#Also like I give a fuck

[torifuckingspring]

for fuck's sake I hate teenage boys I was walking in the street and some boys barked at me, and I don't even look that weird I just have colored hair, and it's only red. I guess I was drinking a monster but what even

I was literally dressed like them wtf

I hate this so much

[bacchuschucklefuck]

couldnt draw my thang for mid-autumn so treated myself to a calne redesign instead

[the-dragon-girl-27]

It is the middle of a Sunday afternoon. You have nothing on, and aren't expecting visitors, deliveries or post.

Unexpectedly, there is a knock at the door.

you are greeted by...... her

[buggachat]

decided to subject you all to my mind. and my mind has a lot of feelings about adrien and plagg in real-cat!plagg au.

plagg adopted adrien, not the other way around

(sequel to this post)

[spyres]

[liorlen]

gale origin playthru from astarion’s pov or smth like that

[inkskinned]

"don't make it political!" .... what proportion of death and suffering must occur before politics are involved. if this isn't political, what is even the point of any politics, ever. of democracy. the words are "by the people for the people." if i am going to be left alone by my elected representatives to "figure it out" - to undergo damage, hardship, fear. what the fuck did i elect them for. what was their job. the entire point is that they handle this shit. this is why we were supposed to be electing leaders.

poverty is political. misogyny is political. gun control is political. climate change is political. how much aid a community gets is political. what the fuck are you talking about. it's been political this whole fucking time.

[abyssalzones]

put me to work

[voice crack] hey guys I remembered how to draw

[himbionn]

Doodles of the boy(s) cause I adore them so 🩷💙

(Fullscreen version of the screenshot redraw below!)

[spitedemon]

i really don’t think it’s “typical dragon age fandom nonsense” for people to be genuinely upset about the world state choices. combat, level design, art direction, gameplay gimmicks, those have all varied across each dragon age game. the one thing that’s remained constant are nods to our previous choices.

i wasn’t expecting my HoF to come riding in on a griffon, but i can’t find a monument dedicated to warden tabris somewhere around the anderfels? lucanis couldn’t have some lines about the time that one arainai boy was stirring up trouble in antiva city? you’re gonna tell me that making a mage the new divine wouldn’t have some impact on nevarra and antiva? on the anderfels, the supposed most devout militant andrastian nation in thedas? you’re saying nobody in the north is paying attention to who rules orlais or ferelden? come on.

[theriverbeyond]

tbh I can't stop thinking about how i went into Hadestown being like "this is a tragic love story based on a greek myth I enjoy :)" and I came out the other side covered in blood being like "this is a thesis about how capitalism inevitably leads to both personal and global ruin, and so we are duty bound to resist it even as we lose, again and again and again. no matter how impossible it feels or how many times we fail and hit a wall and fall, we try again"

[caruliaa]

staff still hasn't given me polls, what should i do?

🟪🟪🟪🟪🟪🟪🟪🟪🟪🟪 their moms 69%

🟪🟪🟪🟪🟪🟪🟪 their dads 31%

grace image os i get to look at her

[holographings]

my softest, beigest pillow

[shellshooked]

queen of shadows

[steddie-as-they-come]

everybody talks

i could not tell you what this is. i wrote it all in one sitting. enjoy or whatever

It starts with the graffiti.

Scribbled in thick, permanent marker across the boys' gym lockers.

STEVE HARRINGTON FUCKS EDDIE MUNSON

The custodian tries half-heartedly to scrub it off, but he only manages to get about a letter and a half off the locker before his shift is over. It's back up by the next day anyway.

Half the school is walking on tiptoes around Steve, waiting for him to blow up and demand a manhunt for the culprit.

The other half is snickering and laughing as he walks by in the halls.

Steve doesn't give two shits. He holds his head up high and walks onwards, ignoring the laughs and the kissy noises. He needs to graduate. He needs to not get eaten by a terrifying monster from an alternate reality. More pressing things happen to Steve Harrington than grade school graffiti.

Until he turns the corner and sees Eddie Munson glaring furiously at his closed locker.

He doesn't speak to him. Even if the graffiti isn't a big deal, there's no need to add any fuel to the fire.

Eddie finally steps forward and wrenches open his locker door. The crowd milling in the halls begins to laugh.

Papers spill out, dozens of them, cascading over the floor and burying Eddie's shoes. One slides all the way to Steve's feet.

He looks down automatically.

There's an atrocious drawing of two stick figures bent over each other. The one on the bottom has two lines of curly hair, while the one on the top has a singular swooping line of graphite.

Great.

Steve swiftly scoops it up and crumples it in his fist, shoving it in his pocket. He'll toss it out later.

As he hustles past Eddie, steadfastly not looking in his direction, he thinks he hears Eddie mutter, "Every class period."

Steve turns a corner, and the train wreck that is Eddie's locker is gone.

He slides into his seat, knowing the band girls who sit in the back corner of the classroom are whispering about him, but finding he couldn't care less.

The teacher starts class.

He reaches into his pocket and slides the crumpled paper between his fingers, over and over.

Steve raises his hand. "Can I go to the bathroom?"

The teacher nods and waves him away, and Steve scrambles out the door, rounding the corner.

Eddie's still there, kneeling by his locker, trying to scoop up papers.

Steve kneels next to him. "Hey."

Eddie jumps like an alley cat that's been spooked. Steve could swear his hair starts bristling, puffing up.

"Your majesty," Eddie finally says, glaring back at the pile of paper like Steve'll disappear if he doesn't look at him. "To what do I owe the pleasure."

It's not really a question.

Steve answers it anyway. "Came to help," he says simply, picking up a piece of paper that has EDDIE MUNSON X STEVE HARRINGTON written on it in bold letters, surrounded by stupid little hearts. "After all, my name's on half this stuff."

"How kind," Eddie said. "Keeping me distracted while your buddies key my van or something?"

Steve reels back. "Huh?"

"I'm not dumb, Harrington," Eddie says, crumpling up another sheet of paper. Steve can barely catch EDDIE HARRINGTON on it before it's balled in Eddie's fist. "I get this is a prank or whatever. I just can't understand why you'd involve yourself with me. The King and the Freak."

"'Cause I'm not the King anymore." Steve says, standing to drag a nearby garbage can closer. It's already half-full of papers. "You sure don't listen to gossip, Munson. Billy beat my ass and I lost every friend I had. So. I think it's a prank on both of us."

"Oh."

Eddie, wonder of wonders, miracle of miracles, shuts the fuck up. Steve had seen people lose their meals to his impassioned school cafeteria rants, but it only takes Steve Harrington to shut Munson's infamous mouth.

Wait, that sounds wrong.

They keep cleaning in silence - relatively. Steve starts balling up the papers and tossing them at the trash can, unable to stop himself from hissing out a yes! if he makes the throw.

"Impressive," Eddie says dryly. "Can you do this?" He raises one hand in the air like he's about to take a pledge, and in the other he folds and rolls a slip of paper until it's shaped like a joint.

Steve chuckles. "Nope." He takes the fake joint, and it comes undone in his palm, revealing the same crude stick figure couple from earlier.

Right.

Steve had forgotten what they were doing here.

Evidently, Eddie had too. He looks down at the drawing, then snatches the paper from Steve, tossing it in the trash, two spots of pink high on his cheeks.

He scoops the last of the papers into his arms, dumping them in the trash can. "You can go back to class," he tells Steve, settling down with his back against the locker.

"What are you doing?" Steve says, slightly caught off-guard by the dismissal.

"Seeing if those pricks will try to do it again." Eddie says, folding his knees up to his chest. "They do it all the time. I think there's a jungle's worth of trees just being used to make shit for my locker."

"You're just gonna guard it?" Steve asks.

"Sure," Eddie says, picking at a piece of lint on his shirt. "What else have I got to do?"

Steve plops himself down next to Eddie. "I'll guard with you," he says stubbornly.

"Seriously?" Eddie asks, like Steve's particularly slow. Steve's gotten that tone of voice a lot in his life.

"Yeah." Steve says. He parrots, "What else have I got to do?"

"You're just gonna fuel the rumors, dude." Eddie says. "My name's mud around here. You know that damn well."

"Sure," Steve shrugs. "But it hasn't been half-bad hanging out with you, and I don't care what these jackasses think of me anymore. Bigger things to worry about."

They settle into a comfortable silence, watching the students pass by, their whispered comments and curious glances bouncing off the duo. Eddie taps his fingers rhythmically on the ground, humming a tune Steve doesn't recognize but finds oddly comforting.

He reaches into his pocket to feel the small paper, then tugs it out. Is it dumb that a stupid drawing is making him think about himself this much?

"Hey, Eddie," Steve starts, hesitating. "Can I ask you something?"

"Shoot," Eddie says idly.

"How do you... I mean, when did you know you were gay?" Steve asks, his voice barely above a whisper.

Eddie's expression turns to one of suspicion, but he answers anyway. "I guess I always knew, deep down. But I really figured it out in middle school." He looks at Steve out of the corner of his eye. "Why?"

Steve bites his lip, considering his next words carefully. "I think I might be... different too. I mean, I've only ever dated girls, but lately, I don't know. I feel... something."

Something means he worried for weeks when Billy beat the shit out of him because suddenly all these feelings were tugging at his brain. Feelings for people like Eddie Munson.

Eddie's eyes widen slightly, a smile tugging at the corners of his lips. (What? Steve's not looking at his lips. Huh?) "Steve Harrington, the former King of Hawkins High, might not be straight? Now that's some gossip I'd actually pay attention to."

"Shut up," Steve mutters, but he's smiling too. "I'm serious."

"Well..." Eddie trails off. "We can try it out?"

Steve's heart skips a beat. "Huh?"

"We can try it out." Eddie repeats. "But, uh," he leans close, his breath ghosting over the shell of Steve's ear. "Just so you know, I prefer to be the one on top."

Weeks later, the school is overtaken by a new kind of graffiti. Papers plastered to every surface, a spiky handwriting (usually used to write setlists and D&D character sheets) adorning each and every one of them.

EDDIE MUNSON FUCKS STEVE HARRINGTON

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.