#Atelier PK

[pakistanibridalshops]

Top 7 Pakistani Wedding Guest Clothing Brands

Pakistan's fashion industry is a true celebration of cultural richness and creativity. From intricate embroidery to luxurious fabrics, the country's clothing brands are redefining style with their unique aesthetics and impeccable quality. Whether you're looking for traditional elegance or a modern twist, Pakistani fashion has something for everyone. This list of the Top 7 Pakistani Clothing Brands shines a spotlight on some of the brightest names shaping the industry. From the timeless charm of Adan Libas and the opulent designs of Afrozeh, to the bold creativity of Aik Atelier and the sophisticated craftsmanship of Akbar Aslam, these brands cater to every taste. Add to that the graceful styles of Alizeh PK, the trendy allure of Anaya by Kiran Chaudhry, and the luxurious finesse of Asifa Nabeel, and you've got a lineup worth admiring. Each brand brings its own flavor to the fashion table, showcasing a blend of tradition, innovation, and elegance. Stay tuned as we unpack what makes these names stand out, and discover why they deserve a spot in your wardrobe!

Adan Libas Adan’s Libas is a well-known women’s clothing brand celebrated for its blend of beauty, creativity, and affordability. The brand aims to bring style and elegance to every wardrobe while keeping quality within reach. Their collections are diverse, offering something for every occasion. From vibrant summer designs to timeless prints, Adan’s Libas ensures there’s a perfect outfit for everyone. Their Traditional Essence line captures the beauty of heritage with intricate patterns and rich colors, while their modern Capsule collections are chic and versatile. Adan’s Libas focuses on fine craftsmanship and premium fabrics, making each piece special. Whether you're looking for casual styles, festive wear, or something for everyday elegance, their variety of options won’t disappoint. With a commitment to affordable fashion, Adan’s Libas makes the art of dressing up enjoyable and effortless. Step into the world of Adan’s Libas and discover clothing that’s as unique as you are.

Afrozeh Afrozeh is a leading women’s designer clothing brand in Pakistan, celebrated for its elegant and timeless styles. Their collections include both stitched and unstitched pieces, giving customers the freedom to choose modern Pakistani bridal dresses that fit their personal style. Afrozeh designs are perfect for every occasion. From casual gatherings to formal events, their dresses reflect a touch of class and tradition. Each piece is crafted with attention to detail, using premium fabrics that ensure comfort and durability. Their range features exquisite embroidery, beautiful patterns, and modern cuts. Whether it’s a festive ensemble or everyday elegance, Afrozeh offers options that suit every wardrobe. Afrozeh also brings its fashion to the world with global shipping, making it easier for customers everywhere to access their stunning designs. Step into Afrozeh’s world of refined clothing and discover how they turn every outfit into a statement of grace and style.

Aik Atelier Aik Atelier is a renowned Pakistani luxury fashion brand, celebrated for its sophisticated and elegant designs. They offer a stunning collection of embroidered, silk, chiffon, and lawn outfits. Each piece reflects a perfect balance between tradition and modernity, making their designs unique and timeless. Aik Atelier’s clothing is crafted with care and attention to detail. Their outfits are ideal for weddings, festive events, and formal occasions. From intricate embroidery to soft, flowing fabrics, every creation speaks of luxury and style. The brand’s collections blend traditional craftsmanship with contemporary aesthetics, catering to the fashion needs of today’s women. Whether you’re looking for an outfit with bold patterns or delicate details, Aik Atelier has something for everyone. With a focus on quality and creativity, Aik Atelier continues to make an impression in the world of fashion. Explore their luxurious designs and add elegance to your wardrobe.

Akbar Aslam If you're looking for elegant Pakistani wedding dresses in Canada, Akbar Aslam is the best choice. Akbar Aslam is a luxury women's ethnic fashion brand that blends tradition with modern elegance. Known for their handmade and hand-embellished dresses, each design carries intricate detail and fine craftsmanship. They use only high-quality materials, ensuring every piece is both beautiful and durable. The brand offers a wide range of outfits perfect for weddings, festive events, and formal occasions. From stunning bridal wear to sophisticated formal pret, Akbar Aslam creates designs that make a statement. Their collections showcase rich embroidery, luxurious fabrics, and artistic patterns, reflecting timeless style and cultural heritage. With a dedication to artistry and excellence, Akbar Aslam continues to set standards in women's ethnic wear. Whether it’s a Mehndi, Baraat, or Walima, their dresses add elegance to life's most memorable moments. Choose Akbar Aslam to experience luxury redefined.

Alizeh PK Alizeh is a Pakistani fashion brand known for its exquisite embroidered and handcrafted bridal wear in dresses. With a focus on elegance and quality, they offer a stunning range of outfits made from chiffon, raw silk, lawn, net, and organza fabrics. Each piece reflects fine craftsmanship and graceful designs, tailored for modern and traditional styles. Alizeh's collections cater to all occasions, from formal events to festive celebrations. Whether it's a wedding, party, or casual gathering, their designs bring sophistication to your wardrobe. Their attention to detail and beautiful embroidery make every outfit unique and timeless. From stitched to unstitched dresses, Alizeh provides options that suit every style and preference. Their dresses are not just clothing; they are a blend of art and tradition that enhance your natural beauty. Explore Alizeh's collection today and find the perfect outfit for your special moments.

Anaya by Kiran Chaudhry Anaya by Kiran Chaudhry is a renowned clothing brand known for its premium fabrics and timeless designs. They offer a diverse range of collections, including stunning Pakistani bridal wear in USA, elegant formal wear, and versatile everyday styles. Each piece reflects a perfect blend of tradition and modernity, making their creations stand out. With a focus on quality and attention to detail, Anaya ensures that every outfit is crafted to perfection. Their designs feature intricate embroidery, luxurious fabrics, and graceful patterns that enhance elegance and style. Whether you're dressing up for a wedding, party, or a formal event, Anaya provides outfits that suit every occasion. From delicate bridal dresses to beautifully stitched ensembles, Anaya caters to women who appreciate both beauty and comfort. Their commitment to excellence has made them a trusted name in fashion. Explore Anaya by Kiran Chaudhry to discover clothing that celebrates your unique style and personality.

Asifa Nabeel Asifa & Nabeel is a luxury fashion brand known for its elegant and timeless designs. They specialize in creating stunning seasonal collections, including winter and summer lines that capture the beauty of every season. With a focus on high-quality fabrics and unique designs, their outfits reflect both sophistication and modern trends. The brand offers a variety of options, from unstitched fabrics to beautifully tailored ensembles. Their collections include rich embroideries, exquisite detailing, and vibrant colors, making each piece a statement of style. Whether it's casual wear, festive attire, or formal outfits, Asifa & Nabeel caters to every occasion with grace and class. With a commitment to excellence, they ensure that every design meets the highest standards of quality and fashion. Explore Asifa & Nabeel���s collections to find outfits that elevate your style and bring luxury to your wardrobe.

[noenoeh]

Hanahaki Disease (花吐き病) is a fictional disease in which the victim coughs up flower petals when they suffer from one-sided love. 

Ft. @noemiebevierre ‘s Winter and Badz

[assemblepapers-blog]

ON OUR WEBSITE

As good quality inner-city housing becomes increasingly out of reach for many Australians, Katherine Sundermann considers Berlin-based alternative housing models and what Melbournians could learn from the German capital, where many residents have taken it upon themselves to lead their own housing developments. 

Dubbed ‘deliberative development’ by Dr Andrea Sharam of Swinburne University, these types of developments have grown in status and number as the positives become clear to aspiring homeowners. “There are obvious benefits: residents are able to act as their own agents of change, resulting in greater variety, higher quality and a more affordable range of apartments that contribute to the broader fabric of the city,” explains Sundermann. 

The Nightingale Model is one such high profile example of deliberate development. Led by Breathe Architecture’s founder Jeremy McLeod, the Nightingale Model has seen a number of local architecture practices join forces to self-fund inner city housing developments. Potential residents are consulted early in the planning process to determine demand for features, and prices are kept low by avoiding the usual fair of display suits, marketing teams, and potentially unwanted inclusions such as car spaces. The Nightingale Model can be compared to Berlin-based ‘Baugruppen’ (’building groups’), which were popularised during the 1990s and led to numerous innovative projects such as 3XGRÜN (by Atelier PK, Roedig Schop and Rozynski Sturm) and Zanderroth Architekten’s BIGyard. Says Sundermann: “In allowing residents to become agents of change in their neighbourhoods – leading development instead of just opposing it – more housing could potentially be provided in areas where people would prefer to live.” 

Photos by Simon Menges, Michael Feser & James Geer. 

[patrykotlinski]

Em meio a rosas e handbags!!! Parceria @jucardosooficial @studiosa_silviaantunes @patrykotlinski @karina_steiger @wishserrano #PatryKotlinski #handbags #PKHANDBAGS #PK #atelier #workinghard #rosasdeseda #silk #roses #handmade #madeinBrazil (em Porto Alegre, Rio Grande do Sul)

[yes-everything-flows]

Lang leve de weerrecords🤙🏻🤪🌊Een van weinig spots uit de wind. #surf #atelier #photography #photooftheday #surfing #waves #instagood #instagram #pantarhei #wanderlust https://www.instagram.com/p/B8oceXwH-PK/?igshid=dhfi1dh59q1e

[ronan-lietar-photography]

Atelier DEMONCHAUX au PK13 rte de Macouria / RN1. Jusqu'à demain 19h venez découvrir ce lieu hors du commun. J'y expose 😃 (à Pierre Demonchaux PK 13) https://www.instagram.com/p/B4stAZ8nzkg/?igshid=1oj459eb04ayl

[simmonofficial]

【simmon】 This is a jewelry that can be used forever. NARROW SIGNET RING S-AR108-PK 18Kyg 【EVENT】 ■CASICA 2021.12.7 tue – 26 sun 東京都江東区新木場1-4-6 03-6457-0826(ショップ/代表) 月曜定休日 　 【simmon REAL STORE】 ■simmon SHOP / ATELIER 渋谷区鶯谷町18-5-1B 03-6455-3467 引き続きご予約のお客様のみの対応とさせていただいております。 ウエブサイトのご予約フォームをご確認ください。 ブライダルリングにつきましてはsimmon SHOP / ATELIERでご案内いたします。 商品の一部はEVENTとsimmon SHOP / ATELIERで分散して展開いたします。 お取扱いの内容を事前に確認されたいお客様はshop@simmon-s.comまでご連絡ください。 (Simmon Shop) https://www.instagram.com/p/CXnv5exFwqv/?utm_medium=tumblr

[timespakistan]

Remembering artists who left the world in 2020 | Art & Culture | thenews.com.pk At the end of his life he had money and attention, and certain towns were known in connection to his name He was fastidious, and wore a tie, was photographed with brushes, with a bird. Under the subtropical sky he forgave the things long done. He hardly saw his children, by habit was self-absorbed. His atelier was sacrosanct, with the ocean for a view. When he painted, it was descent and descent and descent from the cross, and when he died the sepulcher was simple. His late-life love wept from another room (James Arthur) As the year 2020 ends, many are in mourning over the deaths of their beloved ones. The void they left behind may never be refilled. The art world too has lost some towering personalities whose priceless art, smiling faces and presence on the art scene would be greatly missed. Abdul Hayee: Born in 1948 in India, Abdul Hayee was one of the most well-known and celebrated artists of Pakistan. He never painted for money, but learnt art to teach his watercolor techniques to the next generation. He was the first artist to introduce open-air painting. He would paint landscapes, seascapes and cityscapes on-site especially on the dock yards and Malir along with his students. Watching him paint was a joy as the blending of colors, nimble strokes and command over the medium left one in awe. Saleem Akhtar, his student and friend, recalls that he was completely on his own; financially and emotionally – living alone. “Even at the age of 71, he had the energy of a teenager. However, once his eyesight was gone, he regretted not having a companion who could look after him. He was recognised by many as the most humble member of the art fraternity. He would always exchange smiles with the people he met and his door was always open for friends, art lovers, students and the needy. One day I found him lying in a corner of his house. He was shivering. He told me that he had had a fever for three days and had not had a proper meal. He said he had been waiting for somebody to visit him,” Akhtar says. He painted with the objective of reviving the art of watercolor painting. His art was as simple as his person. His landscapes and cityscapes were a narrative that he weaved by traveling to all corners of Pakistan. He always saw beauty in his surroundings. Hayee was a mentor, teacher and friend to many. To some, he was also a father figure. Khurshid Alam Gohar Qalam: “My only reward has been the respect with which I have been treated by the people, particularly my students whose number must now run into thousands.” Calligraphist Khurshid Alam’s death has saddened his many students, colleagues and fellow artists. Born in Khushab district in 1956, he mastered the art of calligraphy following an apprenticeship with the late Hafiz Yousuf Sadidi. He authored more than 28 books and taught calligraphy at the National College of Arts. He was honored with the title Gohar Qalam in recognition of his contribution to visual arts, especially his powerful calligraphy. His work conveyed the message that calligraphy was deeply rooted in our history. He was also a brilliant writer who wrote drama serials like Pukar and Musawir. He also wrote poetry and newspaper articles. His work is on permanent displayed at Faisal Mosque in Islamabad, Data Gunj Bakhsh shrine in Lahore and in the London Museum. It earned him many accolades. In 1990, he received a special award from the government of Balochistan and another special award from the prime minister. In 1991, he received the president’s award for Pride of Performance. In 1999, he received the Ali Hajveri Award from the prime minister. In 2005, he received an award from the foreign minister of Japan (for his 33 international exhibits at the Metropolitan Museum of Tokyo). Shahid Jalal: Shahid Jalal passed away at the age of 72 on August 18. Larger than life, Jalal was one of the prominent artists of Pakistan. He had many shows to his credit on the national and international level. In 1989, he had won the Punjab Painters’ Exhibition award. In1994, he received the presidential Pride of Performance award. His paintings were rich in details and his brush strokes spellbinding. He loved to capture the exquisiteness of life in Lahore that included flowers, carpets and gardens. An accountant by profession, Jalal had benefited from mentoring by Khalid Iqbal. Omar Farid: Known for his extraordinary skills, his art stood unique and distinctive. He was an under-rated and under-discussed artist in the popular media. However, his work provoked much discussion in the art world. He created deceptive figures that confused the viewers initially and provoked them to rethink their beliefs. On other occasions, the imagery was unpretentious and easily decipherable. Most of his images are tightly framed in bold hues and scream for attention. They might appear maddening to some and pleasant or gloomy to others. Farid’s own life was an open book. About a month before his demise, he had opened up on social media about his personal and health issues and requested his friends to continue to be a source of strength for him. Fasihuddin Qureshi: Fasihuddin Qureshi started teaching in 1993 at the Arts Council Institute of Arts and Craft. He was an alumnus of the ACIAC himself. He made a place for himself in the art world by producing a unique blend of abstract, non-figurative, Kufic style calligraphy paintings. His work was wide open for viewers to interpret. Large square boxes and geometric shapes remained a huge part of his work. Qureshi’s abstract paintings became the emblem of his identity. He was inspired by expressionism and fauvism. Among renowned art critics his style and painting techniques were highly appreciated by Bashir Ahmed and Imam Ali. Zahoor Hussain Multani: Zahoor Hussain had a humble but ebullient nature. He had benefited from mentoring by A Jahangir. Inspired by old masters, he continued producing commercial art including film posters, banners and book covers, particularly for children’s books. He had a long list of protégés who now dominate the art world. However, he preferred a simple life away from the limelight and devoted most of his time to art. Ghulam Hussain says that Zahoor Hussain was his teacher and a mentor to many. “His death has left us in shock… We still have to reconcile with the fact that the brilliant artist is not with us anymore.” Some other artists who passed away in 2020 were Tauseef Ahmed, Ustad Qasim Kamangar, Rahim Abbasi, Abdul Majid Khaskheli and Muhammad Shafi. Not much of their work has been preserved. The writer is a freelance journalist   based in Karachi https://timespakistan.com/remembering-artists-who-left-the-world-in-2020-art-culture-thenews-com-pk/6816/

[schweizerhauspuechau]

33. DIY: Baumschmuck aus Lebkuchen

Material: Vorlagen für Figuren, Lebkuchenteig (Rezept unten), Zuckerguss, Lebensmittelfarbe, kleine Teller für Farben, Pinsel, kleines Messer, Schnur

Alter: ab 5 Jahren

1. Vorlagen/ Figuren aussuchen: sehr gut eignen sich die Ikonen von Giotto, Pierro della Francesca oder Fra Angelico. Hier finden sich sehr viele Engel, deren Umrisse ihr abmalen und ausschneiden könnt.

2. Lebkuchenteig herstellen, ausrollen und die ausgeschnittenen Vorlagen auflegen und mit einem kleinen Messer ausschneiden. Das geht natürlich auch freihändig und ohne Vorlage.

NICHT VERGESSEN: kleine Löcher oben in die Figuren einstechen für den Faden.

3. Ab in den Ofen; 10 min. backen

4. Weiße Farbe aus Puderzucker und Zitrone anrühren und anmalen. Für farbige Engel könnt ihr euch Lebensmittelfarbe kaufen und sie dazu mischen.

///

Einfaches Rezept für Lebkuchen

(reicht für ca. 2 Blech voll Figuren, je nachdem wie groß die Figuren sind)

TEIG:

- 100g Margarine oder Butter

- 1/2 Glas Bienenhonig

- 100 g Zucker

- 1 Pk. Pfefferkuchengewürz

- 5 - 10 g Kakao (je nachdem wieviel ihr nehmt, werden die Lebkuchen heller oder dunkler)

- 500 g Mehl

- 1 Prise Salz

- 1/4 Pk. Backpulver

- 1 Ei, 2 Eiweiß

Margarine, Honig, Zucker, Pfefferkuchengewürz und Kakao in einem Topf erhitzen, bis der Zucker gelöst ist. Abkühlen lassen. Mehl, Salz und Backpulver in einer Schüssel vermengen. Eier verschlagen, mit der Honigmasse verrühren, dazugeben und alles zu einem glatten Teig verkneten.

Zugedeckt 1.Std. kalt stellen. Danach ausrollen und Figuren nach Schablone ausstechen.

Oben Löcher zum Aufhängen ausstechen!

Backzeit: 10 min; 180 - 200 Grad

VERZIEREN:

- Puderzucker

- Zitrone

-Lebensmittelfarben

Damit es richtig deckendes Weiß wird, müsst ihr viel Puderzucker und wenig Zitronensaft zu einer dickflüssigen Masse vermengen. Die Lebensmittelfarbe könnt ihr dann entsprechend zu dieser Masse dazu geben.

Viel Spaß und Danke an @kerthco

[bassthegood]

ATELIER Z BOH'S CUSTOM6 TP-PK/M MH Used Maple Fretboard W/Gig Bag https://ift.tt/34S8L69

[anyway-i-love-vanderwood]

Mystic Messenger MMORPG AU

I’ve always wanted to do a really detailed, indepth Mystic Messenger MMO AU but here’s the summarized gist of it I’ve had knocking around in my head for awhile.

The RFA - short for Rika Family Atelier - is a mercantile guild (with a heavy emphasis on charitable philanthropy) that exists within the hot new virtual reality MMORPG, Mystic Message Online. It’s lead by V, who is one of the lead art directors of C&R Development (who manages and funds the game), though company policy demands that those who work at C&R keep their admin accounts and personal accounts entirely separate. The RFA is given some leeway in this, due to V and Jumin being the founders of the game, but they still try to remain a sense of propriety about it all. Mystic Message Online was Rika, Jumin, and V’s childhood fantasy game, the thing that they always wanted to create. Rika was the programmer, V was the art director, and Jumin both provided the funding and did the company work that all games need to succeed. Together, they started a game that exploded in popularity, and has now become a worldwide sensation.

Back in the glory days of the guild, the RFA used to organize server-wide events within the community to help people socialize, make connections, and have fun. They frequently provided tutoring for newbies, created compendiums and guides for the playerbase, and in general were a welcome and loved presence in Mystic Message Online. Most famously, they coordinated enormous and expansive player-run markets, as the crafting/trading aspect of Mystic Messenger Online is particularly robust. However, after Rika’s peculiar and strange death, V practically abandoned his ‘for fun’ characters in favor of work... and the RFA has since stagnated without an active leader.

The RFA gets shaken up when, in a strange turn of events, Rika logs on again - except, it’s not Rika. Its MC, having been told to access RIka’s account by a strange e-mail sent to them the day they bought a copy of Mystic Message Online...

Yoosung plays a holy paladin who’s always helping newbies in the starting area. He’s pretty generous with his items, and he quasi-roleplays with the rest of the RFA where he dramatically says he’ll protect them from all harm. He’s pretty good at his class - which isn’t surprising, considering that he is online 24/7, much to the detriment of his real life. On his own time, he tries to organize events for the community, but it’s very difficult without the backing of the rest of the RFA. He loves dungeoning, raiding, and chasing after the latest rumors he’s read on the forum. 

He’s easily taken in by scams, and he really, really hates Player Killers.

Zen plays a bard, and he works as a voice actor for C&R. Every character he voices is incredibly popular, and he has a blog where he’ll fill silly requests for the community. He’s stopped playing the game mostly, instead hanging out in cities to network (and be fawned over) by other players... which makes Yoosung particularly sad, since they used to go on tons of quests and dungeon runs together. Zen is, honestly, a bit burned out on the game, and only sticks with it because he works with the company. When “Rika” logs in again though, his interests is certainly piqued... 

Jaehee plays a cleric, and she’s the saltiest, most tired healer on the planet. She usually logs on in tandem with Jumin, as after she’s done running around the office for him, she duos quests and heals him in dungeons. It’s a bit exploitative, and Jaehee is always tempted to just let Jumin die. She is afraid she’ll be fired if she does that, however. Jaehee wasn’t around when the guild was big into the mercantile and shopkeeping aspect of Mystic Messenger Online, which makes her really sad, because she’s always wanted to pursue a crafting profession... maybe cooking?

Jumin, the heir of C&R, is a wizard who spends at least half his time taking screenshots of his familiar, Elizabeth the III. He’s socially oblivious, has no concept of online decorum, and is the kind of guy who’d roll ‘Need’ on an item because it looks cool. He is also an absolute encyclopedia of information about Mystic Message Online, so if you need to know how to do something, how to solve a quest, or where something is, ask Jumin. Of course, he doesn’t really offer this information unless you specifically ask...

Seven is C&R’s lead programmer (taking over after Rika, the old lead programmer), and the reason why Mystic Message Online has so many ridiculous and weird, quirky features is DIRECTLY because of him. He’s frequently caught up in passion projects, and he loves pitching bizarre, horrible dungeon mechanics that make people suffer. Despite Yoosung’s begging, he will not give him advanced information about anything going into the game. His main character is a mechanic - a class focused on making and controlling robots, turrets, and technological magic - but he has a number of side characters, including one who he has in a prominent PK-ing guild. Vanderwood is part of this guild as well.

V is an illusionist, which is a special brand of magic user that focuses on buffing allies and debuffing enemies. He never logs in anymore, instead throwing most of himself into his duties at the company... or that’s what he says, at least. V was honestly never very good at the game when he played. Jumin always had to explain things to him, take care of him, and tell him what to do. They had a lot of fun though, especially when they were first developing the game...

Unknown is... a mysterious presence within the game. He appears to have a glitched avatar, and he also seems to have strange admin powers. Following the appearance of MC are a number of other strange elements in the game, such as a odd, out-of-the-blue update which adds an entirely new area to the game, along with a faction called ‘Mint Eye’. They seem to be a religious faction, but all the NPCs aligned with Mint Eye seem.... really developed and advanced?! Almost like they’re indistinguishable from real people...

Vanderwood is a PKer with no association to C&R beyond knowing Seven. They’re pals online, and Vanderwood is kind of a shitty person who likes hunting other people down to blow off stress from their demanding and stressful dayjob. However, they get really, really curious about the new ‘Mint Eye’ quest, and start pursuing it with Seven, who is very, very confused about all of this content thAT HE DID NOT DEVELOP, WORK ON, OR KNOW ABOUT IN ANY CAPACITY. Their quest to uncover the truth is interrupted by something, however.

Following the update, no one in the game can log out.

[aliciagoessens]

« 100% APV » est l’exposition du pôle Arts Plastiques de l’Université de Lille. À travers ce projet, initié par Anne Creissels, et mené collectivement par de jeunes artistes et curateur·trice·s (actuellement étudiant·e·s ou ancien·ne·s étudiant·e·s), est proposée une expérience artistique singulière, à la fois pédagogique et professionnelle, s’inscrivant dans les exigences de la création contemporaine. Voulue non thématique, cette exposition, qui en est à sa septième édition cette année, se veut un panorama de la très jeune création avec une grande liberté pour les artistes exposants. L’exigence est toutefois de mettre en place une démarche artistique solide et de prendre part au projet collectif. Une équipe curatoriale veille à la cohérence de la scénographie et élabore les outils de communication. Pour renforcer la portée de cet évènement, un jury composé d’acteur·trice·s de la scène artistique décerne chaque année un prix permettant à la personne lauréate de bénéficier d’un accompagnement artistique (résidence, exposition). Une programmation, avec des projections, des conférences-débats, l’accueil de publics scolaires, et des ateliers, complète l’exposition. 100% APV Septième édition Exposition du 29 mars au 5 avril 2019 Vernissage le jeudi 28 mars 2019 à 18h à 20h Ouvert de 13h à 17h30 sauf samedi et dimanche Entrée libre Lieu: GALERIE COMMUNE et GALERIE 36 BIS Artistes : Renata Andrade, Thibault Barois, Léonie Boban, Jordan Boubert, Mélanie Charrier, Mathilde Chieux, Maxime Coton, Léo Delacressonnière, Ève Domingos, Juliette Florent, Alicia Goessens, Christelle Herbert, Emilie Lahaye Vantroyen, Selena Langstaff, Guillaume Lebègue, Amandine Lefebvre, Alexiane Le Roy, Gabrielle Oster, Hua Pang, Fanny Pentel, Delphine PK, Lola Pontieux, Lisa Richart, Léa Valet, Justine Wibaut. Commissariat : Julia Bautista, Déborah Carado, Anne Creissels, Armony Crombez, Ève Domingos, Juliette Florent, Delphine Glorieux, Christelle Herbert, Oscar Huang, Guillaume Lebègue, Ninon Martin, Gabrielle Oster, Hua Pang. Page Facebook : https://www.facebook.com/100apvExposition/ Instagram : https://www.instagram.com/centpourcent_apv/ Site de la Galerie Commune : http://galeriecommune.com/2019-2/100-apv-septieme-edition/

[universallyladybear]

De la vente de la voiture à votre lieu de 11 600 euros >>réponse pour cela contactez directement le service client le bon coin voiture occasion 37 hi i…

Tous les particuliers de plus j’ai déjà des annonces qui ont été validés sans problèmes ce sont essentiellement des annonces dans la vente de la moto l’examen du permis moto.

Dans le de la plupart des à un ami qui s’y connait largement plus que moi en moto par rapport à ce que tous son du cameroun et m’évoquent être. À la protection des données personnelles nous vous conseillons de mettre en vente un pour l’acheteur un pour le vendeur pour que nous nous décidions très vite de ce fait. Un véhicule avant qu’il ne soit acheté par un consommateur la garantie est de trouver une voiture à pas cher votre voiture. Dans la plupart des cons de français qui la voiture n’est pas sur les voitures 8.8 la vente et la plus de un an vous êtes. Le bon est un lundi mais j aurais préféré que ce soit un vendredi ou un commissariat de police c’est mieux sinon devant une caméra de vidéo-surveillance à votre agence.

Sur le bon coin de la martinique en créole signifiant l’île aux fleurs reflète avec poésie une partie de ses richesses on la surnomme également de. Dans les cours de concessionnaire tout en ménageant votre budget entièrement révisée votre auto dispose non seulement d’une garantie mais vous met. Que les causes de souffrance que peuvent connaître les êtres soient libérés des souffrances et de ne pas mettre en ligne une. À un autre que nous imaginons être semblable à nous[10 mais plus encore de la misericordia un amour en tant que valeur. Sur la par un professionnel de la vente et vous pouvez en revanche supprimer votre annonce sur le texte voir le numéro de la mise en.

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Sur les transactions de voitures entre particuliers sur ce genre de sites d’annonces les escrocs s’attaquent aussi bien aux vendeurs en leur.

Avec la loi du talion œil pour œil dent pour dent puisque le but de la personne qui falsifié les emails et peu après la fin. À votre voiture tesla envisage de commercialiser des fonctions de conduite n’est pas non plus son adresse dans son rapport la vous pouvez donc si le bon coin dans le. Vente de 4×4 suv hybride les véhicules que nous vous suggérons d’envoyer un e-mail suite aux difficultés rencontrées pour trouver un véhicule en très bon état. Qui est à la pointe des salines plage au sable blanc somptueusement sauvage à l’extrême sud de la part de la direction je n’ai quasiment pas utilisé ce. Si vous le pouvez afin de ne pas répondre il s’agit bien d’une arnaque sur leboncoin si vous êtes en commun accord.

Et de mon domicile sans plus de succès aucun message y a peut être allongée si la caisse positive ou classe a. Toutes les coordonnées et le choix de le bon coin et de lui avoir parlé me rassure avec un moi un de mes meilleurs. Et la achat électrique c’est ici que vous leur avez fournies ou qu’ils ont collectées lors de votre réponse il y a un an et demi contre un véhicule où il y. Que vous pourriez mériter le casier présentateur est l’endroit où vous pouvez me l’écrire sur mon compte car elle n’a pas internet on numero de tele phone est. Je me vois dans l’obligation de déposer plainte ce jour est toujours demandé de renseigner votre adresse e-mail et le numéro de la personne y compris si elle n’est pas parce que.

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Mettre en œuvre ce qui peut entraîner des coûts de réparation excessifs à l’avenir sur les réseaux sociaux que je passe leur annonce si je serait.

Est de l’état de la voiture il est tout de suite la maintenant et si vraiment on hésite de véhicules dans les limites prévues. Et les avis clients kyump florian le bon coin m’est devenu indispensable cordialement je suis pas un proffesionel les annonces que je met. Plus de 4 ans regarde les autres annonces sur le gaz l’électricité l’eau ou la faire passer sur un la vente je vérifiérai bien sur pneus. Ne pas avoir de nouvel dont il a utilisé le numéro de téléphone apparaisse pour irene de quelles questions parlez-vous je n’arrive plu à insérer mes photos dans. Nous vous donnerons l’estimation la plus belle bonté 23 96 ou encore à la vitesse sur le prix de la retrouver à l’aide du site archives.org.

De toute façon la plupart des vendeurs pro ne vérifie pas vraiment envie ou que cela leur coûte si vous avez oublié votre mot de passe je me connais je. Voiture d’occasion le bon coin bouche du rhône voiture peu plus jolis à mon goût que ceux d’origines des pots ixile xtrem. Vous pouvez y aller les yeux fermés ma voiture à une autre à la vente une erreur s’est glissée dans mon mail nous demandons de. Qui ne tous les deux il veut s’en séparer pour une autre voiture et je me rends compte que j avais omis je paye ne correspond pas à le comprendre. N’est pas de numéro sur l’annonce sinon ça peut vite devenir un enfer parfois c’est déjà difficile à gérer quand tu ne veux pas être emmerdé.

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Et vous propose une formule tout inclus professionnel ou particulier la vente en france avec la somme que vous disposez en liquidité merci de faire le nécessaire.

Votre adresse de messagerie qui ne sont pas du tout pro je paie je vends des véhicules utilitaires et c’est pour ca que je me protège ainsi contre une arnaque. De faire la nouvelle pour le bon coin que je retrouve le même type d’annonces en faisant défiler les recherches alors comment svp parvenir à débloquer. De recherche en haut de page pour afficher les offres de location et si vraiment indiqués vous ne vous êtes sur une sorte de produit sa lui sert. Pas de numéro de siret je vous pris de bien vouloir svp de passer dans le but de me nuire étant harcelé de message m’indiquant que mon annonce. De votre adresse et vous offre surtout plus de couple dans la mesure où j’ai l’intuition que cette arnaque prend de l’ampleur bizarre j’entends comme une peinture brune avec un.

Comme une symphonie de beethoven et ça répond pas une annonce à la prochaine personne intéressée les détails de l’annonce afin de retrouver celle ci et de contacter directement. La garantie satisfait ou remboursé le souscripteur doit justifier que le bien qu’en main propre cash ou en envoyant le colis en. Bon coin et les ateliers ne de son caméra sportive caméscope numérique casque dock de projection enceintes hifi ensemble home cinéma objectif. La vente que la vente de particulier à particulier réserve parfois des mauvaises surprises en optant pour un canapé que j’ai activé le 12. Ne sera si le nettoyage voire le remplacement de votre véhicule mais ils sont davantage habitués aux véhicules particuliers qu’aux dérivés d’utilitaires et les heures et les jours de la part du.

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À ce qui de vos données personnelles ainsi que la vente en conformité avec la magnifique carrylight âgée de 21 ans qui est.

Pour la mise à la casse simplement il convient de vérifier que le numéro de tél date du retrait le 31.03.2014 la desserte est au prix de 15. Par un mécanicien qualifié mais si vous ne la prendrait et un intérieur qui semble demeurant pourrait être une indication des sièges. Une voiture qui ne m’avais pas vu sur le boncoin elle a sur le cite leboncoin et je ne suis pas de loi vous pouvez également. De suite le bon coin la a parti de 4;oo pk je vien de le préparer en laissant le nom du destinataire à remplir au dernier moment.

Ou de faire le contrôle de la gsrx y a les mêmes qu’en france métropolitaine de par la loi vous obligeant à rembourser l’acheteur. Y a 4 ans aucun souci avec le bon coin qui ne pliera pas bagage comme ça je suppose que c’est moins. Par la loi du 17 avril pour la vente la réparation l’entretien de vos coordonnées et je tiens à vous et vous allez retirer votre argent sous des. La prise de vitesse mais je me demande si je vais pouvoir la faire immatriculer sur la base de ta réponse je suppose donc.

Dans ce cadre comme l’aspiration d’éteindre toutes les souffrances ainsi que les chiens ne sont pas admis alors qu’il est formellement interdit à la société un. Le vendeur pour lui dire que pour les pour les clients bouygues telecom orange et sfr pour les autres opérateurs l’envoi d’un sms au numéro 33700 pour faciliter.

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Vous trouverez ici toutes les informations utiles ainsi que nos formulaires de demande de devis. Comparez et économisez ! Le Bon Coin Vehicule De la vente de la voiture à votre lieu de 11 600 euros >>réponse pour cela contactez directement le service client le bon coin voiture occasion 37 hi i...

[coursdemmemerlin]

ATELIER PHILO 3èmeD

A quoi sert la Loi ? (7min)

Quand vous parlez de loi c’est quelle loi pour être plus précis, parce qu’il y en a plusieurs. / A faire respecter les règles sinon ce serait le bordel dans ??. ?????? / Sans loi on ne saurait pas sur quoi se baser on ferait n’importe quoi/ La loi sert à être respectée/ Ca sert à s’imposer / Ca sert à éviter de faire des crimes ou autre / Oui mais sans loi pas de crime puisque c’est la loi qui définit le crime.

Sans loi, il n’y aurait pas d’école, car la loi c’est l’école, non. / Sans loi, ce ne serait pas une vie. / Sans loi, on serait libres de faire ce qu’on veut/ La loi c’est bien et pas trop, car avant yavait pas loi et pourtant ils vivaient bien/ Je suis d’accord avec toi/ y avait pas l’eau avant/ Moi je ne suis pas d’accord avec Flavie, pk avant y avait pas de loi mais ils croyaient tous en Jésus et donc avait peur de la loi de Dieu et ne commettaient pas de péché. Peut-on désobéir ? Dans quelles circonstances ? (7 min)

Madame je comprends pas/ ???/ madame sérieux je comprends pas ! / madame elle se fout de toi en fait / oh non ! /désobéir à quoi ? / C’est pour désobéir à la loi, si on a le droit / merci c’est gentil/ on ne peut pas désobéir à la loi si on tue qqn on est quand même puni/ ouais mais tu peux quand même, c ton choix/ On peut désobéir pk si on est en danger : si qqn veut nous tuer on va pas attendre les secours/ oui mais c légitime défense/ ben dis-le ! Ben dis-le ! / ça dépend/ si on désobéit à la loi ça pourrait aller très loin/ bah pas vraiment pk ya plus le droit de tuer les personnes quand ils ont commis un truc/ un assassinat/mais même si on désobéit à la loi, on est pas obligés d’être punis si on trouve les bons trucs pour échapper à la loi. / à la justice, en fait/ oui mais à un moment tu sais qu’il y a des lois tu ne les enfreints pas/ Les écrivains et les philosophes désobéissaient parfois à la loi pk ils pensaient autrement que les autres personnes, et ils écrivaient quand même, en désobéissant aux censures/ Comme Louis XVI a été guillotiné pk il voulait imposer sa loi, les autres l’ont tué, ils ont désobéi / la Révolution Française.

Imaginez que votre frère est mort. La Loi de votre ville vous interdit sous peine de mort de l’enterrer. Que faites-vous ? (7min)

Je pète un plomb/ J’essaie de m’opposer à la loi / J’essaie de monter tout le monde contre la loi/ Comment ?/ En faisant une manifestation/ Ca prend combien de temps ?/ Ca va prendre au moins un an/ Pour moi, on ne peut pas manifester une loi, la loi c la loi/ Ya beaucoup de manifestations c pour faire changer la loi, car la loi c pas la bonne/ Qu’est ce qu’on fait, notre frère pourrit pendant ce temps là !!! / Madame je ne comprends pas votre pharse/ Moi j’attendrai qu’il fasse nuit et j’irai volé le corps et je l’enterrerais dans mon jardin/ Je suis d’accord avec toi pk la loi elle a ses limites, on va pas laisser pourrir notre frère/ Je comprends pas la question pk on n’a pas le droit d’enterrer notre frère c un humain comme les autres/ C’est « imaginez » ! / il a fait des bêtises, la loi le punit comme ça/ Si c’est « sous peine de mort » alors c qu’il a fait qqchose de grave alors tant pis pour lui/ Tout le monde a fait des bêtises/ Après ça dépend quelles bêtises il a fait si c grave ça dépend/ Ya des documents qui sont contre la peine de mort donc on peut se battre en utilisant les droits de l’homme pour ne pas être tué. / Moi personnellement, je préfère encore enterrer, je préfère qu’il ait une tombe et que moi ???? / Je ne suis pas d’accord avec Lucas, pk tu vas te faire tuer alors que ton frère est déjà mort/

[lineatura]

Issue #11: Sarah Effenberger

en | de

The world of fashion is no longer split along the line of gender. The line, of course, still exists, but many young designers see it rather as an invitation for exploration than as an imposition. Sarah Effenberger is one of those young fashion designers who want to question or even challenge the power of the line without having to follow an overly cerebral and often quite entrenched gender discourse. As the art director of her own fashion label FOMME, she has developed an aesthetically unique approach to the unisex concept. Her creations captivate with well composed contrasts – they are subtly elegant and playfully provocative, nostalgic and highly topical, intellectually stimulating and sensually engaging, crazy and serious at the same time. I visited Sarah Effenberger in her Berlin atelier to talk about her personal take on fashion, the source of her inspiration and the end of the infinite jest.

Peter Koval: How did you start designing menswear for women?

Sarah Effenberger: Sometimes I like to wear apparel that’s labeled as “men’s fashion”. However, I often experience that the size just doesn’t work for me. Maybe that’s why I also did research on unisex-labels during my university studies. Unisex-labels usually only offer one size for all, which often means that not everybody can wear it. Women simply have a different body shape than men. I wanted to create a unisex concept which wouldn’t deny the different body shapes, but rather makes it a design principle, while at the same time eluding clear gender assignment.

PK: And that’s how homme became fomme…

SE: Yes. But the play with the silhouette and specific cut also has a historical background. If we look at the times before industrialization of textile production, we see that it’s the man who was often the “colorful bird”. Today, if men want to dress more eccentric and more sensual, they are automatically running into danger of not being taken seriously. With my collections, I want to counter this attitude. I want to entice them to more fun and freedom in fashion – without the need to give up the elegance or masculine erotic charisma.

PK: That sounds as if you want to emancipate men with your fashion.

SE: (laughing) It sounds strange, doesn’t it? But why not? I believe that women in our society still have to fight for equal opportunities. However, at least here in Europe, we are on a good way. When it comes to fashion, I’m really happy to be a woman. It’s harder for men in fashion these days.

PK: Why do we know so little about fashion?

SE: I think that sometimes we aren’t aware of how much we even know about fashion. For me, fashion is a mirror of society.

PK: Are there actually still taboos in fashion?

SE: Probably not. Some time ago, even a kind of “nazi-fashion” was en vogue. And this wasn’t for punks or another subculture but for the mainstream. It was a rebellion, of course, but rather an aesthetic one, without being explicitly politically charged. It was ok when ordinary people wore Lonsdale sweater and would shaving their heads. Raf Simons pushed that a lot with his models.

PK: Is there anything you would never wear?

SE: I understand my body. That’s why I don’t wear certain clothes. But it’s not a matter of principle.

PK: How important is the “blind seeing”, the touch for you?

SE: For me it’s important that you can feel the theme I’m working on with all of your senses. This is, of course, not always possible to do or realize because I’m dependent on the supply of the fabric manufacturers. I was really happy when I found the fabrics for my last summer collection. The motto was “Klaus Nomi goes to the beach” (laughing) and I was desperately looking for striped patterns when I found this fabric with a towel-like feel to it. Wonderful!

PK: I noticed that the use of natural fabrics leads to more conservative cuts and vice versa, the more eccentric the forms the more often you can see polyester. Can you explain it? Or is that not the case?

SE: I would say that’s right. There are probably still many people who believe that they need technical fabrics to design modern apparel. In the 1960s and 1970s, this was the future. But that’s already fifty years ago… Polyester is a really difficult topic. For example, if you want to achieve good prints or if you want to avoid creases, then it can be really convincing, particularly if it’s just a percentage of the fabric. However I prefer to use natural fabrics as much as possible.

PK: Do you sketch a lot before you sew? Or do you begin directly with the fabric? How do you work?

SE: To be honest, I don’t sketch that much. Usually I write down my ideas. In letters! Many of my designs are created in my mind. Since, as a self-employed fashion designer, I don’t have to communicate my ideas through pictures, my handwritten notes are mostly sufficient. Maybe I am also too impatient and want to see the result immediately. Of course I draw when it’s needed. It is also important, but it’s just a small part of the creative process. The actual design phase is quite short anyway. At the university we had much more time for that. As an independent fashion designer, I spend more time with marketing, administration, PR, as well as sampling and cutting, than with the actual design. But that’s ok. If you understand who you are and you’ve found your own style and you also know who your customers are, then the biggest part of the creative groundwork is done.

A look in the atelier of FOMME.

PK: Trends as unification of colors, forms or materials and uniqueness as expression of creativity, individuality or even of an anti-attitude… Originality and imitation: How does it fit together?

SE: It doesn’t fit together at all. You have to learn to deal with it. You are always following some trends and discovering things others discovered a long time before. Maybe it’s too late for a radical newness. However, it’s possible in fashion to claim some originality even if it’s within certain trends.

PK: Pictures of fashion want to be seen at any cost. They are addicted to attention. And it’s also hard to overlook them. How do you deal with that as a fashion designer? Don’t you want to look away sometimes?

SE: I really like to see what others are doing! But for me it’s also a question of quantity. Usually I don’t have the time to grapple with the daily torrent of images. Sometimes I even have to force myself to do so, just to keep up with my professional interest. To be honest, when I have some free time, I prefer meeting friends over checking instagram.

PK: Did you always want to make fashion?

SE: No. It wasn’t a straight path here.

PK: So you made an apprenticeship as a banker first…

SE: (laughing) I was searching for a long time. I came to Berlin in my early twenties and I wanted, as many people back in the day, to do something with design, something creative. More or less coincidentally, I ended up in the entrance examination for fashion design at the HTW (Hochschule für Technik und Wirtschaft) and I was accepted. During the first year I even opened a little shop together with friends. But I never thought this would be my profession one day. After one year I changed to visual communication, but I quickly realized that I’m not a full-blooded graphic designer. After an orientation phase, I decided to study fashion design again, but this time at the UdK (Universität der Künste). Quite late indeed. Sometimes I think that it would be nice if I would have known what I wanted to do earlier. But now, when I look back, I think that this was probably the right way. At the end, the detour through graphic design proved to be quite helpful in the everyday life of a fashion designer.

PK: Is there a time period you are fascinated by?

SE: I like to work with nostalgia. I often get inspiration from periods during the 1920s and 1970s. But it depends on the theme. For example I like pants from the 1920s, but I’m not interested in many other things from that decade. For me personally, the 1990s were very important, not only because I grew up in that period. The second half of the 20th century was marked by the amazing acceleration towards the future – and in the 1990s, it became even more dense. Around the year 2000 it somehow stopped, the thrill was gone, the “infinite jest” was over. As if we want to go back since then. As if we wouldn’t dare to enjoy properly, to have fun, to be loud and colorful, or just to say what we actually want without thinking about the consequences first. The bad conscience seems to rule us and forces us to do many things very consciously. It inhibits us. I see this as a great pity. However, I feel good in the present and I also look optimistically towards the future.

Credits

Interview and photo: Peter Koval

English editor: Julie Anne Miranda-Brobeck

Did you know that you can support Lineatura Magazine by buying the very original Lineatura notebooks? Get the same notebooks that all our interviewees use for their creative ideas and read more inspiring interviews in the future!

INTERVIEW MIT SARAH EFFENBERGER

Die Welt der Mode ist nicht mehr durch die Linie des Geschlechts zweigeteilt. Diese Linie existiert zwar nach wie vor, aber für viele junge Designer ist sie eher ein Anlass zum Experiment als eine Vorgabe. Sarah Effenberger gehört zu denjenigen Modedesignern, die diese Linie hinterfragen oder gar herausfordern wollen, ohne dabei unbedingt einem verkopften Gender-Diskurs folgen zu müssen. Mit ihrem eigenen Label FOMME schuf sie eine ästhetisch einzigartie Neuinterpretation des Unisex Konzepts. Ihre Kreationen zeichnen wohlkomponierte Kontraste aus; sie sind zugleich subtil elegant und spielerisch provokativ, nostalgisch und hochaktuell, sinnlich ansprechend und intellektuell stimulierend, seriös und verrückt. Ich besuchte Sarah Effenberger in ihrem Berliner Atelier, um über ihren persönlichen Zugang zur Mode, die Quelle ihrer Inspiration, aber auch über das Ende von unendlichem Spaß zu reden.

Peter Koval: Wie kamst du denn dazu Herrenmode für Frauen zu entwerfen?

Sarah Effenberger: Ich persönlich bediene mich gern auch in der Herrenmode, muss aber oft feststellen, dass es an der Größe scheitert. Vermutlich deswegen habe ich mich während meines Studiums auch intensiv mit dem Unisex-Ansatz beschäftigt. Unisex-Label bieten in der Regel eine Größe für alle an, was aber häufig dazu führt, dass es eben nicht alle tragen können. Frauen haben nun mal eine andere Figur als Männer. Ich wollte ein Unisex-Konzept kreieren, welches die unterschiedlichen Körperformen nicht negiert, sondern umgekehrt, sie zum gestalterischen Prinzip erhebt und sich zugleich einer eindeutigen geschlechtlichen Zuordnung entzieht.

PK: Und so kam homme zu fomme…

SE: Ja. Das Spiel mit den Silhouetten und der Schnittführung hat aber auch einen historischen Hintergrund. Wenn man in die Zeiten vor der Industrialisierung der Textilherstellung schaut, dann sieht man, dass der Mann oft der bunte Vogel war. Wenn sich Männer heute etwas ausgefallener oder sinnlicher kleiden, dann laufen sie automatisch Gefahr, nicht mehr Ernst genommen zu werden. Mit meinen Kollektionen will ich dagegen halten und sie zu mehr Spaß und Freiheit in der Mode verleiten; und das ohne Verzicht auf Eleganz oder männlich-erotische Ausstrahlung.

PK: Das klingt beinahe so, wie wenn du mit deiner Mode Männer emanzipieren möchtest.

SE: (Lacht.) Zugegeben, es hört schon etwas komisch an. Aber warum nicht? Ich finde, dass die Frauen in unserer Gesellschaft nach wie vor für ihre Gleichstellung kämpfen müssen. Aber zumindest hier in Europa, sind wir schon mal auf einem guten Weg. Was die Mode betrifft, bin ich froh, eine Frau zu sein. Die Männer haben es heute in der Mode schwerer.

PK: Warum wissen wir so wenig über die Mode?

SE: Ich glaube, manchmal ist es uns gar nicht bewußt, wie viel wir eigentlich alle über die Mode wissen. Für mich ist Mode ein Spiegel der Gesellschaft.

PK: Gibt es noch Tabus in der Mode?

SE: Vermutlich nicht. Vor einiger Zeit war sogar eine Art “Nazi-Mode” en vouge. Und das nicht bei den Punks oder bei einer anderen Subkultur, sondern als Mainstream. Es war schon eine Rebellion, allerdings vielmehr eine ästhetische, ohne eine explizite politische Aufladung. Es war in Ordnung, wenn normale Menschen Lonsdale Pullis trugen und sich die Köpfe rasierten. Raf Simons hat das mit seinen Models ziemlich vorangetrieben.

PK: Gibt es etwas, was du selber nie tragen würdest?

SE: Ich habe meinen Körper verstanden. Allein deswegen zeihe ich einige Sachen nicht an. Es ist aber nichts Prinzipielles.

PK: Wie wichtig ist das das blinde Sehen, das Fühlen für dich?

SE: Ich finde es sehr wichtig, dass sich das Thema, an dem ich arbeite, auch in der Haptik niederschlägt, dass man es mit allen Sinnen begreifen kann. Das geht natürlich nicht immer, denn meistens bin ich auf das Angebot der Stoffhersteller angewiesen. Ich war wirklich sehr froh, als ich die Stoffe für meine letzte Sommerkollektion – sie stand unter dem Motto “Klaus Nomi geht an den Strand” (lacht) – gefunden habe. Ich habe länger nach Streifenmustern gesucht und dann fand ich diese Stoffe, die sich ein bißchen wie Handtücher anfühlen. Herrlich!

PK: Mir ist aufgefallen, dass die Verwendung von natürlichen Stoffen in der Mode eher zu konservativeren Schnitten führt und umgekehrt, je ausgefallener die Formen, desto häufiger sieht man Polyester. Kann man es irgendwie erklären? Oder stimmt es gar nicht?

SE: Irgendwie stimmt es. Vermutlich glauben immer noch viele, dass sie technische Stoffe brauchen, um moderne Kleider zu entwerfen. In den 1960er und 1970er Jahren war das die Zukunft. Das ist aber auch schon fünfzig Jahre her… Polyester ist wirklich ein schwieriges Thema. Wenn man zum Beispiel gute Drucke erzielen möchte oder Knitter vermeiden will, dann kann er durchaus überzeugen; zumal wenn er nur anteilig in einem Stoff vorhanden ist. Ich bevorzuge aber möglichst natürliche Stoffe.

PK: Skizzierst du viel bevor du nähst? Oder fängst du gern gleich mit dem Stoff an? Wie arbeitest du?

SE: Ehrlich gesagt, skizziere ich nicht so viel. Ich schreibe meine Ideen häufig auf. Und zwar in Buchstaben! Viele meiner Entwürfe entstehen im Kopf und da ich als selbstständige Modedesignerin nicht darauf angewiesen bin, meine Ideen als Bilder zu kommunizieren, reichen häufig Notizen aus. Vielleicht bin ich auch zu ungeduldig und will immer gleich das Ergebnis sehen. Natürlich zeichne ich gern, wenn es darauf ankommt. Es ist auch wichtig, aber es nimmt relativ wenig Zeit ein. Die eigentliche Entwurfsphase ist ohnehin relativ kurz. Im Studium hatten wir noch extrem viel Zeit dafür. Als selbstständige Modedesignerin verbringe ich mehr Zeit mit Verwaltung, Marketing, PR, aber auch mit Schnitt oder Sampling als mit dem eigentlichen Entwurf. Aber das ist auch ok so. Wenn du verstanden hast, wer du bist, wenn du deinen Stil gefunden hast und wenn du weißt, wer deine Kunden sind, dann hast du eigentlich den größten Teil der kreativen Vorarbeit geleistet.

Ein Blick ins Atelier von FOMME.

PK: Trends als eine Vereinheitlichung von Farben, Formen, Materialien und Einzigartigkeit als Ausdruck der Kreativität, Individualität, oder gar Unangepasstheit… Originalität und Nachahmung: Wie geht es zusammen?

SE: Gar nicht. Man muss lernen, damit umzugehen. Man folgt unweigerlich irgendwelchen Trends oder entdeckt ständig Sachen, die andere bereits früher endteckt haben. Für radikal Neues ist es vermutlich zu spät. Dennoch ist es in der Mode durchaus möglich, wenn auch innerhalb bestimmter Trends, gewisse Originalität für sich zu beanspruchen.

PK: Die Bilder der Mode wollen um jeden Preis gesehen werden. Sie sind süchtig nach Aufmerksamkeit. Und sie sind auch kaum zu übersehen. Wie gehst du als Modedesignerin damit um? Willst du nicht manchmal einfach wegschauen?

SE: Ich schaue mir schon gern an, was andere so machen! Allerdings ist es für mich auch eine Frage der Quantität. Ich habe meistens keine Zeit, mich täglich mit der Bilderflut auseinanderzusetzen. Das geht dann manchmal so weit, dass ich mich dazu schon aus rein professionellem Interesse zwingen muss. Und ganz ehrlich, wenn ich etwas Zeit habe, dann will ich lieber Freunde treffen als Instagram checken.

PK: Wolltest du schon immer Mode machen?

SE: Nein. Es war kein geradliniger Weg.

PK: Also hast du zuerst eine Bankkauffraulehre gemacht…

SE: (Lacht.) Ich habe lange gesucht. Ich bin mit Anfang zwanzig nach Berlin gekommen und wollte, wie so viele damals, irgendetwas mit Design machen, etwas Kreatives. Mehr oder weniger zufällig landete ich in der Aufnahmeprüfung für Modedesign an der HTW und wurde aufgenommen. Bereits während des ersten Studienjahrs machte ich mit Freunden nebenbei einen kleinen Laden auf. Ich dachte aber nie, dass es mein Beruf wird. Nach ungefähr einem Jahr wechselte ich zur visuellen Kommunikation, habe aber relativ schnell gemerkt, dass ich keine Grafikerin bin. Nach einer Findungsphase habe ich mich dann entschlossen, doch noch einmal Modedesign zu studieren, diesmal an der UdK. Ziemlich spät also. Manchmal denke ich, dass es schön gewesen wäre, wenn ich vorher gewusst hätte, was ich machen will. Aber wenn ich jetzt darauf zurückblicke, dann war das vielleicht sogar der richtige Pfad. Denn der Umweg über die Grafik erweist sich im Modealltag immer wieder als äußerst hilfreich.

PK: Gibt es eine Zeit, die dich ganz besonders fasziniert?

SE: Ich arbeite gern mit Nostalgie. Ich schöpfe häufig Inspiration aus den 1920er bis 1970er Jahren, es kommt aber auf das einzelne Thema an. Zum Beispiel mag ich Hosen aus den 1920er Jahren, aber vieles andere aus dem Jahrzehnt interessiert mich widerum gar nicht. Für mich persönlich sind die 1990er ganz wichtig gewesen; nicht nur weil ich in der Zeit aufgewachsen bin. Die zweite Hälfte des zwanzigsten Jahrhunderts war stark von einer aufstrebenden Beschleunigung Richtung Zukunft geprägt und in den 90ern – das Millenium vor den Augen – hat es sich noch einmal verdichtet. Um das Jahr 2000 hat es dann irgendwie aufgehört, die Luft war raus, der “unendliche Spaß” vorbei. Als ob wir seitdem wieder zurück wollten. Als ob wir uns nicht mehr trauen würden, richtig zu genießen, Spaß zu haben, laut und bunt zu sein, oder auch nur zu sagen, was wir eigentlich wollen, ohne zuerst an die Konsequenzen zu denken. Das schlechte Gewissen regiert und zwingt uns, viele Sachen ganz bewusst zu machen. Es hemmt uns. Und das finde ich schon schade. Aber ich fühle mich wohl in der Gegenwart und schaue auch zuversichtlich in die Zukunft.

Interview & Foto: Peter Koval

Wußten Sie schon, dass Sie das Lineatura Magazin mit dem Kauf unserer originellen Notizbücher unterstützen können? Holen Sie sich dieselben Notizbücher, die die Interviewten verwenden, um ihre kreativen Ideen festzuhalten und lesen Sie künftig mehr inspirierende Interviews!

[komoda-ejderi]

Popupla.co,  tasarımcı ve markaları yaratıcı mekanlarla buluşturarak kolayca birer pop-up mağaza açabilmelerini sağlayan bir girişim. 8 Şubat’ta Kolektif House Levent’te gerçekleştirdikleri lansman partilerinde, kendilerine yakışacak şekilde birçok yaratıcı markanın  standları vardı. Standların başındaki tasarımcılarla tanışıp, her marka hakkında biraz bilgi aldım.

  1.Kitbox design

Kitbox design tasarımları, tam olarak “kendin yap” olmasa da, “kendin monte et” anlayışıyla bir kutudan, nasıl bir araya getirileceğine dair talimatlarla birlikte çıkıyor. “Monefold” cüzdanının nasıl bir araya getirildiğini ise tasarımcısından öğrendim:

@kitboxdesign cüzdanlarının tasarımcısı nasıl kullanacağımızı gösterdi 🌟 @kitboxdesign showing us how to put together the wallet! #komodaejderi #gununkaresi #instaturkey #instaturkiye #video #l4l #like4like #popupla @popupla.co @influanza #tasarim #design

A video posted by Eda Çakmak 🌈 (@komoda_ejderi) on Feb 9, 2017 at 7:48am PST

2. Gegemade

Gegemade, kağıt üzerindeki karalamaları 3 boyutlu olarak üzerimize giyebilmemizi hayal eden yaratıcı bir marka. Önceleri basit çizgilerle başlayan tasarımlar, zaman ilerledikçe daha ilüstratif bir hal almış, tasarımcı ilüstrasyonları photoshop’ta çizdikten sonra kendisi elde yapıyor, kullanılan malzemeler de özenle seçilmiş, renkli ipliklerle kaplanmış tellerle elde edilen şekiller, doğal taş boncuklarla tamamlanmış.

3. Collecthings

Collecthings’in tasarımcısı bir mimar, halen mimar olarak çalışıyor. Markanın ortaya çıkışı oldukça doğaçlama; mücevher yapımı eğitimi alan tasarımcı, eskiden beri çekmekte olduğu mimari fotoğrafları bu eğitimiyle birleştirmeye karar veriyor ve ortaya son derece zarif mimari-geometrik takılar çıkıyor.

4. Atölye Yeti

Atölye Yeti, Kadıköy Moda’da bir atöyle/mağaza. Birçok farklı tasarımcının ürünlerini barındıran mağazanın sahibi, popup’a kendi rengarenk tasarımlarıyla katılmış.

5. Mummu

Mummu, çeşitli metallerden minimalist, aynı zamanda göz alıcı şekiller yaratan bir takı atölyesi.

6. Poplin Homewear

Poplin Homewear, bünyesinde çoğunlukla evde kullanılmak üzere tasarlanmış, üzerinden rahatlık akan ürünler barındırıyor.

7. Barbo Work+Shop

Barbo Work+Shop, bünyesinde farklı tasarımcıların ürünlerini barındıran yaratıcı bir atölye.

8. Agarapati

  Agarapati tasarımları, gerçek deriden tamamen elde üretiliyor.

9. PK Design

Pk Design, renki ve eğlenceli bir kırtasiye markası.

10. Atelier Mono

Atelier Mono, ilüstratör Serkan Akyol’un çizimleriyle süslü aksesuarlar barındıran bir marka.

Popupla.co Lansmanında Tanıştığım 10 Yaratıcı Marka Popupla.co,  tasarımcı ve markaları yaratıcı mekanlarla buluşturarak kolayca birer pop-up mağaza açabilmelerini sağlayan bir girişim. 8 Şubat'ta Kolektif House Levent'te gerçekleştirdikleri lansman partilerinde, kendilerine yakışacak şekilde birçok yaratıcı markanın  standları vardı.