#Another one of my sketches I finally colored

[tomyo]

I just realized it's been nearly a month and I haven't reported back to the western Soul Eater community the live experience of the Soul Eater Exhibit so here's what I got for you!

First of all, these are taking place at Animate stores and if somehow you think you can make travel plans within the next month or two, there is a third showing in Kyoto happening in January. When entering you are given a random shikishi board and if you paid extra you also get a sweatband (but I did not). I went with a friend who happened to live nearby who helped a lot with getting tickets but they were at the door available as well.

The entrance was a small area that featured the main promotional image and the Excalibur floral display replicating the one in the manga.

Beyond the entrance there was no video allowed and at certain points no photos allowed. Mostly at the end where there were a bunch of Shikishi boards with signatures from staff and voice actors.

What I didn't realize from pictures is that the manga pages shared are the original pages showing all the techniques and mistakes on page. I wish I could share them all but Tumblr is not the place for that. The one I did want to share is a page where presumably Ohkubo and an assistant played tiktaktoe and made and aiaikasa for Renton and Eureka from Eureka7 which was also being released in Shonen GanGan at the same time.

Not all pages of the series were shared and it was more favored to the first half of the series with different section to highlignt characters and story beats. The first main area was after the first curtain (photo above) had Maka's scythe and a copy of each volume hung up on a side wall. You then go through a set of curtains with souls on it into a large space that had the main pairs and additional charactera from the volume art blown up with the corresponding introduction chapters. This is the space with the replica of Shinigami-sama's room. This led into a hall featuring Crona and had a decal of Crona and Maka's shadows holding hands on the ground. Then there was the Excalibur Wall. My memory after that is a little fuzzy because I was distracted/self conscious(Was very amused by another pair as the clear fan explained the series to her friend); if I remember right there was a second hall showing the brew arc then Black Star's final Mifune fight and then a corner space representing the Arcane fight with a blown up decal of Maka in her black blood dress. The space didn't feel like people should walk in it, there was a thin foam on the floor and words from the panel dangling down so you couldn't really see much of the art. Early spartoi passes by really fast in favor of a wider hall with the killing of Medusa; pages on the right with corresponding blown up art on the left. At the end was a giant wall featuring the moon. Then it the pages of the final fight and the display ends with curtains showing Maka and Soul diving into Asura's black blood to find Crona.

The major bit at the end is there is a fully voice acted section of the final chapters of Soul Eater with the manga pages manipulated to it. The motion graphics weren't crazy amazing, about what you'd expect out of a storybook style pv. You were not allowed to take photos or video of this section. So a whole voice recording of what the finale of the manga could sound like could become lost media unless it's released somehow. There's a small final room showing the pages of the final chapters art. A large acrylic display of the meisters in their final character evolution that's backlit. A final space shows off the colored art, the originals if the were done traditionally. There's a small selection of new art, really long piece. Ones that has the og cast and the not girls which probably was during the not era but I don't remember ever seeing it. And then a spread of Spartoi plus Not. Liz and Tsugumi have the best fits in it but I feel a lot of people will like Crona's shirt best. Ohkubo signed a print with a sketch of Maka at the end alongside the two pieces that he love drew on the opening days. In the same space is where the signature shikishi boards were. I was extremely sad that I couldn't take a pic because one had some sort of Maka that was gorgeous but we speculated that it was to avoid signature fraud.

After that you took the stairs down to an extremely tight store. I realized too late that there were no photo signs however it feels like I'm missing some pictures I had taken from my gallery.

This is where I'm gonna be hella real, I do not fucks with Ohkubo's Soul Eater art in recent years. I saw a guy on Tiktok standing by it was his Twitter sketch style but that doesn't work for me with official products. From the perfect edition cover art, to the exhibition special art, to the two??? new pieces for the encore art book; it all feels extremely sloppy in terms of linework, posing, and proportions. If someone were to tell me it's a result of burnout, I would respect that easily but none the less I did not buy anything with the exhibit art on it (sans the pamphlet) more grab the art book. The art book is probably not worth it either unless you weren't able to grab the previous ones. I probably will eventually get it when the English one comes out next year and I probably would've saved money if I bought it while I was there but the weight wasn't worth it and I had in fact spent ¥42,000.

For all the things I did buy, I do regret not picking up some items; an art board from the other artbooks, the sticker set A, the mini towel, and one additional set of the cookies and coffee but as seen above I grabbed a lot and felt pretty aware I had a full basket compared to everyone else. You could also only make one purchase per a ticket and sadly only one commemorative bag per a purchase (I still ended up with two due to my friend). The final thing that you may want to know is the quality of said good; the plushies are worth it simply for existing but could've been higher quality, the ¥7000 (roughly $50) hoodie I bought was extremely thin and has shed so much from the inside that I have yet to wash it in fear it would disintegrate (I'm being slightly dramatic but I truly fear what will happen when I do), and while I did not buy them I did see the in person versions of the made to order items; the skate deck was a proper translation but didn't look particularly nice considering the simplicity of the design and the Soul Jacket was worse than cosplay quality made out of a really thin poly that didn't hold it's shape. ¥18700 yen is about $120 USD right now which is already way too much for the quality but keep in mind the buying power is equivalent to roughly $190. If you want Soul's OG jacket then I would best recommend customizing a real varsity jacket, followed by finding a used one of the original great eastern release, followed by what ever streetwear brand version of your choosing because while they might have inaccuracies, they will at least have ribbed trimming. I know I'm ragging on this pretty hard but I want to emphasize that it is an item you are not missing out on in case you feel the need to proxy order one. The most worthwhile items will be the plushies and food goods, and from there O would call the general Osaka added goods nice. Initially I was not impressed with the acrylic blocks but in person they had nice dimension. Any printed good outside of that is your own discretion albeit I don't think they're particularly going to be high value items in the future.

The final final part is I found out the day before there was a wrapped train for the show. Honestly a higher honor than I expected for the series. However the night before was spent at an Onsen a good distance away and the day of was a downpour so I sadly did not witness it as it would of likely been an effort to find.

I think that's all I can give towards the experience in writing but I will include particular sights in subsequent reblogs.

[virtuallyindubitable]

[wasyago]

tinkering :)

[imjustspacetrash]

Some fanart for a fanfic that I love! Honest Man by girlpigeon. I'm obsessed with their fics (babe wake up, they just dropped a new fic for serirei week 2024).

Here we have my visual interpretation of Reigen's sister and brother-in-law! Love how they are written in the fanfic, they are so canon to me now, this is how I imagen the Reigen Family to be. And I love the Reigen's dyed hair detail!, I headcanon that his original color is his manga colors.

My Carrd

[mitchmotch]

my friend @revalito and i made an anastasia inspired au =]!

[ichorblossoms]

everyone clap for me i finally finished lining this three-page comic after. eight months

[art]

Creator Spotlight: @mimimar

Hi! I’m Michelle (Mimimar), an illustrator born and raised in Venezuela, currently based in Italy. I enjoy making colorful illustrations that reflect the things I love: fairy tales, fantasy, tenderness and queer (especially sapphic) stories. Occasionally, I also make paper dolls, comics and animatics. I have a lot of interest in book illustration and I’m currently developing my own stories that I hope to share as an author-illustrator someday!

Check out our interview with Michelle below!

Did you originally have a background in art? If not, how did you start?

I always enjoyed drawing when I was a kid, but it only became a hobby that I did almost every day when I was around 11. At first I only used traditional mediums, but I decided to make a serious effort to learn how to draw digitally when I was 15, and once I got the hang of it I never stopped!

I didn’t go to art school so all of my learning was done through studying the tutorials and resources that other artists generously share on the internet and lots of practice / trial and error.

How do you want to evolve as a creator?

I want to do many things but what I want to do the most right now is work on books! I want to make art for other authors’ stories and also my own stories as an author-illustrator. I want to grow as a storyteller and create art and stories that will really resonate with people emotionally. I’m always striving to improve my skills as well.

I also really love dolls, so working on doll box art or as a doll designer is something I would love to do someday. I actually have been designing paper dolls on my Patreon for the past few months, it’s been a fun project that is still ongoing right now!

What is one habit you find yourself doing a lot as an artist?

Probably using a lot of purple! It’s my favorite color so I find myself using it a lot. If I can find a way to sneak a little bit of purple into an illustration or a character design then I will.

Congratulations on finishing your Ivy Comic! Did the outcome turn out like how you expected or were there some unexpected bumps along the way?

Thank you! It’s a project that I worked on very slowly in between other art because I wanted to really take my time with every spread and make each of them a fully detailed illustration. I thumbnailed the full comic before starting but I kept changing the sketch for the final spread until the very end! Overall I’m really proud of the end result. I sprinkled a lot of hidden details in every page that I hope some of the readers will notice. For example: the meanings of the flowers in each page represent what the characters are feeling in that moment, and the colors of their wardrobe become gradually lighter as the story progresses to represent their emotions, as well as the changing of seasons.

We’ve noticed that you have created some amazing cover art for TGCF. Is there another series you would like to do something similar with? 

That was another passion project that took some time to complete. Initially, I didn’t intend for them to be specifically covers, it was just a series of illustrations based on the 5 books/main arcs of TGCF. But since they were well-received and I had people telling me they wish they could use them as covers for their books, I decided to rework them into dust jackets for the english translation of TGCF!

I haven’t thought of any other specific series but I love doing cover art so maybe I’ll do something similar again in the future!

What’s your favorite part of your style? Why?

I’ve heard from other people that there’s a delicate quality to my art, this is something that I like a lot! I like pretty things, fairytales and vibrant colors. I think all of these things probably reflect in the art I make as well.

If there is one thing you want your audience to remember about your work, what would it be?

I hope that they remember how it made them feel. Feelings and colors are the two things I give priority to in my work. Most of the time I like depicting tenderness, softness and emotional intimacy. If that could reach the viewer and stay with them it would make me very happy. 

I make a lot of art with queer (mainly sapphic) themes because they’re the kind of stories I personally like and want to see more of, so whenever people tell me that my art has helped them in their journey to discover and accept themselves, or that they see themselves and their partner in my art, it is always extremely meaningful to me. When art that I made to give myself comfort can provide comfort for others, no matter how small, it reminds me once again that despite any hardships art is genuinely worth pursuing.

Who on Tumblr inspires you and why?

So many artists! To name a few:  I love @sakizo’s amazing eye for fashion and detail,  @paneeps’ gorgeous style and striking colors,  the sweetness of @bevsi’s art,  @vickisigh’s pretty colors and concepts,  @idledee’s warm and heartfelt art,  @littlestpersimmon’s dreamy wonderful art,  and @loish has been an inspiration for as long as I can remember.

Thank you so much for stopping by and sharing, Michelle! Be sure to check out their Tumblr blog over at @mimimar.

[choochooboss]

Submas Sketchdump Vol. 4 July 2022 Part 2!!

I knew that particular month beat my all time record for productivity multifold but I had forgotten SO MANY PIECES from the original collection!! I think I finally got them all?? More stuff under the cut!!

BREAKMAS!! WIP of the first piece I posted of them, here's the link to the final version! I tried coloring this first but the black & white had ultimately more impact so I went with that!

TRAINS!! I like this base color version too! Link to the final version!

The top sketch is a direct reference to Cluedo! A spinoff game, "Missingo", starring certain familiar characters trying to figure out what happened to Ingo/trying to prove their innocence in the case! Also WIP sketches for these two Breakmas comic pages!

As you may know I adore butlermas! For the classy and stylish look which appeals to me in general, and coincidentally I had played PLA & got hit by submas train only one week before butler Ingo's banner rolled out! The pure bliss of finally meeting both twins in a game I felt was incomparable!! This moment in the Curious Tea Party event was really entertaining to me! We got to see submas get serious and stand up against this selfish collector thief! Two towering train twinks with commanding voices looming over the unfortunate guy was enough to make him change his mind ahah! They truly are the protectors

1-hour submas challenge prompt "Descend"! This is the actual one hour result before I continued rendering this!

Mmmmm not my first attempt at drawing them hug and definitely not my best OR last. I want to make that moment something very special when I finally go all out on it!!

Comic cover vibing~

The scrapped last page for this silly comic! Sorry the dialogue is all over the place on the first piece, might be hard to read! I wasn't happy with how I presented Elesa, I wasn't familiar enough with her character back then so I thought of her carrying a toy taser to threat her friend even as a joke was too much and I couldn't come up with anything else for it. This held me back from posting the other three pages for another 5 months! In the last panel

I prefer to not mess up the twins too much but my brain is still very curious and conjures some peculiar stuff like this sometimes.. I think I may have broken his arms there looking at the anatomy, ooops! I hope you don't mind the photo quality or the two weird guys in the corner, they escaped containment!

Idea of warden Ingo, being projected to modern era by his Alakazam, walking through crowd on a train platform & Emmet standing inside a passing train. Their eyes meet for just a few seconds...

Pokemas Ingo practise!

Another WIP of a piece I posted! I started this piece like this but then later I decided to flip the whole thing.

YET another WIP of something I already posted! No idea why I went and mixed up his suits but I like this sketch! They rarely end up looking this clean haha

Sketch version of the self-defense practise piece! I love getting creative with action stuff! I barely ever think of how difficult they are to draw, I just get so excited and fixated on visualising the scenes in my mind I just keep at it, pull out refs and pose in front of mirrors until it looks good to me! I want to draw more action scenes but besides being challenging to draw my brain comes up with more silly and cute ideas than cool ones unfortunately ahah

One more WIP, here's the link to the final results!! I really like how genuine their expressions look here even if the faces are a little off. I recall spending a long time figuring out this perspective. I thought it would be fun to you to see how all these pieces started and... looking at the sketch above and the stuff before that, you can compare some range of my style!

RANDOM SUBMAS MISSILES GO

OHHH looks like some nasty passengers got the best of them!! If I recall correctly there was no fight because they managed to paralyse the two before they could act. Fully awake yet completely helpless... how convenient unfortunate. Thank you so much for checking these out!! Not every sketch is that exciting but I'm always happy to hear your thoughts on these!

Previous posts: Sketch dump Vol. 1: April-June 2022 Sketch dump Vol. 2: July 2022 Sketch dump Vol. 3: August 2022

[acewithapaintbrush]

Saw @artsymeeshee hospital sketches of the sea grunks and thought to myself, is this finally my time to write some brotherly angst for these two? The answer is yes. Short but sweet, please enjoy.

******************************

The first thing Stan becomes aware of is the noise.

A constant beeping right next to his ear. Loud and high-pitched and repetitive and unfortunately very familiar to an old grifter with bad luck like him. He would be a lot more annoyed with this sound if his last clear memory wasn't of roaring waters rushing past his ears, stealing his hearing and leaving nothing but white noise behind.

He'd rather take the beeping.

Next comes taste, which, ugh! He could have gone without that! The feel of scratchy sheets is not much better but it tells him that he is in one of the better hospitals. Believe it or not, the better the hospital, the scratchier the sheets. Ford should cool it with the mystical beasts and research what's up with that!

Speaking of Ford.

Stan keeps his breathing even as he slowly opens his eyes. The light has been dimmed in anticipation and he blinks a couple times at a ceiling that is painted a nondescript beige color. He looks at it for a moment and for some strange reason he suddenly feels a fierce urge to video call Mabel.

But first things first.

Stan slowly turns his head to the side which actually hurts. Don't they have him on the good stuff?

Just as he expected, there is his brother. Ford has squeezed himself into the same bed as Stan, facing his brother's prone form. Stan can't help but smile. His brother must have bullied the nurses into letting him stay. The bed is way too small for two grown men but somehow the genius has managed to practically fold himself into a compact ball, leaving enough room for all those fancy machines connected to the patient. One of his hands lightly rests against Stan's chest which he hasn't even noticed until now.

Ford's eyes are closed but he is mumbling under his breath, reciting one of his journal entries from memory.

Stan winces. His brother must be really rattled by this little mishap.

‘Great job giving the guy another thing to worry about, Stanley!’

“I think climbing into the hospital bed with the patient is against the rules, Sixer? You are not supposed to do that.”

He was going for levity and humor but his hoarse voice kinda ruins that.

Ford's eyes don't snap open. He doesn't gasp or jerk upright or anything like that. Instead he takes a shuddering breath and deliberately opens his eyes. They find Stanley immediately and there is not a hint of surprise in them. Stan wonders how long Ford has known that he's awake.

“Same to you,” Ford says and his voice is so flat it causes a shiver to run down Stan's spine.

“Hey, s’not like I planned for this to happen.”

“I would be very cross with you if you had planned falling overboard, Stanley.”

Ford's emotions still feel weirdly flat. He isn't even lecturing and scolding Stan for his reckless behavior, just presses his six-fingered hand against his chest and stares at him with those blank eyes.

“I'm alright.” Stan shifts so he can face his brother and, damn, those ribs are definitely cracked. He briefly wonders if that happened in the fall or whether someone had to do CPR on him and quickly decides that maybe he doesn't want to know. Close call. Much too close. “I'm alright, Ford,” he repeats as if that makes it true.

For the first time an emotion flickers through Ford's face. He narrows his eyes and for a moment Stan thinks he's angry but then a single tear runs down an unshaven cheek, immediately seeping into the pillow.

“I thought I lost you for good,” Ford whispers, voice tortured. “I couldn't find you. For the longest time. I looked and I looked and you were just… gone. I couldn't find you!”

‘Same to you,’ Stan echoes with a bit of a bitter edge, mind replaying thirty years of hunching down in a dusty basement in a matter of seconds.

But this is not about him and Stan is, no matter what some might want to tell you, not an insensitive asshole.

“You did find me,” he says. He doesn't actually know if that's true. The time after he fell into the ocean during that storm is still a bit of a mystery to him. All he remembers is the noise of the water and how cold he felt and a voice screaming his name, over and over, growing fainter with each wave crashing over his head.

But Ford needs some reassurance right now. And the best way to reassure Ford that Stan is alright is by proving his alrightness with a good, old Pines hug.

He lightly pulls at the hand on his chest and with a cut off gasp Ford immediately obliges, scooting closer until they are entwined with one another just like they were as kids when the nightmares became too much to remain separated by a bunk bed.

“You found me.” Stan repeats and ignores the tears soaking into his hospital gown.

‘That's what we do,’ he thinks with a content smile, eyes falling shut with exhaustion. ‘We always find each other again.’

[transformersxreader]

Imagine being a famous opera singer across Iacon city! (TFOne Reader insert)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

~(Y/n) who loves to sing her spark out to all the citizens of Iacon city, (Y/n) who gladly performs for her primes.

~The primes enjoy (Y/n) singing voice, they could listen to her all day and talk poetic

~(Y/n) being the nicest bot that anybody has ever meet, welcoming all to see her performances. No matter who they are

~(Y/n) who changes her amor styles like padme from Star Wars, but mostly wears her yellow mix orange amor (☝️The one in the sketch above)

Here are some example vids of what (Y/n) would sing like

~After another perfect performance for the primes, (Y/n) meets an odd yet charming fan.

“(Y/n) a pleasure to finally meet you, the names sentinel~ love your work~”

The blue bot grabs (Y/n) hand pulling it up towards his face to kiss it, (Y/n) smiles trying to be kind about his actions

“Thank you sentinel, very nice to meet you.”

~Some time has passed and the sad announcement of primes death facing the quintessons, ending the war making everyone believe they have won. Not knowing that sentinel betrayed the primes working for the enemy to gain power over cybertron. Making him the new prime of cybertron their “savior”

~(Y/n) was saddened with the news of the primes death, but due to the victory over the quintessons it was called a celebration from the new prime.

“(Y/n) there’s someone here to speak with you.”

(Y/n) looks up to the mirror reflection to see one of her assistant that helps her throughout the day, but doesn’t look back,

“Tell them I’m not seeing anyone today….”

(Y/n) looks down covering her face, before the bot could say anything. A large figure pushes into the room, (Y/n) hears standing up turning to face whoever came in.

“I’m sorry I’m not seeing-“

There stood sentinel.

“Sentinel?”

Sentinel smiles and walks closer to (Y/n), grabbing her hand pulling her closer to him surprising (Y/n) by his bold actions.

“(Y/n) lovely to see you again, how you’ve been?”

(Y/n) was shock just as she was to reply she was interrupted

“Listen my dear, since our victory against the quintessons I believe a performance from you would really lift our citizens spirits up.”

(Y/n) was just lost at this point,

“Sentinel… I don’t-“

“Prime. Sentinel prime.”

(Y/n) flinch at his voice, (Y/n) not wanting more issues agrees to perform for the new prime. Sentinel delighted on (Y/n) agreement, stating that he will be excited to see (Y/n) perform for him.

Time seems to past slowly for (Y/n), After performing for the passing of the primes and our victory,

(Y/n) didn’t felt like herself, waving to the large crowd that applauded and cheered. Looking above to some of the balconies seeing sentinel prime and what seems to be his right hand bot, a very tall femme bot.

Both with smiles applauded for (Y/n).

(Y/n) gave one final bow to the crowd and walking gracefully off the stage to her personal dressing room.

Sighing in relief, she hums a low lullaby to herself. As she hums the room around her changes slowly, she removes a few pieces of her outfit. Changing into a new amor color.

(Y/n) was resting enjoying the free time she had before seeing sentinel again, looking out viewing the large city from a high building, placing another small energon cube into her mouth. Laying back to look up (Y/n) slowly closed her optics, finally feeling at peace.

Clunk-Boom!!

A loud crash startle (Y/n), waking her up looking around the room seeing a bit of dust, waving the dust away.

‘Cough’ ‘cough’ “ugh… ow my head.”

“And this is why I didn’t wanted to come!”

(Y/n) optics adjusted seeing two fingers, the two other bots didn’t seem to noticed her. They both continued their little conversation. The gray bot looks around then finally noticed (Y/n).

“Uh.. pax…”

The other red bot looks up to his friend and just as he was going to ask what’s the matter, the gray bot grabs ahold of his head making him face (Y/n). They three stood in silence, thinking whether or not to make a sound. The red bot smiles shyly slowly raising his hand waving.

“Umm hello.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Thanks for reading my friends 😊✨✌️

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[talietikasero]

fixed some detail and added gio and asuka into the mix

@oldgamecube wanted to see me try the 70s hb style after i told them of an art idea

[another file (sorta) mimicking the sd art]

[colleendoran]

How Do I Do Stuff

The question was phrased a little strangely, and I don't want to embarrass the person by posting exactly what was said, but I'll answer it and hope this clears everything up.

I do almost all of my drawing by hand. No, I don't trace in Photoshop. Not a judgment on those who do, but I come from a generation of artists who did not use Poser programs or other digital tools. We learned to draw using a technique called the Sight Size method. I know a lot of people assume everyone - including the old masters - traced everything using optical tools, but while it is true some people did, it is just as true that most didn't, and you can draw with great accuracy if you learned how to draw the old fashioned way.

Sight Size breaks everything down into its barest components of geometric shapes and you build from there. Once you learn it, you never forget, and it applies to everything you will ever draw.

I learned it using a set of Famous Artist Course books my mom had since she was a kid, and they are still the gold standard. They're often on ebay. If I were you, I'd buy them.

I actually find using figure reference really annoying because I like exaggerations and modifications from reality in my final work.

This page from Neil Gaiman's Chivalry was drawn and painted without figure reference of any kind.

I don't know why people assume I trace all the time. If you were to try to use photographs to replicate these figures, you would find they are slightly off. There is no tracing here.

This is not to say I never use reference. This page, for example, was referenced from a photo of my mother. Isn't she pretty.

But this page of Sir Galaad was drawn and painted without reference.

He's pretty, too.

If he were real, I'm sure a lot of people would be very happy about it. But he's not. And had I reference, the art would have gone a lot faster. I had a time trying to nail this face that is very alive in my head but doesn't really exist.

Back in the ancient days, all cartoonists had to learn to draw and paint extemporaneously because reference was limited and digital tools didn't exist. While some high end artists had photography studios and professional models with costume and sets on hand, small fry like me were limited to what was in the house or available at my small local library, which was no bigger than a few rooms of my current house.

Artists kept extensive "morgue files" or "swipe files" which were collected from magazine clippings and photographs so we would have as much of what we might need on hand for quick reference. These ephemera collections could get unwieldy. I have thousands of photographs I've simply never sorted. I finally dumped most of my files this past year.

Have I ever traced anything? Of course, especially if I have to re-use a shot or setting over and over. Making extra work for myself is just silly. It's my job to make pictures, not to perform magical feats, like copying one shot after another over and over without making a mistake.

However, for almost 15 years of my career, I refused to copy or trace anything, and did not even own a lightbox. On the one hand, that forced me to learn to carefully examine what I saw. On the other hand, it was a stupid hill on which many deadlines died.

Only after I realized many professional artists had lightboxes and overhead projectors did I finally break down and get one.

The one thing I use my lightbox for more than anything is for tracing my thumbnail sketches to the final drawing paper. Instead of trying to capture the liveliness of the original sketch by copying what I see - only bigger - I blow the thumbnail up to the size I want the final art to be, then I trace over the thumbnail using a lightbox onto the final drawing paper.

Here's a look at thumbnails from the graphic novel Neil Gaiman's Snow, Glass, Apples.

I enlarged these on my computer to fit onto 11"x14" paper, and traced the thumbs before finishing the art which was drawn in pen and ink and colored in Photoshop.

While I obviously made some changes, the essence of the thumbs is there in the final work. Tracing my thumbs retains some of the looseness of the original sketches, which is often lost otherwise.

So, there is a valid purpose to tracing at times, though in my opinion, too much tracing can weaken drawing ability, substitute for developing skills, and make the work kind of stiff.

If you want to, I'm not your judge. But it's weird to me that people think I must be faking my skills in some way.

Ironically, the word cartoon comes from the Italian word cartone, which is a large heavy sheet of paper - also, the origin of the word carton.

Preparatory sketches were made on this paper which was then transferred to the final work surface via either tracing or by stamping little holes in the paper through which dust was sprinkled, recreating the contours of the drawing for the artist to follow.

So the origin of the word cartoon comes from a process often used...for tracing.

[reds-skull]

The frames of the video from the comic in the previous post. I experimented a lot with this, it was really fun to work with this chunky brush I found. Also the first time I draw the Reaper of Destruction as it was before Lumity!

More comments under the cut+a frame I ended up scrapping!

I'll go by order of appearance, because it's basically a chronological retelling of the events of part 1.

So the first frame is the least fancy because it was the first and I didn't nail down a style for this yet lol. It shows Ghost and Soap's first true meeting, in chapter 1, where Ghost helps Soap when he gets impaled by a rebar.

The second frame jumps to chapter 8, when Ghost first put Soap in Limbo. The triangle around them was a later addition, taken from the next frame. I love this scene, it's so fun to see it drawn out now :)

The third frame was the most important one to nail the style. I painted a whole frame, only to come back to it the next day and restart from almost 0.

This is the original third frame

They both show the same event - chapter 21, the second time Soap is thrown into Limbo. The difference is, one shows a more literal image of what happened, and the other is more symbolic.

And by now I think you know how much I love symbolism lol

What also bothered me with the scraped painting is that the composition isn't central, and the entire pose, while more dynamic, isn't fitting the mural feel the rest has.

There's an even earlier version of the scrapped painting, with Soap's face, but nowhere else there are faces in these series, so I went wild with it and covered it with flames. He had them behind him already, as the description of this scene in the fic says Soap had a helo of fire behind him.

(also hated how Limbo's victims looked in the scrapped version like... ew lol)

There wasn't a real reason to add the circles around Soap. I just wanted to lean more heavily into the mural style. But I took that circle motif to the end, after that, and added it to Ghost as well, hence the triangle.

Soap has one skeletal hand, and one palm. That one is on purpose, to show he's hanging in between life and death.

The fourth frame is pretty self-explanatory, it shows the part in chapter 21 where Soap gets the dark marks on his forearm. If the colors look weird in that one, it's because I messed with them so much I couldn't tell if they look good anymore on not

The fifth frame shows another favorite moment of mine, the moment Ghost gets his marks, the white tear tracks, when he finally notices Soap fighting in the void.

The sixth frame is my favorite of the bunch. Soap and Ghost, the triangle and circle combined. The moment they killed Graves, Ghost in full control of his subjects, Soap with his sword of white fire and army of burning moths. They look so scary in this one I love them

The seventh frame shows Void and Destruction. Void was straight forward, I've drawn it a few times before, but I had to make a more detailed design for Destruction, and I only had the very first sketches I made for Revenant AU to go off of, as well as Lumity's design. Idk why I designed Lumity before Destruction, but that's how it is. I wanted Destruction melting, like it can't handle its own heat.

The eighth frame is of Void and Destruction combining. In the fic they had in-between states, it didn't look like this, but for the sake of the video I thought it'd be nicer to have a clear frame of them combining.

The ninth and last frame is of our beloved Lumity. Their design is a little more detailed than the drawing I made a while back. This frame is also the only one that interacts with the foreground, aka Makarov. I think he was jump-scared, don't know how much that comes across.

Damn I had a lot to write. Well, when given the opportunity to ramble...

[alinkthroughtheages]

Altta Link & Ravio reference sheet + notes

I finally got around to make a somewhat presentable reference sheet for these two. These outfits haven’t been properly shown in the comic yet, but they will very soon :D

Sorry abt how messy these doodles are :,) More notes below the cut

Ravio’s merchant attire is also what can be considered his “casual clothes”, and the robe is actually the same overcoat as he puts on in this panel (I made some changes to the colors that will stay consistent from now on). It may be worn as just a normal coat, or styled with a belt as shown above. It also has a hood with an embroidered “bunny face” that isn’t shown here

I have an old “outfit guide” for Ravio that’s more or less the same as the final version, except the length of his hair. Here

Another thing I want to talk about is Link’s hair! It’s pink at the tips even though it’s been many years since ALTTP. This will be explained more in detail later on, but long story short Lorule has… some similarities to the Dark World.

This one was probably obvious, but the staff Ravio is using is indeed the one Yuga had in ALBW. In ALTTA it’s called the Color Rod!

Here are some rough first sketches of ALBW-era Link and Ravio

Edit/some more random details: Ravio’s scarf used to be a normal, very long scarf that he wore wrapped around his neck in a way that left two “tails” down his back, somewhat resembling bunny ears? After the events of ALBW he got the opportunity to redesign/“upcycle” it so that it drapes differently. Idk anything about sewing, but Ravio loves to sew and is good at it too!

Link definitely wears at least chainmail under his tunic, I was just too lazy to draw it properly. With my limited knowledge of how armor works, I suppose it would go between his red undershirt and the green tunic

Link’s master sword (?) Is based on the one from ALTTP even though he wields many different swords and the blue version of the master sword in later games..

[collectorcookie]

Hi hello i am coly (trust) here's your jacket-less figaro

Petition for Coly to draw the wizards in their OG outfit but without the outer jacket. Do they know the power turtleneck Figaro and Leno holds over me???