#Andie J. Christopher

[timmurleyart]

Back in time. 🚙💨⚡️⏰⏳

[roy-the-dork]

Roy’s Art Summary 2024

Second year of making digital art, yay! I’m not as interested in making art anymore, but it was still fun to draw stuff sometimes :) Love the communities I’m a part of, y’all are the best 🤗✨🎨

[adamwatchesmovies]

The Lord of the Rings: The Two Towers (2002)

The Lord of the Rings: The Two Towers is the definition of “epic”. The climax is on a scale so massive it’s legendary. You see it and cannot imagine how the series could top itself in the final chapter. It also contains great, quieter character moments, just enough comedy to give you the emotional breaks you need before the action kicks up again and some romance too. The special effects were spectacular for the time and hold up today. Yes, the extended edition is long - you basically have to dedicate an entire evening to it – but it never feels long. As soon as it's over, you'll debate whether you have time to sit down and watch the next chapter.

As Frodo Baggins (Elijah Wood) and Samwise Gamgee (Sean Astin) make their way toward Mordor to destroy the Ring of Power, they discover that its previous owner, the creature called Gollum (Andy Serkis) is following them. Though treacherous, Gollum may be the key to fulfilling their quest. Meanwhile, Aragorn (Viggo Mortensen), Legolas (Orlando Bloom) and Gimli (John Rhys-Davies) arrive in the kingdom of Rohan to find its King, Théoden (Bernard Hill), corrupted by the wizard Saruman (Christopher Lee). In the forest near Saruman’s tower, Merry (Dominic Monaghan) and Pippin (Billy Boyd) try to convince Treebeard (voiced by Rhys-Davies) to join the fight against him and his army of Uruk-Hai.

Before we dig in, let me clarify that we’re talking about the Extended Edition of the film, which is 45 minutes longer than the already lengthy 179-minute theatrical version. Yes, that’s a lot of time spent in Middle-Earth. No, it doesn’t feel like too much. The pacing is the key. We begin with one story, see how dire the situation is, get to a turning point and are then whisked away to the next plot, where the cycle repeats itself. As the middle chapter in a trilogy, this film is not contained, but it feels complete. There are character arcs, clear stakes, and a beginning, middle and end within each of the three stories and for the picture as a whole. Even more than before, the action feels like it’s happening in a real place. You can see the history of the fortress of Helm’s Deep, of the people of Rohan, the realms in faraway lands that are choosing to either ally themselves with the great, never-blinking eye of Sauron, or against him and his forces. In the sets, costumes and weapons, you notice details that show how much love and dedication was poured into this project. When there is comedy, it’s not the kind that undercuts the action, it’s the kind that makes what comes next feel even more dramatic, exciting or tragic.

Director Peter Jackson has a knack for raising the stakes. You know it’s only a matter of time before Gollum betrays Sam and Frodo. You think that’s all the hobbits have to worry about but then they meet the late Boromir’s brother, Faramir (David Wenham). You figure the journey Legolas, Aragorn and Gimli will make to the fortress at Helm’s Deep will be perilous, but then we see what’s brewing in Saruman's lair. The journey there is the least of their problems. There’s a glimmer of hope in the form of Merry, Pippin and Treebeard but the more we learn about tree-like Ents, the less you have faith in them. Those are all part of the big picture but within the individual characters, we have engaging stories too. In the kingdom of the elves, Arwen (Liv Tyler) is told by her father, Elrond (Hugo Weaving), that the elves are abandoning Middle-Earth, and that she would be foolish to stay, particularly for love. Frodo and Sam are at odds when it comes to Gollum, with Frodo sympathizing with the creature and Sam believing they’d be better off without him. In Gollum himself, there is conflict, as the creature’s twisted mind cannot decide whether it should act as a loyal guide to the hobbits or kill them in their sleep.

Whether swords are drawn or sheathed, you’ll be gripped by the picture but what you’ll probably remember best about “The Two Towers” are the big, special-effects-heavy scenes. Most memorable is Gollum, a character created entirely by motion capture. It’s common nowadays, but this is a rare example of a pioneered technique that still holds up. As soon as Gollum enters the frame, you just think of him as a character, never as a trick of the camera. You might even forget there was a person, not a creature on set. Equally capable of knocking you off your feet is the big battle at the end of the film. This gigantic siege, set at night, in the rain, is so well-lit and well-directed that you’re never lost or disoriented. It feels like everything's been building up to this and in some ways it is, but in others, it hasn't. There's still more to come in The Return of the King.

Like its predecessor, The Lord of the Rings: The Two Towers is a significant achievement in filmmaking. The performances are excellent, the production on a scale we seldom see, the story and plot make you forget there’s a world outside of the movie itself. The only flaw in is that you can't sit down and watch this movie on its own, but it was never meant to be seen that way. (Extended Edition on Blu-ray, April 27, 2023)

[butterbeerandlemoncakes]

Books of 2024

The Assassin's Blade, Sarah J. Mass-- My friends have been telling me /forever/ to read her books, so I finally caved and started one of the series. This is a prequel to the actual series, comprised of a bunch of short stories. It was a fun, easy read, but not much of substance and the kind of whiny YA fantasy/romance that I was expecting/dreading, so not sure if I'll continue the series.

Seige and Storm, Leigh Bardugo-- 2nd in her main Grishaverse series, I really enjoyed the book. It was different for me, since I had watched the show first, to see how it differed, since the show had stayed pretty accurate to to the first book, but not to the second. There were things that I liked better about both. Excited to see where the next book takes me.

Eragon, Christopher Paolini--I read this book/series a loooong time ago as they came out, but just recently they released a 20 year anniversary edition (which first of all, I can't believe that the series is 20 years old), so of course I had to go back and reread it. It's just as good as I remember it being, and the writing still holds up over time.

Murtagh, Christopher Paolini--I really enjoyed reading this one! It was great to get back into the Eragon universe after so long and see so many familiar characters and meet new ones. Murtagh himself was always one of my favorites, so I liked getting background on his life and seeing him continue to grow. Would highly recommend reading this one, the writing was great as always and the plot was incredible!

Lord of the Dead, Tom Holland--A fun read, kinda follows the basic plot of dracula, so not anything original, but still fun. Basically Lord Byron as a vampire.

The Dark Tower III: The Wastelands, Stephen King--This might be my favorite book in the series so far. This book was FANTASTIC. I wasn't sure how I felt about the additional characters in the 2nd book, but they really developed into lovable characters in this one.

We Are Okay, Nina LaCour--Stylistically and writing-wise, an easy read, but covers some heavy topics that make it much more difficult. Not a hard read, per se, but there are some parts that might make you cry, although not necessarily tears of sadness. A book about a girl loosing her only remaining family, and working through the grief that comes with that.

Project Hail Mary, Andy Weir--I read the Martian a few years ago, and loved it, so thought I'd give this one a try, and its hard to decide which one I liked more! This one is still as witty and funny as the Martian, but a different story altogether and really knows how to pull you in and keep you invested.

Daughter of Ruins, Yvette Manessis Corporon-- This was a book I emergency bought at the airport because I finished the book I had brought. I wasn't expecting to really enjoy the book, but I was actually very surprised by it and genuinely enjoyed it! It follows the lives of three women living on a small island in Greece, and shows how the events prior to, during, and after World War II affected the lives of everyone on the island, and, what it was like to be a Greek woman living on one of these islands, where at times, one had to give up on their dreams in order to provide for their families, and the generational trauma involved with these women. Honestly a fantastic read, would highly recommend it.

The Paleontologist, Luke Dumas-- A sort of prehistoric ghost story and current murder mystery wrapped up in one. If you suspend your disbelief a little, a very good read. Kind of slow start, but near the end I couldn't put it down!

[reppyy]

[danielhenneygoogle]

Daniel Henney as Dr. David Lee in Three Rivers

1.01 - "Place of Life"

[betterbooksandthings]

"Ahoy! Welcome aboard. On this ship, all pirate romance books end with a pirate sailing into the proverbial sunset with their love. Taught sails, sturdy planks, and an oh-so-dangerous ocean await. Get ready because you are in for a nautical treat.

Pirate romance books have long brought solace to readers who want to find love at sea with dangerous, daring, and heroic rogues. Pirates are the bandits of the sea. Even a privateer sanctioned by the government to be a pirate gets a pass in romance. After all, they have all the appeal of a pirate and the ability to operate in society if they want to."

[thecraggus]

Snow Shark: Ancient Snow Beast (2011) Review

Snow Shark: Ancient Snow Beast brings home movie charm - and adult home movie nudity - to Shark Weak #Review

[flashfuckingflesh]

A Corrupted Nation, Operated by EVIL Drug Lords, Are No Match for "McBain" reviewed! (Synapse Films / Blu-ray)

“McBain” Explodes onto Blu-ray from Synapse! Vietnam War has officially ended, and U.S. troops evacuate the worn torn country almost immediately until Robert Santos and his squadron happen upon a Vietcong-controlled POW camp still operating under the merciless thumb of North Vietnamese soldiers either unaware of the news that war is over or are blatantly disregarding defeat to deface the enemy.…

[batboyblog]

My Super Gay/Queer Reading List

The Long Run by James Acker

Simon vs. the Homo Sapiens Agenda by Becky Albertalli

Another Dimension of Us by Mike Albo

Wonders of the Invisible World by Christopher Barzak

Alan Cole Is Not a Coward by Eric Bell

Alan Cole Doesn’t Dance by Eric Bell

The Darkest Part of the Forest by Holly Black

In Other Lands by Sarah Rees Brennan

Felix Yz by Lisa Bunker

Last Bus to Everland by Sophie Cameron

Dragging Mason County by Curtis Campbell

The House of Impossible Beauties by Joseph Cassara

Peter Darling by Austin Chant

Carry the Ocean by Heidi Cullinan

The Love Interest by Cale Dietrich

Half Bad by Sally Green

Half Wild by Sally Green

Half Lost by Sally Green

Heartbreak Boys by Simon James Green

Gay Club by Simon James Green

You’re the One That I Want by Simon James Green

We Contain Multitudes by Sarah Henstra

Totally Joe by James Howe

After School Activities by Dirk Hunter

At the Edge of the Universe by Shaun David Hutchinson

The Past and Other Things That Should Stay Buried by Shaun David Hutchinson

We Are the Ants by Shaun David Hutchinson

The Five Stages of Andrew Brawley by Shaun David Hutchinson

A Complicated Love Story Set in Space by Shaun David Hutchinson

The Boy Who Couldn’t Fly Straight by Jeff Jacobson

Haffling by Caleb James

The Lightning-Struck Heart by T.J. Klune

A Destiny of Dragons by T.J. Klune

The Consumption of Magic by T.J. Klune

A Wish Upon the Stars by T.J. Klune

The Extraordinaries by T.J. Klune

Flash Fire by T.J. Klune

Heat Wave by T.J. Klune

The House in the Cerulean Sea by T.J. Klune

Openly Straight by Bill Konigsberg

The Bridge by Bill Konigsberg

Destination Unknown by Bill Konigsberg

The Gentleman’s Guide to Vice and Virtue by Mackenzi Lee

Two Boys Kissing by David Levithan

Every Day by David Levithan

Boy Meets Boy by David Levithan

Ryan and Avery by David Levithan

How to Repair a Mechanical Heart by J.C. Lillis

Take a Bow, Noah Mitchell by Tobias Madden

When Ryan Came Back by Devon McCormack

Red, White & Royal Blue by Casey McQuiston

Fraternity by Andy Mientus

The Song of Achilles by Madeline Miller

The Art of Starving by Sam J. Miller

Hero by Perry Moore

I’ll Give You the Sun by Jandy Nelson

More Than This by Patrick Ness

Junior Hero Blues by J.K. Pendragon

The City Beautiful by Aden Polydoros

When Everything Feels Like the Movies by Raziel Reid

Kens by Raziel Reid

Emmett by Lev A.C. Rosen

Jack of Hearts by Lev A.C. Rosen

Camp by Lev A.C. Rosen

Carry On by Rainbow Rowell

Wayward Son by Rainbow Rowell

Rainbow Boys by Alex Sanchez

Rainbow High by Alex Sanchez

Rainbow Road by Alex Sanchez

So Hard to Say by Alex Sanchez

The 99 Boyfriends of Micah Summers by Adam Sass

The Darkness Outside Us by Eliot Schrefer

All Kinds of Other by James Sie

They Both Die at the End by Adam Silvera

History Is All You Left Me by Adam Silvera

More Happy Than Not by Adam Silvera

Grasshopper Jungle by Andrew Smith

Freak Show by James St. James

Ray of Sunlight by Brynn Stein

The Dangerous Art of Blending In by Angelo Surmelis

366 Days by Kiyoshi Tanaka

The Language of Seabirds by Will Taylor

Cemetery Boys by Aiden Thomas

Wild and Crooked by Leah Thomas

Because You’ll Never Meet Me by Leah Thomas

Spin Me Right Round by David Valdes

Always the Almost by Edward Underhill

Hell Followed With Us by Andrew Joseph White

Tumblr got rid of yellow so I couldn't do pride colors, sorry!

If you want help picking something out just send me an ask with what kind of thing you're looking for and I'll select something for you, and if you end up reading something because you saw this list, please let me know

[diddyrivera]

additional resources to marxist feminism:

living a feminist life by sara ahmed

the rise and decline of patriarchal systems by nancy folbre

this bridge called my back: writings by radical women of color by cherrie moraga and gloria anzaldua

delusions of gender: how our minds, society, and neurosexism create difference by cordelia fine

close to home: a materialist analysis to women's oppression by christine delphy

(pdf) the feminist standpoint: developing the ground for a specifically feminist historical materialism

(medium) on women as a class: materialist feminism and mass struggle by aly e

(sagejournals) capital and class: the unhappy moments of marxism and feminism: towards a more progressive union

(substack) the marxfem pulpit by abigail von maure (earth2abbs on tiktok)

if anything else related to marxist feminism, just let me know :)

additional resources to eco feminism:

gossips, gorgons, and crones: the fates of the earth by jane caputi

parable of the sower by octavia e butler

neither man nor beast: feminism and the defense of animals by carol j. adams

bitch: on the female of species by lucy cooke

fresh banana leaves: healing indigenous landscapes through indigenous science by jessica hernandez

the intersectional environmentalist by leah thomas

right here, right now by natalie isaacs

feminism or death by francoise d'ealibonne

violent inheritance: sexuality, land, and energy in making the north american west by e cram

animal crisis: a new critical theory by alice grary

unsettling: surviving extinction together by elizabeth weinberg

land of women by maria sanchez

sexus animalis: there is nothing unnatural in nature by emmanuelle pouydebat

windswept: walking the paths of trailblazing women by annabel abbs

andrea smith - rape of the land

andy smith - ecofeminism through an anticolonial framework

carolyn marchant - nature as female

charlene spretnak - critical and constructive contributions of ecofeminism

heather eaton - ecological feminist theology

heather Eaton - The Edge of the Seat

janet abromovitz - biodiversity and gender Issues

joni Seager - creating a culture of destruction

karen warren - ecofeminism

karen warren - taking empirical data seriously

karen warren - the power and promise of ecological feminism

l. gruen - dismantling oppression

martha e. gimenez - does ecology need marx?

n. sturgeon - the nature of race

petra kelly - women and power

quinby - ecofeminism and the politics of resistance

rosemary radford ruether - ecofeminism: symbolic and social connections

sherry ortner - is female to male as nature is to culture?

sturgeon - the nature of race

val plumwood - feminism and ecofeminism

winona laduke - a society based on conquest cannot be sustained

if anyone has any other recommendations related to eco feminism, plz let me know :)

additional resources related to trans feminism:

the empire strikes back: a posttransexual manifesto by sandy stone

(chicago journals) trapped in the wrong theory: rethinking trans oppression and resistance by talia mae bettcher

(philpapers.org) trans women and the meaning of woman by talia mae bettcher

the transgender studies reader by susan stryker and stephen whittle

if anyone has other recommendations related to trans feminism, plz let me know :)

additional resources related to anarcha feminism:

the anarchist turn by jacob blumenfeld

we will not cancel us and other dreams of transformative justice by adrienne maree brown

burn it down: feminist manifestos for the revolution by breanne fahs

reinventing anarchy, again by howard ehrlich

anarcho-blackness by marquis bey

a little philosophical lexicon of anarchism from proudhon to deleuze by daniel colson and jesse cohn

joyful militancy by nick montgomery and carla bergman

wayward lives, beautiful experiments by saidiya v. hartman

we won't be here tomorrow and other stories by margaret killjoy

writing revolution by christopher j. castaneda

paradoxes of utopia by juan suriano

twelve fingers by jo soares

for a just and better world by sonia hernandez

if anyone has other recommendations related to anarcha feminism, plz let me know :)

[the-forest-library]

September 2024 Reads

Never Date a Roommate - Paula Ottoni

Love and Other Conspiracies - Mallory Marlowe

My Salty Mary - Cynthia Hand, Brodi Ashton, & Jodi Meadows

In the Orbit of You - Ashley Schumacher

The Beast's Heart - Leife Shallcross

At First Spite - Olivia Dade

The Wall - Marlen Haushofer

The Book Swap - Tessa Bickers

Someone You Can Build a Nest In - John Wiswell

A Daughter of Fair Verona - Christina Dodd

Given Our History - Kristyn J. Miller

Fall for Him - Andie Burke

I'll Have What He's Having - Adib Khorram

Lips Like Sugar - Jess K. Hardy

The Grandest Game - Jennifer Lynn Barnes

Such Charming Liars - Karen M. McManus

The Champions - Kara Thomas

Jupiter Rising - Gary D. Schmidt

Splinter & Ash - Marieke Nijkamp

Knight Owl - Christopher Denise

Young Hag and the Witches' Quest - Isabel Greenberg

Mismatched - Anne Camlin

The Truths We Hold - Kamala Harris

The Third Gilmore Girl - Kelly Bishop

The Striker and the Clock - Georgia Cloepfil

But Everyone Feels This Way - Paige Layle

Ambition Monster - Jennifer Romolini

Body Work - Melissa Febos

Rage - Lester Fabian Brathwaite

The Joy of Connections - Ruth Westheimer

Everyday Dharma - Sunned Gupta

Over Work - Brigid Schulte

Nothing to Fear - Julie McFadden

100 Ways to Change Your Life - Liz Moody

More, Please - Emma Specter

How to Piss Off Men - Kyle Prue

Shitty Craft Club - Sam Reece

Simply Julia - Julia Turshen

Bold = Highly Recommend

Italics = Worth It

Crossed Out = Nope

Thoughts:  I'll be thinking about The Wall by Marlen Haushofer for quite some time. It's a feminist, dystopian, survivalist tale with some truly harrowing moments.

Goodreads Goal: 334/400

2017 Reads | 2018 Reads | 2019 Reads | 2020 Reads | 2021 Reads | 2022 Reads | 2023 Reads | 2024 Reads

[adamwatchesmovies]

The Lord of the Rings: The Fellowship of the Ring (2001)

It feels like every single fantasy film has been building up to The Lord of the Rings: The Fellowship of the Ring. This sprawling world of myth and magic is a landmark achievement. The special effects, characters, art direction, score, scale and faithfulness to the source material make it the kind of picture that will shape generations. It’s big, wonderful and epic but also small, intimate and emotional. This is a labor of love and it shows.

In the Second Age of Middle-earth, the Dark Lord Sauron forged the One Ring. With its power, he was poised to conquer all. Defeated through sheer luck, his evil dissipated. 3,000 years later, the One Ring is discovered in the possession of a humble hobbit named Frodo Baggins (Elijah Wood). To save the world, from Sauron's return, the ring must be snuck back into the shadowy land of Mordor and thrown into the volcano where it was forged. On this quest, Frodo is accompanied by his friends Samwise Gamgee (Sean Astin), Pippin Took (Billy Boyd) and Merry Brandybuck (Dominic Monaghan), his mentor, the wizard Gandalf (Ian McKellen), and representatives of the free races of Middle-Earth: humans Strider (Viggo Mortensen) and Boromir (Sea Bean), dwarf Gimli (John Rhys-Davies) and elf Legolas Greenleaf (Orlando Bloom).

To get us up to speed, the picture begins with a history lesson that’ll knock you off your feet. The armies clashing seem immeasurably large. Sauron effortlessly radiates evil despite having no dialogue. You can feel the thousands of years of culture in the fighting styles, weapons and scenery. Middle-Earth feels real. The scale is immense, which makes director Peter Jackson’s decision to focus the plot on an ordinary hobbit a genius move. In a story with caverns so large our civilization could never dream of carving them, elven cities that seem to grow from the trees that surround them, seamless towers of black stone and all sorts of monsters, it would be easy for audiences to feel alienated. We’d all like to think that when push comes to shove we’d be great heroes but in reality, there’s no way. The best a tiny person like you or me could hope to do is stay brave, which is exactly Frodo’s role.

Several times throughout, we hear that “Even the smallest person can change the course of the future.” There couldn’t be anyone smaller than Frodo Baggins - except, perhaps, his friend to the end, Samwise. The hobbits are humble little people who have lived peaceful, simple lives free from adventure and are now thrust into a journey that will be the stuff of legends. Their joys are simple: warm meals, fields of brightly-colored vegetables and parties with friends & family. One particular scene that shows you just how small they are comes towards the end of the story. Sam and Frodo are traveling down a river. In the distance, they spot these enormous statues, the kind that would make the Statue of Liberty blush. Like us, they gaze at them in wonder, wondering who could’ve built them and who they represent. None of the other members of the Fellowship seem to give them more than a passing glance - and yet, these simple people prove themselves just as brave and reliable as the seasoned guardians they are traveling with. It’s awe-inspiring in so many ways.

By focusing on Frodo and his part of the journey, the film has a strong emotional core. The Fellowship of the Ring knows it has this time-tested story that’ll enchant audiences but before doing anything else, it made sure to get the basics right. Even if it hadn’t, it would’ve been an impressive production. Surrounding the inspirational battle of good vs. evil are incredible visuals, standout special effects and exciting action scenes. The film contains elements of horror in the form of its shadowy Ring Wraiths and scenes set in the deep mines of Moria. It’s got comedy to lighten the mood when necessary, chases so perfectly paced they should be shown in film school and battles that remain exciting whether they feature millions or a handful of fighters. There are so many great lines and iconic scenes you’ll love to quote it to your friends. The score by Howard Shore is this powerhouse that immediately sets up residence in your mind.

Though it ends in a "to be continued", The Lord of the Rings: The Fellowship of the Ring is the kind of movie you need to watch just to be part of the cultural conversation. Don't worry if you're weary of following trends; you would fall in love with this film even if you discovered it on your own. (Theatrical version on Blu-ray, April 26, 2022)

[reppyy]

[danielhenneygoogle]

Daniel Henney as Dr. David Lee in Three Rivers

1.02 - "Ryan's First Day"

[kingoftheclaudes]

Claude Rains Character Masterlist!

Here's a handy-dandy guide of all the wonderful characters Claude Rains has portrayed over a nearly seven decade long career. We encourage all to have a gander at all these invisible men, prefects of police, fathers, criminal masterminds, otherworldly beings, and men of history alike! Each link will take you to a picture of that specific character, so even if you're not familiar with them, you can send in propaganda anyhow (such as 'what a lovely wig!', 'astonishing facial hair!', or even 'such a beautiful hat!'). We also realize that two of these characters share a name - John Stevenson (from The Last Outpost and Strange Holiday, respectively), so when submitting propaganda for these characters, please indicate which one! We will try our best to sort through the submissions regardless!

List is in chronological order, however, we are omitting for reasons explained in the pinned post the characters of Clarkis from Build Thy House and The Mayor from The Pied Piper of Hamelin!

(1933) The Invisible Man - Dr. Jack Griffin/The Invisible Man

(1934) Crime Without Passion - Lee Gentry

(1934) The Man Who Reclaimed His Head - Paul Verin

(1935) The Mystery of Edwin Drood - John Jasper

(1935) The Clairvoyant/The Evil Mind - Maximus

(1935) The Last Outpost - John Stevenson

(1936) Hearts Divided - Napoleon Bonaparte

(1936) Anthony Adverse - Marquis Don Luis

(1937) Stolen Holiday - Stefan Orloff

(1937) The Prince and the Pauper - Earl of Hertford/Edward Seymour

(1937) They Won't Forget - D.A. Andrew 'Andy' J. Griffin

(1938) White Banners - Paul Ward

(1938) Gold Is Where You Find It - Colonel Christopher 'Chris' Ferris

(1938) The Adventures of Robin Hood - Prince John

(1938) Four Daughters - Adam Lemp

(1939) They Made Me a Criminal - Detective Monty Phelan

(1939) Juarez - Emperor Louis Napoleon III

(1939) Sons of Liberty - Haym Salomon

(1939) Daughters Courageous - Jim Masters

(1939) Mr. Smith Goes to Washington - Senator Joseph Harrison Paine

(1939) Four Wives - Adam Lemp

(1940) Saturday's Children - Henry Halevy

(1940) The Sea Hawk - Don José Álvarez de Córdoba

(1940) Lady with Red Hair - David Belasco

(1941) Four Mothers - Adam Lemp

(1941) Here Comes Mr. Jordan - Mr. Jordan

(1941) The Wolf Man - Sir John Talbot

(1942) Kings Row - Dr. Alexander Tower

(1942) Moontide - Nutsy

(1942) Now, Voyager - Dr. Jaquith

(1942) Casablanca - Captain Louis Renault

(1943) Forever and a Day - Ambrose Pomfret

(1943) Phantom of the Opera - Erique Claudin/The Phantom

(1944) Passage to Marseille - Captain Freycinet

(1944) Mr. Skeffington - Job Skeffington

(1945) Strange Holiday - John Stevenson

(1945) This Love of Ours - Joseph Targel

(1945) Caesar and Cleopatra - Julius Caesar

(1946) Notorious - Alexander Sebastian

(1946) Angel on My Shoulder - Nick

(1946) Deception - Alexander Hollenius

(1947) The Unsuspected - Victor Grandison

(1949) The Passionate Friends - Howard Justin

(1949) Rope of Sand - Arthur 'Fred' Martingale

(1949) Song of Surrender - Elisha Hunt

(1950) The White Tower - Paul DeLambre

(1950) Where Danger Lives - Frederick Lannington

(1951) Sealed Cargo - Captain Skalder

(1952) The Man Who Watched the Trains Go By/The Paris Express - Kees Poppinga

(1956) Lisbon - Aristides Mavros

(1959) This Earth is Mine - Phillipe Rambeau

(1960) The Lost World - Professor George Edward Challenger

(1961) Battle of the Worlds - Professor Benson

(1962) Lawrence of Arabia - Mr. Dryden

(1963) Twilight of Honor - Art Harper

(1965) The Greatest Story Ever Told - Herod the Great