they disproved this theory. This historical HIV allegory is alluded to in the "angel-demon, probably explode" Discorporated!Aziraphale scene in S1 (to "explode" also meaning to "explode a theory"-- to disprove it) and also in this scene here, in The Big Damn Sexual Metaphor that is The Bullet Catch:

Aziraphale's dry "just aim for my mouth but shoot past my ear," right?

So, how did they figure out that they wouldn't kill each other?

Kingdom of Wessex. 597 AD. The Camelot scene. Crowley and Aziraphale cross paths in the time of King Arthur and are so damn over canceling each other out at work. After Aziraphale rebuffs Crowley's initial proposal of basically quiet quitting Heaven & Hell-- just doing the paperwork and phoning it in-- because he thinks Michael will figure it out (not because he doesn't want to lol), the two part the scene without a resolution... but the 1601 scene provides that resolution for us via the reveal of The Arrangement.

Back in 597 A.D., after the scene we saw, Crowley and Aziraphale got creative in trying to find a solution to their work woes and wound up experimenting with what they had been told by Heaven regarding what their capabilities were. They uncovered that Crowley could still do blessings and Aziraphale could do temptations. So long as they kept pulling power from their respective head offices, it didn't matter what type of miracle they did and no one in Heaven or Hell figured it out. This then caused them to also realize that if they were biologically similar enough to be able to do the same miracles, then odds were high that they actually wouldn't hurt one another if they had more expansive sex and they decided to try it. They're both still here so obviously the end result was nothing but wahoo. What else is suggestive of this besides the already mentioned scenes? This one, in 1941:

Excalibur. King Arthur's sword. Excalibur's Chest. The famous swords-in-the-box magic trick, on sale at Goldstone's in 1941. Swords are as much sexual metaphor as guns. Note what's between them in the magic shop in 1941 when they agree to perform The Bullet Catch together that night, after a performance by The Ladies of Camelot:

This is part of the reason why they also use performing miracles as innuendo-- besides the fact that there is just a lot of material there lol. It's because it took them 556 years after Rome but they happened into figuring out Heaven's big secret and it freed them to boff each other senseless for the last *maths* 1,426 years as of S2 lol so it's kind of irresistible. An example is Aziraphale in S2 with "the 25 Lazari miracle you and I performed together the other night" which is on the surface, sure, about the miracle they did together to protect Gabriel but which Aziraphale makes actually sound like what they got up to the other night, probably the one before Gabriel arrived. He's talking about Muriel there for the Gabriel miracle but he's saying it with a tone of: I suspect that the angel is here to verify the miracle that was Sunday night. I'd imagine alarm bells must have been ringing in Heaven constantly since. You and I raised the damn dead, old serpent...

The Bullet Catch. A sexual metaphor for both "firsts"-- 41 A.D./Rome and 597 A.D./Kingdom of Wessex-- mashed together because they were similar... but also a metaphor for Crowley and Aziraphale's relationship overall.

The Bullet Catch requires them to trust one another and be vulnerable with one another. It's only possible because of how much they trust in and care for one another. Crowley's ability to fire the gun in a way that won't kill Aziraphale-- which Aziraphale is trusting him to do-- means that Crowley has to trust himself to do it. He has to believe himself capable of it and that he can relax enough to do it. He only believes this because Aziraphale believes it about him and makes him feel safe enough to focus. Aziraphale's trust in him allows Crowley to trust both himself and Aziraphale while Aziraphale's trust in Crowley allows him to let Crowley in enough to let him see his insecurities and be loved in spite of them, something Aziraphale's self-doubts and imposter syndrome keep him from doing with other people. Crowley knows he's imperfect and loves him madly anyway, something Aziraphale has trouble doing with himself and which no one else in Heaven ever has. Crowley's faith in and love for Aziraphale give Aziraphale the confidence to live more freely and feel like he's among the professional conjurers and not just on the outside of life. Their trust in one another helps them trust each other and that self-trust opens them up to experiences with each other that lead to ever-deepening trust of one another that lifts them both in a kind of feedback loop.

"Cheers for, um, getting me off the hook." Crowley thanking Aziraphale for helping him with the Mrs. H situation. He's more than aware that Aziraphale assisting with Crowley's broken alcohol bottles when alcohol = sex to them is more than a little metaphorical for their actual history and he chooses a fish reference as part of the thank you. "Cheers" is that British way of saying "thank you" but it's also obviously what people also say as a toast (which is also a word used to refer to warmed bread, which is also related to partnered sex in Ineffable Husbands Speak.) It's what Crowley actually says in 2019 at The Ritz at the end of S1 in the "Cheers. To the world." moment. Here, it's also a reference to the first time they did clink some glasses together in toast-- the "Salutaria" of ancient Rome. And what is this toast-y thank you of Crowley's for? For getting him off-- that is, for getting him "off the hook."

"Off the hook" refers to a caught fish being taken off the hook. It also became, over time, a phrase referring to communication, from the days of phones with cords. Leaving a phone "off the hook" meant that calls couldn't come through and communication couldn't be had. By 1941, the phrase would have roots in both origins and if we're talking about fish and telephones, we're talking about earlier in the evening in 1941 but we're also talking what it referenced to them symbolically about the past of their relationship. It is also absolutely why Aziraphale jumps on The Bullet Catch as his grand gesture once they get to the magic shop-- he sees a way to continue the metaphor that they're both more than aware of.

It also makes it a thousand times funnier then that poor Aziraphale essentially makes the same assumption about demonic life twice over a bazillion years apart. He thought The Bullet Catch would be a no-brainer, fun thing for them to do because he assumed that Crowley had fired a gun before, only to discover that this was now actually Rome all over again because while Aziraphale has a firearms license and a Derringer hidden in a hollowed-out book in the bookshop, this metaphor was suddenly way too on point because Crowley hasn't fired a gun with someone else around before-- in this case, at all, actually. His dry as all fuck "not as such" response to Aziraphale is well, we both know I've fired the metaphorical gun this rifle is standing in for here but yeah, no, I have no idea how to shoot this thing and I was going to miracle you safe and now those aren't working either so I have to do this for real and I'll just be over here trying not to have a panic attack...

Talking. Making sure the telephone is not off the hook is obviously always a good thing with everyone one trusts around them in life. In a relationship context, feeling safe enough to talk openly with your partner about things which make you feel vulnerable is the mark of a trust and what allows for deep intimacy. Talking in bed-- not just checking in with a partner but talking beyond that-- is a therapeutic intervention for anorgasmia, as it helps someone suffering from it to stay present in the moment. Tends to work in general but even more so if the person involved likes chat in bed as a whole, which a couple of scenes suggest Crowley does (the evolution of it into also some extra spicy chat in the "Seeds of Destruction" scene in S1 and his self-deprecating "you just say 'blah blah blah'" moment in S2.)

"We need to talk." What Crowley says in 1.01 when he calls Aziraphale from a corded public pay phone. This is the first time that Crowley and Aziraphale talk in the present, even if they're in separate locations, and the first time we've seen them interact since the opening scene of the show of them on the wall in Eden. We've spent the first part of the 2008 minisode re-introduced to them separately, not yet fully aware of how they were supposed to be together during it. Crowley doesn't wait until he's back in Mayfair after dropping off the antichrist baby-- he calls Aziraphale from the nearest payphone. He says "we need to talk", a phrase that is, for many, a relationship cliche that comes with a sense of the foreboding but we will learn from this scene also means other things to them.

For one thing, it's a code phrase that automatically triggers them to meet the next day at noon at St. James' Park. If one of them calls and says they "need to talk", they know that it means to meet the next day and when and where. This one they know a lot better than their four million alternative rendezvous spots, as we saw in that other scene in S1 when they set up meeting in the bandstand over the phone. Because it triggers St. James' Park, it means that the initial talk will be all coded in their hidden language, as that scene in 1.01 was, but that is also a form of communication for them and a kind that they actually enjoy.

For another thing, it means that they need to talk in general-- that something is happening and they need to talk about it, as was the case with Armageddon. At the time that they have this phone conversation, they don't yet know that one another already knows about Armageddon starting. We know from all the contextual clues we've already looked at here that they were supposed to be having dinner together earlier and that they also can't say that over the phone so when Aziraphale says: "Yes, I rather think we do. I assume this is about....?" there's a dryness to Aziraphale's tone because a form of talking was already on the menu. Sushi night is Rome and Rome had talking so, yeah, Aziraphale rather does think they need to talk-- to fuck-- and also Armageddon just started so they'll need to actually talk-talk about that as well at some point.

Crowley's response to what it's about, though, is destructive sexual metaphor. What do they need to talk about, on all levels, summed up by Crowley in a word?

"Armageddon." Armageddon: the actual end of the world and Armageddon: their big damn anniversary sex. The Big One. It's an apology of sorts for Hell detaining him and a request that they meet tomorrow.

The scene ends with Crowley placing the phone back on the hook-- indicative of understood, secure communication, the likes of which will be on display in the following scenes of the 2008 minisode.

Talking (in Ineffable Husbands Speak). Both verbal communication and physical communication. Talking means speaking. Talking also means making love.

"Trust me." What Aziraphale mouths at Crowley in 1941 to get him to be in the moment enough to be able to fire the gun. Absolutely one of the things Aziraphale said to Crowley to help him relax in Rome.

"I knew you'd come through for me. You always do."

Aziraphale pouring Crowley another glass of wine (and alcohol = sex) and the wordplay kink out here in full force as there are three levels of meaning happening at once. Surface level is about their success with The Bullet Catch earlier in the evening. Aziraphale knew Crowley would come through for him-- "come through" in the sense of he can always rely upon Crowley to be there for him when he needs him to be.

To "come through" something, though, is also to get through to the other side of something-- to have been able to pull through a difficult time or a struggle-- and refers to Crowley always coming out of dark periods and not giving up. But there's really also the third meaning, which is just the direct innuendo:

Some serious 'tone of voice' at play in this bit here performing a little magic trick and making that 'through' disappear right out of first sentence lol, turning it into: I knew you'd come for me. You always do.

Aziraphale's never going to stop being thrilled at their Roman triumph here and is still happy to remind Crowley in 1941 that they both know Aziraphale just does it for him.

"Well, you said 'trust me', so..."

Just prior to this, Aziraphale had been telling Crowley the magic words he silently said to keep the photo of them from Furfur (more fish-- "bananafish").

"Well, you said 'trust me'..." is Crowley saying "well, you said my magic words, so..." Aziraphale invoked Rome and talked to him so he got there.

"And you did." And Crowley did trust him, so it worked.

Aziraphale, though, is not just thinking about earlier that night in that moment in 1941 when he's staring off, reminiscing, before looking at Crowley like that...

...he's thinking about Rome.

"To drain the whole sea/Get something shiny..." Lyrics from Hozier's "Take Me to Church", pretty uniformly agreed as the most Crowley song that has ever Crowley songed, and which is on his official playlist in S2.

Pearls. The shiny things found in the sea. The jewels harvested from within the opened protective shell left behind by emerged oysters.

The original post referred to a bit in this one:

[shinybearnerd]

"Healing Wings"

GOOD OMENS SEASON 2! SPOILER WARNING! IF YOU DID SEE IT YET, DO NOT INTERACT!

Hi!

So, I'm a mess since I finished the new season.

I tried to cope by writing something (since I'll be pretty busy for all of August). And this is the result.

Justice for my boy! He deserved his happy ending.

I wanted to thank everyone that send me requests. As I said before, I'm a bit busy but once I'll have some time, I'll write. Promise.

Enjoy!

Pair: Crowley x reader

(Hints of: Aziraphale x reader, Aziraphale x Crowley, Aziraphale x reader x Crowley)

Words: 2,8k

Genre: Smut +18, fluff and angst

Story: when Aziraphale goes away to become the archangel in heaven, Y/n and Crowley find themselves alone. They both with a feeling of abandonment. As they lean on each other for support, their relationship blossoms deeper.

English is not my first language. I'm sorry if there're any mistakes.

The ride to your house is quiet.

You don't remember much about what happened earlier. You only recall screaming at Aziraphale for deciding to go away and leaving you and Crowley alone. His eyes were covered in tears.

     << Y/n, I can- >>

     << Do not fucking bother! Go on. Go play with your little mates. Is what you wanted after all, right? >> You cut him off, returning to Crowley.

The demon looks at the scene inside the car. He doesn't hear what you are saying but can imagine by the looks of you and the angel. He even doesn't say anything about it once you step inside the car. He only starts the engine and begins to drive.

Once you arrive, you convince Crowley to come inside without effort. Once you lock the door behind you, you see him. Sitting on the sofa. He stares blankly in front of him. Or at least you think so. He didn't take off his glasses or have any intention to.

You walk towards him without saying a word. When you take your first step, it seems like he only notices your presence at that moment.

You walk to him. Crowley's gaze fixed on you, making you feel exposed.

You're now in front of him. You try to say something, but he makes the first move by hugging your legs and placing his head on your stomach. He's tired. You both are.

You remain like this for a few minutes. You caress his red hair and try not to cry, as he enjoys your touch.

He then looks up at you.

You're starting to feel a particular jolt invading your body. Something that grows deeper when the demon stands up and obscures you with his height.

He takes your chin, his thumb exploring your lips. He then kisses you. It's a needy one. A desperate one.

You start to undress one another, but when you try to take his glasses, he freezes.

     << I... I prefer to leave them on. >>

Once Nina and Maggie get out, you pop out from your hiding spot.

Crowley hears your movement but doesn't say a word. Too scared about your reaction to actually do something. 

He listens. Listen to the way your clothes sound when they rub against each other. Listen to your increased heartbeat and your hitching breath, wishing he could feel it against his skin while-

     << Is it true? >> You finally take some courage.

Crowley physically can't turn to look at you, like something is blocking him. But he manages to stand up and put on his glasses. And suddenly, he feels like he can at least try.

When he turns around, your heart sinks a little.

     << No, please... >>

     <&lt; What? >>

You try to reach, but he takes a step behind, trying to have some space between you two.

     << You know that you don't need those >> you point at the black lenses << when you are with me. We've already been through this. Remember? >>

     << I would like to keep them on. If you don't mind. >>

You sigh, knowing that he's too stubborn to listen. So you ask again, trying to look into his eyes. << Is it true? >>

The demon doesn't respond.

     << It's pretty easy, Crowley. It's a "yes" or "no" answer... >>

Your voice seemed calm and amused by all of this, trying to ease the mood. But every fibre of your body tried to remain calm and not rush things.

Something was still blocking him. His pride, maybe. Or even the fear of you rejecting him. He doesn't know which.

     << I'm sorry... I-I can't. >>

He tries to exit the bookshop, but you stop him.

     << Where are you going? Hold on! Why can't you say it? What's wrong? >>

     << Because-... Fuck! >>

He walks in the room, stomping his feet like a wild horse that's been caught and imprisoned. He's trying to focus on something that isn't you and elaborate a clever way out. He's a demon, after all. He's the master of lying.

He can do this.                                                                                                    But once he turns to look at you, he suddenly can't lie to you anymore.

     << Because it's true, Y/n! There. I said it! >>

Your heart is bursting, but you let him talk first. You feel like he needs to.

     << You don't understand how you made me feel in all these years we knew each other! I only thought that Aziraphale would be the lo... >> he sighs, trying to calm himself by rubbing his eyes. << But then you came along. So full of life and wonder, and it j-just... happened!- >>

In the beginning, he's doubtful. The poor devil thought that was an act of pity towards him, but once he comprehend that you're not going to leave soon, he deepens it. A rush of emotions adds to the kiss. Passion, desperation and relief. All put in Crowley's kiss, who is touching and hugging you like you'll disappear.

You don't even spend time saying something. You've already waited enough.

With big steps, you end your distance. You take the demon's sunglasses with one hand while the other takes the head, smashing your lips together.

You start to caress each other. Your hair, your back, your arms... All you two can reach has been touched and loved.

     << Please tell me this is not a dream and that I'm not gonna wake up in the Bentley with a boner... >> he whispered on your lips between a kiss and another.

You smirk against his mouth while pressing yourself towards him.

     << I don't know about the dream, but I hope this isn't something you have in your pocket. >> You replied, touching his clothed erection.

The demon growls, squishing the flesh of your hips under his fingers.

     << You're playing with fire, doll. >>

His pushes are erratic and hopeless. Like he can release all that pain he's feeling.

But suddenly his pushes stop. You feel his hold tightening as he's afraid to lose you too. Little and muffled sobs start to fill the air as the demon tries to hold you as close as possible.

     << Crowley? >>

You caress his head, trying to escape his grip to look at him.

     << I'm sorry... >> he muffles in tears.

His head is against your chest. Tears are starting to wet your skin.

     << Hey... No, no, no. Hey, look at me. Please, look at me, Crowley... >>

You take off his glasses. Once you look at his eyes, your stomach tightens. His eyes are full of sorrow, ache and distress. And it all makes you feel awful. It's like you can't do anything to make him feel better...

You manage to take his face in your hand. You voluntarily start to caress his cheeks with your thumbs while you look into each other's eyes. And what you see breaks your heart.

Crowley's lips are a little parted, quick breaths leaving and entering his mouth. His cheeks are starting to get wet too. The eyebrows narrowed in an expression of pain. 

The demon makes a face, like he has something to say about that, but you don't give him the chance.

     << I-I'm sorry. I should not... >>

He tries to avoid eye contact. 

     << No, hey... Hey. It's okay, darling. It's not your fault. >>

     << But it is! >> He finally looks at you. << If I wasn't the way I am, maybe Aziraphale- >>

     << Do not dare finish what you are about to say! >> You snap.

Your voice is trembling with anger and pain. How could he think that?

<< I don't know what that idiot was thinking. But he shouldn't have said that! And mostly, you mustn't even consider that! How could you even think that there's something wrong with you? That you're the messed up one?

<< Every time I look at you, I fall in love with you even more. I love everything about you! How you say that you're evil and not nice after saying or doing the sweetest and most beautiful things that even an angel can't do! You are infinitely better than a legion of angels. Aziraphale included. >>

     << Aziraphale does not define you, my love. I know that it fucking hurts. Him choosing heaven over us hurt me, and I can't imagine how heartbroken you must feel right now... But he had no right to tell you to change for him. Love is not like that. Love is not changing the other person. Love is feeling like you own the fucking world! Like you've been struck by lightning every time you see them... Love is supposed to make you feel like this. >>

You take his hand and place it against your chest. Your heartbeat is accelerated. The demon can feel it under his hand and thinks it's the most beautiful music he's ever listened to in centuries. 

Your eyes lock one last time. Every limb of your body is linked to the other, trying both be close.

You discover that you're crying once Crowley slowly slides his hand from your chest, then to your neck and to one of your cheeks, wiping the tears from your skin. He then cups your head with both hands, leaning closer to kiss the new tears forming. Your eyes are closed. You try to enjoy this moment that you indulge with the other. You put your hands on Crowley's wrists, rubbing them with your thumbs. Suddenly you feel something odd.

     << You have a heartbeat... >>

You open your eyes only to see that Crowley is already looking at you.

Under your fingers, you can feel his fast heartbeat.

     << I didn't know you had one. >>

     << In your defence, I didn't tell you... >> replied, starting to wander his hand along your hips. He felts like the luckiest entity in the entire universe.

     << Is it supposed to be this rapid? >>

You see him smile a little, then look at your eyes.

     << Didn't you say that love was supposed to feel like that? >>

Crowley leans closer, one hand on your hair. Once your lips meet, you feel fireworks spreading all over you. The demon's lips are so soft against yours. Kissing you with gentleness as if you were made out of porcelain.

You blush and smile.

He does the same. The first real smile after Aziraphale's departure, even if it's little.

His trusts are slow but deep.

Then, he slips the other hand around your hips, bringing you close as he thrusts deep inside you. A moan dies in your mouth.

Crowley smirks a little before he resumes kissing you. His hands are both on your hips as he's helping you move.

Your eyes are locked as your messy breaths get mixed. Sometimes you kiss, but you prefer to look at each other. You can't explain why. You just feel a deeper connection between you. Like you are making love with your souls too.

-.-.-.-.-.-

You continue moving without saying a word. Smiling, touching, squeezing and scratching (on your part) one another.

And when you come, it's like you feel complete and truly loved.

Your foreheads touch as you start panting and giggling. 

Moments before, after you got dressed, you asked your favourite demon if he could pick a movie while you were calling your favourite takeaway restaurant.

     << What are you doing? >>

Crowley quickly turns towards you. A pillow is still in his hands.

Once the call ended, you saw his figure walk the hallway one last time before disappearing. You came to understand that he went outside, in the garden. You decide to sneak out and follow him.

As you were talking with one of the staff, in the corner of your eye, you could see Crowley walking the hallway front and back multiple times. Different things in his hands every time he passed in front of you.

You were so curious and amused that you almost forgot you were ordering food.

Under the moon's soft light, you can see that the grass is covered with blankets and pillows. Over them, there's a bottle of wine and two glasses; while the outside was filled with battery candles.

You can't move or form a single sentence. Your mouth, on the other hand, is curved in the most beautiful smile the demon has ever seen.

Crowley's now looking at you. A nervous smile on his lips.

     << Surprise!>> He throws the pillow on the blankets with the others. << Do you like it? >>

     << I-I... don't know what to say.>>

He walked closer, putting his hands on your hips. << I thought we'd have a post-love-making/little night picnic date under the stars. I figured it'd be nice to talk about the constellations and all that celestial stuff you enjoy while we get drunk. >> he smugly smirks as he hears your chuckle.

-.-.-.-.-.-

With a snap, the two glasses get filled. Crowley passes you one. << What do you say? >>

     << I'm all yours.>>

He smiles at you and kisses you passionately.

     << You know... I've always wanted to ask something. >>

You two have just finished eating and are now on the blankets, cuddling and trying to get drunk.

     Crowley has spent all dinner talking about the stars. He also told you about his time as a nebula creator. You could see a sparkle in his eyes as he spoke. Some sadness behind it, too. Even if he tried to hide it.

Crowley was amused by all of this.

     << Shoot. >>

     << What's it like having someone making up stories about your work? You know, the constellations and so on... >>

     << Oh. Well... I don't mind. It's like reading- What is that you read... Ehm... -Yes! Fanfiction. It's like reading a fanfiction. I don't mind. >>

     You chuckle, a little flustered. << I don't read fanfiction! >>

     He brings the glass to his lips. << Oh yes, you do! Every time I see you with your phone and reading something, you always giggle and kick your feet- >>

     << How dare you! I do not! >>

     << Oh, yes, you do! >>

You laugh. Your face turn all red by now. << You liar! >>

You both chuckle and lean against the other. The demon's free hand is now running up and down your arm. His head is on yours as he leaves a kiss.

     << Thank you. >> you said, breaking the silence. << I loved all of this. >>

Crowley smiles, proud of himself. << Glad you like it. >>

He put his glass near yours and made them touch. A little high-pitched "tin" followed after. << To the perfect night. >>

     << But I have to admit... >> You continue, teasingly raising an eyebrow. << you seemed flustered when I found you setting all up.>>

     &lt;< Flustered? Me? Nonsense!>>

You chuckle, leaning in to peck him on the cheek. Your affectionate gaze never leaves his.

He couldn't help but smile, feeling a warmth in his heart that had nothing to do with the wine. 

     << Jokes aside, you know how to make a moment last forever.>>

Crowley looks at the wine in his glass. A soft and smug smile on his face.

     << Well, I must admit, this wasn't originally on my plan... >> he confesses.

     << What do you mean? >>

Crowley shifted slightly, trying to find the right words to explain himself.

     << I mean... I had planned to take you and... Azirapahle out on a proper date tonight. >> He admitted, his voice soft and hesitant. << I wanted it to be perfect, you know? Wine, dine, and all that... >>

A suffering smile is on his face as he gunks down his wine.

     << I wanted tonight to be special...>> he softly admitted, looking at his empty glass before grabbing the bottle. << You know... after a week of... well, hell. >> He pours the rubin liquor. << For you. For me... for him. For us. >> 

     You take his hand and kiss it. << Well, I must say, this night picnic under the stars was a perfect first day. >>

     He looks at you, uncertain. << Really? >>

     You kiss him and nod, smiling. << Today was hard... >>

     << Yep. >> he takes another sip of wine and clicks his tongue.

     << But this has been the best date I have ever been to! >>

He smiles, looks again into your eyes and says only two words: << Thank you. >>

You know that he's not talking about the date.

You kiss him again and look at him, stroking his tattoed cheek.

     << Don't even mention it. >>

[mimisempai]

There's so much I love in those few seconds alone. There's what's implied. There's the fact that it's Aziraphale who calls Crowley. For me, that's very important when you see that in season 1 it's always Crowley who reaches out to Aziraphale. There's the fact that Azirapahale called often enough for Crowley to be able to discern the different tones of his voice. There's the fact that Crowley lists the reasons for the different tones and what they imply. Aziraphale calls Crowley when he's bored (just the concept of Aziraphale being bored thrilled me), we don't know the result, if Crowley comes, how he helps Aziraphale to overcome his boredom… but he calls him. Aziraphale calls Crowley when he wants to tell SOMEONE he's done something clever. Crowley's use of someone. We know that someone is Crowley and no one else. I'm surprised by the fact that Crowley doesn't say "You call me when you want to tell ME you've done something clever". As if he doesn't want to admit that their relationship is exclusive after all. (I'm probably extrapolating, I know). And the third reason for Aziraphale calling, when something’s wrong which is just as important, because it means that when Aziraphale has a problem he turns to Crowley.

And here, there's the same.

Look Aziraphale who use the same wording as Crowley.

It's nice to tell someone about the good things you've done. SOMEONE again. Implying, "It’s nice to tell YOU about the good things I’ve done." And Aziraphale may well have added afterwards that it was because he was no longer reporting him to Paradise, we all know that this was just factual reports. Not the kind of enthusiastic speech he must have made to Crowley on the phone or over a drink. Just the difference in expression when he says it's good to tell about the good things you've done (he uses "good" and Crowley uses « clever" btw) and he speaks from Heaven tells a lot.

AND I'm coming to what isn't said at all, but is crystal clear, which is that Crowley doesn't say it bothers him. He lists the reasons for Aziraphale's calls, but at no point does he say or even show that it bothers him. Honestly when Crowley says, "This is your something's wrond voice." you can almost hear afterwards, "And here I am."