#Audio Reviews

[twojamie-o-clock]

“The War to End All Wars” CC 8.10 Audio

I just finished listening to the above and had some thoughts so. Yeah.

I love the idea of the “villain” being a system even if it’s a bit in our faces. The whole concept seemed interesting, from the generated wartime that no one wanted, to the slow dismantling that the Doctor set off in a cascade. But it felt a lot like the plot of Steven & dodo fighting on opposite sides in a war was created first, and then they came up with the whole prisoner-colony thing. It made absolutely no sense until the Doctor explained it because I didn’t feel like there was much foreshadowing or hints throughout the audio to signal this. Also Steven randomly becoming a politician was so weird, the storyline of him becoming a soldier to a leader to a solider was so rushed and made no sense at all like even in a fictional, alien planet. It feels like they tried to cram too many ideas (Steven having to become a leader, Steven being a soldier again, the whole concept of the colony, etc.) into one audio. Normally I feel like Doctor Who is really good at taking the most random points or concepts and bringing them together into amazing stories but this one just didn’t.

I did enjoy the incorporation of the story into Steven’s life after the Doctor with his granddaughter Sida. I was even more excited when I clicked on his next audio and learned it picks up from there, so I’m happy I can continue to listen to Steven’s audio adventures while learning about his life post-tardis in the same audio. This kind of leans into the opening of “the founding fathers” which I just started as I’m writing this, but Steven using storytelling to give lessons to people around him so wonderful and feels very in character, especially since he’s much older now. I can definitely see him raising his daughters on these stories, and using every chance he gets to share them with people in informational ways. My favorite part of this audio were the tidbits about his life as a king and after he stepped down. I would honestly rather have the audio focus on that, but drawing in another dodo & Steven adventure was a great thing to do - I just didn’t like said adventure as much.

Anyway I would give this audio a 5/10 for plot but 7/10 for characters because I feel they did a good job with making Steven & Dodo feel very much themselves.

[pulsar-ray]

This subby catboy audio is too demanding for a subby catboy. I want him to have a mental breakdown in my arms

[magnus-glitch-archive]

This is The Magnus Glitches Archive, a documentation of the audio anomalies present in the podcast The Magnus Protocol.

Here are some tips to navigate this archive

• Specific characters are tagged for episodes in which audio anomalies are associated with something they said. You can search, for example, "#Sam Khalid" and find all of the episodes in which he received a glitch.

• If you hear a glitch you think has been missed please feel free to send an ask with the episode and line, or timestamp. These will be tagged with "#glitch review"

• Episodes themselves are also tagged as "#tmagp 1" and so on, this will likely be more useful as the series continues.

• Primary listed glitches are in reference to the distinct electric buzz heard seemingly after characters knowingly lie or deceive. Other anomalous audio will be tagged with "#audio anomaly" to make them easier to find in efforts to decipher meaning.

• If you're just wanting to see the episode posts with none of the response posts you can search the posts tagged with "#Magnus Glitches"

For laughs you can find the "I'm fine" counter in the blog bio, showing how many times someone has been called out with a glitch for lying about their wellbeing.

There is also a simple Gdoc file as well for those that prefer that format: Magnus Glitches Archive.

And for those looking for it, I also created a Magnus Archives Masterdoc

This document is a succinct summary of all the major people, places, items, and groups in the original Magnus Archives series, with internal reference links. No fanon or personal interpretations are included, this is all purely from within the show, including all available visual descriptions. I find this easier than pouring through the ad addled wiki page, which also sometimes seems to contain subjective assumptions or connections.

Thank you all for your continued support and encouragement. I've been truly moved by all the comments saying this has helped those with auditory processing issues, and I'm so glad to be helping.

[dawnofiight]

Damien is the friend to check your essay for grammar, spelling mistakes, and making sure that shit just makes sense in general.

He will straight tell you if you need to redo a paragraph or if your essay is ass and he will have an essay of his own about why it is.

"Run on sentence part 1. Add a comma. Add a quotation. Run on sentence part 2. This sentence isn't necessary. Make this into a new paragraph. Run on sentence part 3-"

[peacereturnedtothevalley]

Do you:

1. Love and miss hunter x hunter

2. Love funny and insightful analysis about your favorite show hunter x hunter

3. Want to hear someone experience the show for the first time with very little exposure to shonen and hear them fall in love with it

4. Want to know about Demon World Theory

Then you should listen to Media Club Plus!

It is a media analysis podcast by cast members of Friends at the Table (tabletop actual play podcast (don’t worry if that means nothing to you) (for now)) who deep dive on the various themes of the show and its music and also discuss who is boyfriends

I’ve had a wonderful time following along with this show, especially as Jack, the aforementioned newbie, makes many accurate predictions about where the show will might go, but mostly in ways they would never have expected.

The first episode in their feed is the audio from when their friends made them analyze misleading screenshots from the show, with conclusions like “this gorilla playing dodgeball is a named character” (false) and “this businessman watching people play rock paper scissors is not a main character” (false, it’s our guy leorio).

The show updates biweekly on Tuesdays and they just started Greed Island! That means all of Yorknew city is out there for your listening ears, get the pod on their site or on any podcast app of your choice!!!

[re-dracula]

Personal beef with the commenter who said a gunshot warning was unnecessary as I listen to the audiobook and am startled A THIRD TIME by the sound

[anaid-arghem]

Williams teammates in 1996.

[goodpointepodcasts]

I have them in a few other places, but I think I’m going to start posting my podcast reviews on here as well. Lots of Indie Audio Drama love coming soon.

[dice-sociation]

Girls Who Don’t DnD

Quick Info

Audio Quality: High-Quality Audio, Effects, Music. (Occasional fan-submitted recordings)

Vibes: Throne of Glass, Doctor Who, Alice in Wonderland, Charlie and the Chocolate Factory, Princess and the Pauper

Extras: Patreon rewards, Discord Community with Book Club, and more!

System: 5e DnD

Campaign/ Show Length: Long Term Campaign

Average Episode time: 1.5 Hours (varies a bit)

Uploads 1 episode a month. 

Diversity: Majority Women

Platforms: Podcast, Audio Only. 

Number of Episodes This Review is based on: 30+ 

** If you want the TLDR, scroll to the bottom of the post **

Why Girls Who Don’t DnD?

How often have you said to yourself, “Man, I wish I could experience that for the first time again?” While we can’t reset your brain, you can live vicariously through the Girls Who Don’t D&D podcast. 

If you're looking for a podcast with relaxed gameplay, fantastic humor, great editing, and effects, you should read on to learn more. This wonderful adventure showcases the beautiful experience of watching three girls fall in love with Dungeons and Dragons (D&D). 

Starting the Pod

The podcast starts with Cory, the Dungeon Master (DM), explaining that he has invited three girls, Indy, Alana, and Stacey, who have never played D&D, into his world of Kalee with premade characters. If you, the listener, haven’t played before, you’ll learn a lot just from listening. Cory purposely doesn’t edit out explanations of how to play. I’m confident my experience was better because I was still learning to play the game myself as I started listening.

Right from the start you will hear how much work Cory puts into editing and pre-recording. He recruits people to voice-act for non-player characters (NPCs) or to play out memories or scenes. Some additions are just for the listeners, giving us a little extra information about the lore of the world. This includes the origin of magical artifacts, gods, and sometimes an NPC’s perspective that the players don’t get to hear.  It feels like listening to an audiobook and honestly, I think “booktok” would love Girls Who Don’t DnD. 

We learn that the three player characters, Freya, Kaa'Riin, and Morrigan, have lost their memories and need to recover them. The story and the discovery of who the player characters are and what happened to them work in tandem with the players themselves learning the game in a beautiful way. 

Power gamers and hardcore strategy? We don’t need that here. (Tosses book over shoulder). This group is made of story-tellers who usually choose to progress the narrative over strategy. At first, it's like watching Without A Recipe or the British Bake Off challenge where they have no clue what they are supposed to be making. This makes it all the more special when the players get more comfortable with the gameplay and more grounded in their characters. 

About the Team

Cory, "(who owns all the books but hasn't read them)"* completely absorbs the chaos the girls bring to the table and somehow also keeps them immersed in the story. He holds onto the rules of D&D loosely, letting his players use their abilities in different and unique ways. You still get full epic fights with no pulled punches, yet they feel more cinematic than the usual D&D grind. Outside of combat, Cory introduces challenging puzzles and encounters that present more opportunities for his players to think outside the mechanics of the game.

I adore Alana, Indy, and Stacy. I have some difficulty with telling their voices apart, but I never felt like that took away from my enjoyment of the show. Over time they develop their characters and have different play styles. They all have so much personality and bring their own flavor to the table. 

Indy, playing Freya the Rogue, has to be the most classic of first-time players, starting a little hack-and-slash happy, but eventually, she gets really into the strategy of the game. Freya is a cheeky scamp of a character and Indy leans naturally into the rogue class.  

Alana, playing Morrigan the Sorcerer, is usually the most sensible of the group. She is a leader in a way. There is so much more I want to say but I can't think of anything that isn't a big spoiler. Playing a sorcerer for your first time playing D&D is never easy, but Cory was able to ease her into the role and she runs with it.

Stacey, playing Kaa'Riin the Bearbarian (Druid with some Barbarian), has some epic combat moments. She can change from one animal to another without reverting to humanoid form, which deviates from traditional Druid rules. This decision, as well as other tweaks of the rules, help the pacing of the overall production. 

And sure, you're probably thinking their whole schtick is that they don't know D&D, so wouldn't it lose its charm after they get better? Absolutely not. Not even a little bit. This table is casual, silly, charming, and gripping. They make me feel like I am with my best friends playing our chaos gremlins together. 

A special shout to Mia Stegner (https://www.miastegner.com/) who composed and performed the opening and closing songs. It’s the cherry on top of this podcast sunday.

*Referenced from the Podcast Description. https://www.girlswhodontdnd.com/ 

About the world

“There is a saying among the good people of Kalee, when you know what is right, do what is right, and then deliver it all into the endless sea” From Episode 1: Throw it Into the Sea, Aug 16, 2021.

Cory presents a world both complex and informed by the player's choices and features some of the more bizarre parts of typical High Fantasy settings. 

There is just something so satisfying about learning the characters' backstories and how their stories are expertly baked in the many-layered cake that makes the world. Flavors include; wild magic, strange and whimsical characters, Evil Queens, “timey-wimey” stuff, super cute plans, snails, Gods, magic crystals, trapped souls, and Alan (the real star of the later episodes).

Extras

There are so many Patreon perks! You get behind-the-scenes talks, recipes from Indy, DMing tips, Lana's book reviews, and more! You can also join their Discord server where Cory is pretty active and they encourage community gaming and have a book club.

TL;DR: 

This podcast is about girls learning to play D&D using premade characters with amnesia. The girls learning to play parallels the story’s progression as they regain memories. 

Reliving the experience of learning to play for the first time all over again. 

Loosely follows the rules of 5e to keep the pacing up.

DM Cory recruits people to voice act for NPCs or to play out memories or scenes. Some additions are just for the listeners, giving us a little extra information about the lore of the world.

It's a little hard to tell the girls apart, but I don’t think it takes away from my enjoyment at all. 

Wild magic, strange and whimsical characters, Evil Queens, “timey-wimey” stuff, super cute plans, snails, Gods, magic crystals, trapped souls, and Alan. 

DM Cory presents a world both complex and informed by the player's choices and features some of the more bizarre parts of typical High Fantasy settings.

Special thanks to Artax of Who's Taking Watch for helping with editing!

No Context Gifs:

[keep-ur-head-low]

Song List for Gatsby: An American Myth

Yesterday was the official opening night for Florence Welch's Gatsby at the ART and I noticed it hasn't been posted here so here's the official song list! Note that this is an entirely different adaptation of The Great Gatsby than the one currently on Broadway and this list is still subject to change in the future.

ACT 1:

Welcome To The New World

Golden Girl

Valley Of Ashes

Shakin Off The Dust

New York Symphony

One Heart Beat

Deathless Song

Feels Like Hell

A Smile Like That Is Rare

Month Of Love

I've Changed My Mind

Pouring Down

Mr. Nobody From Nowhere

Act 2:

Just A Little Party

Welcome To The New World (Reprise)

Driving My Way

What Is This Worship

What Will We Do With Ourselves?

What Of Love, What Of God

The Dream Fought On

The Damage That You Do

Vigil

America, She Breaks

Pouring Down (Reprise)

We Beat On

[crescentfool]

grocery boy (a splatoon oc animatic)

audio source

[quisters]

I’m going to start reviewing fiction podcasts. What should I do first?

(Please comment, ask, or reblog your suggestions!!)

[thebookdragonshoard]

The Wicked King by Holly Black: Review (SPOILERS)

Dearest gentle readers (sorry, I've been watching too much Bridgerton).

Anyways, hello bitches, bros, and nonbinary hoes!! (+10 points if you can name that reference). I will most likely be jumping around from scene to scene instead of reviewing them chronologically because like my thought process, I can't do anything in an orderly or linear fashion.

The Wicked King by Holly Black is a 30 chapter, 448 page (or 10hr 21min audio book) book and is the second installment in the The Folk of the Air trilogy. It is primarily a political fantasy with a subplot of romance centering around our main character, Jude Duarte. Given that this is the second book in the series and that you are reading this, I will assume you already know the characters.

First of all, I'd like to highlight the fact that this is a political fantasy with a SUBplot of romance. I love the fact that, although the growing relationship between Cardan and Jude is relevant to the story, it is not the main focus. I feel like lately, many books are either hinged on romance or completely cut it out, so it always feels as if it's all or nothing. And I appreciate that Holly Black, while still producing a well-written and convincing romance, gave us a complex and captivating political scene with the world-building to match.

One of my favorite aspects of this book was how we got to see more into the inner workings of the High Court and life inside the palace. It was something I often found myself curious about while reading the first book (The Cruel Prince). Plus, we also got to see more faerie revels, which are always fun scenes to read, in my opinion.

Speaking of faerie revels, the revel on the night of the Hunter's Moon. First of all, I deeply despise Locke, and I just had to say that somewhere. Anyways, I like to believe that Jude being crowned Queen of Mirth was not only coincidental in her being the only mortal girl there, but also foreshadowing for the end of the book, when Jude rises to High Queen of Elfhame. Especially how, with her 'coronation' as Queen of Mirth, she was mocked and ridiculed the entire time (as per the game). When Jude is named High Queen and declares as such at the end of the book, the folk around her have much of the same reaction and start laughing at her almost instantaneously, Just like crowing a mortal as Queen of Mirth is meant to be a joke, Jude being crowned as the High Queen is received as a joke by the folk, however true it may be. Furthermore, a part of me has to admire the way Jude handled herself as Queen of Mirth and remained composed despite all the insults and ridiculed, even going so far as to turn the situation in her favor towards the end of the scene. For instance, how she strips herself naked before allowing the folk to dress her in the tattered gown given to the Queen of Mirth. It's such a powerful move for her and it basically screams to the folk that despite, no, in the face their cruel intentions, she can still hold her head high and that none of them could strip her of her dignity, despite how hard they may try. She silently says that whatever they may do to embarass her pales in comparison of what she can do to embarass herself and that, even though she is mortal, she is just as faerie as the rest of them, if not more so. Which I have personally thought since her first scheme to get Cardan on the throne. I think this quote sums it up very well. "After all, if the insult to me is pointing out that I am mortal, than this is my riposte: I live here, too, and I know the rules. Perhaps I even know them better than you since you were born into them, but I had to learn. Perhaps I know them better than you because you have greater leeway to break them."

However, even though Jude was the main focus of the scene, I have to bring up Cardan's actions. Because oh my gods, Cardan. First of all, how he makes sure that Taryn isn't there that night makes me believe that he did it not only because Jude asked him to help protect her from Locke, but that he also did it for Jude's sake. Because what would have been the one worse thing for Jude than her being named Queen of Mirth? If it were Taryn instead. Because I fully believe Locke would do it with zero hesitation, even though Taryn was supposed to be his lover. Additionally, Cardan tried to warn Jude to leave the revel towards the beginning of the scene, effectively trying to protect her from Locke's torment. And then what Cardan said when Locke asked about his feelings for Jude. " I have too often been troubled by dreams of Jude... her face features prominently in my most frequent nightmares... But I believe it is only that her beauty is unique... Excruciating. Alarming. Distressing." We all know that Cardan, being faerie, cannot lie and therefore has to be telling some form of the truth in this scene. And at first read, it's all too easy to assume he is being intentionally cruel. I certainly thought so at first. But then I remembered how Cardan previously admitted his attraction to Jude, more specifically how much it terrified him. Taking this into account, we realize that Cardan is actually complimenting Jude here. It is not that her beauty is excruciating, alarming, and distressing. Or that her face haunts his nightmares. But, rather, that her looks are excruciating, alarming, and distressing, and that her face haunts his nightmares because Cardan finds her beautiful, which he feels like he shouldn't because Jude is a mortal. Also, I like how, at the end of their shared dance, Cardan tells Jude she is allowed to stay or leave as she likes, effectively leaving the choice up to her. Giving her the option to leave insinuates that he is aware of how unsettled she must be after being named Queen of Mirth and that she may want to be alone to deal with her feelings about it, but also giving her the choice to stay essentially says that he isn't going to assume that she is still some weak, mortal girl that cant handle the pressure. Basically, he gives her the option to leave for her own sake if she must, no judgement included, or to stay and tough it out if she feels capable of it, also no judgement included.

Let's fast forward to the end of Taryn and Locke's wedding, aka the first betrayal scene. I was guessing the entire novel who the traitor would be, but I was not at all suspecting The Ghost. I suppose after the beginning sparring scene between Jude and The Ghost, I should have expected it but, you know what they say. Ignorance is bliss. So, The Ghost and Vulciber manage to lure Jude away to The Tower of Forgetting via an attack against it from the Undersea. And once there, it is revealed that The Ghost was the traitor and Jude gets the faerie equivalent of chloroformed. Talk about losing father figures, am I right? That makes what, 3 lost father figures for Jude?? Depenfing on your definition of lost if Madoc counts or not. Anyways, Jude then wakes up underwater as a prisoner of the Undersea. I, again, really enjoy how well this whole scenario highlights Jude's uncanny ability to lie and play a role. Consider, she manages to trick Queen Orlagh and Baelkin into believing she was glamored into adoring them. Even though Queen Orlagh is a major power in faerieland and is older than High King Eldred himself. And even though Baelkin's Hollow Hall was full of glamored mortals, meaning that he definitely should have been able to tell Jude wasn't actually glamored. You'd think at least one of them would have been able to tell. Or that even Nicasia should have been able to tell, given that out of the three she had been around Jude the most. It just goes to show again that even though Jude is mortal, she is just as faerie as the rest of the folk. And at the mention of Baelkin and this whole ordeal, am I the only one who audibly gagged when Jude had to kiss Baelkin? I can't be the only one. Her murdering him? Fully justified, and not even for him slaughtering his entire family save for Cardan and Oak. Good for Jude.

Finally, let's skip to the end of the book (aka the five stages of literary grief) because this review is already much longer than I anticipated. First off, Cardan rgiving up the Court of Termites just to arrange Jude's release??? No one can say he is NOT a romantic. And when Cardan has been poisoned by wraithberry at the masquerade ball, completely and utterly inebriated, and yet he still manages to come to Jude's defense when she is being threatened by Baelkin? Chef's kiss. It truly shows that Cardan has come such a long way from despising her, and his attraction towards her, in the first book to openly doing things that can be interpreted as fondness for her, even in front of the entire court and even when poisoned. And from there, Jude manages to trick the antidote away from Baelkin and kills him in a duel, before returning to Cardan. This leads us to the second betrayal of the book: Taryn.

Taryn tricks Cardan into believing she is Jude while he is still sobering up from the wraithberry and asks requested half the army plus Madoc to be released from their oaths to the crown. To which Cardan agrees without question, due to how much trust he now has in Jude. I didn't see The Ghost's betrayal coming, but I had my suspcicions about Taryn from the get go. She was being overly nice to Jude the entire book, despite her betrayal with Locke in the first book. I feel like this betrayal hurt worse for Jude than that of The Ghost's, because Jude had decided to give Taryn a second chance, despite her broken heart from the first book. And then Taryn turned right back around and stabbed a second knife into Jude's back, right next to the one from the first book.

After that whole debacle, Cardan summons Jude back to his room later in the night. And this is when he asks Jude to give him control of himself back, in exchange for her hand in marriage, making her the High Queen of Elfhame. Obviously, Jude accepts because she stills feels like that helpless mortal on the inside, and what better solution is there for than feeling than acquiring more power and respect. The next day, Queen Orlagh demands an audience with the High King and reveals she is furious about the murder of Baelkin, her ambassador. She threatens war and almost goes through with it. Before she can, Cardan quite literally boils the sea and raises an entirely new island of Elfhame. Which, if you recall, the original 3 islands were raised up by Queen Mab herself. I also interpret this as foreshadowing, however for the next book and the whole Cardan prophecy, specifically the "...a great ruler will rise" bit. Because Queen Mab is regarded in faerie as the greatest ruler there was, having the Blood Crown forged for her descendants. I find it's only fitting that Cardan raises up an island of Elfhame, as Mab did, in his, arguably, first moment acting as a true High King of Elfhame. Orlagh then goes on to back down, still demanding justice for Baelkin. And Cardan gives it to her, by exiling Jude back to the mortal realm until she is pardoned by the Crown. (a loop-hole she could have exploited right then and there since she was the High Queen and therefore part of the Crown). Which enraged me to no end at the time, given that they had just gotten married (a fact that thrilled me.) Again I say: they are the definition of enemies to lovers.

That's all I have for y'all, folks. If this review erred too far on the side of essay, then too bad, so sad. I enjoy writing essays (clearly.)

[c-schroed]

Podcasts I Adore - Re: Dracula or This Year, Our Friend Jonathan Has a Podcast!

"I had for dinner, or rather supper, a chicken done up some way with red pepper, which was very good but thirsty. (Memorandum: Get recipe for Mina.)"

I wanted to join "Dracula Daily" ever since I heard of it. To me, this is a stroke of genius; it's just the perfect approach to this book. I mean, not only is Bram Stoker's horror classic an epistolary novel with precise dates given for every journal entry or letter written by one of its protagonists, it also spans quite an ideal amount of time, i.e. roughly half a year. Long enogh to give it a feeling of something interesting and important slowly unraveling, short enough to not feel like too much of a commitment.

So yeah, I really wanted to join "Dracula Daily". Especially because I wanted to read the novel in English for years already (so far I've only read its German translation, because that's my native language). But, alas, I do not find the time so easily to add a book to my to do list, so I ended up not joining this lovely book club last year, fearing I'd miss out on most of the entries sooner or later.

Enter "Regarding Dracula". Right after seeing it for the very first time I knew this will be perfect for me. I already have a habit of listening to audio drama on my daily commute, and preferably in the form of fictional podcasts. So quite literally, @re-dracula had me at hello.

And gosh, they did not disappoint. Although I have to admit that I was a bit disappointed to find out that the format is more that of a classical audio drama, with voice actors speaking every line of their respective character. Originally, I was hoping for a more podcast-like approach, meaning that each actor speaks all of the text of a journal entry or letter, period. As if Jonathan would make a podcast instead of notes in his journal. I simply like it when audio fiction uses the possibilities of podcasts, and "Dracula" felt like something that could profit from this way of storytelling, too. So yes, I admit it: I was a bit disappointed. But not for long.

After hearing just a few sentences of Karim Kronfli as Dracula, I immediately understood the decision to breathe life into each character this way. I mean, I love Ben Galpin's work as Jonathan, but Dracula really, really profits from Kronfli's nonchalant but still breathtakingly powerful and confident take on this charakter.

And Mr. Kromfli is not the only one who makes a redefiningly marvellous job here. So far, all the voice actors go far out of their way to make me fall in love with each and every one of them: Ben Galpin's Jonathan is heartbreakingly relatable, Isabel Adomakoh Young's Mina is capable and charming beyond measure, and Beth Eyre's Lucy is just gorgeous. Yes. I'm in love.

In addition to all that talent of its cast, "Re: Dracula" also has a neat and absolutely on point score and sound design. And, just like the basic idea of "Dracula Daily", it really gives you a feeling of how time passes between the journal entries and letters. Haven't heard anything of Jonathen for a while? One does start to worry a bit. Lucy answering to Mina just two days after the Mina's letter? Wow, that was quick, I guess (not sure how quickly the postal service worked back then, though). Even if one has read "Dracula" again and again, I am sure this form of presentation can grant new insights!

So, if you, like me, are a more eager listener than reader, or if you happen to like close-to-perfection audio drama, then please give this a shot! I bet you, like me, will soon be finding yourself eagerly, yearningly awaiting the next bit of news from your good friend Jonathan, who hopefully soon returns from that terrible business trip of his. 9 out of 10 points.

[sergle]

I just started listening to the newest season of Nosleep and had the deranged idea to write down my own personal ratings /10 and reviews and it's just my luck that the first episode was real bayud LMAO

[sexiestpodcastcharacter]

Who is the Best Fiction Podcast Artificial Intelligence?

After receiving 57 submissions for 36 characters from 30 podcasts, a few disqualifications, and one preliminary poll, we have our bracket!

Bonus Poll: Which semi-sentient automobile is sexier? (The Ruby Seven vs Odyssey-San) (Ends May 10th.)

Round 1

Hera (Wolf 359) vs Flamingo Chris (Eidolon Playtest: Eidolon ROCK)

Proxy (StarTripper!!) vs ANDI (Marsfall)

Blue Sky A.K.A GORD (Red Valley) vs Tumnus (Moonbase Theta, Out)

Chester (The Magnus Protocol) vs Echo (Khôra Podcast)

SAYER (SAYER) vs Jet (Under the Electric Stars)

Keychain A.K.A. Otto (Not Another D&D Podcast: Trinyvale) vs Fern (inc: The Podcast)

The Divine, Arbitrage (Friends at the Table: The Divine Cycle) vs Dax (We Fix Space Junk)

Ship (ROGUEMAKER) vs QWERTY (Trial and Error)

The Audio Tour Guide (The Mistholme Museum of Mystery, Morbidity, and Mortality) vs Fan (Red Odyssey)

Imogen (Stellar Firma) vs MORIS (Inkwyrm)

SPEAKER (SAYER) vs Potential Parent A.K.A. Ai (Monstrous Agonies)

Sergey Ushanka (The Magnus Archives) vs Minerva (Tales From The Fringes of Reality)

Eris (Wolf 359) vs Ellis (Tartarus)

Alexandrite (Not Another D&D Podcast: Campaign 3) vs Seth (Lost Terminal)

Larry (Friends at the Table: COUNTER/Weight) vs Sec (The Vesta Clinic)

Mr. Ceiling (Rusty Quill Gaming) vs Dad (Deviser)