#Anyone who kills themselves for the sake of a cause is not mentally well in the slightest

[miss-rum-hee]

> go on Twitter > see people celebrating someone's suicide by setting themselves on fire because "He did it for Palestine!" > get off Twitter > go to Tumblr > see the SAME EXACT RHETORIC > FML

[meraki-sunset]

having a hard time explaining grimdark and trickster to a friend

think you can help?

they get godtier just fine but the other two keep confusing them because right now they think

grimdark = chaos in anarchy sense, but trickster = chaos in haha funny meme sense

Sure, let me see…

GRIMDARK mode is described by Doc scratch as “going completely off the deep end in every way”.

It turns your skin an unnatural dark gray, and in rose’s case to be surrounded by a dark aura, while jade had a spacey green aura.

It’s basically a black magic power up deeply connected to the horroterrors, a state of mind that comes from letting them influence a broken mind. For Rose, it was the death of her mother, and then trying to reveal the horror terror’s secrets. For Jade, she was heartbroken, but also she got mind controlled into entering the grimdark state by the condesce, who is also connected to the horrorterrors.

As an extra, Hussie described Eridan as also going into grimdark when he began murdering people, tho his case must’ve been more symbolical, as he presented the perfect scenario to become grimdark, the complete loss of hope, waiting for Jack to kill them all (due to his title being prince of hope, ergo Destroyer of hope) added to Feferi breaking their moiraliance talking with Sollux, being the detonator for his broken mind, and him being a Derse player, so his dream self was around the horroterrors and had interacted with them prior, he was also interested in magic like rose, had a wand just like her and sought for answers about, like her. He just lacked the connection to the horroterrors in that crucial moment.

So Grimdark is basically when the horroterrors cause the player's most primal and violent tendencies to be pushed to the forefront

The grimdark is also described a “the fabled blackdeath trance of the woegothics”. So a dark trance that people like Rose and Eridan are inclined to fall victim of (in my opinion)

TRICKSTER mode, in the other hand, is described by Calliope as something that brings out your full potential, that brings all your walls down and puts all your inner thoughts in the outside and all your creative power in your hands. It strips you from all social and mental barrier.

It gives you reality altering Powers, allowing you to jump from place to place, probably dimension hopping, manifest objects and makes you super happy and candy colored to the point of losing grip in reality

The problem is that cherubs are very different from humans. For a cherub, who is supposed to fly around in the endless space protecting/destroying a certain part of the void, and its inhabited planets, feeding of black holes, fighting entities to death to ultimately mate in the shape of a big ass snake, a juju that’s basically drugs that can make you forget every wall you built up floating around space alone, and move forward as a happy missile ready to find a mate sounds good. But humans are social creatures, and cherubs are not. Cherubs don’t answer to anyone and don’t have Friends, they don’t need to follow any social cues. Humans built their relationships carefully, and they have secrets and barriers to protect themselves and others. They hide things like crushes and resentment and problems, because well, for the sake of peace, for the sake of not braking every relationship they have. That’s something that Calliope and Caliborn never fully grasped and understood why the kids came to hate the juju when they woke up

So that’s all I could gather. Essentially they are different kinds of power ups, opposite to one another at their core, BUT in both the person isn’t fully there and is being guided by primal instincts, be it rage/sadness or Hope/happiness and they both have consequences in the user because neither is supposed to be used on humans or even trolls.

[lets-try-some-writing]

Unspoken Rules

The war has lasted for millennia, and as such it has had a whole culture develop around it. The silent agreements are never spoken aloud, but after centuries of pain, anguish, loss, and strife, there is no need to communicate verbally. All Cybertronians, Autobot, Decepticon, or Neutral all know the rules and every bot, save the most hated and dishonorable few, adhere to them.

No Harming Sparklings

This rule stemmed from days long before the war's beginning, coming around sometime during the era Quintession occupation and changing to suit the war once it started.

Sparklings are a rare and wonderful blessing, any all bots no matter the faction recognize this. During the early years of the war this thought process was still respected, but both factions did not hesitate to steal sparklings from each other and even go out of their way to hunt sparklings down just so the other side couldn't have them. It was relatively tame at first, with each side acknowledging when a sparkling had been claimed and letting the bot with the sparkling leave unmolested. However as the war raged and atrocities became more and more common for the sake of victory, the rule started to wane.

A mentality of "If I can't have them, then neither can you" began to spread in both Autobot and Decepticon ranks among the ground troops despite higher command's best efforts to stop it. Sparklings began to be killed during the struggle as both sides tried to take them for themselves. And after dozens of sparklings from the last emergence were killed by uncaring soldiers on both sides, Megatron and Optimus came to an agreement. For the first time in millennia, they stood side by side without raising a weapon and shook servos to solidify one rule.

No harm shall come to any sparkling, Autobot, Decepticon, or Neutral.

Both sides then wept and mourned for a week. Not a shot was fired or a work spoken aloud. For the first time since the start of the war, all of Cybertron was silent as both sides acknowledged their wrongs and buried the sparklings who had died too young. Every bot, involved or uninvolved in the slaughter painted their frames grey and covered their faces in mourning glyphs. A memorial was raised near the well of Allsparks and not a spark touched it until the last days of the war when a stray missile demolished it.

Downed Ground Troops are to be Left Alive

This rule is completely unofficial and has never been written down or recognized verbally, but it is honored nearly universally.

After the numbers on both sides of the war began to dwindle, the hate that burned within both factions began to be segmented and redirected toward certain individuals instead of the enemy faction as a whole. Certain bots were targeted if they killed old comrades of others whereas simple foot soldiers were largely ignored due to both sides acknowledging that they were merely fulfilling their duties. It became common practice for bots who held few grudges and merely wanted to survive to keep their helms down and never actually kill anyone. They left that to the vengeful and the elite so that the consequences would fall on others besides themselves.

In response to this overall neutrality, ground troops who didn't get involved in personal battles or target high ranked individuals beyond simply wishing to cause a distraction for their superiors were left alone. Vehicons especially so due to their inability to actually choose whether they wanted to be Decepticons or not. Most bots respect this rule unless a ground trooper just happens to be in the wrong place at the wrong time when two mortal enemies are duking it out.

Days of Mourning are to be Respected

The great war wiped out nearly the entirety of the Cybertronian race. The losses were so massive and the anguish so deep running that both sides are unwilling to compromise on the subject of honoring the dead.

It began during the height of the war after the sparkling massacre. After that tragic day there was always one solid week reserved solely for mourning and remembrance once every vorn. The rules of the event were simple: Don't disrupt the peace. Remain silent unless absolutely necessary. Remember factions do not matter during mourning. And no war efforts may be furthered during the time of remembrance. Every bot took the rules very seriously. Not even the most deplorable of bots dared to disrupt the sacred time especially when during those weeks Megatron and Optimus would stand side by side as a sign of peace.

Usually during the week of mourning all bots paint themselves grey to symbolize death and cover their faces with complex glyphs or markings of their region associated with funeral rights. Some bots covered their frames in the names of their beloved fallen, their bodies marked helm to pede with the complex name glyphs until the end of the week. Others stood vigil, not moving from the graves of the fallen or their chosen place until the time of remembrance ended. And others still grouped together to pray, talk about old times over private comm links, and to mourn regardless of faction. At no other time is there such peace. And while some have tried to turn the peace into times of business, it never lasted long as it was immediately shut down to respect the dead.

Even Megatron respected the week of mourning up until he started snorting dark energon.

Slave Coding is a Warcrime

This rule is simple and acknowledged by both sides for the same reason. Both Autobots and Decepticons wish for freedom, just different brands of it. And slave coding takes both their versions of freedom away from a bot and so is hated by both factions.

When a rogue bot or fanatic did start pulling out slave coding, it was shut down without hesitation by whichever side found it first. Sometimes Autobots and Decepticons even worked together to take down the mad scientist involved in the slave coding going on. All Cybertronians find it abhorrent and will gladly punt the perpetrator of such a crime into the nearest star. Even Optimus is willing to break his overall demeanor of mercy when it comes to such a breach of morality.

When the bots come across other races facing similar issues, the war can even sometimes take a backseat in favor of addressing the issue. Slavery is so universally hated by Cybertronians of all kinds that wherever it turns up, it tends to be obliterated if it is found out by the local regiment of Cybertronians, regardless of faction.

Civilians are to be Kept Out of the War

This simple rule was accepted far too late to be of much use. It came into being long after the war was at its peak and at that point there were next to no civilians on Cybertron. Every bot was a soldier or otherwise involved with the war if they hadn't fled.

As such the law mostly applied to the alien forces and the neutrals both factions came into contact with. Although the criteria for what counted as a civilian tended to cause no small amount of debate and conflict over the centuries. The Decepticons were often the ones who stepped over the line in regards to this rule the most. Usually they taunted any locals they met and wanted to use into fighting them, therefore making them combatants and free game both to be killed and taken as hostages.

The Dead are to be Left in Peace

For the very same reason that the week of mourning was put in place, this rule also came into existence.

Both Autobots and Decepticons hated the death and destruction, but they refused to allow the deaths of their comrades to be in vain. As such graves were constructed and promptly avoided by both factions out of respect. When bodies were disrespected or otherwise messed with without the consent of the bot in question in their will, retribution was fast and merciless. The fallen are to be honored for their sacrifice and their suffering. They are to be allowed to rest in peace, their frames allowed to return to Primus unmolested as their god intended.

As such those who did spit upon the graves of the fallen or otherwise harm to bodies were punished moreso than any others. For Autobots, such individuals were stripped of any rank and put to work in the lowest of positions. Their voices were silenced through chokers and even outright removed so that they could not speak badly of the dead and their servos were weighed down by heavy bindings to keep them from lifting their servos for any reason beyond their work. Such bots were also heavily shamed, with everyone else avoiding them and not speaking to them at all for at least a year until they had time to think over their actions.

The Decepticons were a bit more violent in their punishments in regards to violation of the dead. The perpetrator would first be dragged throughout the main Decepticon base to be shamed and then would publicly have their outer armor stripped. Then left with only their protoform and the few inbuilt weapons they had, such bots would be sent out on suicide missions. If they came back alive having not fled their post, they were welcomed back but still treated coldly for at least a year until they had gone to relatives of the ones they disrespected to apologize (Autobots included) or had proven themselves suitably remorseful.

Oaths are to be Honored

No bot really knows when this rule came into play... it just did. Oaths are powerful, especially during war. And so the bots who make such oaths are always left in peace to fulfill their chosen oath.

Soundwave vowed to never speak again, and so none dare to try and force him to use his real voice (not that they could). Optimus pledged to never raise his sword unless for the sake of his people, and so none try to force him to fight anyone aside from the enemy. Ratchet made an oath to fix Bumblebee's voice, and since then he has never stopped trying. Bumblebee swore he would not accept the rank of warrior unless it was upon Cybertron's soil, and so the issue has never been pushed and his decision respected. Others have made vows of different varieties, like Arcee swearing vengeance against Arachnid and Knockout and Breakdown vowing to remain together as companions until their dying days.

Each and every vow is respected. If two oath bound bots get into a conflict, not a spark steps in their way unless absolutely necessary (casing point Arcee and Arachnid). Those who choose to bind themselves in some way physically are never pushed to abandon their oath by either side (although round about methods have been devised). And lastly personal vendetta's are often left alone by others simply because the vows and the hatred run so deep.

It is a rule that was born for no real reason and it remains simply because no one has bothered to break it (except Megatron, but honestly he has broken all the rules at some point)

[nekropsii]

this blog is awesome but jas the horroble side effect of making it so anytime i see alpha trolls stiff i get unreasonably mad like. They Are Not Like That. i saw someone call damara chaotic evil and it made mw sooo mad. like i GET IT i get it no one wants to read a billion pages but like. NO ONE IS MAKING U MAKE THESE POSTS... rauaugh. sorry lol

Inflicting you with the horrible knowledge that almost nobody in the god damn fandom actually knows anything about the Alpha Trolls, nor do they care to. And if they do know anything, they often strip them of most if not all of their traits- including their most interesting ones!- for the sake of shipping and/or making an OC with their face and name. It blows. Why do you think you just about never see me reblogging Alpha Troll content? I don't visit any of their tags because if I do, it's just beams of pure unadulterated psychic damage blasted directly into my fucking eyes. Genuinely it feels like people were better at handling them back when Homestuck was still running and the community was still actively a cesspit. At the very least there were some oases of people that had actual brain cells. They've all died out now. They were either chased away by Homestuck's Postcanon- which caused a very real and very, very large exodus- or by the absolutely horrific harassment you'd receive for liking the Alpha Trolls- ESPECIALLY Mituna.

Swerving off topic for a moment to talk about the harassment: I saw a significantly higher number of people that were genuinely normal about Mituna back in the day that handled his disability with more grace than God. Diehard Mituna fans- especially diehard Mituna/Latula shippers- were people you'd be getting intricate guides and long lists of resources surrounding TBIs- including genuinely helpful stuff like the care and treatment of them for anyone who had suffered one recently, that kind of thing- and some of the most touching portrayals of mental disability I'd ever seen. It's a shame a lot of their stuff is either gone or nearly impossible to find nowadays, on account of Tumblr's search system prioritizing new content, and... You know... The vicious harassment people would get for even saying they liked him in the first place. I'm talking, like, Cronus-tier shit. People were getting called slurs and being told to kill themselves, even when what they made was handled with the most tact physically possible. It still happens to this day, at least to me. It's pretty deranged! Always has been.

Back on topic, though... Urgh. Damara being read as Chaotic Evil... Me when I take the bait of a blatantly abusive misogynist with zero ounce of critical thought. Damara isn't evil, she's just reactive. There's a big difference. "Evil" implies she struck first and is totally unjustified in her actions, and is only doing them because she wants to. She's an incredibly tortured soul who is, in my honest opinion, reasonably responding to her situation. If anything, I think she should have done worse. I think she should have straight up killed Rufioh. Meenah too, but... Well, she definitely tried to do that, and almost succeeded, but Aranea put her in her Quest Cocoon, so... She's here and Godtier, instead of dead in the ground. Unfortunate. Damara both needed and deserved that kill more than anything else in the world.

[hiccupbutpurple]

Mental disorders/conditions (whatever you wanna call it) are an explanation not an excuse

I saw a thing on Instagram today and I already having a bad day and it pissed me off so I’m talking about it to let go. Probs won’t explain it very well but I don’t care. I can’t fucking stand it when people seem to think that someone struggling with a mental disorder automatically absolves them of any responsibility. Because it doesn’t. It is a valid and understandable explanation. It doesn’t mean there’s no impact. It doesn’t mean that the person they hurt can’t be fucking hurt. It doesn’t mean someone is evil for looking after themselves.

Don’t be an asshole, don’t antagonise people just because they have a mental illness, but if someone is hurting you, you can be hurt. If you are in a situation that is dangerous, it doesn’t matter if that person has a ‘valid reason’ to treat you like shit. They don’t. You are allowed to put yourself first. You are allowed to leave. (And I don’t mean just in romantic relationships because people seem to forget other types of relationships exist.) You are allowed to be fucking upset and angry about it.

Giving some context (not really it’s just a vent without much info tbh) below but that’s the main part.

This is the self indulgent vent part but as a kid for probably around 6 years I got treated like shit because of someone who hurt as a result of their mental illness. I’ve now found out that he has a pretty serious disorder which is a very hard and awful thing to for someone to have to live with and I’m sorry he has too. However, he is probably one of the main reasons I have the problems I do. He not solely the reason, but I know I wouldn’t struggle the way I do without him. It took 6 fucking years (while trying to work out what the hell is wrong with my own self, my sexuality, all the other standard teenage stuff and my own home life) to fully stop communication with him and stop feeling responsible.

And it’s been years but I’m still constantly effected by him. I mean for fuck sake I have to deal with fears of him coming to kill me (I know realistically he wouldn’t but the fear is there). All the little ways too, like how he comes up in my thoughts randomly and suddenly I can’t stop (like now) or how apathetic I feel, especially when suicide comes up. Like that word is mentioned and suddenly I no longer care about anyone or anything and I hate that I don’t care, I care when it comes to fucking characters but if a real human being says they are suicidal suddenly my brain just goes ‘nope’ and it’s either anger or numbness and that’s not fair to anyone.

Honestly it’s smaller things that annoys me even more than the big things. The stuff that just bleeds into everyday things, it affects all my relationships and my life overall. I went through so fucking much because I was scared to hurt someone else, that I ended up hurting myself and tbh others as well. Cause guess what, my own issues that came about mostly as a result of that have made me act in ways that hurt others! Thankfully all my friends are in similar boats and it did make us able to have healthier relationships with each other and learn to set boundaries. So there are some positives.

That’s just the tip of the iceberg but now I’m getting tired again but I seriously hate it when people go ‘you can’t criticise someone with a mental illness’ or ‘you can’t blame them cause they have a disorder.’ I think the majority of people know this but sometimes I see stuff that just pisses me off.

[liquidstar]

Well then! let me begin with the appropriate music and say I play fast and loose with the Canon.

prelude, act 0

little guy runs from cult, ends up encountering a group who are referred to as jewel office, they take em in

grow stronger with them, meet other 3 little guys in their own partner offices and get on well because of being the little guys

one of the members of a partner office, the one with the fox like attitude, seems sleezy but helps teach valuable skills

eventually convinces that this line of work isn't for you, points the way to a power generating company, and says working there will be better than being out fighting so much.

you hate the smell of blood after all, it'll be a relief to be away from it

what could go wrong? hell he says he'll explain to the others, so you head off and join that company.

we skip the vast majority of this part for the sake of its a game plot

big light beam from the company joined, have grown accustomed to world but miss jewel dearly, eventually get wrapped into library alongside everyone else who worked there

begin chapter 1 of 3

meanwhile, the fox is making moves, wanting power that can be claimed by taking out all 4 teams, destroy them from the inside. one already had the little guy convinced to run, next will be the investigative branch to cover tracks.

library is growing stronger, eventually the fox is given an offer to join an ensemble of some of the strongest around!

which simply means he's gotta get rid of the old team, chuck them in the library

enter corkscrew, perish corkscrew. Little guy 2 kept alive through convincing to avoid the fight at large and joins the team!

next, there's assassins. but they won't be as strong without their weapons, make the workshop go in next, sending little guy 4 to a presumed death sentence and try to manipulate 3

enter alloy, perish alloy. Little guy survives because of shying out of the fight.

the assassin group is wearing themselves out without anyone to do maintenence, they get thrown into the meat grinder next. aside from the new protege of course. just need her strong enough to be worth killing.

enter orbit, perish orbit.

around this point the individual group leaders in the library have gone through their own arcs, and little guy 1 wants to abuse invitation system for good, being at wits end and knowing he ain't strong enough yet for the fox. in spite of 3 of the 4 groups having died to his team's hands.

remembers cult he ran from to join jewel. invites them in for the express purpose of murder.

finally! some good in the world.

jewel meanwhile have been fucking pissed at the fox, refusing to talk after their little guy vanished without a trace so long ago.

recognises names on an invitation list, recognises who'd cause that and why, know where their little guy is and have a plan to get him out.

little guy one thinks things are finally going to get better

enter jewel office

one grueling fight and near mental breakdown later, jewel office is defeated, there is no other way.

little guy 3 manages to piece what's going on together, the divide and conquer tactics and what happens if she sticks around

knows just running will get her caught and probably tormented for trying to run, but can go to the one place where she can use her state for good

enter little guy 3 to library, this time with no perishing.

a bit forward, that ensemble finally comes a knocking, not expecting the 4 little guys to all be alive, the fox admits he's going to enjoy ending them

unfortunately, a thing with this library is taking the strengths from those who fall within. which includes the groups said fox REALLY didn't want to deal with.

in 4 strokes of catharsis goes from 5 tails to 1, then from 1 head to 0.

end chapter 1, abridged version

ANON this is a VERY cool and concept and i can tell youve put a lot of thought and time into fleshing it out! to be honest this style of abridging makes it a bit hard for me to parse certain things, so i'm really sorry if i misunderstood something, but i read it all carefully and think i get it!

but i love the little guys, especially the main little guy on his whole adventure. the whole thing with him running away from a cult is really interesting and it makes me wonder so much about his backstory. and the whole thing with jewel office being sketch is also really cool, especially considering how he basically went from one bad situation (cult) to another (jewel). i think theres a lot there

the line about hating the smell of blood is also really cool, the way its spaced out here gives it extra impact i think. i like it

everyone entering the library and almost instantly perishing is so funny. im glad little guy 3 ended up okay though!!!! i really do think all the little guys are fun (based from the prev ask) and i would hate to see them instantly perish in a library. esp given what you said here abt how they get along, i bet their actual dynamics are a lot of fun!

also the ending is so sick!!! from 5 tails to 1 and 1 head to 0. thats so sick. they totally went to town there lol.

anyway you said its a game plot which sounds really cool!!! idk much abt games or gaming but i think it sounds like a really interesting story for a game and would be fun to play out! thank you for sharing all the cool ideas you have for your little guys and their adventures in cults and libraries and whatnot <3

[aboard-ark-4]

Transcript of the Meeting to Reduce Suicide and Depression among Citizens

Day 198 of Year 274 of the Journey

Meeting Members present:

Zisiek, representative of the Entertainment and Recreation Subcommittee

Tistizi, representative of the Park Maintenance Subcommittee

Krit’zit, representative of the Child Education Subcommittee

Zikit, representative of the Food Production Subcommittee

Triek, representative of Production Factory Maintenance Subcommittee

Iei’ik, representative of the Mental Health Subcommittee

Zikit: Alright, I've started the recording. For the sake of record keeping I will restate the purpose of this meeting. We are to discuss ways to reduce the overall suicide rate, which is currently the cause of all but three of the 102 deaths in the last two years. Iei’ik, what has your team found regarding the underlying cause of the issue?

[Iei’ik sighs]

Iei’ik: It's the lack of a goal. The vast majority of people are either clones or the children of clones and almost all of the training we recei-, sorry, the brain scan volunteers received back on Vivis was about actually establishing The Colony. We-, they were expecting to constantly be fighting back against a hostile environment. That adventurous aspect is what appealed to most people who signed up. Being born with the expectation of exciting struggle and instead ending up in a boring, unchanging, ship for the rest of your life is a lot to take in. It was okay at first because the repairs and corpse cleanup gave everyone something to work towards, but now that that's done there's just nothing meaningful to do.

Zikit: Well, any ideas? The only things my team was able to come up with involved cooking competitions or psychedelics, neither of which sound very promising.

Zisiek: We've seen limited success with video games, vr especially is popular, but it's hit a lull. No real motivation to get started on something new.

Iei’ik: Besides, just playing a game or watching something isn't a very healthy or stable way to stave off depression.

Tistizi: I’d like to suggest more public events, especially competitive ones. Gives people something to work towards. Obviously it's not an all purpose bandage but I don't think we're going to find one. Better to focus on lots of little solutions than look for a big one that might not even exist.

Krit’zit: Agreed, though if it's any help I think we don't have to worry too much about the next generation. Children raised onboard seem generally more accepting of ark life.

Iei’ik: Yes, but that was the case even before the Hizt outbreak.

Krit’zit: Fair point.

Triek: Sorry if this is a stupid question, but why wasn't this a problem when we first left Vivis?

Zisiek: Those people were specifically chosen for their ability to acclimate to this lifestyle.

Triek: Ah.

[23 second silence]

Zisiek: We did have one idea, though the ethics of it are questionable at best.

Tistizi: Yes?

Zisiek: We control what people see and hear, at least digitally, we could easily manipulate what people think. It couldn't be too difficult to introduce the concept that suicide is somehow selfish. People won't want to kill themselves if they think it makes them a bad person.

Krit’zit: That's horrible!

Zisiek: It was just a suggestion.

[A further 112 seconds of silence]

Iei’ik: Wouldn't work. All it would do is exacerbate the problem by making people feel guilty in addition to depressed.

Zikit: What we're looking for is a long term project that will remain engaging and gives people small, frequent, bursts of satisfaction. It also has to be something that will get people excited now, before the problem compounds. Constantly hearing about suicide doesn't allow for much happiness on my, or anyone else's, part.

Krit’zit:...The terraforming data banks do contain the DNA for Rietivs. Maybe we could-

Triek: Not a chance.

Krit’zit: Why not? We cloned people just fine and it's not as though we'll be giving a Rietiv to everyone. Besides, pets meet all the requirements we're looking for.

Triek: It's not just the Retivs you would be making. It's their food, grooming equipment, housing, toys, clothing, and everything else they need to live!

Zisiek: Vet training too.

Triek: Yes, exactly! My point is there is no way you could make enough Retivs to satisfy this issue without cutting into either the maintenance supply, the terraforming supply, or materials used in the creation of everyday objects.

Krit’zit: I don't see why that matters, it's not like we're anywhere near using the terraforming stuff. So long as we recycle what we use when we actually need it there's no reason to be conservative with those supplies.

Triek: I suppose you're right, it just feels wasteful.

Tistizi: If we’re seriously considering cloning as an option then there are a few trees that require pollination which would look great in the parks. The insects would also probably add to the ambience.

Triek: Alright, I'll get started on a project proposal to send to the Maintenance Committee. Education Committee too, we'll need vets if this is to work.

Iei’ik: Don't forget the Law Enforcement Committee! There's going to have to be some sort of animal abuse laws put in place.

Triek: Right. I'll send it to all three of the Governing Committees. Not at all stressful. Great.

Zikit: Anyone have any more ideas?

[Zikit looks around, though nobody says anything]

Zikit: Excellent. If this gets approved then I'm sure the committees will assign some more useful people to actually managing the introduction process. If it gets denied let's meet back for a follow up in twelve days, but as of now this meeting is adjourned.

[percabeth4life]

I just realised Percy's mental health was never really acknowledged in BOO, if you were to acknowledge it how would you do it?

Hmm, well to start I guess I would have his POV shown so that we can actually see his thoughts as he tries to recover.

Like, we hear his struggles and his worries and his dark thoughts and how he's worried about what's happened. We hear him spiraling at times, falling down to the dark places. It's harder to show in a children's book but possible. It would be darker scenes with Percy, but necessary to show his mental health after going through Tartarus.

And for stars sake, the Jason scene? That was shit. At the very least Jason should've tried to comfort Percy!

I'd definitely have him have some issues with being apart from Annabeth (and vice versa) because there's a lot of trauma with them now.

Maybe he's more vicious with monsters too, it was kill or be killed to an extreme while in Tartarus after all.

And Percy, he doesn't really have anyone on the boat that he'd open up to other than Annabeth. While the two definitely need to communicate about their trauma and figure themselves out, I think they need to do it without putting more strain on each other to start with.

They both have a lot of trauma and some of that needs to be worked out with others, because it could trigger each other to talk about it. Plus, I don't think either of them would want to put that strain on the other.

So yeah, all that together I think Percy would do his best to hold it together on the quest. Annabeth would probably notice and would offer hugs and comfort but I think neither would really wanna bring up Tartarus yet, not while on the quest.

Percy needs time to fall apart with someone he knows and trusts, and unfortunately despite his friendship with Hazel and Frank, I can't see him doing that with them.

But I could see them getting home and Grover, who can feel his pain, just reaching out and taking him to his cabin and just-- falling apart. Grover helping him work through things.

And Grover then turning to Annabeth too, because she needs help as well, and working with her through his general empathy skills. Makes sure she knows he's there and cares for her. Maybe calling Thalia in to help Annabeth too.

Just the two of them having time with people that love them and care and support them. Cause they desperately need it.

[imasimpforshanks]

Hello! For the Alphabet Request, could I get the angst Alphabet with Sanji or the fluff alphabet with Zoro, thank you so much! :)

Angst Alphabet - Sanji

a/n: thank you for requesting! I chose the angst alphabet but I kinda regret it now because omg ANGST IS SO HARD IT HURTS TO THINK ABOUT!!! but anywaysssss I hope you enjoy <3

A-Accident (would they blame themselves if you died in an accident?)

Easiest answer ever. Yes. Sanji would take all the blame upon himself regardless of it really was his fault or not. Even if he wasn’t present at the time of the accident, he’d still blame himself and say it was his fault for not being there for you or being prepared for anything. He’d never forgive himself.

B-Break up (How would they break up with you?)

It’s impossible to even imagine this man breaking up with you, ever. Seriously. He’s so passionate, and once he’s in love, he’s in love. There is no going back. BUT, I suppose, on the outrageously slim chance that he did break up with you, he would do it in the kindest way. You wouldn’t even realize you’ve been broken up with.

C-Crying (how would they make you cry?)

If he were to make you cry, it would be entirely accidental. In fact, even then I can only picture Sanji making you cry tears of happiness. If he were to be the cause of your tears (one’s that aren’t tears of joy) he would beat himself up. He can’t stand seeing those he loves cry or upset in any manner.

D-Death (how would they react to your death?)

Denial would be the first emotion he expresses. It’s not possible, right? You can’t be dead. You’re not dead… because if you really were dead, it means he’s lost the light of his life. He’d be practically inconsolable for a very long time. Nothing would be able to bring back his usual liveliness. Cooking loses its appeal – I mean there’s no point if you won’t be the one enjoying his food. The Straw Hats are unable to do anything to bring back some of that fire. They get so desperate that Zoro even intentionally tries to cause a ruckus, but Sanji doesn’t react at all.

E-Emotion (what is one emotion they would try to hide the most and how would they do it?)

His insecurities are the one thing he would never dear show to others. Not only would it result in endless remarks from Zoro, but, he doesn’t want to have to deal with the pitiful comments – ‘you’re not useless’, ‘you are wanted and needed here’, ‘we all love you’. Sure, he understands people are just trying to help and be reassuring but it just makes him feel worse. So, instead Sanji deals with this the only way he knows how: bottling it all up and putting on a façade.

F-Fight (do you two ever fight? How big are the fights? What do you fight about? Etc.)

Fighting with you is something he hates doing. He never allows anything to get to that point. Sanji can’t risk losing you over a fight (no matter how big or small). Instead, he will apologize immediately, completely agreeing with everything you are saying. However, if it’s something he feels really strongly about (i.e your safety) he will sit you down and communicate calmly.

G-Guilt (what is the biggest thing they feel guilty about?)

The events of Whole Cake Island continue to eat him up. He knows he did it for the sake of the crew and the safety of the Baratie, but Sanji can’t seem to forget the way he disrespected his captain and hurt the people he loved the most (and the one’s that loved him too). The part that really makes him messes with him is that fact that Luffy forgave him instantly. To be honest, he wasn’t expecting Luffy to stay mad or hold a grudge, because well… that’s just not what he does. Even so, Sanji’s conscience is constantly telling him that he doesn’t deserve to be on the future pirate kings crew despite apologizing and being forgiven.

H-Heartbreak (what would cause them pain in the relationship? How would they deal during a break-up?)

Being away from you for long periods of time is one of the biggest causes of pain in the relationship for Sanji. He misses you like crazy and often finds himself distracted while thinking of you.

During the early stages of a break-up Sanji is likely to be a bit more reserved, choosing to keep to himself a little more. His usual enthusiasm lacks a little bit of oomph. Sometimes, late at night, when everyone else is asleep, he makes his way to the kitchen where he sits in the dark, cigarette in hand and quietly cries to himself.

I-Injured (how would they react if you are badly injured?)

He would be FURIOUS. Not at you of course. At whoever the hell thought it was okay to hurt the love of his life. He would be in god mode and rampage to find the son of a bitch that would ever dear to lay a hand on his partner.

J-Jealousy (what do they do if they are jealous?)

Death glares are a staple in the Sanji jealousy inventory. He’ll glare at anyone who seems to be taking too much of your attention. He also becomes a lot more clingy, using any and every excuse possible to be near you at all times. It can become a bit much at times, so if you tell him to reign it in a little, he’ll try his best.

There is one person that he refuses to let you spend any time with. Unsurprisingly, that is Zoro. He gets extremely jealous if you pay even the most minimal amount of attention to Zoro mumbling lots of “Stupid mosshead, why the hell are you spending time with him anyway?”

K-Kill (would they kill for revenge?)

Something deep inside me wants to say yes. But, he is far too kind-hearted to take away someone’s life. It is a possibility though, if the other person was to kill his s/o, or anyone else on the crew. However, for the most part, Sanji would just beat the person/people black and blue until they can’t walk, talk, or eat anymore. Basically, he won’t kill them, but they would wish they were dead after he’s finished with them.

L-Loss (what is their greatest loss?)

When he was a child, he lost his mother. She was the only person in his family that truly loved and cared for him (okay his sister did too, to an extent). His mother believed in his dreams and passions. She treated Sanji like a true human being. Losing her was devasting and made him feel more alone than he had ever felt before.

M-Mistake (what is the worst mistake they ever made with you?)

It’s very rare for Sanji to ever make any kind of mistake with you. He remembers every date, anniversary, achievement and milestone regardless of its importance. He doesn’t speak rudely to you, lash out at you or direct any sort of violence towards you.

So, the worst thing he’s probably done is accuse you of liking Zoro more than you liked him, because you would train and workout with him. It wasn’t that it was a serious or harsh accusation, it was just that this was a conversation the two of you have had time and time again.

N-Nightmares (how often do they have them? What are they about? How do they deal with it?

Sanji occasionally finds himself waking up in a sweat, breathing heavily. He doesn’t have nightmares too often, but when he does, they are horrifyingly vivid. It’s as if he is a starving boy again fighting for his life. OR it’s as if he’s that lonely good-for-nothing screw up of a child, locked away in a cell. It’s frightening just how realistic these nightmares feel and to bring himself back to reality all he does is find you. He needs to hold you, look at you, smell your scent, hear your quiet snores… anything. You are his safe place, a sign that everything is alright.

O-Outrage (how and why would they get mad at you?)

He wouldn’t get mad at you. It’s extremely unlikely (though not impossible). The only possible instances that could happen is if you were to disrespect his passion and talent for food. But lets be real… why on earth would you even do that in the first place.

P-Past (what has happened in your relationship that changed the way you saw each other?)

Whole Cake Island was a real game changer. So much was revealed about Sanji that he never wanted anyone to know. He was terrified you would think differently of him knowing that he was a ‘failure’ (note: you didn’t think of him differently at all). However, the part that really put a strain on your relationship was how you thought he had betrayed not only yourself, but the crew too. It really was a whole rollercoaster of emotions, but in the end the two of you were able to work through it, coming out stronger.

Q-Quality (what is their most dangerous/toxic quality?)

This man is quick to anger. Even though his reactions are usually harmless, what’s to stop him from one day completely just blowing up and doing, or saying, something to hurt those he cares about.

R-Rejection (how would they react to you rejecting their confession (or the other way around))

Of course, he would be upset if you rejected his confession, because a beautiful individual has just turned him down, but honestly, he’d just continue treating you as he always. has

S-Scars (battle or self-inflicted)

There are definitely no scars - battle-related or self-inflicted - on his body (that we know of). However, mental scars are a different story. He has plenty of those from his childhood, as do a large proportion of one piece characters.

T-Trust (have they ever broken your trust?)

Never in his life would Sanji do something to break your trust. The closest it came was the incident on Zou and Whole Cake Island, it certainly looked as if he had betrayed you and broken your trust entirely, only for you to find out it was the complete opposite.

Many people think Sanji is the type of individual to cheat in a relationship. While I can see where they are coming from with this opinion, I strongly disagree. This may be an unpopular opinion, I’m not too sure, but, Sanji would never be disloyal in a relationship. Treating women properly is such a big part of his personality to the point where it is practically embedded into his muscle memory – he acts on instinct. So of course there will be times where he’s paying a little extra attention to some lady but there is no ulterior meaning to his actions – its simply his firm belief that all women deserve to be treated and doted on as the queens they are. Additionally, during the Dressrosa arc Sanji truly believed he was in a ‘relationship’ with Viola and as soon as he knew that he was trying his absolute hardest to pay attention to Viola and only Viola. His mind did wonder off to Nami and Robin but he would scold himself for that (and feel free to correct me on this if im remembering incorrectly – it’s honestly quite possible that I’ve made this up entirely LMAO it’s been a while since I’ve read and watched the dressrosa arc).

So, let me sum up again: No. Sanji has never done anything that has broken your trust.

(my apologies I really went off for a second there I’m SO sorry).

U-Urge (how badly do they want to see you after you guys separated?)

Oh boy, he’s practically incapable of going five minutes without seeing you. He misses you so much it’s crazy. Your presence is so soothing for him, so he gets really antsy and anxious in your absence.

V-Vicious (what do they do when they lash out on you?)

I seriously can’t see him lashing out at you at all. He would never physically lash out at you but, there may possibly be potential for him to say something harsh in the heat of the moment. It literally wouldn’t even be because of anything you’d done in particular. It’d just be a build-up of things and then you happen to be the closest person and the next person to say something, and it tips him over the edge, so he snaps. He apologizes as soon as the words leave his mouth.

W-Weak (what makes them feel weak how do they try to avoid it?)

Sanji hates, and I mean hates being unable to help those that he cares about. It’s one of the few things that makes him feel weak. He has a kind heart and is always wanting to protect those he loves, so he does everything in his power to be ready to move in an instant. He remains aware of his surroundings, and is always on guard so that he can defend and strike when the situation calls for it.

X-X-ray (what do they hate and show it most obviously?)

The most obvious object of Sanji’s hatred is Zoro, however, I wouldn’t say it’s hatred. It’s a classic rivalry that is thankfully not rooted in any true ill will.

One other thing Sanji has absolutely no tolerance for is the inappropriate or rude treatment towards women, and food. On many occasions Sanji has actually physically and verbally fought others over their treatment of women and food.

Y-Yearn (what is one thing that they want but can’t have?)

I know this is meant to be serious and super angsty but, my mind automatically went to the clear-clear devil fruit LMAO. Its canon that the clear-clear fruit is something Sanji wants but can’t have because it’s currently in use by another person. (to make up for this not angsty idea I’ll do another one).

Growing up all Sanji ever wanted was a family that loves him and treats him kindly. Sure, he had his mother (before she passed away), and to an extent he had his sister, but he never truly experienced a loving family growing up. However, the moment he met Zeff & the Baratie gang and then the Straw Hat Pirates he learnt something important: Family isn’t always blood.

Z-Zero (what do they do/say in your dying moments?)

He tears up. A lot. He’s so conflicted between wanting to spend your final moments with you but also not being able to handle that pain. Ultimately, he decides to endure, holding your hand tightly and whispering everything he’s ever wanted to say - all his dreams about your future together and how he saw that playing out etc.

[scripttorture]

One of the central characters in a fantasy story I'm writing has torture as part of her backstory. She was captured by an evil race, and one individual in particular put her through a "training" regime designed to turn her into a useful/trustworthy slave. Specifically the goals of the training were:

- destroy her sense of self / agency

- overwrite her ingrained response of healing herself when injured (she has magical healing powers)

- an affectionate or worshipful disposition towards her captors

- immediate obedience to any command

I feel like both physical and psychological torture / mental conditioning are probably appropriate, though I'm leaning away from including sexual abuse. I honestly don't know much about torture at all and the only things that come to mind as producing a result similar to what I'm looking for are the Game of Thrones torture sequence and the use of obdience collars in the Codex Alera book series. The latter is very interesting to me because it is a magical device that inflicts pain in reaction to disobedience but also inflicts pleasure to reward obedience.

I guess I'm just wondering if you have any advice for what kinds of methods would be good to include in a process designed to produce obedience, rather than torture for its own sake or to extract information, as well as if there are any common pitfalls I should try to avoid in writing about such a thing.

The training itself won't be in the book, but I need to be familiar with it for backstory purposes because later in the story this character encounters her torturer again, and is subjected to some further abuse before she finally overcomes her fear and kills him.

Alright well I’m going to be straight up with you: the scenario you’ve presented is a very common torture apologist trope. It’s incredibly unrealistic. And it’s unrealistic in ways that support torture by claiming it can be ‘useful’.

 Which probably means that you’re new to the blog and haven’t heard me give this talk before. That’s OK, we all learn sometime and it’s not my intention to shame you for the fact you’re not as obsessed with this stuff as I am or couldn’t afford to shell out for the books.

 Torture does not produce obedience. The best evidence we have right now suggests it encourages active resistance.

 If you got a lot of your inspiration from Game of Thrones then frankly I’m not surprised you came up with apologia. The torture in that series is incredibly badly handled. And a big part of the point of running this blog is that most people are getting their information on torture from shows like that. Which happens because the research is inaccessible and hasn’t been popularised the way fictional tropes (sometimes fictional tropes literally started by torturers) have been popularised.

 The important thing is what you choose to do now.

 I’m going to break down the problems here and make some suggestions for what you could do instead.

 Firstly: there is no torture or abuse that will guarantee obedience. Pain does not make people meek or compliant or willing to follow commands.

 Torture survivors are not broken.

 They are not ‘controlled’ by their torturers and the suggestion that they are is used in the real world to bar real survivors from treatment. It is also used to bar them from entering safe countries and to argue that they shouldn’t be allowed visas or passports.

 The best statistics we have for any sort of compliance under torture come from analysis of historical French data where torture was used to try and force confessions (something we know torture can sometimes do).

 The ‘success’ rate averaged at 10%. Under torture 90% of people will not comply long enough to sign their name.

 Secondly: torture does not and can not ‘make’ a victim feel ‘worshipful’ towards their torturer. The suggestion is kind of like asking if someone can tap dance immediately after removing the bones from their legs.

 Torturers have no control over a victim’s emotions. They have no control over their symptoms. They have no control over their beliefs.

 And there is no such thing as a torture that can change someone’s mind in a way torturers can control.

 Once again, this fictional trope is used by politicians and the media to justify marginalising real torture survivors.

 I have read hundreds, possibly thousands, of accounts from torture survivors. I’ve read historic and modern accounts. I’ve read accounts from all sort of people from all over the globe. I have never seen a survivor say anything positive about their torturers. I have never seen anything close to toleration.

 A lot of survivors are blisteringly angry at their torturers. A lot of them feel overwhelming levels of spite and some report literally putting themselves at risk of death in order to spite their torturers. And yes, a lot of them are afraid too. None of these emotions are mutually exclusive.

 Affection is impossible. We are not wired that way.

 Thirdly: I understand that ‘evil races’ are a long standing fantasy trope but it would be remiss of me if I didn’t mention the racism inherent in that idea. That some people are ‘born bad’.

 I’d strongly suggest you look up the Black, Indian and First Nations people that I know are on this site critiquing these kinds of fantasy tropes. Because they will be able to explain it better then I can.

 Fourthly: the term ‘psychological torture’ is a pretty common dog whistle for torture apologia.

 Most of the time tortures that people dub ‘psychological’ are things with real, physical effects that lead to lasting injury and death. They just don’t tend to leave obvious external scars. I use Rejali’s term ‘clean torture’ for these techniques. Researchers distinguish them from scarring tortures because they are harder to detect and prove in court.

 The majority of survivors today will have experienced clean torture. They will have no obvious physical scars. But they will still be disabled. They’re ‘just’ less likely to see any form of justice for it.

 Fifthly: torture is a terrible training method because it decreases a person’s ability to learn.

 Torture causes memory problems. It also often causes lasting physical injuries that make performing basic tasks more difficult. And it causes a lot of serious psychological problems which make performing basic tasks more difficult.

 A trained person who was never tortured will always out perform someone whose training involved torture.

 I probably sound quite angry here.

 I write fantasy and I also write about torture a lot. But I can’t imagine that it’s just flavour for a fantasy world or some artefact of the past. Torture is a real, present threat in the country that I grew up in. If I was to return now I could, literally, be tortured and executed.

 If you want to include torture in your world, in your story then you are committing to telling someone else’s story. You are representing an incredibly marginalised group of people and you are presenting that representation to a third group, one that has never had contact with real torture survivors.

 Are you comfortable with the idea of telling your peers that survivors are still controlled by ‘the enemy’? That they’re passive? That they don’t have the capacity to make their own decisions?

 Are you comfortable knowing that the popularity of this message keeps millions of genocide survivors in refugee camps, blocked from citizenship, aid and safety?

 I understand feeling attached to a story and a character. And I understand that this information is hard to find. Hell I’m probably going to end up with the only English copy of one of the pivotal textbooks because I’m shelling out to get it translated.

 You say you want to write a torture survivor. With respect I don’t think you know what a torture survivor looks like.

 I think the most helpful, and kindest, thing I can do here is describe what torture does to people. Because I can’t tell you whether that’s something you want to write. I could try and rebuild this scenario for you (and if you decide you’re interested in that after reading all of this and all the links then I suggest looking through the blog tags for ICURE, torture as training, Black Widow and Overwatch.) But I think you need to decide whether you actually want to write a torture survivor first.

 Here’s a post on the most common torture apologia tropes.

 Here’s the post on the types of memory problems torture commonly causes. I strongly recommend picking at least one.

 Remember that this would never go away. Improvement and recovery in torture survivors means learning to live with symptoms. The symptoms themselves are permanent.

 It’s a hundred different alarms set up on their phone to try and make up for the forgetfulness that makes them miss appointments. It’s the little bottle of perfume in their pocket to bring themselves back to reality when they get intrusive memories at work.

 Here’s a post on the other common symptoms.

 You want something in the range of 3-5 of those, though more are likely if your character is held for years. Each of them should be severe. Every single symptom should have a large, negative, impact on the character’s daily life.

 Do you know anyone with chronic pain? It warps their world. Work can become impossible. Basic household tasks like getting dressed, cooking, cleaning the dishes are done through gritted teeth or not at all. Hobbies and ‘fun’ activities dwindle as they struggle to find a way to do them that doesn’t hurt. Interaction with other people, even loved ones, can easily become barbed.

 Because the pain makes everything more difficult. It means everything takes more energy, more effort. Which means that things fall by the wayside, whether that’s by a pile of mouldering dishes in the sink or snapping at a child. It means tears and the social judgement that follows them. It means the world narrowing as it gets harder to go out.

 Do you see what I mean? Every part of life.

 That’s an example for one symptom. You need to work out at least four. Then figure out how they interact. Then figure out what the character can do to make her life better.

 With chronic pain that can mean painkillers but it’s always more then that. It’s re-learning how to do things; how to put on trousers without aggravating the bad knee, how to sew with one hand. It means learning to cut down on what they do and it means learning a new sort of flexibility; accepting that there are days when the pain is too much.

 It can mean having the same conversation about disability over and over again. With family, with friends, with colleagues. ‘I can’t do that.’ ‘I can do that sometimes but not always.’ ‘That will hurt me.’ ‘I can’t use that chair.’ ‘I can’t get my arms that high above my shoulders.’ ‘I need help with this.’

 And that sometimes means learning a kind of patience that is really barely held back rage. Or perhaps I’m projecting a little with this last one.

 If you’ve never met a torture survivor, if you’ve never looked at a survivor’s work, then all this is difficult. You’re trying to imagine something from first principals with nothing to fall back on.

 So let’s bring some survivors into the discussion here. Some reality.

 Who’s listened to Fela? How about Bobi Wine?

 Fela Kuti was the father of modern Afro beats music. He was tortured multiple times and during one attack, which destroyed his home, his mother was murdered by the military. When he got out of jail Fela marched her funeral procession past the biggest barracks in Nigeria’s biggest city. He wrote two songs about this attack and he doubled down on his opposition to the military government.

 Fela’s music started causing riots.

 You can read what I have to say about him here. You can listen to his music on youtube.

 Here’s an interview with Bobi Wine, which was conducted shortly after he was tortured in Uganda. He talked about how he was determined to go back and continue fighting. Which he did. He even ran against the president.

 I’ve also got a short piece on Searle who was a cartoonist captured by the Japanese during World War 2. His drawings of what happened in To the Kwai and Back are worth seeing. Especially if you want to write atrocities on this scale. They will show you the scale and how to focus on the small, human elements despite that overwhelming scale.

 Alleg’s The Question is pretty much a must, it’s one of the most thorough accounts from the Franco-Algerian war.

 Monroe’s A Darkling Plain is also a must, it’s a series of interviews with survivors of various different conflicts and atrocities. Some are torture survivors. Some are not. It is essential reading because it shows the variety in survivors as well as giving a sense of their lives beyond the symptoms.

 Finally Amnesty International has literally hundreds of interviews and studies available for free online.

 The most important decision for any story with regards to torture is whether it should be there at all.

 So much of this topic is intimidating and so much of it is difficult to write. Not just in the ‘oh this is horribly effecting’ sense but in the ‘I have twelve things to juggle in this simple scene’ sense.

 Ask yourself what torture adds to this character and this story. What does this backstory actually give this character?

 Because if the point is to have her vulnerable and then ultimately triumphing violently over her attackers I don’t think you want a torture scenario. You could get the same thing from a bad guy trying to drug her and having the kidnapping fail when she fights him off, clumsy but effective nonetheless.

 And she could still come out of something like that traumatised.

 Right now I really don’t see this adding anything but torture apologia to your story.

 Handling torture well in a story means accepting that it can’t be the same story without it. It means watching the characters and narrative warp under the weight of it. It means lasting effects, for all the characters and for the world itself.

 I believe you are capable of writing that if you want to, pet. But this ain’t it.

Edit: I’m having trouble seeing the beginning of the answer here. Can anyone let me know if there are formatting issues again please? The first word in the htmal is ‘Alright’ but what I’m seeing on tumblr starts 8 paragraphs in.

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[fakeikemen]

Katara's Grief

(This is my first attempt at a meta post and I know that this has probably been already done but I just needed to get it off my chest and go on a little rant and it kinda got long so bear with me.)

A lot of the hate on Katara stems from the fact that she keeps on mentioning her mother's death at every chance she gets and invalidates other people's pain to assert that her suffering is the worst of the lot.

And even though everybody is entitled to their own opinions, I'm gonna point out why I think the aforesaid claims are not exactly correct.

First we'll take a look at; Katara's Backstory:

We know that Kya is killed in a fire nation raid and that Katara had been the last person to see her alive before she leaves the tent on her mother's insistence. Only to come back a few moments later and find her dead body. This, in itself is a traumatising event.

So yes, her mother died. Other people in the story go through far worse. You're not wrong when you say that.

But what is more important in Katara's story is the aftermath of her mother's death.

As Sokka says while talking to Toph in "The Runaway" in B3 Ep7:

Sokka: When our mom died, that was the hardest time in my life. Our family was a mess, but Katara? She had so much strength. She stepped up and took on so much responsibility. She helped fill the void that was left by our mom.

As an eight year old, she had to force herself to grow up to step into her mother's shoes and raise herself and her elder brother and simultaneously look after the entire village after her father left to fight in the war. She had to do all of it by herself.

In face of all her responsibilities, she never really had the chance to simply be a grieving child lamenting the loss of her mother. She habituated herself to caring more about others than herself (We see this trait in the entire series as she acts as the stand-in mom friend for the entire Gaang with an exception of Suki and Zuko). She ended up bottling her feelings of grief, resentment, guilt and rage deep within herself.

She had to give up an extensive part of her childhood where most children focus on figuring themselves out, to become a mature and responsible person who was working as the immovable pillar holding up the family and even the whole village not much later.

She put up a strong front to help others and pretended to be fine even though she was hurting inside the whole time.

She could never find any closure from the situation. She never got over it.

Moving on to the criticisms:

1. Katara keeps on mentioning her mother like a broken record:

Here are the number of times Katara mentions her mother's death (not sure if that's all of it, lmk if there are any others):

1. In her first scene with Sokka

Katara: Ever since mom died, I've been doing all the work around camp while you've been off playing soldier!

2. A short while after she meets Aang

Katara: Well, I just want you to be prepared for what you might see. The Fire Nation is ruthless. They killed my mother, and they could have done the same to your people.

3. A short while after she meets Haru

Katara: I lost my mother in a Fire Nation raid. This necklace is all I have left of her.

4. A short while after she meets Jet

Katara: Sokka and I lost our mother to the Fire Nation.

5. In the swamp after she sees a vision of her mother

Katara: I thought I saw Mom.

6. In the Crystal Catacombs with Zuko

Katara: I don't? How dare you! You have no idea what this war has put me through! Me personally! The Fire Nation took my mother away from me.

7. A short while after she meets Hama

Katara: We completely understand. We lost our mother in a raid.

8. Repeated mentions in The Southern Raiders episode

(Most of the episode basically)

The first mention with Sokka is in the middle of a siblings' spat where she tells off Sokka for trying to act as if he were superior when it was obvious that in the face of the gaping hole that was left by Kya's sudden death, Katara had shouldered much more responsibility.

When she tells it to Aang, she uses it as a proof that the Fire Nation is capable of immense cruelty and destruction.

The Gaang travel all around the world and meet different people affected by the war in different ways. So when Haru, Jet and Hama narrate their own stories, Katara sympathises with them and talks about Kya's death in lieu of "I understand, the Fire Nation hurt me too."

After they got separated, Aang, Sokka and Katara each had their visions and after they get back together, they all mention their visions and so does Katara.

When left alone in catacombs with Zuko, whom she considered as the face of the Fire Nation— the same Fire Nation that had her mother killed and forced her father to leave to fight in the war, she has a meltdown where she rightfully accuses him of all the bad things he's done and then breaks down while talking about how the war has cost her i.e., by causing her mother's death.

The Southern Raiders is the episode where Katara hunts down the man responsible for her mother's death. If you think mentioning Kya repeatedly in this episode is uncalled for, then I don't know what to tell you.

In all the incidents mentioned above, Katara mentioning her mother's death is a very natural occurrence is the respective conversations. She mostly talks about Kya's death to either extend her sympathy or to use it as an example of the ruthlessness of the Fire Nation.

Another fact to be noted is that 70% of the Gaang's storyline is followed via Katara from a narrative point of view. Plus, being the mom-friend, she acts as the spokesperson. Considering that Kya's death is a major event that played a huge role in shaping Katara's life and is also the source of her severe, unresolved trauma, which acts as the driving force of her story, it is only natural that she brings up this topic whenever she is engaging in a deeper conversation.

It is us as the viewers who have seen her from the start and already know about her mother's death and we see her talking to multiple people about it. Which is why it might come across as repetitive to some people.

While, Kya's death is not necessary information that everyone needs to know, Katara talking about it never comes across as a forced or unnatural.

2. Katara invalidates others' pain because she thinks she has suffered the most:

First of all, if anything, Katara is the most empathetic person of them all. As the mom-friend of the group, not only is she their constant moral support, she also helps them untangle and sort out their own feelings. She is also able to tap into issues that aren't said out loud.

Instances of Katara helping and supporting Aang, emotionally are uncountable.

She is the first one to notice Sokka's sour mood in B3 Ep4 "Sokka's Master". And even though his insecurities seem baseless, she validates him (by saying "I'm sorry you're feeling so down" instead of something like "That's a dumb thing to say") and knows exactly what to do to cheer him up.

In B3 Ep7 "The Runaway" she has the insight to understand that Toph's unruly behaviour is caused by the mixed feelings she has about her parents even though Toph's herself never talked about it.

She even reaches out to Zuko in B2 Ep19 "Crossroads of Destiny" even though she used to think of him as the face of the enemy.

But then there's The Southern Raiders.

Ah yes, that episode where Katara is extremely OOC and a total b*tch.

Agreed that she said some things that she definitely shouldn't have said. But like, she's just 14?? And has been hurting on the inside since she was 8?? And pretended to be fine just for the sake of other people?? Like, there's a limit to how much she can have her shit under control?? And she did a real good job of Sokka's upbringing and taking care of the village and taking care of Gaang on her own?? Some people out there are really willing to forget everything she has ever done just because she was mean for 5 minutes?? A traumatised 14 yo shouldn't be villianised and called toxic because she got mad and lashed out at people that one time??

But here's my take on the scene anyway:

When Aang gets to know that she's going to go face her mother's killer:

Aang: Um ... and what exactly do you think this will accomplish?

Katara: I knew you wouldn't understand. 

Aang is a non-confrontational person who prefers running away from difficult situations as opposed to Katara who firmly stands her ground and is never afraid of confrontations. Katara had approached Aang only hoping that he would understand. But going by his dismissal, he obviously doesn't understand the burning need that she has to confront the man who had single-handedly destroyed her childhood. (Most people infer that what Katara means is that she thinks that Aang doesn't understand the pain of losing people. And so does Aang, I guess)

But things start getting even more tricky when:

Aang: Katara, you sound like Jet.

In all honesty, this is probably the most insensitive thing that she could've heard from anyone right then, let alone one of her closest friends. Hearing herself being compared to a homicidal maniac just because she wants to avenge her mother's killer. (No, I'm not justifying murder but there's a clear difference between homicide and avenging someone's death. And Aang may not be my favourite character but I do love him but this wasn't really a good thing to say either. And he wasn't even mentally distressed in the very least to be completely lacking tact or a filter.)

And then the situation escalates:

Sokka: Katara, she was my mother, too, but I think Aang might be right.

Katara: Then you didn't love her the way I did!

After 6 long years of Katara bottling in her dark feelings and letting them fester inside herself, she is finally letting them out and the first things she faces in a span of few minutes are outright rejection, invalidation of her feelings, comparison to a homicidal maniac and nothing akin to the unconditional support that she has provided to everybody. Her own brother tells her that he is siding with the boy who just compared her to a homicidal maniac.

Yes, accusing your own brother of not loving your mother enough is a very cruel thing to do. But both Sokka and Katara know that she doesn't entirely mean it.

But also, there is one very important factor in here:

In B3 Ep7 "The Runaway", Sokka says to Toph:

Sokka: I'm gonna tell you something crazy. I never told anyone this before, but honestly? I'm not sure I can remember what my mother looked like. It really seems like my whole life, Katara's been the one looking out for me. She's always been the one that's there. And now, when I try to remember my mom, Katara's is the only face I can picture. 

Katara overhears this conversation just as Sokka had meant her to.

This dialogue lets us know that Sokka's coping mechanism has made him suppress all memories of Kya and replace them with memories of Katara in order to attain a semblance of normalcy.

Both Katara and Sokka had very different ways of coping with Kya's death. Katara pressed down her feelings and tried her best to pretend to ignore them while Sokka partially succeeded in forgetting her.

When Katara first hears these words she is shown to be crying. But if she were to remember these very words while she was justifying herself infront of her own brother and a close friend for wanting to avenge her mother, it would've had a negative impact on her.

In her rage, she would've thought: "Of course he doesn't want to avenge mom. Because he doesn't think it's worth it and that's because he doesn't even remember enough of her to be mad about her death."

And for someone who has spent each day of the last 6 years trying to fill in the shoes of her mother and experiencing her absence everyday, the idea of forgetting her mother is a ridiculous concept to her.

Her thoughts would have quickly derailed to: "He didn't love her enough to remember her."

In light of these thoughts, saying "Then you didn't love her the way I did" doesn't feel out of the blue.

No, I am definitely not justifying what she said, I'm just laying out a possible explanation to why she said what she said.

Yes, she should've apologized to Sokka for this and I think that they definitely should've had a long conversation about their mother's death and how it affected them. Between Katara supressing her feelings and Sokka supressing his memories, i don't think they ever had this conversation.

But sadly we are given neither of these scenes.

Tl;dr: Everytime Katara mentions her mother, it's with good reason and I don't think it's fair to call a character toxic when they lack a mind to mouth filter for 5 minutes and say some mean things. And considering all that Katara has done for everybody, it isn't fair at all.

Peace out!

[definitely-not-a-wasp]

I'm okay with a bunch of disorganized rambling honestly 😂. But if I had to narrow it down then I guess I want to know about main and side characters and how they compare to the original?

I know that tumblr is the Prime Site for disorganized rambling, but I have perfectionism issues. But that is a great question, nonnie, and I will be happy to ramble is a slightly less disorganized fashion.

When reading Maximum Ride as a somewhat-formed adult who discovered they enjoy English classes about 3.5 years ago, I noticed that JP, when writing, doesn't understand consistency. At all. Which means, in many ways, I have a free sandbox to work with.

Spoilers for my rewrite WIP, because I strongly believe that if a story would no longer be good if one had spoilers, then it wasn’t a good story in the first place.

I'm trying to keep the backstories the same, plus or minus the scientific method and a few characters (RIP my OCs. I want to bring you back so bad but it wouldn't fit with the thematic narrative). I've mostly kept their (starting) abilities the same, too. Without further ado, I'm going to introduce some WorldBuilding. (If I'm good at nothing else, I'm good at world building)

First off. Logically.

How are they getting Cable?

How are they getting internet?

How are they getting money to eat and stuff?

JP's answer: handwave it off. Sometimes you need to ignore logistics for the sake of plot. This is an answer I'd accept from an author that I like, such as Julie Kagawa, that makes amazing worlds, characters, and narratives that I will happily handwave a few things that wouldn't work in the real world. James Patterson, on the other hand, did not make any of that; he made a cool concept, some good rough-draft characters, and nothing else, and therefore this is an unforgivable sin.

Wasp's answer: They are not getting any of that.

Introducing Cottagecore.

The house is off the grid. Solar Panels and a wind turbine create electricity. They have their own well. They grow their own food, raise livestock for eggs, milk, and wool, and trap fish for meat. They get money through dumpster diving and pawning. They still have to steal half of the necessities they can’t make themselves. They do have a TV, but it can access about three channels on a clear day. Internet is only a thing when they go to the public library.

Giving the flock a background that’s heavy in farming and livestock rearing shores up the plot holes mentioned above, but in my opinion, ties the flock more tightly to the environment, thus giving them something tangible to lose when they have to leave the E-shaped house. Because they’re not just leaving a house and a safety net— they’re leaving their entire way of life with no promise of getting it back. It also gives them a tangible connection to the earth in case I want to actually pursue the global warming themes.

Main Characters

Maximum “Max” Ride (Birthname: nonexistent)

First off, I'm letting her be Latina, James Patterson.

In the original, Max was very much the headstrong, independent, action girl. Leaning into Strong Female Character (TM), but overall she had a strong, solid foundation and enough character consistency through the first three books for me to not have to just make an entire new character. However, I felt that she was, in some ways, a bit too Action-Girl and Strong and Capable. Yes, Max is incredible and competent, but she’s also fourteen. She’s a child.

In the rewrite, Max’s character is still headstrong, independent, capable, and sometimes not the best at listening to others. All of that’s the same. But she’s that way not because of girlboss energy, but because there’s no one else to do it. She doesn’t want to lead, necessarily. She wants to get some rest and let someone else handle the problems life keeps throwing at her. But she knows if she did that, the responsibility of leader would fall to Fang and Iggy, and she can’t ask that of them. She doesn’t want to place that burden on anyone else (Look, there’s a reason I chose Ayano’s Theory of Happiness as one of her signifier songs, okay?). Her narrative is very much centered around burden, and also around loss. She lost her cultural heritage when she was taken away from her birth family, she lost her childhood to being a leader, she lost a good deal of her friends to the school (RIP my OCs), she lost Jeb, and then she lost her stability. And she’s going to lose a lot more before the end of the story. So a lot of her character arc deals with learning that there are some things she can’t fix, some things that can’t be recovered. She can’t get the E-shaped house back. She can’t get her Little Baby Angel back, even after they rescue her. She can’t get her friends back from the school. And instead of working so hard to recover those or find something to replace them, she has to learn to live with that sense of loss and move on with her life without feeling guilty for leaving things behind. And she has to learn that asking for help and sharing her burden is selfish or weak.

Other changes I made that don’t necessarily fit into her narrative arc, but you asked for rambling so rambling you shall get:

Max hallucinates, because mental illness is also a prominent theme in the rewrite. She doesn’t have a psychotic disorder, but her C-PTSD causes visual/audio hallucinations, especially when she’s stressed or sleep deprived. 

Max ends up having a Gender Discovery throughout the story and goes by He/She pronouns eventually. I don’t know when, but it will happen.

As far as genetic modifications/special quirks go, she can fly faster than the rest of the flock, but not 300 miles per hour. She averages about sixty mph with diving speeds of 240. She cannot breathe underwater or shut down her organs on command. She also has the Super Special Power to predict the weather, but that’s not because of genetics, it’s because she has chronic pain in her right arm that gets worse when weather fronts change.

Her favored weapon is her trusty rebar that she picked up from a condemned building. I think she’s going to name it eventually but I don’t know what yet.

Fang (Birth name: Gabriel Xue)

In canon, Fang is characterized in early books by being the “dark, strong, silent type”. He’s probably the most reserved member of the flock, to the point of falling into the Brooding Mystery Man trope in parts of the book. They care a lot, but they’re not the best at conveying that, especially with the younger members of the flock, and at times their high empathy leads them to making mistakes. Despite the high empathy, he’s often compared to a robot due to his lack of expression and external emotions.

Well, first change is that they’re not a man, so jot that down—

If Max’s narrative is centered around burden and loss, I would probably say that Fang’s is centered around humanity and moving on. None of the flock was treated as human while in the school, but Fang was more often than not treated like a wild animal due to “behavioral issues”, and therefore had and continues to have a difficult time considering themselves real and alive, let alone human. This manifests through a several different ways— where in canon Fang definitely had a ‘fight’ reaction, in the re-write they have a ‘freeze’ or ‘shut down’ instinct. They’re selectively mute for multiple reasons (including derealization, jaw pain, the fact that they didn’t learn how to speak until they were 10, and genuinely forgetting it’s something they’re capable of), a period of Cotard’s syndrome, and a tendancy towards self-loathing and self-sacrifice. In short, Fang is still halfway stuck in the mindset that most of the flock grew out of when they escaped in the school, and doesn’t know how to move past it.

Much of their character arc revolves around not necessarily seeing themselves as human, but learning to treat themselves as human even when they don’t feel like one (or even feel real), and knowing that just because they don’t feel human all the time doesn’t mean anyone else can treat them the same. They never start easily expressing their emotions, and they’re always going to be selectively mute, but they learn to accept that those aspects of themself aren’t character flaws or signs that they’re sub-human. 

Other additions to Fang’s character include:

They don’t get their hair cut in New York. It stays long through the entire series. They have the longest hair in the flock by the end of the series, and they can wear it in so many styles.

Fang uses they/it pronouns because themes of reclaiming the weapons used against it and, more importantly, Gender.

They’re actually really good at spelling compared to the rest of the flock, because they and Iggy communicate with Print-On-Palm when they’re nonverbal, and they’re nonverbal for some pretty long stretches of time. 

They and Max have... zero romantic tension. At all. There is none. The number of times Max calls them her sibling/little sibling in the first arc alone is staggering, and that will not change.

Igneous “Iggy” (Birthname: Jamsetta “Jamie” Griffiths)

I’ve talked about Iggy before. Canon doesn’t give us much to go off of, but from what’s shown, he’s smart, sarcastic, has sharper edges than Fang and Max, and also has a sizable ruthless streak. So that’s what I have to go off of.

The big difference between Iggy and Fang&Max is that Iggy has a much better memory of the School. Most of the flock have areas (months or years) that they don’t remember, or people that they’ve blocked from their mind, but Iggy... doesn’t. So he’s the one that remembers all of the other AVIAN test subjects that were old enough to have names and identities but died due to complications. Max might have the burden of leadership, but he has the burden of memory. And that has lead to both a massive fucking guilt complex, because why did he survive when they didn’t, and, as mentioned above, a ruthless streak that he doesn’t shy away from.

Which is to say, by the end of the story, Iggy has the highest kill count.

I love, love writing Iggy next to Max and Fang. I love writing Iggy next to Gazzy and Nudge. Because, I say this with all of the love of the world, but Iggy is not a good person. He is loyalty and love incarnate, and the world can burn down if he and his siblings are safe. Max and Fang will always try to save as many people as they can. They will wonder what’s wrong with them the first time they kill and don’t have a mental breakdown about it. They are good in a way that Iggy is not. He’s okay with killing Erasers. He’s okay with killing humans. He’s okay with killing people who might not necessarily deserve it, if they show themselves as a threat or are simply in the blast radius. He knows perfectly well that most of those Erasers he’s murdering are four and five and he is okay with that, because a lot of the AVIANs were that age when they died. (Yeah, in the rewrite it’s not Fang who has an issue with Ari; it’s Iggy who wants the 7-year-old wolf-boy dead.) 

And this is, of course, juxtaposed with Iggy being really, really good with Nudge and Gazzy (especially in the beginning). Because, again, he actually remembers being a child. He remembers a lot of kids that died and is therefore fiercely protective of the kids that didn’t, as well as fiercely protective of the innocence that he never got. So he’s the one that cooks their favorite foods when they’re having a bad day, always makes time when they want to talk about something, and convinces Max to let them go to that toy store in New York because, yeah, he Max and Fang aren’t kids. They never were. But Nudge, Gazzy, and Angel can be. (And if he has to be a murderer to preserve that, then he’s perfectly okay with that.)

He and Angel don’t get along very well, though. The telepath doesn’t like hanging out with the person with the most clear memories of the school.

Other additions:

Iggy is trans and says trans rights

He also has paranoid episodes, because C-PTSD. Sometimes they’re very helpful. Sometimes they are not.

I actually decided that he’s one of the flock that doesn’t meet their parents. I know in canon he did, but I always found that very clunky because it didn’t add to his character. He was one of the characters who, until it was convenient for the plot, seemed to care the least about his family. I’d much rather give that to a character whose arc would benefit from it.

Iggy! Gets! Older Sibling Rights! Seriously, he’s two months younger than Fang, he is just as capable.

Iggy does not know braille because Jeb decided it wasn’t necessary for him to know. Iggy is also the best speller in the flock, because Print-on-Palm was the only way to talk to Fang for a solid year. Yes he mocks everyone over this.

Iggy is the only member of the flock that enjoys swimming and can take into the air from water. Everyone else in the flock is incredibly jealous.

Nudge (Birthname: Monique Robinson)

If Iggy is defined by his memories, Nudge is his polar opposite. She was seven when she left the School, but she has next to no memories of it. She is missing a lot of time in the first year she escaped. And that causes... a lot of things. It makes her feel disconnected from her older siblings, it gives her the ability to function in society in a way the other’s can’t, it lets her feel less grief over the ones that didn’t make it and she doesn’t remember, it makes her feel guilty that she doesn’t remember what she’s old enough to know. 

Basically, in order for me to keep the character of Nudge as I saw her (more extroverted, not afraid of the world, fascinated with humans like her siblings aren’t, desiring to fit in instead of isolate), I had to put a little bit of distance between her and the flock. Of course, she loves them— that will in no way change— but she’s old enough that she should remember the school (and her dead friends) unlike Gazzy and Angel, but she can’t, and she very much fears forgetting the flock if anything happens to them. So she’s trying desperately to keep the flock close and wants desperately to experience the world at the same time, and doesn’t know what to do when she can’t have both. That’s her biggest character conflict throughout the series, along with that in-between area where she’s not quite where her older siblings are but understands so much more than Gazzy and Angel, and where she stands in that.

So yeah. Nudge’s journey is that in looking for belonging in the world, in her family, and in herself.

This is why she’s one of the ones that gets to find her parent, James Patterson. 

Other additions include:

She never straightens her hair. Never. Her resources at the E-shaped house aren’t perfect, but she still has learned how to take care of her hair and has a few styles she cycles through.

She becomes the default person Max sics on people when the flock is trying to befriend them. Also their de-facto diplomat around strangers.

As in canon, she does take some time away from the flock to expirience ‘normal life’. This does not last long due to the stress of being separated from her siblings/not being able to help them and [REDACTED]

Nudge is... not the only person in her head. I’m not focusing on it much because she doesn’t actually know and neither does the flock (I don’t know if they ever figure it out during the series, either), but she has dissociative identity disorder. She’s not aware of her alter(s?). Her alter isn’t super aware of her, either. 

The alter that I’ve developed is named Oxy and is not super aware of the outside world. In her eyes, she’s still seven and they’re still at the School. She would not recognize the body as her own if she looked in a mirror.

Nudge actually leaves the flock for a while to pursue her dream of living a normal life. She deserves it. She learns how to make muffins and the basics of software development. These things are unrelated.

Gasman (Birthname: No first name, surname “Falk”)

Honestly, writing Gazzy is kind of hard for me. Partially because I’m not great at writing kids, and partially because I feel like he’s a pretty surface-level character in-series that... isn’t super compelling in canon. But even if that’s the case, I try to treat all of my characters with respect, so here we go. In my rewrite, he escaped when he was four, which was half a lifetime ago for him, so his memories are ill-defined. Therefore, he managed to circumvent a lot of the trauma that the rest of the kids have, and not in the way Nudge did, which is by creating an elaborate blockage in her memories. 

Which means Gazzy... really doesn’t know how to deal with all of this traumatic stuff happening. So much of his development turns out to be a coming-of-age narrative. Learning how to deal with the horrors of what his siblings grew up with. Learning the fears that they had the entire time. Losing his innocence when everyone around him never had it in the first place, and being so terribly alone because of it. Because, really, how can you explain such a deep loss to people who never had what he had? How can they help in a way that matters?

Also, relationship-wise, I’m slowly deteriorating the relationship between him and Iggy. Slowly. Or, changing it, at least. Gazzy hero-worships Iggy in-series, and for good reason, because Iggy is super cool, especially in the eyes of an eight-year-old, and especially when Iggy has taken care to cultivate parts of his behaviors to be child-friendly. Part of growing up is seeing the flaws in your heroes, and Gazzy has to learn how to deal with it. End of the series Gazzy is much less closer to Iggy than beginning of the series Gazzy, and neither of them are really okay with that, but they learn to live with it, because that’s really all they can do.

Notes:

I’m keeping the mimickry! It plays a bit of a bigger role because that’s how Gazzy learned to talk. I’m debating whether or not he has his own voice or if he just borrows the flock’s as he sees fit. He also uses it to scream really loudly and occaisonally burst the eardrums of Erasers.

At one point he cosplays as Jessica Jones. No you don’t get any more context than this.

He has a horrible sense of fashion.

I’m changing his name eventually because it sucks. He’s either going to change it to Gannet, Garrison, or Ivy Mike temporarily, and permanently to Zephyr. (I never said I was going to make his name GOOD, because he’s eight, but it’s changing. You’re welcome.)

Angel (Birthname: No first name, surname “Falk”)

It’s just... a completely different character, at this point. I’ve changed so many things about her in an attempt to make her consistent and act like a six-year-old and work in the whole “telepath before she has a solid sense of identity”, so it’s a different character. Also, I’m tired of writing coherently or in paragraphs, so have some interesting facts.

She has epilepsy! Super severe epilepsy! I think she might also develop juvenile MS in the future because her brain has so many scars from being a fucking six-year-old telepath. There’s no way she could get out of that unscathed.

She has more memories of the school than Gazzy, but only because she keeps accidentally reading the minds of Max, Fang, and Iggy. On a related note, she interacts with Iggy as little as possible.

The mind reading means that she has a hard time developing as a normal child with a normal sense of identity or reality. She can’t tell how much people are individual people and how much they’re just extensions of her. Conversely, she can’t tell how much of herself is actually her instead of the thoughts/opinions/identities of someone else. It’s... kinda fucked? But also super not-her-fault. 

She’s albino because white wings. Also, because I thought it was cool. This also means that her vision sucks, though. Also she has the biggest straw sunhat and the most stylish sunglasses a six-year-old can have.

She’s responsible for Max shaving her hair off.

She has the highest swear count because I think it’s funny. She’s the only person allowed to say the fuck word in writing. Everyone else can only say ‘hell’ and the occasionally ‘damn’ but she can say whatever she wants for dramatic and comedic value.

She is NOT THE FUCKING VOICE, J*MES P*TTERSON.

Honorable Mentions

Jeb

I’m skipping Jeb because of how little I care about him. He’s a little bitch, next character.

Ari

STILL HASN’T BEEN REVEALED AS AN ERASER. I’ve been writing for 50,000 words and he’s over here saying ‘nope nope not yet, not dramatic enough’. He’s had speaking lines but has refused to make himself known to Max. I am so frustrated with this seven-year-old wolf-child that I’ve already considered how I would kill him, if I decide I want to kill yet another child in my writing.

So, my main thoughts for Ari is that he... really just drew the short end of the stick in every possible way. While Jeb didn’t sign him up for Eraser expirimentation, he didn’t do anything to stop it, and pretty much cut his losses when he realized this expiriment made a wreck of his ‘perfect, unflawed’ son, because Jeb doesn’t consider children of any species to actually be humans. So, Ari really hates his dad, which makes things complicated, because he also really loves his dad and really wants his approval. 

Which means that he also really hates Max, because she’s the child that always got Jeb’s time and attention, even when Ari was human. I think, on some level, he knows that trying to tear Max down to a less-favored level isn’t actually going to help his situation— infighting for the love of an abusive parent won’t make them any less abusive— but he’s also seven, and his development is already severely stunted due to becoming an Eraser, and he doesn’t see ‘leaving ITEX’ as an option like the Flock does. ITEX is his everything. It’s all he’s ever known, and they tell him he’s doing the right thing, and he wants them to love him. He wants his father to love him. He knows that if he ever questions ITEX, his father will never love him. So it must be his older sister that’s ruining his life and being a horrible child, and once Ari drags her back down to his level, Jeb will realize who the best child is and love him properly again.

Ari, on an even deeper level, does care for Max quite a bit, because she’s his older sister and he wants that to mean something in a way that ‘Jeb being his father’ obviously doesn’t. He wants what she made for herself, and he hates the Flock because she loves them and obviously doesn’t love him. 

Ari, if anything, is the product of neglect, and both loves and hates everyone who shows a chance of caring about him. And he’s seven, so he can’t notice these patterns, let alone break them.

So. Notes!

He doesn’t look like an adult. I thought that was gross and unnecessary. He’s seven, but he looks closer to thirteen or fourteen. Still young enough that he looks like every Eraser’s little brother, and the Erasers high-key treat him like it.

On a related note, he’s the only Eraser who can talk. The others don’t have the mental capacity or vocal structure to replicate human speech, but they can understand language (at about the level of a two or three year old) and are very good at nonverbal communication. This is why Ari managed to climb the ranks despite only having three years of “service” and also looking like a tween.

He doesn’t have an expiration date because that is SUCH a stupid plot point.

I’m giving him a chainsaw! I don’t know how, I don’t know when, but he deserves to have a chainsaw and GODDAMN I will give it to him.

Emergency and Gene

The OCs that I love and also killed pre-series. They don’t have any scenes, because they’re dead, but their deaths greatly effected Max, Fang, and Iggy, and they are very commonly referenced. Their voices are probably Max’s most common hallucination, to the point where she sometimes pretends they’re ghosts that she can talk to. They’re not ghosts. They’re dead.

Dr. Valencia Martinez

I’m actually keeping her pretty close to canon— loving, supportive, the type of person to take in a gsw victim with minimal questions. The difference is that rather than kindness fueling her actions, it’s incredible guilt. She has three goals surrounding Max: Give her as much support in any way she can, teach her as much about chicane culture as possible, and never let Max know that she’s her birth parent.

(She’s probably going to fail at AT LEAST two of those, but it’s the thought that counts.)

Notes:

She has a pet fox named Robin Hood that she rescued from an exotic animal salesman that got arrested.

I think I’m going to kill her. I don’t know yet, but it’s on the table.

Anne Walker

Y’know, the fake FBI Agent. Who’s not actually a fake in my story because I hated that plot point. She’s genuinely an FBI agent who put the Flock into pseudo-witness-protection in order to build a case against the Institute of Higher Living, accidentally got attached to her prime witnesses, raised them for a few months, realized a [SPOILER] and promptly had to let them get the hell out dodge.

I really like the Anne Walker that lives in my head. She is a VITAL part of the Flock’s development, their mental/emotional recovery, and adding to their safety net to fall back on. She serves them as their first adult role model, and is the first adult to show them what parent/child are supposed to look like from a healthy perspective. Though she has several fuck ups, she becomes someone that the Flock genuinely trusts and loves, which makes it all the more difficult for them to leave when [REDACTED].

Notes:

She and Max do butt heads initially, because Max is paranoid and also afraid of becoming uneeded. This ends up being incredibly important because Max needs to learn how to live and find meaning in life without being the designated Leader/Parent/Big Sister

Anne, at one point, sits the entire flock down to teach them about consent, which was something no one ever talked about with them before. She goes in talking specifically about consent in a romantic/sexual sense (because they’re fourteen and that’s something they need to know), but quickly turns into a full-fledged no, people are NOT allowed to do that to you, what the FUCK.

She’s responsible for giving the flock a laptop. It’s because Angel is online schooled (bc telepathy makes actually learning difficult) and was therefore provided with a computer.

Anne is also allowed to swear, but only when it’s funny.

Michael “Grey” Rivers

Aka Grey from the Sewers Aka GR3Y H47 Aka Mike from the Bronx Aka Gifted Child Syndrome Incarnate Aka Would-be-in-MIT-if-his-parents-weren’t-horrible. He’s my son, your honour.

Basically, his backstory boils down to him being a genius, getting into MIT at 14, his (horrible) parents wanting a perfect child who could “make it out” of the Bronx and represent his family/neighborhood/borough to the world. When he inevitably failed their expectations due to stress, a schizophrenic-spectrum disorder that completely alienated him from the rest of his support network, and refusing to take his psych meds because the side effects were horrible and they made it harder to think (and therefore pass his classes), they kicked him out. He fully intends to go back to MIT when he turns 18 and has control of his finances/scholarships/medication/therapy.

So that’s how the flock meets him. 

Mike ends up in a very prominent support role for the flock both in technological persuits (helping them track their parents, helping them get information from ITEX, trying to disable Max’s chip and failing multiple times until it becomes a matter of personal honour—), in helping the older members of the flock figure out how to deal with hallucinations/delusions (because he’s actually been to therapy, unlike them), and in being one of the only people who talks to them and helps them without any ulterior motive. He’s not trying to build a case against ITEX/The Institute of Higher Learning, he’s not double crossing them, he’s not plagued with guilt. He just genuinely wants to help them, and they genuinely want to help him, and that’s their first introduction to a healthy, non-codependent relationship.

My many disorganized notes on Michael Rivers:

He’s from specifically Morris Heights, Bronx, NYC.

He would say that his last name is actually Rivera, but his grandparents changed it to Rivers so it would sound more English, and his family has been in America for so long that he doesn’t know much about any Latino heritage he may or may not have. He identifies as African American, not Afro-Latino. He’s just bitter that his family felt the need to change their surname to have better opportunities in New York.

Nudge aggressively befriends him pretty much the moment she meets him, bullies him into teaching her how to code, and he very quickly adopts her as his pseudo-little-sister.

His delusions in the book seemed to involve government conspiracies, but as that’s the one delusion that is proved correct in the book, I’ve decided it would be best if his delusions and reality intersected a bit less if I don’t want to write him having a manic/paranoid episode in the second scene he has screen time. So his delusions are more based on “none of this is real”, “someone is recording everything I do and setting me up to fail” and “my ill-wishes on people can and will come true if I dwell on them too long.”. Government conspiracies are one of things he is skeptical about because he thinks most conspiracies are either “CIA admitted to this twenty years ago” or “antisemitism”.

He’s taking online free college classes that don’t actually give him any college credit, but they have good information and help him feel like he’s working towards something. He plans to double major in computer sciences and electrical engineering, minor in marine biology. He’s wanted to join NOAA since he was twelve and he is nothing if not stubborn.

There you go. These are my characters, now. I have custody.

[papers4me]

Fruits Basket, Se03. ep 4.

and we’re back to the main plot! This ep was good & visually expressive.

-Isuzu ( Akito’s perfect abused toy):

Isuzu embodies everything Akito hates; She’s the exact image of Akito’s mom; the dark long hair, sexy body, womanly charms, the steaming explicit love relationship with Haru) but unlike akito’s mom who’s hard to control & torture, Isuzu is a helpless zodiac who can’t fight back against the zodiac Ruler! Akito can hurt Isuzu verbally & physically while projecting it all on Ren. Through hurting Isuzu, Akito can fantasize on getting back on her mother for neglecting, hating her & stealing a zodiac (sleeping with Shigure ).

In Akito’s delusional mind: ISUZU IS REN. Therefore,

cutting Isuzu’s floating seductive hair (means cutting her mom’s control over her. deforming her mom’s image & “uglifying” it. “Ren” can no longer be prettier than “me”.

Hurting Isuzu’s body (means deforming the seductive womanly charms that Ren used with Shigure). Shigure won’t find “Ren” sexy now with her “short hair & scarred body”, he’ll stay faithful to “me”. No ugly creature will “steal” him or anyone of “them” anymore.

locking Isuzu in the cat’s room (means that in Akito’s mind, REN is the zodiacs monster! locking her away meaning gaining control over her status. “The horrible monster is locked away, the majestic ruler saves the poor zodiacs”.

Isuzu is locked while everybody “suspects” sth bad has happened to her & are “advised” against investigating (means the policy of obeying the family heads, turning their back on the abused & enabling abuse is still going on).

Even when Isuzu was saved, it took some time before anybody dared to take action. Even while taking action to save Isuzu, it is only for saving this current victim, the abuser still stands, still free to try again, still able to punish others.

-Kureno taking action or protecting an abuser?

There’s no doubt that kureno is kind & wouldn’t want anything bad to happen to Isuzu or anybody for that matter. However, Kureno’s brand of kindness has always been toxic & immensely harmful to him & others. While he indeed helped free Isuzu, he continued to shield Akito, holding her cheek kindly, softly lecturing “bad Akito, please no hurt/torture/kill poor zodiac girl”.  He waits for Akito to “realize” her wrongful deeds & “ heals” herself & “decides” to stop the abuse. Abusers don’t just decide to stop one day after they realize oops, I’m bad. Abusers must be stopped at once. Especially the ones with mental & emotional issues. I know it is hard for Kureno to stop protecting Akito, as you could argue that he’s “conditioned to obey” from young age. However, it doesn’t matter if his his intentions are good, he’ll either be Akito’s silent accomplice or get her fury.

-Isuzu’s quest to save kind haru:

Isuzu has always looked at her self as rotten/bad, while haru is good. She’s dirty & he’s clean. The theme of “ don’t take advantage of kind ppl as they’re too stupid to save themselves” has always tormented Isuzu. That’s why she was cold & mean to tohru, to save her from her foolish kindness. That’s why she was harsh to yuki, she believed haru’s kindness towards helpless yuki is harmful to haru. Above all, she wants to save kind haru from her “sinful” self! She wants kind ppl to be happy & away from rotten/ bad ppl like her! (does she reminds you of someone? kyo!). Alas, this self-condemning mentality led her to a locked room. Hurt, sad, in pain, tears, darkness, all alone & on the verge of death. That’s why when haru showed up, he said” is your journey over? come home to me” The quest is over. Rest & accept that you’re not a burden.

-Guilt is the immense monster tearing you from the inside:

Hiro is a huge parallel to kyo this ep with kisa & isuzu paralleling tohru, Kyoko & kyo’s mom. He felt immense guilt towards kisa for thinking that he’d caused her physical & emotional suffering by confessing to Akito. Kisa’s journey for recovery from her physical & emotional scars was especially hard on hiro. Even when she smiled, he’d think if only I hadn’t caused her pain. He feels the same towards Isuzu. This is the exact situation where kyo’s at except it is amplified ten times cause of DEATH. tohru’s journey towards recovering from her mom’s sudden death is not easy despite all the smiles. Tohru talks to a framed picture as her mother for God’s sake!!!! this sad! so sad! It hurts to see her craving her mother’s presence & knowing that he is involved somehow. Kyo’s guilt amplifies each time tohru fake smiles. This guilt that kyo built inside him was drilled by a past experience of his moms death & the sohma’s, his dad verbal accusations. While kisa & hiro found escape from guilt’s vicious suffocating grap by confessing their fears, the fact that both kisa & hiro are younger somewhat less traumatized helped. The ppl hiro fears he hurt are saved, alive & will be happy. Kisa is surrounded by her family. Kyo can’t apologize to angry kyoko or his miserable mom. they’re dead. Tohru is an orphan who lives “ temporarily” with the sohma’s. The time where she MUST leave & pursue her life after graduation is near... where will tohru go?.. where is her own family? This is all a set up to the climax! Epic writing!

Side Notes:

Akito scared me with her, “ do you know what’s inside the box? it’s father” ! chills!! is it his ashes? This reminded me of tohru’s cold photo frame of her mom.  I see tohru/akito parallel in the making! love it!

Isuzu’s eps always full of good visual symbolism.

Dark haru is always a good sight! whether for comedy or for plot. It is always well-used!

“Pity love” is a theme here. Haru, a teenager, declared his true love, while kureno, a grown man, stood silent. watching. learn kureno learn!

The cat room is a hideous place! OMG! the cell’s /“cage’s” door is small & doesn’t fit a standing human, like a cat’s door! so, the prisoner crawls to get inside? ugh!

Isuzu was there for days even weeks. let this sink. She refused food. she was mentally crushed & blackmailed by Akito using her love for Haru (the same way she blackmailed kyo using his love for tohru). This is a huge crime. Hideous deed that deserves more than a gentle touch on the abuser’s cheek with soft reprimanding. Akito’s response when she lost haru was the childish behavior of screaming & piunding with her fists on the ground. Kazuma’s “ akito is like a spoiled child”.

The scars Akito inflected on the young sohma’s run deep. It would be interesting to see if akito gets redemption, how’ll they react? will the scars disappear cuz yay the baddie is goddie now? or the scars remain & they’ll choose forgiveness like yuki did? or they’ll hold  grudge? can’t wait to see.

So Isuzu got her hair cut... man, the only hair cut I wanted was yuki’s! I wanted part of his growth to be loosing the Akito’s look.

Speaking of looks, Hiro is the spitting image of kyo but with bigger eyes! He looks exactly like kyo in Kazuma’s flashback in se01 finale & in kagura’s memories in se02, ep, 11 with the exact uniform!

loved that haru avoided hitting Akito. Not for akito, but knowing haru, he’ll suffer once he cool down cuz he hurt someone.

The bond is tearing. I honestly thought that haru leaving akito will cause more than that & it will tear!

I hated that one shot of naked Isuz walking away. Why not clothed? She wasn’t on the bed with him, so it doesn’t make sense.

so, how did Kureno get Isuzu from the cat’s cage? She’ll transform??

Also, Hatori what will you do now that another victim was hospitalized? still carry screaming Akito, comforting her? Who will have to be hurt before you take action? silently treating the victims wounds is NOT action.

I knew Isuzu will run from the hospital as soon as they said she was hospitalized! XD. They should’ve kept an eye on her. she’s weak.

So, shigure’s “ love” didn’t heal Akito nor his “ love-making” toned her fury on Ren’s look alike. Feeling guilty shigure? No?

Also, while it is not directly his fault, but it is ironic that kureno’s meeting with tohru where he decided to “ stay” by akito & not leave, has led to Isuzu tracking him right into Ren’s trap & falling victim to Akito. In short, his passive choice to NOT take action has led to unintentional disaster. Take the right action kureno. Leaveeeeee~~~

please let the next ep continues the plot & not jump somewhere else. give me at least tow/three continuous eps, then jump.

[dragon-ball-meta]

Yes, a Reddit post. I’m sure so many of you are shocked that our colossally bad take came from there, (and probably from Toyotaro’s burner account lol), but nevertheless, here it is. How to even begin to unpack this... Okay, here we go: 1. Goku’s was hardly the only one who didn’t want to stop Gero. Vegeta literally threatened to KILL anyone who DID try to stop them. Tien wanted to fight them to test his limits. Goku’s desire was to fight them, yes, hello, this is Goku, But he also refused to just find and straight-up kill Gero when he TECHNICALLY hadn’t done anything to warrant it yet. And, as we actually came to see, that’s not an entirely unwarranted stance; things changed between these two timelines even without direct intervention. Unlikely as it was, it was possible that Gero may not have gone through with it. There have been entire books and films on this topic.. 2. This stupid claim just refuses to die. At what point in any part of the fight with Goku and Cell was it even IMPLIED that Goku could have won? Goku stated he’d been going all-out in his fight with Cell, when the Cell Jrs arrived and started attacking, Goku was getting bodied even though they were only about as strong as Vegeta or Trunks, who were both far below him when at full power. Goku could not have beaten Cell. ONLY Gohan could. The boy even said that he’d thought Goku and Cell were both not fighting seriously because they looked to be moving slowly to him. Gohan was already stronger than Goku, before he ever turned SSJ2. Period. And for the love of GOD, STOP with this “severe emotional trauma” nonsense! Gohan had been watching people die, his friends no less, since he was FIVE. In fact, seeing that at FIVE is FAR more likely to have given him any severe and lasting emotional trauma. PICCOLO is more likely to have caused this than Goku. Yes, the Piccolo the OP even then tries to claim is the paragon of fatherhood. Gohan was already afraid of his own anger, he always had a dislike of fighting and hurting people. The thing that shook the boy the most was watching his dad die and knowing it was partly his fault. Even then, he grew up into a healthy, well-adjusted man with his dream job and a family. Just STOP pushing your headcanons onto him for two seconds! 3. THINKS he could have killed Buu. Opted to try to teach those still alive a technique that would enable THEM to kill Buu and keep protecting the Earth even after he was gone. Could have killed Vegeta, yes, and sent him to hell and left Bulma and Trunks broken-hearted. Instead opted to try to reason with him first and allow him to think he’d finally caught up to him so he’d stop obsessing over their power gap to the point of SELLING HIS SOUL TO AN EVIL WIZARD TO GET THE EDGE.. And now, for the completely asinine reasons Goku is eeeeevil: 1. You’re acting as if this isn’t just Goku. That is LITERALLY Goku. Always HAS been Goku. He treats EVERYNE as a peer and potential friend and ADORES the idea of trying to fight strong people. Note that he also ASKED for a spar, didn’t just “attack” or something. This also has nothing to do with a thirst for “power”, it has to do with Goku trying to test himself and push himself to be the greatest warrior it’s possible for him to be. This is the same mentality that had Goku excited for the Tenkaichi Budokai, that had him excited to face Vegeta, that had him spare Piccolo and Vegeta for the sake of  rematch against such a great opponent someday. This is not some sort of development that happened post-Namek, and it’s by no means Evil. Also, how tf did VEGETA supposedly warn him when Vegeta was back on Earth and nowhere to be found?  2. Again... this is just Goku. This is how he is. That doesn’t mean he didn’t care about the plight of others though; Goku doesn’t just sit back and ignore suffering he’s been made aware of, and he helps his friends. But yes, the idea of facing HIMSELF was exciting to him; possibly his ONLY chance to compare his progress to another “version” of himself.  And... I’m sorry, but Goku erupting into a fit of rage over his family’s murder is invalidated because he was mad it used HIS body? Really? NO KIDDING I’d be extra pissed if some psychopath took over my body and murdered my wife and little boy! Who WOULDN’T be pissed about that? The last thing his wife saw was her husband’s face grinning as he cut through her and their son. The last thing Goten saw was his daddy GLEEFULLY murdering him. The fact that he flew into the biggest rage he’d ever had since he first fought FREEZA over this shows how much that hurt him. The fact that you think it was entirely about the use of his body and not their deaths shows a piss-poor ability to analyze what you see on screen, ESPECIALLY as he was upset but mostly indifferent hearing how Zamasu stole his body UNTIL he told Goku he murdered his family too. THEN he flew into a rage. This is also going to invalidate an upcoming point, so pin this.

3. Aaaand... we’re right back to the Tournament of Power itself. The Tournament that literally no one foresaw as having those results. The one that as stated to actually buy one universe that was gonna be wiped anyways a fighting chance to survive, and later turned out to be a massive morality test to allow ALL of said universes to survive. Nevermind that though, this OP here asserts that Goku KNEW it would result in that, was TOLD it would even (he literally was not I am so sick of that claim), and didn’t even KNOW they COULD undo it and STILL wanted it! This is easily the most hardcore anti-Goku stance I have ever seen on this topic This isn’t just chiding him for being ignorant or not listening to warnings (again, not applicable), it’s accusing him of KNOWING Genocide would happen and actually WATING that in the name of a few fights.  This being his stance is further illustrated by his assertion that Goku is indisputably a sociopath. Let’s look at the definition of a sociopath, shall we? “A person with a personality disorder manifesting itself in extreme antisocial attitudes and behavior and a lack of conscience.” This is not Goku. OBJECTIVELY not Goku. Goku is far from anti-social, and very much has a strong sense of right and wrong, hence his desire to intervene when he comes across people suffering. Hence why he sought justice for the murder of Upa’s father. Hence why he felt IMMEDIATE REGRET after hearing what the consequences would be for the losers of the ToP, and WHY HE FLEW INTO A RAGE OVER THE MURDER OF HIS WIFE AND SON. Goku is capable of sympathy, empathy, and grasps the concepts of right and wrong. A sociopath he is not. And, of course, the stupid assertion that Goku is a bad father and Piccolo and Vegeta are the REAL examples of fatherhood... which is also erasure of Gohan and Krillin, neither of whom assaulted their daughters, tossed them into the wilderness to fend for themselves, forced them to be fighters and face homicidal aliens at age 5,or nearly let them and their mothers fall to their deaths because they were too absorbed with finding and killing an enemy to prove their superiority. To cap it off, Vegeta and Piccolo have somehow inexplicably become the “symbols of hope” in the series, trying to stop an evil, unhinged Goku from annihilating them all, and he asserts that Vegeta became the REAL hero during... the Cell Saga? The arc where Vegeta literally helped Cell become perfect? And was the hero in the arc where he sold his soul to Babidi, helped resurrect Buu, AND murdered hundreds, if not thousands, of innocent people JUST to make Goku mad enough to fight him because he refused to? You know, the thing you actually used as a point of criticism for... GOKU, and are clearly abdicating Vegeta of any and all responsibility for?  Folks, I’ve seen some bad takes in my day, but it’s very, VERY rare to find one this unhinged and frankly inept in one place. This is nuclear levels of Bad Takes here. Just... wow. 

[fenristheorem]

Lance finding out that Gardienne killed herself? After a while of her being in the HQ again, he has fallen in love with her. She just couldn't bear those seven years, having lost that many people and being here just to save this world by suffering.

He wanted to tell her he loved her, he knocked her door, he worried bc no one answered, and he finds her hanged up.

I know this is really specific, it's just kind of my OC ending😅😅 anyway, I'd understand if you weren't comfortable with this.

So I’m going to talk about the boundaries of what I write for a moment, starting by saying that I will write this BUT I won’t write detailed suicide scenes due to the sensitive nature of it.

This ask isn’t asking for a detailed scene, it’s asking for the effects the decision has on Lance, and because it’s asking for the long-term effects and not a scenario I’m just fine with writing this. 

Thank you for asking this, Anon, genuinely. Being this specific was probably what gave me the push to write this in the end because I know you were looking for the reaction and not the actual scene. This is a good example of a post that walks along the lines of what I will and won’t write so anyone requesting future asks with a similar subject gets a better idea of what to ask.

Also, I apologize for how long this took to write. This ask was, unfortunately, the one that spent the most time eaten in my drafts folder so I couldn’t work on it until about a week ago. Fortunately that gave me a lot of time to think over how to best write this, so I think this’ll be appropriately written considering the subject.

*Warning / Note: This post contains heavy depressive themes and suicidal mentions, as evident by the ask and what I wrote above. I’m aware that this is a very sensitive subject and I intend to treat it with appropriate seriousness. This is not a happy post, please only read this if you know this won’t lead you down a dark path. To me, writing is another form of art, meant to express and draw out emotions from the audience, so I won’t subside the intensity of my writing even with this being a sensitive subject. I don’t intend to drive anyone to harm themselves, but I do intend to write with the intensity that I always do because this is my artform; so please prepare for heavy themes or don’t read if you’re not comfortable with this. On a side note: I care about everyone, I really do, so please take care of yourselves. If you’re feeling depressive or suicidal, talk to someone, please. There is always someone who cares about you.

Technically Guardienne's death may have a major adverse effect on Eldarya due to her link with the crystal, but for the sake of this ask I'll ignore any possible effects like that.

~Under the cut~

Lance’s reaction to Guardienne’s suicide:

Lance had seen a lot of terrible things in life and had done many terrible things in his life, but this reached a new type of fucked up for him. Not because it's truly disturbing - although it is deeply disturbing - but because it fucked him up even more in a way that he neither thought could be possible nor that he could bear.

He’s convinced that he’s cursed; everything that’s happened to him has been his fault. He started the war within Eldarya, destroyed so many faeries’ lives, killed his own brother, and now the woman he loved is dead because of him as well. Sure, he wasn’t the one to tie the rope around her neck, but there are signs for these sorts of things. Was he truly that blind that he couldn’t see that she was in pain? Did he ever truly love her if he couldn’t see the pain? Would she have done anything differently if he wasn’t there to constantly remind her of everything that was lost?

Lance believes he deserves this. He’s caused so much pain and agony for everyone, it only makes sense that he should be the one in pain now. Lance won’t try to fight the agony he’s in, he’ll let himself drown in it for nights on end to wake up - or not even sleep to begin with - feeling exhausted, reckless, irritated and - overall - worthless. He’s sure to emerge from his room in the morning without the slightest hint that he’s been sobbing quietly with the feeling of a dagger twisting itself over and over within his chest all night, and he’ll refuse to answer any questions about if he’s alright after the recent events. He was the one to find her after all; it would make sense that he was hit the hardest...

In the daytime he’ll be rough and withholding, keeping the Obsidian guard in a tight hold to reflect how he needs to hold himself tightly to keep from falling apart. It’s one thing for him feel and express emotions, but this feeling is an entirely different thing; this is something that should not be released into Eldarya. He realizes it and knows that this feeling - something that he recognizes all too well from his past - threatens to destroy everything that he worked so hard to gain in the past seven years.

Mathieu will notice Lance’s change in temperament immediately, and being the kind man he is he’ll want to be there for the dragon, but Lance won’t be looking for comfort; he’ll be looking for something that will change the past and take back everything that happened. But that’s impossible - he knows that - and so he’ll be stuck in a state of limbo, deemed to mourn for his unknown, unrealized love until... something happens to change him.

Ice cold fear will wash over him some days as he recognizes the familiar feeling that haunted him in the past, and while he’ll be aching to reach out to lean on someone for support - afraid of this feeling overwhelming him again - he’ll feel that he can’t lean on anyone. He doesn’t deserve that support at this point after all he’s done, and there’s so many others who are busy grieving; the guard needs him to be strong now. However, on occasion - when he has a clear mind - he’ll grieve gently with someone who’s somewhat close to him, sharing kind memories of Guardienne and gently advising them to spend time around friends if his co-worker feels it’s needed. He’ll never completely break in front of anyone though, he can’t bring himself to. 

However, Lance falls apart immediately when he’s alone, sometimes even lingering in the conference room for a few minutes after a meeting to allow himself the private time alone to recollect himself. Grief will randomly hit him throughout the day, constricting his throat, burning his chest, and glassing over his eyes - and every time he’ll excuse himself from his company to isolate himself until he regains control again. This, of course, is taken into notice by a few others around the guard, and slowly there’ll be people who realize that Lance is not fine.

This becomes a further issue over time as his grief slowly turns into anger and disgust, and this is when that familiar, ominous feeling from his past really rears it’s ugly face. He should have seen something. Was he really that terrible to her that she felt she couldn’t trust him? Was everyone really that blind to not see her hurting?

Lance finds that he begins to choose to isolate himself, mentally and physically. He’ll leave the guards members alone that have stated they need time off, but he won’t be very forgiving with those who have chosen to continue their work but seem to be slacking. His mentality is that if you can’t handle continuing on, then don’t offer your service as it’ll become a hindrance, and this quickly becomes a major issue.

Huang Hua - knowing how important Guardienne was to Eldarya, and the guard especially - has let it be known that if anyone needs a break from their responsibilities, then it’ll be allowed, but she will stress that those who feel they can continue to function please try to do so, and be lenient and take on a few responsibilities that aren’t usually asked of them if they feel they can. She can read other’s auras and sense intentions and emotions of sorts, so she can generally get a good read on how someone is doing, but she can’t consistently do that with everyone, so while she’ll use this ability when necessary to enforce that someone take a break so they don’t fall apart, not every unstable case is known to her. This is the main reason why she slightly overlooks Lance for a while. When he first found Guardienne, he panicked immediately, rushing her to Ewelein and not even truly believing her death until many days after the event. Huang Hua - having sensed his shock and panic blocking out any other emotions - let it go for a few days; everyone goes through their own grieving process, some immediately and some not until many years afterwards. There was nothing that anyone could do for him until Guardienne’s death hit him fully. However, she also knew from her abilities that Lance was in love with her, or at very least had a deep liking for Guardienne, so the instant a few members of the guard come to her expressing serious concerns regarding Lance’s recent aggression and distance, Huang Hua knows immediately that it needs to be dealt with. This grief was an unknown factor in Lance’s new life - but his past with this type of grief shows clearly that this can really fuck him up - so it needed to be discussed, otherwise he risks spiraling back into the same place he was seven years ago.

She’ll approach him when he’s alone, or if they’re in a relatively public space she’ll take him somewhere private, sensing all the while the breathtakingly painful feeling of agony, anger and distress that’s clouding his mentality. It was just the same as when he was Ashkore, how did he not yet break? He’ll refuse to follow her if he knows she wants to talk about his emotions - ironic since he’s always been open to sharing his perspective and thoughts - so she’ll just tell him that she needs to talk to him in private regarding a few anonymous tips from some guards members if he happens to ask why.

Being alone with an unstable, emotionally distraught dragon with a history of violence while under heavy states of grief does unsettle her a bit, but she knows the outcome of this will be much worse if he truly feels isolated. He’s not going to reach out for help by himself - he doesn’t know how to, nor does he probably want to - so she needs to be the one to reach out to him and help him stabilize himself before another situation like Valkyon’s death occurrs.

She’ll consider first talking alone with him in his room - where he’d likely feel most comfortable - but considering he’d likely be defensive, that could then translate into aggression in his own territory, and that may lead her to being forced out of his room for her own safety. Lance has certainly changed in temperament, but heavy grieving emotions can blind someone, so there’s really no promising that nothing... destructive may happen, no matter how much he’s changed in patience.

She then considers talking with him in the conference room, but there isn’t a whole lot of privacy there. The conference room is more for business, rather than personal, private, emotional conversations. The last thing Lance needed in this moment was for his emotions to be treated even slightly like a business confrontation and not as an important part of his being. Frankly, even on a day where he’s feeling just fine he would never accept anyone’s emotions to be treated like a business issue, so the last thing she wanted was to imply that by bringing him into a room that could do just that.

Huang Hua then thinks over the idea of talking to him in her room; it would likely be safer, after all. He probably won’t become territorial or aggressive as it’s not his territory, and it’ll be a gentle reminder that she’s happy to welcome him into her personal life to help comfort him (therefore defeating the concern that it could seem like a business confrontation), but since it’s her territory he might emotionally shut himself down. It can be uncomfortable to fall apart in someone else’s room, especially knowing they’re higher ranking and could be interrupted at any moment to deal with something else...

Then she wonders if she should bring him outside of the guard to speak with him - somewhere that’s private and on neutral ground. That way they’d both be in strange territory and may not be interrupted, and if they are they’d receive prior warning by noticing that someone was walking their way.

Of course, Huang Hua then realizes that - no matter how much she’d like to think that she understands what would make Lance most comfortable - she truly doesn’t know what would help him best, but she can be there to provide support at very least, regardless of where they are. At the end of the day, Lance would probably know where he’d feel most comfortable, so when she approaches him to talk, saying that it’s an important but private conversation, she’ll ask him where he would rather talk. He’ll be slightly hostile, especially when he picks up on the fact that she’s going out of her way to word things carefully and prioritize his comfort, but he’ll decide to talk somewhere private outside the guard, where no one is around.

And that’s how Huang Hua finds herself in the middle of the open plains, far away from the guard to talk to a dragon who might as well be stabbing himself with his own dagger with how he’s been allowing himself to feel as of late. She’ll start off gently, telling him the recent concerns of a few anonymous guard’s members and Lance will stand a few feet away and listen coldly with a blank expression until she suggests that he take a few days off. He’ll debate things with her then, and it’ll escalate slowly until Lance is clearly distressed but still unmoving in his decision to remain active, and Huang Hua will know then that she can’t be gentle anymore...

“Lance, take a few days off, for your sake.”

“No.” His tone is harsh and cold as he snaps at her. “The guard needs me, there’s so much I need to do - so much I need to repay-” He didn’t mean to let that last statement slip - after all, his actions certainly couldn’t be made up for, right? - but emotions can be a powerful thing, can’t they?

“You won’t be able to do any of that if you’re destroying everything you’ve helped rebuild in the process.” Lance is pacing, keeping his eyes trained to the ground. Huang Hua - despite her anxiousness at the dragon being so stubborn on decisions made under heavy negative emotions - tries to keep a comforting, open atmosphere to avoid furthering any issues. “You know the pain you’ve cast upon on others, you’ve felt that same sort of pain now and you need to take time to be able to recover from that.”

“I can’t take time, it’s not something I can just accept! Everyone I’ve hurt before never had time to accept the situation before I made it worse, but they still pushed forward! There’s no reason for me to have it any easier!”

“And where would we be if we treated you the same way you used to treat the world? Would we be any better than how you used to be?”

Lance stops pacing but his eyes remain on the ground, his throat constricting as his thoughts run rampant. Would they be the same as how he used to be if they allowed him to keep running himself this way? He’s done terrible things, but he’s spent many years trying to keep that from happening again. Certainly he’s an asset to the guard now, so would it be cruel of them to ignore his distress? Or would it be justified payback for everything he’s done?

“Lance, you’ve done wonderful things the past seven years, and we want you to continue that and I know you want to continue that as well. Take some time off so you can do that without destroying yourself or your environment. Don’t ignore your pain like it’s nothing - it’s not nothing, and you have the resources to deal with it in a better way now. Use those resources, Lance, it’ll help you work your way through this.” Huang Hua’s tone is gentle and soft as she pleads with him, hoping that her blunt words will reach his common sense.

He tries to argue this, stuttering the beginning of sentences to try and disprove her point, grasping for any reason as to why his pain is invalid. However, Lance finds that there’s no sound argument against Huang Hua’s words, and constricting panic, horror, and then heavy tides of grief will hit him as he realizes that he is, in fact, dragging himself into his own downfall. He is his own worst enemy, once again.

In any manner, this is all his fault - his past actions, Guardienne’s distress of what’s changed that lead to her death, his emotional isolation, and disruption of the guard is all because he doesn’t know how to deal with himself and his abyss of emotions. How did this happen to him? He was never the type of person to deny and hide away his emotions, so how is it he ended up caging himself like this when under personal grief? Is it because the situation is so personal to him that he has a hard time allowing himself to seek comfort in others who likely couldn’t understand?

Lance will fall apart at this, closing his eyes and turning towards the ground to keep himself together, but falling apart all the same as grief overwhelms him one final time in a push that throws him over the edge. He’ll clench his fist and bow his head, bringing it over his mouth as he desperately tries to steady his breathing, to no avail as tears find their way from his eyes and his chest heaves in quieted sobs. 

Huang Hua will lurch forward to comfort him, but stops as Lance whirls around to step back and snap at her - he didn’t want comfort, he wanted her back!

“Where were you for her!? Why didn’t anyone else see her pain!?” His eyes are tragedy and desperation underneath the weakened cold anger of ice blue, a faint few tears streaking down his face as his voice - thunderous and howling - cracks and breaks alongside his crumbling rage. If he couldn’t have fixed this, then someone else could have - why didn’t anyone fix this!?

“You know it’s not morally correct to monitor everyone’s private emotions all the time. What kind of leader would I be if I didn’t allow my people their privacy?” Huang Hua stills and clasps her hands together at her waist, understanding Lance’s outward anger. However, she realized his statement signaled something else as well; Lance could no longer fight why he should allow himself to grieve, so he was desperately clinging onto some semblance of needing to be distant by turning it to be someone’s fault - someone that he could hate.  “You are right in a way; of the many people who knew her, someone might have been able to catch how torn up she felt, but people who wish to hide their pain, or spend so long hiding their pain that it becomes a part of who they are, learn how to hide their pain in ways too complex for others to realize. And, Lance, if she didn’t want anyone to know about her grief, there wouldn’t have been much that I could have done anyways.”

“You could have helped her!” The dragon’s voice was weakening as he spoke, distant anger being replaced by a cold, hollow emptiness as he realized the truth in Huang Hua’s words.

“Only if she was ready for that help. You can’t force someone to accept help, you can only wait for them to allow themselves to be helped.”

“She wouldn’t want me to find relief during this time...” He looked away toward the ground and hung his head, blinking rapidly as he began to heave for breath. There must be a reason why he shouldn’t be allowed to feel this way .

“Do you think she would have wanted everything good you did - whether she knows what you did or not - to be destroyed because of your grief for her?” Lance’s eyes squinted closed and he tilted his head a bit further away from the phoenix. It seemed as though every reminder of everything good he’s done continues to leave him with a hollow chest. “I think if she witnessed firsthand everything you’ve done the past seven years she would have thought very differently about you now than what she did when first having woken up from the crystal.”

Lance turns to face his back towards her, resting a palm on his forehead before brushing his fingers back through his hair as a tremble rolls through him. He could feel pressure rising from his throat as he bared his teeth in an agonized snarl before parting his mouth to silently gasp for air. His head tilted back to look at the sky, only for a few tears to fall from his eyes when he releases a shaky breath.

“Lance, your situation with her was very unique - no one else could begin to understand exactly what you’re feeling from your history with her. Take some time so you can understand it - and fix, or do, or feel whatever you need to - so you can carry forward knowing yourself better.”

He wanted to fight her statement, but his moral compass argued with his resistance on this as well. If anything, of whatever terrible things came as a result of her death, there should be some good sought from it as well. What’s the point of accepting a tragedy if not to learn something from it as well, even if it’s something quiet that no one else knows you learned?

For the first time in a long while - if not ever - Lance allows himself to break and be comforted. He lets himself embrace the burning, stinging pain that rises in his chest as he turns his head back to the ground and collapses on his knees. Huang Hua immediately reacts and is by his side in moments, on her knees and laying a gentle hand on his shoulder as she leans against him slightly. Sobs escape his throat as his body tenses and curls forward slightly, bracing a hand on the ground to steady himself as tremulous waves of emotions - any and all emotions that could possibly be named - wash over him and leave him gasping for air.

“I miss her, too.” Huang Hua’s voice shakes now as she leans further against the dragon, bringing her arms as far around him as she can while her head rests against his shoulder, away from the spines on his pauldrons. Lance brings his other hand up and tightly grasps the forearm reaching across his chest.

Huang Hua had spent so much time trying to help others through this that she had completely forgotten to make sure she was alright as well, and seeing Lance - the man she least expected to be torn apart by this situation - completely break and fall apart before her eyes reminded her of the true depth of their loss. They didn’t just lose Eldarya’s savior, they had lost a friend, a great warrior, one of the last angels, someone who was pure at heart and wasn’t afraid to face the darkness of life without so much as a blink of hesitation. They had lost someone who gave everything for the world, and suffered because of it.

Minutes merged until they were unsure of how long they spent in the fields, but in time both of them calmed down. Lance - now able to think clearer on the subject - began to reflect on the situation.

“This wasn’t her fault... the blame is on all of us, for not having seen anything... but she must have known that someone would have been there for her if they knew how much she was hurting...” He murmured this quietly, waves of shame washing over him again as he realized he was perhaps pinning some of the blame on Guardienne. Was there really anyone to blame here? She must have known that someone would have been there for her if she sought help, but it’s not right for others to pry into the personal life of another if the intrusion is unwelcomed, and who was to say she wanted help in the first place? Had she given up? Would anyone have been able to stop her to begin with? Who was to blame, if there was anyone?

“There’s nothing we can do now except honor her and move forward.” Huang Hua whispered back with a shaky voice and Lance faintly nodded his head. There were many things that worked together to lead to this happening, and in between there also were moments where something could have helped deter it, both by her doing and by others. At the root core, everyone and anyone could have helped stop this in some way, even if it was by giving her a small passing smile that could have helped remind her that there is good and hope in the world, but there’s also no guarantee that anyone could have stopped it. Regardless, this is how things happened. They can’t change the past, but they can move forward with her in mind and learn from this.

Lance - despite his heavy grief and complex emotions on everything - begins to soften himself to the situation. He’s not the only one grieving. His situation may have been the most complicated, but he’s still in the same boat as everyone else. He doesn’t feel the need to sob alongside the others anymore, but he does find that whenever the group he’s in begins to fall apart into wailing, he’ll bow his head and won’t hide the obvious pain that he’s in at the reminder of his lost love. His feelings for Guardienne will be kept quiet, and he won’t openly say how he felt about her - it could still be seen as wrong in the opinion of some people for him to have fallen in love with the same woman he hurt so much, especially knowing her pain is what led to her death - but he won’t deny the truth of his feelings to those who caught on somehow. Lance will find that he’ll slowly begin to mend after this death, many months after of course, but it’ll happen, and in some ways this will help him move past his brother’s death as well. After all, in the end both Guardienne and Valkyon came to accept their final moments in life before allowing Lance’s past actions to bring about their end, and although one chose to die to help mend him and the other chose to die to help relieve herself, the root issue of the situation that led to their death was still very similar. He’ll have a hard time allowing himself to move past the fact that his actions played a major part in both deaths, but he realizes in time that that’s what happens when someone has a violent past. It’ll haunt for many years, and the effects of it can never be reversed, but in the end this only inspires him to work harder to provide a better world. Maybe he can’t erase what he did, but he can make sure it doesn’t happen again and work to provide Eldarya with as much good as he can provide now.

Without a doubt Guardienne’s death hits him hard, but he’ll be sure to come back twice as strong from this.

I hope you like this, Anon! I feel Guardienne’s suicide would definitely hit Lance hard and remind him subtly of Valkyon’s death, but I don’t see Lance being held down by this for too long. He’d heavily grieve for her for a good while before he eventually finds himself standing on two feet again and powering his way through life, if not for his own sake then for the sake of others, both alive and dead. 

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[giggles-and-freckles]

i don't know if any of you are familiar with the concept of 'enneagram types.' if you're not, you can check it out here. lots of fun stuff to click around and read about if you're interested in what this even is. but i've been thinking about it in reference to some of our fave sw pals and have decided to do some character study via enneagram. first up: anakin skywalker in all his angsty glory.

Anakin Skywalker

Eight--The Challenger

Basic fear: of being hurt or controlled by others

Basic desire: to protect themselves and their loved ones

Anakin is an eight. Everything for him comes down to power and control. I believe his childhood as a slave is what really impacts this. He lived his entire childhood under the control of another and wanting to get out. Then, he found that freedom and essentially came under the control of something else (this is not to say that the Jedi Order actually functions as a slaver...but I think Anakin perceives it as that on several occasions). After the fall of the Republic, he becomes a slave to Sidious and the Dark Side. I would argue that the only time Anakin is every truly free is in his death, when he makes the completely independent decision to kill the Emperor. That dialogue between Luke and Ani is really telling, in my opinion.

“I’ll not leave you here. I’ve got to save you.”

“You already have, Luke.”

Because that’s all Anakin ever wants, really. He wants to be saved. And he never quite understands that only he can save himself. This power complex is very aligned with an eight. He so desperately wants control...but so easily falls into bondage over and over again.

Eights commonly have a childhood trauma or Moment that “flips a switch” for them. It takes their innocence once and for all and replaces it with a hardness that wasn’t there before. I think a lot of arguments can be made for this. Perhaps it was some unseen moment offscreen prior to The Phantom Menace. Maybe he watched a fellow slave die. Maybe he watched his mother suffer in some tangible way. Maybe it happened between TPM and Attack of the Clones. But for the sake of this analysis, I’ll use the Tusken Raiders as the Moment. We see it affect him in all the ways one of these “loss of innocence” moments for an eight normally does. It’s a game-changer. In canon, it’s Anakin’s first touch of darkness. In the real world, it’s him dealing with insurmountable pain and suffering. Interestingly, we see that this “loss of innocence” directly counters the basic desire of an Eight, as well. Protecting self and loved ones. He fails to do that. He watches the one he loves the MOST die in his arms. Which--for an eight--is the ultimate form of pain. To lose a loved one feels like personal failure. You LET them die. You LET them suffer You could have SAVED them. But you failed. We see Anakin deal with this onslaught of emotions and then...we see him take action.

Eights are a part of the gut triad. This means before they think with their head or feel with their heart, they act with their gut. Their impulse. I don’t think anyone would dare to make the argument that Anakin leads with his head (sorry buddy...but you are Himbo Certified), but I can see arguments for Heart. My only real counter here is that the two greatly influence each other. And we see him ACT in tandem with his feelings. He doesn’t just sit in his emotions and mope. I’ll continue to use the Tusken incident. Immediately, without any hesitation, he acts on his anger. Anger is not a primary emotion, it’s secondary. I’m not in Anakin Skywalker’s head, but as an eight...I feel like I almost see where he’s coming from, even in his worst moments. Doesn’t mean I agree or that I would partake. But I understand (and it hurts me). I see so much fear for him. Fear that he’s not as strong as he wants to be, fear that he wouldn’t be able to protect other loved ones if something like this happened again, fear that he’s weak when it really matters. Like when the time comes to protecting loved ones. That’s why everything spirals so fast with Padmé. He immediately gets put into that fear mindset. That “weak” feeling of “I can’t do it, I can’t save her…..but I have to.” That conversation between the two of them on Mustafar is evident of this. “Love can’t save you, Padmé. Only my new powers can do that.” Because that’s what it comes down to for Anakin. His worth lies on his ability to save himself and the people he loves. That’s why his perception of love becomes very selfish. He begins to care about the act of salvation more than the person them self.

One of my favourite moments is the classic “this is where the fun begins.” It’s such a silly quick moment but it’s so revealing of Anakin’s character. Eights feel adrenaline like no other number. Their vitality is completely based in their ability to turn their raw energy into something GOOD. For example, doing dangerous dives and spinning (because it really is a good trick) for the sake of the Republic. It gives Anakin a sense of “YES! See how good I am? See how I’m using my aggression and strength for good?” Especially important for someone who has committed atrocities and inspired destruction. To turn around and use that energy and skill for good? That’s invaluable. I think that’s a reason Anakin fails to see the hypocrisy of the Republic.

“What if the democracy we thought we were serving no longer exists, and the Republic has become the very evil we have been fighting to destroy?”

“I don’t believe that. And you’re sounding like a separatist.”

When Padmé merely questions the point of the war he so immediately snaps back and makes it a personal betrayal. He’s so quick to turn down the slight implication that he’s fighting for the wrong side. Eights are all about sides. All about choosing. Anakin can’t begin to consider that maybe his Side isn’t so altruistic. It would crumble at his very core. This is where the Challenger (the moniker of an eight) comes in. They love to challenge the world around them but absolutely cannot handle when someone else is challenging it in contrast to them. Well...an unhealthy eight anyway. Healthy eights see the importance of contrasting beliefs and the power of refining conversations.

Eights want to ‘leave their mark’ on the world.

“I’m not the Jedi I should be. I want more. And I know I shouldn’t.”

This plays into the ‘deadly sin’ of an eight. Lust. This isn’t explicitly sexual (though I guess it can be, at times). It’s more of a desire for MORE. A need for more. It’s all about that power and control. An eight never quite feels satiated...at least not in their unhealthy state. Which Anakin invariably is in. An eight is always seeking things to satisfy them. Through people and power.They’re not concerned with the actual accomplishment, in the societal standard. Before Anakin is granted a seat on the council, we never see him express a desire to even have it. It seems like that’s completely a Palpatine thing. I can’t help but put myself in Obi-Wan’s shoes there. Seeing Anakin’s overreaction and wondering where it’s coming from. Because Anakin has never seemed like he wants to be on the council. Quite the opposite in fact. His tantrum about being denied the rank of master is really evident of the stake Palpatine has already dug into Anakin’s mind. Ann eight’s desire is personal. They don’t care if they have the top title or the most power from the POV of the world. They worry about their own standards. Which is difficult because we never quite manage to meet our own standards and end up in a lot of disappointment. Anakin holds himself to a hard standard. Obi-Wan, Padmé, and Ahsoka all seem to recognise that in him.

“But be patient, Anakin. It won’t be long before the COuncil makes you a Jedi Master.”

“To be angry is to be human.”

“Maybe, but I have to sort this out on my own. Without the Council and without you.”

These encouragements are so unique because they ground Anakin in a very human way. They hit at his insecurities and remind him it’s okay. He doesn’t have to be all-powerful or perfect. Which they know he needs to hear because he can’t quite recognise these truths on his own. He needs the emotional coddling. Unfortunately, in these moments their words aren’t enough. Each of these conversations is characterised by impending sadness.

Eights are seen as the bravest people. I think this aligns well with what we know of Anakin. He has little to no hesitation when putting his life on the line. He volunteers for the most dangerous missions. Doesn’t bat an eye at horrific scenes. He’s willing to do the hardest and scariest things. He’s brave. He’s determined. When talking about Ahsoka, he says “no one has her kind of determination” to which Plo Koon immediately responds, “Except for you.” But this is such an interesting part of an eight to me because I believe eights are actually the most fearful of any number. Because what they fear is fear itself. They are so horrified at the prospect of being afraid it becomes almost dangerous. They will do whatever they can to mask that fear. Which is what puts a lot of eights into that anger reactionary position. A sort of ‘people can’t know I’m scared if I’m the one scaring others’ sort of mentality. The bravado, the courage–it’s all a facade to hide the fear that eights very uniquely do not feel qualified to experience on even the micro-level. It leads many eights to become dictatorial in the way they love others (which isn’t really love at all in the end). Pushes eights to commit atrocities in word or deed all for what they consider to be the ‘greater good.’ They push and prod at the lines a normal person knows not to cross. Not only do they cross them–they plow through them, hoping that it causes enough of a scene to distract from the fact that they’re just like everyone else. In fact, they’re even more vulnerable because no one has taught them how to exist in a state of need. No one has showed them how to ask for and accept help. Instead, they bottle it all up over long periods of times, releasing small bits in dramatic bursts of energy...until that line is crossed and all bets are off.

The goal of a healthy eight is to find a way to channel the aggression and drive into being the ultimate helper and advocate. Unfortunately, Anakin doesn’t get to this until the very end of his life. His fears guide him down a path of darkness. And we see him mask that fear with anger and hatred over and over again. That’s the way of the Dark Side so it’s no wonder it was so appealing to someone who had already been doing that without proper teachings. Anakin Skywalker had the potential to be one of the greatest forces for good in the galaxy. And for a split second at the end of his life, we see him do just that. It’s all the moments before, though; when he chose fear and anger and lust over and over again. Shoving strength and bravery into the vacancies of emotional competency. Until it all became too much.