#Atlas’s life

[atlaswingsofruin]

Thats what we exactly need, my mother & father keeps acting like its something bad that some movies make me feel something negative or that i hate watching movies in general & told me that telling a friend i feel uncomfortable with a movie makes me a bad friend which causes me to actually believe that makes me a bad friend & i constantly apologize for every tiny thing just to not be a shitty friend, but having someone who tell me that it doesn’t make me a shitty friend is actually pretty comforting, my F/O (Cheval from mhst) would definitely be that kind of person to comfort me!

hey. if any movie makes you feel unsafe, emotionally triggered, anything, your f/o is turning it off immediately and wrapping you in a tight hug. You’re not stuck in your head alone, you have them. You’re not in that bad space anymore. You’re safe.

[dranktwocoffees]

hi. doodle because im . emotional again

[chiptrillino-art]

(ID in ALT text) ArtTrade with the very sweet @die-auster ! thank you for sparking back my obsession with this blue guy here!

Please check out their amazing works here! 1 . 2 . 3.

[pencilscratchins]

atla renaissance pt 3 calls to me like a siren

[astraios-art]

More atla book 2 doodles

[demaparbat-hp]

Crush, crush, crush!

[theladystrikesagain]

how does a show released in 2024 fail harder in showcasing fully rounded female characters with flaws and strengths and rich personalities than a cartoon from the 2000s. why has television & film legitimately regressed across the years when it comes to showing women as human beings lmao

[torpublishinggroup]

TOR WRAPPED 2023

Books for every Spotify Wrapped listener class! 

VAMPIRE

Masters of Death by Olivie Blake

Starling House by Alix E. Harrow

Mordew by Alex Pheby

HYPNOTIST

The Library of the Dead by T. L. Huchu

Daughter of Redwinter by Ed McDonald

Spring’s Arcana by Lilith Saintcrow

ALCHEMIST

The Bone Orchard by Sara A. Mueller

The Genesis of Misery by Neon Yang

The Echo Wife by Sarah Gailey

SHAPESHIFTER

Thornhedge by T. Kingfisher

The Warden by Daniel M. Ford

Wolfsong by TJ Klune

FANATIC

Mistborn by Brandon Sanderson

Bookshops & Bonedust by Travis Baldree

The Fragile Threads of Power by V. E. Schwab

TIME TRAVELER

Kinning by Nisi Shawl

She Who Became the Sun by Shelley Parker-Chan

The Invisible Life of Addie LaRue by V. E. Schwab

MASTERMIND

The Atlas Six by Olivie Blake

Red Team Blues by Cory Doctorow

Exadelic by Jon Evans

COLLECTOR

The Wolfe at the Door by Gene Wolfe

Cassiel’s Servant by Jacqueline Carey

The Great Hunt by Robert Jordan

[izze-art]

med school may be difficult but at least katara has a philosophy ta to rant about the healthcare system to (bonus part is that he’s madly in love with her)

[naonap]

wanted a new cute lockscreen for myself

[beifong-brainrot]

People will go on about how "Katara's story is a tragedy" because she... ended up marrying the guy she loves, having children and grandchildren which she was always excited about and literally becoming a master waterbender and rising to the top of her field as a healer.

Yes, Katara's story has tragic aspects to it. And there are certainly flaws in how she is written in tlok (Though I will argue that there are actually more issues with how Toph and Zuko are just plopped in there for no reason in later seasons). And her storylines aren't perfect, for example her resolving her trauma around the murder of her mother being more used to prop up Zuko than her own internal turmoil. (Most of TSR is from Zuko's perspective and I hate that actually)

"Katara's story is a tragedy" Why do you have such a hard on for this woman's misery? Let her be happy, man.

You know what gaang girlie's life is an actual onscreen tragedy?

Toph's!

People will fucking downplay Toph's childhood abuse because she wasn't physically hurt, but her childhood was a never ending carousel of abelism, misogyny, neglect and isolation. The way Toph describes her parent's treatment of her as "pressure and pain" is heartbreaking.

Toph's only escape was Earth Rumble and earthbending, but despite her skills, she remained the perfect little lady her parents always wanted her to be. She's never known a different life, and she was only able to be her real self in secret.

And when Toph finally opens up to her parents, when she finally lays her real self bare in front of the people who are supposed to love and care for her?

She is met with what may be, in my opinion, the cruellest rejection in the show.

Despite this, even when Toph runs away, she still cares for her parents' approval. Hell, she's even lured into a trap due to her getting a forged letter from her mom and getting excited because it looked like her mom was finally accepting her.

It's also important to note how determined to be self sufficient and to prove herself Toph is. We can especially see this right after she joins the Gaang, where she refuses to participate in splitting with the rest of the group, insisting on "pulling her own weight". This isn't Toph being a brat, or spoilt, this is her wanting to prove that she can handle herself because people have handled and understimated her her entire life.

Eventually, Toph starts to learn to trust the members of the Gaang and this is a step in the right direction. She's literally making friends for the first time in her life I'm so proud of her.

However, I was genuinely upset when Toph's life changing field trip with Zuko didn't work out. When Toph was trying to connect with Zuko and he blew her off (I'm not blaming him tho they had shit to do), I couldn't help but remember the rejection Toph suffered from Lao.

Post canon, Toph continues to try and prove herself, starting a metalbending school and training new metalbenders.

She also reconciles with her father. Not before Lao disowns he rmultiple times and calls her a rude, ungrateful thing. And while he eventually comes to understand Toph and cherish her, that type of trauma sticks with you.

So it's no wonder really that Toph, someone who went her entire childhood seemingly without even speaking to someone her age, would have trouble forming connections. She has children with two different men, neither of which seem to stick around.

Toph tries to do right by her daughters and gives them the freedom she never got. Sadly, the pendulum swung too far to the other side, since it seems that she started to neglect her daughters, which led to them developing a sleugh of issues of their own.

Toph becomes the cheif of police, which kind of makes sense. Republic City was only slowly emerging as an actual metropolis. Toph took on a role as a protector, and probably as a way to prove herself. But as Republic City grew, Toph probably realised that she became something she hated. A cog in the machine, and started to despise her job.

Searching for a semblance of the freedom and happiness her travels afforded her in her childhood, Toph leaves the city and takes up the life of a hermit in a swamp. She managed to fix her relationship with Suyin to some extent, but still seems reluctant or simply unable to connect with her daughter or grandchildren. Since she apparently hasn't seen Opal, a grown 20 year old woman since she was a little girl.

On the surface old Toph doesn't seem terribly dissimilar to young Toph, still tough and spunky. But she is more jaded, depressed and pessimistic. She comes out to save Suyin from immediate harm and manages to somewhat reconcile with Lin, but then she fucks right back off to the swamp where she seems to literally hide until Wu and Korra straight up force her to come with them.

Toph's story began with her alone and it seems to end with her alone as well. It's a story of a girl who grew up isolated and handled by others, and was woefully unprepared for the real world, which only jaded her further. She lives with the guilt of fucking up her daughters' lives and a belief in the pointlessness of life.

Toph started off longing to experience the world and ended up willingly isolating herself from it.

If that isn't a tragedy, I'm not sure what is.

Mind you, this is not the trauma olympics. I'm not saying that Toph has suffered more than Katara or that Katara's trauma is not as valid as Toph's. Katara and Toph's experiences are completely different, Katara being a victim of genocide and war, Toph being a victim of child abuse. I'm just saying that, objectively, Katara had a happier 'ending' than Toph.

[fanfic-gremlin-ft-trauma]

happy birthday to one of the greatest fics of all time <3 ( @bisexuallsokka , thank you for writing this masterpiece.)

[hinamie]

truth is, I used to dream about boys like you

jjk atla!au with @philosophiums

[captainkirkk]

I wish you would write a time travel au a la journey to the past with atla and the kids reckoning with a future not only where things are *good* but they're besties with fire lord zuko

Early Book 3 gaang accidentally pisses off a powerful spirit who retaliates by throwing them at the feet of the Fire Lord - just not the current Fire Lord. Maybe another spirit intervenes to save them. Maybe the spirit is just bad at using their immense power and overshot it. Maybe the spirit just thought it'd be funny. Either way, the gaang come face to face with Fire Lord Zuko sitting in his own bedroom, almost 30 years and still dressed in his sleep robes.

Safe to say it doesn't go well.

Katara freezes Zuko to his bedroom wall and they high tail it out of the Fire Palace. No one tries to fight them. The guards stationed at the palace walls see them coming and open the gates for them?? Sokka swears one of them wished him a good morning as they ran by?? And greeted him by name????

It takes them a while to figure out what's going on, and then even longer before they actually believe it. The townsfolk are happy and thriving in a way Aang remembers from before Sozin's reign. There's no whispers of war. No double-takes at their brightly coloured clothing. No guards chasing them down. And everywhere, on every street corner, they talk about Zuko.

Zuko eventually tracks them down, alone and unarmed. He's so different to the angry 16yo they remember. Older, and calmer, and kinder. And when the gaang refuses to return to the Fire Palace (because there's NO WAY they're going to fall for that trap, nuh uh, no way), Zuko decides to come with them. They try to argue- until he pulls out his heavy coin purse and offers to bank-roll their journey.

And that's how the teenage gaang ends up on roadtrip with the future Fire Lord.

The gaang are VERY distrustful and angry and occasionally aggressive. They're traumatised kids displayed over a decade in time (for Aang, it's the SECOND time he's been displayed in time, and it's bringing up a lot of trauma he never got a chance to deal with). Zuko draws on everything he's learnt from Uncle. He's patient and doesn't push. He lets them rage and doesn't raise to the bait when they throw Ozai or Azula in his face. And eventually, they come to open up and trust him - first Aang and Toph, then eventually Sokka and Katara. The gaang get to journey with an adult they can actually trust, who doesn't patronise them or expect them to be soldiers. Someone reliable.

Internally, Zuko is extremely freaked out by the baby versions of his friends, but he's doing his best not to let that show. He always knew they were too young for war, but having to stare at their little faces every day? God.

Also: Please picture the reactions of everyone else who encounters this ragtag group as they search for answers on how to send the baby!gaang home. Are those extremely stressed out kids okay?? Why is one of them cosplaying the Avatar? ........Is that the Fire Lord sitting with them????

[saturated-silences-art]

Sokka, the plan guy, realizing that he too is capable of some catastrophic, Zuli-level strategic moves…

Based on that scene of @lovelyelbowleech’s War Games.

[yukaro353]

Sokka isn't against it, but he's sick of putting up with them, I mean, it's only fun when he's one of the ones involved, not when it's their silly little brothers.