#Amadeus Mozart imagine
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kelvinthegoatt · 2 months ago
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Never posted this here(?)
For oomf I guess
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philiponmycracker · 2 months ago
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Fun fact, apprantely Tom had decided to officially come out during the Oscars as part of his acceptance speech should he have won for his role as Mozart (by mentioning the relationship he was in at the time, how sweet) but he didn't win so it never happened. Then during a press conference for The Normal Heart, Larry Kramer outed him unintentionally by saying how great it is to have a gay actor play Ned Weeks and Tom was like "oh, okay" but nobody wrote about it so nah?? lmao i just ahsksjasbeufhskanh
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cottonraincoat · 1 month ago
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Hüttenbrenner, Salieri's student, remembers his teacher:
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"It is ironic that Salieri rejected that part of Tito that appealed most vividly to the Romantic mind."
excerpts from Chapter 14, Antonio Salieri and Viennese Opera, by John A Rice
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ded-lime · 1 year ago
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mozartcoeur · 3 months ago
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gonna bring mozart back from the dead and sit him down to watch the movie amadeus
he and salieri were actually bros iirc, one definitely didn't try to poison the other out of jealousy
Imagine your favourite historical figure watching all the documentaries there are about them and pointing out inaccuracies.            
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literatureloverx · 6 months ago
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Your writing is so beautiful. I'm in desperate need for angst/fluff. Headcanons or maybe a scene where fyodor comforts his darling because she is grieving the loss of a loved one or pet...I imagine fyodors ideal type would be someone who is very spiritual and feels things deeply.
Thank you darling♥️ I genuinely LOVE this request.
And I couldn’t agree more about Fyodor’s darling being a very emphatic person who feels things deeply!❤️
Angst, fluff, death of a beloved pet (horse), hurt & comfort.
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The rainbow bridge
You sob your heart out, your teary eyes focused on your beloved friend.
Your cherished horse, which you named after your husband’s favorite piece of music by Mozart, Lacrimosa.
A beautiful grey mare with an exceptionally soft coat and mane, a creature you fell in love with at first sight.
From the moment you met her, you knew that your bond would be strong and special. She was your trusted companion whenever your husband vanished for months, pursuing his goal of a better world.
And now, she was gone.
She had lain there for hours, whimpering in pain. A severe colic had taken her away from you, leaving you no choice but to let her go—to save her from the pain you knew she was enduring.
A gentle, firm touch on your shoulder made you aware that your husband was standing right behind you, as you sat beside the lifeless body of your beloved companion.
You slowly turned to face him, your sobs making it impossible to speak coherently.
His face was utterly soft and gentle, but also somehow uncomfortable with your tears and emotional response to the loss of the horse he had gifted you.
He wasn’t used to seeing you with such negative emotions, and even less comfortable with offering guidance through such pain.
He felt awkward, but your teary eyes and sad expression inevitably pulled at his heartstrings.
He gently knelt down, his face softly caressing your wet cheeks as he wiped away the tears with the back of his hand. He kissed your forehead, and you collapsed into his arms, sobbing even harder than before.
“My love... please.”
“She left us...” you managed to whisper between sobs.
He caressed your hair, kissing you softly. He could have coaxed you out of the pain you were feeling, but he didn’t. His heart wouldn’t allow him to do such a thing to you, which both flustered and frustrated him.
Instead, he uttered soft words into your ear, telling you how your beloved horse had led a fulfilling life at your side, and how you were the best companion a horse like her could have ever dreamed of. That you were so good to her, that she was so lucky to have had you.
He gently reminded you that now, she had crossed the rainbow bridge. His words of consolation might have made you feel like a child, but you couldn’t help continuing to cry.
He gently helped you up, signaling to your stable hand to cover your horse’s body as he guided you out of the stable.
He would soon make you forget about this, because his love would heal your heart.
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ataraxiaspainting · 1 year ago
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Hier Encore I.
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Yan Chrollo x F Reader.
Synopsis: Yorknew Police Department Headquarters, 1995, April 10th. You are a director of public safety. The Phantom Troupe attacks the headquarters and takes you under the guise of a hostage situation. Even when the ransom is paid, you are never returned and assumed to be dead. After thirteen months of captivity, in 1996, on May 9th, you escape and try to learn how to live again somewhere far away from your captor. The payment of freedom comes with a steep cost, one that stains your hands so much that even if you drown them in bleach, the stain will remain there for the rest of your life.
Warnings: Yandere themes, kidnapping, the reader is described as AFAB and uses she/her pronouns respectively, not SFW implications, misogynistic undertones (not from Chrollo), manipulation, references to religion, violence/gore, minor character death, and past stalking.
Word Count: 18k.
Ten Songs Like This Piece:
Lacrimosa by Wolfgang Amadeus Mozart
4:00 A.M. by Taeko Onuki
My Girlfriend Is a Witch by October Country
Michelle by Sir Chloe
Sonne by Rammstein
Enemy by Imagine Dragons
Venus Fly Trap by MARINA
Maneater by Nelly Furtado
cult leader by KiNG MALA
Teacher’s Pet by Melanie Martinez 
"She looked like a vixen, and that’s what she was; she had all the instincts of a female fox. She was the proverbial predatory female. She had what she wanted, now, and she was content. There was just the getting completely away with it that counted.” – Gil Brewer, Sin for Me
i. “Good night, good night! Parting is such sweet sorrow."
The sitting rooms in these types of hotels have always been your favorite place to sit because of the scenery. There is almost always a large window overlooking whatever city you are temporarily placed in with your captor, making everything below you seem insignificant. You see nothing other than your faded reflection in the window and blinking city lights that are so small they seem like a city of stars. At the same time, you can only touch the framed glass panes or the couch you are sitting on. You can only hear Chrollo’s pleased hums and the occasional page-turning of his current novel. You cannot feel or hear the world outside, no matter how much you try to imagine such.
When you were working, you would use your phone to notify others of what you were doing at work or when you would arrive home, but now you can't feel your pants pocket where the phone was usually kept. It would vibrate or chime loudly as its duty as your alarm and messenger. The phone, once opened, would relay your family members’ voices, or your boss’, or your assistants’. Even if some voices were secretly irritating to you before, you feel compelled to admit that they are better than hearing nothing other than the squeaky wheels of a room service cart or the air conditioner. You cannot feel the rest of your work uniform, a classic white dress shirt and black tie. You cannot hear your co-workers’ drunken laughs as they cheer with large glasses of beer in their hands. A small thud catches your attention, making you turn your head in that direction. Chrollo is putting his book down on the coffee table in front of you two. It is closed, with the cover facing upward, and the title in a foreign language. His cup is empty except for a few drops, having been previously filled with black coffee. Yours simply has room-temperature water, still filled to the brim. You make eye contact for a second or two, his eyes calm and composed. Chrollo breaks it as his arm reaches out towards his coffee cup. He picks it up with grace, sipping quietly before setting it back down on its porcelain saucer. A small smile forms on his pale lips as he looks at you.
"You seem rather bored, my dear. Would you mind conversing with me?”
“No, I would not mind.” You say, your lips moving to mimic his own with precision.
“Marvelous. Would you like to talk about anything in particular?” Chrollo asks, his left arm moving to rest on the couch.
“Anything you would like to discuss.”
“If you insist.” He places one of his legs over the other; his posture is relaxed but his stare is suddenly intense. “There is something I would like to ask of you. Tell me, do you enjoy being here with me?”
“I do. I needed some time to adjust, but I like it here. I have fewer responsibilities than what I used to have.” 
“Wonderful.” Chrollo’s smile widens.
You know that he would not be pleased if you told him the truth; that you feel nothing for him aside from disdain. His softness would fade and give way to his true colors rapidly. An eye-catching crimson red specifically. It is the color of blood, danger, fire, some species of spiders and snakes… It is the color of danger and anger. Perhaps he would threaten to murder a dear friend of yours. Perhaps he would hit you. Perhaps he would isolate you even further by not returning for days at a time. Perhaps he will tie you to the bed. …Perhaps he will kill you. It would be easy, you know it from the bits of strength he has shown you. All it would take is a simple wave of his hand and–
“I enjoy having you here, beside me. Your presence is very comforting.” His eyes glimmer for what seems like less than a fifth of a second, a light that you learned only shows when he is curious about something.
“Did you want to ask me something?”
“I am glad you noticed.” His head tilts slightly to the side. “I do have something I want to ask you.”
“Well, what is your question?”
“Do you plan to try to run away from me?” His cold tone and facial expression are unlike the one he had a few moments ago. 
“No. I do not.” You shake your head and take his hand gently. “What better place is there to be other than having you by my side?”
Chrollo’s eyes seem to soften at your answer. His posture returns to one of no worries. His shoulders are not as tense. His breathing is a bit steadier. He looks at your hand with a slight smile. He leans a bit towards you. He squeezes your hand lightly. You put your head on his shoulder to further convince him to believe the lie. Your captor hums with a pleased voice.
He is cold to the touch. It is like your hand is in a blizzard, a small warm flame surrounded by snow. There is a slight stinging sensation. It is colder than literal ice on your skin. Chrollo’s grip is tender yet strong, making it clear that he does not want to let go of your soft hand. 
You feel his nose go into your hair and dare not do anything to stop it.
Your kidnapper inhales sharply and sighs fondly. His breath smells like mint; sharp, fresh, and cool. To distract yourself from the unpleasant truth, you look around the hotel room. There is a rose bouquet in front of you two, still fresh since you both arrived this morning. They are a deep burgundy color, similar to that of the city lights outside. The glass they were placed in is intricate with flower markings. The coffee table is rosewood by the looks of it, most likely polished right before you two came. The curtains on the sides of the large window are a fawn brown, obviously to match the roses. The carpet is a beige with chocolate brown swirl patterns on it. You try to follow one with your eyes but get lost in it after a few seconds. The couch you two are sitting on is beige as well. Perhaps the reason why this room is so dull is because of how colorful the city outside of it is. Designs like this are probably why this city has so many tourists. Either that or Chrollo chose its blandness specifically because he still wanted an aura of superiority, both literally with how high the hotel room is above and in spirit with the colors. It is ironic, but Chrollo’s white dress shirt is the brightest thing inside this room. You wonder if his clothing choice was on purpose too.
You know yours was. A black dress that stops just before your knees, with gold earrings and anklet. It is a part of your plan to lower his guard. You just washed your hair a few hours ago and put on a bit too much perfume. You walk with confidence yet not too much of it. It is similar to how you used to dress when you went to parties hosted by members of high society, tasked to butter them up a little to the higher-ups’ requests for funding public safety projects. Those people were pompous for certain, but still childish and easily fooled. Chrollo, on the other hand, is pompous but intelligent and a manipulator himself, hence why you have done this dance for the past thirteen months for him to lower his guard. You think it is working, but it is not time to escape just yet.
There are still matters that must be attended to. Like a possible escape route. You know that if you try to escape Chrollo in this hotel he will catch you quite quickly since this room is so small and he will for sure notice if the only hotel key is missing. Also, you note that you cannot know for sure whether or not Chrollo fully trusts you at this point. You plan to ask him to take you on a date tomorrow and then run away once you see an area with much fewer people. You will hide a change of clothes in your purse and change your appearance. You will use a false name from then on. You will try to notify your loved ones about your whereabouts and tell them to move within a few days to be safe just in case the Troupe knows where they live. Then you will try to go north then east using the money you have secretly been stealing from him. If he says no or still has a tight grip on you throughout the day, you will not try to escape that day and try within a few more months. You will repeat this process until you have escaped successfully. You must make sure that you have loosened Chrollo’s grip on you enough, otherwise, he will catch you quickly. Who knows what will happen after that? Who knows if you will ever get this chance again? The answer is most likely never.
“Your scent… it’s nice.” Chrollo whispers.
You bat your eyelashes at him as a response.
Chrollo’s eyes appear to be full of adoration. Your makeup is fully done, a style that you know your captor likes. Winged black eyeliner. Black eyeshadow. Dark red lipstick. Your hair is in a braid with your bangs just slightly covering your eyes. Your nails are painted a color to match your eyes.
Deep down, you worry if this is enough, too much, or too little. If it is too much, he will catch on fast, and you will pay dearly for the consequences. If it is too little, he shall not be impressed and not take you outside tomorrow. It has to be just right. Chrollo leans in closer, still making eye contact as you bat your lashes. His hand is still grabbing onto yours, but it seems to have gotten a little warmer because of the heat of your own. Either that, or you had gotten used to it.
“You truly are a sight… My girl…” Chrollo’s other hand makes its way to your cheek. There is a strong scent of flowers coming off of you. He leans in more until his face and yours are just inches apart. “You smell lovely… Let me taste you.”
You hide your disgust and nod your head. 
Chrollo’s lips touch yours. The cold hand that was holding yours also makes it upward toward your other cheek and squeezes lightly. His fingers are thicker than yours. His fingernails are in pristine condition as usual. His wrists are bony. His skin looks callused, but in actuality, it is quite soft. There aren’t any scars or injuries on them, which is remarkable considering what he does for a living. You wonder if those he killed had touched his soft skin and thought they were being strangled by silk instead of actual human hands. His lips are soft too. Chrollo’s kisses always were elegant and gentle, but you think that is because you have tried your hardest to not disobey him. You wonder if the people Chrollo extorted information out of knew the touch of his lips. At least some of them knew, you think. Chrollo is attractive to many people, both rich and poor. He had told you a few stories such as when he had a sexual relationship with an older woman who had a high-paying role in government and one day he ran off with all of the riches in her safe. She died soon after. Chrollo says she died of a broken heart. You don’t know whether he meant she was mentally heartbroken and was joking with you or she had her heart mangled by Chrollo during her last few minutes alive. You don’t think you want to know the answer either. 
Chrollo’s tongue starts to trace your lower lip with greed. You feel your heart nearly skip a beat. Let me out, you want to say. Let me out. It feels like you are black and blue all over from all the tall hurdles you had to jump through to make it this far. A voice in the back of your mind says that the outside will never heal your wounds, but giving in would. It is better to just give up, it speaks in the back of your mind with a forked tongue and unsettlingly calm tone. It would be better to just accept it. Perhaps Stockholm Syndrome is settling in, or it is just your hope for the future withering away.
Your kidnapper bites slightly on your lower lip and looks deeply into your eyes. His pupils are dilated.
You look down at his lips and notice the hue of your dark red lipstick.
Chrollo doesn’t seem to care as he pulls your face towards his own again. Either that or he did not notice it, but it is unlikely considering how perceptive he is. His cold hands hold your warm face in place as you feel his hot breath tickle your nostrils. His elbows go underneath your armpits and stab into the couch. You hear nothing except for his breathing because you look at the clock on the wall to distract yourself yet again. It is nearly midnight. 
Your perfume smells like dahlias and roses, which Chrollo has mentioned liking on you before.
His right hand pushes your right cheek into the arm of the couch and he starts to suck and bite your neck.
Your skin is soft as usual, looking like porcelain.
Chrollo has complimented it before. He has complimented your scent before. He has complimented your makeup before. He has complimented your hair before. You look beautiful, there is always a genuineness in his tone that would make you feel slightly sick like you were going to throw up whatever expensive fruit or chocolate you had eaten. You would never voice it though, because that would mean all the progress you have made to lower his guard would be for nothing. It would only make him test your sufferance further by doing unspeakable acts against you or your loved ones. The only weapons he has not taken away from you are your tactical mind and honeyed words. If you play them correctly, you will eventually escape and live a somewhat peaceful life. 
Chrollo moves upward toward your ear and nibbles at your lobe softly. “You are so beautiful, my precious.” He whispers. “So beautiful…” His perfume smells like sandalwood and musk. “Like a doll. Truly, you’re quite the sight to see…” Chrollo purrs.
His fingers trace the top of your hair.
“Like silk. So soft and gentle…” His fingers dance downward on your braid, twisting back and forth. “The shampoo I chose for you was a good choice.”
You smile.
“White jasmine…” A sweet and soft scent. Swirls of saccharine and fruit. A slight tart smell of citrus. Universally ambrosial paired with the bitter words that leave your syrup-covered lips; making a charming palette of a flavor similar to that of biting into a square of dark chocolate mixed with orange zest. The texture is not ever strange because of how well-crafted the chocolate is. It is not difficult to swallow but doesn’t melt in the mouth too fast either. The delicacy’s flavor stays in the mouth even after it is fully dissolved, coating each tooth in a substance that has a lovely bittersweet taste like honey mixed with black tea. “It suits you.”
*~*~*~*
1995, April 10th. The Phantom Troupe targeted the Yorknew Police Department Headquarters, one of the largest public safety headquarters in the world, killing 1,891 people. 
A lot of them were on the lower floors, scampering away to locked exits like stray, captured cats, clawing and screaming at the metal doors to open. You sometimes envy them, for their time with the Troupe was short. They knew how their fate was going to end; swift and twisted. A quick punch. A sudden stab. A loud blast of a firearm. They knew how they were going to die. They comforted each other as they were ripped limb from limb. 
You don’t know how you are going to die, or when you are going to die. You could die in a few seconds, a few months, or a few years. You could die by being shot, being poisoned, or being strangled. No one came to comfort you, and no one comforts you now. No one listened to your struggles and cries for help as you were pushed in a black car, gagged and restrained. No one helped you in one of your most desperate moments. 
You are tired of doing everything with the person that made your life a living hell. You want to go back to eating dinner at a restaurant and not feel an unwanted hand on your thigh. You want to go back to sleep with a loose arm around you and not a strangling one. You want to go back to talking to someone you like about a topic you like and not think your every move toward freedom is a gamble.
1995, April 10th. The Phantom Troupe targeted the Yorknew Police Department Headquarters, one of the largest public safety headquarters in the world, killing 1,891 people, leaving very few people to tell others of the tale. Perhaps you count, but you are presumed dead by the outside world so it wouldn’t matter anyhow. You are all alone and stuck in a situation akin to limbo. 
*~*~*~*
Chrollo keeps batting his eyelashes at you across the dining table.
His hair is well-kept, he is wearing a fancy suit, and his nearly black eyes are wider and brighter than when you saw him last. It is well past sunset, the sky outside the window a murky, livid color. He is humming now, staring at you rather than the uncut steak in front of him. You are about to stop playing with your food when–
“Black is a good color on you.”
Your head jerks up. His eyes are even more vivid, and focused, while yours are uncertain. Your hand stops moving your fork to your mouth and falls back to the table lifelessly. 
“Your dress,” he smiles.
“I…” You look down and close your eyes. You have to force your shoulders not to shake by thinking of happier times in your life. “Thank you.”
“Of course.” You refuse to look at him for it will show what you are feeling. Your heart beats so fast that you feel like you are about to go into cardiac arrest. “I have something for you, after dinner.”
He has just come back from another successful heist in this city. It makes sense.
“I’m not very hungry, Chrollo.”
He hums. “You are going to go hungry.” You hear him place his cup of wine back onto the table. “At least eat the radish soup. You need to eat your vegetables.”
As if brought to existence by his words, you smell the bowl of vegetable soup beside the uneaten steak. You mostly smell the tartness of the tomato slices, big and bright. Mint comes second, fresh yet light compared to the tomato smell. You don’t smell the radish, though, despite the chunks of them being large enough to hardly fit in your spoon.
You open your eyes and lift your hand to pick up the spoon in the bowl. You take a piece of radish in your mouth, quickly chewing the peppery vegetable.
You still refuse to look at your captor. You just try to focus on eating the soup so you can at least temporarily avoid his gaze. You are never this nervous when you are about to try to manipulate someone into doing what you say, but Chrollo’s eye for tactics is about the same as yours. When you are almost done with your soup, you suddenly hear Chrollo’s chair move, followed by footsteps.
“You’re nervous.”
You shake your head and take the last bite of your soup. “I am not. I am just thinking about something, dear.”
He grabs the hand that was holding your spoon. His thumb makes circles around your own.
You take some of the quietest and quickest deep breaths and look at Chrollo, the corners of your mouth turning upwards into another deceitful smile. “You don’t need to worry about me. You already work hard enough as it is.”
Chrollo hoists you up and hugs you. 
The window gives way to the starless night sky as dark as obsidian–the moon a slight crescent, and a snow white. It floats atop the carefully cut trees onto their tips and stays there, like a strung puppet in a finished puppet show, unmoving until called upon again by its master. 
“What is my beautiful [First] worried about?” He murmurs. 
“I was examining something.” Your fingertips graze against his palm. You plan to recreate the classic dance of Black Swan Pas de Deux, with you taking on the role of Odile. “Something most peculiar.” Your hand clasps onto his. “I am like a train. I can only run anywhere my rails take me. I suppose you are a new track I have yet to explore, and the only option is to move wherever it is you take me.” His hand feels warm, but not warm enough to comfort others. “It has been an unexpected journey with many stops, but it is my purpose to keep moving forward until the end. The end’s length feels far and I feel that only through death would the tracks cusp.” You stand up straighter than before and your breath echoes in his ear. “People focus more on the train’s condition than the tracks but the tracks are the most important part of the journey. Without tracks, trains would not exist. So, Chrollo…” You feel comfortably numb and not as timid as you were a few minutes ago. “How do you feel?”
You look into your captor’s eyes, and all you see is hell. The very gates of hell in the eyes of a human being. When judgment passes, all of your sins shall be weighed. The only way for your sins to disappear before that day is to lie. 
The Devil himself is waiting for the moment when your mask shatters and gives way to a horrid monstrosity. Only then can he punish you for your misdeeds.
“...How I feel, huh?” Long, silent fingers move like a spider’s legs up and down your back. He is now reciprocating your dance by playing the role of Prince Siegfried. The gramophone plays Beethoven’s Für Elise.  “I think you're a fascinating woman, darling.” His tone is gentle, contrasting with the usual coldness and detachment he carries so often. He moves his other hand to the side of your face and gently caresses your cheeks. “You're smart, creative, and strong. You have a unique charm that sets you apart from everyone else.” 
Like a rose, Chrollo’s thorns and stunningly beautiful features cut deep into both your psyche and the world around you. He has spent what feels like years trying to pluck your petals off one by one in a game of effeuiller la marguerite, the logic behind it being a bizarre combination of many things. His stalk, the axis that connects all his reasons, would be simple curiosity. He was curious to find out where your traits stemmed from, what and who made you the way you are today if you were hiding something nefarious behind that bright smile and kind voice of yours, and thus began his hunt for more knowledge. His calyx, a shield made of his in the form of sepals, represents how protective he is of his deepest, darkest secrets. He has buried them all beneath a temple of fake phlegmatism and honesty. The petals of his biggest and most colorful flower lead his admirers astray so they could never uncover the real Chrollo, which you think is a mercy in itself. Most of those who have seen his true self are buried along with it soon enough.
You want to take a lighter and light him ablaze so that he shall never reroot in the soil around him. The only way you can do such a thing is to play a game of effeuiller la marguerite as well. This is the path you must take to get your freedom back.
The key is to follow the hidden rules.
That means doing things you find repulsive but he finds lovely.
That means kissing him when he comes back. That means letting him do what he wants with your body. That means lying straight to his face when saying you are attracted to him. It will all be worth it in the end, you tell yourself.
You hum, acting like those words that leave his mouth are the things you want to hear the most.
“Those eyes, so grounded yet divine, are the only ones worthy of reverence.” His pale lips twirl upward like a ballet dancer’s arms. “I shall be honored if you choose me to be your apostle.”
“Do you see yourself when you gaze into my eyes, my beloved?”
“I do.” His voice seems breathless, almost drunk, his mind above the clouds and fantasizing about the future. Your eyes are similar to that of a small, round mirror that can reflect light just like the surface of a pond does. 
“I see myself when I look at yours as well,” You sigh with a pseudo impression of an amorous tone. “I suppose we are meant to be together.” Like an elegant ballerina, you relevé. “So, Chrollo…” Your lips are so close to his. Your voice is hushed, calm, and teasing. “I have a favor to ask.” 
His eyes light up with adoration, similar to how Romeo first saw Juliet at the Capulet ball. 
“Ask me for anything you wish for and I shall see to it that it is done.” The hand that is on your back clenches it a bit more.
“I would like to go somewhere tomorrow.” 
“Hm? Where would you like to go?” Chrollo’s tone is now a mix of curiosity and hopefulness. 
“The planetarium.” Your thumb circles his. “That is if you’d like to oblige my request.”
“Of course.” His fingers curl into yours. He smiles as he speaks, his tone soft and sweet. “I’d like to go to the planetarium with you, especially since you have such a desire to go.” There is a twinkle in his eyes.
“Perhaps afterward we can go to a cafe and sit in the park?”
“That sounds like an excellent plan.” He casts you an unfamiliar glance before your lips meet. You start to back away as he lets go of you, and you pick up your glass of water. You take a few sips before setting it back down on the table.
The absence of sound doesn't please you, as the music from the gramophone has ceased and Chrollo seems lost in thought. However, you're not bothered enough to not enjoy the silence. You are envisioning a future of peace, where your captor never finds you again. 
Donned in velvet attire and sipping on tea, you frequent the sandy shores, observing the ebb and flow of the ocean. Undisturbed, you create music with your violin for an audience of one; yourself. A life of uttermost pleasure.
“I shall prepare for tomorrow, then.”
Chrollo nods with a satisfied hum.
“Very well.”
You slink off into the bedroom, grab your purse, and pack the money you had stolen from Chrollo’s jackets and pants. It is not much, but it should be enough to cover travel fees. You also pack more comfortable clothes and shoes to run in. They are clothes you have never worn, so they are the clothes most likely to not be recognized by him.  You lay out a fancier outfit over your purse to hide it. 
Now all there is to do now is wait.
*~*~*~*
“Get in.” 
Your mouth is gagged with a tied scarf and your hands are restrained with handcuffs. There is no warmth in the monster of a man’s tone. There is only an open car door and a forceful push. Later, a slamming sound. 
You are covered in blood, your supervisor’s blood–he tried to use you as a shield against the intruders but was met with a bullet to the head–so much blood. Your dress shirt is as red as a traffic light or a ladybug, though you would prefer the traffic light because you signal to those still dying not to scream anymore, that there was no point in trying to delay the inevitable. There are small pieces of his flesh inside your mouth, you are certain of it considering that you can taste something metallic and flabby. Multiple small, flabby things. Your colleagues’ screams still ring in your ears; they hurt so much.
You can still hear the crunching of their smashed skulls and bones, the alarms, the emergency protocol announcement, the gunshots, the loud severing and ripping of muscle and fat, and–
“Greetings.” A voice, calm and placid. A man sitting beside you, visibly comfortable with one of his legs over the other. He moves his left arm and clicks your seatbelt into place, then does the same with his own. 
A blaring statement outside the car. “Two billion Jenny and she’ll be set free,” one of the thieves said, probably the one that pushed you into the car, “if we aren’t paid by next week she dies.”
“Do not worry.” The man beside you speaks in a lulling tone. “It is simply a ploy. We won’t kill you, I will make sure of it.”
You look down at your legs and shoes, considering what to do or say if the gag is ever taken off. 
A firm grip on your shoulder and a say of your name makes you look at him again. His eyes are filled with nothing but obsession and make your heart stop beating for a split second. “If I take this gag off of you, do you promise not to scream?” 
You nod, because what choice do you have other than being compliant? 
There is a pleased hum and a praise you cannot exactly remember, then the scarf is off and on the floor of the car. 
“I should introduce myself, shouldn’t I?” A warm chuckle. “My name is Chrollo, and… for now, just let me say that we are going to get to know each other quite a bit.”
*~*~*~*
“Stars are such wonders, aren’t they, dearest?”
You give an impressed hum as you look around and sit in your seat beside Chrollo. The room soon goes dark as the public speaker starts talking.
There is a single spotlight on her that is a bright white which contrasts with the pitch-black room. She bows as some of the audience claps, you included. You don’t think Chrollo clapped, though.
“It's been estimated by astronomers that there could be as many as one septillion stars in the universe.” 
“Yet there is only one of you,” Chrollo whispers in your ear.
The announcer speaks with a proud yet modest tone, not being too outward yet not being too quiet to not draw any attention to herself. “The Milky Way galaxy is home to over 100 billion stars, with the Sun being the most well-known.”
You are not the moon above, you aren’t even a star. You are simply a piece of an asteroid, soon to fade to dust in the cold, cruel darkness of space.
You look at him and smile. He smiles back at you.
“The creation of this universe brings me joy, for it has led me to cross paths with you.” The spherical walls light up and turn a dark blue and fill with holographic stars and meteors. “I’m glad.”
“These fiery balls are composed primarily of hydrogen, with traces of helium and other elements.” The speaker continues. “Each star has a unique lifespan, which can vary from millions to trillions of years, and their characteristics shift as they age.”
“The Sun is needed to sustain life in this galaxy, just like how I need you and you need me.”
You hum again and grab his hand gently. “You do not need to hang a legion of stars around yourself to show you are not Neptune, for I already know you are my Sun.”
“Should the sun disappear, the Earth would be devoid of light, warmth, and life.” It is like Chrollo had a vision of the future. “Initially, the planets would follow their orbits for a short while before eventually exiting the solar system. Although the sun's rays would continue to reach us for a brief eight-and-a-half minutes after its disappearance, the world would be plunged into darkness.”
“Within a week, temperatures would plummet to zero degrees Celsius, causing the demise of most flora and fauna.” Chrollo resumes. “As time passes, the atmosphere would also gradually disappear. The Sun is very important if you cannot tell.”
“I concur, beloved.”
“It’s a miracle the Sun’s warmth exists in the first place, or that this planet’s orbit was placed in the perfect environment.” Chrollo sighs peacefully, but you aren’t sure if he is in awe at the planetarium or you. “We wouldn’t have existed if this planet was made in a different area of the universe.”
“It is quite beautiful, isn’t it? Thanks to the Sun, now we have a bright future ahead of us all.”
His hand clasps onto yours. “I make a vow to you that our bond will never break, and we will remain inseparable for eternity.” His mouth is so close you feel like he is about to kiss your ear. “Do not worry about the details, for I shall take care of everything.”
*~*~*~*
There is one mirror. There are two hanging jackets. There are three lights above you. There are four paintings on the wall facing the entrance. Five vases contain your favorite flowers, two on the floor and three on the table. There are six rows of stone bricks, then carpet at the start of the stairs. Seven glass panes make up the decoration above the entryway. There are eight engravings on the locked wooden door, each of a flower or deer. Nine smells are coming from upstairs; garlic, cheese, tomato, onion, poultry, olive oil, butter, pasta, and basil. Let me out. 
It’s dark outside, but the chandelier above provides enough light for you to see that the door is still locked. As much as you want to mask your real feelings from your captor, you have to acknowledge the fact that you cannot breathe. There is a call from upstairs. You put your book down on the sole chair. There are ten steps leading to the second floor. 
There is one staircase leading to the third floor. There are two rooms: the living room and the kitchen. Three footsteps are approaching you. Four words leave Chrollo’s mouth, but you cannot remember them.
You cannot cry. You cannot do anything but smile and hug back. His embrace feels like it is burning your skin. He says something about your beauty. He grabs your hand gently. There are ten steps you take as he guides you to the stove.
There is one pot full of food. There are two plates. Three instruments are playing on the gramophone; violin, piano, and cello. There are four chairs near the kitchen table. There are five books, with one of them being an open cookbook. There are six candles on the table with the lights turned off. There are seven wrapped gifts on the table. There are eight seconds of Chrollo hugging you.
You unwrap the gifts. Matching necklaces with engraved names on them. A gold ring with rubies. A decorated photo of you taken from a Polaroid. A large box of your favorite chocolate. A butterfly pin. A velvet coat with a spider embroidered on the back. Chrollo’s smile almost makes you shudder.
There is one chair you sit in. There are two utensils before you; a fork and a knife. There are thoughts in your mind for three seconds; fantasizing about you stabbing him. There are four seconds of temptation before you ignore it. There are five seconds of silence before you say you love Chrollo. Gifts are celebrating six months of you being held captive. There are seven roses in the vase in the middle of the candles. There are eight bites you take of your food, and then force yourself to eat the rest through your nauseousness. 
Let me out.
*~*~*~*
The nutty smell of coffee brings you a feeling of slight warmth and relaxation. The chalkboard above the barista reads Carte Du Jour with white words, listing off the assortment of pastries, coffees, teas, and fruit-flavored drinks. Chrollo is ordering for you two, spending what feels like an unnecessary amount of Jenny on pumpkin muffins, chocolate croissants, and two espressos. The barista audibly gasped when he gave her a tip that can best be described as more than what she would make in a week. 
The two of you soon make your way to this city’s largest park and sit on a bench away from most people. There is a musician loudly playing clarinet nearby, but he is not close enough for you two to see him, and he is too invested in playing his instrument to notice anyone. The sun is well above the pond, making the ducks swimming in it almost glow. Chrollo is still holding the paper bag full of the pastries and his espresso, but you are holding yours in your hand.
He is still, visibly calm, and enjoying the sight.
You feel an invisible pressure on your neck. It’s just a knot in my throat, you think to yourself, closing your eyes. The sight of his stillness gifts you a veil of comfort so thin that if anyone were to touch it it would tear. I’m not going to die. But you can’t breathe.
Your heart tells you otherwise. You can feel, no, hear blood pulse to the very tips of your fingers. Your feet tell you otherwise. They are cold. They hurt. They are adhered to the ground. Your arms and legs tell you otherwise. There is nothing but pins and needles all over. This is your chance, the little voice in your head says with blind reassurance. Who knows when you will ever get this chance again? Do it now, and be quick about it. But you can’t breathe. You can’t breathe, and you have to try your hardest to stop the hand holding your espresso from shaking and falling on you. 
“Thank you for taking me here,” You smile the best you can, as usual. You try to not focus on your memories of Chrollo’s observation skills. “You made my day. This is one of the best experiences I have had in a while.”
There is sweat going down your forehead. Chrollo nods his head and smiles. You’re afraid, and you never are afraid. His head leans forward until your noses are barely touching. 
He is so close you can smell the mint in his mouth. 
“Of course, my dear. It is an honor to have you in my life, after all.”
“I… would say the same.”
He lifts his head slightly. “Spending time with you is always a pleasure. I would commit the gravest sins if it meant having moments like this forever.” You know that he is being literal. That is the reason you nearly shudder.
He is leaning in closer. You want to run. You have to run.
He backs away after kissing you, and that is when you strike.
You throw your espresso on him, its lid on the bench. You don’t focus on his reaction, because you are running as fast as you can with your purse.
You toss your heels to the side of an unknown road when your feet start to bleed. 
You change clothes in a rat-infested public restroom. You throw everything aside from your stolen money into a nearby lake in fear of a tracking device being on something. You cover the wounds on your feet with toilet paper and then put on sneakers. 
You put your hair up in a bun and cover it with a hood.
You wash your makeup off using lake water.
You soon get on a bus. Then another.
You then eventually take a train. For nearly three days you stay, hardly eating out of fear of vomiting due to nervousness. You walk the rest on foot until you have reached somewhere far, far away from that city. 
You steal money from those around you when needed. You threaten those around you when needed, threatening them to stay silent or their fate will end at your hands. You make use of a few kind-hearted people who let you into their homes when they see you, dirty and injured on the side of the road. They clean up your wounds, give you warm food, and you repay them with a simple, untrusting, and cold goodbye and leave without a trace. 
You move from place to place every few hours.
Then you move from place to place every few days.
Eventually, you move from place to place every few months. You ultimately settle into a town by the seashore, under a fake alias. You move into a cabin by the beach with no warmth other than a few candles and no entertainment other than books or writing. You eat the cheapest food the local saloon sells that day. 
The day you escaped was 1996, May 9th.
It is now 1997, August 3rd.
*~*~*~*
The speakers blare a sound akin to ambulance sirens. A man’s voice soon after, panicky and horrified. 
He spoke of evacuating as soon as possible through the emergency exits. An infamous terrorist group is in the building, he said. Then the sound of a gunshot, cries for mercy, then another voice. 
“Run, rabbits.” Whoever was speaking had confidence and arrogance. 
Your supervisor stands up from his desk and his guards pull out their guns. You look around for a way out. Screams from outside the office. Flesh being ripped apart. The evacuation door was locked, as much as you and the guards pushed and pulled. 
The main door was kicked open by a man taller than any you have seen, ripped apart by its hinges, and fell on the floor. The guards shot at him, but they reflected off of him like he was made of iron. He was fast, fast enough to smash their brains in with his mere fists. He laughed loudly, amused. Your supervisor grabbed you by your hair and put you in a chokehold. 
A gun was put to your head.
He threatened to shoot you. The threat was met with a gunshot behind his head, his body falling on top of you as he cried out for mercy, and his blood covering you from head to toe as someone dressed in black slashed his body again and again. 
You put your hands up and close your eyes, expecting the same fate as you hear his corpse falling off of you with a loud thud.
Instead, your wrists were grabbed and put in handcuffs. A hand on your shoulder and a pat.
“We can’t have damaged goods. You have been chosen to live… at least for now. Congrats.”
A push that blurred between light and strong. A walk out the office doors and to the elevator. A thumb pressing the down button. The elevator doors opened with an automated voice saying going down. Another button is being pressed, the doors closing, and jazz is playing.
One of them, the swordsman, asked how people working (or worked, really) could wait for an elevator every day to go to the top floor, saying how boring that would be if it was him. You cannot tell if he was joking with you or was genuinely curious. The elevator slowly goes down, the light at the top of the button selection decreasing from seventy to one. The doors open. Another push.
A walk out to the lobby.
“Oh, do you guys think that the pocket change from that dude will be enough to buy some snacks from the vending machines? I’m pretty hungry right now. Do you guys think so?”
A woman with magenta hair rolls her eyes and scoffs. “You are such a child, Uvo. You want to get snacks, now?”
Another scoff in response. “Hunger is part of the everyday human experience. Don’t think you are so above it, Machi.”
“Fine.” The swordsman speaks, clearly annoyed. He looks at you with a neutral expression. “Take her to the car and Feitan and I will get you snacks, my treat.”
The man wearing all black rolls his eyes.
“I never agreed to that.” He shakes his half-masked head. “I am also not hungry. We can also get food elsewhere. Vending machine food is expensive. Waste of money.”
Machi rolls her eyes in turn.
“Everyone is dead already.”
You are closing your eyes and imagining being somewhere else, anywhere else than here. A cafe. A ballet. Anywhere but here.
“I’m hungry.”
The swordsman punches him in the arm.
“Ow, Nobu!”
A man crawls on his arms towards you all, his legs ripped off. He cries out and curses as he coughs up blood. Curses for their family. Curses for eternal damnation. They are quickly snuffed out by Uvo’s punch and brain matter splatters all over the lobby floor.
Then silence.
The man called Nobu sighs, visibly exhausted. He looks at Uvo like he is two years old. He asks Uvo what snacks he wants. He responds with something meaty or cheesy, like jerky or something. An alright leaves Nobu’s thin lips and he asks you where the vending machines are.
You feel like you are about to soil yourself. Why the hell are they acting so normal after killing an entire building full of people? But with a shaky voice, you tell him that it should be on the 61st floor because that is where all the workers go to eat lunch. 
A damn it leaves his mouth then, and another roll of his eyes. But he thanks you, and he and Feitan go back to the elevators. 
Uvo and Machi stare at you. 
“Listen,” Machi finally talks to you. She tries to smile, but it doesn’t bring you any comfort. If anything, you feel like you are about to cry more at the sight. She puts her hand on your shoulder. “We don’t want to hurt you. Far from it, if that helps.”
It doesn’t. You just look down at your feet. 
A sigh. Another push.
“You could have tried to be more gentle, Uvo. Now she’s scared of all of us. What’s the boss gonna think?”
You stare at them. They glare at each other.
“Machi, she’s supposed to be our hostage, at least to the public eye.” He looks at the receptionist's desk, where the receptionist’s corpse lays, her neck bent to an acute angle. You look around for any possible escape route. You see one. The main entrance. 
You run fast. Until you are outside. Uvo’s arm wraps around your waist and pulls you back.
“Listen. We do not want to hurt you. But we have to at least seem like we are rough handling you.” His hands go on your shoulders and make you walk towards a foreign black car. “Sorry. But it’s for the best. I  promise.”
“Just put this on.” She wraps a scarf around your mouth, gagging you. 
“Hey, you’ll have a good life from now on. Trust us with that, at least. You’ll be happier now.”
Uvo pushes you, hard, when he sees police cars approaching. He opens the car door. A malicious smile appears on his face, like a mask he has just put on.
“Get in.”
You hope that whatever is in store for you isn’t as bad as what your colleagues suffered.
*~*~*~*
There is a man around your age who goes out around the same time as you to smoke by the beach.
He has dark hair with a slight purple tint, making you assume that it is dyed. It looks long and it is swept to the side, except for a quarter of it which is shaved. He has near-black eyes, but they don’t look as intimidating as Chrollo’s. If anything, they look slightly sorrowful. 
You go on the fishing dock as usual with a box of cigarettes and a lighter in your sweater pocket. The man is there, searching his own pockets and visibly frustrated.
“Do you want one of mine?”
He looks up at you. His eyes wander from your face downward towards your extended hand which holds an unlit cigarette. He doesn’t answer and just stares at it.
“I noticed you are looking in your pockets for one.” You smile, but as you usually do with fake kindness, not caring enough about him to get too close.
“I…” His eyes squint, slightly suspicious. Perhaps it takes a moment or two for him to realize you are talking to him. “Yes, thanks.”
“Hmm. You’re welcome.” You hand him the cigarette and you take another one out for you. You put it in your mouth as you pull out your lighter from your sweatpant pocket. “So, what is your name?”
He doesn’t answer, because he is looking in his hoodie pocket again.
“Damn it.”
You extend your lighter out to him. “Do you need a lighter?” He takes it. “You sure are forgetful tonight, huh?”
He presses the ignition button and orange flames arise. The end of his cigarette turns a yam orange. He hands your lighter back to you.
You do the same with yours. You then put the lighter back in your sweatpants pocket.
You inhale the puff of smoke that enters your mouth, an ash gray. You take the cigarette out of your mouth with two fingers and exhale. You then look back at the man, who just did the same thing.
“Thanks for the help.”
You smile.
“Of course.”
“I don’t think I have seen you before so you must be the one that just moved in, right?”
You nod. “Yes.”
“Cool. Out of all the places you could have gone, you chose this town.” He raises an eyebrow, visibly curious. “May I ask why?”
You fix your eyes on him, taking a few moments to process the unexpected nature of his question. He inhales his cigarette again and breathes out the smoke. 
“This town seems quaint.” You finally answer. “The locals are nice, the expenses aren’t that much, and the scenery is alluring.”
You use your cigarette again and use your other sweatpants pocket to fish out your portable cassette player along with your headphones. You then realize that you had forgotten your music tape at your house. You sigh and then put it back into your pocket. Footsteps get your attention and you see the stranger approaching the shoreline. He bends down and picks up a small rock. He throws it to the sea and it bounces; one, two, three, four.
It then sinks beneath the waves, and the man mutters something under his breath. “Should have been more.”
You take a few steps towards him.
“What is your name?”
“Sebaste.” His tone isn’t warm, but it’s not cold either.
You stare at each other for a few moments in awkward silence. Your tone is just as strange as his as you say, “My name is [First]. A pleasure to meet you.” You place your lit cigarette on the pier and stomp on it until it goes out. “Have you lived here your whole life?”
He nods. “Yeah.”
“Do you live with a family member?” You’re not sure where this question came from, but you are for sure more interested in him than you realize. He turns his back to you.
“Yeah.”
You look out into the deep and dark sea.
“I don’t have any family here.”
“Mmhmm.”
His voice is slightly dismissive, but you don’t think he means to be.
“It must be nice, having people you can rely on.”
He looks at you again, but you cannot tell what he feels.
You don’t look at each other after that. You look down at the items that line the beach instead. Even though they are indeed damaged, they feel more like treasures than whatever expensive gifts Chrollo gave you.
There are mostly large shells that are still vibrant despite it being nighttime as well as being covered in sand. They look like fragments of a broken rainbow when the moon’s light reflects in just the right areas. You have contemplated bringing one home and stringing it into a necklace. 
Sebaste takes his cigarette out of his mouth and points out to the ocean. There is no sound aside from the waves and occasional seagull calls. His two fingers trace the stars beyond the horizon. 
He says there is a constellation called the Hydra. According to Sebaste, during summer, the season of rebirth and peace, the Hydra constellation appears as a reminder of assured death to those below it, whatever arrogance mortals may have had disappearing in an instant. Their fates loom over them like the blade of a guillotine, knowing their hearts shall stop working eventually, the color of crimson fading like flowers in autumn. Memento mori, you suppose.
“You sure know a lot about nature.” You say.
“It’s interesting, but it’s not what I mainly like learning about.” He throws another stone into the sea. One, two, three, four, five. He throws his cigarette out into the ocean and watches the flame die out. “I’m mostly just coding on my desktop. That,” He lightly chuckles. “And playing games. Video games and board games, as well as comics. They are fun.”
You don’t know anything about those either, even more so than nature. “That’s nice. I… don’t know anything about those. They seem cool, though.”
He chuckles at that. You do too.
He turns to you and takes a few steps forward.
He says that that seemed sort of obvious considering how upright your posture is, and how polite you speak. He offers to play games with you sometime and lend you comics. He walks you to your house and says a warm goodbye.
Although the certainness of seeing each other again is unknown, this fleeting encounter holds a remarkable significance, because you don’t feel as alone as you usually do.
You don’t feel alone. It is a strange feeling.
*~*~*~*
You wanted to watch Sleeping Beauty.
“Beautiful.”
Chrollo wanted to watch The Nutcracker.
“Just beautiful.”
The dancers’ feet move with grace and precision as the orchestra plays. Green, yellow, and pink dancers. You let Chrollo have his way with which performance tickets to buy because you didn’t want to fight and lose all of your progress.
“Don’t you think so, dearest?”
You look from your compact mirror to him, your lipstick still in hand.
“Yes.”
Chrollo seems to be smiling, but you cannot tell because of how dark the theater is. It’s a miracle you can see your lips in your compact mirror.
“I spot something even more beautiful, however.”
You almost want to shudder as his hand reaches the one carrying your mirror. He closes the reflector gently. You are thankful for how dark the theater is now because it hides whatever lovesick expression he is wearing. He is the one paying attention to the ballet, while you daydream of being anywhere else.
There is a light chuckle. A light squeeze. A light whisper of a compliment you pretend to listen to. 
“So beautiful.”
“Thank you for taking me.”
It’s Christmas Eve. A fur coat covers you and keeps you warm. It is snowing, and the sight makes you slightly less nervous. 
You and Chrollo are walking out of the theater. Hand in hand. As much as you want to break away. Your captor soon opens the car door, and you sit down.
He goes to the driver’s side and sits down too.
The car soon drives away onto the salted road. 
“I had fun.” You try your best to smile. “I did.” You look out the window to the snow-covered, dead trees, as well as the reflection of your red dress and white coat.
Chrollo grins as he turns the steering wheel left. After a few moments, the car stops. “Wait here for a moment. I will be back in a few minutes.”
With that, he steps out of the car and leaves the key with you to make sure the alarm does not go off. 
He makes sure you lock the doors before walking away.
You don’t dare go sit on the driver’s side. You don’t dare touch the steering wheel or press on the gas.
You just sit with your thoughts until he eventually returns, and you unlock the car.
“I have something for you,” His voice is almost cooing, but is laced with honey. There is a large box in his hands.
He extends his arms out and you take it. He sits back down and closes the car door. 
“Open it,” He croons. You pull on the tied ribbon until the knot is undone. You take off the box’s lid. Macarons. Colorful macarons, all spread apart within the box just enough for people to see their fillings. Green, yellow, pink. But there are also a few white ones in the center with red filling. 
You thank him and he tells you the flavors. The green ones are pistachio, symbolizing good fortune in the years ahead. The yellow ones are champagne, symbolizing joy and celebration. The pink ones are flavored strawberry, symbolizing life. 
There is a nefarious twinkle in his eyes as he points to the white ones. The cookies are vanilla with a cherry filling. 
They symbolize renewal and love.
He says that the macarons illustrate your relationship well.
You agree, because what else is there to say?
*~*~*~*
Sebaste invited you to a summer night on the shoreline. He said there was something special going on tonight. 
Most of the townspeople are by the fisherman’s shop, overlooking the pier. They bring lanterns and are huddled together in their sweaters. Knowing Sebaste, he has probably gone somewhere more remote on the beach.
You are right. He is sitting on a picnic blanket with a few takeout boxes of food. He welcomes you with a grin as you sit down with him. There is sashimi, cheese-covered cauliflower, and fried calamari.
There is something behind him. But you don’t ask about it.
Sebaste is a rebellious loner, from what you have come to know from both the townspeople and himself.
He hardly has anyone over because of how judgmental his stepfather can be. He often fights with his stepfather and half-sister, and as a result, was forced to live in the basement as per his mother’s wishes to not cause any more problems. He loves his mother, he does, you can tell. She seems to love him too.
His room is often full of takeout boxes and used cigarettes, as well as video and board games and his desktop. The couch in his room always has comics and food stains on it. But you sit on it anyway to wait for him to finish his work before talking to you about whatever interest he currently is fixated on.
You sit on the picnic blanket and face the shoreline, your dirndl moving slightly with the wind. Your boots are covered in sand, but they are the only ones you have that will keep you warm while keeping the sand out of the inside of them. It’s just you, Sebaste, and the ocean.
Sebaste isn’t smoking for once, and neither are you.
You both agreed to focus on the ocean instead.
Sebaste gets a bit closer by scooting over. He is smiling gently, a smile you know hardly anyone else has seen. He takes a rock and throws it into the water, making it skip. One, two, three, four, five, six. He cheers quietly at his accomplishment, and you do too.
He looks at you.
He looks at your left hand that rests beside his right one. He moves just a hair closer. He clears his throat when you make eye contact. His pale cheeks are a slight pink.
“I…” he starts as his face turns away from you. His voice is a bit jittery. “I think I like you. Romantically.”
Does he mean it? His body language is slightly tense and his shoulders are uptight. His left hand comes out from hiding behind his back as he shows you a bouquet. There are blue thistles, purple sweet peas, and orange poppies.
He waits for a response as he turns to you again, visibly nervous.
*~*~*~*
You continue to try to pull away, but your efforts are unsuccessful.
Chrollo seems somewhat amused at your struggles, though he still doesn't force you to stop moving against his grasp.
"You're acting in a very ungrateful manner, my dear. I've given you this beautiful home and life that you couldn't even dream of on your own. You should be happy and thankful for what you've been given, not trying to escape from it. This is what love is. You are too young and immature to understand that, it seems."
"Love? Do you call this love? You're insane! Let me go!" Your eyes fill with tears as you try to pull away, and your voice breaks as you speak. "You're insane! You're insane and sick and disgusting! You're... you're..."
Chrollo still doesn't force you to stop trying to escape, and he doesn't raise his voice or grow angrier at your words. He just waits patiently.
"Monster... Disgusting... Sick freak... Monster..." Your voice is shaky as you continue to speak, and your eyes are filled with tears. "How can you justify this? What was wrong with my life before you? Why did you have to destroy everything? Why do you enjoy hurting me?" You yell and cry out, still trying to pull away, even though you don't seem to be hurting him.
Chrollo, once again, doesn't seem to be bothered by your words. As the alarm goes off, signaling your time out of restraints, he turns it off and drags you to the bedroom once again. Something tells you that you won’t be sleeping much tonight, less so than usual.
*~*~*~*
“Ah. I… like you too.”
“Really?”
You give him a genuine smile as you nod. “Yes.”
He smiles at that as his posture becomes more relaxed. You take the bouquet from him and set it beside your small backpack. Sebaste seems unsure for a second, most likely thinking that you have misunderstood his question. He thinks for a second or two as his face becomes laced with slight worry. You smile again as you take his hand gently. His face becomes bright red and you chuckle at the sight. He does too, but quieter.
His fingers then intertwine with yours.
He doesn’t smell of cigarettes like he normally does. You assume he put on cologne. Refreshing, sweet, and crisp. Pine cologne, with a hint of citrus. 
He bashfully giggles a bit more. He puts his free hand on the back of his neck.
“Does… this mean we are… dating now? Or is this just a fling or…”
Your grip on his hand tightens slightly. You both seem giddy. This is the first time either of you has felt this way. You seem to have sparked something in each other.
“If you want to, we can start dating.”
“Oh? You… actually like me?”
He seems confused or doubtful as to why you feel the way you do for him.
“Yes, I do. I like you. Would you like me to enumerate the reasons why?”
He looks unsure of it all like you will stab him in his back at any moment.
“You’re kind to those who are kind back. You’re willing to do anything for those you trust. When you trust, you trust wholeheartedly. You have interesting hobbies.”
Sebaste chuckles again. “So, beating you within six turns of Go Fish and collecting frogs covered in mud is interesting to you, huh?”
“I don’t think I’ve ever met someone as unique as you. I mean that most positively and genuinely. Well, what do you like about me then? I’m curious.”
“Everything about you. The way you walk and talk, your hobbies, the way you present yourself. Everything about you is just so alluring and admirable. You are everything I am not.”
“I suppose we always love what we cannot have ourselves. Opposites attract, after all.”
He nods. 
The ocean starts to glow a bright blue. You look at it confused, with one of your eyebrows raised.
Sebaste giggles once more at your lack of knowledge of what is happening. “Every year, right before summer ends, jellyfish rise to the surface of the shore and glimmer.”
You’re too awed at the sight to put it into words. “Thank you for inviting me, I didn’t know about it. It’s beautiful.”
“Yeah. Beautiful.” He looks at you instead of the ocean.
*~*~*~*
You take a deep breath. You’ve come to pay what’s owed.
You knock on the door and wait for a response. After a moment, you hear footsteps approaching the door.
It opens and James is standing there. When he recognizes you, his face turns into one of triumph.
“Hmm, so you have come. Just like you promised,” he says to you in a voice a mix of arrogance and gratefulness.
“Yes. The… night you wanted.”
James’ expression changes to a wide grin. “I knew you wouldn’t let me down,” He says to you with a chuckle, stepping aside to let you into his apartment. “Come in, come in.”
He steps aside and motions for you to enter, closing the door behind you. It is for the greater good, you tell yourself. To get information out of James, you need to make him believe that you are interested in him.
James is very happy that you kept your word. He’s smiling widely.
“Come in, I told you that I would host a special evening for you,” He says to you, sounding sincere and eager to please. He takes your hand and leads you inside the apartment. “I have a surprise for you,” He says to you, leading you deeper into the apartment.
You have to play the part of the seductress to the best of your ability.
“What is it?”
The usual city apartment, it looks like. Messy and full of mildew from the floor to the ceiling. By the only non-musty window there is a plastic up on the ground with drops of water coming down into it from the ceiling. Drip, drip, drip. You can only hear the drips of water and you and James’ footsteps. You cannot feel your true emotions, because you have a job to do.
James brings you to the only lit room in the apartment; the dining area. The circular table seems to be made of poplar and has a dark stain in the center of it. There is a vase of dark red roses on the top, clearly just bought. The chair you sit in is squeaky and is also made of poplar. James is staring at you. You can only hear the dripping of water, the squeakiness of the chair, the broken air conditioner, and James’ chuckles. Drip, drip, drip. James is still smiling, and staring like you are a piece of meat. You suppose you are, at least to him and at least at the moment. You smell cigarette smoke and spoiled food. You lean down to smell the roses, but you cannot smell them because the foul stink of the rest of the apartment is so much stronger. You pretend to anyway, a pleased hum leaving your painted lips. His eyes are wide and unblinking. Another chuckle, and another drip, drip, drip. His smile widens even more as he looks at you.
“Close your eyes,” He says to you in a soft, commanding tone. “I have a surprise for you,” He adds. “I want it to be a surprise. Keep your eyes closed.” He pauses for a moment, waiting for you to close your eyes.
You cover your eyes with your hands. 
“That’s good, that’s good,” James’ smug voice says. “Just wait one minute.”
You hear his footsteps on the creaky floorboards quieting, making you assume he has gone elsewhere. You hear a cupboard opening and closing along with glasses clinking. 
“Now, remove your hands from your eyes,” James says.
You do as you’re told and remove your hands from your eyes. James smiles at you, revealing the surprise that he had promised. On the table in front of you are two wine glasses and a bottle of expensive red wine. Cabernet. "This is my special surprise for you," He says to you, still sounding sincere and excited. James pours both of you a glass of wine and places one of them in front of you. He then raises his glass and holds it up in your direction. He smiles at you charmingly and says, "To you, [First]. And to your beauty."
You smile at James and cheer with him, raising your glass and taking a sip of the expensive red wine that he's poured for you.
James smiles at you, still looking charming and sincere. "Tell me," He says to you, "What do you think of the wine?" He takes a sip himself, smiling as he savors the taste. "I always buy the best when I entertain a guest as lovely as yourself," He says to you with a wink.
“It’s good. But… I feel like it won’t compare to you.” You wink back at him.
James smiles and takes another sip of the expensive red wine that he's poured for you. He seems to like your subtle flirtation, as if it's having the desired effect. "Oh, don't worry," He says to you with a charming smile. "I've been looking forward to this night all night. You're just as wonderful and beautiful as I remember," He adds. "I can hardly wait to spend some time alone with you."
James takes another sip of the wine and continues to stare at you, still smiling.
“Am I as beautiful as you say?” You blink your long lashes at James, your eyes gazing into his with a gentle but seductive expression. Your hair is loose, gently framing your face, and you look ravishing.
"Of course," James says to you with a smile as he gazes back at you. He reaches out a hand and gently strokes a streak of your hair, letting it fall back into place after it has been gently moved by the gesture. "You're the most lovely woman I've ever seen," He says to you confidently.
“What do you like about me?”
"Every inch of you," James replies, still stroking your hair with a smile on his face. "From your eyes to your long lashes, your hair, your skin..." James pauses, looking into your eyes for a moment. "To your soft lips, your small, delicate hands," He adds, still stroking your hair lightly. He looks at you with a charming and passionate gaze, as if he can't get enough of your beauty.
“...Would you like me to kiss you? It would be our first.”
James looks delighted by your proposition and nods slowly, in response. He finishes stroking your hair with one last, gentle touch and gazes at you once more. "Of course," He murmurs, his voice softer and more passionate than before. He pauses for a moment before taking the initiative and leaning forward to kiss you slowly and softly. His lips press gently against yours, and he holds you close as he pulls you into a gentle, intimate kiss.
Drip, drip, drip.
It’s for the greater good, right?
You kiss back and return James' affection, feeling the heat of passion slowly build as the two of you kiss. You hold him close and slowly pull him towards you. The kiss is soft and tender, and although it is a rather chaste kiss, it leaves you breathless and feeling dizzy. After a few moments, you both come up for air to breathe, and James looks at you with a warm and sincere smile. 
"You're a wonderful kisser," He says to you softly. "I've always imagined it would be like this..."
At any cost, the greater good must come first.
“Should we take this to the bedroom?”
"Yes," James replies with a nod. "Let's go to the bedroom," He adds. "I can't wait to be alone with you." He takes your hand in his and leads you out of the dining area and into a small bedroom. You enter the bedroom and see a large, comfortable bed in the center of the room, with the moon shining through the window. James closes the door behind you and leads you closer to the bed.
You sit on the bed and open your arms. “I’m ready whenever you are.”
James smiles at you and steps towards you slowly. He takes off his jacket and throws it on a chair next to the door. He then comes closer to you and smiles, leaning forward to kiss you passionately. His arms are wrapped around you, and his body is pressed against yours. He begins to kiss you deeply and passionately, his lips lingering on yours for long moments.
James continues to kiss you, and as he does so, his hands begin to explore your body. He lets his fingers run down your arms, leaving soft, tender trails of affection on your skin. As his lips move to your neck, he begins to bite it softly. He starts to explore and taste every inch of your skin, leaving small marks of affection. You feel a jolt of passion and desire course through your body as you feel James' lips pressed against your neck and his teeth lightly biting you. As he continues to kiss and nibble your neck, he begins to breathe more heavily.
You pretend to groan and moan as James continues to kiss and nibble your neck. You lean your head back and close your eyes, trying to appear lost in pleasure. You feel his lips move down your neck, leaving little, soft bruises of passion. You let out another soft moan as he continued to kiss your neck, nibbling your skin and letting his teeth leave marks of affection.
"Do you like that?" He whispers to you, his voice deep and passionate. "More?" He asks, sounding breathless and eager.
Drip, drip, drip.
“More.”
James chuckles softly before moving his lips back down towards your neck once again. He bites your neck and kisses it again, this time leaving more marks of affection. You pretend to moan in pleasure once again, feeling James' breath against your neck.
"How does that feel, dear?" His voice is low and seductive. "More?" He asks gently, biting your neck once again.
“I want you to touch me all over.”
James pauses for a moment, his green eyes looking at you with a charming and seductive expression. He smiles at you, and you notice his eyes are filled with desire. "I want to touch you also," He says to you softly. His hand gently touches your cheek and strokes your hair. "Please, let me explore you," He whispers seductively. He moves towards you and gently pulls you towards him, kissing you softly before moving his hands towards your body.
As you feel James' hands start to take off your clothes, you begin to feel some of the passion and desire that James had shown before fade away. But as James continues to take off your clothes, you start to feel the heat of passion and excitement come back.
James seems intent on savoring and enjoying every moment of this moment with you, every moment of intimacy and passion. He slowly undresses you, taking off each piece of your clothing, as if you were the most precious and beautiful thing in the world. His touch is gentle, and his eyes are filled with desire.
Drip, drip, drip.
“Touch me, touch me everywhere, for your lips worship me.”
James pauses as he hears you speaking. He gazes at you for a moment, his face filled with a mix of passion and desire, as your words have left a deep impression on him.
"Oh, my love," He says to you softly. "My lips worship you," He adds, leaning forward to kiss you again.
His hands begin to run over your body, caressing you in all the right places. His fingers trace soft arcs over your skin, leaving trails of affection and passion wherever they go.
You find yourself standing in the middle of a large and eerie graveyard. The sky above you is dark and cloudy, with little sunlight filtering through the clouds. You take out a pack of cigarettes and a lighter, lighting up a cigarette and taking a few puffs. As you lean against a gravestone, you see a figure standing in the corner of the graveyard, just watching you. You can't quite make out who it is, the figure looks like a shadowy silhouette, but you can see the orange glow of a cigarette in their hand as well.
It’s James.
As you take another puff from your cigarette, you see James stepping closer to you, his figure now becoming slightly more visible in the dim light. 
"Hello, [First]," He says quietly, the tone of his voice hinting at a slight twinge of concern for you. He takes a drag from his cigarette, his expression still difficult to make out in the shadowy light. "How are you feeling?" He asks, looking at you with a sense of curiosity in his voice.
“I see you kept your word.”
"Of course," James says, taking a soft puff from his cigarette. "I promised you, didn't I? I'm not one to go back on my word."
You notice James looking at your cigarette, seemingly a bit tempted by it.
"Can I have a puff?" He asks, looking at you with a tiny hint of a hopeful expression on his face. "I've been craving another cigarette for a while now."
James quickly steps forward, seemingly going in for a kiss, but you quickly duck out of the way and move away from him. He stops in his tracks, not wanting to make any sudden movements or startle you. However, he still looks at you with a tinge of frustration and disappointment on his face.
"You don't want to do anything with me, do you?" He asks as the light from his cigarette illuminates his expression for a moment. "Am I just not good enough for you, is that it?" He adds.
You keep your attention on your cigarette, ignoring James' frustrated expression and question as you take another puff. After a few moments of complete silence, James finally breaks the silence once again. 
"I knew you were like this," He says, his voice filled with resentment and anger. "I've always known you were like this," He adds, moving closer to you once again. "And yet, I still fell for you like an idiot." He pauses for a moment and takes a drag from his cigarette. "You're just... so damn tempting," He adds.
“...Hmm. It’s my specialty.” 
"Yeah, yeah, I know," James says, seeming slightly irritated. He takes another puff from his cigarette, the orange glow on it making his eyes seem brighter than usual in the dark. "You know, that was the reason I was attracted to you in the first place." He adds, his tone becoming a bit quieter. "Your specialty of seducing men... and women." This time, there was a subtle twinge of sadness in his voice. "You're just too damn gorgeous to resist, I guess." He adds.
“...It has its benefits. I don’t hate you, just so you know.”
It seems like James still hasn't given up in his attempts to kiss you, despite your repeated refusal earlier. He moves in towards you once again and leans in close to your face, his expression becoming a bit more excited and hopeful. That's when you see his gaze locked in on your lips, and you realize his next move before he even makes it. You quickly duck away from him, moving out of the way just in time to avoid his lips.
"I told you, stop." You say firmly, not wanting to give him another chance to kiss you. “It was a one-night stand. That’s all it was, and… it was for my matters.”
"Yeah, yeah, I know," James sighs, his tone becoming somewhat frustrated once again. He takes another drag from his cigarette, the light from it illuminating his face for a moment as he looks straight at you. "It was just a one-night stand," He echoes, seemingly to himself. "But... for some reason." He pauses for a moment and looks at you with slight confusion. "I still have feelings for you," He finally says. "Even though I know it's stupid to feel this way..." He adds quietly.
“It was just something I had to do.”
James seems to pause for a moment as your words sink in.
"What?" He asks, seeming slightly confused. "Do you mean... you had to sleep with me as part of an investigation or something?" He asks. "Or were you not attracted to me?" He adds. "You felt like you had to sleep with me, even though you didn't want to?" He stops for a moment to take a few more puffs from his cigarette, the light from it glowing orange in the dark. "Is that... what are you saying?" He asks.
You take a soft puff from your cigarette as James continues to look at you with a slightly frustrated expression on his face.
"I want the truth, [First]." He says, sounding more serious this time. "I want to know why you slept with me..." He takes a final puff from his cigarette before looking at you once again. "Was it because you were attracted to me? Or was it because you felt like you needed to sleep with me for some other reason?" He asks, his tone becoming a bit quieter again.
“...I suspected you of something.”
"A suspect, huh?" James says, sounding only slightly confused. "So this was all part of some elaborate plan to figure out who I was?" He pauses for a moment as he thinks about your words, taking another drag from his cigarette before speaking up again. "Was... Was I really that suspicious, [First]?" He asks. He seems slightly hurt by your words but still manages to hold on to his composure as he looks at you with a bit of apprehension.
“...You were. You drove me five hours to that seaside town without a second thought, even though your guard shift at that hotel had just ended. I had to know if you had other motives… aside from sleeping with me.”
"I guess that makes sense," James says quietly. "So, that's why you decided to sleep with me..." He adds, taking another drag from his cigarette before speaking once again. "Is that it?" He says, his tone sounding slightly less annoyed now. "You just wanted to gather information on me, and nothing else?" He asks. "Did you like, not enjoy your time with me in the slightest?" He adds with a tiny hint of disappointment.
You take a deep puff from your cigarette, the smoke rising upwards into the air before mixing with the gloomy clouds floating above. You can see James looking at you with a bit of disappointment on his face, but you just keep silent.
After a few moments of quiet contemplation, James finally speaks again.
"So, that's it, huh?" He says quietly, his tone becoming somewhat resigned. "You just... slept with me for information and nothing else." He takes another drag from his cigarette, the orange glow from the tip illuminating his face in the darkness.
“...That’s correct.”
"So... you don't like me?" He asks, turning to you with a hint of sadness in his eyes. "It was just... part of the job?" He adds. He takes another puff from his cigarette, his eyes moving back to looking at the clouds above. "Is there nothing else you like about me?" He asks softly, turning to you once again. "Not even a little bit?" You can see James' expression change, his heart is affected by your words. "Please don't be silent again," He adds quietly.
“…You aren’t useful to me anymore, so from this point forward you will not see me again.”
"Not useful to you, huh?" He says softly, sounding a bit hurt by your words. "So... now that you got what you needed, you're just gonna toss me out like a piece of trash?" He asks with a tinge of bitterness in his voice. "What happened to the [First] I thought I knew?" He says, sounding slightly frustrated. "Don't you feel at least a little bit bad?" He adds. "Even a tiny bit?" He takes another small puff from his cigarette before looking at you again with mild concern.
You start to lean away from him before he suddenly grabs you and pulls you towards him, the two of you now face to face. James then places his hand behind the back of your head and leans forward, trying to kiss you once again. Before you can get out of his grasp, he kisses you forcefully, pressing his lips against yours for a few moments as he tries to make you kiss back. Once James is done, he lets go of you, his expression still filled with passion and determination.
"Well?" He asks, sounding a little annoyed. "Where's your response?"
“...You know,” You throw your cigarette to the ground and step on it roughly, making a loud footfall noise as you squish it against the cobblestone. “I was going to let you go on with your life as I found no ties to the Spider.” Your hands go into your trench coat pocket. “But now you have forced my hand. Most unfortunate.”
James takes a moment to process what you had just said. “W… What?” He looks confused and panicked. “What do you mean by that?”
You display a smile, yet it lacks any semblance of kindness. 
“The Phantom Troupe? You’re… a part of the Phantom Troupe?” The man takes a few steps back in fear, a stark contrast to how he was just a few moments ago.
“No.” You say firmly. You hear James sigh in relief. 
“Thank God.”
“But,” You add, taking a few steps closer and still having that grin. “I promise you that soon, you will realize what I mean. Very soon, indeed.”
James laughs loudly and arrogantly like a crow’s caw. “You’re going to kill me?” He takes a few steps closer as well and crosses his arms, smirking. “Sweetheart, I don’t think you can even touch me.”
“Never say never.” With a smile on your face, you glance back while making your way towards the graveyard's exit. 
James angrily yells at you to come back, but you don’t listen and soon you are gone.
He better prepare himself for death while he still can.
You broke into James’ neighbor’s apartment.
Victor, you found out later, was his name. Not that it mattered much. He was reading a book, Crime and Punishment, on his couch and facing away from the entrance. He didn’t have any instinctual gut feelings that someone was in his home, standing above him with a blindfold, ropes, and a scarf. He had good taste in books, at least.
“Greetings,” You bend down to the slumped man, weeping with his hands and legs tied, his tears wetting the white blindfold. “I have a favor to ask of you. Then I shall let you go, alright?”
Your voice is soft, and gentle, like a mother speaking to her crying toddler. Like a Venus fly trap, your jaws will soon lower onto your unsuspecting prey. Tender fingers snake around the back of the stranger’s head and untie the gag. A shushing sound leaves your lips as a finger lays on them for a second or two. You roll on your ankles backward and stand up. You tell him that if everything goes well, he can leave. He simply nods, giving up right away.
Your hands go into your trench coat pockets for a second, worshiping the fur that lines them along with your forged ID card, portable cassette player, and flip phone. It is just to make sure they are there in your jacket and not left out as evidence of the performance about to happen. The guests of honor are James and Victor, and they will never know it.
Drip, drip, drip. Through the thin walls, you can hear the usual drops of water coming from James’ ceiling to the container he probably has there. Drip, drip, drip.
“I just need you to say a few words.”
Your demand is sturdy, not taking no for an answer. 
You open up a window and a gentle breeze flows in, making your braid sway from side to side. After a few moments of silence, Victor says that he will do anything if it means he can leave afterward. The floorboards are creaky and splintered and damaged from all of the feet, wheels, and canes that move on and off them. 
“Repeat after me.”
You look down on him like a God. He is nothing more than a dog.
James deserves this. That’s what you tell yourself. James deserves this. James deserves this for being scum and only seeing you as a possession. He deserves this. He deserves what you are about to do.
The sun is rising behind you. You bear resemblance to a masterpiece crafted with the utmost precision and the most vibrant pigments. Your arrival is akin to that of a deity. Drip, drip, drip.
You take your hands out of your pockets.
“Say the name James Ericsson. Please.”
Your stare is vivid, and even with the blindfold on you know that Victor has sensed its intensity because he says. “James Ericsson.”
You smile and your hands dance with one another in a sort of waltz.
There are cries of pain and the sound of bones bending like plastic straws coming from next door.
Victor falls to the ground, not breathing. It is done.
The photos were shown on the news, late at night to prevent younger children from seeing them.
There was nothing left of James' upper half.
There was a huge gaping hole in his skull where the brain burst out. The face was completely gone, caving in on itself. As his body was crushed by the invisible pressure, his chest and arms were ripped apart, the muscles and organs ripping out and sticking to the walls, and the larger pieces of meat slipped down with copious amounts of blood, accumulating on the poplar table adorned with dead roses and a shattered glass vase that had been broken. The rest of his stomach spilled out onto the floor beneath the table he had been standing next to. 
Victor was found dead at his apartment. There were no signs of a break and is presumed to have died of a heart attack or stroke. You were careful to attach and remove the blindfold, gag, and restraints so that no bruises or marks formed. 
It is somewhat regrettable, but there was no other way. You know that. It was for the greater good.
Right?
There was no other way, right?
You know that there was no other way, right?
Because there was no other way, right?
They had to die for the greater good, right?
Right?
…Right?
You ride one bus after another back to town with something inside you telling you that this is wrong. James’ screams, his snapping bones, the way his muscle and fat separated like he was a slain cow being cut into pieces by a butcher. Victor’s begging to be set free, and the way that he trusted that you would let him go after he did what you wanted. All of this is wrong, a little voice in the back of your mind says to you.
This isn’t a crime. It isn’t.
The rest of your brain tells you that.
It was a necessary evil. James deserved it, he deserved every ounce of pain you had inflicted on him through the thin apartment walls. You can imagine hearing the dripping of blood from the formerly white now red ceiling.
Drip, drip, drip.
You eat at your poplar dining table, alone, in a squeaky old poplar chair. You have only managed to take a bite or two of your food before feeling the urge to vomit. You drank half of your cup of water though, at least. You would have preferred bleach or soap, though. Something basic.
That way your insides would be scrubbed clean by the mix of enzymes, organs, bacteria, and a strong base. Your skin, eyes, and hair would be cleansed with the sweat and tears produced afterward. You pick up your spaghetti with your plastic fork.
Your stomach churns and it feels like it is eating itself. You run to the bathroom, overcome by nausea. An acidic smell and taste. They are both sour and nasty. 
You gag like you are being choked by a ghost or your guilty conscience. You are loudly gasping for air through your vomit-covered lips. 
Drip, drip, drip.
Plop, plop, plop.
Bile piles up in the toilet water, making it bright yellow. You hold onto the toilet seat like it is your lifeline. After a few more moments of heaving, you adjust your posture to be more straight.
You walk back to the kitchen and put the dinner food in your refrigerator. It hums as if it is pleased with how you are feeling. 
Drip, drip, drip.
There is some water leaking from the faucet. You put a cup under it and try to ignore what it reminds you of. You hope it goes away soon. You do. More than anything. 
You want it to go away, and you would do anything to make it stop. But you’re not a plumber, and the only nearest one is in a neighboring town a few hundred kilometers away and his fees are worth a few thousand Jenny. Even if he was nearer, you wouldn’t be able to afford his services. Most unfortunate for you.
You still feel like you are being strangled. 
Your neck’s muscles tighten and the tendons are sticking out. You aren’t going to die, but it feels like it. Everything hurts. Everything hurts and you are disgusted with yourself. But you have to keep going, for eternal freedom. 
Your skin is covered in goosebumps.
You want to vomit your organs out.
You want to scream until your vocal cords swell so much they cannot work. 
You want to swallow and cover yourself in bleach and soap and scrub yourself until your skin is rubbed raw and bleeding.
But you can’t, because you are living in a town now, one where the neighbors are so friendly and everyone knows each other. But you can’t, because someone will come to you, worried sick about you. But you can’t, because you are too appalled in yourself right now to lie to them and pretend you are better than them.
You cannot pretend you are cordial and graceful, because if anything you are sick. Sick and twisted. Your secrets mirror your repulsiveness. You want to lean away from yourself and run from yourself. 
But you can vomit your organs out.
But you can scream until your vocal cords swell so much they cannot work. 
But you can swallow and cover yourself in bleach and soap and scrub yourself until your skin is rubbed raw and bleeding.
That’s because this house is nearly impossible to find for most. Only the porch light is currently on, with the rest of the place in complete darkness. There are overgrown weeds and grass, trees, and fallen branches everywhere. You have tripped many times and almost broken something in the past. You are getting better, though.
This property can be the place where you bury whatever sins you have committed. No one comes here, and no one will come for you if you scream. No one will hear you because this property is cramped and large. 
But you are still living in a town full of people who all know each other.
What if someone hears you?
It is best not to think about it, you tell yourself.
It is best to just let it all out, you tell yourself.
It is best to ignore and lie to those who ask you about it, you tell yourself.
So you vomit again.
You scream so loudly you lose your voice.
You scrub your hands so hard under the sink with soap until they bleed and have scratches all over them.
No one comes for you.
Good.
*~*~*~*
You have always been someone who never takes the time to appreciate the beauty around you.
Your thoughts are constantly besieged by a multitude of voices. Unloving, taking pleasure in others' misfortune, outrage, fear, happiness, delicateness, peacefulness, besiege, schadenfreude, wherewithal. In due time, emotions will reach their boiling point, unveiling the authentic hues of your being; crimson red.
You can make people prefer you over the largest of diamonds with just a few words. Your words can be either their exposition or their denouement. 
But you can’t bring yourself to use Sebaste. This feeling is odd to you, but you don’t complain about it. If anything, you feel warmer than you ever have been.
Your emotions find themselves trapped in a state of indecision, teetering between self-centeredness and pure joy. Something has gone off course. You.
You, who was born with an innate desire to only help those who would help you in exchange. You, who never ventured out to explore the depths of your being, to discover the essence of empathy. You, who have always used others in an attempt to better humanity as a whole, to be in control of others. It is what you do best; being in control.
So, why does Sebaste, an impoverished man, interest you so much? Why would you be willing to give everything you have away just to make sure he has a good life? Why can’t you just leech off of him like you do with everyone else?
It cannot be denied that he holds the position of your greatest vulnerability.
But you cannot bear to discard him.
Even if you wanted to. Even if he wanted you to.
You cannot leave him. He holds your heart in his gentle hands, and you will never get it back. There it will stay far past when his body is deep underground and lost to time.
You would jump into the largest crimson tides if it meant he was waiting for you beneath the waves. In the end, the amalgamation of your emotions will birth a monstrous force, unleashing nothing but devastation.
A colossus. 
The devil that lurks within the deepest confines of your heart.
No exorcism or priest would be able to get rid of it. It will stay inside you until your last breath. Sebaste will eventually uncover the hidden transgressions within your soul, the deeds you committed to survive. The actions you took to elevate yourself above all others and everything else in this world.
In the future, when the stars twinkle no more, the moon loses its luster, and the night sky breaks apart, you will need to seek a new refuge to conceal your wrongdoings from the scorching beams of the sun.
If Sebaste ever were to discover the lies that are the foundation of the makeup used to cover your hideous, real face, or your sticky, sticky, crimson hands, what would be done to stop you? What would you do to stop him from leaving you?
You simply confine the devil into the smallest crevice of your heart, pushing it inside as far as it can go and locking the door. That way, if Sebaste ever were to delve into the labyrinth that is your soul, he wouldn’t find it no matter how much he looks. There the devil will stay even far after it starts rotting, and you promise yourself to keep it that way.
*~*~*~*
The flowers are in bloom. You don’t know what species they are though. The night sky is above you, cold, injured, and bleeding you. Your only physical weapon is your nails, your dull and split nails. 
It starts raining. You don’t have a home of your own, so you decide that a bus stop will suffice for now.
Every inch of you is shivering. Every drop of blood that you bleed hurts. The forest is deep and dark and cruel. If any animals were unaware of your presence, they surely are now considering how you howled in pain as your leg toppled into a bear trap, and howled even louder as you clawed it off with your bare hands, making them all scratched up. The cicadas are crying, even louder than you are. They only respond to your pain with shrill, grating noises and the flaps of their wings. You have nowhere to go that is nearby. Not with your injured leg that has large, deep, painful markings of the trap’s teeth on it. Aside from this bus stop that is in the middle of nowhere. You’re not sure if any bus at all is even on this route anymore, considering how rusty and broken down this stop is. 
You attempt to light one of the few matches you have left. It’s pitch black outside, and the match is your only source of light and warmth from the rain and the night. Your jacket is still caught in that tree, far away from where you currently are. Well, it wasn’t yours per se, but it was your only protection from the elements with its hood and heat. 
Your cries are wasted on your injuries. You know no one will come for you, aside from predators if you bleed out and are near death.
You cannot see anything, even the path of blood drops you most likely made as you gripped your injured leg and began moving once more to the poorly taken care of bus stop, ignoring the pain that shot up with every step. It’s too dark.
You aren’t going to die, but it feels like it.
Even if Chrollo knew where you were and was on the way, it wouldn’t matter. This forest is too big and you may die of blood loss before he even catches sight of you or hears your pained cries.
There are most likely predators here. Wolves, bears, hawks. Something is out there, watching you, you are sure of it. You know it. 
Eventually, the rain stops sometime after your match goes out and you close your eyes after refusing to rest for far too long. You catch a glimpse of the flowers, soaked with morning dewdrops and reflecting the sun’s rays. 
Ah.
Columbines. 
The usual white ones are called doves for a reason. They look like five doves nestled together from afar. The white columbines represent many things. Love. Innocence. Calmness. Peace. Foolishness. Winning. Ironic enough, you cannot relate to any of them.
You’re not in love with anyone. Your innocence was stolen from you long ago, far before you even met Chrollo. You aren’t calm, you are weeping. You aren’t at peace, you are internally fighting yourself as to whether to go back to your captor’s gilded cage. Perhaps you are a fool for running away from the warm blankets and fresh, expensive food. You aren’t winning anything aside from both regrets and desperate want for stability.
Maybe that is why these columbines before you are red. An eye-catching crimson red, as red as your wounds and the trail of blood left from it as you walked to the bus stop. They look like dead doves. They only represent three things. Passion. Terror. Trembling. You find a resemblance of yourself in them, as odd as it would sound to anyone who doesn’t know of or believe your current situation. 
The trap didn’t have rust on it, right?
*~*~*~*
Chrollo and Sebaste are both difficult to understand for you. However, they also could not be more different. This dynamic is similar to a newborn witnessing dawn’s sunrise blossom from the night sky. Both confuse you, for both are very similar yet very contrasting. 
Chrollo and Sebaste both know what they want and they would do anything to achieve it, as long as the people they love aren’t in any danger at the reward of attaining their desires. They only trust a handful of people fully while they ignore other people’s presence. They both have that dark brown hue in their eyes. They both wear darker colors. But Chrollo holds the past in high regard and loves history, meanwhile, Sebaste thinks of the future and modern times more so than the past and as a result keeps up with new technology and media. Chrollo looks at you like a hunter looks at a doe or rabbit, while Sebaste looks at you with purpose, for he knows who you are; an equal.
You look at them differently, too. 
You look at Chrollo with a facade in your eyes, as you pretend to accept your role in his theater by dancing the waltz and singing praises.
You look at Sebaste with veracity, for he is the only one to have ever earned your genuine admiration. 
If either were to see the cracks within the mask you wear if either of them saw what was underneath… it would all be over, wouldn’t it? Chrollo would know more about you than you ever did about yourself and use it against you. Sebaste would leave you all alone to rot away.
That is why you will play the role of a doting queen who hangs onto every word her lover tells her because it is the only choice you have.
It is the only choice you have, and all you ever can be.
It is all you ever will be, you say to yourself.
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lilobi1 · 2 years ago
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🕊️🕊️🕊️🌤️🌙✨✨⭐️���☪️✡️☔️☔️
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1. Strolling Along the Seashore (1909, Joaquín Sorolla) 2. Death in Venice (1971, Luchino Visconti)
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blueiscoool · 5 months ago
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Unknown Mozart Music Discovered in Germany
A previously unknown piece of music likely composed by a teenage Wolfgang Amadeus Mozart was recently uncovered at a library in Germany.
The piece, which dates to the mid- to late-1760s, consists of seven miniature movements for a string trio. It lasts around 12 minutes, researchers with the Leipzig Municipal Libraries said in a statement.
Researchers discovered the work at the city's music library while compiling the latest edition of the so-called Koechel catalog, the definitive archive of Mozart's musical works.
The piece is referred to as "Ganz kleine Nachtmusik" in the new Koechel catalog, according to the Leipzig libraries.
The Koechel catalog describes the piece as "preserved in a single source, in which the attribution of the author suggests that the work was written before Mozart's first trip to Italy", according to the municipal libraries.
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The newly discovered manuscript, which consists of dark brown ink on medium-white handmade paper, was not penned by Mozart himself but is believed to be a copy made around 1780, the researchers said.
The young Mozart had been known to researchers up until now "mainly as a composer of piano music, arias and symphonies", Ulrich Leisinger of the International Mozarteum Foundation in Salzburg said in a statement.
A list by Mozart's father had alerted academics to the existence of "many other chamber music compositions" by the young artist, which were all thought to have been lost until the emergence of the string trio, Leisinger said.
"Since the inspiration for this apparently came from Mozart's sister, it is tempting to imagine that she kept the work as a memento of her brother," Leisinger said.
Born in 1756, Mozart was a child prodigy and began composing at a very early age under his father's guidance.
The piece was performed by a string trio at the unveiling of the new Koechel catalog in the Austrian city of Salzburg on Thursday. It will receive its German premiere at the Leipzig Opera on Saturday.
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too-antigonish · 7 months ago
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The Classical Music of Ride, Part I: Mozart’s Requiem
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You can’t trust anything or anyone in Ride. People aren’t who they seem to be. Every action, every event is just a cover for something else.
Is Morse one of the idle rich? An Oxford drop-out? A taxi-driver's son from Lincolnshire? A man who’s just finished a prison sentence? A policeman?
Long post....
Is Bixby the filthy rich head of a gambling empire? Is he just a front for Harry Rose’s criminal empire? Is he Charlie Greel looking to win back Cathy or Joss Bixby looking to seduce Kay? Is he even himself or is he his hidden, evil twin Conrad?
Are the denizens of Lake Silence really Morse’s friends—sheltering him after the storm of Blenheim Vale and prison? Or are they a bunch of dysfunctional philanderers and addicts? Even worse, are they suspects? Criminals?
Using Mozart’s Requiem in this episode must have absolutely delighted the music staff because while a great part of its fame and mystique rests on the sheer accumulation of stories and legends that have grown up around it, almost none of those tales can be proven—and all of them have been challenged at some point. You really don't know what's real and what's not—right down to the music itself.
Was the anonymous “stranger cloaked in gray” who gave him the commission the only sponsor Mozart ever saw? Or did he  at some point become aware  that the Count, Franz von Walsegg, was paying for the work? Some people today are shocked to hear that Walsegg planned to pass off the Requiem as his own work—as a tribute composed in memory of his dead wife—but that was a fairly common practice for the aristocracy of the time. It was considered slightly shady, but the proper thing to do was to just politely nod and go along with it.
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Did Mozart, his mind disturbed by illness in his final days, truly come to believe that he had been poisoned and that he was writing the requiem mass for his own funeral? Or was that tantalizingly dramatic detail added by his widow Constanze to drive up sales of the score after the his death? The couple was catastrophically bad at managing money and when her husband died, the widowed Constanze was left with massive debts and two small children. She needed to maximize any possible source of revenue. 
Her story certainly captured the public imagination. Pushkin took that little tidbit about writing his own funeral mass and wrote a very short but thought-provoking  play in which he cast Mozart’s contemporary Salieri as the envious poisoner and Mozart himself as a childish, spoiled, and petty genius. Peter Shaffer later adapted Pushkin’s work into the play, and later film, Amadeus. A surprising number of people today believe Amadeus to be not the work of imaginative fiction that it is, but rather a completely factual story of Mozart’s life and death.
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Mozart worked on the Requiem up to the day he died at the age of only 35. It was the last piece he worked on. Most scholars believe the manuscript we have contains not only the last music he ever composed but possibly the last words he ever wrote.
As far as authorship is concerned, we know for certain that Mozart himself completed “in skeleton” the Introit, the Kyrie, and almost all of the Sequentia (Dies irae, Tuba mirum, Rex tremendae, Recordare, Confutatis). The last portion of the Sequentia, the Lacrimosa, was completed was the up through the first 8 bars.
The last words that he actually wrote were "Quam olim da capo” — which instructed the musicians to repeat the "Quam olim" fugue of the Domine Jesu from the beginning. In yet another mysterious twist to the story of the Requiem, these actual last words were stolen—quite literally by tearing them from the manuscript—while the score was displayed at the 1958 World’s Fair in Brussels. They are still missing.
We are certain about the authorship of parts because we have the autograph manuscripts—the music in Mozart’s very own hand. The big question, however, has always been, how much the the rest of the Requiem can we consider his? The parts that were completed “in skeleton” basically had all of the “important” notes in place. Things missing include details like doubled parts that could fairly easily be extrapolated from what he had written. 
In order for Constanze to receive her money from Walsegg, however, she needed to make it appear that Mozart had completed the work entirely or almost entirely himself before his death. Not only would this ensure full payment from Walsegg, it would also promote sales of the score to the public later. A work written by Mozart alone would far out-sell a work written by Mozart and “Mr. Competent-But-Lesser-Known-Composer.”
Today we know that at least two of Mozart’s students were involved in finishing the piece, with the majority of the work being done by Franz Süssmayr. What we don’t know, however, is how much of the completed work is purely theirs and how much came from Mozart’s notes and verbal instructions.
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Some versions of the story indicate that Mozart gave detailed deathbed instructions and left many “little scraps” of paper with details of how to complete the composition. Other versions claim that this talk of “little scraps” is simply more of Constanze’s effort to maximize Mozart’s contributions and minimize those of others.
Regardless, we know that the completed Requiem was eventually sent (with Mozart’s counterfeited signature!) to Count Walsegg and dated 1792—which is rather odd in retrospect given that it was well-known that Mozart had died on 5 December 1791. It's always been yet another mystery.
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The two excerpts used in Ride are the Lacrimosa, during the opening titles and establishing scenes, and the Confutatis, which Morse is listening to on his record player as he splits wood outside the lakeside dacha.
The Latin text of the first reads:
Lacrimosa dies illa, Qua resurget ex favílla Iudicandus homo reus: Huic ergo parce, Deus:
The equivalent translation (i.e. not the one used at mass, but a more literal translation) is: 
Tearful [will be] that day, on which from the glowing embers will arise the guilty man who is to be judged: Then spare him, O God.
So Ride starts with tears and guilt.
I’ve always found it interesting that this text doesn’t even try to claim innocence, instead it very clearly asks that the guilty be shown mercy. 
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The Latin text of the second reads:
Confutatis maledictis, Flammis acribus addictis, Voca me cum benedictis.
The equivalent translation is: 
Once the cursed have been silenced, sentenced to acrid flames, Call me, with the blessed.
This text always strikes me as coming almost from a child’s point of view. Basically one interpretation is, “Come and get me once you’ve taken care of all the bad guys.” I'll leave you to draw your own conclusions as to how that might apply to Morse post-Blenheim Vale and prison.
Next week: The Classical Music of Ride, Part II: Rigoletto or “Why keeping a person’s entire existence a secret leads to Bad Things.”
Special Bonus Section!!!
Parts of Mozart’s Requiem used in Endeavour: 
Dies irae: completed by Mozart in skeleton* S4E4: Harvest (~2 min) (~3 min)
Rex tremendae: completed by Mozart in skeleton* S9E3: Exeunt(~1 h 11 min)(~1 h 11 min)
Confutatis: completed by Mozart in skeleton* S3E1: Ride (~5 min)
Lacrimosa: completed by Mozart in skeleton* through measure no. 8 S2E3: Sway (~0 min)(~1 hr 24 min); S3:E1 Ride (~1 min)
Lux aeterna: Not in Mozart’s MS; however Süssmayr reuses the Requiem aeternam written by Mozart almost note-for-note with just the different text S9E3: Exeunt (~31 min)
*skeleton: means full vocal and continuo parts, notes for prominent orchestral parts and musical bridges
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livelaughlovelams · 6 months ago
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❝𝐁𝐞 𝐬𝐢𝐥𝐞𝐧𝐭, 𝐢𝐟 𝐲𝐨𝐮 𝐜𝐡𝐨𝐨𝐬𝐞; 𝐛𝐮𝐭 𝐰𝐡𝐞𝐧 𝐢𝐭 𝐢𝐬 𝐧𝐞𝐜𝐞𝐬𝐬𝐚𝐫𝐲, 𝐬𝐩𝐞𝐚𝐤 – 𝐚𝐧𝐝 𝐬𝐩𝐞𝐚𝐤 𝐢𝐧 𝐬𝐮𝐜𝐡 𝐚 𝐰𝐚𝐲 𝐭𝐡𝐚𝐭 𝐩𝐞𝐨𝐩𝐥𝐞 𝐰𝐢𝐥𝐥 𝐫𝐞𝐦𝐞𝐦𝐛𝐞𝐫 𝐢𝐭.❞ 𝄞⨾𓍢ִ໋
-Wolfgang Amadeus Mozart 𝄞⨾𓍢ִ
Also the raven is a reference to his bird Vogel btw (imagine naming your bird the word bird but in another language???(
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princeloww · 1 year ago
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OK but imagine THEM as Mozart (Michael Sheen) and Salieri (David Tennant) . In Amadeus .
I would go insane over them.
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iiseult · 1 year ago
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⚜️ 𝕹𝖆𝖛𝖎𝖌𝖆𝖙𝖎𝖔𝖓 ⚜️
❥ 𝑅𝑒𝓆𝓊𝑒𝓈𝓉𝓈 - 𝒪𝒫𝐸𝒩
❥ 𝑀𝒶𝓈𝓉𝑒𝓇𝓁𝒾𝓈𝓉
❥ 𝑀𝑜𝓈𝓉 𝓇𝑒𝒸𝑒𝓃𝓉 𝓌𝑜𝓇𝓀
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𝕬𝖇𝖔𝖚𝖙 𝕸𝖊
❥ You can call me Isolde. I'm 20, use she/they pronouns, and am currently in school.
𝕴𝖓𝖇𝖔𝖝/𝕬𝖘𝖐 𝕽𝖚𝖑𝖊𝖘
❥ 18+ only if you're requesting smut
❥ You can request drabbles, imagines, oneshots, full fics, or pretty much anything else you can think of!
❥ NSFW and SFW are both fine
❥ I will never explicitly mention race in any x reader stories
❥ I will not write about: incest, SA, scat, somnophilia, necrophilia
𝕱𝖆𝖓𝖉𝖔𝖒𝖘 𝖆𝖓𝖉 𝕱𝖆𝖛𝖔𝖗𝖎𝖙𝖊 𝕮𝖍𝖆𝖗𝖆𝖈𝖙𝖊𝖗𝖘
• Amadeus (1984) - W.A. Mozart
• House M.D. - James Wilson, Greg House
• Immortal Beloved (1994) - Ludwig Van Beethoven
• Kingdom of Heaven - Baldwin IV
• Les Miserables - Grantaire, Enjolras, Montparnasse
• Tales from the Gas Station - Jerry, Jack
• Fight Club (1999) - The Narrator (Jack/Tyler)
• Interview with the Vampire/The Vampire Lestat - Louis de Pointe du Lac, Lestat
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enricobratta · 6 months ago
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Why is the song called "Bohemian Rhapsody"?
Why does it last exactly 5 minutes and 55 seconds?
What is this song really about?
Why was the Queen movie released on October 31st?
The movie was released on October 31st because the single was first heard on October 31, 1975. The song is titled "Bohemian Rhapsody" because a "Rhapsody" is a free-form musical composition, composed of several seemingly unrelated parts and themes. The word "rhapsody" comes from Greek and means "assembled parts of a song." The word "bohemian" refers to a region in the Czech Republic called Bohemia, the birthplace of Faust, the protagonist of Goethe's work. In Goethe's work, Faust is an elderly, highly intelligent man who knows everything except the mystery of life. Not understanding it, he decides to poison himself.
Just at that moment, church bells ring, and he goes out. Upon his return, he encounters a dog that transforms into a sort of man: it is the devil Mephistopheles, who promises him a full life in exchange for his soul. Faust agrees, becomes young again, and becomes arrogant. He meets Gretchen, and they have a child, but his wife and child die. Faust travels through time and space, feeling powerful, but as he ages again, he feels unhappy once more. Not having broken the pact with the devil, angels contend for his soul. This work is fundamental to understanding "Bohemian Rhapsody."
The song talks about Freddie Mercury himself. Being a rhapsody, there are 7 different parts:
First and second act: A Cappella
Third act: Ballad
Fourth act: Guitar Solo
Fifth act: Opera
Sixth act: Rock
Seventh act: "Coda" or final act
The song tells the story of a poor boy wondering if this life is real or just his distorted imagination. He says that even if he stopped living, the wind would continue to blow without his existence. So he makes a pact with the devil and sells his soul. After making this decision, he rushes to tell his mother, saying: "Mama, I just killed a man, put a gun against his head, pulled the trigger, now he's dead. I threw my life away. If I don't come back tomorrow, continue as if nothing matters..." The man he kills is himself, Freddie Mercury.
If he doesn't honor the pact with the devil, he will die immediately. He bids farewell to his loved ones, and his mother bursts into tears, tears reflected in Brian May's guitar notes. Freddie, frightened, shouts, "Mama, I don't want to die," and the operatic part begins. Freddie finds himself on an astral plane where he sees himself: "I see a little silhouette of a man" and asks, "Scaramouche, will you do the fandango?" Scaramouche is a small skirmish between armies on horseback (the 4 horsemen of the Apocalypse of evil fight against the forces of good for Freddie's soul) and continues by saying, "Thunderbolts and lightning, very, very frightening me." This phrase appears in the Bible, specifically in Job 37: "The thunder and lightning frighten me: my heart pounds within my chest." His mother, seeing him so scared by his decision, pleads for his salvation from the pact with Mephistopheles. "He's just a poor boy... Spare him his life from this monstrosity. Easy come, easy go, will you let him go?" Her pleas are heard, and angels descend to fight against the forces of evil. "Bismillah" (an Arabic word meaning "In the name of God") is the first word that appears in the Quran, the holy book of Muslims. So God himself appears and shouts, "We will not let you go, let him go."
Faced with such a confrontation between the forces of good and evil, Freddie fears for his mother's life and says, "Mama mia, mama mia, let me go." From the sky, they shout again that they will not abandon him, and Freddie shouts, "no, no, no, no, no," saying, "Beelzebub (the Lord of the Darkness) has a devil put aside for me, for me, for me." Freddie pays homage to Wolfgang Amadeus Mozart and Johann Sebastian Bach when he sings "Figaro, Magnifico" referring to Mozart's "The Marriage of Figaro" and Bach's "Magnificat." The operatic part ends, and the rock part begins. The devil, furious and betrayed by Freddie for not honoring the pact, says, "So you think you can stone me and spit in my eye? So you think you can love me and leave me to die?" It is striking how the lord of evil feels powerless before a human being, faced with repentance and love. Having lost the battle, the devil leaves, and we come to the last act or "coda," where Freddie is free, and that feeling comforts him. The gong sounds, closing the song. The gong is an instrument used in China and the Far East to cure people under the influence of evil spirits.
The song lasts 5 minutes and 55 seconds. Freddie liked astrology, and 555 in numerology is associated with death, not physical, but spiritual, the end of something where angels will protect you. The 555 is related to God and the divine, an end that will give rise to a new phase. The song was first heard on the eve of All Saints' Day. A holiday called "Samhain" by the Celts to celebrate the transition and opening to the other world. The Celts believed that the world of the living and the dead were almost united, and on the Day of the Dead, both worlds united, allowing spirits to transit to the other side. Nothing in "Bohemian Rhapsody" is random. Everything is very measured, worked, and has a meaning beyond being just a simple song. It was voted worldwide as the best song of all time. This theme represented a radical change for Queen, as if they had indeed made a pact with the devil; it changed their lives forever and made them immortal.
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mozartcoeur · 3 months ago
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Mozart.
Aaaaaaaand I've short-circuited.
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Imagine your favorite historical figure blowing you a kiss
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buzzdixonwriter · 29 days ago
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What’s The Deal, Neil?
We cancel Cosby, we cancel Rowlings, we cancel Allen, we cancel Savile, we cancel Allen.
We do not cancel Curtiz or Hitchcock or Mozart.
Why?
There is a reason, and a valid one at that.  Michael Curtiz and Alfred Hitchcock and Wolfgang Amadeus Mozart never set themselves up as moral exemplars, publicly proclaiming their righteous acts while hiding their unrighteous deeds.
Quite the contrary.
Their sleazy behavior is often shrugged off with “Well, what did you expect?” as we continue to enjoy their works.
We do not feel betrayed by them, we have not invested in admiring them not just for their artistic works but the causes they championed as well.
Gaiman, Rowling, Cosby, Savile, Allen et al presented a highly moral / ethical face to the world yet they conducted themselves privately in a wholly contrary manner.
We don’t object to scoundrels behaving like scoundrels; if we did Donald Trump would have landed in jail long before running for president.
We do object to those who say one thing yet do another – and this is why those cancelled richly deserve their cancellation.
They betrayed us not by merely demonstrating feet of excrement, but by undermining the very things they urged us to aspire to.
Like religious leaders who can’t imagine why people flee their congregations, they fail to grasp that their predatory actions and unsavory behavior destroys the trust others once placed in what they taught.
Gaiman et al make us look askance at all their works we once adored and legitimately admired, causing us to wonder if those works are somehow as tainted as their creators.
And if so tainted, then what about the ideas and ideals contained within?
There are many capable of separating the art from the artist, to continue to enjoy the work -- Casablanca in Curtiz’ case, to name one example -- while righteously denouncing the creator of the work for egregious bad behavior.
Some creators -- such as Mozart -- manage to link outrageous personal behavior with breathtaking beauty by taking unrestrained joy in both, never denying their baseness but never letting it sully their sublimity.
The line that cannot be crossed, the unpardonable atrocity, the literally unforgiveable sin found in the gospels is to blaspheme the holy. 
To set up an ideal, to fire people’s imagination, to urge them to cling to that ideal, to present oneself as a living embodiment -- however imperfect -- of that ideal is to create something holy, regardless of one’s formal beliefs or disbeliefs.
And to undermine that through bad behavior is to hew away the foundations of other people’s lives and identities.
Some things can’t be forgiven…
…nor should they.
  © Buzz Dixon
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