#Analog Short

[fabysaturn]

🌳🧸🧸🧸🌲

🎙️UPDATE on BearFall Woods Analog Short: NEW VOICE ACTING ROLE ADDED on its Casting Call! Looking for a deep, elderly male voice. (British Accent)

Click below to participate! (New role is the last one on the list!) https://cstng.cc/projects/the-house-in-bearfall-woods

🌳🧸🧸🧸🌲

[whereserpentswalk]

Most interdimensional entities that humans consider horrifying demons and eldrich horrors actually consider humans pretty dangerous unless they're actively trained fighters. Your average extraplaner being isn't used to dealing with a species that evolved to hunt in groups, and developed to survive in violent scenarios.

Most final girl situations happen because young entities deeply underestimate that humans have such a strong will to live, and are willing to fight back agasint a stronger foe. Most older entities keep at bay for this very reason, which is why you just see them stranding around being creepy.

That pale long limbed cryptid you spotted in a subway station moved so quickly because it doesn't want to end up near you. That shadow person whose hovering over you in the woods is trying to observe you, but it will teleport away if anyone comes near it for a good reason.

And that doppelganger that's standing by your door at night just wants to observe you too. He was smart to try to copy your roommate's face, but he doesn't realize how good humans are at recognizing eachother's faces, and that his copy will be disturbing to any human who sees it. And he got way to reckless with his movements and bad attempts to imitate human speech. Trying to trick the human who he wants to study into coming to his dimensions is an even bigger mistake, especially since he didn't realize how quickly the human would catch on. He's soon going to learn things he should have read up on before hand: humans will try to attack things they're afraid of if they can't run away, humans can use almost any hard object as a weapon by holding it and swinging, and that those decorations on your wall are called 'swords' and were not originally designed as decorations...

[rosesinaglass]

Serra da Estrela 3

[ambigiousorganfailure]

this is a short in-between post while i gear up for the actual adler/bell and harrow/case comparison, but just an interesting note.

we all know about adler watching you/bell from the red room, right? but did you know he also follows you to the fenced-off area, too?

when i first played cold war, his behavior in this briefing stuck out to me. the way he shifts his weight, changing from foot to foot, looking between his table and the evidence board. it almost seems nervous, fidgety. it feels awkward on him, and it’s awkward to watch. when i was trying to record footage from the safehouse briefings for this miniature post, i thought i’d come out of it making a whole “lightning in a bottle” analogy for adler. but then you run into an issue-there is no other moment like this in cold war. at least, not in the briefings, not in the same way he acts here.

it was strange to me. why does he behave so differently here compared to any other time? his movements are so orchestrated, composed. this is past odd habits, this feels like a moment of weakness. he doesn’t breathe down your neck this severely at any other point in the game. why?

and it clicks in. this is the first briefing of the entire game. this is your first true moment as bell. before this, all he had known of them was a spiteful, frustratingly stubborn soviet and then an empty husk, trapped in a room where he’d have to strong-arm them into psychological submission with drugs and his own personal memories. this is his first time seeing bell out in the wild, moving of their own accord, not separated by restraints or reinforced glass. he’s nervous because of bell.

the reason this is the only time adler appears this way is because he’s reaffirmed of his leash on them after fracture jaw, after the memory exercise. hudson echoes this statement, too, as much as he is untrusting of them, for obvious reasons.

and how interesting is it, that he never shows this apprehension ever again.

[leniviypelmen]

love them so much they eat my brain <333

[serpentface]

This was going to be a panel of a little comic but I got too invested in drawing minute background details so, here.

[davetada]

Samia

Los Angeles, CA

[larissa-35mm]

Natureza cotidiana, Rio de Janeiro.

[wander-clover]

Forced Normalcy

[pippalovestunabrick]

No but this is so important and not just because Nureyev is finally waking up to something outside his Slip tunnel vision. But because Nureyev has never been in the position to plan for a life. His entire focus has been on survival and obligation and anonymity since he was (the equivalent of) a high schooler. He has never had the opportunity to be like "what do I want to do with my life?" because that agency was taken from him by the GAS, by Mag, by being a fugitive, by Dokana and he has actually never been at liberty to just, choose.

This aspect of Nureyev makes me that much more feral about his offer to run away with Juno way back in season 1, because being able to run away and live a life he wants is not something he allowed himself to even imagine until he met Juno goddamn Steel and that meeting like jumpstarted his heart. The life of thrills and decadence across the galaxy might not even be what he truly wants, but even being able to envision the fantasy of it was HUGE for him. Which makes Juno’s rejection of it (in Murderous Mask, but moreso in Final Resting Place after everything they went through together with Miasma, and realizing that there was the potential for genuine love, trust, compatibility between them) all the more devastating. It wasn't just a rejection of Nureyev, but effectively crushed that first real hope for the future that he had allowed himself since Saraswati.

[homara8524]

Good evening brothers and sisters abroad.

I have a new work: ✌🏻

This time I drew Mugetsu from touhouPC98😘.

My personal favorites are her glossy lips, cute heart-shaped glasses, and slightly exaggerated breasts.

Also, I've been posting short time-lapse videos on youtube and tiktok since the last issue: ‼︎ I'd love for you to check them out 🙏.

I'm also looking for your comments on my videos at ‼︎.

[oswaldthatendswald]

This is not a new observation, but I think One Piece handles Doflamingo's backstory-- how it continues to affect his behavior and choices, as well as how it fits into the overall story-- exceptionally well. The villain who is evil due to a tragic past is a very well-established trope, but it is increasingly done quite poorly. Attempts to flesh out a villain and garner sympathy for them can become misguided justifications for their actions or goals, muddying the themes and tone of a story. My point isn't that morally complex characters can't be interesting when done competently and purpose; it's that when the villain with a tragic past is meant to be evil but his past becomes a justification, the writers' intended dynamics of the story are damaged.

Doflamingo's story never has that problem. His backstory makes it perfectly clear why he does the things he does, but it never implies that he is right to do them. It is a reason, not an excuse. The reader gets the sense that Doflamingo is very much the product of his childhood: first the golden excess of a Celestial Dragon, then the abrupt fall from grace into hatred and pain. It's the perfect storm to set a person down the worst paths possible.

But I think the reader might also feel (or at least I did) that this wasn't a fate set in stone. Doflamingo could have unlearned the ideology of a Noble and perhaps that the harm done to him doesn't justify further harm-- except that the only guidance he ever got was worship by Trebol and the other Executives, who were the nail in the coffin for any redemption Doflamingo might have had. Their appearance only validated and affirmed the beliefs Doflamingo already held regarding his place in the world.

Instead of ham-handed sympathy bait, Doflamingo's backstory is a beautifully executed extension of the worldbuilding and themes already present in the story. It is another tragedy in a world of tragedies, another story where children are put through hell. But without the external guidance and support the heroes get, Doflamingo takes the other path, becoming another perpetrator of tragedies, and a reminder that our heroes are the people they are as much (or more) because of the love and mentorship they had than due to innate goodness. It's the road less traveled, but they still might have traveled it.

[th3-r3xic-bruc3-w4yn3]

The curse of being short is that to be underweight you have to be sooo lighter than taller people wdym 45kg is my healthy w8 I funking w8 58

[oh-1-stellar-night]

Phen 228 and his kids.

[jyoungbloodvo]

Lavender Omen: Part 1 (A Poppy Playtime Short)

This is Part 1 of a multiple part short. I hope you all enjoy. 🌙🐱

[thebardbullseye]

(mismag2 ep 4 spoilers)

philtrum being a bigot both explicitly and figuratively in this ep is chef's kiss

ending up on the MIND island where you cling to the old magic and destroy the things you care about instead of opening your mind to new ideas

i see what you did there aabria goddamn