#Andrewism

[andrew-ism]

Solarpunk Art 2024 (New Dreams of Labour)

City Planners by @buttercuipp

Infrastructure Rewilders by Bobby Akina

Community Center by Samantha

The Handcraft Library by Wandering Meomeo

Community Labour by Linds

Maker/Hackerspace by Lemonaut

[paper-mario-wiki]

hey, new hour long Andrewism video on what anarchy means and how it can be organized and enacted on a realistic scale! you should watch it.

[pumpacti0n]

"...The Anarchist case against the State is pretty simple to put in Marxist terms. You have your dictatorship of the proletariat. But immediately there's a problem. The state is not, and cannot be the entire class. In order to have a state, you have to put a subset of the class in charge. Call it a vanguard, a party, what have you. Let's assume for a moment that the new party really is comprised of the proletariat and isn't composed of nominally allied intellectuals. Even in this best case scenario what you have is representation, not actual rule by the proletariat as a class.

"Well ok," says the Marxist, "that's not a problem, the representatives will just represent the interests of the class as a whole." But instantly you have a problem, your dictatorship of the proletariat is no longer a dictatorship of the proletariat, it's a dictatorship of the representatives of the class. For the dictatorship of the bourgeoisie this doesn't matter, because the incentives of the state align with theirs and you can be a member of the bourgeoisie while simultaneously holding office, in fact almost all representatives are.

But for the proletariat this is not true at all, the moment a proletarian take(s) control (...) they are no longer part of the class with no property, they have at their command the property of the state. This problem is exacerbated by any attempt to use the state to socialize the economy, the larger the share of the economy administered by the State, the more property the representatives now command.

Those representatives of the proletariat in the State now have their own interests: that of the management of the property of the state, that of the nation state itself, formerly alien to the proletariat as a class.

Furthermore, each passing day isolates the representatives from the proletariat itself. It isolates them physically, it isolates them psychologically, it isolates them in terms of mannerism and expectation.

And so every day the interests of the representatives of the proletariat drift further apart from their representatives until one day the dictatorship of the proletariat vanishes entirely and you're left with the dictatorship of an entirely new class produced by the State.

And this is the BEST case scenario, the one in which the representatives of the class are genuinely attempting to do their job. And then still the form of the state devours the dictatorship of the proletariat, that which was once its content. The state will not wither away because its existence produces new classes with their own functions and interests.

Lenin's State and Revolution demonstrates this problem: it calls for the state to become the landlord of the proletariat. Immediately, in a single instant, the pretense of the State as a special armed body of the class disappears. In its place is a new class of rent connectors whose interests have nothing in common with the proletariat.

This is just how the State works. The proletariat has nothing in common with the tax collector, the landlord, the manager, the planner. All of the functions of the old world absorbed and preserved by the State coalesce into new classes and socialists are left spinning their wheels, trying to abolish two systems, the State and the class system, with an institution (the State) that reproduces both of them.

Even on a theoretical level, even in the world of State and Revolution, where every state employee is paid a worker's salary and nothing more, the State would still produce classes and with it reproduce itself. The only solution to this is to destroy the State entirely and let the class as a whole form the dictatorship of the proletariat.

This is Anarchism. The propertiless masses rule themselves directly and destroy the property relations and the State institutions that comprise the conditions of their own existence as a class, thus ending at long last the nightmare of the class system with the new and radiant dawn of the classless society of communism."

[source]

[nonsense-repository]

[spykenspikes]

A good starting place for looking at solar punk as more than an aesthetic but a form of praxis and anarchism

[kimboo-york]

I love Andrewism’s vids on solarpunk possibilities, and this is a really good breakdown discussing the larger picture of solarpunk practicalities. What is the real cost of sustainability?

[slimethought]

It's time to explore the origins, history, and diversity of Black Anarchism.

The list of artists used is in the outro.

Introduction - 0:00 Pre-Colonial African "Anarchism" - 0:58 What is Anarchism? - 4:09 The Rise of Black Power - 6:53 The Rise of Black Anarchisms - 11:05 Lorenzo Kom'boa Ervin - 11:08 Martin Sostre - 14:03 Kuwasi Balagoon - 17:06 Ojore Lutalo - 19:47 Ashanti Alston - 22:15 Anarchist People of Colour - 25:08 Anarkata - 28:48 African Anarchism - 30:49 Conclusion - 34:40

Support me on Patreon!   / saintdrew   on Twitter!   / _saintdrew   on Medium.com   / saint-drew   https://saint-drew.carrd.co

Music: Sun (prod.   / salmontheghost   ) Rodeo days (prod. Zeus The God x Greg Sekeres)

[stitchtehzombie]

Friendly reminder that solarpunk isnt just an aesthetic! Its a movement. It cannot be 'punk' unless it also has punk values and ideology :) please be mindful when creating things that are 'solarpunk' themed, because its not just science fiction. Its a very real movement and it would be cool if you got involved 💕

(Heres a nice video explaining solarpunk)

(Heres another)

[pastoralpunk]

I wanted to signal-boost this upcoming virtual Solarpunk Conference and its associated crowdfunding campaign on Kickstarter. The conference itself is set to be held on June 24, 2023. Invited speakers include Andrew Sage of the Andrewism YouTube channel, as well as Sarena Ulibarri of the solarpunk anthology Glass and Gardens, as well as others.

To clarify, I am completely unassociated with the conference. I am sharing this information out of my own personal interest in Andrew Sage's activities and the broader solarpunk movement.

You may be interested in reserving tickets for yourself or solidarity tickets allowing for another person with limited means to attend. Otherwise, you can contribute to this crowdfunding campaign in order to help cover funds going to logistics, accessibility features, a fair wage for speakers, and EDI and decolonization needs.

Some members of the team behind this conference can be found in the comments of this reddit post, answering questions re: ticket pricing and the accessibility of the conference.

Finally, here is the conference's linktr.ee, containing links to a code of ethics, a Discord server, and more.

That's all! Stay punk, solarpunks. 🔆

[aesthetinet]

Hi, my beautiful net-baes! This is [bubblegumprincess] here writing for the first time and I hope you’re as excited as me. 

Okay so getting straight to the point seems to be a common trend this week so I plan on doing just that.

My question is inspired from Mark Weiser’s paper The Computer of the 21st Century which considers how we make technology fade into the background of our lives in an ethical manner? For this question, I instantly thought of Solarpunk, an aesthetic genre my TA from last semester (shout out Bronte) told me about. Imagine a world fully powered by solar energy and without global capitalism that dominates society. Seemingly idealistic right now, but Solarpunk brings the hope that this is not impossible. If you can think it, there’s a chance to make it. 

More than for the art and visual, solar-punk is highly regarded as an important literary movement for our future.  The aesthetics of solarpunk mainly center on its beautiful greenery that makes up civilization with simple yet still advanced green technology. As Jay Springett says in his blog post SOLARPUNK: A Reference Guide, Solarpunk provides a creative space that gets creatives to think productively about our future asking, “what does a sustainable civilization look like, and how can we get there?”. I could spend hours talking about different technologies architects of this aesthetic have come up with, but we might have to save that for another day. In the meantime explore intriguing design ideas from the aesthetic I’ve found interesting here. 

A common trait in today’s generation is our detachment from the world around us and in turn ourselves by being too absorbed by our screen without even realizing. Technology with screens may be helpful in completing many tasks but as a negative side effect causes us to be separated from the natural world. In The Computer of the 21st Century, Mark Weiser explains how throughout history, "literacy technology" has always seamlessly integrated into our daily lives. However, as Weiser critiques, today's multimedia machine makes the computer screen into the focal point of attention rather than allowing it to truly fade into the background of the natural world. I agree with Weiser's team at Xerox Palo Alto Research Center that “the idea of a "personal" computer itself is misplaced and that the vision of laptop machines, dynabooks and "knowledge navigators" has not reached it’s real potential of information technology. ”

As a solution, I propose an incorporation of Solarpunk as an area of focus to invest in alongside Weiser’s idea.  The technological designs in Solarpunk, if achievable, will be sustainable and smoothly incorporated into everyday life. Now I am no engineer so I will need someone of that major to share their thoughts with me, but the idea of turning away from our waste heavy cities into a green and nature friendly one is worth the thought. By embedding future technology into the environment in sustainable ways seamlessly, we might develop technology that doesn’t hinder and disconnect humanity. We should aim to create a world where business, technology, and nature all work in harmony and balance. Capitalism hinders the ability to create for the betterment of the society by being consumed by just producing what will sell best (which is usually some extravagant combobulated bs).  Entrepreneurs such as Simon Blackler has already started proposing projects such as his work ‘Krystal’. They have already started with their first creation which is a web host and public cloud provider called Krystal Holding Ltd. They run on 100% renewable energy and pride themselves in running an ethical tech company rewarding all employees for their good efforts as well. As a company they claim they planted over 2.7 million trees and continue to invest in bettering the environment and world. 

Last year, as part of my SASAH final exhibition, I was proud to contribute to Western’s own Solarpunk-inspired project: the agrotunnel using agri-voltaics, led by Dr. Joshua Pearce. This project focuses on building an underground farming tunnel powered entirely by solar panels, allowing crops to be grown year-round in a sustainable and energy-efficient way.

Although still carrying concerns such as ownership, privacy, security, and surveillance, I believe the inspired technology from Solarpunk aesthetics align with the vision Weiser has for our future and serve as a productive next step. Instead of forcing humans to adapt to computers, computers should adapt to human needs. With growing concerns on AI, this is the type of ideas and optimism we need. 

Quote from A Solarpunk Manifesto: 

“In Solarpunk’s vision we’ve pulled back just in time to stop the slow destruction of our planet. We’ve learned to use science wisely, for the betterment of our life conditions as part of our planet. We’re no longer overlords. We’re caretakers. We’re gardeners.”

So it’s up to you to decide, will you choose to be comfortable staying a weed in the garden or choose to be a gardener of the world?

A video from Youtuber Andrewism who talks a lot on Solarpunk:

Stay hot and thinking,

Aestheticaste

[andrew-ism]

Solarpunk Art 2023 (BIOREGIONS)

Temperate Grassland in Ukraine by @the.lemonaut.

Desert/Xeric Shrublands in South Africa by @draakart

Mediterranean Forests/Scrubs in Southern California, USA by @helentadesseart

Boreal Forest by @_frandszk.

Mediterranean Forest/Scrubs in Tijuana, Mexico by Limonarte

Subtropical Evergreen Forests in South China & Vietnam by @solariscrescentart

Tropical & Subtropical Moist Broadleaf Forests in the Philippines by @lacan.lacapat

Temperate Broadleaf & Mixed Forests in the Ozark Highlands of the USA by Xiantifa

Temperate Broadleaf & Mixed Forests by Arikadough

Temperate Broadleaf & Mixed Forests in Indiana, USA by Toby Raab

Subtropical Evergreen Forests in South East Asia by @erisdar_art

Various Bioregions by Dustin Jacobus (@solarpunkart)

[paper-mario-wiki]

hey! watch this

[justalittlesolarpunk]

Solarpunk Sunday Suggestion:

Watch an Andrewism video

[hobohobgoblim]

Library of things in Reykjavik. The screen reads "the more we share the more we have"

[spykenspikes]

“Libraries are punk”. Punk is a music based subculture with anarchist leanings. Ain’t no library playing disclose and selling red stripes for two quid

What you can do instead is look into anarchic structures of library economies if u wanna get into the politics of anarchism

Another banger released recently by andrewism