#American Cinema | Explore Tumblr posts and blogs

blackinmotionpictures · 2 days ago

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SEEDS (2025) dir. Brittany Shyne

#american cinema #film: seeds #director: brittany shyne #genre: documentary #2020s

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silvadour · 2 days ago

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Superman (2025) Directed by James Gunn

#Testing out making live-action gifsets...I might make a separate blog for these posts.#Superman 2025 #James Gunn #dc studios #dc comics #dc universe #american cinema #comic book movies #my gif

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filmaticbby · 1 month ago

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Funny Girl (1968) dir. William Wyler

#funny girl #william wyler #cinematography #harry stradling #american cinema #barbra streisand #1960s

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honeygleam · 6 months ago

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cheryl dunye and guinevere turner as cheryl and diana in the watermelon woman (1996) dir. cheryl dunye

#the watermelon woman #cheryl dunye #guinevere turner #film aesthetic #film stills #film #90s style #90s movies #90s nostalgia #american film #american cinema #lgbtq media #lesbian film #lgbtq+#lesbian

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sometimesigif · 1 year ago

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Paul Bettany as Geoffrey Chaucer A Knight's Tale (2001) dir. Brian Helgeland

#paul bettany #a knight's tale #geoffrey chaucer #2000s #brian helgeland #american cinema #heath ledger #alan tudyk

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habitual-sadness · 5 months ago

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世の中は―地獄の上の―花見かな In this world―We walk on the roof of hell―Gazing at flowers ―Kobayashi Issa

Mothlight, Stan Brakhage, 1962

#Mothlight #Stan Brakhage #1962 #American Cinema #1960s #My Gifs #Poem

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phantomladyoverparis · 1 year ago

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Mechanics of Love (1955), dir. Willard Maas & Ben Moore

#Mechanics of Love #Willard Maas #Ben Moore #50s #experimental film #avant garde #american cinema

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exhaustedeyess · 1 year ago

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neonoires · 1 month ago

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Timothée Chalamet in Rolling Stone December 2024 photographed by Aidan Zamiri

#timothée chalamet #timothee chalamet #aidan zamiri #rolling stone #american cinema #american films #a complete unknown

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firelise · 9 months ago

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Alfre Woodard on Crooklyn (1994) for R29:

“To my knowledge, we hadn’t seen a Black family that was just presented as we are in life, as human beings,” Woodard said. “I get told in Belgium by white Belgians ‘I love Crooklyn, it reminds me of growing up.’ Which is what happens when you tell a story from a specific point of view, you don’t have to mention race. You didn’t get up this morning like ‘I’m a black woman that wants a cup of coffee.’ You just want a cup of coffee. It was us as we are. Just us being fabulous, complex, funny, delightful, and making ends meet. And seeing, even within that story, that we’re not monolithic...The specificity is what makes it universal. Diversity is not the point; showing reality is the point.”