#Azimuth NE

[thorsenmark]

Across the Coachella Valley to Snow Capped Ridges and Peaks in Joshua Tree National Park by Mark Stevens Via Flickr: While at the Palm Springs Aerial Tramway (Mountain Station) with a view looking to the northeast.

[johnnyslittleanimalblog]

A Connection to Our Wilder Selves (Katmai National Park & Preserve) by Mark Stevens Via Flickr: I captured this image at the Falls Platform with a view looking to the northeast at Brooks Falls while observing a brown bear in Katmai National Park. The image is of a male brown bear on top of the Falls waiting for salmon to make the jump and attempt to catch it to eat. I pulled back on the focal length to capture more of the surrounding waterfall.

[libidomechanica]

With shadow fleet; she commemoration was I

A limerick sequence

               1

Watz glad moning, the long dead, the leads from head and faith, swear it. With shadow    fleet; she commemoration    was I in lowlye layed, hir bryȝt, redly I wolde. To chamber.

               2

Corinth alle þe wonder; for truthful, monsters echoed from the world is    disturb. She bread, now ar    ȝe not one. You did their native pound stretched man, I think on race.

               3

And that initial-scarred ful hiȝe sette bi þe boþe halyday lested, auinant.    His schelde hit on Aunt    Elizabeth and alle þay found to swing. In rain, I thoughts.

               4

He lounged at mele messengers did not love and rudely seek out the least    he watz blawyng of me?    An Eagle sored hye, that morning such sort the lone was wonde?

               5

Beware with coloured apert of hours of the C he gave us break? I    cannot claim: if not, sweet    pure, do not to be enjoy’d, is most wreck the cave and Dryȝtyn!

               6

The case for the red cloud, there is a light! Upon the white pese is dimme and    fancies to refer to.    And as I haf fraystez flesche and drank him for to wax ful ryche.

               7

With her foes with fire, till it stole, and in a heap of such glam of my day;    who were gnawed away along    morn that’s in her few books: hope. Poetic arm arms that path?

               8

Like a farewell loosest, faste, infant’s flame or clouding young Eulalie beauty    veil from remembered, þou    kyssez. In this rosy silken masquerading thoroughfare.

               9

And etayn in hymself, the Pagans who resign. Thou shalt wind the hard-maid    gay; but let this to the    trumpet black, thou art? Was I in his hap was opposition.

               10

Which I spoke, and peace, there was borne, we’ll go, and God on his own bride. And in    her eyes followed haire, nor    ever turned at me a littel lut with wake, my woful day.

               11

But her height in yowre born or not? But some great love-time. Between explosions,    as beleague of some were    wylle. Hit were ruffian’s head, sweet; from the heart will comprized.

               12

The knave, that when I wage battering was in passionate in the enamel.    The sea remembering    is her hung. And I am wyȝe schal we semly wyth a life?

               13

No winter went, but idiot gabble! Since which man, with this slain would never    could not persuaded    a Russian storm; burnez telle, lepez hym semly hit here.

               14

So late on the sings, and on the breeze in field; let us know what, he! I    con not melts. Go so you    see his part: as the who sees me you forth and lips shall I die.

               15

Thus that next? As one, but you that I drave among women’s pride demur: and,    when I should make. Became    Christ enthralling thorn; no leave me my songez, þat al lyked.

               16

Into amaze, to learne to schwue ne to be fair. Of the power to ease    my good is with its own    surrounded is þe brydel he care of a name is Martha!

               17

So radiant fire sprinkled cherries by the mountain where most grated the trains.    On all is vanity’s    machine, and taught would learns took a different face more þe dok laste.

               18

Define—nor Lov’d and drank its Fountain- source in gaol is pitiless rocks ye    rove, like fleas off my    pomegranates budde, record and Lyonel, and who quake to þenne?

               19

I besechez, vch hille hasped in a visor of Remorse. Than mine take    not, a little tent yow    lykez hit here. Were wyf— þe costez þe bayes to Tantals smart.

               20

Healthful friendship could make. Whom my song, my spirit of þe roust of other’s    lips Loues selfe, all with your    fair? Ask me no more—but pass: I think us streets of our Love.

               21

If i could not such a things I do, when a mourning mind thirst: for they flashed    will not be hard? Stand only    to expressed. She saw them ought that dreery death descry such?

               22

How fair the shelter of both jump back, it’s that burde bottom the moon, draw near.    Of unremember the    world. But die by long into my place on Earthly; and þe grete.

               23

As her! And I have to tears front row with renkkez to Sir Gawayne for hit    heldet, of more, but that    I am come and strange surprize the ducklings, samite she dead.

               24

A petty Ogress’, and azimuth, and laȝt fro þe brought them bothered garland    ancient men whom we    they are mutual rendez. Of heaven, twenty in the prince.

               25

Is but what woe after, and be calls of my house behind the green lane, again    once who gave his. Them    wich inhere; I can, without my boy never can teache the bread.

               26

And blew, and on the apple-tree lay lurk, what they rode; it selfe beget? And    oozed all breast, there those disches    þat tyme þat tyme, þat þou, leude hym loued the star-laden sky.

               27

Goes, and of ladiez gifte, þat he spread. The moon, the left his gold of the heard    war-music, you served, I    know a shelter now of thy sphere; they mocks,—shall knuckle on lode.

               28

And ȝe ar her brother, that sprange and none to the hubbub of thy soul’s thou    doest thy face, in þoȝt. Ay    watz halawed, whom Fame is young Eulalie one generation.

               29

I never, never the wind! I had a heart, which time the pointed frame wherein    morn. With new and with    hoofs bare her. The scorn to solely serued, he with female hands.

               30

Toward the hut I found him in thy calm white hiatus of an Angel guard    bleak steel tempest in they    maun I still my arms. For by denial seasons self the germ.

               31

Old bright, in toune. He did for no firebrand to this honde. Of his helme, þe    hall flowed that that hand of    life with thy Greek had was it will made me to meet but in flight.

               32

All. Where be whispering atoms lay, like them all else he distance lies, that    house for this is þe grene    chapel þou me tene place even as before King roared make synne.

               33

Who knowe! Everything but yet no more. Or fold there this one place; þe blod ouer    hit now hat; liȝt luflych    leȝten leaves, had him by, when folk at noon, and wynne þe wlonk euer.

               34

I see their ears listen! To Kerke the gusty shades whereto think it enough.    For their shade where be    love but in the hall flowed me. Clay for while something hearth-stone lake.

               35

Would have heard trewest on the shuddering nights did for her sex’s antidote.    Thus herbs in the heart, as    I am on thy complayne, much speech a friend.—This is alway.

               36

Her arms, while on the Oriental, suggest me those turns her venture is    a house, no, no. Since gomen    bygan, or hot day, till have letters are ridiculous.

               37

Ho dos hir vp radly view the current slipp’ry ground so closet case. Threat    or little wilful thing    bars, murmured down the winds are, but most and done into treasure!

               38

All good wife, and then the loftiest played and gif Gawan; his axe, and their separate,    did for ever white    neck was round here, and Stand, whose curtains over. In case to paint.

               39

Maud with their ful snare grows lay in disguise. Now continual hair—belle Isle,    while oure on earth and rod    ouer on my tales are fed with bruzd his bulk aboute, þat prove her.

               40

Then an empty left us flaccid and come of your fists are bad. I pored    upon us where burne    bode burne, on a spere in theyr peace—this Discourse, o ioyfull verse.

               41

They hate memory and now than aught thee that when haþeles þat he waterfall,    and doggez to his    brackish water’s terrible tasks: Gather white. Either that walks.

               42

Now is vylanye myȝt to acordez and lovely colonnade. You got an    oþer knyȝt ful þingez; þat    bi þe champaign; and alle þe for thee england is plaintiue please.

               43

Why! Matter, by that hides always so dumb look and calde hit schewed! From the    fire, the thou not to the    heart when the pear to mwe vtter, so make a brawne of alle oþer.

               44

Then later in? That ye shepheard, she sits to prize the tower of the waves,    on þis more temple pomp,    which it came up with incredulous. The keepe a sacrifice.

               45

And the soft the three, I would sing of the Russ flotilla getting by one,    silverswords ritch, and the    story? His scatteries recent, that dawed bot þaȝ men boþe.

               46

On bent it drop as the sigh for a whittle! Of þe quelle as a flowers    his weapons to masses    sweet; but moved my vision drede he wolde hit yow devaye wolde kepe.

               47

Print of the length upon the white skin; I nibbled within you! Sinks, yields, what    an iron in my hearty,    when evening shreds when we mery tale may thy silver-grene.

               48

That his hour in his legs his auntered and leany knaues, they came, all kinds    existed? What may ceased;    he shall dwelling mantle, while he hade in hast þat þou be dead!

               49

That hides done sole men who but at you wounded! Head, gained ground; and wise men foȝt.    Thy fate and frote, and blear’d    wombs of wreck, or wits by thy song of those make the moon, and war!

               50

So she, have done. Shall die. To take with the grist of summer. The Chariots    of day; and shot a slant    actions, lover from a darkness of knottes ful ȝerne at me.

               51

Hate of all them. Struck; with defended hym swared, and that she said, Stubborn,    but for thee: the finger    on rosy terms in idle loom still may know. I think on rank!

               52

Of insult let her in the story lingering fires, and your knyȝtez. And hear    divine in halle, and    twenty years, do I remembering was, trailed when thy face and still.

               53

And what high, grave the waked; my tears your soul was returning they lost both    Prince her come ye? Face,    onely by his this, while thee without founded brethren stayneth!

               54

That bids nor weep, and my telescope, they market I steal indeed from with    awa’! Weeping branches    green boat, Select their shoes of war would think she cannon on stedde.

               55

My mood is but a steep floors, old age shown all the time, sylvan history stays    blank wall. Transmit a scent,    to learn her eye was a sad they with the moon, draw in you will.

               56

And hugged and ugliness in mynde hym lyȝe in þis halden þe costes þat    hym to speded by servance.    And hit fallez, and bear the shadow moves picture’s shadows.

               57

On vche tyme þat ȝe me that wont to see. ’ Martial immortal intend, but    her beloved; but there    were firm, or whether inspired! Dead to-morrow, or cries Hark!

               58

When I told the sorrow afterimage see. On all, hear, my sweet, to lag    behind you say: back rocks    the glass shall stir not up, nor thy face their soul, going his rough.

               59

Yet God’s sweetest, to drag it to þe dece drew in her altar, O my    beloved right! Who were parts    couldn’t be lost, they had nomen, he wolde. To flyȝes, wiȝt wall, that all.

[marscratersdoug]

First Mars Craters Post

This is for a project I’m doing at work that is basically data analyst training through Coursera.

Data Analyst Mars Craters Research Topic

Craters on Mars will be classified by which one of four quadrants (NE, NW, SE, SW) the crater occurs. Further each quadrant will be analyzed for the number and size of the craters in the quadrant. The craters will be grouped by size into ten different groups and the frequency of each size group within the quadrant will be calculated. Analysis will be performed to see if a particular quadrant or hemisphere is more cratered than the rest.

As an additional topic the quadrants will be further divided into smaller sections and the analysis of crater size will again be performed for each of the smaller sections. The sections will be searched for clusters of craters.

Here is some similar research:

Distribution, classification, and ages of Martian impact crater lakesNA Cabrol, EA Grin - Icarus, 1999 - ElsevierPaleolakes in impact craters on Mars are characterized at global scale using the Viking Orbiter data. We identified 179 paleolakes in impact structures formed by the influx of water and sediment derived from valley networks and channels that can be classified into three … Cited by 297 Related articles All 6 versions    [PDF] dejahvu.netCratering chronology and the evolution of MarsWK Hartmann, G Neukum - Chronology and evolution of Mars, 2001 - Springer… Hartmann (1984), Neukum and Ivanov (1994), and Hartmann and Gaskell (1997) have shown that craters reach a … result on saturation is also confirmed by Phobos (Figure 3a), which, orbiting above the Mars atmosphere, has no losses due to the Martian surface erosion … Cited by 1128 Related articles All 12 versions    [PDF] ucf.eduMars/Moon cratering rate ratio estimatesBA Ivanov - Space Science Reviews, 2001 - Springer… compares SFD brunches with thesame steepness m. One cannot compare the number of craters on Mars … of uncertainty in these estimates is connected with possible modulation of the Mars crossers orbital evolution with the evolution of the eccentricity of the Martian orbit … Cited by 543 Related articles All 17 versions    [PDF] psu.eduRedefinition of the crater-density and absolute-age boundaries for the chronostratigraphic system of MarsSC Werner, KL Tanaka - Icarus, 2011 - Elsevier… Table 2. Crater frequencies and their model absolute ages for lower boundaries of martian epochs at specific crater … The assignment of crater-density values to epoch boundaries for Mars relies on the caliber of the referents used and their ability to retain impact craters … Cited by 108 Related articles All 11 versions    Martian planetwide crater distributions: Implications for geologic history and surface processesLA Soderblom, CD Condit, RA West, BM Herman… - Icarus, 1974 - ElsevierPopulation-density maps of craters in three size ranges (0.6 to 1.2 km, 4 to 10 km, and> 20 km in diameter) were compiled for most of Mars from Mariner 9 imagery. These data provide: historical records of the eolian processes (0.6 to 1.2 km craters); stratigraphic, relative, and … Cited by 222 Related articles All 6 versions    [HTML] harvard.eduThe stratigraphy of MarsKL Tanaka - Journal of Geophysical Research: Solid Earth, 1986 - Wiley Online Library… Fig 2. Chart showing model chronologies for the moon and Mars … Inferred ages for Martian Hesperian and Amazonian epochs are based on crater- densities of series (Table … and Hartmann et aL [1981] (Model 2). Because of obliteration of smaller Noachian craters, these models … Cited by 628 Related articles All 9 versions    [PDF] researchgate.netCrater size-frequency distributions and a revised Martian relative chronologyNG Barlow - Icarus, 1988 - ElsevierA revised Martian relative chronology is determined which dates geologic units with respect to the end of the period of heavy bombardment. This analysis differs from previous studies by using Viking 1: 2M photomosaics to map all 25,826 craters⩾ 8km diameter which … Cited by 192 Related articles All 8 versions

Codebook for the project:

CRATER_ID Unique Identifier Data Type 2I-6I Crater ID for internal sue, based upon the region of the planet (1/16ths), the “pass” under which the crate was identified, ad the order in which it was identified. CRATER_NAME Data Type S Name of crater. LATITUDE_CIRCLE_IMAGE Data Type D Latitude from the derived center of a non-­linear least-­squares circle fit to the vertices selected to manually identify the crater rim (units are decimal degrees North). LONGITUDE_CIRCLE_IMAGE Data Type D Longitude from the derived center of a non-linear least-squares circle fit to the vertices selected to manually identify the crater rim (units are decimal degrees East). DIAM_CIRCLE_IMAGE Data Type D Diameter from a non-linear least squares circle fit to the vertices selected to manually identify the crater rim (units are km). DEPTH_RIMFLOOR_TOPOG Data Type D Average elevation of each of the manually determined N points along (or inside) the crater rim(units are km) (1) Depth Rim -­Points are selected as relative topographic highs under the assumption they are the least eroded so most original points along the rim (2) Depth Floor Points were chosen as the lowest elevation that did not include visible embedded craters MORPHOLOGY_EJECTA_1 Data Type S Ejecta morphology classified. Examples below. o If there are multiple values, separated by a /, then the order is the inner-most ejecta through the outer-most, or the top-most through the bottom-most MORPHOLOGY_EJECTA_2 Data Type S The morphology of the layer(s) itself/themselves. This classification system is unique to this work. MORPHOLOGY_EJECTA_3 Data Type S Overall texture and/or shape of some of the layer(s)/ejecta that are generally unique and deserve separate morphological classification. NUMBER_LAYERS Data Type I The maximum number of cohesive layers in any azimuthal direction that could be reliably identified.

[ericmie]

Eric Mie - Complexe

Cette chanson n’aurait jamais existé sans Bernard Mabille. Je m’explique. En automne 2003, le duo Lobo & Mie est embauché par le Caveau de La République (célèbre théâtre de chansonniers aujourd’hui disparu et remplacé par une usine à stand-up comme une autre). Nous y jouerons quatre mois, chaque année, pendant 9 ans. On y rencontrera et partagera l’affiche avec des artistes comme  Gustave Parking, Gilles Detroit (on fera même sa première partie au Casino de Paris et Félix Lobo coécrira ses sketchs pas mal de temps), Calixte De Nigremont, Stéphane Guillon, Bernard Azimuth, Eric Antoine, Gaspard Proust, Olivier Lejeune, Nicole Ferroni, Izabelle Laporte, Jean Roucas, Gwen Aduh, Frédéric Fromet, Paul Adam, Manuel Pratt, Zeu Dogz, Albert Meslay, Frederick Sigrist, Christophe Guybet, Sylvian Coudène, Tony Saint Laurent, Angel Ramos, Jean Martiny, Michel Guidoni, Frédéric Lebon,  Olivier Perrin, Dany Morau, Edmond Meunier  et, donc, Bernard Mabille. Quand j’apprends qu’on est programmé avec ce dernier, j’avoue, que j’appréhende un peu. Car avec mes ornières de gauchiste, mes dogmes d’anarco-communiste et mon prêt-à-penser proudhonien, j’ai des préjugés sur le gaillard.  Je sais qu’il a été l’auteur de Thierry Le Luron et qu’il écrit des articles pour « Valeurs Actuelles ». Du coup ça le classe, pour moi, définitivement dans le clan des réacs. Mais sa rencontre change tout. On tombe sur un humain, doux et charmant, et ses sketchs fonctionnent à merveille. Il nous invite également à aller voir son spectacle en entier au théâtre de dix heures. On y va et on adore. Il fustige tout le monde et défend même Nathalie Ménigon, l’ancienne terroriste d’Action directe, qui crève dans sa prison alors qu’on libère Papon pour ses ennuis de santé. Je suis chamboulé.  Après le spectacle, j’ose lui dire que j’avais peur de le rencontrer et je lui expose tous mes préjugés. Il rigole puis me dit : « Je vais te raconter une histoire. Thierry le Luron, bien que marqué à droite, adorait l’association Greenpeace. Un jour il apprend que l’association organise un gros concert de soutien à leur action. Thierry appelle lui-même les responsables. Les gens de Greenpeace sont étonnés car, selon eux, il ne colle pas à l’image de l’ONGI et lui disent non. Ils préfèrent un autre chanteur, très marqué à gauche mais ce dernier demande une trop grosse somme. Thierry lui voulait y aller bénévolement. » « Tu vois » conclu-t-il «  tout est plus complexe. » « Mais toi ? » dis-je « tu te situe où politiquement ? » « Disons que je suis gentiment anar. »  Cette rencontre et cette histoire me marquera toujours. Le 6 Mai 2004, dans le train qui me ramène chez moi, j’écris ce texte en pensant à Bernard mais aussi à Marcel Aymé qui écrivait des articles dans « Je suis Partout » (hebdomadaire antisémite et collaborationniste) mais pour dénoncer les mesures « ignobles et humiliantes » qui atteignaient les juifs comme le port de l’étoile jaune. Ce thème, la complexité des choses, me suit encore et je ne cesse d’y revenir dessus pour écrire encore et toujours la même chanson. A suivre donc…

[nintendo-town]

Shmubedi Boo (Nintendo Switch) - Le test

Shmubedi Boo (Nintendo Switch) – Le test

Shmubedi Boo c’est d’abord et avant tout un jeu au nom imprononçable, mais d’excellents souvenirs sur le méconnu Woodruff and the Schnibble of Azimuth, ne nous laisseront pas abandonner un titre difficile à énoncer sur cette seule raison. Non ! Shumedi Boo c’est aussi un jeu développé en solitaire par l’ukrainien Dmytro Derybas. Ces titres faits maison sont bien évidemment les productions…

[factload858]

Free Mapping Software For Mac

Turn Metes and Bounds data into a deed plot map.

(click screenshot to enlarge)

The MAPublisher software suite is Mac and Windows software. MAPublisher is GIS software, and includes features such as color coding, geocoding, image exporting, image management, internet mapping, interoperability, labeling, map creation, map sharing, and spatial analysis. MAPublisher offers a free trial. Download ArcGIS 1.5 for Mac from our website for free. The software belongs to Lifestyle Tools. This free Mac app was originally created by ESRI. Visualize and analyze with any map you need. ESpatial is a complete mapping software for Mac, with a wide range of visualization, analysis and planning features. Flip through the tabs below to see a variety of the map types you can create in just minutes. Regional heat map.

Also see the Metes and Bounds Video and Tutorial section below.

Easy to use data entry form: Enter lines, curves, azimuths, compass points and section calls. Data can be entered using the convenient Data Entry Form or freehand using word processor style entry. Calls can also be easily drawn using the call drawing tool.

Background Pictures: Background pictures can be set to scale with your plot drawing. Background picture scale settings can be automatically set using World Files.

Multiple Layers: Layers allow you to have multiple deeds on a single drawing. Layers can be free floating or locked to a common starting point.

Perform calculations: Square Feet, Acres, Hectares, perimeter distance and more.

Metes and Bounds will calculate if the survey closes or not. Calculate closure errors: closing error ratios and the call needed to close the plot. Apply Compass Rule Adjustments.

The Metes and Bounds closing error analyzer tool can look for common entry or survey errors and offer suggestions on how to correct them.

Auto-Completion of drawing. If you're missing the final segment of your land plotting data, let our Metes and Bounds land plotting software finish it for you. Have a bad or missing call? Enter a question mark (?) for the call and let the software find the missing call for you. Close drawings using Bearing-Bearing Intersections and Distance-Distance Intersections.

Multiple measurement types: Data can be entered using feet, meters, rods, chains, varas and many other measurement types.

Create section drawings:

(N 1/2 of the NE 1/4 of the SE 1/4)

Easy to use measuring tool. Estimate the distance between any two points on the screen.

Automatic labeling: Each line can be automatically labeled with the length and call. End points can be marked for easier recognition. End points can also be labeled with information like the interior/exterior angles and Lat/Long coordinates.

Create custom labels. Custom labels can be rotated in any direction. Search feature can be used to find which layers contain which labels.

Drawings can include a call list: Custom X,Y points. Use custom X,Y points to mark and label unique land features on the metes and bounds drawing.

Split a single plot into multiple plots. Split the plot by hand, or choose a starting point and let the Metes and Bounds software find the nearest halves automatically for you.

Merge Layer: Layers can be easily merged into a single layer using the Merge Layer Tool.

Customizable Toolbar: Create an interface that fits to your workflow.

Interoperability: Metes and Bounds has been designed to be as compatible with as many different systems and programs as possible.

Exporting: Metes and Bounds data can be exported as DXF files, KML Files, CSV files, Shapefiles(.shp) and more.

DXF Output viewed in a CAD program

KML Output viewed in Google Earth Free easter wallpaper for mac.

Importing: Metes and Bounds can import data from many types of DXF files, KML files, CSV files, Shapefiles(.shp), GeoJSON and more.

Call lists can be formatted for importing into Metes and Bounds or exporting from Metes and Bounds with other deed plotting software such as Net Deed Plotter® by Greenbrier Graphics, LLC.

Free Map Programs Downloads

Real-world X,Y coordinates.Export real-world X,Y coordinates for integration with other mapping software such as GIS software.

Free Drone Mapping Software For Mac

Waypoints to metes and bounds calls. Convert a set of waypoints, x/y or Latitude/Longitude based, into a list of metes and bounds calls.

Enter Waypoints and Tracks. Add GPS waypoints and tracks to your drawings. Import GPX and KML files. Make calculations like the distance between two waypoints.

Real-world Latitude and Longitude coordinates. Enter the latitude and longitude for a plot's POB and let the metes and bounds software calculate the latitude and longitude for each of the other end points. A plot's POB lat/long can also be set by UTM datum or World Files.

Recognition: Metes and Bounds can be found in Genealogy Online For Dummies® - 5th Edition, by Wiley Publishing.

Mapping Software

Additional Uses: Lawn Sprinkler Estimator

[thorsenmark]

Rising Above the Everyday Experiences by Mark Stevens Via Flickr: A setting looking to the northeast while taking in views to the ridges and peaks present at this overlook in Grandfather Mountain State Park. This is at the Grandfather Mountain Scenic Point along the main park road. In composing this image, I attempted to more or less center the peaks in the image so that I could have a balance between the earth-tones present with the nearby forest (still with that winter look with no leaves present) with that of the blue skies and clouds above. I liked the color contrast that brought out in the image captured.

[johnnyslittleanimalblog]

The Official Field Greeter to Katmai National Park by Mark Stevens Via Flickr:  this is chunk (bear 32.) he was the first bear seen when they turned on the  explore.org bear cams the other day at brooks falls in katmai. this pic was taken that day. I have been checking the cams constantly since they were turned on and was lucky enough to see chunk and I was surprised how fat he is already and how good he looks, bear force one ( 747 ) has also been seen in the last week before the cams were tuned on and reportedly looks great. the salmon have not yet begun to run so the bears are scarce so far but keep checking because once the salmon appear so will lots of bears and it will happen soon and quickly. I will post a link to the bear cams  ~ johnny

[lesjeunesmariees]

Je vous en avais parlé il y a peu de temps. La voilà !! Ma boutique en ligne Azimuth Création vient tout juste d’ouvrir. Pour le moment, il n’y a que de la kirigami mais, sous peu, j’ajouterai des créations d’origami. Je pense me consacrer principalement à des objets en papier.

Vous y trouverez des réalisations prêtes à décorer votre intérieur mais également des fichiers numériques pour que vous puissiez dire : “C’est moi qui l’ai fait !”

N’hésitez pas à rebloguer ce post. On ne sait jamais : de reblogs en reblogs, il pourrait rencontrer des acheteurs :)

[eglise22]

Joie d'avoir gagné le million

Ce n'est vraiment pas fréquent de rencontrer des millionnaires. Et pourtant que de gens se pressent dans les comptoirs de billets à gratter ou en attente des résultats hippiques. Quand ils gagnent, ils ont le gain réservé, comme si l'argent gagné était sale.Tristan Bernard n'a-t-il pas dit « l'argent n'a pas d'odeur, mais à partir d'un million, il commence à se faire sentir ».

Le mot million est fréquemment employé. C'est un nombre précis et cardinal, qui sous-entend la multitude, le foisonnement, le grouillement, une fréquence qui nous parait hors d'atteinte. Un sage a dit que l'espérance est le million des pauvres. Foin de rêve, venons en à la réalité.

Il y a une douzaine d'années, à Plérin, le pasteur Eric Le Forestier a entrepris de saisir un moyen numérique pour rendre visible l'Église qui est en Goëlo. Mais une telle tâche requiert une mise à jour quasi permanente pour pérenniser.

C'est alors qu'un webmaster bénévole, avec l'accord de son curé de l'époque l'abbé Jean Mabundi et d'un autre bénévole, a pris l'affaire en mains et en esprit. Le pape lui-même lors de Journées de la Communication encourageait les fidèles à s'emparer de moyens modernes ; allant même à qualifier cette nouvelle présence au monde de diaconie numérique.

Voilà que ces jours-ci, les statistiques du site inter-paroissial https://cplittoralouest.catholique.fr/ viennent d'atteindre le million d'internautes. C'est un beau cadeau de Noël pour la Communauté Paroissiale du Sud Goëlo, et un petit plaisir pour ceux qui animent ce site.

Puisque nous mentionnons ce beau chiffre ,il est heureux de dire que les articles qui ont le plus de succès, le palmarès de tête, revient à un article sur les « Les 7 sacrements de l'Église catholique » sur le 1er podium avec près de 300 000 visites. S'ensuivent « Wiki…fuites » sur le nécessaire secret en cette période transparence tous azimuths et « “Ce que Dieu a uni, que l'homme ne le sépare pas !” ».

L'originalité d'un tel site, en complément des bulletins paroissiaux, est qu'outre qu'il soit gratuit, il rend compte de l'actualité immédiatement, et pour les grands événements met en ligne de nombreuses photos qui immortalisent ces fêtes.Pour l'information quotidienne des paroisses Notre Dame de la Mer et Étables-sur-Mer, il communique homélies, évangile du jour, horaires des Messes et services, une mine réactualisée en permanence.

Au XXIe siècle, le chrétien doit s'affirmer, et parler au monde, et au monde digital. Le site internet sait éviter les questions polémiques, mais parfois, par des chemins détournés, témoigner de ce qui le fait vivre, « in tempore opportuno » [1] quand il faut, à bon escient.

[1] « dans un temps ou tu peux »

via Communauté pastorale du Littoral Ouest https://ift.tt/2sKvG4w

[mossdeep-archive]

NES, super NES, PC, & Wii!

NES: favorite video game character

my goodness this is a hard one i have so many!!!  of all time i would have to say ratchet from ratchet and clank, but for a more recent game i’ve played its javier from twdg season 3!

Super NES: least favorite video game character 

i’m assuming this doesn’t include villians bc there’s a question for that? so, going off characters that are not evil really i just don’t fucking like them: tingle

that fucker cost me so many rupees in wind waker i’m still in debt to this day

PC: favorite villain

hands down alister azimuth from r+c: a crack in time

he was just???? such a well written chatacter?? that game still makes me cry to this day they did such a good job with it. if they had stopped there with the games all would be well but they keep shitting them out like Stop

[thorsenmark]

Walking Around the Cades Cove Primitive Baptist Church (Great Smoky Mountains National Park) by Mark Stevens Via Flickr: An image captured while walking around and taking in view of the Primitive Baptist Church in the Cades Cove area of Great Smoky Mountains National Park. The view is in a grassy area outside the church with a view looking to the northeast. My thought in composing this image had been to pull back on the focal length so that I could include some of the nearby surrounding for this church. They were actually two reasons for that. One was to have the trees and skies to help frame the setting; I felt that important for the image. The other was more practical, as I intended to use the Perspective tool in DxO PhotoLab 7 to straighten out the angles, which I knew would take away some of the area around the church as part of that process.

[johnnyslittleanimalblog]

Scratching an Itch While Standing on the Edge of Brooks Falls (Katmai National Park & Preserve) by Mark Stevens Via Flickr: I captured this with my Nikon D800E SLR camera using a Tamron SP 150-600mm f/5-6.3 Di VC USD G2 lens. I was at the Falls Platform with a view looking to the northeast at the Brooks Falls while observing brown bears in Katmai National Park. What I liked about this image was how the bear was either scratching himself or getting tired of the flies around as he stood on the waterfall edge.