#Arlene Schnitzer

[mouse-sucks]

Trapped In Portland : https://youtu.be/uoCTGzjM0EY

[theghosthybrid]

The requisite marquee selfie plus a couple others. Had a blast tonight!

[butterflies-and-bumble-bees]

I'm sorry but WHO DID DAN AND PHIL HIRE TO SET UP THE ORDER OF THEIR TOUR SHOWS!?!?!?!?!

I'm sorry but this is just blatant ignorence of basic geography

OCT 06 SEATTLE, WA / Moore Theatre

OCT 07 *NEW DATE* SEATTLE, WA / Moore Theatre

OCT 08 PORTLAND, OR / Arlene Schnitzer Auditorium

OCT 09 VANCOUVER, BC / Orpheum Theatre

OCT 11 OAKLAND, CA / Paramount Theatre

OCT 13 PHOENIX, AZ / Celebrity Theatre

OCT 17 SAN DIEGO, CA / Civic Theatre

OCT 18 LOS ANGELES, CA / Peacock Theater

OCT 20 SALT LAKE CITY, UT / The Union

OCT 21 DENVER, CO / Ellie Caulkins Opera House

OCT 23 KANSAS CITY, MO / The Midland

OCT 24 GRAND PRAIRIE, TX / Texas Trust Theatre

OCT 25 AUSTIN, TX / Bass Concert Hall

OCT 27 ST. LOUIS, MO / The Factory

OCT 28 DETROIT, MI / Masonic Temple

OCT 29 AKRON, OH / Civic Theatre

OCT 30 INDIANAPOLIS, IN / Clowes Memorial Hall

NOV 01 MILWAUKEE, WI / Riverside Theater

NOV 02 MINNEAPOLIS, MN / State Theatre

NOV 03 CHICAGO, IL / Chicago Theatre

NOV 05 TORONTO, ON / Massey Hall

NOV 08 PHILADELPHIA, PA / Miller Theater

NOV 10 NEW YORK, NY / Kings Theatre

NOV 11 TYSONS, VA / Capital One Hall

NOV 12 *NEW DATE* TYSONS, VA / Capital One Hall

NOV 14 ATLANTA, GA / Cobb Energy PAC

NOV 16 TAMPA, FL / Tampa Theatre

NOV 17 ORLANDO, FL / Hard Rock Live

NOV 18 FORT LAUDERDALE, FL / The Parker

NOV 20 DURHAM, NC / DPAC

NOV 21 NASHVILLE, TN / Andrew Jackson Hall

NOV 24 BOSTON, MA / Wang Theatre

NOV 25 READING, PA / Santander PAC

NOV 26 RED BANK, NJ / Count Basie

tldr: they go from pennsylvania to ny to virginia to Georgia to Florida to North Carolina to Tennesse to Massachusets and then back to Pennsylvania and the mental map in my head just gave me an overload error

[cellulardreams]

Mitski by Robbie Winter Via Flickr: Mitski - 03/07/2022 - Arlene Schnitzer Concert Hall

[bobcronkphotography]

Arlene Schnitzer Concert Hall

Portland, Oregon

[housewifeswag2]

What’s the best concert you’ve been to? But what’s the worst concert you’ve been to?

best = of course the legendary mariah carey charmbracelet tour 2003 portland, oregon at the arlene schnitzer concert hall, front row tickets with my momma 🥰 I think I've enjoyed every concert I've gone to so no worst one

[hollizzle]

Knowing full well how much I love it, Q treated me to the Oregon Symphony’s performance of Stravinsky’s The Firebird Suite tonight. It was amazing and breathtaking. But not as wonderful as this person I got right here. I’m so very happy to have him in my life. #ToManyMore (at Arlene Schnitzer Concert Hall) https://www.instagram.com/p/CnbPWZIubeM/?igshid=NGJjMDIxMWI=

[thesetlistproject]

The Smile, Arlene Schnitzer concert Hall, Portland, Oregon, December 14, 2022 (at Portland, Oregon) https://www.instagram.com/p/CmMkPhcpnMf/?igshid=NGJjMDIxMWI=

[goldenpinof]

Facebook announcements (from venues, promoters, organisers and etc.) _ USA/Canada

this post is gonna be updated (probably in reblogs) with each new post from anyone. if there's something interesting going on, the city is gonna have a separate post/thread with screenshots and links. if i provide a link to the venue it means there's a TI page on it (and the link is to this page). if the venue didn't make a page for us, i highlight it.

Europe has screenshots as an example of how i would do it ideally. starting from USA/Canada in this post and all updates are linked to screenshots posted on a different blog (because of Tumblr limits). that is, except for the last 7 USA shows because i ran out of links (who knew); they have screenshots. this post aka Facebook announcements is divided by tour legs (also because of Tumblr limits).

all 4 posts (for 4 tour legs) are gonna have this disclaimer, yes. is this still confusing? yes.

if there's a major update, i'll reblog this post and add it to the cities that have something new.

any corrections or missing information are welcome as always.

USA/Canada (October-November 2024):

general promoter (link 1 and link 2 to the websites with no TI pages) - AEG Presents - no announcements, but events created for Kansas City, Grand Prairie and Detroit. general ticket sellers aka Ticketmaster and AXS (linking once, because of limits). Etix is another one. Live Nation as a platform integrated with Ticketmaster for some shows

Seattle, Washington (two shows) (link to STG the venue is a part of):

venue's (Moore Theatre) announcements + events created

nothing on STG page

nothing on the ticket seller's (Ticketmaster) page

Portland, Oregon (link to Portland'5 the venue is a part of):

venue's (Arlene Schnitzer Concert Hall) announcement + event created

Portland'5's announcement + event created

tickets are sold on Portland'5's website

Vancouver, Canada (link to Vancouver Civic Theatres the venue is a part of):

Vancouver Civic Theatres' (Orpheum is a part of) announcement + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Oakland, California (link to the venue):

venue's (Paramount Theatre) announcement + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Phoenix, Arizona (link to the ticker seller that is linked on the venue's website instead of a page):

venue's (Celebrity Theatre) announcement (event was not created)

AXS is integrated with Etix who is the seller; nothing on their pages

San Diego, California (link to San Diego Theatres the venue is a part of):

venue's (Civic Theatre) announcement + event created

nothing on SDT's page

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Los Angeles, California (link to the venue):

venue's (Peacock Theatre) announcement + event created

nothing on the ticket seller's (AXS) page

Salt Lake City, Utah (link to the venue):

venue's (The Union) announcement + event created

local promoter's (Postfontaine Presents) announcement + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Denver, Colorado (link to Denver Performing Arts Complex the venue is a part of):

Denver Performing Arts Complex's (Ellie Caulkins Opera House is a part of) announcement (event was not created)

nothing on the ticket seller's (AXS) page

Kansas City, Missouri (link to the venue):

venue's (The Midland Theatre) announcement + event created

nothing on the ticket seller (AXS) page

Grand Prairie, Texas* (link to the venue):

no venue's (Texas Trust CU Theatre) announcement, but event was created

nothing on the ticket seller's (AXS) page

Austin, Texas (link to Texas Performing Arts the venue is a part of):

Texas Performing Arts' (Bass Concert Hall is a part of) announcement + event created

AXS is integrated with Texas Performing Arts and the tickets are sold on the latter's webpage

St. Louis, Missouri* (link to the venue):

venue's (The Factory) announcement + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Detroit, Michigan (link to the ticker seller that is linked on the venue's website instead of a page):

venue's (Masonic Temple) announcement (event was not created)

nothing on the ticket seller's (AXS) page

Akron, Ohio (link to the venue):

venue's (Akron Civic Theatre) announcement + event created (with ii photo)

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Indianapolis, Indiana (link to BAEC the venue is a part of):

BAEC's (Clowes Memorial Hall is a part of) announcement + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Milwaukee, Wisconsin (link to the venue's group):

venue's (The Riverside Theater) and Pabst Theater Group's (The Riverside Theatre is a part of) announcement + events created

nothing on the ticket seller's (AXS) page

Minneapolis, Minnesota (link to the venue group):

no venue's (State Theatre) or Hennepin Arts' (State Theatre is a part of) announcement or events

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Chicago, Illinois (link to MSG the venue is a part of):

venue's (The Chicago Theatre) announcement + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Toronto, Canada (link to the venue):

venue's (Massey Hall) announcement (event was not created)

nothing on the ticket seller's (Ticketmaster) page

Philadelphia, Pennsylvania (link to Ensemble Arts Presents the venue is a part of):

no Ensemble Arts Presents' (Miller Theater is a part of) announcement, but event was created

nothing on Miller Theatre's page (no updates since 2023)

tickets are sold on Ensemble Arts Presents' website

New York City, New York (link to the venue):

venue's (Kings Theatre) announcement + event created

tickets are sold on Kings Theatre's website

Tysons, Virginia* (2 shows) (link to the venue):

venue's (Capital One Hall) announcements of two shows + event for only Nov 12 created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Atlanta, Georgia (link to the venue):

no venue's (Cobb Energy Performing Arts Centre) announcement, but event was created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Tampa, Florida (link to the venue):

venue's (Tampa Theatre) announcement + event created

AXS is integrated with Etix who is the seller; nothing on their pages

Orlando, Florida (link to the venue):

venue's (Hard Rock Live Orlando) announcement + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Fort Lauderdale, Florida (link to the venue):

venue's (The Parker) announcement + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Durham, North Carolina (link to the venue):

venue's (DPAC) announcement + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Nashville, Tennessee (link to TPAC the venue is a part of):

no TPAC's (Andrew Jackson Hall is a part of) announcement or event

AXS is integrated with TPAC who is the seller; nothing on AXS' page either

Boston, Massachusetts (link to the venue):

venue's (Boch Center Wang Theatre) announcement + event created

same posts were made on Boch Center's separate account + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

Reading, Pennsylvania (link to the venue):

venue's (Santander Performing Arts Center) announcement (event was not created)

nothing on the ticket seller's (AXS) page

Red Bank, New Jersey (link to The Basie the venue is a part of):

no venue's (Hackensack Meridian Health Theatre) announcement or event

Count Basie Center for the Arts' (the venue is a part of) announcement + event created

AXS and LiveNation are integrated with Ticketmaster who is the seller; nothing on their pages. but there's a TI page on Live Nation's website

*Grand Prairie - near Dallas, Tysons - near Washington DC, St. Louis - near Chesterfield

[eyeofthedrgn]

Portland architecture #portland #arleneschnitzerconcerthall (at Arlene Schnitzer Concert Hall) https://www.instagram.com/p/Co1AJVXLAwq/?igshid=NGJjMDIxMWI=

[theghosthybrid]

Walked into “We’re All Doomed” and the first thing I hear blasting in the Arlene Schnitzer Concert Hall is CBAT.

BEAUTIFUL.

[wexlermendelssohn]

My new best friend!

[omar-the-weird]

[jeremyjeziorski]

"Summer came around and the flowers bloomed" -Erykah Badu • Happy summer solstice, all. (from her Soul’d Out Festival show at Arlene Schnitzer Concert Hall, 2018-04-18)

[p0ultryg315t]

Super excited for tonight! I have no idea what their live performances are like

[unpopularly-opinionated]

Last night I went to a Puscifer concert as objectively a non-fan, though not a hater. I was easily one of the youngest people there, aside from a few babies. I went in with extremely low expectations, and came out thoroughly shocked because they were actually pretty good.

I can’t honestly describe to you what I wrote beneath this “Keep Reading” line, only that it is long, needlessly over-descriptive, yet surprisingly comprehensible despite being written by a drunk man.

Prior to the concert, I tried giving their latest album a listen to, and maybe I was just in the wrong mindset or something but it really wasn’t clicking with me hence why I went in with extremely low expectations. But hearing them play it live I was blown away, the shit was good.

What was HI-FUCKING-LARIOUS was that they had a (seemingly unannounced ) opening band come out who I can’t even tell you the name of because at no point during their ‘performance’, did they ever say their name, at least I don’t think they did. I can’t describe to you the thoughts that went through my head when these people came on stage. What you have to understand, first and foremost, is that the venue was highly irregular. We were in the Arlene Schnizter Concert Hall which, to anyone who has been to any concert that wasn’t Classical Music, would immediately be able to identify as a pretty fucking weird venue for a concert. This is important to understand.

I repeat, I am absolutely not a fan of Puscifer at this point in time, and I had it under pretty good authority that there absolutely was no opening band. So when this man-in-drag, manly-woman, trans-woman, whatever person walks out on-stage, the only thought in my head was “Okay, so this is Puscifer”.

I need you to understand that my lack of gendered terms here stems not from some sense of bigoted disapproval of trans people, but instead entirely from a complete and utter lack of capability to properly identify this living creature that stood on stage before me. I don’t know their name. I don’t know the name of their business. I only know that undoubtedly a human being stood before me, and I can only describe them thus as I saw them.

They proceed to play what was probably 3-4 songs but what in actuality felt like a single song spanning 30 minutes. I was positive my family had slipped me acid at some point; perhaps the pizza had shrooms on it; perhaps a hallucinogenic was in the air, I could not say. This man-in-drag, manly-woman, trans-woman, whatever person proceeded to scream into the mic, dance erratically, lay on the ground and hump it, and periodically tear apart their set piece behind them. No words were understood, as the reverb in this particular venue was so extreme and these fine folk had clearly not done a soundcheck beforehand. I was thoroughly convinced that they weren’t speaking words at all, but in fact speaking either in ancient tongues, or baby-speak.

I had convinced myself I was watching the mental faculties of a human being begin to fail, live on stage in front of me. Here I was, watching the complete and utter decay of a human being. I half expected them to collapse altogether, and indeed when they did so I expected to see paramedics rush out on stage and declare them legally deceased, but no, this was all a part of their routine of erratically humping the ground and screaming into a microphone, and yes I mean screaming because despite my inability to understand a single word from this person, I am quite well acquainted with the visual of a human being screaming, and that is indeed what this man-in-drag, manly-woman, trans-woman, whatever person was doing.

I had convinced myself that the back door of the venue had been left open and unattended. Perhaps this was a wandering vagrant from the city; lord knows the city of Portland has many. Perhaps I was in fact watching someone who had long since abandoned their mental faculties in favor of this care-free idealistic approach at life. Whereas I often feel the inane displeasures of life, this person felt none of them in those 30ish minutes on stage.

I sat there in that cramped seat in the quite unusual venue, entirely phased out. The lack of clarity in speaking, along with the incredibly loud, yet incomprehensible reverberation of what I can only describe as raw sound had forced my brain to disconnect almost entirely. Blame it on my ADD, I was gone for those 30 minutes, and anything save the true ending of the life of the being on-stage would not have reconnected me to the reality that was before me.

When it was over, I can’t begin to stress enough how much I emphasized to my family that I did not think this was bad, only I had thought it nothing. At least, that is as far as my limited descriptive capabilities can describe such an event. Believe you me, I have heard bad before, and this was not it, yet I can’t definitively state what it was I had heard last night. I thought it a special moment to be able, whether willing or not, to watch the end of someone’s mental faculties. This would’ve been my first occasion, and what a particular life experience to have, no? Perhaps this would be something I’d have to deal with in some greater capacity later in life with my own parents. What spectacular timing that I’m able to experience an alike-episode last night so that I may use it for later understanding of my parents in the future.

At the tell-tale of 30 minutes, the ringing in my ears had finally given leeway to the silence, or rather near-silence of the bustling audience surrounding me. I was promised an intermission, and this was thus. I turned to my family, whom prior to the event I had expressed my complete and utter neutrality towards the band we were there to witness, and they informed me thus that the performance we had just witnessed was not, in fact, Puscifer, and was, in fact, as much a complete and utter surprise to them as it was to me.

I’m none too sure what I can say with regards to the actual Puscifer, either you’re a fan of them or you’re not. In terms of stage-performance, they were akin to Rage Against The Machine, who I have not personally witnessed, though I’ve been to a Tom Morello concert which was effectively identical. In terms of music, well speaking only of their most recent album which is the bulk of what they performed, it’s certainly nothing like RATM. Calling it synthwave would be a disservice to both genre and artist, yet I’m not sure I can describe it any other way.

As I stated beforehand, I came in with abysmally-low expectations, and left rather surprised by just how much I enjoyed them, the actual Puscifer that is. That opening performance however, will live on in my memory for quite some time.