#And there’s no tease of romance (canonically) | Explore Tumblr posts and blogs

twentyfivemiceinatrenchcoat · 8 months ago

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:((((((((( i ran out of tags . tumblr hates to see me thrive!!!!!!!

ok niku just . read the tags first and then come back here ok 🙏🙏 i have a lot i still need to say this is so important to me . this fic changed my life .

(WARNING this got long ….. really long ….. mysteriously. i got carried away 💔 PLS don’t feel the need to respond to any of this btw i mean that sincerely i know this is kind of a Lot i just need you to know much i adored this fic <3333)

BACK TO GOJO ok so his talk w reader…… it was just so satisfying to see them finally get to tell someone about their experience. it must’ve been such a great feeling for them !!!! to get some of it off their chest :((( … and to have Gojo Fucking Satoru our safe harbour of a man there to believe them and listen to them and reassure them. he’s so mature when it comes down to it and you captured that so well…… like as much as he acts childish and teasing this is exactly how i picture him interacting w someone he doesn’t know in a situation like this!! he’s flirty and unserious but he tells you he’ll protect you and means it. (i’m so down bad it physically hurts)

sorry i’m abt to go on a tangent i think BUT I JUST 😔😔 really… REALLY love their dynamic…. how it evolves so much even though he doesn’t even know reader exists for most loops!! and to them he’s just this beautiful Something that they can’t help but look at…… ”inhumanly attractive” is a great way to put it like he’s just….. this magnetic force……….. and i feel like even before they speak to him for the first time they probably find some kind of hope in him.

AND that’s so important bc to me that’s like . the main Theme of the fic? hope. reader has to find some kind of hope to make it through shibuya and more often than not they find it in gojo!!! in just seeing a familiar handsome face, in learning how to navigate the timeline through his actions, in talking to him and finally having him on their side. their choice to trust him fully at the end just made me soooo insane. and obv the hope theme continues even after that because gojo believes in them!!! believes that they’ll be okay in the prison realm….. more on that later actually bc i Still. have a lot to talk abt 😔👉👈 i’m just wildly flipping through my notes at this point i’m sorry to throw this at u when we’ve barely interacted but in my defense this fic reached into my actual skull and started rewiring my brain so!!!! yeah.

i got completely sidetracked there but . yes!! the conversation between them when gojo gets sent back in time is. so good!!!!! so wonderfully written!!!!! i haven’t mentioned it that much yet i think but i love your writing i devoured every line…… i struggle w the flow of my own writing SO much but this just flows so incredibly well??? it was sm fun to read????? and the rhythm of the paragraphs (that sounds. Insane but i hope u know what i mean 😭😭) is so distinct!!! and ofc there are SO many banger lines in this in general…. the gore descriptions and the lines abt reader and their fixation on hope. on gojo!! ”He's a terrifying sort of beauty and you can't help but be captivated by him.” <- this is just one example but!! idk i’m just so enamored by ur writing style.

and the dialogue!!!!!!!! i cried!!!!!! it’s so consistently gojo…. him going all ”oh?” ”interesting…” but not explaining anything … the ”ding ding ding!” after making reader guess what he should just be telling them (it’s the teacher in him <33) AND AND AND these too!!!! :3

“Just think of it like having a lot of MP.”

“You know, your technique kind of reminds me of save scumming.”

THEY JUST FEEL SO CANON that’s our gojo…… that’s exactly what he would say…… he’s so unserious and so funny and so charming 😔😔 sigh.

ANDDDDD reader telling him good luck!!!! gojo beaming and squeezing their shoulder!!!!! the lil wave!!!!! 🥺🥺 that made me smile so wide niku he’s so infuriatingly cute . it felt so genuine!!!! pls know that this gojo will probably live in my brain forever like genuinely . i’ve been brainrotting over him all week and this was the final nail in the coffin. i’ll never be free.

ok but also !!!! extremely important !!!!!!! before i get to the ending i just need to tell u . how much i loved kenjaku in this ……….. kenjaku nation (me & six others) will never forget these crumbs of content like he just feels so real!!!!! and he’s so interesting!!!!! made me realize how truly down bad i am for him bc these lines made me so fucking happy 😭😭 brain started releasing serotonin like CRAZY i’m so ashamed.

“You can come out, you know.”

”How interesting.”

"I'll be nice, though. I'll make it painless."

…….. he’s just ….. yeah. yeahhhhh. 😔😔 i’ll never be normal abt him. i think it’s SUCH an interesting detail that he always makes reader’s death painless in every single loop…. he never lies about it. that feels so in character to me too!!! he’s kinda fascinated at first and when that interest disappears he kills them. but he doesn’t make it unecessarily cruel because there’s just. no need. kenjaku is a sicko but he’s oddly polite at times and i’m just……. yeah. gonna need you to take over for gege akutami actually 🙏🙏 get in the writer’s chair!!! the fandom needs u!!!!!

wait while we’re on this topic pls just know the entire confrontation between reader and kenjaku was one of my favorite moments in the entire fic <333 not JUST because i’m a kenny stan ok……… reader’s resignation and ”I appreciate it.” made my brain spin because it’s just . kinda chilling? kinda sick? that they aren’t even really afraid of death anymore… or more like they’re just so frighteningly used to it.

AND AND ANDDDD niku your writing in this scene 😵‍💫😵‍💫😵‍💫 gutted me like a fish.

Time doesn't flow in the box. He didn't lie. You die again.

i exploded btw . ackkk i wish i could explain it better i just!!! :< adore your writing. these lines made me go completely batshit they’re just so good. and the ”time doesn’t flow in the box” line … how that ties in with the ending and reader’s choice. whewww.

segway time <3333 this is the final rant i promise!!! i just need to talk about the ending bc it was so perfect and like many other things in this fic it made me insane …. have i said that already …. probably at least a couple times 😔👉👈 it’s true ok!! it’s just sooo interesting to me and obviously so wellwritten and fitting and just. thematically ties everything together so well? i was FLOORED

hhhhh i don’t know where to begin so i’ll just start w the final convo between reader and gojo :> he asks for their name !!!!!!! i cried !!!!!!!!!! calling someone by their name or knowing their name as a form of like . Closeness or Affection is one of my greatest weaknesses and i also think it’s soooo telling that GOJO wants to know Your Name. he wants to know you. to hear that from someone who seems so inhumanly beautiful and violent….. for him to kind of extend a final olive branch and attempt to connect w you :((((( it just says so much without spelling it out and i. started chewing at my desk. it’s so good!!!!!!! such a genius way to tie everything together!!!! and reader’s final words to him…

“Thank you, Satoru Gojo.” You burn the glittering glow of his brilliant bright blue eyes into your mind. And then, everything is engulfed in an unending black.

first of all!!! so so sooooo pretty. wowow. second of all THE THANK YOU ☹️☹️☹️☹️☹️ that’s also such a perfect conclusion…….. reader finally put their trust in someone and had that faith returned. and they thank him!!!! i like to think it means something to gojo too…. likeeee how often do people really thank him for what he does? how often is his hard work to protect people acknowledged and appreciated? sorry to bring gojo back into the discussion all the time sadly i AM in love w him….. 😔😔 and this fic made it worse so technically it’s your fault. kind of.

okay so my brain is kinda spinning away again so i’ll get to the final final thing!!!! for real this time!!!!! reader’s decision to be imprisoned in gojo’s stead… that’s so . genius? i’m so in awe??????? it makes so much sense from a character perspective based on what they’ve been through — after being at the mercy of time for so long, wouldn’t it be nice to be free of it? completely? it’s almost kind of chilling and just the idea of it scares me LMAO but it makes sm sense that reader would be drawn to it.

AND like i mentioned before!!! how it leads to a deeper connection between them and gojo, and how at the very end of the fic he’s the one who has faith in them. faith that they’ll be alright, of sound mind.

…… and that brings me to the final final final thing because. it’s just like the opening poem!! reader is the cat in the box. nobody can say for sure if they’re alright, not to mention alive, until the box is opened. and we don’t get to know!!! you leave us on a cliffhanger and that’s so good bc it really is like the cat in the box…. we can only wonder but it also gives us the freedom to decide for ourselves if we think they come out okay or not and i’m just………….. in love. with this fic. and the ending and the reader and gojo and you.

hopefully you’ve noticed atp but i really did go completely insane reading this 😭😭 i said it at the beginning but just to reiterate!!: for SURE one of my all time favorite gojo fics . AND loopfics in general…. thank you sm for your hard work :’3 aaaa i can’t tell u how much i admire the time you spent working on this??? your storytelling and writing and characterization skills????? i genuinely feel sooo giddy and excited and happy rn bc. i just adored this fic!!!! i’m so lucky i got to read it!!!!! :33 pls pat your gojo on the head from me and let him know i love him…. it’ll boost his ego but that’s a risk i’m willing to take 😔😔 i hope you have theeeee loveliest day or night a human being can have bc you made mine <3333333

beyond the unending night (reader + satoru gojo)

notes: it's finally here. the long awaited halloween fic. yes, i know it's march, but i did start working on it in september. haha. there's so much i could say, but i will leave it at that this fic is, in every sense, a fic that i would not normally write. and yet here we are.

contains: f!reader (no physical description or gendered language is used), no explicit romantic pairing (though you don't have to look hard to find the reader x gojo implications), major character death (played with), semi-graphic depictions of death, blood and violence, minor suicide ideation, canon retelling (lines of dialogue are pulled from the jjk english dub because i'm a dirty dub watcher). opening poem is from higurashi no naku koro ni (minagoroshi-hen). fic title is from giga's beyond the way.

please note that this is a time loop fic and, by nature contains repeating scenes (particularly from canon). please do not read this fic if you do not like that sort of thing.

wc: 21,883 read on ao3 (account required)

Please tell me what happened in this night. It's like the cat inside the box.

Please tell me what happened in this night. You don't know if the cat in the box is dead or alive. Please tell me what happened in this night. The cat in the box was dead.

The first time, it is instant— you don’t even know what’s happening.

The second, it is by flame, but you barely realize it, barely feel it— a second of mind numbing heat before nothing.

The third time, it is something slicing across your throat; you see the blood spilling everywhere, then the pain follows— a moment of pure agony before nothing.

The fourth time you realize what’s going on; what’s really going on.

You realize you’ve been dying.

You think your head is going to explode.

At first, you think it’s because the subway platform is crowded, insanely so— there are hundreds of people shoved into this space alongside you, packed like sardines in a can. You’ve never been one for crowds, but it’s the reality of things when you live in Tokyo. For the most part, you’ve learned to accept it, but even this crowd is a little much and you wish you hadn’t listened to your friends when they said you should go party in Shibuya for Halloween; you don’t even like partying.

There’s a sharp pain in your temple followed by a thought so loud that it feels like someone is screaming it at you through a megaphone positioned right next to your ear.

It’s the night of October 31, 2018— Halloween in Shibuya.

For the eighth time.

Before you can even question the thought, images flash in your mind’s eye, blurry at first before they come into focus. The platform gates open. Chaos ensues. People dropping onto the subway tracks— spontaneously bursting into flame— their heads, necks sliced off, stomachs cut open—

Bile rapidly builds up in your throat, and you clamp your jaw shut, trying to force it down. Not here. Not now. You try to focus on something else, anything else happening outside of your brain. There’s a pair next to you musing about the people standing on the subway tracks, wondering what the two (the four?) of them are talking about. You blink back tears as you look. You can only see two: a freakishly tall man with white hair dressed in all black, and another man, dressed in strange, yet more traditional looking garb. Are those costumes too? You don’t have a lot of time to think about it as another image forces its way into your brain.

Your corpse— lifeless on the ground.

Your corpse— burning to ash.

Your corpse— bleeding out.

You can’t hold it in any more. Every fiber in your being screams at you to get away from the subway tracks, but instead you rush toward them, shoving people left and right as your hands desperately reach the stability of the gate. You grip it like a lifeline as you retch over the side of it, the contents of your stomach spilling all over the subway tracks.

There’s a quiet murmur of disgust behind you but you can’t be bothered to respond. You need to get out of here. You need to leave. You need to do it before—

The gates open and the crowd starts to move like a tidal wave, pushing and shoving their way through the gate. You’re swept away, vomit long forgotten as you and a few dozen others tumble onto the railway.

Alarm bells go off in your brain, loud and deafening. A voice in the back of your head screams for you to get off the track! Get off the track now before—

The platform erupts into a cacophony of screams, drenched in horror, saturated in fear. You are surrounded by people, by corpses— beheaded, sliced open, bursting into flames.

Your terror roots you to the ground as the carnage ensues around you. It’s only when another person, another corpse, dressed in a magical girl costume collides with your body that you can finally move. But it’s too late, you realize, despaired and helpless, as your bodies fall to the ground.

It’s too late.

You die an eighth time.

You think your chest is going to explode.

At first, you think it’s because it’s so hard to breathe, frustratingly so— there are hundreds of people squeezed into this space alongside you, packed like cattle for slaughter. You've never been one for crowds, but it’s the reality of things when you’re in Shibuya. For the most part, you’ve come to accept it, but this crowd is way too much and you wish you had just stayed home and ordered a pizza; though honestly, the thought of pizza kind of makes you sick.

There’s a dull throbbing in your forehead, followed by a thought so loud that it feels like someone’s hollering at you from a loudspeaker that’s been installed in your brain.

It’s the night of October 31, 2018— Halloween in Shibuya.

You think it's the ninth time now.

Behind you, you hear a woman screaming, her voice crazed and terrified. You turn your head automatically to look at her and when you see her you realize you recognize her yellow and white magical girl costume. You can say with certainty that you’ve never seen her before and yet—

Before you can ruminate more on it, images— memories assault your mind’s eye with a clarity that is absolutely sickening. That woman colliding into you, your bodies slamming into the subway tracks before you both— Your stomach churns violently,

and you feel like you’re going to puke, but you force it down— can't afford to right now. Instead, you make your way over to the woman.

Her head is in her hands as she mutters over and over again about how everyone is going to die. People around her figure that being stuck in here with the crowd has probably gotten to her. You, however, know better.

“...hey,” you say softly.

Her muttering comes to an abrupt halt and slowly she raises her head to look at you. There’s a flash of recognition in her eyes and she grabs you violently by the shoulders. “You! You know, don’t you? That we’re going to die?”

If it weren’t for the fact that you have indeed experienced death here eight times already, then you would have thought she’s lost her mind. Slowly, you nod and she seems relieved by it, her grip on you loosening.

You can’t help but feel a little relieved too— glad to know that you’re not the only one experiencing this nightmare. There’s a voice in the back of your mind that’s confused though. Why is she only remembering now? But then again, it took you a few times before you realized yourself.

Around you people start to gasp, and you glance back toward the railway to see an abnormally tall man with white hair and dressed in all black jump down from the atrium onto the railway. He lands rather gracefully for someone who jumped at least one floor and starts to converse with the other three people (you think they're people— two of them are in some pretty wild costumes) on the track.

Wait. Isn’t it supposed to be just two people: the tall man and the one in the traditional clothes? Where did the other two come from?

“We have to get out of here,” the woman says. “Before they kill us.”

Her grip shifts from your shoulders to your arms and she starts to shove at everyone around you, trying to force her way through. She seems to know, just as well as you do, that any second now the gates will open and the crowd will start spilling onto the railway, littering the tracks with bodies and ash. Neither of you can let yourselves get swept up with the rest. If you do and you end up on those tracks, you’re as good as dead.

People move aside at a snail's pace, many of them too focused on trying to see what is going on on the subway tracks. This isn't good. You need to move faster or else—

The collective sound of the gates opening echoes in your head, a metallic hiss that makes your stomach fold into itself. Before either of you can stop yourselves, you both whip your heads back to look, to confirm, but it’s a mistake.

The briefest lapse in attention is enough to pull you both into the current of people, and try as you might to fight against it, the crowd splits you and the woman apart as it swallows you both whole. You’re both spat onto the tracks at the edge of the platform and your head collides with the metal rails of the track. It feels like your skull is about to crack in two, and it takes every fiber in your being to scramble to your feet. You're close enough to the platform that if you can just climb up it, then you'll be—

“Help! Help!”

It’s the woman’s voice. You turn to see that she ended up a couple meters away from you. She’s staring at you, eyes brimming with fear filled tears as she extends her hand in your direction. You take a step toward her, reaching out.

And then, her entire body is engulfed in flames, the skirt of her magical girl costume a ring of fiery death around her.

Her blood curdling scream is the only thing you can hear, her burning flesh, the only thing you can see. You don’t know what to do.

You can’t save her.

There's something touching your back. You can barely feel the pressure, but it's hot, scorching hot, mind numbingly hot, painfully hothothot.

You know this sensation. You have felt it before. The scent of burning cloth, burning hair, burning flesh clogs your nostrils. It's too late, you realize, helpless, despaired as the flames eat at your body— your soon to be corpse.

It's too late.

You die a ninth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the tenth time.

Your head hurts, but you ignore it. There’s something more important that you need to attend to. You immediately make your way to the woman you met during your last round, the one you watched burn to death. Her costume is still pristine, unmarred by fire and death.

For now.

She’s not screaming this time and while there’s a little voice in the back of your mind that’s concerned by this, you try to ignore it.

“Um, excuse me?” you say when she doesn’t acknowledge you as you approach.

The woman turns to look at you. You’re taken aback by the distinct lack of recognition and it feels almost as if the woman you encountered previously and the one before you now are two separate people. In a way, they technically are.

“Do I… know you?” she finally asks when you don’t say anything.

Your mouth is dry. How do you even answer that? You don’t know her. You just watched her die twice. You know her. She begged you for help. You couldn’t save her.

If you explain all of this you know she’s just going to think you’ve lost your mind. Maybe you already have— you’ve died nine times after all.

You give her a weak smile. “I… just wanted to tell you that you think your costume looks great.”

She blinks, taken aback by your words. There’s no doubt that she wasn’t expecting you to say that. It’s the truth though, her costume is nice; she’s dressed up as a character from a magical girl anime that was popular a couple years ago.

“Thank you! I made it myself!” The woman breaks out into a genuine smile and your heart hurts. In a few moments she’ll die and the costume she worked so hard to make will be nothing but ash on the subway tracks.

“Sorry,” you blurt out before you can stop yourself.

“For?”

For watching her die. For not being able to save her.“...I just kind of came up to you all of a sudden…”

She laughs. “It’s okay.”

It’s not.

You consider telling her that she should try to move. That if she stays here she will die. You don’t want her to die. Again. You can still hear her screaming in your ears as she burned to death. You want to tell her.

You don’t.

“Stay safe, okay?” you say. It almost sounds like you’re begging.

She gives you another smile, kind and gentle and you think you’re far too undeserving of it for not telling her what fate will soon befall her. “You too.”

“I’ll try,” you say and move away from the woman just as the gates open and the crowd surges toward the railway. You do not fight it as you are swept up into the crowd and despite what you said, you do not try, this time, to stay safe.

You die for the tenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the fourteenth time.

There’s a slight ache in your head, but it’s subtle enough that you can ignore it. The pain you feel lessens with each round and you think it’s a sign that your body no longer feels the need to remind you of the precarious situation that you’re in.

Or maybe you are just becoming numb to everything: your death, the death of the people around you, the death of the woman in the magical girl costume—

You try not to think about it too much as you reach into your bag to check the time on your phone: 8:37PM. There’s not a lot of time: you need to move.

At the very end of your last attempt to escape this nightmare you realized something. You need to know exactly what is going on around you so you can plan accordingly: where to not stand, where to not go. Up until now, you’ve relied almost solely on the knowledge gained from your previous failures to try and survive, but obviously it’s not enough to keep you alive. You’re not sure why you didn’t realize this earlier. The panic, maybe? The fear?

Maybe you really are becoming numb to all this.

Unlike previous iterations, this time you elect to move closer to the gate, positioning yourself somewhere against it where you’re unlikely to be pushed off the platform in a couple minutes when they open. You take great care to place yourself where you can see the ones responsible for the slaughter very clearly. At the beginning, you could only see one, the one who looks the most human, but with each repetition, the other two have become more and more clear. You wonder why. You don’t have time to think about it.

Murmurs nearby alert you to the arrival of the fourth major player involved in the night’s events. You look up and see the white haired man dressed in all black descending upon the platform like an angel from the heavens. This is your first time really looking at him and you realize there’s something almost inhumanly attractive about him. You can’t quite put your finger on it, but it occurs to you that you shouldn’t even try; you don’t have the time to be drooling over some handsome stranger.

You’ve naturally never taken the time to try and listen to whatever the conversation the man and his opponents have before all hell breaks loose on the platform, but you try and lean closer to listen. It’s hard to hear over the dozens of conversations going on behind you, but you try anyway. There might be a clue to what’s actually going on— or better yet, a clue on how to get out of it.

It’s obvious that you’re missing context from what bits of the conversation you do manage to hear, but honestly it all sounds like stuff out of a shounen battle manga. There is one part of the exchange that you manage to hear with a startling sort of clarity. It feels almost as if your heart stops beating as your blood turns ice cold in your veins.

“If I run away, you’re just gonna kill everyone here, right?” the man in black asks.

There’s a pause, and if your heart was still beating it’d be long enough for just four heartbeats.

“If you run away?” The monster with cane repeats, the sadistic grin spreading wide across its features, displaying its charcoal black teeth. The gravelly sound of its voice sets fire to the blood in your veins, your stilled heart thumping wildly, in fear, in anticipation. Soon. It’s happening soon. You brace yourself. “We’re going to do that even if you don’t!”

You die a fourteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is the seventeenth time now.

Things are going surprisingly well, even as the people around you tumble onto the tracks. You manage to hold on, desperation keeping you from falling into the abyss. This is good, you tell yourself, despite the fact that it’s not the first time you’ve achieved this. Every little victory is worth celebrating, but you have to remain vigilant. This is yet another information gathering loop, and while you know that maybe this time you’ll be lucky and live, there’s still a chance, a big one, at that, that you will die again.

You have to make the most of each and every death.

It’s such a morbid thought, but the ends justify the means, or so you tell yourself. If you have to die a few times to make it out of this unending nightmare, then so be it.

The spot you’re in is a good vantage point; it’s easier to see everything happening below you. It’s so good that it’s actually sickening. You watch as the monster with the cane and one with what looks like branches for eyes slaughter the people on the track, mowing them down, setting them aflame. In another life, in another many lives, that was you down there, and for what feels like the first time in forever, you feel like you’re going to be sick. You feel like, at some point, you likened the scene before you to some kind of shounen battle manga, but you think that was wrong.

This is borderline horror.

Everything plays out before you like a scene out of an action horror flick. If you didn’t know better, you’d think you were just an extra on set, but you know the reality is that you’re just an extra to whatever phantasmal battle is taking place in front of you. The monsters and the strangely dressed man all try to attack the man in black, but he manages to block every hit effortlessly, as if he is protected by some sort of invisible barrier. When it seems the two monsters are about to hit him, he merely jumps out of the way and the two monsters seem to collide, the force of their combined strength sending a gust of air throughout the crowd. The man in black neatly lands on a nearby platform half wall and says something about curse users, whatever those are, to the monsters, before he starts to mock them, pulling down his strange blindfold in the process.

And this, you’ve found, is where you start to get in trouble.

You clearly remember thinking, at some point, previously, that there was something attractive about this man. You still don’t know what it is. You haven’t had the time to try and figure it out, but there is one thing that you do know: you can’t keep your eyes off of him.

He drops back down onto the tracks, antagonizing his opponents in an arrogant tone as he approaches. When he comes to a stop between the two monsters, the second round of their fight begins. They try to hit him, but he dodges still, gracefully, fluidly, like the three of them are embroiled in some sort of passionate, yet violent dance.

You cannot turn your eyes away as he cruelly rips off one of the arms of the one-eyed monster.

You cannot turn your eyes away as he brutally kicks the branch-eyed monster in the abdomen, sending them flying to the other side of the platform.

You cannot turn your eyes away as he effortlessly hurls the one-eyed, now one-armed monster in the same direction, sending them smashing into the wall.

Only when the man in black seems to fly to the other side is the spell over you seemingly broken. Still, your eyes give chase, and your body too, rushing from one side of the platform to the other. You can’t lose sight of this fight, you tell yourself, settling in a spot you recall being safe during your last round. Doing so could mean another death, another loop, another October 31.

You watch as the man in black acrobatically dodges what looks to be vines or roots that the monster with branches for eyes seems to have summoned from the depths of the Tokyo metro. He lands on the monster’s shoulders, balancing on them as he uses its branch-eyes for leverage. The look in the man’s eyes is so crazed that you can see it from where you’re standing. He says something to it and then—

With a feral and sadistic smile, he rips their eyes straight out of their skull.

Your heart is pounding wildly in your chest as you watch the fight unfold. It is horrifyingly, disgustingly violent, yet still you watch as people on the track are killed by the human-like person, blood raining down as their freshly beheaded skulls go flying into the air. He and the one-eyed monster launch their counter attacks against the man in black and the blowback is so intense the power goes out causing everyone to scream.

There’s a faint glow where the man in black is standing that starts to grow brighter and brighter. You can make out his form turning to face the wall, and it seems almost like he’s slammed the monster that had branches for eyes against it with some sort of telekinetic power. Despite the panic from the people around you, you manage to hear him, chuckling like a mad man as he draws closer and closer to the monster.

The one-eyed monster yells out a name, a name you think must belong to the man, but he doesn’t hear it. He doesn’t hear the one-eyed monster as he extends his hands out toward the eyeless monster, exerting some kind of force that you can’t really see. He doesn’t hear the one-eyed monster as the eyeless monster’s entire body is vaporized in a flash of blue light. He doesn’t hear the one-eyed monster, as the lights flicker back on revealing a smoking crater stained with purple blood where the eyeless monster once stood.

But you do.

Satoru Gojo.

You make sure to remember that.

It’s October 31, 2018— Halloween in Shibuya.

And this is the eighteenth time.

You watch as the man called Satoru Gojo stalks through the crowd of people on the subway tracks, chasing after the one-eyed fire monster. It throws people at him, in a clear attempt to slow him down.

It does not work.

Satoru Gojo climbs back onto the platform in a way that you can only describe as inhuman, and the people nearby shriek and move away from him, out of terror, out of fear. You, on the other hand, draw closer, refusing to lose sight of him.

He is relentless in his pursuit of the one-eyed monster. It continues to throw person after person at him, but he does not stop and the people float there, suspended in midair before they are gently lowered to the ground by some unseen force and scramble away.

No one dares get close to Satoru Gojo, everyone on the platform seems to know that doing so means certain death, yourself included. But you still feel the need to keep an eye on him. The monster and the strangely dressed man are focusing more on him than the crowd— anyone in between is just collateral damage.

But not you.

Especially since you’ve made it this far— you’ve never made it this far before.

A voice echoes throughout the platform; you realize it’s the automated announcement.

An eight car train is pulling in. Please wait behind the yellow line.

You can hear everyone’s relief coming from all sides. The train is coming! The train is coming! A ripple of hope makes its way throughout the crowd. With the train comes the chance to get off the platform and the senseless violence that’s been happening here. Some of the people around you are talking excitedly and others are running toward the gates, toeing the yellow line they’ve been instructed to wait behind. And you, you should be excited, you should be hopeful.

All you feel is dread.

It eats at your stomach, at your chest, at your mind. Clawing and gnawing at you in a way that leaves you paralyzed on the platform. There’s something wrong here. You can’t be sure because you’ve never made it this far, never survived long enough for the train to come, but something is just not right.

No.

You must be paranoid. The train coming is a good thing. It has to be a good thing. You are just paranoid. It’s normal. It’s natural. Dying seventeen times would do that to anyone— rob them of hope, condemn them to an existence full of fear.

It is not lost on you that the thought of dying more than once, much less, dying seventeen times is not normal or natural in the very slightest.

But you need hope, you crave it, wildly, desperately. The hope of freedom, of escape is the only thing getting you through this unending nightmare. Every time you die, every time you wake, it is with the hope that maybe, just maybe this iteration will be different, maybe this one will be the one where you make it out, make it back to your friends who must be waiting for you, make it back home where you can be safe and sound. You need the hope to keep going. Because without hope, what will you have left?

The train screeches as it pulls into the station and the people around you laugh in both disbelief and relief. They start to push and shove toward it, fighting to be able to board because there’s no way everyone here will be able to get on an eight car train and being left behind at this point is practically synonymous with death. Unable to decide if you believe in the train as a symbol of hope or a new layer of fear, you are pushed along with the crowd toward it.

The doors of the train cars slide open and the current passengers all rush off as they disembark. You as well as everyone else on the platform can see with a horrifying clarity that the train is filled to the brim with monsters. Monsters that reach out and grab anyone their hands can reach. The woman to your left. The person to your right.

You.

Hope is gone.

What do you have left?

You die for the eighteenth time.

It’s October 31, 2018— Halloween in Shibuya.

This is probably the twenty-sixth time now.

If there is anything this entire ordeal has taught you, it is that you are resilient. Whether it is some innate trait that you never had any reason to uncover before or just a byproduct of being trapped in an unending cycle of being dead and not dead, you don't know. What you do know, though, is that even if you no longer have hope, you at least have your resilience.

Whether you want it or not.

You check the time. It’s 8:35PM. Something flickers in your chest, like a faint light in a sea of darkness, but you ignore it. You don’t have time right now.

With a nimbleness born from your previous failures, you weave your way through the crowd. You’ve done this enough times to know where the gaps are— who will yield and who won’t. Your destination is the escalator that leads off the platform and up to a higher part of the station. You’d noticed previously that the escalator along with every other entrance onto the platform will eventually be blocked by vines or roots of some sort (the work of the branch-eyed monster probably). It’s not a perfect plan because you don’t know what happens on the other side, but whatever it is has to be better than whatever is happening on the side that you’ve been on.

You’d tried to get to the stairs during your last two rounds, but you’d just missed it. You hadn’t been fast enough and had gotten caged and slaughtered along with the rest. But this time, this time you have more time. It’s just one minute, but it’s enough. You know it is.

The flickering in your heart grows stronger. Hope. You try not to pay attention to it— you don’t want to be disappointed yet again. But you want to so badly. A voice in the back of your mind tells you to focus on the good, tells you that if there was truly no way out of this endless nightmare, then why would you get more and more time with each round to escape your fate?

With that thought in mind, you break out into a run, recklessly rushing through the crowd, shoving anyone who will not yield to the side. Out of the corner of your eye you can see the stark white of Satoru Gojo’s hair as he descends upon the platform.

You need to get up those stairs.

Now.

If you remember correctly, the roots and vines don’t close off the area the moment he touches down, but a little after they start talking, so you think there is probably some time, but you can’t leave it to chance.

The stairs are packed, and for some reason no one is moving. The escalator right next to it is just as full and the power doesn’t seem to be working. You don’t have time for this. You clamber onto the escalator’s rubber handrail, ignoring the weird feeling that passes through your body as you do so. You don’t have the time to worry about whatever that is. The people around you start exclaiming around you, but you don’t care, you don’t listen. You wobble as you try to balance yourself and when you think you’re steady you try to run.

But you trip.

And you die for the twenty-sixth time.

It’s October 31, 2018— Halloween in Shibuya.

This marks the thirtieth time.

And you have, finally, finally made it up the escalator, up the stairs with barely a second to spare. You pause, glancing back as the roots or vines or whatever the hell they are seal off the entrance to the platform. You notice that the area where the plants come down is actually fairly clear, despite the crowd. It seems weird, but you don’t dwell on it.

A strange feeling envelops your entire body and your legs turn into jelly. As you sink to the floor, you realize what you’re feeling is relief as all the tension, maybe thirty iterations of Halloween 2018 worth, seeps from your being. You don't remember the last time you felt anything other than fear and dread; it’s weird, but not unwelcome.

That voice in the back of your mind tells you that you can't relax just yet: October 31st isn’t over. Even though you have repeated this night again and again, burning the events that play out on the platform into your memory, you do not know a single thing that happens over here. It would be smart to scope everything out.

Legs still shaky, you rise to your feet and start walking. You think it’s probably for the best to try and head up to the surface and you make your way up to the next floor.

It’s packed with people here too, but relatively peaceful, especially when you compare it to the pandemonium taking place beneath your feet. Still, you can make out the undeniable hum of displeasure resonating throughout the crowd. People complaining about how uncomfortable their costumes are, people complaining about how much they want to go home, people complaining about how much their nights have been ruined because they couldn’t meet up with their friends and—

A thought hits you like an eight car train.

You were supposed to meet up with your friends.

That’s why you were on the platform in the first place— you were waiting for them to arrive, but then the trains stopped working, and people just started pouring into the station out of seemingly nowhere (you think you heard some people say they’d come from the crossing?). Soon after that is when everything went to shit.

You check your phone, though, for once it’s not to look at the time (8:56PM). Instead, you open LINE to check your friends’ group chat. There’s no signal here, for whatever reason, so if there are any new messages, you haven’t received them. The last one was from Kei, mentioning he was enroute, but as far as you know, you’re the only one who made it to Shibuya before the trains stopped.

Did one of them maybe make it here though? Surely, you would have run into them if—

The image of a woman in a magical girl costume fills your vision, burning to death before your very eyes as her screams echo in your ears. It is the first time in what feels like forever that you’ve thought about her and your stomach churns violently. You couldn’t help her, you can’t even help yourself, so how could you even expect to do the same for your friends if they were here? The mere thought of having to watch them die over and over is almost enough to send you over the edge. You don’t know if you could do it.

Would you even have a choice?

No. You can't think like that. You have choices. You've had choices. If you didn’t then, you would still be down below, among the fire and brimstone. Dying, if not dead already. However, instead, you are up here, where, for the moment, it is quiet and peaceful.

That thought, in of itself, is enough to give you a shred of solace, a glimmer of hope.

You take a deep breath and fiddle with your phone a little more, changing your lock screen to a picture you and your friends took at a photo booth not too long ago. The four of you are huddled together, faces squished as if you're all struggling to fit in the frame, despite there being plenty of room. You're mid-laugh because it's the first time you've been in a photo booth in years, Mio and Shin are grinning mischievously and finally, Kei is smiling, but only just slightly, the embarrassment clear on his face. It's probably only been a few months since you all took this picture, but the fact that it feels like it's been years makes your heart ache.

You press your forehead to the screen, like a prayer, like a promise.

You will make it out of this nightmare.

No matter what.

A shrill scream yanks you from your thoughts and you are instantly on your feet, alert as your eyes flit around frantically to identify the source. It doesn't take long for you to find it and when you do, you think you might have stumbled upon a new layer of horror to this nightmare.

It’s not the corpse, dangling by a noose, that terrifies you— by now you’ve seen dozens upon dozens of dead bodies that the sight of just one more doesn’t faze you in the slightest. The thing that’s the most mortifying, that’s the most disturbing is that right next to where the body is tied are two girls, two teenage girls still dressed in their school uniforms.

You can accept monsters and weirdly dressed men being responsible for the carnage tonight, but children too? Both girls look like they’re barely in high school and try as you might to rationalize things, to chalk it up to coincidence, you cannot ignore the ominous energy radiating from them.

The very notion that these two children could have killed someone here is a hard pill to swallow, but so is the fact that you’ve died.

And you’ve had to swallow that pill thirty times now, so what’s once more?

“Listen up!” one of the girls yells over the crowd, but she is mostly ignored; you don’t think everyone here has noticed her and the corpse dangling from the rafters. She scowls and turns to the other girl and says something quietly to her. The other girl nods and almost instantly she’s stringing up another person, another example. You want to look away so badly, and yet you cannot bring yourself to and you watch the poor soul choke to death.

“I said listen, you dumb monkeys!” the girl shouts, and this time she’s caught most of the crowd’s attention. “If you don’t want to end up like these two, you’ll listen to what we have to say!”

There is clear dissent among the crowd, people dismissive as they utter their disbelief. Some seem to think it’s a prank, but you know better. It takes two more examples before the crowd goes silent before the two high schoolers.

“About damn time!” The girl roars and then points toward the atrium, which is currently covered by roots and branches. “All of you move over there!”

You have a bad feeling about this.

Still, you comply; the girls have made it abundantly clear that failure to do so will result in death, though, at this point, you're almost certain this iteration is a bust and death is all but imminent. You try to keep positive— thinking you can at least gather information or, who knows, maybe there's a chance that this one is the one.

Yet when you step onto the mound of vines and branches that cover the atrium it feels as if you've crossed the threshold into hell. Your footing is stable… but for how long?

An eight car train is pulling in. Please wait behind the yellow line.

It's faint, but you can hear the announcement from below. The liquid in your stomach curdles at the sound as you recall the train and, in particular, what is on board. Soon enough, those monsters will be swarming the platform, massacring everyone in reach, guzzling down their blood, feasting on their flesh—

It dawns on you that the people on the platform are the monsters' first course.

And you, and those around you here in the shrubbery, are the second.

As you realize this, the branches and vines disintegrate beneath your very feet and suddenly you are mid air— falling, falling into the abyss below.

You die for the thirtieth time.

It’s October 31, 2018— Halloween in Shibuya.

You've done this nearly sixty times now.

After countless failures, you've decided that you're just not going to go upstairs any more. No matter where you try to go, you still end up herded onto the death trap above the platform where you ultimately fall to your death. You've tried positioning yourself in the same spot, tried bracing yourself for the drop— but nothing seems to work: upon landing, assuming you manage to land without hurting yourself or dying in midair (which has happened a couple times) you get grabbed and killed by one of the monsters from the train. It's probably not impossible, you just don't have the physical prowess or reflexes for it.

If anything, you can try again later, but you sincerely hope you don't have to.

It's 8:32PM, and you have plenty of time to get to your chosen spot for this loop— it's close to the stairs, in the very center of the platform. Here, there's little risk of getting pushed off onto the tracks when the gates open. You'll probably have to move when the train comes, or even before (assuming you survive) to avoid the monsters, but you'll get to that when it's time.

You can't really see the fight once it breaks out after Satoru Gojo arrives, but you still try to keep track of it as best as you can. You see when he hurls both monsters across the platform and you're not sure if it's muscle memory or what but you have to fight the urge to move to the side and watch. It's been a while, yes, but you've seen the fight countless times before— it doesn't change. Satoru Gojo will give chase. He will rip the branches from the branch eyed monster's skull. He will use some kind of power to eviscerate them.

You don't need to watch, but there's something in you that wants to.

It doesn't make sense, you've seen it all before; if you're unlucky you'll see it all again.

The lights go out and people start screaming; Satoru Gojo is ending the life of that one monster. Soon enough he'll be back on the platform, in pursuit of the other. You think at that point it would be good to move, reposition yourself as far from the incoming train as possible.

When he rises from the tracks like a demon straight from hell, you realize it's the first time this loop that you've actually gotten a good look at him. You remind yourself, again, that this isn't the first time you've seen this man, this scene. You can't help but watch, but stare at Satoru Gojo as he stalks through the crowd in pursuit of his prey. His expression is an eerie sort of calm that's at odds with the acts of violence you've seen him commit— his eyes an unnaturally bright blue.

He's a terrifying sort of beauty and you can't help but be captivated by him.

An eight car train is pulling in. Please wait behind the yellow line.

The sound of the announcement sends your heartbeat into a frenzy, snapping you out of your little trance. The train is coming and you need to get moving. As you dart to the edge of the platform, the thought occurs to you that even if you avoid the initial wave of monsters, it's likely you will inevitably be caught by them and killed. It wouldn't be impossible for Satoru Gojo to turn his attention to them instead of the two he's currently facing, but he's just one man— can he truly defeat all those monsters?

You can see the train pulling in and you brace yourself, praying that it'll work out somehow.

The doors hiss open and the screaming starts again as the monsters come bursting out of the train, biting and mauling anyone they can get their hands on. Those who were lucky enough to not be at the front start to scramble away and the monsters give chase. Your body is taut, ready to try and dodge any that come your way.

Out of the corner of your eye you notice something moving through the air. A person? With blue hair? You take the risk to look— they're attacking Satoru Gojo. He tries to punch them but they fly away from him to dodge— disappearing into the crowd.

You hear a loud cracking sound over the cacophony of the crowd and your stomach twists; you know what that sound is. The roots above the atrium disintegrate and bodies from above start to rain down onto the platform.

And then, you're not sure what happens— it's so quick that you only manage to see what looks like an explosion of blood surrounding Satoru Gojo. Corpses litter the ground around him and even from here you can tell he is shaken by the carnage.

The monsters have finally reached where you're standing, and you duck under one as it lunges at you. Although it's big and scary, you realize it's moving kind of slow. Right after it another one comes at you and you take a side step to avoid it; this monster is kind of slow too.

Maybe you can do this.

As soon as you think that a strange feeling courses through you. Every hair on your body feels like it's standing on edge and the voice in your head is telling you to look at Satoru Gojo. You don't understand why because you think he's the least of your worries right now, but you do it anyway.

He's in some sort of stance, one hand raised to his face, fingers bent in some kind of gesture. There's some sort of aura, oppressive and frightening emanating from his form.

Satoru Gojo is doing something.

You just can't tell what.

It’s October 31, 2018— Halloween in Shibuya.

And you are utterly confused.

Barring your first few loops when you weren't fully aware of what was happening, you have very distinct memories of how each of your previous iterations of this night have gone— of each and every one of your deaths. But for your last round, the last thing you remember was feeling the immense power radiating from Satoru Gojo's body, but that's it.

You do not remember dying.

In fact, you don't think you did.

And yet, here you are again, back at the start: it's 8:32PM and the monsters and strangely dressed man are standing on the subway tracks waiting for the arrival of Satoru Gojo.

You don't understand what's going on; you didn't die but you're still stuck in this damn loop. Up until now, your death has served as the trigger to restart the loop. It's not impossible that maybe you suffered a quick and painless death but you're almost certain that isn't the case.

Something else must have happened.

Something having to do with Satoru Gojo.

You have to find out what. If you don't, you won't know how to avoid it, and if you can't do that, then you really might spend an eternity stuck in this nightmare. And so you take great care to repeat the steps of your last round. You need to make sure to survive to the same point you made it to last time.

Miraculously, you do.

The moment you feel that sensation again, a prickling sort of feeling that envelops your entire body, your eyes are on Satoru Gojo— trying to figure out what the hell he's doing. His eyes are crazed with a desperate kind of focus. You see his mouth move— he's saying something. A spell? A prayer? A curse?

You don't know.

You do know.

Your brain feels like it's going to explode.

Again.

It’s October 31, 2018— Halloween in Shibuya.

Again.

You do not know how many times it's been the night of Halloween in Shibuya: you stopped counting around the hundredth loop. It feels like it's been a while since then. Or maybe it hasn't? You don't know any more.

What you do know is that this night ends up going one of two ways before you are forced to repeat it. Either you die, in some way, shape or form or something happens just after nine that forces you to reset. You still don't know what it is exactly; you only know that Satoru Gojo is responsible for it.

You do prefer it to dying— it's far less painful.

But if anything, you wish you could just die permanently and never have to repeat this night ever again.

Unfortunately, you know better.

The only good thing you’ve noticed about all of this is that you really do seem to keep waking up earlier and earlier. The last time you checked, it was at around 8:30. It might take hundreds of thousands of loops, but eventually you’ll certainly wake up early enough to avoid this damn entire mess.

But by the time that happens… will your sanity still be intact? Will you really be able to go back to a normal day to day life after living the equivalent of hundreds of years, repeating the same night over and over again? You don’t even know how you’ve managed to stay sane all this time and as much as you want to believe you could do it…

There has to be a breaking point.

For both your mind and this time loop.

If you’re lucky, you’ll reach the latter first.

There’s a dull ache in your head that feels foreign yet familiar. Your mind is foggy, all your thoughts hazy as you try to recall what the word for this feeling is.

Groggy.

It feels as if you’ve woken up from a nap and you blink the sleepiness away from your eyes. When was the last time you took a nap? It’s been a while… You think you maybe tried once or twice, but you were too nervous, too on edge. Awake or asleep, it didn’t matter because, either way, you were doomed to repeat this nightmare.

As you think this, you realize that something is different.

You’re used to how the start of each loop feels like waking up suddenly and abruptly and it becomes clear to you that you haven’t looped. This is completely uncharted territory.

You need to find out what’s going on.

The first thing you notice is that it’s quiet. Almost eerily so, especially when the last thing you remember was screaming and chaos. You glance around you and find that it looks like all the monsters from the train are dead, the ground littered in their bloodstains and corpses. There were so many of them, you don’t know how someone could have wiped them out so quickly… Could it possibly have been Satoru Gojo’s doing?

More concerning than the complete eradication of the monsters is the fact that nearly everyone else on the platform is standing stock still, their mouths ajar with blank expressions on their faces. It’s almost as if their souls have completely vacated their bodies…

Were you like that too before you woke up?

You hear voices, and your body immediately goes tense as you turn your head in their direction. A little ways ahead of you, you see a man dressed as a monk conversing with the blue haired person from earlier and before them is—

Your heart nearly stops: it’s Satoru Gojo, restrained and on his knees.

Honestly, you can’t make heads or tails of the conversation they’re having; it’s more shounen battle manga nonsense. Satoru Gojo doesn’t seem to be enjoying their conversation either, and he interrupts them, clearly annoyed.

“Are we gonna do this or what?” he asks. “The view sucks and I’m just kinda bored.”

“I wanted to enjoy this sight for a little bit longer, but you are right,” the monk says. “I wouldn’t want anything to happen— gate, close.”

When he says that, Satoru Gojo’s restraints move, the weirdly shaped cubes at the ends of them closing in around him, trapping him in a giant red cube. It starts to shrink until it’s small enough to fit in the monk’s hand.

You gulp and hope they don’t notice that you’re awake. The fact that they haven’t slaughtered the rest of the people standing around you is a good sign, but you don’t want to find out what happens if they know you’re cognizant.

It’s not hard to play the part of a living statue, especially when you compare it to everything else you’ve had to suffer through on this night. You watch as the monk’s allies, the ones who had attacked everyone on the platform, wake up, but before they can do or say anything, the box holding Satoru Gojo slips through the monk’s fingers and makes a dent in the concrete. The look on the monk’s face makes it clear that it’s a problem he wasn’t expecting.

You don’t know a damn thing about Satoru Gojo, but you feel like this kind of thing is the norm for him.

The blue haired person suddenly looks in your direction and you nearly stop breathing. Have they noticed you? It takes everything in you to keep perfectly still, in hopes that maybe they didn't, that maybe they’re looking at something else. They raise their arm and it extends, their hand acting like some kind of projectile. You almost shut your eyes and brace yourself for impact, but their hand flies upwards and hits something on the ceiling, destroying it.

Inwardly, you breathe a sigh of relief— you’re still safe.

For now.

You listen to their following conversation and while you still don’t fully understand everything, it’s clear they’re talking about what to do next since they’ve taken care of Satoru Gojo. Something having to do with someone named Yuji Itadori? The group seems split on what to do about him but it’s clear he’s their next target.

Eventually, everyone but the monk (you heard the blue haired person, who is apparently named Mahito, call him Geto?) runs off, probably to find this Yuji Itadori person. Once they’re gone, Geto speaks and, at first, you think he’s talking to you, but it becomes clear he’s addressing someone else. “Those cursed spirits are actually smarter than the two of you.”

“Give him back!” a voice hidden among the crowd hisses. Your blood runs cold at the sound. You recognize it; it’s one of the high school girls from the upper floor.

“We cooperated with you fully and kept dropping monkeys for you,” says another voice; it must be the other girl that was with her, the one who hung all those people.

“Now give us back Master Geto’s body like you promised!”

“Don’t toy with Master Geto any further than you have!”

You blink in confusion. Isn’t the monk named Geto? The way the girls are talking it sounds like they’re talking about someone else… Is it possible that the body is ‘Geto’ but the person they’re talking to is someone else possessing it? It sounds kind of crazy, but then again, so is every single thing you’ve experienced tonight.

Your suspicions concerning this ‘Geto’ are confirmed only seconds later as he says, “Now begone, or is it your desire to be killed by this body?”

One of the girls vows her revenge and you hear shuffling somewhere else in the crowd as they scurry away. Now you think it’s just you and whoever it is that’s puppeting Geto’s body. You see him plop down in front of the box (the prison realm, you think he’d called it) that’s holding Satoru Gojo.

“You can come out, you know,” he says after a while.

You freeze. The rest of the platform is completely silent. This time you think he might actually be talking to you.

“I know you’re there,” ‘Geto’ adds, his voice casual. “If you’re insistent on hiding, you should know that I’m not afraid of using whatever means necessary to smoke you out.”

Given everything his allies have done, there’s no doubt in your mind that he’s serious. You were hoping to hide out among the crowd until he decided to leave, but it looks like you won’t be able to now.

Looks like this loop is a bust after all.

Your heart starts to race as you weave your way through the crowd. In every single one of your loops, you were always treated like a bit character, never noticed or singled out by any of the major players of the night. Although this is your first time encountering this ‘Geto’ it’s clear to you that he’s involved with everything that’s happened here and honestly, you get the feeling he might actually be the mastermind behind the massacre.

That makes you even more nervous.

You come to a stop in the place where Satoru Gojo was once kneeling before he was put in that box. Now that you’re out in the open, ‘Geto’ looks you over with some sort of nonchalant curiosity.

“You’re…” he starts, sounding thoughtful, "not a sorcerer, are you?”

Sorcerer. You heard that term thrown around by him and his group a few times. It’s what they’ve been referring to their enemies as. It probably wouldn’t be smart to lie and say you are one; you get the feeling he’d see through your lie anyway. “I’m not.”

He hums. “How interesting.”

“...what do you mean?” you ask before you can help yourself.

“It’s just you have an abnormally large amount of cursed energy for a non-sorcerer,” he explains. “Though, I suppose that all just sounds like gibberish to you."

You nod and look down at the box lodged in the floor. It has eyes, big creepy looking eyes. "...are you going to do the same thing to me as you did to that man?"

He laughs, "...fortunately for you, the prison realm only holds one person at a time and I need him sealed away more than you."

"...does that mean you're going to leave him in there forever?"

"If I'm feeling nice, I might unseal him in a hundred years or so."

One hundred years? At this point, you've probably lived roughly that amount of time through your loops alone, but for Satoru Gojo… "Won't he die first?"

"Only if he decides to," 'Geto' says, looking completely and wholly unbothered. "Time doesn't doesn't flow in the box, so when I unseal him, he'll be the same as he was just now. Physically anyway. Who knows how deteriorated his mind will be after all that."

Time doesn't flow in the box.

The words echo in your mind over and over. Time doesn't flow in the box. In other words, that means time has stopped in the box, and if that's the case then—

"Anyway, rather than worry about him, shouldn't you be more worried about yourself?"

You look at 'Geto' and he's smiling at you, it's friendly, but ominous. There's no doubt what is going to happen next, though you had already resigned yourself to this iteration being a bust; it was only a matter of time.

Time doesn't flow in the box.

"I was thinking I might keep you around, even if you aren’t a sorcerer, your wealth of cursed energy would serve my plans well," he muses. "But… it would be too much trouble trying to teach you how to use it in time."

As he talks, you realize this is probably the first time your death is intentional— every other death you've suffered has just been a byproduct of the ongoing slaughter. You were just another casualty, a victim, never a target.

You're scared.

Even though you know that once he kills you, once you die, you'll just loop back to around 8:30 again. You'll be on the platform again. And you'll play out some sequence of events before you eventually die again. And again and again.

Time doesn't flow in the box.

"I'll be nice, though," 'Geto' says, raising a hand and another monster appears out of nowhere. You don’t even bother trying to figure out from where. It doesn’t matter, especially since this monster will surely be the one to end your life. "I'll make it painless."

"...I appreciate it," you say and close your eyes hoping that he's not lying about it.

Time doesn't flow in the box.

He didn't lie.

You die again.

It’s October 31, 2018— Halloween in Shibuya.

And you're trapped.

You don't know how and you don't know why, but you are stuck in a time loop— forced to suffer through the horrific events of the night before you die and begin it all again. It's been a long time since you stopped counting how many loops you've gone through, but if you had to guess, it's probably somewhere in the hundreds now.

You are so very tired.

But it doesn't stop. It won't stop no matter what you seem to do. You are stuck. You are trapped. You are doomed.

“Time doesn't flow in the box.”

Ever since that first loop where you heard whoever is possessing Geto's body say that, the words have been stuck in your head, playing on loop.

You finally realize why.

“Time doesn't flow in the box.”

It's 8:25PM when you wake up; that should be plenty of time.

You need to find Satoru Gojo.

After hundreds of loops you've come to a singular conclusion: you need to prevent him being sealed in the prison realm. You've witnessed it enough to know that you won't be able to do it alone; you'll need his cooperation.

You rush upstairs as fast as you can, ignoring the shiver that runs down your spine as you step onto the stairwell. According to your previous loops, Satoru Gojo arrives on the subway tracks at 8:40PM. With how crowded the upper floor is, you don’t know if you’ll have the time to intercept him and talk to him, but if you can at least figure out where to find him, then you can try and talk to him during a subsequent loop.

When you reach the fourth basement floor, however, you don’t know where you should even start. He’s pretty tall so you think you could spot him in the crowd, but… there are still so many people. It occurs to you that maybe it would be better to try and look from a higher vantage point so you head to the stairs that lead up to the third basement floor. You check your phone again. It’s 8:35PM; you need to hurry.

Luckily for you, you find him very easily on the third basement floor.

The only problem is that he’s in a hard to reach spot— squatting above a sign hanging over the crowd.

You check your phone again. It’s 8:38PM and he’s starting to move, presumably to meet with those waiting for him on the subway tracks. It’s good that you found him, but there’s no doubt about it.

You’re going to need more time.

The moment you wake up, you immediately bolt toward the stairs. It's taken many, many more loops, but you've finally brought the time you wake down to around 8:15. You're still not sure if it's enough time, but there's only one way to find out.

You barrel your way up to the next floor and zig zag through the crowd to get to the next flight of stairs. By the time you get to your destination, you're completely out of breath, your chest heaving as your lungs clamor for air. You’ve done this so many times, yet your body acts like it’s always the first. It sucks, but there’s nothing you can do about it. You slow to a brisk pace to catch your breath and check the time. It’s 8:27— a new record. Hopefully it’ll be enough.

The goal is to catch Satoru Gojo before he moves to his lookout point above the crowd. While not impossible, it would be difficult for you to follow him there. You eye the safety barricade that blocks off the area where he’ll be moving in just a few minutes warily.

Yes, getting over there would be extremely difficult.

You don’t want to think about it right now; you’ll deal with it when the time comes.

Especially since Satoru Gojo has now entered your field of vision.

Your heart starts to race at the sight of him and it feels like it’s beating a million times a second. There isn’t a lot of time. You need to talk to him, but your legs only wobble, your feet planted firmly to the ground. This is not good. You need to move. You need to move.

Finally, after what feels like both an instant and an eternity, your feet finally budge, propelling you in Satoru Gojo’s direction. The beating of your heart only grows louder as you make your way toward him, mingling with the single thought that’s echoing throughout your mind right now: will he even hear you out?

You need to make him.

“Excuse me!” The words nearly come out in a stutter as you realize that you are actually talking to Satoru Gojo. You have watched this man at a distance for so long that it almost felt like he wasn’t real, like he was just another fixture in this nightmare that you’ve been living for far too long. And yet, here he is, right in front of you, in the flesh.

And his attention is on you.

All sound stops: the crowd around you, the thoughts in your head, the beat of your heart. Even though you cannot see them through that blindfold of his, you know that Satoru Gojo’s eyes are on you and the thought of that, the knowledge of it is actually a little overwhelming. Your mouth is dry and suddenly you don’t know what to say, but you need to say something. You need to say something before he thinks maybe you bumped into him by accident and just walks away without a word.

“I need to talk to you!” The words just burst out from your mouth and something about it is just absolutely embarrassing. You’re not sure if it's desperation or the fact that you haven’t really talked to anyone other than the existence occupying Suguru Geto’s body in nearly forever.

Satoru Gojo’s lips slowly start to form a smile, “Oh, yeah?”

The sound of his voice makes your mind go blank. There’s something different about it right now; more playful, amused even. Maybe it’s because he’s talking to you, a harmless human being and not a monster trying to kill him. It’s almost kind of jarring, but you know, with certainty, what Satoru Gojo’s voice sounds like. And the fact that he’s actually talking to you right now has you kind of excited. You nod, doing your best to not show how thrilled you are that he’s not ignoring you.

He hums thoughtfully, “Sorry… but unfortunately I kind of have some business to attend to right now.”

“I—” You start to say that you know that he’s headed down to the platform below to fight with…Choso and Jogo, you think their names are— you don’t know the name of the monster with the branches for eyes. “It’s— it’s really important!”

Gojo tilts his head a little, clearly thinking. You should probably say something else, something to try and convince him to stay a little longer and hear you out, but your mind is both full and blank. Where do you start? From the beginning? Or do you start with what is most important? Maybe you should say what you think will get his attention. You’re not sure, and you realize you really should have thought about this earlier because you’re running out of time right now.

“...mind handing me your phone?”

You stare at Gojo, completely and wholly confused, but he just holds out his hand expectantly. When you don’t move, he wiggles his fingers a little, a silent gesture telling you to hurry it up. Without thinking, you reach into your bag and unlock your phone before handing it to him.

“Kind of sucks that cell service isn’t working right now,” he remarks as he types something into your phone before handing it back. “But! Here's my number.”

You look down at your phone and, sure enough, Satoru Gojo has added himself as one of your contacts. He’s even added a little star to the end of his name. That’s… a little unexpected. Why his number though?

“Are you… hitting on me?” you mutter in your confusion.

He laughs, “Well, you said you had something really important to talk to me about, right? So just give me a call when you get home or some time tomorrow and we can talk then!”

You’re not going to make it home, or even to tomorrow, and neither will Satoru Gojo. As you start to tell him this, he steps past you. Desperate, you try to grab him, but somehow, for some reason, you can’t. You remember he did this with Jogo and the other monster, made himself untouchable.

This is not good.

He gives you a little wave, cheery as he says, “I’ll talk to you later!”

You watch, helpless as he hops over the barricade beyond your reach.

Gripping your phone tightly, you take a deep breath. It's fine, it's not like you didn’t expect things to go well anyway.

You'll just have to try again.

Every time you’ve tried to solicit help from Satoru Gojo, it has gone the same way. He just won’t give you the time of day, and in some ways you can’t blame him; he’s clearly here to deal with the monsters down on the platform. You’re fairly certain that he probably thinks that whatever is going on with you is a much lesser issue in comparison.

Plus, it probably doesn’t help that in the times that you’ve approached him, you haven’t been able to articulate yourself particularly well. Once you start talking to him, you just get hit with something akin to stage fright and the connection between your mind and your mouth just stops working. It’s gotten better with each attempt, but…

It’s just so frustrating.

It is interesting that Gojo has given you his number every time, star symbol and all. You’re not sure what kind of person you were expecting him to be, but after witnessing him literally and viciously rip monsters apart, you’d figured he’d be a little more somber. However, in the fragmented conversations you’ve had with him he’s come off as far more friendly and playful than you would have thought. Is he the type of person to get more serious when the situation calls for it? You can’t help but wonder, but ultimately, it doesn’t really matter.

What really matters is that you’re able to convince him to help you.

You have to convince him.

“Excuse me!” you say, stepping in Satoru Gojo’s path. You don’t stutter this time, and your voice is more sure. This is good.

“Yes?”

His head turns in your direction and you gulp. Gojo’s gaze, despite that blindfold of his, still feels just as overwhelming as it did the very first time you approached him. You have no doubt that he’s sizing you up, but there’s just something about it that makes you feel like you’re being picked apart.

You take a deep breath and step closer to him, hoping your voice sounds firm enough as you say, “I need your help. I’m trapped.”

He chuckles a little, “I know, but yours truly is on his way to go beat up the bad guys keeping you all trapped here, so soon enough you’ll be all free to go on your merry little way.”

Right. You were so caught up in your own plight that you nearly forgot that technically you’re not the only one ‘trapped.’ Satoru Gojo obviously knows that everyone else is confined to this station, but you doubt he knows that you’re confined to this night alone.

“That’s not what I mean!” you sputter.

“Then what do you mean?” Gojo asks. Should you tell him that you mean that you’re trapped in a time loop? You’re honestly not sure— in the movies and manga you’ve read about time travel, revealing that sort of thing risks creating a time paradox which seems to be a bad thing. If you have to tell him, you will, but— “Oh, I get it.”

You stare, bewildered. Did you maybe just spew all of that aloud?

Gojo gives you a mischievous smile. “You’re hitting on me, aren’t you?”

“No!” The word comes flying out of your mouth. You can’t deny he’s attractive— you’ve thought it all this time, but that is not what’s happening here.

“No need to be embarrassed,” he continues, ignoring you. “I totally get it, so if you want, I’d be happy to give you my number!”

Again? You’ve received Satoru Gojo’s contact details in every loop you’ve talked to him, star symbol and all— you even have his number memorized. There’s something kind of odd about how he keeps giving you his number. Part of you wonders if he’s got some sort of ulterior motive, but you haven’t thought too deeply about it. There are way more important things going on.

“I don’t need your phone number,” you say. “I need to talk.”

Your response seems to give Gojo pause. Did you somehow manage to get through to him? No way. Your suspicions are all but confirmed when he gives you that familiar apologetic smile.

“Like, I said, I’m sort of in the middle of something, but…” Gojo reaches into his pockets and rummages around until one hand fishes out a folded up piece of paper. The other hand keeps digging around in his pocket and when Gojo seems to give up on whatever he’s looking for, he turns his attention back to you. “Got a pen?”

What?

Gojo tilts his head. “Well?”

“I do, but…” You trail off, unsure why he’s asking.

He holds out his hand waiting for you to just hand him the pen. You still don’t get it, but you reach into your bag’s front pocket and pull out the pen and hand it to him. Gojo looks almost like an excited child when he takes it from you, quickly scribbling something onto his paper before shoving it and your pen back into your hand.

You look at the paper; it looks like a receipt. For a disturbing amount of mochi that Gojo bought earlier today. The amount of money he spent is almost sickening; way too much to be paying for mochi. More importantly, you notice something juxtaposed over the receipt’s print.

It’s Satoru Gojo’s name and number.

He even drew a little star next to his name.

“If you change your mind later, just give me a call!” he tells you cheerily. “I promise I’ll make it worth your while!”

You gawk at him. He cannot be serious. You literally just told him that you didn’t need it and yet he still gave it to you. He must want you to contact him later, but you can’t even begin to understand why. It can’t have been something you said or did, right? Unless, he’s actually—

“Later!” Gojo’s voice cuts through your thoughts and you notice him walking off with a wave.

You can’t let him get away.

Again.

You crush the receipt in your hand and rush after him. Despite the crowd, Gojo seems to move through the people with ease and it almost seems like they are yielding to him naturally. It’s good for you. Makes him easier to chase.

“Wait!” you yell, but Gojo doesn’t even look back. Bastard. Your muscles strain as you try to run faster. You know you won’t be able to grab him if you get to him, but there has to still be something you can do to stop him. Circle around him? Cut him off before he—

Satoru Gojo reaches the barricade.

“Wait!” you yell again. “Satoru Gojo, wait!”

He does not even acknowledge you.

You’re almost there though. Almost. If you reach out your hand, then maybe, maybe you can grab him. Something in your head tells you that it’s useless; you’ve never been able to touch him. But, you don’t care, you don��t care because you have to try. You stretch out your hand, desperate and hoping, but just as you do, Gojo effortlessly jumps over the barricade, moving to survey the crowd.

Due to your momentum, you almost collide into the barricade, but you manage to stop yourself. You stare at Satoru Gojo through the glass. He watches the crowd for at most three minutes. Is this just another bust? Is there really nothing you can do? There must be a way you can get his attention. Is it possible to climb over the barricade? No, it’s too high. There’s nothing you can grasp onto or use as footing either.

This fucking sucks.

Another minute or two and Gojo will be on the move again, and there will be no way you can follow, no way you can get his attention. You press your hands against the glass, pushing against it. Naturally, it doesn’t budge. Why would it? If only you could get it out of the way. If only you could break it. This stupid barricade is the only thing between you and Satoru Gojo and there’s no way you can climb it, but if only you could break it.

If only you could fucking break it.

Suddenly, the glass feels warm. Satoru Gojo’s image starts to look a little distorted as the warmth beneath your fingers grows. Something is happening. The glass starts to vibrate and shake. Violently. The tremors grow stronger and stronger. You should stop. You should back away.

You don’t.

The barricade starts to crack and fracture and soon the sound of shattering glass resounds throughout the entire room. Everyone starts screaming. No one knows what’s going on— not even you. But you don’t care. It’s gone. The barricade is gone.

You take a step forward, toward Satoru Gojo. He’s on a beam that’s about a two meter drop from where you’re standing. That’s fine. That’s okay. You can make it. You have to. Without a second thought, you jump—

And you land on the beam. You look up and Satoru Gojo’s attention is back on you. He’s finally, finally turned toward you, face twisted into an expression you can’t decipher or even comprehend, but—

Something’s wrong; your world is turning on its axis, but—

Satoru Gojo is looking at you, and—

Up is very quickly becoming down, and—

Satoru Gojo is coming closer, but—

You’re slipping—

But he’s right there, and—

You’re falling, but—

He’s trying to catch you, but—

It’s too late. It’s too late.

The last thing you think you feel—

—is Satoru Gojo’s arms around you.

It’s October 31, 2018— Halloween in Shibuya.

And you are causing a commotion.

“Shit! Fuck!” you curse loudly. The people near you start to shift away but you barely notice; you don’t really care.

You were so close, so fucking close and yet… yet here you are again. It’s quarter past eight and you are back on the goddamn platform. You don’t know what happened; you remember falling and thinking you were going to die, but you are absolutely certain that, once again, this time, you didn’t die.

Is Satoru Gojo at fault again? Did he do something? Like he did all those other times you looped without dying? When you think about it more, you don’t think so. You don’t know what happened; all you know is that you tried to get to him, but you slipped.

And he caught you, you definitely remember that.

You still don’t understand why you looped, but there’s not much you can do about it now; it’s not like you can go back anymore. It just sucks, because you think he might have actually listened if you’d talked to him.

Or he would have come after you for… whatever happened with the barricade. It could have been taken as an attack on the crowd… But if he thought you were doing that, then why would he catch you?

You don’t know.

All you know is that you have to try again.

The only problem is that you don’t know how you managed to shatter the barricade. You think about it as you make your way up to where you’ll find Satoru Gojo. There is the possibility that it wasn’t you and something else happened to it instead, but that feels way too coincidental. It had to be you. That’s the only thing that makes sense. You just can’t figure out how you did it outside of wanting, wishing, praying for the barricade to break. It’s not like you have supernatural powers like Satoru Gojo and his enemies.

Despite your mind being completely and wholly occupied by trying to figure out how in the world you managed to break through that barricade, you still manage to make it to the second basement floor of Shibuya Hikarie by 8:25PM— a brand new record. Satoru Gojo doesn’t show up until around 8:34PM, so that gives you almost ten minutes to try and figure out what you need to do to try and replicate shattering the glass barricade again.

Except—

Except Satoru Gojo is already here.

The thought that maybe you’re mistaken flashes in your mind before it’s quickly dismissed; there’s no way you’d mistake anyone else for him. There is absolutely no denying it: that is Satoru Gojo. Bewildered, you double check the time on your phone. Maybe you misread it and you’re actually late but sure enough you read it right— Satoru Gojo is here early.

What the hell is going on?

Of the thousands of times you have experienced this night, this hell, this sort of thing has never happened before. Everything happens at a specific time, as if adhering to an unseen schedule. It’s likely that what happened in your last iteration did delay Satoru Gojo’s arrival onto the platform, but other than that there has never been a deviation to the time table.

And yet, here Satoru Gojo is, nine minutes early now.

You realize that that’s not the only thing that’s strange: he’s not moving. In previous rounds, when you encounter Gojo here, he’s walking to the lookout spot beyond the barricade. But, right now, he’s just standing there, hands stuffed in the pockets of his jacket. It almost looks like he's waiting for something.

Or someone.

This unexpected turn of events has you rooted to the spot. You’re not sure what you should do. No. This shouldn’t change anything. You need to talk to him. As concerning as a change like this is, the extra time it gives you should be a good thing. Despite knowing that, your feet are still firmly planted to the ground.

The crowd shifts and you see Satoru Gojo start to move. Toward the barricade? No. He’s not heading in his usual direction, rather he’s—

You stop breathing.

He’s headed toward you.

He comes to a stop before you, lips curled up to form an amused sort of smile as he says, “Soooo, you needed to talk to me?”

You try to answer but no words come out of your mouth. Are you dreaming? You have to be, right? There's no way that this is actually happening. Could it be that, after thousands of loops, you’ve finally lost it? Your mind shattering along with the glass of the barricade at the end of the last one?

Gojo tilts his head, indicating that he's still waiting for an answer. When you open your mouth, at first, nothing comes out, the words stuck in your throat. You force them out, your voice cracking, “...how did you know?”

He smiles, looking almost mischievous as he reaches up and lightly taps the side of his head. “I remembered, of course!”

All you can do is stare at Satoru Gojo. He remembered? How is that possible? From his perspective, this is the first time you’ve met and while it shouldn’t be possible for him to remember there’s something in your mind that’s keeping you from completely dismissing the possibility.

Gojo laughs, “I take it from the look on your face that you’re not used to this sort of thing happening. Is this the first time?”

“No.” The fact that the word is out of your mouth before you can even really think about it surprises you and you really have to think. Your face scrunches together as you try to remember. Is this really not the first time? Then, the memories assault you, overlapping as they replay simultaneously in your head— a woman in a yellow and white magical girl costume— begging you for help as she burns to death— smiling as she tells you she made her costume herself. “...it happened just once a long time ago.”

“‘A long time ago,’ huh. Sounds like you've been at this for a while now.”

“...unfortunately.”

Gojo hums. “So when you said you didn’t need my phone number…”

“You’d already given it to me a few times,” you say, figuring that’s where this conversation is going.

“Really now?”

Does he not believe you? Or is he just being an ass? You’re not sure, but since you had taken the liberty of memorizing Satoru Gojo’s phone number you recite it back to him to prove your point.

Just when you think you may have stunned Gojo into silence he starts to laugh, obviously finding something funny about the fact that you know his cell phone number. “Seems like you've got quite the fascinating technique there.”

Technique? What is he talking about? Your confusion must be plain on your face because he adds, elaborating, “The time travel.”

You continue to stare at him. You don't think you'd consider what you've been going through time travel, because traveling implies moving from point A to point B, but you've been stuck walking in circles at point A for a long time. What really gets you is… “What do you mean by ‘technique?’”

“You mean you don’t— oh. I get it; no wonder you’re trapped.”

That does not answer your question in the slightest. “Can you please explain what you're talking about? What do you mean by ‘technique?’”

“Right, right… So basically, a technique is like a special sort of power,” he finally explains. “Like I said, your technique seems to be a kind of time travel. Whenever you activate it, your mind is sent back in time.”

What he's saying makes sense, but�� “How come you were sent back too?”

He laughs again. “Isn't it obvious? Think back to before— do you remember that I caught you as you were falling?”

You nod slowly. The memory of his arms around you is almost embarrassingly vivid. “...is it because we were touching?”

“Ding, ding, ding! That's correct! Anyone you happen to be touching when you activate your technique gets affected by it too!”

Something about his tone annoys you, but you try to ignore it. He could have just told you rather than make you guess. “How do you know that for sure?”

“Well,” he continues. “You’ve done your little time loop a bunch of times, right? If your technique affected everyone, or even a few people in a select range you would have noticed for sure. And if it affected only just you then we wouldn’t be having this conversation right now, now would we?”

When you think about it, you do think that the woman in the magical girl costume might have bumped into you before the loop where she remembered.

“That’s honestly just conjecture, but I've got pretty good eyes, so I’m hardly ever wrong.”

Gojo gives you a grin and while you do think that his reasoning is sound enough his confidence is a little grating. More than that, though, you’re glad that this conversation is actually going really well.

“Either way,” he says thoughtfully. “It doesn’t look like you can control your technique. Usually a person’s technique manifests when they’re a kid, but you seem to be a special case… in fact, I bet your technique activated for the very first time tonight— probably under some pretty extreme circumstances, too.”

“...dying counts as an ‘extreme circumstance,’ right?”

“Oh, absolutely. Or legitimately thinking that you’re gonna die, but it seems like your body has been unconsciously activating your technique as a sort of defense mechanism. Which is why you’re trapped.”

“So, if I could control it I’d be able to make it out of this time loop.”

“Yeah, but in this case it probably wouldn’t end very well for you,” he points out with a chuckle. “It’s not like you actually want to die, right? I mean, if you did, then your technique wouldn’t even activate in the first place.”

You don’t; what you want is for this night to finally end. To be free from the endless cycle of dying over and over again and again. You don’t think death is quite the answer; even if you were to learn how to control this supposed technique of yours, there’s no guarantee that you would just unconsciously activate it when the grim reaper comes knocking on your door. No, the answer is…

“Anyway!” Gojo’s cheery voice cuts through your thoughts. “I highly doubt that you’re the type that makes a habit of jumping off ledges for the funsies, so the fact that you’ve been dying tells me that some pretty gruesome stuff is about to go down, so, tell me what happens tonight.”

The sudden drop of his voice sends a shiver running down your spine. If it weren’t for the fact that you’ve seen how serious Gojo can get, the sudden shift in demeanor would probably freak you out a bit, but it doesn’t. This is the Satoru Gojo you’re familiar with.

You do have one concern though. “That… won’t create a time paradox or anything, will it?”

“Nah,” Gojo shrugs. “You wouldn’t cause one with the way your technique works, besides, if you’ve only been going back at most an hour or two in time it’s hard to believe you’d be making a really big impact… unless you really believe in the butterfly effect.”

You’re still not quite sure.

“Trust me, it’ll be fine.”

His voice sounds strange. Gentle. Kind. It's the most soothing thing you've heard in a long time and it makes you want to believe him.

“...okay.”

Anxiety is still gripping at you, but you try to dispel it, taking a deep breath before beginning your explanation. For the sake of brevity, it’s probably best that you’re as concise as possible. There isn’t much need to really get into the nitty gritty of things unless he asks specifically.

Naturally, you begin with his arrival onto the platform and how soon after a fight breaks out and how the crowd is unfortunate enough to be involved. Gojo’s expression is passive for the most part, but he does crack the faintest hint of a smile when you mention how he manages to eviscerate one of the monsters.

It disappears once you tell him about the arrival of the train. Between the dozens upon dozens of people being dropped onto the platform by those two high school girls and the hoard of monsters disembarking from the train, everything devolves into pandemonium.

“Wait,” Gojo holds a hand up and you pause. This is his first interruption since you started recounting the night’s events for him. “Everyone is able to see the monsters?”

You stare at him. What a weird question. “...yeah?”

His mouth twists and it looks like he’s thinking about something. You can’t even begin to imagine what. Finally, he comments, “Makes sense.”

It does not, but you don’t ask him to elaborate. Surely if it was important he would have just done so.

“Anyway, in the middle of all that, you… you do something.” Your brows bunch together as you remember the stance Gojo took, the crazed and desperate look in his eyes, the feeling of your head about to explode. “I don’t know how to describe it. At first, it would just force me to… activate my technique, I guess. But now, it just knocks me out for a few minutes.”

Gojo frowns and he rubs at his chin, obviously thinking about what you’ve said. Eventually, he raises a hand and bends his fingers into a familiar gesture. It’s the one that preludes whatever he does on the platform. “Do I do this?”

“Yeah.”

He hums. “Interesting.”

You wait to see if he’ll explain. He doesn’t. Great. Even if he doesn’t think you need to know, it certainly would be nice to. It’s annoying otherwise, but you ignore the feeling and continue. “I can’t tell you what happens when I’m knocked out, but when I come to everyone is basically a zombie and all the monsters from the train are gone. I think you kill them.”

“I probably do,” he says casually. “But what about Volcano Head?”

“...you don't…get a chance to kill him,” you say slowly. Gojo tilts his head, waiting for you to elaborate, but you hesitate. You have to tell him, you know you do, but…

You have seen the interaction so many times and though you don't know the exact nature of the relationship between them, you can tell that seeing Suguru Geto (or rather seeing his body) shook Satoru Gojo to his very core.

There's no doubt in your mind that he will not take this news well.

“Come on now,” Gojo's tone is light-hearted, unaware. “Don't keep me in suspense here.”

It's as if you're withholding the punchline to a joke. In a way, you suppose you are, but you don't think he's going to find it funny.

You take a deep breath. You need to tell him. The worst thing that could happen is that he doesn't believe you, but if that's the case… you'll probably just end up repeating this all again until you find a loop where he does.

Having made it this far, you'd like to avoid all that.

“Before you can get Volcano Head you get restrained by something called the prison realm,” you say slowly, “by someone calling themselves… Suguru Geto.”

The second the name leaves your mouth, there is a clear and obvious shift in the air. Gone is Gojo’s laid-back and frivolous demeanor, replaced with something more somber and almost frightening. The tension grows more and more palpable to the point that you think it might almost choke you.

You almost wish that it would.

“You can’t be serious,” Gojo finally says, once your words have fully sunk in.

“I—” You start to speak, but come to an abrupt stop when you see him shove his hand into his pocket to yank out his phone of all things.

The both of you know full well that there’s no reception here, but you don’t think that he’s planning on making any calls. Gojo scrolls and scrolls on his phone before he stops and shoves the screen in your face. It shows a picture of three people— a teenage girl with a cigarette in her mouth, a younger, happier version of Gojo sporting a pair of round sunglasses and—

“When you say ‘Geto’ is this who you’re referring to?” Gojo demands, using his other hand to point at the third person in the frame— a handsome young man with long dark hair pulled up into a bun.

“Yes, but—”

“That’s impossible. It can’t be him,” Gojo interrupts, his voice firm, cold even. “He’s dead.”

There’s a note of finality in his words that is definitely meant to leave no room for argument. It doesn’t stop you, though. Instead, you glare at Gojo’s stupid blindfold and say, “...being dead doesn’t mean a damn thing! I’ve died hundreds of times and yet I’m still fucking here, but—”

“Your situation is different,” he interjects, the temperature of his tone hiking up, his words like heated hissing. “I killed him almost a year ago. There's no way—”

“You didn't get rid of the body properly!” You cut him off, raising your voice in hopes that he'll take even just a second to stop and listen. It seems to work and you add something you remember ‘Geto’ saying. “You should have had Shoko Ieiri get rid of it, but you didn’t and now some… some kind of gross brain thing is possessing the corpse!”

The air between you both is silent as the grave. Though you can't see it, you can feel the weight of his gaze pressing down on you. He’s definitely having second thoughts about everything you’ve said so far. There’s a chance he might even think you’re his enemy now. You stare him down though, refusing to look away. You’ve made it this far, you can’t— you won’t back down.

“...you’re not lying, are you.” Gojo’s words are more of a statement than a question. There’s no doubt in your mind that he knows the answer, and yet he’s still asking. You wonder if maybe he’s clinging onto some vain hope that maybe, just maybe this all a sick, cruel joke that’s gone way too far.

“I’m not.”

Gojo holds your gaze for a second longer before he lets out a curse. “Fuck!”

“...I’m sorry,” you say quietly, mostly because it feels like the most correct thing to say at this moment. You don’t know the whole story, but it seems like they were close. If so, then it must have hurt Gojo a lot to have killed him, and must hurt even more to know that someone is desecrating the body. You hate that you, a complete and utter stranger, happened to be the person to tell him, but…

It had to be done, for the sake of getting past this unending night, it had to be done.

Gojo runs a hand through his hair and lets out a ragged sigh. “Okay. What happens after that?”

You give him a rundown of what follows; he gets sealed, the monsters wake up and all but ‘Geto’ leave in search of their next target. When you mention the high school girls demanding the brain give Geto’s body back, Gojo snorts loudly.

“Fat chance of that,” he says derisively.

You nod in agreement. It was clear to you that the brain parasite has no intent on giving it up any time soon. “After they leave, he… talks to me.”

“Probably couldn't ignore all that cursed energy you have,” Gojo remarks offhandedly.

You stare at him, expression twisted in a way that shows that you have absolutely no clue what that means. It should be fine for you to ask this one question; it actually concerns you after all. “What does that even mean?”

“Exactly what it sounds like, though… probably doesn't make much sense to you, does it?”

You give him a pointed glare and all Gojo does is laugh.

“Just think of it like having a lot of MP.”

“...Like in a video game?”

“Exactly!” Then, Gojo tilts his head, clearly thinking. You don't bother asking; you don't feel like he'll explain.

“He does ask me if I'm a sorcerer, whatever that is. Is that why?”

“Probably. Ordinary people don't have even a fraction of the energy you're packing.”

‘Ordinary people’ he says as if you’re not an ordinary person who got caught up in all this supernatural sorcery bullshit. Or at least you were, but if the time loops are really a product of your own doing…

“Does he kill you when you answer?” Gojo asks to get the conversation back on track.

“Not right away. What happens next kind of varies,” you answer. “He usually lets me have a question or two before he kills me; I've asked him a couple different things.”

“Really taking advantage, aren’t you?” Gojo says and you're not sure what to make of his tone. Is he mocking you or is he easing back into that laid-back persona of his?

“If I’m doomed to repeat the same situation over and over, I might as well make the most of it,” you respond flatly.

“You know, your technique kind of reminds me of save scumming.”

He’s definitely gone back to acting almost completely unserious— all signs of his earlier agitation are nearly gone.

“So what did you learn?”

“Well, the prison realm only holds one occupant. Once they’re sealed, time stops for them and the only way out is if the bearer unseals them or if they choose to kill themselves.”

“I see… And what about our body jacker?”

“He didn’t go into detail but he said something about… striving toward the evolution of mankind?” You frown a little at the memory. He didn’t explain further because he said that you wouldn’t understand.

“Huh. Interesting. Wonder how he was gonna go about doing that.”

“I don't know, but I can't imagine you'd like it since he goes out of his way to seal you into that box,” you say. “Said you’d get in the way because you’re too strong.”

Gojo shrugs his shoulders and grins a little. Cocky. “Well, I am the strongest sorcerer around, you know.”

You would think him overconfident if you hadn't seen the magnitude of his strength first hand.

“Anyway, that's as far as I ever go. When he's decided he’s done talking to me, he kills me and I loop back.”

“So, in short, what you want help with is getting past that point, right?”

“More or less.”

“And all I have to do is avoid getting caught by the prison realm?”

You nod.

“What’s it look like?” he asks. “A big cage with a bunch of metal bars?”

Now that you think about it, you haven’t woken up early enough to see it before it traps him, but you can’t imagine it looks that much different. “No.. It’s a small box with eyes… It gets big enough to fit you in it, though.”

“Huh.” He stretches his arms out above his head as if he’s trying to emphasize how large he actually is and shoots you a grin. “Should be easy enough then. I bet our body snatcher used the shock of seeing Suguru to trap me but since I'll see it coming, avoiding it'll be a piece of cake.”

Gojo makes it sound so easy, and maybe it really is as simple as that, but you can't help but be worried still.

“Don't tell me you don't think I can do it,” he says, tilting his head.

“It's not that,” you admit. “I'm just concerned I might die before we can get to that point.”

Truthfully, since you know that will just result in another loop you're less concerned with dying itself and more worried about losing the progress you've made in convincing Gojo to help you. Even though it's been clearly proven you can loop him as well, there's no guarantee you'll be able to make the physical contact needed to do it upon death.

“You've made it pretty far on your own, though, right?”

“Yeah, but… I’ve messed up plenty of times.” More than you can even count. “There's also the possibility that taking the time to talk to you might have thrown things out of whack.”

Speaking of time, you check your phone. It's 8:39PM. You curse.

Gojo leans over to check your phone. “Let me guess, I'm supposed to be somewhere right now.”

“Yeah, this is when you’re descending down onto the platform.”

“You know where I am down to the exact minute?” He asks and you tilt your head back and forth a little. It’s not exact per se, but it’s close enough. Gojo chuckles a little. “Man, I didn’t realize that you were actually that into me.”

That earns Gojo a glare from you, but he just laughs it off. “I doubt being a few minutes late is going to make a big difference.”

You certainly hope so.

“Don't worry,” Gojo says and you notice he's using that tone from earlier. “You won't die.”

It’s hard to argue with him when he uses such a reassuring sounding voice and yet, you still open your mouth to try— to voice your doubts, but what he says next silences you before you even can.

“I'll protect you.”

You think your heart stops beating in your chest and your words dissolve in your throat.

He grins at you. “Did you fall in love with me just now?”

That catches you a little off guard. You're willing to admit he's hot, but surely he must be joking. “How could you even think of something like that at a time like this?”

Gojo laughs again. “Well, since someone is so worried about their time table being all messed up, I better head down there; can’t keep Volcano Head and friends waiting, right?”

You blink. Is that it? “Wait, shouldn’t we make a plan or something?”

“Isn’t the plan for me to not get caught in the prison realm?”

Yes, but… “But what about me? Is there anything I can do?”

Gojo stares at you, or at least you think he does. “...I don’t know, is there?”

You’ve seen the encounter between Satoru Gojo and those monsters so many times and you try to picture a version of it where you intervene and… all you can see is yourself getting in his way. You’re no fighter, no… sorcerer, or whatever he is, you’re just some ordinary person that was unfortunate enough to get all caught up in this mess. The most you can probably do is kick the prison realm out of the way when the time comes, but otherwise… “...no, I guess not.”

His expression turns sympathetic. “You’ve done plenty by telling me everything that happens. So just wait up here, and let me handle the monsters.”

You almost nod. Almost. But then you remember what transpires up here above the platform. You know it sounds safer up here where you’re less likely to get involved in the carnage, but… “Wait, no, if I stay up here then I’ll fall to my death when those girls—”

Gojo laughs, interrupting you. “Don’t worry about that. It’ll be fine.”

“How?”

“Just trust me.”

“I…” It’s hard to. After everything you’ve gone through it’s hard to trust in anything, to believe in anything. Even though you’ve made it this far this time, the worry that something will go wrong and that you’ll have to do it all again still lurks in the back of your mind.

Despite all that, you want to believe.

You want to believe that you can make it past this unending night, that one day you’ll wake up and it’ll no longer be October 31, 2018. And the first step towards that is trusting in Satoru Gojo.

“...okay,” you say quietly. “Okay.”

Gojo chuckles then asks, “Anything else before I head off?”

You start to ask if there’s anything you should say, in case things don’t work out, but you stop yourself. You’re choosing to trust him, to believe in him— you can figure out that stuff later if things end up going south after all. So, instead you give him a smile and it feels a little weird because you don’t remember the last time you did. “Good luck!”

For a split second, Gojo looks almost surprised, but then he laughs again, beaming widely at you. He starts to move past you and reaches out to give you what you think is meant to be a reassuring squeeze of the shoulder and then he’s off. You turn to watch him go, the crowd, once again, parting almost naturally for him.

When he reaches the barricade, he pauses, raising his hand as if he’s giving you one last wave. Then he jumps over it onto his little perch and then less than a minute later he’s gone, descending to the platform below.

Now, all you can do is wait.

You check your phone again and it’s 8:44PM. If you remember correctly, the high school girls start threatening everyone right before 9PM. With Gojo’s arrival being shifted back almost five minutes, does that mean that they’ll be shifted back too? It would make sense, but you’re not too sure.

Out of habit, you keep checking your phone and at nearly 9PM, you hear the shrill voice of one of the girls over the crowd, commanding everyone to do what she says, her partner stringing up bodies until everyone listens. Everything plays out just as you remember it, which is mildly comforting, though you know that the events that happen up here are more or less independent from what happens below.

Surely, just as Gojo said, a few minutes aren’t going to change anything, but—

No.

You agreed to trust him. To trust that everything would be fine.

When the girls start to demand that as many people as possible climb onto the roots and vines covering the atrium your heart starts to hammer in your chest. In just a few minutes, all the foliage will disintegrate beneath you, and you and everyone else here will fall into the abyss below.

You are afraid.

There isn’t a single loop where you’ve really survived this fall. If you don’t die in midair, you die right after landing. It’s a death trap, and that’s why you’ve stopped coming up here. There’s a part of you, the part that knows what’s about to happen, that wants to try and run back onto stable footing. But you can’t, because you know if you do then the girls will kill you for sure; you have to stay.

It’ll be fine, you tell yourself, it’ll be okay.

You just have to trust Gojo.

An eight car train is pulling in. Please wait behind the yellow line.

You hear the announcement faintly below you. It’s almost time. You brace yourself and try to stay calm. Gojo said he would protect you, that you wouldn’t die. You don’t know how he intends to keep that promise, but all you can do is believe in his words.

It’ll be fine. It’ll be okay.

The vines and roots start to crack and the ground beneath you starts to give out. You squeeze your eyes shut as that sickening weightless feeling overtakes you. It occurs to you that this is actually quite literally a trust fall— will Satoru Gojo really be able to catch you?

As you fall, you realize almost instantly that something is different.

You’ve experienced this fall dozens of times and so, even though it has been a while since you’ve gone this route, you are very familiar with what it feels like. Something is different. You’re falling faster. The trajectory is changing. It’s like some force, other than gravity, is pulling at you.

Is this Gojo’s doing?

Just as your body collides with the ground you hear the sounds of mutilating flesh meld with the screams surrounding you. Blood and severed limbs litter the ground, but you try to ignore it. You need to focus on your own survival right now. Quickly, you scramble to your feet scan the area around you; you’re on the platform right now and right in front of you is—

Right in front of you is Satoru Gojo.

His back is turned to you, his focus currently elsewhere. Looking at him you realize you recognize this scene, though it’s much closer and at a different angle. He’s about to do that thing, that thing that knocks you out.

Something in you tells you to move closer to him, after all, he used his mysterious powers to deliberately bring you closer to him, right? You rush toward him and as you do something he said earlier pops up in your mind.

Anyone you happen to be touching when you activate your technique gets affected by it too!

Whatever he’s about to do… Is that his ‘technique?’ And if it is, would it work the same way as yours? If so, there’s only one way to find out: you need to touch him. You dodge monsters and other people as you run toward Satoru Gojo and—

A monster still manages to grab you, its large hands wrapping around your wrist. You try and yank it free, but it's much stronger than you are.

“Shit!” you hiss as the monster starts to pull you toward it and away from Gojo. What do you do? Your other hand is still free, should you try to punch it in the face? Or—

Before you can do anything, something blasts the monster’s head clean off. Shocked, you stare as the monster’s body slumps onto the ground, its grip loosening on you instantly. You whip your head around to find that while Gojo still has his back to you, his arm is bent back in your direction, his palm open as if he fired some invisible blast from it.

Then you feel it again, something pulling at you, but this time it's more forceful. Your body is yanked toward Gojo and the second you feel his hand press against you, you see him make that gesture with his other hand.

“Domain Expansion,” he whispers in a strained voice. “Infinite Void!”

Something happens and your vision flashes for a fraction of a second. And then—

The room is enveloped in an eerie stillness; all the violence and bloodshed coming to an abrupt stop. Monsters and humans alike stand like the living dead, unconscious with their eyes wide open as if they are staring into an infinite abyss. You recognize this scene, you’re familiar with it because it’s similar to the one you wake up to after being hit by Gojo’s ‘domain expansion.’ The only difference is the presence of the monsters, who are all but gone when you regain consciousness.

The pressure from Gojo’s hand is gone and he says to you, his voice still low. “If you’re squeamish when it comes to blood and gore, it might be best for you to close your eyes.”

And then he’s gone.

You do not take his advice. You do not close your eyes. How many loops were you unable to witness what’s about to unfold? A few hundred? A few thousand? And if all goes to plan, then you will never get another chance again: there’s no way you could possibly look away.

And what you see unfold before you is that Satoru Gojo was right.

He is the one to kill all the monsters.

It’s not as if you really had any doubt, after all, it seemed like the most logical conclusion to come to and yet…

There’s a difference between knowing and seeing.

All the violence resumes and the platform is engulfed in the sounds of carnage and slaughter once more. The lack of terrified screams makes everything more disconcerting— without them, all you can hear is the squelching echo of mangled flesh and blood splattering all over the place. You can’t really see him, but you can tell where Satoru Gojo is in the crowd as he leaves dozens upon dozens of decapitated heads soaring in his wake. Once or twice, he leaps out of the crowd and even from where you stand you can see the crazed glow of his inhumanly blue eyes as he massacres monster after monster.

Even though you don’t think you have anything to be scared of, you are still terrified: Satoru Gojo is no longer a man, but violence incarnate. You want to move closer to where Gojo gets trapped, but you’re afraid to. What if you get in his way? What if he kills you by accident?

Dying again when you’ve made it this far is definitely not ideal, but isn’t being killed by Gojo the best case scenario? Because then the two of you would probably loop together again and—

No.

Gojo said you wouldn’t die.

He said he’d protect you.

It’s hard to believe when he’s in the middle of a massacre, slaughtering monsters left and right, but you remind yourself yet again that you have to believe in him.

You take a deep breath and start moving, taking care to keep an eye on where Gojo is. You don’t know how long this is supposed to take, but you do know where he ends up when he’s just about done. The closer he gets to that spot, the sooner the prison realm will be unleashed upon him.

There’s a small group of zombified people nearby and you settle yourself among them. It’s not super close, but you think it's close enough that you'd be able to run over and kick the box away from Gojo if you have to. You do a quick survey to see if you can spot the body snatcher, but he's nowhere to be found. Hopefully, he hasn't noticed you moving around, or, if he has, he's more concerned with Gojo than he is with you. Given that you always seem to be the last thing he acknowledges, you'd like to think that he doesn't consider you a threat.

Which you're not, not really anyway.

The sounds of slaughter start to die down and you look to see Gojo approaching the spot where he gets caught. He looks beat, his eyes unfocused and his breathing heavy. You do another quick scan around him and notice a small box a few meters away from him, wrapped in what looks like paper charms or seals or whatever they're called. That has to be the prison realm— though it looks different than what you saw before. Gojo seems to notice it right after you do, his gaze honing in on it, examining it with some measure of bewilderment. Then, some invisible force slices through all the paper seals covering the box and it expands, the corners of the box floating up in midair to reveal what looks like a large sheet of dark red flesh with a large bloodshot eye stapled to the middle.

Disgusting.

If Gojo didn’t realize before, he seems to now, because he takes a step back, away from the grotesque thing. Good, good—

“Hey! Satoru!” Your blood runs cold at the sound of the body snatcher’s voice. He emerges from the crowd, smiling widely as he gives Gojo a wave. “Long time no see!”

Satoru Gojo’s entire body goes rigid. Shit. You told him, you warned him about what was going to happen, who he was going to see, but was that not enough? It’s possible that no amount of warning would have been enough to mentally prepare Satoru Gojo for the sight of the man he said he killed a year ago. After all, you know that there’s a stark difference between knowing and seeing. Even then, if Gojo doesn’t gather his wits and move now then he’s going to get caught and you can’t let that happen.

Your body moves before you can even think about it.

You scramble out from your hiding spot in the crowd and throw yourself in between Satoru Gojo and the prison realm. There’s no way you can kick it away from him now, not when it’s in this form, but maybe, if you get between them you can at least keep it from capturing him.

The eye quivers erratically, as it flits from Gojo to you. Every hair on your body stands on end as it watches you, the pupil dilating and contracting uncontrollably. You can’t look away from it, your own gaze fixed to your image reflected in the black abyss of the pupil. Something in the back of your mind tells you to stop, to get away, it’s dangerous, but you keep your feet firmly planted to the ground.

A second, or maybe even a minute passes and the prison realm shifts, its fleshy form morphing to restrain you.

The body jacker looks at you, his frown tinged with disgust. “Don’t you think you’re being rather rude by butting into what could have been a touching reunion?”

You scowl. Is he still trying to play the role of Suguru Geto?

He sighs and looks past you at Gojo. “Satoru, I thought bringing lesser sorcerers to fight alongside you was more trouble than it was worth?”

You hear Gojo snort from behind you, “It is… but this person here isn’t a sorcerer… Just like you aren’t Suguru Geto.”

The faker almost pouts and presses his hand to his chest as if Gojo's words have wounded him. “Satoru, I’m hurt, how could you say such a thing to your best friend?”

“Cut the bullshit,” Gojo snarls. “You can’t fucking fool me. You might be in Suguru’s body but I know with all my heart and soul that you’re not him.”

The corpse snatcher stares at Gojo, expression blank before he sighs once more. Then, his gaze shifts back to you, his eyes narrowed as he looks at you with sheer disdain. It feels as if you’ve been drenched in ice cold water. There's no smile this time but you already know what's going to happen.

He’s going to kill you.

“I intended to deal with you later since you seemed harmless enough,” he says, raising a hand to summon a monster— the same one he always uses to end your life. “But you’re in the way. So, I think it’s for the best if I just get rid of you right now.”

Instinctively, you try to take a step back but the prison realm’s restraints keep you in place. Not that it would have mattered much, even in the loops where you’ve tried to escape the faker’s monster, it still kills you, too fast and too agile for an ordinary human like you to avoid. All you can do is squeeze your eyes shut and wait for the monster to kill you. At least, it’s always painless.

Something touches your back.

Your eyes shoot open.

Before you is the monster, wiggling and writhing only mere centimeters from your face. It gurgles and snarls at you, desperate to fulfill its master’s wishes and kill you but it doesn’t move any closer. You stare at it with wide eyes, unsure of what to do.

Someone behind you clicks their tongue— Gojo. You try to turn your head to look at him, but your movements are too limited, the most you can do is turn your head to the side. The sounds the monster is making start to change, sounding more frenzied, almost as if it’s in pain, and you flit your eyes in its direction just in time to see its entire body explode. The monster's guts and bright purple blood fly off in every direction, getting on the floor, the ceiling, the zombified bodies of the people unfortunate enough to be nearby, but not on you.

This is Satoru Gojo’s doing.

He steps in front of you, half turned towards you as he moves in between you and the body snatcher. His hands are shoved in his pockets as he loudly says, “Did you really forget about me?”

You’re not sure if he’s talking to you or the body snatcher.

Past him, the imposter scowls, raising his hand once more, probably to summon even more monsters, but Gojo’s quicker, and it almost looks like his eyes are glowing even brighter, the blue looking almost white as he whips his head in the faker’s direction. The sound of mangling flesh and breaking bones echoes throughout the room as Gojo, using that mysterious power of his, seems to break the faker’s arm.

The body snatcher hisses loudly and despite the fact that his face is twisted in very obvious pain, he tries to shoot Gojo a mocking smile. “Do you really think you can kill your best friend again?”

“I already told you,” Gojo turns to fully face the monster inhabiting Geto’s corpse. He tilts his head a little to the side and some force starts to squeeze at the faker’s neck. “You’re not Suguru.”

You hear a loud crack as Gojo telekinetically snaps his neck.

The head rolls onto the ground and you almost look away, but then you notice his eyes still moving, looking around. Is he still alive? Then you remember: the thing possessing Suguru Geto’s body was some kind of parasite. “Gojo! Wait! The brain!”

He reacts almost instantly, head turning and in an instant the skull is crushed and all that remains is red splotch on the ground.

You almost relax. Almost.

But the body is still standing.

Horrified, you watch as it quivers violently before falling to the ground. Then what looks like dozens of black spirits start to erupt from the corpse and the entire room is engulfed with a shrill howling.

What the hell is going on?

“Those must be all the cursed spirits he consumed,” Gojo explains uselessly, voice barely audible over the screaming. “Guess he was empty before.”

You don’t bother asking what he means. There are bigger problems right now. “What do we do?”

“No choice to exorcise them,” he answers plainly.

For him to exorcise them, he means. You both know that there’s not much that you can do. You still can’t move and honestly, you don’t even know if it’s possible to get out of the prison realm’s restraints. Not without dying. And if you die now…

Everything will have been for naught.

You’ll reset time and have to do this all over again— assuming you can even get to this point again.

There has to be something, you just have to think outside the box.

Or rather—

“Gojo!”

He glances back at you.

“You need to seal me in the prison realm!” you exclaim. He turns to face you fully, looking bewildered and you start to explain as fast as you can. “Those things are going to attack any minute right? I can’t move or try to hide and I can’t expect you to protect me the entire time and if I die then I’ll end up looping time again, but— but, if you seal me in the prison realm then that won’t happen.”

Gojo frowns, looking conflicted. “You don’t think I can do it?”

“Wouldn't it be easier if you didn’t have to?”

He tilts head and you think he’s conceding your point.

“Please,” you beg, staring at him desperately. “We don’t have much time. The other… cursed spirits will wake up soon too!”

You don’t have to explain that you mean Volcano Head and friends.

It takes only a second for Gojo to consider the very few options you have. “...how do you seal it? Do you know?”

“I think so,” you answer. “There’s no guarantee it’ll work but I think that if you say ‘prison realm, gate close’ it should seal me inside.”

If anything, it’s worth a shot.

Gojo nods. “Do you know how to break the seal?”

“I… don’t,” you confess. You never asked, and you don’t think the body snatcher would have told you even if you did. He only told you that it holds one and that…

That time doesn’t flow in the box.

“...you don’t have to break the seal.”

Gojo frowns, “Wait a sec—”

“Even if I make it past tonight… What if this all happens again? What if I inadvertently trap myself in another time loop?” you ask. “I… I don’t want to have to go through all of this again. It’s better for me in a place where time doesn’t pass.”

You don’t know for sure if it’ll be better, but right here, right now, it seems like the best option.

It feels like an eternity passes before Gojo says anything.

“...fine,” he agrees and you don’t quite know how to feel about it. The howling around you all grows louder. You wonder why the cursed spirits haven’t attacked yet. Maybe Gojo’s power is holding them at bay… for now anyway. You both know that he can’t ignore them forever.

“...before I do, though, mind if I ask you just one thing?”

You blink. “Not sure what I can do for you in this state…”

He laughs. “I just want to know your name.”

What an odd request. Though, now that you think about it, you don’t think that during this loop or any other loop really, you’ve ever told him your name. It only seems fair to tell him, since you’ve known his for longer than he’s known of your existence.

You tell him your name.

He nods, looking as if he’s committing to memory. Probably easier to remember than his phone number. “Any last words?”

You try to think of something. Nothing comes to mind and you just shake your head.

Gojo takes a deep breath, “Alrighty then… Prison realm, gate close.”

Just as it did the many times you’ve seen Satoru Gojo sealed away, the boxes and restraints around you vibrate a little before they start to close around you, growing large enough to fit your body as they approach.

You won’t see it, but once you’re inside the box will shrink and become small enough to fit in the palm of someone’s hand.

Will it be quiet inside?

In your final seconds, some words, some last words come to mind, and you say them, hoping that he hears them in time. “Thank you, Satoru Gojo.”

You burn the glittering glow of his brilliant bright blue eyes into your mind.

And then, everything is engulfed in an unending black.

It’s November 30, 2018— morning on the campus of Tokyo Prefectural Jujutsu High School.

Satoru Gojo strides through the school grounds, casually tossing a small silver box with eerie blue eyes known as the prison realm up and down in his grasp. Walking at his side is Shoko Ieiri, a pretty woman who’s been unfortunate enough to have been Satoru’s friend since high school.

“Are you sure this is a good idea?” Shoko asks, twirling a few strands of her long brown hair.

“What do you mean?” Satoru responds nonchalantly. “All my ideas are good ideas.”

Shoko hums in clear dissent, but doesn’t say anything more. Even she knows better than to try and waste her time trying to argue with Satoru. “I’m just worried about their mental state. Didn’t you say that time doesn’t flow in the box?”

“I’d be worried if it was some normal person,” Satoru says. “But after what they’ve gone through I think they’ll be fine.”

“...well, if you say so.”

The two arrive at their destination: the largest training area on the Jujutsu High grounds. Satoru places the prison realm at the center and takes a few steps back with Shoko standing behind him, in case anything happens.

He doesn’t think it will, but it’s always good to take at least a few precautions.

“Gojo, are you sure we should be doing this?” Shoko asks again. “Didn’t they want to remain in the box?”

“Of course I am,” Satoru says with his usual air of confidence before looking back at the prison realm nestled in the grass. He grins and then—

“Prison realm, gate open.”

if you made it this far. thank you. it's my sincerest hope that you enjoyed the ride. 3

#OHHHHHHHH MY GOD.#okokokok this is gonna be. Really Incoherent sorry in advance 🙏🙏 niku this made me…… insane. fully. someone needs to restrain me #one of my favorite gojo fics Ever??? like genuinely????? this was SUCH a pleasure to read i have sm i wanna say :((( hhhhhh #FIRST OF ALLL the higurashi poem…. what a banger <33 i LOVE how it ties in with the ending too but more on that later :33 #but it’s also so perfect bc reading this fic rlly did feel like playing a vn in the BEST way possible…. just. seeing all the tiny variation #experiencing the loops along w reader…… it was just SUCH an enjoyable experience i can’t even describe it!!!!!!!!! i’m so floored!!!!!!!!!!#like i ADORE timeloops it’s my favorite trope Ever and this fic was just . a godsend?? perfection??? the best loopfic ive read?????#I’M STILL GOING FULLY INSANE OVER IT BTW it satiated every single craving i have for timeloop content. my brain is leaking endorphins rn 😵‍#i LOVE the opening lines and the constant reusage of ”It’s the night of October 31 2018— Halloween in Shibuya”…… just so satisfying somehow #and reader’s mental state was also so thoughtfully depicted… it was so easy to insert myself into them but they’re also. rlly charming?#them latching onto gojo as the one anomaly of the timeloop…. fixating on him and his beauty (real as fuck btw)…. and searching for hope!!!#finding hope in gojo!!!! learning to trust him!!!!! :((( it feels kinda like a very twisted one-sided slowburn … and i ate it up.#i also rlly like that it’s not explicitly romantic!!! there’s enough subtext to enjoy a romance aspect but it’s not the Focus yk??#and i like that!!! the focus is on reader and the timeloop and both of those aspects are woven into gojo rlly naturally :>#ok so i’m using that as a segway. bc OFC i need to rant abt gojo fucking satoru and how much i love him and ur take on him 😔😔#every once in a while i’ll find a fic where i’m like. this author knows Gojo Satoru personally. they speak to him on the phone every night.#and this fic is ABSOLUTELY one of those like….. this gojo is Canon to me. i’m so serious abt it like that’s HIM !!!#and it just reminded me of why i love him sm bc this rlly does feel exactly like the gojo from the manga and that’s SO impressive 2 me ….#i’m in awe of u niku. i don’t even know where to begin w gojo bc i loved SO many lines and lil details u put in………. 😵‍💫😵‍💫#he’s just. soooooo charming :/// he truly is. he’s beautiful and handsome and he gives you his number every loop . w a star symbol!!!!#asks you for your phone or a pen and gets all excited writing his name… the mochi receipt…. 🥺 he’s so endearing we need to put him Down.#HE’S SO GOODDDDD I CAN’T SAY IT ENOUGH…. his convos with reader were a huge highlight for me and i loved loved LOVED #the moment he finally understands their situation. when they speak and he hears them out and he’s almost gentle. sooo reassuring.#starting to think you’re genuinely gege akutami btw like . gojo is so complex but you just. captured him perfectly???#he’s cocky and playful and teasing and a killing machine and he’s Kind. he’s playful even when you’re a stranger #and when he finally hears you out he speaks softly and says he’ll protect you :((( reader is better than me i would’ve cried LMAO #THE DIALOGUE IS SO GOOD N FEELS SO REAL ”did you fall in love with me just now?” NOOO ….. ☹️☹️☹️☹️ …. (maybe ……..)#ack. he’s the most charming man in the universe my heart was fluttering like crazy this isn’t… normal human behavior………#WAIT i almost forgot …. i too adore the jjk dub and every time gojo spoke i heard kaiji tang in my head <33 10/10 would recommend!!!#writing ✩

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cleo-fox · 1 year ago

Text

Overtime

Summary: Sometimes, working overtime isn’t all that bad.

Pairings: Loki x Female Reader

Warnings: Smut, 18+ minors DNI, sex, cunnilingus, teasing, light bondage, office romance.

Series: Overtime (I don't have a masterlist for this, but if you enjoy these idiots, check out Daylight, a sort of sequel).

A/N: This was largely written prior to season 2 and posted right before episode 4, so it’s not entirely canon compliant and the parts that are may be compliant by accident.

Also, @give-me-a-moose and I were on a similar wavelength about Loki angrily reading romance novels and I would strongly recommend checking out her fic The Imagine Nation if you too are enthralled by this idea.

You don’t think that Mobius intended to keep Loki’s desk behind yours.

“It’s temporary,” he tells you apologetically. “He just needs somewhere to go for now, until I figure out what to do with him.”

“You’re talking about him like he’s a stray cat that you found,” you say.

“You won’t even know he’s there, I promise.”

“You’re still doing it.”

Mobius sighs and puts on his most sincere, earnest expression—the one that he always uses when he’s about to ask you for a stupidly massive favor.

And it’s only because you almost never, ever see this look from him that you back down.

“Okay, fine,” you say. “But he’d better be on his best behavior.”

Mobius puts his palms together and tips them toward you. “Thank you. You will not regret this, I promise.”

You sigh and shake your head. “Just remember this next time you’re budgeting for raises.”

But then—in a move that you certainly don’t expect—Loki ends up sticking around. And, in the subtle way that the stray you’ve been feeding slowly turns into your cat, Loki’s temporary desk becomes his permanent desk. And strangely enough, Mobius’ assurances turn out to be more correct than not: Loki does a lot of fieldwork and is often away; when he is at his desk, it tends to be because he is working on more complicated missions, the ones that require poring over mountains of files looking for patterns and trying to untangle the slippery mess of time itself.

Your work is decidedly less glamorous than Loki’s—almost no fieldwork, lots of files. Endless files. Some days you feel as though you must have seen every file in the TVA’s extensive library and then you’re immediately proven wrong by another wing of filing cabinets that you swear wasn’t even there before.

Although he is generally well-behaved as your desk neighbor, Loki’s presence has a way of distracting you. Even if you didn’t know who he was, your gaze would still naturally drift his way, lingering on those regal cheekbones, that ink black hair, that cunning smirk. The way that the fabric of his dress pants clings to his thighs certainly doesn’t help, to say nothing of how his forearms look with his shirtsleeves rolled up. He can make your heart start to race with no more than a casual glance in your direction and god help you if he gives you one of those devastating smiles. Luckily, you don’t think he takes that much notice of you. You have the sort of pleasantly dull exchanges of coworkers who don’t really know each other and he is almost painfully polite to you. It’s a strong departure from the way he interacts with others—with others, he is bold, charming, sarcastic, talkative, a far cry from the more subdued, almost courtly tone he strikes with you. It’s a difference that is so stark that you can’t help but attribute it to some sort of negative feeling on his end.

“How’s it going with Loki?” Mobius asks you during a one-on-one meeting a couple of months after Loki’s temporary desk becomes his permanent desk. “He’s behaving himself, right?”

“It’s been fine,” you say, “though truthfully, I don’t think he likes me all that much.”

“What? Of course he likes you,” Mobius says. “Why wouldn’t he like you? You’re lovely.”

You shrug. “I dunno, he’s just different with me than he is with everyone else. Like…overly polite. It’s like he thinks I’m going to send him to the principal’s office or something.”

“Let me get this straight,” says Mobius. “First you were worried that he wouldn’t behave himself and now you’re worried that he’s too well-behaved?”

Privately, you realize he has a point. Outwardly, though, you’re not going to admit it. The sardonic tilt of Mobius’ mouth suggests that he knows this.

“No, I just…I don’t think he likes me all that much,” you say. “And he’s entitled to that. People don’t like each other all the time, it’s not a big deal.”

This is also a little bit of a lie—you do wish he liked you. Loki is so magnetic it’s hard not to want his attention. And with the matter of your silly little crush, well…that doesn’t help either.

Mobius sighs. “I think you’re overthinking this. He likes you, sometimes it just takes him a little time to warm up. He’s a bit of a prickly guy.”

You bite down the urge to point out that you’ve seen him warm to other people almost immediately. This conversation has already gone on longer than you want and you are edging dangerously close to having to admit that you care so much because you have a big stupid crush on him, which is obviously unacceptable.

“Well, the point is that it’s fine,” you say quickly, trying to project an aura of cool confidence. “I don’t have any complaints, he seems like he’s settling in, so let’s move on. Did you have any feedback on my recent report?”

The furrow between Mobius’ eyebrows deepens just slightly, the only indication that he doesn’t fully believe you. But for whatever reason, he decides to let it go and follows your change in topic without further comment.

This is one of the reasons you like Mobius as much as you do: he always seems to know the right moment to push and the right moment to bend.

You’re not sure if your relationship with Loki would have changed had it not been for the problem of Charles Berlitz.

The joke around the office is that after Mobius convinced Loki to work for the TVA, he needed something new to obsess over and Charles Berlitz was the next best option. It’s hard to say exactly who Berlitz is, as he has a tendency of showing up, well…everywhere. He is quite literally in every timeline, at least as far as anyone can tell. Sometimes he is an author, penning serious, scholarly essays on outlandish theories like the Bermuda Triangle and the Philadelphia Experiment. He seems to have a fondness for all manner of schemes—he was responsible for introducing both homeopathy and multi-level marketing to no fewer than sixty different timelines. His ability to peddle bullshit naturally led him to politics—pick any rebellion, coup, or campaign on any given timeline and there’s a good chance you’ll also find Charles Berlitz.

Scammers and con artists are not atypical in your line of work, but what makes Charles Berlitz an enduring mystery is that he has never been found. You can have reputable documentary evidence that Berlitz was present at a certain time and location, but if you show up to investigate, he is never there. There have been some glimpses over the years—a shadowy face in the back of a crowd, the hem of a cloak disappearing behind a corner—but nothing concrete or substantive.

“Our ghost in the timeline,” Mobius had said in one of his more poetic moments at an all staff meeting, his voice overly hushed and dramatic. You had seen Loki roll his eyes and you had to fake a coughing fit to hide your laugh.

Time moves differently at the TVA, so it’s hard to say how long Mobius has been working on this case when he makes a breakthrough, but it’s not terribly long after your conversation about Loki. A campaign button had been found in an apartment that Berlitz rented for two years in the French Quarter. That particular campaign button could only have existed in one specific timeline and its distribution was limited. You aren’t entirely clear on all of the details, but Mobius seems to have a plan.

And unfortunately, that plan involves you giving up most of your weekend to work.

It’s near quitting time on what passes for a Friday at the TVA. Loki has been in today and you can hear him starting to pack up. Technically, he’s got twenty minutes of work left, but you’re not about to tell him that.

You doodle absently on your notepad. Technically, you’ve also got twenty minutes of work left, but realistically: nothing is happening.

“Oh, great, you’re both still here.”

In general, this phrase has never meant good news for you and when you look up, you see Mobius with a sizable armful of files.

Also not a great sign.

Mobius plunks the stack of files directly on your desk. “There’s been a development with Berlitz. I need you both to review these now.”

“It’s Friday,” says Loki, affronted. “Surely it can wait until Monday.”

“No can do. I need this done by Sunday at the latest,” says Mobius. “This is an all hands on deck situation.”

Loki glances pointedly at the office around you, which has already started emptying out for the weekend.

“All hands on deck, but most hands are already in the field,” Mobius concedes. “Which is why I need the two of you—” He points to you. “You because you’re good—” He gestures to Loki. “And you because you’ve got desk duty.”

“I beg your pardon—” begins Loki.

“He’s grounded,” Mobius says to you in an exaggerated stage whisper.

This is not surprising to you: you had heard a rumor last week about an incident that had occurred on a mission to the inauguration of Richard Nixon and you suspect that these two events are likely connected.

You look at the pile of paperwork on your desk. You could probably get through it on your own in a couple of hours, but if Loki’s helping, maybe you still have a shot at having Saturday to yourself. You bite back a sigh. “What do you need me to find?”

“Anything that mentions anyone from the Lucchese crime family or Nero Variant N2815,” says Mobius. “I’ll go get the rest.”

Your heart sinks. Farewell, Saturday. “There’s more?” you say.

“It’ll be triple overtime, I already got it approved!” he calls over his shoulder

You sigh and glance at Loki who is scowling at the pile of files as though they’d wronged him personally.

There’s a long moment of silence before you speak. “Is there any truth to the rumor I’ve been hearing about the Nixon inauguration?” you ask.

“If it involved a hot air balloon, then yes,” he says rather tonelessly.

“Well.” You pause as you stare at the pile of papers. “At least it was worth it.”

That at least earns you a hint of a smile.

Several hours later, your stomach is growling and you’ve developed a rather impressive crick in your neck.

You lean back in your chair, stretching your neck to the side and rubbing the knot that is pulsing in your upper trapezius. Office work has done nothing positive for your posture in general, but tonight’s work has you hunched over more than usual and your neck is aching.

You and Loki have made good progress, but your pile of finished and sorted files is scarcely comparable to the full cart that Mobius had brought in. Back when the evening was new and you weren’t quite so tired, you’d been optimistic about possibly having half a Saturday free from work; that hope has slipped away the longer the evening has dragged on. Now you’re hoping that you’ll still have a bit of Sunday to yourself and even that feels unlikely.

Your stomach growls again. You should probably eat something—you’d worked through your regular dinner hour in a fit of misplaced optimism. The cafeteria is closed this time of night, but there’s a vending machine not far from your office that has shitty coffee and mostly edible sandwiches.

You stand and stretch, stifling a yawn as you turn around. “I’m gonna grab a coffee and some dinner,” you say. “Do you want anything?”

Loki looks up at you from the file in front of him, blinking somewhat dazedly and running a hand through his messy curls. “I’d like to stretch my legs a bit, if you don’t mind the company.”

You honestly didn’t expect him to want to join you. It’s a pleasant surprise, certainly, but also a little nerve wracking in the way that interacting with Loki always is. He’s so handsome and aloof and you’re not quite sure how to talk to him without acting like a total fool.

But you’re also not about to say no, either.

“Of course,” you say, “I don’t mind at all.”

The TVA is unusually quiet at this time of night—the steady hum of fluorescent lights and the murmur of distant voices is all that accompanies the tap of your shoes on the linoleum. It only heightens the jittery, nervous feeling you get from Loki—like your stomach is filled with drunk, lightning struck butterflies.

“Are you finding much?” asks Loki as you enter the hallway together.

You shrug. “A bit. Mostly on the Nero variant. I’m not having as much luck with the Luccheses.”

“I’ve got all of their property transfers, I think,” he says. “Renato Lucchese never met a vineyard he didn’t like.”

“Or racehorses, from what I understand,” you say. “I think that’s how he lost most of his money.”

You arrive at the vending machines. Loki looks at the vending machines and then back at you, a somewhat puzzled and troubled expression on his face.

“This is what you meant when you said you were going to get coffee and dinner?” he says.

You shrug. “Yeah, what’s wrong with this?”

He points at the coffee machine. “Mobius calls that machine Satan’s coffeemaker, does he not?”

“Yes, but I know how to trick it into giving me something that’s almost palatable,” you say.

Loki gives you a rather dry look. “Something that’s almost palatable?”

“I mean, I’m just trying to manage your expectations. It’s still pretty shitty coffee, it just tastes less burned.”

He looks at you for a long moment before tilting his head toward the hallway. “Come on, let’s go.”

It’s your turn to look skeptical. “What are we doing?”

“We’re going out for dinner.”

He takes you to a twenty-four hour diner called Frank’s that’s maybe a five minute walk from the TVA. It’s one of those places with yellowing Formica tables and big booths covered in red faux leather patched with the occasional square of duct tape. It smells like coffee and grease with a faint odor of cigarette smoke despite the prominent no smoking signs.

“I wouldn’t have thought this kind of place was your style,” you say as you sit down in a booth next to the window.

“I’ve expanded my horizons,” he says, sliding into the seat across from you.

An older woman with greying blonde hair approaches your booth. She wears a nametag reading “Connie” in big capital letters, a sticker of a pink cat stuck on the space next to her name.

“How y’all doin’ tonight?” she says as she hands you each a laminated menu. She looks at Loki. “You want your usual?”

“Please,” he says.

“You got it.” She turns to you. “How ‘bout you, hon, can I get ya started with something to drink?”

“Coffee would be great.”

“All right, I’ll be right back with your drinks.”

You raise your eyebrows at Loki as she walks away. “You eat at diners and you have a usual order. My expectations are being completely upended.”

He returns your pleasantly amused expression. “And you have vending machine coffee for dinner. It’s a revealing night.”

“I mean, I don’t actively seek it out,” you say. “It’s a convenient option that I exercise only when I have no other choice.”

“No other choice?” A sly smile curls at his lips. “Do you not have the entire array of space and time at your fingertips?”

“Well, first of all, we aren’t supposed to use TemPads for personal errands without a supervisor’s approval.”

“Technically.”

“No, actually. It’s in the personnel manual. Like verbatim.”

He raises an eyebrow. “You would put yourself through the egregious physical suffering of vending machine coffee simply to appease the capricious whims of our cruel overseer Miss Minutes?”

You bite back a laugh. “You know she’s not actually our boss, right?”

“I can’t discount that possibility. She wields a concerning amount of power within the organization.”

Connie is back with your drinks—coffee for you and tea for Loki. “Sunday Special?” she asks Loki as she sets a metal teapot and empty mug in front of him.

“Please,” he says.

“You got it.” She looks at you. “Didya get a chance to look at the menu or do you need a minute?”

You’re feeling a little daring. “I’ll try the Sunday Special as well.”

“All right, two Sunday Specials comin’ right up,” she says, collecting your menus.

“So, what’s in a Sunday Special?” you ask Loki as you take a sip of your coffee.

“Boiled fish eggs, mainly,” he says, pouring the hot water into his tea mug.

“Liar,” you say promptly.

He raises an eyebrow. “You didn’t even look at the menu, how could you know?”

“Places like this don’t serve fish eggs,” you say. “Way too unusual and definitely the wrong price point.”

“I suppose you’ll just have to see,” he says with a playful glint in his eyes. The easy charm that you’ve seen him use with the others is on full display and it’s enough to make you giddy. Maybe he doesn’t dislike you after all.

“Well, if it’s fish eggs, you’re picking up the bill,” you say, “and I’ll be getting something else instead.”

“You’d really hold me responsible for your impulsive dinner selections?”

“Yep. And I don’t even feel bad about it.”

He raises an eyebrow. “I didn’t realize you could be so unforgiving.”

“Well, you don’t know me all that well.”

“To be fair, you keep to yourself quite a bit.”

“A little bit,” you say. “But also to be fair, you haven’t really asked.”

“On work time?” he says, widening his eyes in mock horror. “That would mean write ups for both of us, I couldn’t let that happen.”

“I think I know enough about you to know that getting in trouble is not one of your primary concerns.”

He gives you a sly smile, like you’ve caught him out and he likes it. “That’s a diplomatic way to put it.” He takes a sugar packet from the dispenser on the table and tears it open before pouring it into his mug. “Well, we’re on break now, so you can safely tell me something about yourself.”

You drum your fingers on your coffee mug. “What do you want to know?”

“Well, this can’t be the only part of your life. Who are you outside the TVA? What did you do before this?”

That giddy feeling comes to a screeching halt and you take in a long, slow breath. It’s a simple question, one that most people can answer to some degree. For you, though, it’s a bit more complicated.

“Well,” you say. You take a sip of your coffee, mostly to give your hands something to do. “I don’t actually know—I chose not to remember when they gave me the option.”

You’re surprised by how gentle his eyes are when you look up. “My apologies,” he says, “I didn’t realize.”

“It’s okay,” you say and you really do mean it. “You couldn’t have known.”

Usually, you say something like this and then gently redirect the conversation, but something about the way he’s looking at you makes you want to continue. Like maybe he understands difficult things and doesn’t mind hearing about something that others would shy away from.

“When they told us everything and said they could fix our memories…” You clear your throat and focus your gaze just above his shoulder. “It’s weird, but I just had a feeling that it wouldn’t be good for me to know…that something really bad had happened. So I asked Mobius to check for me, just to be sure…” You swallow, blinking hard.

You remember how sad Mobius’ eyes were, how he’d gently placed a hand on your shoulder and said, “I think you’re making the right call, kid.”

“It’s not really okay, is it?” Loki says softly.

You shrug. “I mean, it’s…it is what it is.”

“You’re a terrible liar, you know.”

“It’s not a lie—”

He raises a skeptical eyebrow and you remember that he is, in fact, the god of lies.

“It’s more like…I can’t really miss what I don’t know, but at the same time, the reality of that absence hurts a little. So maybe not exactly okay, but not exactly not okay, either.”

There’s a lot of kindness in his gaze and you have to look away because it makes your head spin and your breath catch in your throat. “I’m not really sure if that makes sense,” you say.

“It does.”

There’s a silence between you, but it’s not uncomfortable.

“Do you…do you think you’d want to forget if you had that option?” You’re not entirely sure what prompts the question and you regret it almost as soon as it leaves your mouth. “I’m sorry, that’s probably too personal.”

He shakes his head and there’s a warmth in his eyes that you don’t expect. “I rather think I owe you one.” He pauses, running a finger around the rim of his mug. “Sometimes I do,” he says finally. “It can be quite painful remembering.” He worries his lip between his teeth. “But I’m not sure who I would be without the knowledge of my past, either.” His gaze flicks back to you. “What’s it like for you? Do you feel like you know who you are without those memories?”

It’s a good question—one you’ve never been asked. “I mean, it’s hard to say for sure. I think I do,” you say. “Sometimes I wonder if I was different in my timeline. Maybe I was kinder because I had different experiences that made me more empathetic. Maybe I wasn’t—maybe I was worse. Maybe I had a villain arc.”

He chuckles. “That doesn’t seem likely.”

“I dunno, maybe it explains the vending machine coffee and my fish egg related threats,” you say and you feel almost giddy when he returns your smile. “Or maybe I’m the same and all those experiences that shaped me are just scars I can’t see.” You shrug and take a sip of your coffee. “At the end of the day, though, that timeline is gone. I’m all that’s left. It’s sad, but it’s also freeing, in a way.”

He nods. “Mobius has said much the same.”

You smile slightly. “Our philosophies are similar, I suppose, though I think there are probably more bits of his past self in his present self than he realizes.”

Loki grins. “It’s the jet skis, isn’t it?”

“I mean, I just don’t think most normal people spend that much time expounding on the reliability of the Yamaha engine versus the pure, raw power of the Kawasaki.”

Loki holds up a finger. “But have you gotten the lecture about Yamaha’s braking system?”

“I think I have that memorized at this point.”

“‘The perfect choice for families.’”

“‘You just tap the brakes. Just tap them. Perfectly smooth stop every time.’”

“‘Reliability meets affordability.’”

“‘You can’t say no to that.’”

You think you probably could have riffed on this for a bit, but you’re interrupted by the arrival of Connie with your dinner.

The Sunday Special turns out to be a fairly traditional breakfast—eggs, hash browns, two fluffy pancakes, sausage, toast, a little bowl of strawberries.

“Definitely lots of fish eggs in this meal,” you say to Loki after Connie leaves.

His smile is small, but genuine. “You haven’t looked under the pancakes yet.”

You feel it then, but you don’t fully understand until later that this dinner has unlocked something important between the two of you. After months of awkward, stilted conversation, it’s like you finally understand how to talk to each other. And you’re surprised to find that even outside of your big stupid crush, you actually like Loki. You like his sly smiles and his dry humor and how easily the two of you fall into a routine of playful banter. You click in a way that surprises you, in a way that makes you mourn the lost potential of all those awkward, stilted months and feel giddy about the possibilities ahead.

Dinner is over too soon and you walk back to the TVA feeling revived from the coffee and the conversation.

Disaster awaits you back at the office, though: you’d left a stack of the Nero variant files on your desk and evidently the construction was too precarious, as the entire pile had tipped off your desk and spilled to the floor, contents scattered everywhere.

“Fucking hell,” you sigh, running a hand through your hair. You’re not sure whether you want to laugh, cry, or scream. Possibly, it’s all three.

“Here.” Loki is bending down on the floor to gather the files. You studiously try to not ogle his ass or thighs. Or at least not obviously. “Clear off some space on your desk—I’ll help.”

Twenty minutes later, you’ve set up an entirely new system—Loki has dragged his chair over to your desk and the cart of unsorted files sits between you, like a surly metallic chaperone. And even later when you’ve sorted out all of the files from the floor, he remains parked at the end of your desk, a stack of new, unsorted files in front of him. Admittedly, it’s a lot more efficient for you to work like this: privately, though, it gives you a warm glow that has nothing to do with workplace efficiency.

“I’ve invented a new game,” he says some time later.

“What’s that?”

“Every time either one of us finds documentation showing Renato Lucchese losing money on a racehorse he was told was not a good investment, I get to have a drink.”

You look up at him. “Look, I know you’re a god and everything, but I am pretty sure that will kill you.”

He sighs and tosses the file into the Lucchese pile. “I think it would add a little excitement to the evening, don’t you?”

You raise your eyebrows and look back at the file in front of you. “You mean this isn’t your idea of a fun Friday night?”

“My idea of a fun Friday night includes far fewer files and a lot more debauchery,” he says, taking a new file from the cart.

You glance at the clock. “Well, it’s only eleven. I don’t usually start body shots until after midnight.”

“What are body shots?”

For one horrifying moment, you think that you’re going to actually have to explain this to him, but then you get a good look at his expression.

He’s teasing you.

“You’re an ass,” you say, swatting him on the shoulder with the file you’re holding.

He wags a finger at you. “That’s workplace violence. I’m going to have to report that.”

You lean back in your chair and return to your file. “I’m pretty confident that you’ll be put off by the amount of paperwork that process requires.”

He shakes his head as he returns to his own file. “Uncontrolled bureaucracy is how bad actors escape accountability.” There’s a brief pause. “And…there’s another racehorse.”

You continue on like this for the rest of the evening, occasionally chatting and Loki proving definitively that the Renato Lucchese racehorse drinking game could not be played without resulting in a fatality. It’s nice, though. Yes, it’s sorting files and yes, it’s not the most intellectually riveting task you’ve ever done, but spending time with Loki is nice. It’s because of this that you find yourself trying to stay awake, pushing past your looming exhaustion.

But around two, you can’t quite fight the heaviness of your eyelids any longer and you doze off in the middle of a report on the sinking of the Lusitania.

“Hey.” Loki is gently shaking your shoulder. The way he says your name in that deliciously deep voice makes you want to swoon and you’re glad that you have the ready made excuse of sleepiness to explain any embarrassing behavior on your end.

“I think you’d better call it a night,” he says gently. “Get some sleep and come back with fresh eyes.”

“What about you?” you say. “Are you going to do the same, or are you just all talk?”

He smiles at you and it warms you to the very tips of your toes. You could bask in that smile like a cat in a sunbeam.

“I’m starting to fade a bit myself,” he says

“Very convenient,” you say and he grins at you.

“Come on, I’ll see you back home.”

Part of you wants to protest—there’s really no need for him to walk you home—but a larger, louder part of you wants to let it be, prolong the magic of tonight for just a little longer.

There’s a comfortable silence between the two of you as you walk out of the office together.

“What time do you think you’re going to come in tomorrow?” he asks as you approach the residential wing. “It’s probably sensible to coordinate our efforts a bit.”

“Yeah, that’s a good point,” you say. “I was thinking nine, but that will be dependent on how much coffee I have.”

“Yes, about that,” he says. “I cannot stand idly by and watch you torture yourself with vending machine coffee.”

“Well, the cafeteria will be open, so I was going to torture myself with cafeteria coffee, which is at least thirty percent less over brewed.”

He clicks his tongue. “You’re not making a compelling case for yourself.”

“To be fair, it’s quite late and I’ve been staring at files for hours.”

“All the more reason to get decent coffee,” he says. “We’re going out for breakfast.”

You raise an eyebrow. “Oh, we are?”

“Consider it an intervention,” he says. “I’ll come collect you at eight.”

You’re not quite sure if this is just his natural confidence and swagger coming through or if he’s flirting with you and this counts as a date.

“Where are we going?”

“I know a place.”

The place in question turns out to be a food cart in Central Park in 1998.

“Should I even bother asking if you have supervisor approval for this?” you say, looking skeptically at the time door glimmering before you.

Loki scoffs. “I don’t have a supervisor.”

“You do. It’s Mobius.”

“That can’t be right, we’re peers.”

“You’re absolutely not. Did you read any of the onboarding materials?”

He ignores your question. “I don’t see why I’d even need a supervisor, honestly.”

You snort. “Need I remind you of what happened at the Nixon inauguration?”

He spreads his hands in front of him. “It’s not my fault that I’m the only one with a sense of humor.”

“I’m not entirely sure that was the problem,” you say. “Gerald Ford is never going to be the same, from what I understand.”

Loki waves a dismissive hand. “He’ll be fine, the tail isn’t permanent. Now, are you coming or not?”

You roll your eyes at him and make a halfhearted complaint about proper protocol, but you know that you’re walking through that time door and not looking back. You knew that before he even posed the question.

The food cart is owned by a man named Samir who has a wide smile and booming laugh. He talks to Loki like he’s a friend and he tells you that you have the prettiest eyes he’s ever seen. You are fairly certain he’s exaggerating, but you stuff a few extra bills into the tip jar anyway.

“I can’t believe you fell for that,” says Loki as you walk away, each carrying a coffee and a brown paper bag with a breakfast sandwich.

“Fell for what?” you say, batting your eyes at him. “I do have beautiful eyes.”

“I’ve heard him say that on at least thirty separate occasions.”

“Yeah, but this time he really meant it. I could tell.”

He rolls his eyes and leads you to a park bench overlooking a wide, grassy field. The leaves are just starting to change and the air has a little bit of a bite to it.

You sit down on the bench and take a sip of your coffee.

“It is good coffee, I’ll give you that,” you say.

“See,” says Loki, “you can’t go back to that vending machine sludge after this.”

“I mean, if it’s eleven o’clock at night and I’m on a deadline, I can.”

“Darling. You have a TemPad.”

“Loki. Read the personnel manual.”

He wrinkles his nose. “It’s not really my genre.”

You roll your eyes and take out your breakfast sandwich. “What is your genre?”

He raises an eyebrow. “Is that a serious question?”

“Of course it is,” you say. “I love talking about books.”

He gives you a slight smile and takes a sip of his coffee. “A little bit of everything, honestly,” he says. “Philosophy. Magical theory. History. Politics. Anything from Asgard, really, though it can be a bit more challenging getting some of those titles.”

“I’ve had pretty good luck with the Library of the Sacred Timeline—have you checked there yet?”

He frowns. “I’m not familiar.”

“Oh, you’d like it—it’s on the eighteenth floor. It’s intended to be a collection of the greatest works of literature from as many branches of the timeline as possible,” you say. “It started as a research project, but people liked it and it just kind of evolved into this huge collection. They’ve actually got a pretty sizeable collection of books from Asgard.”

It’s like you’ve told him that his personal paradise had been located on the eighteenth floor this entire time. “Will you show me?”

He is practically vibrating with the sort of anticipatory, manic energy that you typically would associate with Christmas morning right before you tear into presents. It’s sweetly endearing.

“Of course.”

Ten minutes later, you’re leading him through the winding hallways on the eighteenth floor. You’re not surprised he hasn’t heard about the library—it’s a bit out of the way and the eighteenth floor is so poorly designed that it’s not terribly easy to find.

The design of the library is a sharp departure from the rest of the TVA. The shelves and floors are made of the kind of dark mahogany that you typically see in the kind of estates that look like something directly out of a Jane Austen novel. Worn oriental rugs muffle your footsteps on the creaky wood floors and the air smells faintly of dust and paper.

There’s a subtle change in Loki when you walk through the doors—almost like a muscle in his shoulders finally relaxes and he seems truly at home for the first time since he arrived.

You touch his hand. “This way.”

You lead him into the stacks, back to the far corner, right after the books from Alfheim.

“You can borrow whichever ones you like,” you say softly. “There’s a sign out sheet at the front desk.”

He nods, though you don’t think he really hears you—he only has eyes for the shelves, his gaze sweeping across the spines like they’re old friends. You’re about to excuse yourself to give him a little privacy when his brow furrows and he exhales sharply. “Oh, you can’t be serious.”

“What is it?”

They have the entirety of the finest Asgardian literature at their disposal. Untold centuries of the writings of our greatest minds—” he plucks a book off the shelf, “—and they choose to include this?”

The title looks fairly innocuous—a red, leather bound book with the title The Cloistered Heart embossed in gold script on the front. You take the book from him and open it. “What’s the problem with this?”

“It’s inconsequential fluff, literary pablum of the highest order.”

This is the Loki that you’re more familiar with and a smile curls at your lips. Almost on cue, you flip the book open to a chapter titled “The Wedding and Bedding of Aloisa.”

You bite back a laugh and look up at him. “It’s a romance novel.”

“Precisely my point,” he says. “To think that this is on the same shelf as Nielsen and Auber.”

“That’s kind of how libraries work,” you say, flipping further into the book. The phrases “throbbing length” and “eager moans” draw your eye and you have to tamp down another laugh. “Oh, and it’s a sexy romance novel.”

“It appeals to the lowest common denominator, yes.”

“What, so you’re too good for a bodice ripper?”

He scoffs. “I prefer to do the bodice ripping myself, not read some overwrought description of it.”

You are glad you’re looking at the book because you’re pretty sure you’d disintegrate if you had to make eye contact with him while he delivered that line. “Oh spare me,” you say lightly, snapping the book shut and drawing it to your chest. “I’m gonna read this.”

He blows out a puff of air. “It’s a waste of your time.”

“I’ve got lots of time, I can afford to waste it,” you say cheekily. “Besides, I’m curious to see what kind of book turns the god of mischief into a pearl clutching prude.”

Loki sputters. “Prude? Darling, let me assure you, I’m no prude—”

“I’ll leave you to browse,” you say with a grin as you turn away from him. “Come find me at the front when you’re ready to go.”

You’re a few chapters into the book when Loki rejoins you at the front of the library, a small stack of books tucked under his arm.

You close your book with a snap. “This book is a delight. I think your real issue is just that you’re no fun.”

He scoffs. “I’m very fun.”

“Could’ve fooled me.”

You bicker playfully back and forth as you check out your books and leave the library. A quick glance at your watch tells you that you spent much more time there than you’d planned. You can’t quite bring yourself to worry about that, though, not with the memory of Loki’s wonderstruck expression burning so bright in your mind.

There’s a bit of a lull in the conversation as you wait for the elevator.

“Thank you,” he says softly.

“For what?”

“For showing me that.”

“Of course. I’m sorry you didn’t know about it sooner.”

He looks at you, lips parting slightly like he’s about to say something. His tongue swipes briefly over his bottom lip and you would swear that his gaze drops to your mouth for just a second.

For just a second—one heady, slightly irrational second—you think he might be about to kiss you.

The ding of the elevator arriving breaks the spell, startling you just a little. You run a hand through your hair, trying to give off the impression of composure even as your heart beats wildly in your chest.

Loki gestures to the elevator doors. “After you.”

There is a group of analysts in the elevator already, chatting animatedly and completely obliterating any chance you may have had at recapturing that moment.

You try not to dwell too much in contemplating what ifs or timeline branches—often, it feels too much like work, something Mobius might assign you.

But you know that the possibility of that moment—what if the elevator had been a hair slower, what if those analysts had taken a different route, what if you were braver—you know that’s something that’s going to haunt you for a while.

You wouldn’t give up that time in the library for anything—it’s one of those moments that feels formative, something that you’ll return to again and again for one reason or another.

But it’s also true that it’s time that you probably could have used for sorting files and as Saturday ticks on, you can’t help but wish you had a way to pull another hour out of somewhere.

“We’re not going to be able to make this deadline, are we?” you say with a sigh.

It’s getting late into the evening and the cart of files still to be sorted still remains depressingly full, despite the fact that you’d brought both lunch and dinner back to your desk so you could continue working.

Loki eyes the remaining files. “I think we might. We made good progress today.”

You rub your eyes. “My brain feels like it’s about to leak out my ears.”

Loki takes the file you are working on and sets it back in the stack of unsorted files. “I think that might be a sign it’s time to turn in,” he says.

“There’s still so much left.”

“There’s still tomorrow.”

You reach for the file. “Well, let me just—”

He pulls your hand away from the pile. “You can come back to it in the morning. Besides, if you’re this tired, you’re not going to do good work anyway.”

He squeezes your hand and drops it. It’s brief enough to still be friendly, but unusual enough to make you wonder and send your mind racing back to that moment by the elevator.

You shake the thought away. It’s late and you’re tired.

You heave a world weary sigh and slump back in your chair. “I hate it when you’re right.”

To his credit, he only smirks a little. “Come on. I’ll walk you back.”

Once again, there’s no reason for him to do this, but once again, you’re inclined to let him.

You pack up for the evening and walk out of the office side by side. You’re trying very hard not to think about the fact that this is likely the last night that you’ll do this, that tomorrow the assignment will be over.

As you near the residential wing, you start to hear distant shouts. If you inhale deeply, you catch a very faint whiff of explosives—you’re not sure what kind.

“I think someone brought work home,” you say with a sigh.

This happens from time to time—things get out of hand in the field or something happens when retrieving an asset or a target and all hell breaks loose at the TVA. Mobius had once referred to it as “bringing work home” and the name had stuck.

“Wasn’t there an incident in this wing not long ago?” asks Loki.

“Yes.” You sigh, running a hand through your hair. “I had to call off the next day—I got no sleep that night.” You listen carefully, trying to determine the source of the noise and the status of the problem. “But maybe it’s almost over,” you say with an optimism you don’t fully feel. “Sometimes these things are resolved really quick.”

Your heart continues to sink the closer you come to your home. The acrid burn of explosives only increases and you think you catch the low, dull roar of something not quite human.

And indeed, when you turn the final corner, you are immediately stopped by an electric blue barrier being monitored by a hunter. G-21–you’ve worked with her on a couple of missions before.

“Are you fucking kidding me?” slips out of your mouth before you can stop yourself.

“There’s an ongoing incident in this area,” says G-21 and you almost want to laugh because no shit.

“How long do you think it’s gonna be closed off?” you ask.

She shrugs. “We’re at a code 54 right now, but it’s probably gonna escalate.”

With pitch perfect timing and before you can even try to remember what a code 54 means, there’s an almighty crash and a low bellow.

“Go!” she yells before running toward the commotion amid frantic calls for backup.

Loki is grabbing your wrist and pulling you into a run.

Your standard issue work shoes are comfortable enough on a day to day basis, but you certainly want to have words with whoever decided that leather soled shoes with absolutely no grips were a good choice for a building floored almost entirely in linoleum. In a low stakes situation, it’s meant occasionally you wipe out in the cafeteria and hurt nothing but your pride. In this situation, it means that Loki’s firm grip on your hand is the only thing keeping you upright.

But there’s a small mercy in that while you can still hear distant crashes and shrieks, whatever is happening down that hallway doesn’t seem to be following you and eventually, you both slow to a brisk walk and Loki drops your hand.

You haven’t even had a chance to consider where you are going to sleep tonight. You could probably curl up on that terrible couch in the office and just plan on getting up early enough to run back to your place for a quick shower and a change of clothes…assuming the incident resolves by then—

“You can stay with me,” says Loki, as though he can hear you trying to sort this out.

“Oh, that’s okay, I’ll just—”

“If you say you’re going to sleep on that terrible couch in the office, I will personally take you to the most boring governmental proceeding I can find and leave you there until you come to your senses.”

“Sounds like a great place to fall asleep,” you say.

His eyes glint, but his tone brooks no arguments. “You’re staying with me tonight.”

You sigh, but you can’t think of a counterpoint. “When did you get so bossy?”

“Darling, I’m a prince,” he says with a bit of a wry smirk. “It’s my birthright.”

Loki lives on the opposite end of the residential wing and his place looks quite a bit like yours—he’s got an extra window in the kitchen but the floor plan is otherwise the same. A lot of his furniture is standard issue, but there are little details that make it seem more personal: an area rug with a bit of fraying on the edges, a painting of what you think is an Asgardian landscape, a vase filled with dried flowers so delicate they look like they might disintegrate if you were to touch them. And books—so many books. Books on shelves, stacked on the coffee table, tucked into the little rack that you know is meant to hold magazines. Hardbacks, paperbacks, leather bound, dog-eared, well-worn and brand new. It’s no wonder he was so excited about the library.

“Have a seat,” he says, gesturing to the couch. “I’ll get some things for you.”

You sit down and he disappears down the hall. You idly examine the books stacked on the end table next to you. Many are quite clearly from Asgard and it sparks a pang of sympathy—it’s like his homesickness is on full display in his living room and there’s something sweet and sad about seeing that vulnerability laid so bare.

He returns a few minutes later with a pair of pajamas, a toothbrush, and a hand towel.

“Here,” he says, handing you the pile. “Bathroom’s just down the hall. I’ll make up a bed for you.”

“Thanks.”

In the bathroom, you realize that the pajamas he’s given you aren’t the standard set you can order from the TVA. These are made of a dark emerald silk that ripples over your skin like water, and somehow, that makes it feel a thousand times more personal than if he’d loaned you a standard set. They don’t fit quite right on you, but they’ll work well enough for tonight.

You brush your teeth and attempt to get through as much of your evening routine as you can before collecting your clothes and exiting the bathroom.

When you return to the living room, you expect to find that he’s made up a bed for you on the couch. These living units only have one bedroom—it would be quite reasonable to have you sleep on the couch.

You do not expect to find a pajama clad Loki stretched out reading on the couch, a blanket over his lap and his head propped up on a pillow like he intends to sleep there.

You exhale slowly. “Please tell me you are not giving up your bed.”

“Don’t be absurd, of course I am,” he says without even looking up from his book. “The point of this was to prevent you from sleeping on a couch, not simply put you on a couch in a different location.”

You wish you had something to throw at him. “You don’t even fit on that couch.”

“Luckily, my knees bend. Besides, you’re a guest,” he says, as though that settles it.

You roll your eyes and plunk yourself down in the armchair across from the couch, setting your pile of clothes on the floor. “I’m not moving until you give up the couch.”

He finally looks up from his book. “You’re really going to do this?”

You examine your fingernails, flicking away an invisible speck of dust. “I’m not the one being unreasonable. I’m simply meeting you at your level.”

“If you think that I’m being unreasonable and you’re also saying you’re meeting me at my level, does that not mean you are admitting that you are being unreasonable?”

“It’s nearly one o’clock in the morning. I’m not arguing semantics with you.”

“Fine.” His eyes glimmer as he sets his book down and slowly rises to his feet. “But you’re still not sleeping on the couch.”

“Oh, you’re going to be so disappointed when you realize how wrong you are,” you say. You think you see your opening and you try to play it cool.

He’s walking toward you, leaving your path to the couch wide open. In your head, you can see exactly how this works: you’ll spring from your chair and dart around the coffee table before diving onto the couch like a baseball player sliding into home plate, soundly defeating Loki. Easy peasy.

Instead, what happens is that you spring to your feet and Loki moves with inhuman speed, grabbing you around your waist and pinning you to the front of his chest, stopping you in your tracks almost immediately.

“I suppose I should have expected that,” he says. Your back is facing him, but you can almost hear the dry, sardonic look he’s giving you.

“Probably,” you say. “God of mischief and all.” You struggle fruitlessly against his iron grip. “You can let me go now.”

He laughs. “I’m afraid I can’t. It was clearly a mistake to trust you. I won’t be making that error again.”

“I don’t know what you’re talking about,” you say, trying again to squirm away from him. “Let me go.”

“The interesting thing about all of this is that you’ve made a rather substantial tactical error,” he says, continuing as though he can’t hear you.

“You’re bluffing,” you say with more confidence than you feel.

“Fascinating theory,” he says, “but I don’t think it’s going to work out for you.”

With that same ridiculous speed, he’s suddenly spinning you around and lifting you, tossing you easily over his shoulder.

“Hey!” you shout in protest.

“I warned you,” he says, his voice full of mirth as he carries you toward the bedroom.

This is not exactly how you’ve imagined being carried off to bed by Loki.

Though, admittedly, you do have a nice view of his ass.

“This is ridiculous,” you say.

“You brought this upon yourself.” He’s walking into the bedroom and a moment later, he’s lifting you from his shoulder and tossing you unceremoniously onto his bed.

You scramble to your feet and try to lunge toward the door, but he’s clearly expecting that. Before your feet even hit the floor, he catches you around the waist and hauls you back to the bed. Your back hits the mattress and you try to leverage the momentum to propel yourself back onto your feet.

He catches you immediately and you find yourself back on the bed again.

“I don’t mean to be patronizing,” he says, failing to bite back a laugh, “but it’s adorable that you think you can outmaneuver me.”

That is deeply offensive and the only way you can earn my forgiveness is by letting me take my rightful place on the couch.” You can’t quite keep the laugh from your voice.

He grins. “Not a chance.”

You attempt to dive off the opposite side of the bed, only to have him grab you by the ankles and pull you back. You manage to dislodge him and lunge in the opposite direction, only to be immediately thwarted.

It becomes increasingly hilarious the longer it goes on and soon your sides are aching from laughter. Loki is laughing too, but it doesn’t seem to affect his strength or speed at all.

Eventually, he wrestles you back down onto the bed and you are fairly certain there’s no way out of this one—he’s got your wrists pinned above your head and his legs locked around yours. You’re both a little out of breath.

“Yield,” he says.

You shake your head. “Never.”

His gaze flicks to your lips and back to your eyes. “Yield.”

“No.”

Something has changed. There’s an electricity and intensity that crackles in the air between you, possibilities blooming in both of your gazes. It feels a little like that moment by the elevator, but you’re afraid to hope, afraid to even wish because the idea of him wanting you still feels as impossible as capturing smoke with a net.

But the way he’s looking at you, the way his gaze keeps drifting between your eyes and your lips…that’s not nothing.

“Yield.”

You lick your lips, your heart beating wildly. “No.”

Is it just your imagination, or did his breath hitch when you licked your lips?

“Yield.”

God, he’s so close and you want him so badly.

“No.”

He looks again at your lips and this time, he closes the distance between you.

They call him Silvertongue—you’ve heard the jokes, you’ve rolled your eyes at all of them. But as he kisses you, you realize that there’s an element of truth there because only seconds in and you’re ready to sign away your soul to live under the power of Loki’s tongue. The slow, warm slide of it against yours, the way he guides your mouth against his, the way he lets out a soft sigh as he tastes you—you would give up everything if it meant you could stay like this.

“Yield,” he breathes against your lips.

“No,” you say.

He deepens the kiss, catching your lower lip between his teeth and gently tugging until you whimper and arch against him.

He still has your hands pinned against the bed, his grip unyielding when you try to wrestle them away.

“Let me touch you,” you say when he draws back. You want to touch him everywhere—run your hands along every muscle you’ve admired from afar.

“Then yield,” he says with a grin, his eyes flashing with devilish intent.

You consider this for a moment. You could give in—there aren’t really any stakes at this point and you’re pretty sure you’re both going to end up sleeping in his bed tonight anyway. But that glint of mischief in his eyes also promises some intriguing possibilities if you stand firm.

“No,” you say.

“Such a pity,” says Loki, though his expression is one of hungry delight.

His hands slip free of your wrists then, but they stay pinned to the bed by some invisible force.

“Cheater,” you say.

“I think this is only fair,” he says, his hands sliding to your hips. “I’m clearly the victor, am I not entitled to my prize?”

You shiver. “Your prize?”

“Yes.” He kisses down the column of your throat. “My lovely, lovely prize.”

“How can I be your prize if I’m also your competitor?”

“You think too much,” he mumbles against your neck.

“You say that like it’s a bad thing.”

“Generally, it’s not.” He sits back on his heels between your legs, looking you over with satisfaction. “But in this case, it’s distracting you from more pressing matters.” His hands creep under the hem of your shirt, stroking the small of your back, thumbs tracing teasingly along the waistband of your pajama pants.

“Have I mentioned how much I enjoy seeing you in my clothes?” he asks. There’s a husky depth to his voice and a hunger in his eyes that sends a flood of arousal to your cunt.

“You have not,” you say.

“A casualty of too much thinking,” he says solemnly, his thumbs gently grazing the skin at your hipbones. “You look utterly delectable. I almost want to leave them on.” His eyes glitter with mischief. “Almost.” His hand strays to the bottom button on your pajama top. “May I?”

You nod. “Yes.”

He slips the button free and slowly makes his way up until your shirt is open. He carefully pushes the fabric aside, baring your breasts to his sight and touch.

You’ve never felt more beautiful seeing Loki stare at you, lips slightly parted, eyes wide and hungry. He trails one hand up your stomach and rib cage and slowly brushes a thumb over your nipple. You gasp and the sensitive skin puckers and stiffens as he palms your breast, rolling your nipple between his thumb and forefinger.

“Gorgeous,” he murmurs as he lowers his mouth to your breast, his tongue and lips taking up the role of his hand, while his other hand moves to cup your other breast. You whimper, wishing you could run your hands through his hair. “That’s it,” he purrs, “I want to hear all the sounds you can make, my love.”

You rock your hips forward and arch your back as he lavishes attention on your breasts. It’s the most delicious kind of torture, having him so close, but not being able to touch him.

He’s taking his time, which you both love and hate. He feels so good, but you need him to touch you, you need to touch him, you need him inside of you. You wait until you can’t take it any more and breathe his name like it’s a prayer.

You wonder if this is what he was waiting for because with little more than a brief smirk and a wicked look, he starts kissing his way back up your chest and neck. You whimper when his lips meet yours and you can feel him grin as he kisses you. He fits his hips against yours, angling himself so that his cock rubs up against your clit just right and you moan into his mouth. You can tell that he’s big and part of you wants to savor the anticipation even though you feel like you might go mad if he doesn’t fuck you now. You rock your hips against him, trying to feel that friction.

His large hands frame your face, one hand sliding to cradle the back of your head so he can draw you deeper, the other trailing from your cheek to your throat.

Both hands soon stroke down your sides, lingering teasingly at the waistband of your pajama pants. He hooks his thumbs underneath the waistband and you lift your hips. He slides your pants down maybe an inch and you can feel him smiling as he kisses you. You lift your hips again and your waistband creeps down another inch.

“Loki.” His name falls from your lips with a sigh.

“What is it, my love?”

“Touch me,” you breathe. “Please.”

You lift your hips again and this time, he pulls the fabric fully down and off your legs. He guides your legs apart and stares appreciatively at your bare cunt, his teasing expression replaced by a rapt awe.

“Beautiful,” he murmurs.

You believe him.

His hands stroke your thighs, seemingly in no hurry, despite your pleading whimpers and the way you arch against the mattress. He draws his thumb gently along your slit, barely grazing your clit.

“Do you know what an utter distraction it’s been sitting behind you?” he asks, tracing your clit in the slowest, lightest circle.

You arch upward, hands still bound by his magic. “Tell me,” you breathe, your hips rising to chase his hand.

“Every time you stood up, I could only think about bending you over the desk.”

You manage a sly smirk. “And here I thought you didn’t like me much at all.”

His thumb presses a little more against your clit and you moan.

“I’ve wanted you from the moment I saw you,” he says, rolling his thumb in a slow circle. “I kept you at arm’s length partly as a matter of protection.”

For who?”

“You,” he says. “I’m not fully redeemed in some eyes and you being involved with a dangerous variant—”

“You’re not,” you say.

“Some would disagree.”

“Well, they’re wrong,” you say. “You’re not a dangerous variant. You’re Loki Laufeyson and I want you just as you are.”

There’s something unreadable in his expression and it makes you wonder how many people have told him that he can just be himself.

“You should be careful saying such lovely things to me, you know,” he says solemnly.

You raise an eyebrow. “Oh really? And why is that?”

“Because it makes me want to do very wicked things to you.”

You’re surprised you’re not shaking, you want him so badly. “What kinds of wicked things?”

“Oh, all manner of wicked things.” He presses a kiss to the inside of your knee, his tongue swiping briefly against your skin. “Things with my mouth...” His thumb rolls over your clit again, his index finger teasing your entrance before retreating. “…my hands…” He drags his gaze over your naked form before locking eyes with you. “My cock.”

A shiver works its way up your spine. “So if I talk about how I think you’re really clever and funny and I find it unbelievably sexy, what sort of wicked thing would that merit?”

The intensity of his gaze makes you shiver again. He crouches down and presses another kiss against the inside of your knee, slowly moving upward. “If you keep talking like that, I’m not going to let you leave my bed for days.”

“You know that’s not a disincentive, right?” you say, sucking in a sharp breath as he nips at the soft skin of your inner thigh. “I’ve wanted you for such a long time, Loki.”

“I’ll make it weeks if you’re not careful.”

“Again, not a disincentive.” You gently tug at your bound wrists and find that they’re still firmly secured. It’s exhilarating, even though you really wish you could run your hands through his hair, especially if he ends up where you think he’s going.

“What else should I tell you?” you muse as he continues his agonizingly slow path along your thigh. “You know, half the reason I kept to myself was that I wanted you so much I was certain that I’d make a fool of myself.”

That earns you a few circles of your clit with his thumb, but his progress up your thigh remains slow. You have a theory about what might move the needle, though.

“I know you like to act like you’re this sort of barely reformed villain, but I think there’s more good in you than you’d like people to believe.”

This time, he moves up to the crease where your thigh joins your hip, close enough that you can feel the heat of his breath ghosting along your labia. His tongue traces a line along your skin and you briefly wonder if you’ll be able to hold it together enough to deliver the last part.

“And,” you say, trying to keep your voice steady, “yesterday and today made me want you even more because I feel like I finally saw who you really are and you’re even more wond—”

Your words abruptly give way to a breathy moan because his perfect, skilled tongue has finally found its way to your clit.

You had a plan from here, but whatever it was has dissolved into nothing under the skilled caress of Loki’s tongue. You suspected he would be good at this from the way that he’d kissed you earlier, but you could not have imagined that it would feel like this.

“Oh my god, Loki.” Your thighs are already quaking. You tug again at the invisible bonds on your wrists, but they hold fast. Something about the way the bonds are keeping you gently stretched along the bed combined with how his large hands have your thighs spread open seems to heighten every sensation. There’s no wiggling away from him or adjusting yourself so that you feel more or less of the onslaught of his tongue on your cunt. You are completely at his mercy and you’re not entirely surprised that you fucking love it.

He slides a finger into your aching channel and your cunt shudders around the thick intrusion. The warm, roiling center of your orgasm starts builds in your hips with every stroke of his tongue, spinning faster and faster, like ocean winds whipping up into a hurricane. Your back arches and his tongue presses flat against your clit, and suddenly you know that this is going to be what takes you over the edge.

Loki seems to know it too, at least from the way that he presses his tongue more firmly against you, one arm slung across your hips to hold you in place. His other hand slides two fingers inside you, rocking and curling against that aching, tender spot.

You whimper, your hips bucking wildly. It’s so good and so much and you are almost there.

You look down at him then, his hair wild, hollowed cheeks flushed pink as his tongue works you over, his eyes closed like he couldn’t imagine anything more blissful than being in between your legs while you come undone.

This is ultimately what tips you over the edge. The storm that has been forming inside you is finally let loose and you arch your back and cry out in a wordless scream as your climax crashes into you.

Only then do the bonds around your wrists release and your hands fly down to grab his hair as your body shakes with pleasure.

It takes a moment for you to get your breath back and reacquaint yourself with the concept of speech, but when you do, you find Loki looking up at you, his expression pure mischief.

“And to think you wanted to sleep on the couch.”

“It wasn’t that I wanted to sleep on the couch, it’s that—” Your voice cuts off as his tongue starts stroking your clit again.

“It’s what?” he asks in between strokes, his smirk obvious in his voice. The lingering ripples of your orgasm are coalescing around the path of his tongue, tightening that coil in your belly again.

“Fuck—you’re not playing fair, you can’t just—” You lose your sentence to a low moan that rises up from your chest. “You can’t just—fuck, yes—you can’t…oh god, yes, just like that.”

His laughter rumbles against you as your hips start rocking against his mouth. How are you already so close?

“You can’t just—fuck—win an argument by—”

You’re trying to say that he can’t expect to win an argument by making you come and you think he might understand this based on how determined he seems to be to prove you wrong. His fingers curl again until he finds that soft, tender spot that is so often the key to your unraveling.

You have stopped trying to complete that sentence—you moan, your hands tangling in his hair, urging him on as the swell of your climax rushes up, inevitable as a tidal wave looming over a seaside village.

You cry out as it crests and breaks, falling down over you in a rush of tingling pleasure that feels like champagne and fireworks all at once.

“Now, what was it you were saying, my love?” he asks as he releases your clit a moment later. “Something about how I can’t just win an argument by making you come? I couldn’t quite hear you over the sound of you coming completely undone on my tongue.”

“Oh, you think you’re so smart,” you say, giving him a stern look as he crawls up your body.

“You know what I think?” he says, settling himself on his side next to you. “I think you liked submitting to me.”

You shiver before you can even think about hiding it and his smile turns decidedly vulpine.

“You did, didn’t you? You liked having your hands bound and being completely at my mercy while I licked your pretty cunt until you came undone in my mouth.”

“You are enjoying this far too much,” you say.

“I am enjoying it the correct amount.”

You realize your hands are now free to explore his body and you tug at his pajama shirt. “I think you’re wearing too many clothes,” you say.

He gives you a wicked grin as he lets you pull his shirt over his head. “Yes, perhaps it’s time we even things up.”

You pull the shirt away and rake your eyes over him greedily, your hands following the path of your gaze. He is as perfect as you imagined, unfairly beautiful in the dim light of the bedroom.

You hook your thumbs into the waistband of his pajama pants and lower them an inch, a cheeky parallel of how he teased you earlier. His lips curl into a sharp smile when he realizes what you’re doing.

“Interesting strategy.” There’s a bit of a growl in his voice, a rough desperation that makes your cunt clench. “But I think you forgot that I have the upper hand here.”

He raises his hand and with a twist of his wrist, his remaining clothes dissolve in a shimmer of green and he is bare before you.

Your breath catches in your throat. His cock commands your immediate attention, nudging up against your thigh—he’s big, as you suspected, but completely bare and rock hard, he somehow seems longer and thicker than he had when he was grinding against you.

He pulls you into a slow kiss as you reach for his cock. You wrap your hand around him, delighting in the silky hardness of him, the way he throbs in your hand and the low groan he makes as your hand moves from base to tip and back, the way his hips thrust along with you. Your cunt clenches in anticipation.

After a moment, though, he places his hand over yours, slowing your movements.

“I need to be inside you,” he rasps.

“Yes,” you breathe.

He rolls on top of you and you’re not sure that you’ve ever felt anything quite as wonderful as the heat of his bare skin and yours pressed together. This feeling means intimacy, a closeness that you’d longed for but never expected even in your wildest daydreams.

He pulls you into a kiss, slow, soft, and languid, like you have all the time in the world and he intends to take it. It’s decadent and dreamy and perfect.

But the heavy weight of his bare cock resting against your stomach combined with the ache between your legs—an ache that would be so perfectly soothed by the hard column of flesh currently throbbing against you—proves to be a force too powerful to resist for very long.

You cant your hips against him, snaking one leg around his waist, hoping he’ll get the hint.

He does.

He braces himself on one hand, the other sliding between your bodies to rub his cock along your slick folds. He positions himself at your entrance, waiting for your breathy plea to begin to ease himself slowly into you.

He fills and stretches you in the most wonderful way, but even more than that, he feels like home. The thought strikes you quite suddenly and you’re not entirely sure about everything it means, but you know it’s good and right.

He pauses for just a moment, seeming to savor the feeling.

“You feel better than I ever imagined,” he says.

You quirk an eyebrow at him. “You imagined?”

He gives you a hungry smile as he leans in to kiss you. “Like I said: it has been an utter distraction sitting behind you.”

His rhythm is slow and easy, like he wants to take his time learning every inch of you and memorizing how you react to his touch. His mouth moves over yours in a slow kiss that’s somehow both languid and demanding, his tongue gliding in and out of your mouth in the same rhythm of his hips rocking into you. His cock bumps up against that sweet spot inside of you that his fingers had teased earlier, each stroke inching you closer to bliss.

He shifts the angle of his hips so that his pubic bone grinds against your clit and it feels so good you almost see stars. You can feel your orgasm building, your cunt growing slicker and tensing around his thrusting cock.

He draws back to look at you, eyes hazy with a loose, dreamy kind of pleasure.

“Do you have any idea how good you feel?” he breathes.

You are shaking. “Loki, I’m gonna come.”

“I know you are,” he purrs. “Let go for me, let me feel you, my love.”

With two more thrusts of his hips, you unravel.

He groans as you tremble around him, but mostly, he watches your face, rapt by the way you throw your head back against the bed and gasp his name like it’s the only thing that will save you.

“You’re beautiful when you come,” he breathes. “Absolutely stunning.”

He waits until you catch your breath before he kisses you again, slow and sensual. His hips are still rocking in that beautifully slow rhythm and you don’t know how it can still feel so good.

He keeps moving against you, his touch and his low murmurs of praise invoking a symphony of sensations. He presses deeper and your body sings with every thrust, your muscles tensing and tightening around him like you never want him to leave. Your climax swells again and you come with a whimper, your whole body shaking as he fucks you through it.

You want him to come, want to hear the sounds he makes and feel his sweet, hot release burning inside of you.

“I want you to come for me,” you breathe.

He grins at you. “Oh, I will, but not yet. You’re not done yet.”

You whimper. “Loki—”

“Two more, my love, two more and then I’ll come for you.”

Somehow, you give him three. By the second one, he’s panting and his words have become rough, his voice a growl as he utters some of the filthiest praise you’ve ever heard. The third builds quickly after that and you know instinctively that you’re going to take him over the edge with you this time.

You fight to keep your eyes open against the tidal wave of pleasure blooming again in your hips. You need to see him come undone.

As in everything else he does, he’s unfairly beautiful—he throws his head back, letting out a low groan that you can feel all the way to the tips of your toes. His cheeks are flushed, a few ink dark curls plastered to the light sheen of sweat on his forehead. You can feel him emptying himself inside you, his release hot and hard won.

It seems to last a long time and it’s another minute before his hips slow to a halt. He kisses you, so soft and sweet it would almost seem chaste were it not for the fact that his cock is still throbbing inside of you.

After a moment, he slowly eases out of you, rolling over onto his back, his arm snaking around your waist and pulling you to him like he can’t bear to be parted from you even for a moment.

You curl up against his side, your legs tangling with his. He takes your hand, lacing his fingers with yours before resting your clasped hands on his heart.

You could fall in love like this, you think sleepily to yourself.

You don’t know it then, but you’re right.

Time moves differently at the TVA, but a couple years later, there’s a ring in a box on your desk.

Loki likes a spectacle and you’d daydreamed about a traditional wedding, but when you talk it over, you both agree that you want to do something different, something quiet, something just for the two of you.

“I do think we should tell Mobius beforehand,” you say to Loki.

“Isn’t the point of eloping that no one knows until after it’s done?” says Loki.

“Yes, but I feel like we could make one exception,” you say. “If we’d done a full wedding, I would have asked him to give me away.”

Loki’s gaze softens a bit then and he pulls you close. “All right. But we only tell him right before we leave. The man can’t keep a secret.”

But Mobius doesn’t seem terribly surprised when you tell him—in fact, he seems far more concerned about your wedding gift.

“I didn’t have a chance to wrap it yet,” he says. He’s retrieved a large picture frame that had been propped against his desk, though he keeps it turned away from you. “So…this also requires a bit of an overdue confession for context.”

You raise your eyebrows. “A confession?”

“A confession,” says Mobius.

“Will I be angry about this?” asks Loki at the same time you say, “Is this like a go to jail confession or a misdemeanor confession?”

Mobius gives a good natured chuckle, shaking his head slightly. “God, the two of you. Always so dramatic. No wonder you ended up together.” He takes what feels like an unnecessarily long drink from the coffee mug on his desk. “It’s not bad, I promise.” Another sip of coffee.

Loki sighs. “He always does this,” he says to you. “Have you noticed? Whenever he has something that you want to know, he stalls and drags it out just to torment you.”

“Okay,” you say, “but you jumping in to bicker with him probably doesn’t help.”

“I’m not bickering,” says Loki. “I’m simply pointing out that he’s stalling—”

“What was it you were saying, Mobius?” you say brightly, nudging Loki with your elbow.

Mobius’ eyes twinkle. “See,” he says to Loki, “I always liked her. It’s a good match.”

You don’t have to look at Loki to know he’s rolling his eyes, though he also makes a point of surreptitiously pinching your ass, a detail you hope Mobius doesn’t notice.

“Anyway,” says Mobius, taking a deep breath, “it was pretty clear to me from the start that you liked each other. And you also seemed absolutely determined to get in your own way.” He points to Loki. “Especially you with your whole stilted Asgardian prince thing.”

Loki frowns. “What are you talking about?”

Mobius sighs. “Anytime you like someone, it’s like your brain gets a factory reset and you get all overly polite and courtly.”

Loki scoffs. “I don’t do that at all.”

“You do. It’s deeply weird. You’re like a mannerly robot.”

Loki turns to you. “Darling, tell him he’s being absurd.”

You reach over and squeeze his hand. “You did call me ‘my lady’ a couple of times in the early days.”

Loki sighs and looks back at Mobius. “What was your point in mentioning this?”

“Well,” says Mobius, “you seemed pretty determined to get in your own way, so nothing was happening. And eventually I got sick of all of the pining, so I decided to take matters into my own hands.”

“What do you mean?”

Mobius pauses, a hint of a smile pulling at the corners of his mouth. “There wasn’t a breakthrough with Berlitz that weekend. What there was was a surplus in the overtime budget and a high priority indexing project for Archives.”

Your lips part as your brain slowly puts the pieces together. Mobius’ eyes twinkle.

“Wait,” you say, “you lied to us?”

“I did not lie,” says Mobius, his demeanor suddenly becoming very serious. “That would have been wrong.” He nods at Loki. “Also, it would’ve tipped him off and that would have ruined the whole thing. I simply failed to mention that the cart of files that I gave you needed to be sorted for indexing for the Archives department and I peppered in a couple of unrelated things about Berlitz.”

“But the office was empty that weekend,” says Loki.

Mobius snaps his fingers. “Right. I did make some adjustments to the schedule that weekend.”

“And the disturbance that prevented her from returning home on Saturday night?”

Mobius spreads his hands wide and grins. “All me, buddy. Paid G-21 five hundred bucks for that one.”

Loki pauses for a moment and then looks at you. “I don’t think I can be mad about this. I’m genuinely impressed.”

“I mean, I can’t argue with the results, but Jesus, Mobius, you could’ve just set us up on a blind date,” you say.

“Ah, but that’s not as fun,” Mobius says. “Plus, it wouldn’t have made for as good a wedding gift.” He turns the frame around and hands it to you both.

It’s both your timecards from that pay period, neatly framed side by side. Your eyes well with tears and Mobius smiles.

“Honestly, I’m just relieved it’s not a jet ski,” says Loki.

“He's deflecting,” you say to Mobius in an exaggerated whisper.

“I know,” he whispers back.

But you can’t help but notice that Loki’s eyes are brighter than normal.

“Okay, now get out of here,” says Mobius. “You’ve got a wedding to get to.”

Twenty minutes later, you’re wearing a simple white dress and standing with Loki in front of a time door, your hand clasped in his.

“Technically, we don’t have a supervisor’s approval for this,” you say with a wry smile.

He looks at you, eyes dancing with mirth. “I had Mobius sign off on the paperwork while you were getting ready.”

Your heart swells and your smile is so wide that you feel like your face might split in two. “Then hurry up and marry me, Laufeyson.”

He grins and tugs you through the time door.

-------

But wait! There's more: I don't have a masterlist for this, but if you enjoy these idiots, check out Daylight, a sort of sequel.

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