#Although there will be more characters
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vicciouxs · 9 months ago
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the survivors.
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gaybuckybarnesss · 2 months ago
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DEADPOOL & WOLVERINE (2024)
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ionomycin · 1 year ago
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Swim free
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lingrimmart · 1 month ago
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Tilazis saved a dwarven baby, planning to use him as a tool of diplomacy. He hid him from the rest of the team, but they found out about it anyway.
Matches appeared to be a better babysitter than Til.
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shortnotsweet · 10 months ago
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This technically applies to my Stepmother AU in which Alicent is around six years older than Rhaenyra, and occupies a wicked stepmother role as opposed to ex ‘friends-to-first loves-to-enemies’. Despite lacking the foundation of shared girlhood, both find simultaneous comfort and rivalry in one another, and undergo a gravitational pull. A young Rhaenyra’s eagerness to participate in swordplay and political affairs at a young is accommodated for, and she grows up with a sword in one hand and the weight of experience in another, which further helps pave her way to the throne.
Alicent’s Costuming
Alicent’s clothing is almost entirely bottle, emerald, or forest green. While there is layering present in her skirts and jackets, the accent should always be a darker green than the base color. The fabric is deep, rich, and retains an undeniably high-quality luster. Look to velvets and silks. Gold embroidery lingers around her sleeves, neck, and hemline to elevate the coloring.
Metallic embellishments should be almost military-like, and appear heavy. Contribute to the imagery of chains or shackles in addition to her status
Draws inspiration from historically accurate stiffness and Victorian shapes, with a tapered waist, imposing, puffy sleeves, and a high neckline. Despite inaccuracies, this shape is evocative of someone elegantly and conservatively feminine, repressed, and capable of exerting power over others. Reference a classic, trussed hourglass shape. Skirts should be notably heavy and full; may make noise in movement
The coloring and shapes remain relatively consistent but lack variation; this is to demonstrate a lack of freedom and exploration, as well as an adherence to conventional feminine roles
Despite these limitations, her costuming should always be put-together, coordinated, and unquestionably fashionable. Tight sleeve cuffs may be accompanied by a more traditionally medieval fan sleeve
Shoes should stick mostly to slippers, or flat designs
In this AU, her hair leans more towards a dark brown instead of auburn, as her show counterpart. This is mostly due to faux-book accuracy and to simplify the sketch process, since keeping her hair darker in comparison to Rhaenyra’s lighter hair translates more easily in uncolored renderings.
Keep her hair either in a tidy bun or pulled back and loose; avoid too many intricate shapes, braids, or styles. Occasionally, the hair will hang loose. Lean into medieval or royal headpieces, clips, coverings, etc.
Rhaenyra’s Costuming
Rhaenyra’s clothes are primarily black and red, occasionally accented or substituted with neutrals such as beige, white, or gray. Exceptions may include blue or yellow, but she generally stays in this color palette.
Strong focus is drawn to her shoulders and neckline, sometimes with embroidered or embellished detailing. She often has strong, angular shoulders in her dresses or jackets, occasionally theatrically pointed. Off-the shoulder necklines emphasize her collarbones and a certain broadness.
There should be decent variety in her clothing; there is a hypothetical outfit for every occasion and more (for battle, for riding, everyday, formal, feasts, everyday, etc.), and most should be composed of multiple pieces and utilize generous layering. This includes under-fabric, belts and corsets, jackets and doublets, draped fabric for aesthetic purpose, and even functional capes.
Most of her clothes should provide visual aid for movement; additional fabric to her skirts, for example. Her clothes should be highly stylized but still easy to move in. In riding and battle gear, it is presumed that she wears pants and boots under her skirts, even if they are not visible.
Shoes lean more into boot cuts, still practical but should have a sleek and uniform quality to them. When she walks, she should make some kind of noise. Shoes should usually be black or potentially red, the latter for decorative purposes.
Overall her style should be more contemporary and lean into the fantasy element. She’s not opposed to oriental details or showing skin, and her costumes should reflect both couture-height drama and period-reliant aspects. Longer lines and diagonal hems mean she is not as devoted to an hourglass shape, and her high collars should always be decorative in some respect.
Keep her hair long and mostly loose, sometimes pulled back. Small braids should be implied as incorporated. Occasional hairstyles feature complicated braids. With the exception of highly decorative braided styles, simple buns should be avoided unless accompanied with very high necklines.
Avoid headpieces that are not either a) her crown or b) ceremonial.
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beif0ngs · 11 months ago
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LUFFY’S DREAM
Huh? Have I never mentioned this to any of you before...? I guess I only told Shanks, Ace and Sabo then.
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randomfandomss · 4 months ago
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I'm literally not saying anything but Eric's brain must have really, really short-circuited after that comment from Assad...
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It's an excerpt from Eric's book 'Perforated Heart'.
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the-worms-in-your-bones · 4 months ago
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It’s disability pride month, you know what that means, you are now legally obligated to make all of your favorite characters disabled
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stil-lindigo · 1 year ago
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little dove.
a short comic about Ash and Snow's first meeting / how Snow got her nickname.
Snow's story
Ash’s story
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notes:
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--
all my other comics
store
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chawliekin · 7 months ago
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and if I said that dennis’ insistence on being the breadwinner/provider despite literally being a pampered princess who dgaf about traditional roles of masculinity in every other regard (aside from ego) is because his mom only stayed with/chose frank for his wealth and dennis is highly aware that he’s difficult to love and unable to show his emotions openly so he has to be contributing something to the relationship materially in order to feel like he’s worth staying for… and mac grew up with parents who were extremely ambivalent to him and eachother so he has to overcompensate by proving his worth at every given moment and seeking praise/validation from people (and religious icons) who will never demonstrate the same amount of dedication to him but he has no idea how else to desperately keep himself close to those he loves other than by eroding himself into something they’ll approve of… dear god they’re both exactly what the other needs — someone who can’t and won’t leave them even if they try — and they don’t even see it…
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variousqueerthings · 7 months ago
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btw monkey man was a blast, but specifically there's a scene where mr dev patel is working out and a group of hijra women are watching him and i was thinking "no, they'd be cheering and hollering, this is unrealistic" and then he takes his shirt off and the cheering and hollering begins and i was satisfied
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secrescaryat · 3 months ago
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// pentiment spoilers (implied ig but still there)
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more of these because i was inspired
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musicalmoritz · 2 months ago
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Most people’s “how can anyone hate this?” ships are like super fluffy pairings that can do no wrong but unfortunately mine are always massively toxic to where I understand WHY they aren’t for everyone but I simply cannot imagine passing up that much conflict
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haliaiii · 10 months ago
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more pjo stuff
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grzybjek · 3 months ago
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A collage I made for one of the characters from my newest story. His name is Kundel by the way hes an absolute manfail and a menace
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caluupin · 1 year ago
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I am so normal about act 5
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