#And they were still confused

[sunnycanwrite]

I wonder how many older people assumed that Five nights at Freddy's was a Freddy Krueger movie

[pagesofkenna]

you have no idea how confused ive been for the last however many months to hear people casually talking about stanley cups, like as a fad or something? and how people shouldn't have them or something? and this WHOLE time ive kept thinking 'isnt there just the one? dont you have to give it back to the hockey association next year??'

[kelocitta]

Anthro Au Survivor drafts feat. too much worldbuilding because I cant just put pants on a slugcat like a normal person & my godawful handwriting

The Survivor (Their full, scavenger-given name includes the 'The') was separated from their family while traveling between colonies and stranded in the dangerous unpopulated wilds. Against all odds they managed to survive (and wander) far longer than they should have been able, but rather than reconnecting with their (or another) slugcat family, they instead made contact with one of the many wandering scavenger troops- But unfortunately not one that had ever met a slugcat nor had any idea what to make of a stranded one. Regardless the group gave it their best, ended up committing to the role of slugparents, and The Survivor and their troop still consider themselves close family long after Survivor finally reconnected with their sibling. (They're a bit of a mess though, understandably)

[slutpoppers]

Terriermon digivolves into Gargomon for the first time, Digimon the Movie

[ashleyloob]

I randomly got dragged to Mormon church and met the illustrator for A Series of Unfortunate Events who is apparently a bishop at the church, and now we are Instagram mutuals. today was so bizarre

[blazingkaistars]

Kitties

[the-meme-monarch]

i love the interpretations of Any of the pines being trans but to me mabel and dipper Are fraternal twins they are just also both trans. they just swapped names and ‘pretended’ to be the other. i know dipper being transmasc is like the most popular trans hc in the fandom, so to me this is why dipper’s name is mason but he always wanted the name tyrone

[99redragons]

Saw the Bill mugshot and immediately thought of this, had to do it. A scenario where they'd be arrested together is so funny. Ford's a bit beat up and dirty because he resisted arrest. Bill... is Bill.

[shalom-iamcominghome]

[wasyago]

the kind of chemistry these two have is very entertaining

[lycandrophile]

at this point i don’t even have any commentary to add to this. i’m just tired.

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[im-totally-not-an-alien-2]

It started back when he was 16.

His parents found out about him and Vlad thanks to the fruitloop being an idiot and practically outing them both. Danny was so lucky that he had planned for a situation like this. He had go-bags ready with a few changes of clothes, a thermos, some weapons, a star projector, lots of money from Sam and enough medical supplies to make a hospital jealous.

It was a good thing too, after crippling the GIW and destroying all the gear they and the Fentons had they destroyed their research and everything ghost related. Vlad at this point was already dead so he wasn't much of a concern.

Dannys had landed in an alley in a new dimension, only problem now was the parting shot his mother gave him on his back. Due to the placement of it Danny couldn't reach to treat it properly and he didn't know anyone in this dimension who could help him.

Thats when his ghost sense went off. He groaned, hoping he wouldn't have to fight a new ghost in this state when a man in a red helmet (Mask?) walked up to him and motioned for peace.

"I'm not going to hurt you." The man said gently, "I just wanna look at that injury, maybe help."

Danny stared at him. He didn't feel anything off about the guy and Danny prided himself on being a good judge of character. "Okay." He scooted himself around so his back was exposed to the stranger.

"Wow, you're really not from around here." Danny stiffened, had he been tricked? The man made no moves to hurt him, just got to work tending to his wound. The man was swift, and aside from the slight sting of an ointment he didn't recognize there was no pain at all.

Once Danny was all patched up the guy made to leave, "Wait!" Danny called out and the man halted, "Who are you?" The man turned his head to look back at him, still facing away from him, "Red Hood."

As it turned out, Red Hood was the new up and coming crime lord who everyone was talking about. He came seemingly out of nowhere and was making a lot of waves in Gothams underbelly. Gotham...so this was Dannys new haunt.

Danny wanted to protect it but...he wanted to protect Red Hood even more. So when he heard about Red Hood forming a gang he made a decision. He gathered up materials to make his own supervillian outfit- basically an all black outfit with a long hooded coat and combat boots- and to add the finishing touch he put on a all white gas mask that he had made himself, complete with a voice modulator, night vision, heat vision, etc. If Hood ever wanted him to prove it was him he could make his mask glow using his ghost powers. Not that it was needed. Hood seemed to be able to sense him in a similar way that Danny could but in a much much smaller range.

With that being said, hoods men didn't trust him at first, which was fair considering he just started randomly appearing at their operations and helping them out...by force usually. They weren't sure what to make of him but Danny didn't want to go through the usual goon enlistment process as Hood would want to know his name and face and everything else and Phantom was...well a phantom.

Danny liked to hide, even in plain sight. He couldn't deny the little game of cat and mouse they had was fun. Hood would try to follow him home or track him or get him to take off the mask and Phantom would dodge his attempts every time.

It took a while, but Red Hood did eventually come to trust him, going so far as to make Danny his right hand man after 3 years of working together, though that may also be because he had rarely failed any of the tasks Hood had given him.

Maybe thats why he never told any of the bats about him. He had picked up that there was something between Hood and the bats but he never could figure out what it was without prying into his bosses personal life. Still, it was rather shocking when Red Hood showed up one day with a large red bat symbol splayed across his chest.

It also made him look at how freaking chiseled his boss was. He couldn't count how many times he had to drag his eyes away from his abs and chastise himself for thinking that way.

Danny was in love with a man whos face he would never see. But that was fine. He was happier standing by this man's side and yearning than he ever was back in Amity and it wasn't like Hood knew his face or name either.

-----------

He felt like a halfa though an incomplete one. He had a core but it felt hollow, like the soul was forcibly removed somehow and only emotions remained. Hood gained a bad reputation for flying into a monstrous rage but was always calm when Danny was near, a fact that even Red Hood himself seemed to pick up on.

Hood began to fall for his second in command pretty quickly, always trying to feed him and take care of him (as is his love language) while Danny was openly obsessed with assuring Hoods safety and well being even going so far as to use his powers (that no one knows about) to overshadow a computer and hack into the bats systems to make sure Hood was okay after a prolonged period of him being MIA.

The bats are freaked but Danny being Danny gets lucky and they always seem to miss his trail by a hair. Lucky ghost.

Things start going sideways when Fenton tech starts showing up in this new dimension only for Danny to find out his parents have remade the portal and are looking for him. The bats are being hunted by his parents and and the now rogue government agency the GIW. Danny tries to explain things to Hood without compromising his own secrets but once the newest Robin gets captured and Hood freaks Danny puts everything on the line to go rescue the stabby bird.

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[shadowjinx626]

Me: Ahh, so Satan was in Hell way before Lucifer’s fall. Heck the way Ozzie and Bee look at Lucifer’s chair, insinuates how annoyed they are at him not doing his job.

Viv:

Me: How the hell were we supposed to get that!?

[gethoce]

New reference sheets for the two different Morpho Knights that exist in my AU. The former is the one we see in Star Allies while the latter is encountered in Forgotten Land.