#Ary Barroso

[tofuist]

Pra Machucar Meu Coração

Hosono sings bossa nova!

[vgsvgsv]

Se Deus soubesse da tristeza lá na serra, mandaria lá pra cima todo amor que há na terra.

[zemaribeiro]

Grandes encontros no Festival Plural Instrumental, ontem, em São Luís

Saiba como foi a primeira noite; hoje tem mais, antes do evento seguir para Parauapebas/PA, Rio de Janeiro/RJ e Belo Horizonte/MG TEXTO E FOTOS: ZEMA RIBEIRO Com show inédito, Bebê Kramer e Lívia Mattos abriram o Festival Plural Instrumental, ontem (17) Os acordeonistas Bebê Kramer e Lívia Mattos inauguraram a programação musical do Festival Plural Instrumental ontem (17), no Teatro João do…

[richardanarchist]

🫀🔂

[altamontpt]

Jards Macalé - Musicbox

Magritte não diria melhor: isto não é uma reportagem sobre o concerto de Jards Macalé. É outra coisa. Talvez seja um longo e duradouro abraço por escrito.

Magritte não diria melhor: isto não é uma reportagem sobre o concerto de Jards Macalé. Não sendo, de facto, o que poderia ser, alguma utilidade tenho de dar a estas linhas. Sem grandes certezas, e sempre receoso de rótulos e classificações demasiadamente assertivas, talvez possa ser uma homenagem. Ou uma obrigação. Um imperativo de consciência. Ou ainda um tributo. Pensando melhor, e somando as…

[spilladabalia]

Dex Romweber Duo - Brazil

[edsonjnovaes]

HOMENAGEM AOS SAMBISTAS

DIA NACIONAL DO SAMBA HOMENAGEM AOS SAMBISTAS – CLARA NUNES GUERREIRA OFICIAL. 3 dez 2023 Homenagem ao Dia Nacional do Samba aos que fizeram história elevando esse ritmo. BETH CARVALHO,ALCIONE,ROBERTO RIBEIRO,MONARCO,NELSON SARGENTO,ALMIR GUINETO,ZECA PAGODINHO,ARLINDO CRUZ,MARTINHO DA VILA,JOVELINA PÉROLA NEGRA,MUSSUM,PAULINHO DA VIOLA,JOÃO NOGUEIRA,DIOGO NOGUEIRA,LECI BRANDÃO,FUNDO DE…

[discosdaantiga]

Ary Barroso & Dorival Caymmi

Um Interpreta o Outro

1958

[semioticas]

Cassino da Urca

Encontro de bambas: Linda Batista, Grande Otelo, Herivelto Martins e Ary Barroso, ao piano, ensaiam para um espetáculo no Cassino da Urca, em 1940, fotografados por Carlos Moskovics. Linda Batista se tornou a Rainha do Rádio e a grande estrela do Cassino da Urca depois que Carmen Miranda deixou o Brasil e embarcou para Hollywood, em 1939.

Veja mais em:

Semióticas – Aquarela do Ary

[mywifeleftme]

150: Luiz Carlos Vinhas // O som psicodélico de L.C.V.

O som psicodélico de L.C.V. Luiz Carlos Vinhas 1968, CBS (Bandcamp)

This album is so fucking good, ay ay ay. Pianist Luiz Carlos Vinhas was a founding member of the bossa nova movement who played with the instrumental trio Bossa Três; as a sideman for Jorge Ben and many others; and released a handful of solo records, of which his ’64 debut Novas Estruturas (New Structures) is the most acclaimed—though it’s sadly as desperately rare as the rest of his catalogue. A fine album in its own right, Novas Estruturas is laid back bossa jazz that will class up any joint lucky enough for it to be played in, but 1968’s O som psicodélico de L.C.V. (The Psychedelic Sound of L.C.V.) is on a different level. In the four years since his debut, Vinhas has clearly drawn influence from the burgeoning Tropicália movement. If L.C.V.’s not quite as deliciously off-meds as Gilberto Gil or Tom Zé’s releases from the same year, it’s at least their equal in colour and pure festive pleasure.

The trio of Vinhas originals on the A-side testify to the album’s carnivalesque range: on “Tanganica” (possibly named for a province in the Congo) simulated birdcalls scream around a twanging electric guitar, samba percussion, and a series of stirring trumpet solos; on the militant “Yê-Melê” (which Sérgio Mendes would cover the following year), the music switches between pounding Afro-Cuban piano and strafing organ runs, while a chorus of female vocalists and a group of trumpeters take turns riling up the audience; “Zize-Baio” (Google Translate shrugs its shoulders at me) is pure pop, with a rising instrumental hook that continues to build pleasure until the song cuts just over two minutes in and you feel a little ruffled it’s over so soon. But life goes on, and Vinhas’s band throw everything at you: a stunning rendition of Horace Silver’s “Song to My Father,” a trio of inventive medleys on the B-side that find time for Ary Barroso and “Chatanooga Choo-Choo” alike, the attack of pure mania that is the motormouthed “O Dialogo” (another Vinhas original), and on and on.

Only reissued for the first time in 2020 by Mad About Records, my copy is a weird bootleg that appears to be from ’68 and is identical to the hyper-rare original release, aside from differently coloured labels on the disc itself. Considering the price of bossa nova original pressings, I feel lucky to have it, and though I’m no expert in the genre, it’s hard to imagine this ever falling from its high perch among my favourites.

150/365

[luiskolodin]

Ary Barroso - Morena, boca de ouro

[marcuscaffe]

Marcus Caffe em Camisa amarelo ( Ary Barroso)

Pedro Madeira violão, concepção e direção

Tchesco Carvalho trombone.

Direção artística Andréia Pires

Em Theatro José de Alencar

Carnaval 2024

#marcuscaffe #musicabrasileira #nosartistasnordestinos #artesalva #patrimoniocultural #producaocultural #sambatradição #arybarroso #camisaamarela

https://www.instagram.com/reel/C_bYEw4x0mX/?igsh=MXN4MmwxNHoweXhtMA==

[sheetmusiclibrarypdf]

Antonio Carlos Jobim Stone Flower (Songbook) Quebra-pedra Tom Jobim Piano Vocal guitar Chords

Antonio Carlos Jobim Stone Flower (Songbook) Quebra-pedra Tom Jobim Piano Vocal guitar Chords

ANTONIO CARLOS JOBIM (1970) - Stone Flower (Full Album)

https://www.youtube.com/watch?v=_lfHX8NBmXk Recorded in 1970 at Rudy Van Gelder's studio in New Jersey under the production auspices of Creed Taylor, the arrangement and conducting skills of Deodato, and the engineering expertise of Van Gelder himself, Jobim's Stone Flower is Quite Simply One of his Most Quietly Stunning works —and certainly the high point of his time at Columbia. Nearly a decade after the paint peeled from the shine of BOSSA NOVA'S domination of both the pop and JAZZ Charts in the early '60s, Creed Taylor brought Jobim's tender hush of the bossa sound back into the limelight. With a band that included both Jobim and Deodato on guitars (Jobim also plays piano and sings in a couple of spots), Ron Carter on bass, João Palma on drums, Airto Moreira and Everaldo Ferreira on percussion, Urbie Green on trombone, Joe Farrell on soprano saxophone, and Harry Lookofsky laying down a soulful violin solo on the title track, Jobim created his own version of "Kind of Blue". The set opens with the low, simmering "Tereza My Love," with its hushed, elongated trombone lines and shifting acoustic guitars floating on the evening breeze. It begins intimate and ends with a closeness that is almost uncomfortably sensual, even for bossa nova. And then there are the slippery piano melodies Jobim lets roll off his fingers against a backdrop of gauzy strings and syncopated rhythms in both "Choro" and "Brazil." The latter is a samba tune with a sprightly tempo brought to the fore by Jobim's sandy, smoky vocal hovering ghost-like about the instrumental shimmer in the mix. Take, for instance, the title track with its stuttered, near imperceptible percussion laid under a Jobim piano melody of such simplicity, it's harmonically deceptive. It isn't until Lookofsky enters for his solo that you realize just how sophisticated and dense both rhythm and the chromatic lyricism are. The album closes with a reprise of "Brazil," restating a theme that has, surprisingly been touched upon in every track since the original inception, making most of the disc a suite that is a lush, sense-altering mediation, not only on Jobim's music and the portraits it paints, but ON the sounds employed by Taylor to achieve this effect. Stone Flower is simply brilliant, a velvety, late-night snapshot of Jobim at his pea * Stone Flower is the Fifth album by Antonio Carlos Jobim ("JOBIM"). Recorded in March, April, and May 1970 by Rudy Van Gelder at "Van Gelder Studios" and was produced by Creed Taylor. The album was released and published in 1970 by CTI Records. Track list: "Tereza my Love" - 0:00 "Children's Games" - 4:24 "Choro" - 7:55 "Brazil"(Ary Barroso) - 10:04 "Stone Flower" - 17:31 "Amparo" - 20:53 "Andorinha" - 24:35 "God and the Devil in the Land of the Sun" - 28:06 "Sabia" - 30:29 "Brazil" - 34:30 Read the full article

[josuejuniorworld]

FOTO BSB – III Festival de Fotojornalismo de Brasília Homenageia João Ripper com Mostra e Lançamento de Livro

No dia 19 de agosto de 2024, data em que se comemora o Dia Mundial da Fotografia, às 19h, o FOTO BSB – III Festival de Fotojornalismo de Brasília abrirá suas portas ao público com uma celebração especial ao renomado fotógrafo carioca João Roberto Ripper. A mostra intitulada Bem querer: O olhar terno de Ripper será inaugurada na Galeria do Espaço Cultural Ary Barroso, no Sesc 504 Sul, e ficará…