#Anangu people

[thepastisalreadywritten]

More than two miles long and 1,142 feet tall, Uluru, the red sandstone rock formation in Australia’s Northern Territory, wows travelers during the day.

But now, a new night spectacle Wintjiri Wiru illuminates the darkness adjacent to the monolith in a way that reveals Indigenous culture while dazzling with high-tech sound and lights.

“Humans are drawn to light—just think of how compelling sunsets are,” says Melbourne light artist Bruce Ramus, who designed the work in collaboration with the local Anangu people and Voyages Indigenous Tourism.

Wintjiri Wiru is just the latest offering—and newest technology — in the tradition of son et lumière (sound and light) shows, grand public spectacles projected on to (or close to) historic buildings and natural wonders.

These mash-ups of pageantry, culture, and art are experiencing a boom fueled by digital advances and tourist sites looking to attract visitors after dark.

Here’s where to see the latest shows, plus why visitors love these “virtual campfires.”

How did sound and light shows start?

Paul Robert-Houdin created the first sound and light show in 1952 at France’s Château de Chambord.

Music and narration played while slide projectors splashed colored lights on the 16th-century palace.

“We had the feeling that a new way of discovering and understanding monumental heritage was perhaps being born,” one observer wrote in Le Figaro newspaper.

The concept was a hit.

“Standing in the dark and being immersed in sounds and images creates a sense of enchantment,” says Jane Lovell, a professor of tourism at Canterbury Christ Church University in England.

In the following decades, other storied sites harnessed that magic, such as the Red Fort in Delhi, India, and Independence Hall in Philadelphia.

“There were captive audiences for these attractions, so the efforts were minimal—just light up these beautiful things that already existed,” says California light show producer Ryan Miziker.

Early technology was expensive and bulky: sofa-sized slide carousels, finicky stereo speakers that malfunctioned in bad weather.

The storytelling, if mostly historically accurate, could be clunky and lecturing.

At Egypt’s Pyramids at Giza, the still-running circa-1961 show features the Sphinx “narrating” a lofty spiel about ancient life as murky colored lights wash over the monuments.

https://youtu.be/anLYLqMyK1I

How tech took over light shows

“Son et lumieres started out as pretty rudimentary things—a castle would be lit up and a soundtrack would say, ‘this tower was built in 1592,’” says Ross Ashton of London’s Projection Studio, which designs extravaganzas for attractions from Welsh castles to Indian fortresses.

But by the 1990s, innovations in video, lasers, and audio meant creators could screen riveting, mind-bending shows.

“Digital video changed everything,” says Miziker.

“We had software to do 3-D mapping, which takes a round object like a globe and flattens it, or wraps any structure in overlapping, blending geometry.”

Sound evolved, too.

“Bells, spoken voices from different directions, or a fireball rolling, you can layer sound up, so it feels like a tapestry,” says Projection Studio’s sound artist Karen Monid.

Today’s sound and light shows are like mini action movies screened on historic buildings or natural wonders.

San Antonio’s The Saga wraps the 18th-century San Fernando Cathedral in sound effects (mariachi ballads, cannon blasts) and painterly images (folk dancers, renderings of the Alamo) to tell the story of the Texas city.

In Jerusalem, Israel, the ancient Tower of David has two night shows, one on city history and the other about the biblical shepherd-turned-ruler that gave the site its name.

Wintjiri Wiru harnesses LED lights, lasers, sound, and 1,100 drones to recount a legend from the Anangu, who consider Uluru sacred.

The show depicts mala (wallaby-rabbit) beings battling a gigantic devil dog spirit.

“Combine light with sound—in this case Anangu songs and other effects—and it’s like the desert is speaking,” says Ramus.

Other projects are more abstract, such as the new Aura Invalides show at Les Invalides in Paris, which fills the grand interiors of the historic military monument with surreal rays of colored light and outlines architectural elements in laser graffiti.

“People move around within the building, making it more like a 360-degree immersion than something didactical,” says Manon McHugh, a spokesperson for Moment Factory, the studio that created the show.

Why travelers love spectacles

Experts think people are drawn to these shows for their sense of wonder and spectacle.

“Sound and light shows are like fireworks—it’s impossible to look away,” says Miziker.

"Since audiences are sitting in the dark, there’s cognitive dissonance, with the atmosphere almost becoming its own entity,” says Lovell.

https://youtu.be/FV3XdOda3zM

Plus, in this age of Instagram, sound and light spectacles make ideal selfie backdrops or video ops.

“When Moment Factory started doing shows, we didn’t want people to have their phones out,” says McHugh.

Now, other digital production studios build in elements like photo booths to encourage participants to share their experiences.

How sound and light shows help tourist sites

Sound and light shows can be expensive and time-consuming to design.

(Wintjiri Wiru was developed over several years and cost $10 million.)

But many tourist attractions and cities are willing to shell out.

“They produce new income streams,” says Ashton. “People normally go home at night, but if you sell them a ticket to an illumination, they’ll come back.”

Many sound and light experiences in public, urban spaces — outside cathedrals, on city halls, across skyscrapers — are free, but paid for by cities to give visitors an excuse to stay an extra night.

“We used to think of tourism as a daytime activity, but there has been this tourist-ification of the night,” says Andrew Smith, a professor of urban experiences at England’s University of Westminster.

“Now cities want to attract people and keep them in town. It’s a commodification of the night, a way to extend economic and cultural activity.”

Studies indicate that these shows might even make city downtowns feel safer. “It starts to dematerialize the buildings,” says Ramus.

“You just see the lights, and our cities become transparent. They feel gentler.”

[eurovision-facts]

Eurovision Fact #572:

The duo Electric Fields will be the first duo ever to represent Australia at Eurovision this May with their song 'One Milkali (One Blood)'. The song will be sung partially in the Aboriginal language Yankunytjatjara, the language of the Anangu peoples.

[Source]

"Electric Fields to represent Australia in Malmö," Eurovision.tv.

[tcr55]

Meaning ‘many heads’, Kata Tjuta is sacred to the local Aboriginal Anangu people, who have inhabited the area for more than 22,000 years.

They don’t visit the site any longer.

It’s really hard to capture the grandeur of the place, the last shot through a van window comes close.

[mybeingthere]

Kunmanara (Ruby Tjungawa) Williamson

Born: c 1940 near Wingellina WA

Died: 2012

Pitjantjatjara language group

Art Centre: Tjala Arts, Amata

‘I have shared my culture in my paintings for a long time, but culture is in everything I do - when I'm sitting down thinking, when I'm singing, when I'm making fire and cooking food, when I'm talking my language - It's just Anangu way and children know that way from when they're born’. Mrs Williamson, 2011.

Kunmanara (Ruby Tjungawa) Williamson was a Pitjantjatjara senior law woman committed to fostering traditional law and culture, story-telling, hunting, punu (wood) carving, dancing and painting. She was born in the bush around 1940 and came to live in Amata with her family when she was a young girl.

Mrs Williamson painted with Tjala Arts (formerly Minymaku Arts) since 2000 and was one of Tjala's most revered and charismatic artists. She received ongoing attention and acclaim for her unique and contemporary style. Ruby passed away in 2014.

note: Kunmanara is a term of respect used to replace the first name of Anangu who have died.

Mrs Williamson depicted the Musgrave Ranges, behind Amata. The large dark areas are the mountains from the side and above. She has also depicted Ultukunpa or Honey Grevillea flower which is a favourite bush food of the Anangu people. Ultukunpa grows in the sandy soils on the plains. The circles are kapi tjukula or rock holes where water collects after the rains.

https://www.ourstarshazelhurst.com.au/ruby-tjangawa...

[justforbooks]

Lowitja O’Donoghue was told as a child she would never make anything of her life, but the Yankunytjatjara leader went on to change the course of history through her advocacy for Australia’s Aboriginal and Torres Strait Islander peoples.

Taken from her mother and her culture at two years old as one of the stolen generations, she said the harsh discipline she experienced growing up in a loveless mission home ignited her appetite for social justice and equality for First Nations communities.

The life of O’Donoghue, who has died on Kaurna Country in South Australia aged 91, was shaped by the prejudice she experienced as a woman born between two cultures – Aboriginal and white – and by her refusal to be defined by it. Her formidable capacity for activism was triggered by her battle to become the first Aboriginal nurse at the Royal Adelaide hospital, despite the matron repeatedly telling her to “go nurse your own people in Alice Springs”.

At the time, O’Donoghue had no idea where she came from, but she knew it was not Alice Springs/Mparntwe.

From a working life that began as a 16-year-old servant, O’Donoghue went on to become the first Aboriginal person named a Companion of the Order of Australia, the first to address the UN general assembly and the first chair of the now defunct Aboriginal and Torres Strait Islander Commission, overseeing its most successful years.

She was a lead negotiator alongside then prime minister Paul Keating in the drafting of the Native Title Act that arose from the high court’s 1992 Mabo decision. It was Keating who shortlisted O’Donoghue for a vice-regal position, one that ultimately went to Sir William Deane.

In his 2018 oration named in her honour, Noel Pearson called O’Donoghue “our greatest leader of the modern era”.

“Resolute, scolding, warm and generous – courageous, steely, gracious and fair. She held the hardest leadership brief in the nation and performed it bravely and with distinction,” he said of her guidance during native title negotiations.

O’Donoghue was the fifth child of Lily, a Yankunytjatjara woman, and Tom O’Donoghue, an Irish stockman. She was born on Anangu Pitjantjatjara Yankunytjatjara lands at Granite Downs station in South Australia in 1932. While never certain of her birthdate, O’Donoghue celebrated it on 1 August, the date given to her by white missionaries.

“All I know about my birth is that I was actually born in the bush, like all Aboriginal children at those times. It was a traditional birth attended by the grandmothers as, of course, is the traditional way. And the only other thing I know, of course, is that I never had a birth certificate. And, of course, I still don’t have a birth certificate,” she told the Australian Biography project in 1994.

She never knew her father, and when she was two, she and two of her sisters were taken from their mother by missionaries acting on behalf of the Aborigines Protection Board. The girls were sent to live at what was known as the Colebrook Home for Half-Caste Children, where they were forbidden to speak their language or ask about the whereabouts of their parents. O’Donoghue did not see or hear from her mother again for more than 30 years. In a 2011 interview , she recalled the grief of her childhood, saying she did not remember ever “being kissed or touched or loved or anything like that”.

In a 2006 interview, she said: “I didn’t like it of course, particularly when we were told our culture was of the devil. And because I heard that too many times I became quite rebellious because I was always asking the questions: Who am I? Where did I come from?”

O’Donoghue attended Unley general technical high school, but at 16 was sent to Victor Harbour as a servant for a large family. Two years later, she began basic nursing training before attempting to transfer to the Royal Adelaide hospital to continue her education. When the matron refused her because she was Aboriginal, O’Donoghue took her battle to the state premier and anyone else in government who would listen to her case.

“I’d resolved that one of the fights was to actually open the door for Aboriginal women to take up the nursing profession, and also for those young men to get into apprenticeships,” she said in 1994.

O’Donoghue was eventually accepted and spent 10 years at the hospital, including as a charge nurse. She travelled to India to nurse, an experience that honed her determination to secure the rights of Indigenous peoples in her later senior leadership positions within various agencies of Aboriginal affairs and the public service.

While nursing at Coober Pedy in the late 1960s, O’Donoghue was recognised by a group of Aboriginal people. From them, she learned that her birth name was Lowitja, and that her mother was a heartbroken woman living in appalling conditions in Oodnadatta. When mother and daughter eventually reunited, there was tension and a language barrier. Her biographer, Stuart Rintoul, writes that she would later talk of their reunion as a lesson in the “limitlessness of hope and the strength of patience”.

O’Donoghue told the Australian Biography project that reconnecting with her Aboriginal family brought “new meaning and a whole new dimension” to her life, moving her to devote herself entirely to the wellbeing of Aboriginal and Torres Strait Islander peoples.

In 1979, O’Donoghue married Gordon Smart, a hospital orderly she had met in the late 1960s. He died in 1991. The couple did not have children together, as O’Donoghue chose to dedicate her life to her work.

O’Donoghue was made a Member of the Order of Australia in 1977, invested as a Commander of the Order of the British Empire in 1983 and made a Companion of the Order of Australia in 1999. In 1984, she was named Australian of the Year and in 2005 a Dame of the Order of St Gregory the Great, a papal award. She holds multiple honorary doctorates and fellowships and was patron of the Lowitja Institute.

🔔 Lowitja O’Donoghue, advocate for Aboriginal Australians: born 1932; died on 4 February 2024 aged 91.

Daily inspiration. Discover more photos at Just for Books…?

[gaymer-hag-stan]

Eurovision 2024 - Meet the Malmö Participants

🇦🇺 Australia - Electric Fields - One Milkali (One Blood)

Electric Fields are the first duo to represent Australia at the Eurovision Song Contest.

Fans might well remember the pair from SBS’ 2019 national selection show, Eurovision – Australia Decides, where they came a close second to Kate Miller-Heidke with their unforgettable track 2000 And Whatever.

The extraordinary voice of Zaachariaha Fielding and the brilliance of producer and keyboardist Michael Ross unite in a way that merges traditional living culture with music that ranges from soulful pop to epic-scale electronica.

Their song incorporates Yankunytjatjara; an Aboriginal language of the Anangu peoples, one of the oldest living cultures on earth.

[qqueenofhades]

On the nuclear bombing, the British tested nuclear weapons in Australia in the 1950s and 1960s. Not only were the Australian personnel who participated not properly briefed, at no stage was the impact on the Anangu Pitjantjatjara people, especially those who lived on country, ever properly considered, nor was there much effort made into warning them (one man, covering hundreds and thousands of kilometres by himself - he was also criticised for "placing the affairs of a handful of natives above those of the British Commonwealth of Nations"). The British also did a haphazard job in cleaning the site when they were done and covered it up - nearly 20 years after they'd left, when the Australian government was about to hand over the site to the traditional owners, major and widespread plutonium contamination was found on across 3,200 square kilometres. 10 years later, the British government gave the Australian government £20 million towards the A$101 million cost of cleaning the site they contaminated. But surely there can't have been racism or colonialist mindset in choices made for the testing, can there?🙄

Oh, we haven't even touched the entire sordid legacy of post-1945 nuclear testing and its predominant and disproportionate impact on Native and indigenous people. This was the same particularly with the American test site of Bikini Atoll in the South Pacific, where they just packed the inhabitants out and never let them return, and the massive Soviet displacement of indigenous Siberian people both as a policy of control and to open up Arctic test sites. Because obviously when detonating a nuclear bomb, you do it as far away from your own home as possible, but you don't care who else might be affected by it. Especially when those people are already far away from the center of power both geographically and socially, and thus already suffer for that marginalisation.

Anyway, yes: like any other instrument of supreme violence and military power in the western world, the history of nuclear testing/nuclear weapons is intrinsically and inextricably shaped by racism on multiple levels. Both in how they were developed, who they were used on, and who their legacy continues to distort and displace even today.

[a-forger-and-a-point-man]

Hi I don't have a question but let you know I reblogged your post on Oppenheimer and the non-mention of the victims from the Tularosa village and the Mescalero Apache Reservation involving Native Americans and Hispanic Americans, anyway I haven't seen the film but believe the research done for creating this post and I have added more tags taken from the body of the post. Victims should be acknowledged. I will be posting a similar post about the British atomic tests and how our government in 1955 in north west South Australia requisitioned 1,158 square miles of land for them and as early as 1952 were relocating Anangu people (First Nations or Aboriginal people) from Maralinga Tjarutja lands and then tested 7 atomic bombs and did other tests but didn't adequately warn and find all people before testing causing blindness, radiation poisoning and left with a legacy of radiation related health problems. British packed up and left in 1963 and have since spent along with Australian government cleaning the affected area which some say isn't really complete and handed land back to traditional owners in 2009 and tourists have been coming to Maralinga since 2016 but only being told the British side of the story not the Aboriginal side which I hope has changed now and that the traditional owners who indicated in this research I did wanted to take over the tours of the test site and tell both sides and all the history. Sorry for taking up so much space on your blog but I just needed you to know about the kindred spirit I feel due to the fact my white people in the past did this same thing and many other bad things since invading their country in 1788. We even stole their children away from them. My information came from abc.net.au. Looking at your posts I see you help people find stories in the fandom literature area and I think that is great. I also like that you understand that factual tags are important to find similar subjects in the Tumblr search engine. Cheers from Australia.

Hi there, thank you for this deeply important note! I really appreciate this kinda thing!!!

Glad you mentioned it because I had to mute notifications on my original post — it went up to 10K notes in less than two days and my notifications tab was exploding, so sadly if people are adding interesting things I am missing them.

This is such an important issue and we need to seize the moment to get the word out about the impact of nuclear bomb testing.

I am ashamed to say I didn’t know about the UK tests in Australia and what a surprise, of course it affected Aboriginal Australians. Please tag me in your post so I can read / reblog! I’m very interested in learning further.

❤️

[qnewsau]

Why this is Australia's most queer Eurovision yet

New Post has been published on https://qnews.com.au/why-this-is-australias-most-queer-eurovision-yet/

Why this is Australia's most queer Eurovision yet

The Eurovision Song Contest is back for another year and it may just be the queerest yet for Australia. 

This year’s edition will be held in Malmö, Sweden following Loreen’s historic win last year with Tattoo.

Australia is back for another year and will be represented by the truly fabulous Electric Fields with their song One Milkali (One Blood).

Queer identity

Electric Fields is made up of Zaachariaha Fielding and Michael Ross and they put their queer identity at the very forefront of their music. 

Michael told the Guardian about growing up gay in conservative Queensland. 

“I had to try to walk differently, I had to move my hands differently. And it’s a very unique experience that only queer people would really understand – pretending that you’re the opposite of what you are,” he said. 

Zaachariaha was raised in the remote desert community of Mimili in South Australia’s Anangu Pitjantjatjara Yankunytjatjara lands.

“With my family, I didn’t even come out … There was no reason for it. My brother reminded me of it a few years ago – he said, ‘You know, you didn’t really come out to us.’ I didn’t really verbalise it, I was just more being it,” Zaachariaha told the Guardian. 

Michael shared with QNews the importance of being authentic.

“What is always a focus when we create a track is that both Z and my authenticity as people, as artists are truthfully woven into the lyrics and music. Because of this, our queerness naturally shines through same can be said for when we perform,” he said.

And why is the queer community so drawn to Eurovision?

“One of my core values is equality and I don’t believe in stereotypes but is it just me or are the queers just naturally more creative, I think we are,” Michael explains.

“Eurovision is one of the freest creative platforms around.”

Courtney Act joins Australia’s team

Not only are the entries queer but so is the SBS team! 

Comedian Joel Creasey will be on commentary duties (alongside Myf Warhurst) while Courtney Act will be providing behind-the-scenes coverage from backstage. 

Although Courtney is there for TV duties, she still has performance ambitions. 

“Think of this as reconnaissance. I’m going into the Eurovision arena to watch it,” Courtney said.

“And I am, only in my own mind, going to take notes and see what it’s all about, how it works. So that when I get there in the future, I’ll be better acclimatised to represent Australia.”

Brendan Maclean is in support

Queer singer-songwriter and actor Brendan Maclean will be a backing artist on stage for Australia’s performance.

He told QNews about his excitement of being involved.

“As a backing vocalist, you’re being asked to help debut Electric Fields, these beautiful two people I have adored for years, to over one hundred million new fans. So while it’s a fun job it’s one I take very seriously,” he said.

“There’s no room for error, you get one shot at this.”

Where to watch 

Live broadcast on SBS and SBS On Demand:

Semi Final 1 – Wednesday 8 May at 5:00am AEST (Australia performing) Semi Final 2 – Friday 10 May at 5:00am AEST Grand Final – Sunday 12 May at 5:00am AEST

Primetime broadcast on SBS and SBS On Demand

Semi Final 1 – Friday 10 May at 7:30pm AEST (Australia performing) Semi Final 2 – Saturday 11 May at 7:30pm AEST Grand Final – Sunday 12 May at 7:30pm AEST

More on Eurovision:

Courtney Act has a big plan for her trip to Eurovision 2024

Brendan Maclean’s surprise Eurovision news for Australia

Electric Fields in Sweden for first Eurovision rehearsals

UK’s Olly Alexander reveals “dirty” Eurovision rehearsal

ABBA rules out reunion on 50th anniversary of Eurovision win

For the latest LGBTIQA+��Sister Girl and Brother Boy news, entertainment, community stories in Australia, visit qnews.com.au. Check out our latest magazines or find us on Facebook, Twitter, Instagram and YouTube.

[blubushie]

hi leafanon here, other anon is dumb but im curious, ive always heard that "aborigine" is offensive and the term youre supposed to use is "aboriginal." which is correct?

G'day leafanon!

Reckon this is a question better suited for a blackfella (which I'm not) but in my own experience of the folks I've met "Aboriginal" is preferred in the cities and "Aborigine" is preferred in the Outback. Really it depends on who you ask. Some blackfellas are alright with the term Aborigine, others aren't.

About ten years or so ago people really started to get into the PC culture of "everything is offensive" and now you'll cop a lot of shit for saying "Aborigine" in cities. That said, also in my experience the people that hang shit on you for saying it are rarely Indigenous and are usually white people. Folks outside of cities generally don't care and ascribe more to the traditional meaning of the word and are reclaiming it from whatever negative connotation it might've had in the past.

In the Outback (among the people I've met at least, mostly Anangu and Gaagudju, which is what my mob and Jacko are) the preferred term is "Aborigine." Aborigine is the noun for a First People individual. Aboriginal is an adjective. Jack is an Aborigine. A spear made by his mob would be Aboriginal.

Whatever you do, DO NOT ABBREVIATE THE WORD by reducing it to the first three letters of the word or you will be punched. I know Aussies abbreviate everything but that abbreviation has massive negative connotation and isn't acceptable to use as it's the Aborigine's equivalent of the n-word. If you're a tourist you generally get a pass because it's not likely that you know it's a slur, but if you're an Aussie you can fully expect to have a fight on your hands if you say it.

[thememoryofwater]

It doesn't happen often, but when sacred water meets this sacred stone, magic happens.

Uluru / Ayers Rock is considered a sacred site by the Anangu people and is deeply connected to their ancestral stories, spiritual beliefs, and cultural practices. It is believed to be the physical evidence of the activities of ancestral beings who created the world during the Dreamtime, a period of creation and transformation in Indigenous Australian mythology.

According to the Anangu, the rock itself and the surrounding landscape contain numerous sacred sites, rituals, and ceremonial grounds that are essential to their cultural identity and survival.

Uluru is believed to possess a powerful energy that can be experienced and harnessed by those who visit. Some people describe feeling a sense of awe, tranquility, and spiritual connection when they are in its presence. This has led to Uluru becoming a popular destination for meditation, yoga retreats, and spiritual gatherings.

It is crucial to approach the site with respect, understanding, and sensitivity to its cultural and spiritual importance to the Anangu people. Visitors are encouraged to learn about the cultural protocols and guidelines for visiting the area and to engage in responsible tourism practices that respect the land, its traditional custodians, and their ongoing connection to Uluru.

[innervoiceart]

This Is Australia by Marrugeku

This Is Australia Content Warning: this video contains depictions of violence, racial abuse, and police, border security and juvenile justice system brutality.

Lyrics, Vocals, Recording: Beni Bjah Directors: Dalisa Pigram and Rachael Swain - Marrugeku Producer: Gillian Moody Cinematographer: David Tran Choreography: Dalisa Pigram with Jurrungu Ngan-ga cast 2021 Music Production: Dazastah, Sam Serruys and Paul Charlier Editor and Colourist: Darrin Baker Additional Vocals: Zachary Lopez Main Cast: Ses Bero, Emmanuel James Brown, Chandler Connell, Luke Currie-Richardson, Issa El-Assaad, Ashleigh Musk, Bhenji Ra, Macon Escobar Riley, Feras Shaheen 

Filmed in the Kimberley on the lands of the Bunuba people in Fitzroy Crossing, Western Australia

Originally by Childish Gambino. A remake to “This is America” 

Marrugeku Social media accounts: Instagram - https://www.instagram.com/marrugeku Facebook - https://www.facebook.com/Marrugeku Vimeo - https://vimeo.com/marrugeku Soundcloud - https://soundcloud.com/marrugeku 

Lyrics: We just want a barbie Crack a can or two put upon your thongs Aussie day is due Oh Lest we forget The footies on tonight can’t you just get over it You know she’ll be right 

We just want a barbie Crack a can or two put upon your thongs  Aussie day is due Oh Boundless space to share Somethings gotta give Can’t you just go home Find a place to live

This is Australia Look how I’m killing ya Locking your children up Filling my prisons up

This is Australia Look how I’m fearing ya Locking your children up Filling my prisons up

  This is Australia Look how I’m treating ya Say there’s no room for ya Quick to forget your name 

This is Australia Cops in my area Locking ya up Cause white man we scared of ya

  Yeh yeh Im’a go into this Ah ah forgetting our history Yeh yeh locking up refugees Ah ah oh how the irony Yeh yeh showing their fear in us Na na not knowing who we are Yeh yeh chuck you in Manus cause This is Australia 

Ooh Ooh Ooh Ooh Ooh, tell somebody You go tell somebody Grandma told me “Get your land back” Get your land back, Black man Get your land back, Black man Get your land back, Black man Get your land back, Black man

This is Australia Look how you’re killing us Locking our children up Filling them prisons up 

This is Australia Look how I’m fearing ya Locking our children up Filling your prisons up

Take the pulse of my nation You can see the fear (fear) So casual with the racism You’re in denial here (here) Walk around with your face screwed up We can see it clear (clear) You want us all locked up hood strapped Don Dale style brother can you hear (what) 

We ain’t be asking for much (na) Just want our land back a bunch (yeh) Media stay on the hunt (ah) Spreading that fear over brunch (daily) 

Djabugay, Bunuba, Noongar Man Wiradjuri, Anangu, Yawuru Man They want us all in the lock up Or getting shot by the copper Blow 

This is Australia Home of the young and free sailed over seven seas labelled a refugee

  This is Australia Fear of the unknown What we don't understand We wanna send home 

Ooh Ooh Ooh Ooh Ooh, tell somebody Australia, the Pacific Solution killed us and you mothafuckas owe us! Grandma told me Get your land back, Black man Get your land back, Black man Get your land back, Black man Get your land back, Black man 

-  Beni Bjah 2020

 Copyright - Marrugeku Inc. 2022

[glampingfingerlakes]

Top Glamping Destinations You Can’t Miss in 2024

As we approach 2024, glamping—a luxurious blend of glamorous and camping—is gaining even more traction among travelers seeking outdoor adventures with the comfort of modern amenities. No longer do you have to choose between rugged camping or luxury hotels. Glamping allows you to immerse yourself in nature while still enjoying the perks of a comfortable bed, electricity, and sometimes even a hot tub. Whether you’re planning a romantic getaway, a family vacation, or a solo escape, these top glamping destinations offer the ultimate outdoor experience for 2024.

1. Under Canvas Zion – Utah, USA

If you’re seeking a unique experience near one of the world’s most stunning national parks, Under Canvas Zion is an ideal choice. Located just minutes away from Zion National Park, this destination combines luxury tents with breathtaking views of red rock canyons. The canvas tents offer private bathrooms, wood-burning stoves, and king-sized beds, ensuring that you can unwind after a day of hiking and exploring.

With guided tours, horseback riding, and canyoneering excursions available, your adventure doesn’t stop when you return to camp. The star-studded skies and the serene desert landscape make this one of the top glamping spots for 2024.

2. Longitude 131° – Northern Territory, Australia

Australia is known for its rugged beauty, and Longitude 131° gives you a front-row seat to the country's natural wonders. Located near Uluru (Ayers Rock), this luxury tented camp offers an immersive experience in the heart of the Australian outback. The tents are more like luxury suites, complete with air conditioning, rain showers, and plush bedding.

One of the best parts about staying at Longitude 131° is the stunning views of Uluru, visible right from your tent. You’ll also have access to private guides for cultural experiences, such as learning about the indigenous Anangu people or enjoying a scenic helicopter ride over the desert. For a high-end, immersive glamping experience, this destination is not to be missed.

3. The Resort at Paws Up – Montana, USA

Tucked away in the wilderness of Montana, The Resort at Paws Up offers a glamorous escape into the untamed beauty of the American West. Known for its wide-open spaces, luxurious safari-style tents, and top-notch service, this resort delivers an unforgettable glamping experience. Each tent comes with heated floors, en-suite bathrooms, and private decks.

Activities include everything from horseback riding and fly fishing to hot air ballooning and ATV adventures. Guests can also indulge in spa treatments, fine dining, and even a glamping butler to ensure every need is met. It’s the perfect place for those who want to combine outdoor adventure with five-star luxury.

4. Whitepod Eco-Luxury Hotel – Valais, Switzerland

For those seeking a more eco-friendly experience, the Whitepod Eco-Luxury Hotel in Switzerland offers a sustainable glamping option nestled in the Swiss Alps. The futuristic-looking pods, perched on a mountainside, offer panoramic views of the Dents-du-Midi mountain range and are fully equipped with luxury amenities, including wood-burning stoves and private bathrooms.

In the winter, guests can enjoy skiing, snowboarding, and sledding right outside their pods, while summer offers hiking and paragliding adventures. This eco-conscious resort uses minimal energy and promotes sustainable tourism, making it a top choice for environmentally aware travelers in 2024.

5. Aman-i-Khas – Rajasthan, India

Located on the edge of Ranthambore National Park, Aman-i-Khas offers a regal glamping experience that blends luxury with wildlife exploration. The resort’s tented suites draw inspiration from Mughal hunting parties, featuring elegant interiors, king-sized beds, and spa-like bathrooms.

Aman-i-Khas is a gateway to some of India’s most spectacular wildlife, including Bengal tigers and leopards. With daily safaris, meditation sessions, and personalized service, this glamping experience is perfect for those looking to combine luxury with a once-in-a-lifetime wildlife encounter.

6. Clayoquot Wilderness Lodge – British Columbia, Canada

In the heart of Vancouver Island’s untamed wilderness lies the Clayoquot Wilderness Lodge, an off-the-grid retreat that offers guests the ultimate escape from civilization. Accessible only by seaplane or boat, this luxury lodge provides a combination of safari-style tents and modern amenities.

Clayoquot offers a wide range of activities, from whale watching and kayaking to bear tracking and guided hikes. After a day of adventure, unwind in your tent, which comes complete with heated floors, antique furniture, and plush bedding. For nature lovers looking for a remote yet luxurious glamping experience, Clayoquot Wilderness Lodge is an unmatched destination.

7. Wadi Rum Bubble Luxotel – Jordan

If you’ve ever dreamed of staying in a futuristic bubble in the desert, Wadi Rum Bubble Luxotel in Jordan offers just that. This unique glamping experience places you in the heart of the Wadi Rum Desert, with panoramic views of the Martian-like landscape from the comfort of your air-conditioned bubble tent.

Each bubble is equipped with a private bathroom, a spacious bed, and a clear dome ceiling, allowing for unparalleled stargazing at night. With camel rides, jeep tours, and guided hikes through the desert, this destination provides both luxury and adventure in one of the world’s most striking natural environments.

8. Treehotel – Harads, Sweden

For a glamping experience that’s a little out of the ordinary, Treehotel in Sweden offers uniquely designed treehouses in the middle of the forest. Each treehouse is a work of art, with designs ranging from a mirror cube to a UFO-shaped structure. Despite their unusual exteriors, the interiors are luxurious and offer modern amenities like heated floors and plush bedding.

Guests can enjoy hiking, fishing, and even dog sledding, depending on the season. The serene setting and innovative accommodations make Treehotel a must-visit glamping destination for 2024.

9. Kakslauttanen Arctic Resort – Lapland, Finland

For a glamping experience unlike any other, head to Kakslauttanen Arctic Resort in Lapland, Finland. This resort is famous for its glass igloos, which provide a perfect view of the Northern Lights from the comfort of your warm bed. Each igloo is heated and comes with a private bathroom, making it a cozy retreat after a day of dog sledding or snowmobiling.

In addition to viewing the Northern Lights, guests can participate in reindeer safaris, ice fishing, and even visit Santa’s Village. This magical experience is ideal for families, couples, or solo travelers looking to cross off a bucket-list adventure.

10. Sanctuary Gorilla Forest Camp – Bwindi, Uganda

For those who dream of combining luxury with adventure, the Sanctuary Gorilla Forest Camp in Uganda offers the rare opportunity to go gorilla trekking in Bwindi Impenetrable Forest. The camp is located within the national park and features spacious canvas tents with king-sized beds, en-suite bathrooms, and private decks overlooking the jungle.

The highlight of this glamping experience is the guided trek to see mountain gorillas in their natural habitat, a truly unforgettable experience. The camp also offers cultural visits to nearby communities and bird-watching excursions, making it a top destination for wildlife enthusiasts in 2024.

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10 Must-See Attractions in Uluru, Australia: A Comprehensive Guide

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Uluru in context

On our last tour day at Yulara we were treated to a helicopter ride so we could see Uluru from the air. It stands out, a huge rock in a red desert, as though some God had plucked it out from somewhere else and placed it on the plain. Kata Tjuta looks like a pile of pebbles such as a child might make on a beach. So – what are they? How did they get to be there? The Anangu people, the traditional…

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Iconic Australian Landmarks: The Ultimate Bucket List

Australia, a land of stunning landscapes, vibrant cities, and unique wildlife, offers an array of landmarks that should be on every traveler's bucket list. From the sun-soaked beaches to the rugged outback, the continent is dotted with natural wonders and architectural marvels that capture the essence of this diverse nation. For those planning an unforgettable adventure, a "15 days Australia package" provides an excellent opportunity to explore the country's most iconic sites. Here’s a guide to the must-see landmarks that should be included in your ultimate Australian bucket list.

1. Sydney Opera House

No visit to Australia is complete without seeing the Sydney Opera House. An architectural masterpiece designed by Danish architect Jørn Utzon, this iconic building is a symbol of Australia’s artistic spirit. Located on Bennelong Point in Sydney Harbour, the Opera House’s sail-like design is an impressive sight against the backdrop of the city’s skyline. Whether you're attending a world-class performance or simply taking a guided tour, the Sydney Opera House is a must-visit landmark that epitomizes the cultural richness of Australia.

2. Great Barrier Reef

The Great Barrier Reef is one of the Seven Natural Wonders of the World and is a must-see for nature lovers. Stretching over 2,300 kilometers along the Queensland coast, this UNESCO World Heritage site is the largest coral reef system in the world. Diving or snorkeling in the Great Barrier Reef offers a chance to witness vibrant coral formations and diverse marine life, including colorful fish, sea turtles, and majestic manta rays. A "15 days Australia package" often includes a visit to this natural wonder, providing ample time to explore its underwater beauty.

3. Uluru

Uluru, also known as Ayers Rock, is a massive sandstone monolith located in the heart of the Northern Territory’s Red Centre. This sacred site for the Indigenous Anangu people is renowned for its striking red color, which changes hues throughout the day. The best way to experience Uluru is to take a sunrise or sunset tour, when the rock’s colors are at their most vivid. Visitors can also learn about the cultural significance of the site and explore nearby Kata Tjuta (The Olgas), another remarkable geological formation.

4. The Twelve Apostles

The Twelve Apostles are a group of limestone stacks situated off the coast of Victoria, along the Great Ocean Road. These natural formations rise majestically from the Southern Ocean, creating a dramatic and picturesque landscape. Although the number of stacks has decreased over the years due to erosion, the remaining Apostles still offer breathtaking views and are a highlight of any trip to Australia. A scenic drive along the Great Ocean Road is a perfect way to experience this iconic landmark.

5. Bondi Beach

Bondi Beach, located just a short drive from Sydney’s city center, is one of Australia’s most famous beaches. Known for its golden sands and consistent surf, Bondi Beach is a hotspot for beachgoers and surfers alike. The Bondi to Coogee coastal walk provides stunning views of the Pacific Ocean and passes several other beautiful beaches. The vibrant atmosphere, trendy cafes, and lively beach culture make Bondi Beach a must-visit destination for anyone traveling to Sydney.

6. Kakadu National Park

Kakadu National Park, located in the Northern Territory, is a vast wilderness area that offers a glimpse into Australia’s rich biodiversity and Indigenous culture. The park is home to diverse ecosystems, including wetlands, savannahs, and escarpments. Visitors can explore ancient rock art, take boat cruises on the Yellow Water Billabong to see wildlife, or hike to Jim Jim Falls. A "15 days Australia package" might include a visit to Kakadu, allowing for a comprehensive exploration of its natural and cultural treasures.

7. Melbourne’s Laneways

Melbourne’s laneways are a unique feature of the city’s urban landscape. These narrow streets are filled with vibrant street art, boutique shops, and eclectic cafes. Hosier Lane, in particular, is famous for its ever-changing graffiti and street art. Wandering through these laneways provides a glimpse into Melbourne’s creative spirit and vibrant cultural scene. This urban exploration is a must for anyone wanting to experience the city’s artistic flair.

8. Brisbane’s South Bank

Brisbane’s South Bank is a lively precinct known for its cultural attractions and recreational areas. The South Bank Parklands feature a man-made beach, picnic spots, and walking paths along the Brisbane River. The area is also home to the Queensland Art Gallery, the Gallery of Modern Art, and the Brisbane Wheel. South Bank offers a blend of relaxation and culture, making it a great place to unwind and explore Brisbane’s vibrant atmosphere.

9. Sydney Harbour Bridge

Another iconic Sydney landmark, the Sydney Harbour Bridge, offers stunning views of the harbor and the city skyline. Visitors can climb to the top of the bridge for a panoramic view of Sydney, or take a leisurely walk across the bridge to experience its grandeur. The bridge, affectionately known as the “Coathanger” due to its shape, is an engineering marvel and a symbol of Sydney’s ingenuity.

10. Tasmania’s Cradle Mountain

Cradle Mountain, located in Tasmania’s Cradle Mountain-Lake St Clair National Park, is a dramatic peak that offers breathtaking landscapes and outdoor adventures. The area is known for its rugged beauty, alpine lakes, and diverse wildlife. Hiking enthusiasts can explore the Overland Track, which offers stunning views and a chance to experience the pristine wilderness of Tasmania. Cradle Mountain is a must-visit for those seeking adventure and natural beauty.

11. Whitsunday Islands

The Whitsunday Islands, situated in the heart of the Great Barrier Reef, are a tropical paradise with pristine beaches and crystal-clear waters. Whitehaven Beach, renowned for its white silica sand and turquoise waters, is a highlight of the Whitsundays. The islands offer opportunities for sailing, snorkeling, and relaxing in a breathtaking setting. Including the Whitsundays in your "15 days Australia package" ensures you experience some of the country’s most beautiful coastal scenery.

12. Adelaide’s Barossa Valley

The Barossa Valley, located near Adelaide, is one of Australia’s premier wine regions. Known for its Shiraz wines and charming cellar doors, the valley offers wine tastings, gourmet dining, and picturesque vineyard views. A visit to the Barossa Valley provides a taste of Australia’s wine culture and the opportunity to explore charming towns like Tanunda and Nuriootpa.

13. Sydney’s Taronga Zoo

Taronga Zoo, situated on the shores of Sydney Harbour, is home to a wide range of animals from Australia and around the world. The zoo offers interactive exhibits and educational programs, making it a great place for families and animal enthusiasts. The stunning views of the harbor from the zoo add to the experience, making it a must-see attraction in Sydney.

14. Blue Mountains National Park

Just a short drive from Sydney, the Blue Mountains National Park offers a stunning natural escape with its rugged cliffs, lush forests, and waterfalls. The park is known for its scenic beauty, including the Three Sisters rock formation and the famous Scenic World, which features a scenic railway and skyway. Hiking trails and lookout points provide opportunities to immerse yourself in the park’s natural splendor.

15. Canberra’s Australian War Memorial

The Australian War Memorial in Canberra is a significant site dedicated to honoring Australia’s military history. The memorial features exhibits, galleries, and a shrine that commemorates the sacrifices of Australian servicemen and women. A visit to the War Memorial provides insight into the country’s history and offers a moment of reflection and remembrance.

Australia’s iconic landmarks offer a diverse range of experiences, from natural wonders to cultural gems. Whether you’re exploring the Great Barrier Reef, admiring the Sydney Opera House, or venturing into the outback, these landmarks are essential components of an unforgettable Australian adventure. A "15 days Australia package" provides the perfect opportunity to explore these must-see sites, ensuring that your trip is both comprehensive and memorable.