#Also What kind of armor is that

[multifunctionalnitroglycerin]

Leona and Diana Old Lore / New Lore. My take on it

Okay so, I am relatively new to the League community, with barely three years under my belt, but lore is one of the things that interest me the most about it. And well, the dynamic between Sun and Moon coded characters is one I never pass up in exploring. Leodia is arguably my favorite ship from League, but it's mostly the idea of it, with recent executions leaving me feel kinda... meh.

So apart from probably having read every single half decent fic under the Leona/Diana tag on Ao3, I have scourged the internet for their lore and have come across quite a few references of their old one. Never found the complete thing though. And possibly unpopular opinion, I like it better than their current one.

That is not to say that the old lore is any sort of masterpiece, and people could argue that it doesn't set them up to be lovers, but I think with a little bit of tweeking it can become really good. Many of my ideas are inspired from a fic I probably read like 2 years ago, also features an OC named Helena and has a side of Riven's inner struggle, Riven and Diana friendship and Rivelia. (I cannot for the life of me remember the name, I apologise)

My problem with the New Lore mostly, is that it's vanilla for a mountain of warriors and *cultists* it feels almost like High School AU but try to fit it into League, and yeah it's not it for me. Also the co-dependence of their ascension, and just Leona's whole thing kinda sucks. Like I can see how people might see it as romantic and poetic and whatever, that they ascended at the same time and Leona followed Diana up the mountain to keep her safe etc. etc. but that's kinda glossing over some issues especially with Leona's character.

Now the new take on Leona's character is really interesting, and a complete 180 from the old lore and actually the idea isn't so bad, if they ACTUALLY DID ANYTHING WITH IT. Now as a person that definitely doesn't overanalyze literature and fictional characters for fun, Leona's new lore is such an interesting take and could be taken many directions if someone chose to explore it and go a bit deeper that "genocidal close-minded bigot".

At first read Leona is really just that. She does what she is told no hesitation, no questions asked and turns on Diana also no questions asked. But let's take it a bit deeper shall we?

I have no intention to make it as though Leona holds no blame for her actions or that she is a paragon of virtue, cause she is not. But if we dive in her story a bit more we could perhaps understand how she came to be what she is. Because under no circumstance do I think she is that daft. Especially if she was with Diana for years. Some of that curiosity must have rubbed off on her. Then again she could have just ignored everything Diana said about the Moon and her research. I guess we'll never know.

I do not intent to ramble about Leona in this post. But I'll give you some clues as to why her backstory and the whole Targonian premise is important. She is born practically into a cult, or well a religion with really strict and particular disciplines. So already an environment with very particular ideas and particular ways to enforce them. She is the daughter of two really strict and proud parents in said cult, who seem to care more abt her achievements and punishments than anything (Grade A parenting), - She doesn't even send them that letter in the end - and she is the golden child of the Solari. So what do we have in our hands? An affection starved perfectionist suffering from gifted child expectations. NOw take that and put it in the Solari premise of religious fanatism and voila!

(I will probably at some point make a separate post abt this, because I really took a deep dive in Leona's character when writing my Ruination fic - that I wont ever post anywhere probably - and I have a LOT to say)

So in the old Lore the Rakkori are the warriors and defenders of the mountain, a bit heavy on the bloodthirsty side though, hence the right of Kor. A coming of age ritual battle to the death. (What else could it be). Leona being the only one that refuses to kill her opponent and friend, is sentenced to be executed, but before the execution could be carried out, she is claimed by the Golden Sister as the Sun aspect with a beam of golden light.

I feel that Leona's ascension in particular is really important in the old Lore, because in such a warlike culture she was rewarded for showing mercy. She was chosen because she chose mercy over mindless slaughter. Something that could potentially be really important later on, in a mountain where half its indigenous people have slaughtered the other half??

Point 1 I like from the old lore: The Sun chose Leona because she was merciful. (Or had a semblance of a moral compass)

Moving forward the lines kinda blur for Diana, mostly cause I am not sure what I remember is actual lore and what is related to that magnificent fic.

Her curious truth-searching nature is ever present. She discovers hidden texts, burned pages and embarks on a journey of knowledge that leads her to climb the mountain. Only she is in the company of an elderly woman I think? Anyhow, she finds - is lead to - an alcove, an old temple and the relics of the Moon Aspect. Overjoyed at her findings she dons the armor takes it all down to the elders, they call her a heretic, brand her, and intent to kill her, when she begs the Moon for help and ascends. Either her or the moon blast kills every elder in the room she gets blamed either way, and the chase begins.

Diana is at her core an academic and a researcher, that researches. She has her Indiana Jones moment in the mountain and there is a process a ritual to it, instead of I just climbed up saw unimaginable terrors and now I am the aspect of the Moon (over-simplified I know. The climb judges worthiness). There is something about her checking old dusty books, and deciding to brave the climb looking for answers. About her choosing to be helpful -kinda as a mirror to Leona sparing her opponent, Diana, the one that keeps to herself - apart from when arguing abt academics and scriptures consciously engages with and helps a stranger, guiding them up the mountain and helping them along the way when the trip became too arduous.

Point 2 I like from the old lore: The ritual of the process in Diana's research and ascension and the mirroring with Leona, minor though it is, that they ascended - sooner or later - after an act of kindness that contradicted what would have been expected of them.

Point 3 I like from the old lore: The brand. Like it just adds another layer to Diana's character. And is a much better explanation for its presence than Moon magic. Also the amount of complications this act has, its just delicious. I mean THE DRAMA. and ofc THE TRAUMA. I don't think she'd go near a fire for months.

Point 3 I like from the old lore: The independence of the ascensions. It gives us the chance to see them grow and evolve as their own people before the thread of fate that binds them together appears. We get to see one without the other, and that would later make their dynamic more interesting.

But How are Leona and Diana connected?

In the old lore they aren't. I think. Leona is like a blood hound that needs to kill the heretic.

In the fic, Leona's dad was one of the guards in the room when Diana ascended and was killed, which in the context of the story adds a layer of betrayal between them, as up to that point they were lovers. And you know what, I really like that idea. And I was thinking that perhaps we could try to get the best of both worlds. Though it might be difficult to fully develop the idea.

Lore Idea:

So the Rakkor ans the Solari are different factions. Solari = priesthood, Rakkor = Warriors. Leona's family are Rakkori, and they are simple people, her father works as a guard for the Solari Temple, something that is considered a bit of an honor despite that fact that the factions don't rly see eye to eye about everything. Right of Kor happens when they are around 15 (Yes I want to traumatize a bunch of teenagers that train to fight, kill and defend since they could walk) and Leona's story proceeds as we know it. She then gets taken to the Solari temple to be educated in their way and train to become the figurehead of their faith. (Like that Leona has already had the chance to develop some critical thinking, and to experience sth different.)

She gets there and all the acolytes younger and older look at her starry eyed, because the elders told them so and because they see her like a bit of a Messiah. (Plus I doubt a bunch of scrawny academics and priests to be have seen anyone their age with that musculature). All of them apart from Diana, who as always isn't particularly impressed by the paragon in training of the Solari faith.

Leona is relieved to get some normal person treatment, even if it is from the broody girl with her nose in a book half the time, and like the cocky 15year old meathead she is, she wants to show off a bit and perhaps win her favor. Shenanigans ensue and Diana unlike the other people that desperately want to befriend Leona, is not impressed.

Another point of similarity is that Leona - that has ascended already mind you - would have a few questions and oppositions to all that mumbo jumbo the Solari say about the Sun and the Moon. So after she flops exceptionally in one oration or sth class, with saying something positive about the Moon that has the students look at her with horror, and the priest fuming and screaming punishments - light ones, because the Sun chose that clueless miscreant, and he doesn't want to fall out of her favor - Leona manages unknowingly to win inquisitive Diana's intrigue - and favor, (but don't tell anyone about the last part).

A tentative bond forms. It gets solidified when Leona stops a few bullies from beating Diana to a pulp, and the dark haired girl in return helps her pass a class she was having an exceptionally hard time with. Diana - who in my head is a year younger - does eventually get charmed by the surprisingly goofy and sunny disposition of the Sun Aspect in training. (Don't get this wrong Leona will still act like a 15 yo that has had to train and fight every day of her life) Diana asks her countless questions about life outside the temple and they discuss theology together, either trying to help Leona understand, or trying to make sense of Diana's findings. (The Rakkori in my head are far more neutral abt Sun and Moon, more like if there is light and I can see I am happy, whether its the Sun or the Moon. "There was even that one traveler from some big city, Pilt - something was it, that even said that the Sun and Moon are like orbs in the night sky, one is a star rly close to us and the other is like a smaller planet or something, can you imagine?")

The become friends, the Nightless Eve happens, and then they become lovers. Leona starts suffering from all those expectations and the charade she needs to put up, she has more hours with classes and training she gets tutored by the priests, punished more severely when se speaks out of line or says something borderline heretical, yada yada. More people like her and she likes the attention. She doesn't abandon Diana though, and she always defends her. Things get difficult as the years go by but still they persist. (We could include some homophobic sentiment in the Solari, or even sth downright misogynistic, which would add complications with Leona's state as the Radiant Dawn, and the wlw relationships as they would not be seen as real substantial relationships - add asshole trying to flirt with Leona bc her relationship with Diana isn't real cause they are both women- DRAMA)

Leona is 18 passes her final exams, and Diana is 17 when Diana's arc happens. They have a huge fight about faith and contradicting it and if it is worth it. (No one wants to bandage their lover's whipped back that is practically a mosaic of scars at this point, or nurse them to health after sever dehydration - cause yes apparently standing naked in the sun for three days can do that). Diana storms off angrily. Finds an elderly woman in the base of the mountain that needs help going up (Silver sister in disguise). She helps her up, and when they are like 3/4 up and rest cause Diana's everything hurts the woman disappears. She looks around, finds the temple, sees carved proof that the Solari and Lunari co-existed gets the relics and climbs back down excited to show everyone her findings.

Meanwhile Leona has left for an emergency Solari mission or sth, and hasn't told Diana. Diana goes to the priests, they don't believe her, she invokes her right to be judged by the Aspect or sth, the priests pretend that Leona is still around and doesn't want to see or help Diana (Strike 1 of betrayal). Diana feels betrayed and hurt and fears for her life. The priests give the order for her to be branded and executed on the spot. Leona's dad who had been in the room and had met Diana, tries to plead her case from an outsider's perspective. One of the elders reprimands him and threatens him with death.

They brand Diana with the moon Symbol on the forehead, and are about to place her face down in the flames and / or slit her throat, and Iasur can't have her dying thinking that Leona betrayed her (A bit of family honor and afterlife beliefs - honor is a huge deal-, and a bit of a soft spot for his daughter's closest companion). He tries to fight his way to her, and gets killed in the process. Diana witnessing Iasur's murder prays to the moon for help, and seconds before breathing her last breath, she ascends. Pillar of Moonlight and heavenly fire burns everything to a crisp, and Diana remains alone in the middle of the room, barely breathing and clad in the garb of he Moon aspect. She takes one look around her and speeds away from the temple.

Leona returns three days after to find the council and her father dead, the council room in ruins and apparently Diana to blame. On top of that Diana is missing. Leona is presented with the case and believes Diana to be her father's killer. She vows to avenge him and kill the Scorn of the Moon, because her Diana wouldn't do that. It must be the moon spirit. and yes apparently Moon is bad because dad and Diana are gone bc of it. Leona is determined to save her lover from the Moon's clutches and set her free the only way she knows how, with killing her.

And thus their journey begins. Leona becomes more and more of a puppet from here and on driven by anger and betrayal and Diana feels abandoned and betrayed, with nothing left in the world but the glow of the branding mark on her forehead and the knowledge that her lover wanted her dead.

And as for their path to reunite again and achieve peace? Well Leona needs to be merciful, and Diana needs to guide and support someone through the right path.

Thanks for reading this huge ass post. Again MANY credits to that amazing writer on Ao3, if I find that fic I'll put a link here, cause its phenomenal.

Take care and see ya next time!

[honehonn3honey]

A protection that becomes more creepy

Azul in my heart. You can see the original art here and read the monster list here @lustlovehart

[Alt under the cut]

My first concept, since my style could not simulate the texture of slime in its purest state

It is quite thick so water can not enter or wet. Only small puddles where you can accumulate

It is a monster and that, magic, but I can imagine that it can only reach a height by the pressure, it can come out expelled sometimes

[puppyeared]

beep beep im a sheep

speeddraw below the cut (audio warning)

song: "Cult of Dionysis" by The Orion Experience

[emstargazer]

The temptation... its strength unimaginable.

[mishy-mashy]

Kudo is actually such a kind, soft-hearted guy that had to toughen up because he cared too much

He looked at AFO's rule, and even though he was weak, he had that glint in his eye that has been referred to as the "will of a hero" to oppose him. A hopeful glint shared with Midoriya, Bakugo, and Hawks

He even parallels Hawks when they talk about that particular look in their eye

From a glimmer in the eye, to which eye is shown, how much of the face, a similar angle of the face, and placement of text questioning the existence of that light,

He stormed to kill Yoichi with Bruce, but couldn't, once he saw the state Yoichi was in. Even knowing he was the enemy, he still reached out his hand and never let go, even when they were running

When Yoichi died, even though they'd only been together for two months, Kudo still cried and froze up.

This is a reaction from a man who repeatedly used lives as a stepping stone for his own goal.

Kudo said himself, that victory was life, and defeat was death. He had killed and seen his friends killed over and over, but still cries when it happens again. And to someone he only knew for two months, at that.

Kudo gathered allies under his cause, and they were loyal enough to die for him. Bruce cries (still smiling tho) facing AFO, tried protecting Kudo when he froze up at Yoichi's death, and we see all Kudo's comrades dead in the end. Maybe Bruce was suicidal when he went to face AFO, knowing he'd die, but most of his comrades (and Kudo) were already gone. Their cause was snuffed out, but the will persisted.

Kudo is a bit like Aizawa.

A bit crass and blunt, doesn't like beating around the bush, but he can clearly see what kind of person you are. He's not openly kind, but you know he cares so much, but has also lost too much once. He's seen his friend(s) die, and shouldn't it have been him in that spot? Shouldn't he have died instead, but was forced to continue living for that dead person's sake?

His speech about why we call Abilities "Quirks", recognizing people's intent over raw power is the real power. (Ch 369)

He's blunt and goes straight to the results rather than beat around the bush, but it doesn't mean his heart is frozen and he doesn't care about you. (Ch 408)

He cares so much, and that's why he has to do so much. (His whole Resistance thing, figuring out how Yoichi's Factor works to make sure Yoichi and his will can live on in some way)

He recognizes that Midoriya isn't driven by duty, but that he genuinely adores Quirks too much. (Ch 414) He could look at Midoriya, read that immediately, and even though he looked through his memories, Midoriya's character was his takeaway. Not that Midoriya is an idiot for letting himself be stepped on, or that this kid was bullied, but that Midoriya could see the goodness in others.

Like how Aizawa saw that Midoriya was relying on the reason [It can't be helped] whenever OFA broke his bones and told him he can't always break himself just because he could be fixed (Midoriya's recklessness that showed itself on the first day of school). He called out something that was an underlying, innate belief to Midoriya, that was so normal to the teen, and no one else had brought up as wrong to him.

The first thing they perceive is a person's character.

When Aizawa tied up Midoriya on the first day of school, he wasn't telling him off over his Quirk destroying him being a PR thing or too gruesome for the public. It was out of the fact that his Quirk shouldn't destroy him, because it's dangerous for Midoriya.

Aizawa came off antagonistic, but he was looking out for Midoriya. He didn't want him to keep breaking his whole arm, he didn't want him to get stuck in the mindset that he had to get hurt to use his Quirk, he was looking out for his wellbeing from the start. A kid he didn't know personally until that day.

Kudo did a similar thing. He turned his back, and refused to help, because they were putting their hopes in a delusional boy who would go too far. When the vestiges realized their gathered Abilities and Quirks were letting Midoriya have the freedom to do as he wished, Kudo already knew, only saying "His path is the right one". He could relate to having to run full-sprint to see your goal realized, even if everything opposed him, but didn't want Midoriya to go through that same path alone.

If he were alone, he'd be like Nagant. He had to have comrades to be like Kudo, able to continue and stand for their beliefs, but having comrades to fall back on, or pull him back when it's too much. That's why he follows up in that moment with, "But, if there's something Midoriya does need..."

Kudo and Aizawa could see themselves or their comrades in others, and knew how to approach those character flaws that were normalized to others and said person.

Kudo could see others for who they were, and I think it's this, and his caring nature, that he gathered so many allies with him. He knew when to be blunt, when to show kindness, that the truth hurts but needs to be seen, was actually very logical and witty, and when to step aside and let people do their thing, even if it wasn't the best move (like saving All Might). Because that was what was best for that person.

It's not like people would join someone so wholeheartedly without conviction and being left unseen by that person. So many people were willing to die with and for Kudo, and Bruce believes in him so much.

When All Might's vestige was fading and becoming more solid, Kudo had to look away. They knew it meant All Might was dying in the real world.

Kudo was telling Midoriya not to intervene with Gearshift there. But once he saw All Might genuinely dying out, he couldn't look at him, and kept quiet. He stopped hanging onto battlefield logic of necessity, shut up, let Midoriya do his thing, and it saved All Might. It saved Midoriya from seeing his idol die in front of him, and Kudo didn't have to see another ally die beside him.

The chapter is literally called [We Love You All Might!!]. Even if it's just meant to focus in Bakugo and Midoriya, and only has 2 exclamation marks, it can't discount the world is watching. The vestiges care about All Might too.

When the vestiges come up with the plan to forcibly transfer themselves to deal damage, Kudo volunteers himself as the test dummy. Sure, he backs it with a lot of reason too, but he didn't want anyone else to go first as a test drive

He, with a Gearshift Ability that resembled a manual car, was the test drive. Ha ha pun- *gets shot*

En tried going first. Kudo rejected him, saying he would go first.

"Part ways with Gearshift [me], and you'll be free of the crippling recoil too."

Too. TOO.

KUDO JUST WANTED TO GO AND BE DESTROYED FIRST. HE PUT THE FREEDOM OF RECOIL DOWN AS AN EXTRA BONUS SO THEY'D AGREE WITH HIS CHOICE.

I'd cut the image so it looks better, and I can use Bruce's words elsewhere, but this is an image limit, so,

- Kudo refused to let anyone else go first. This was before giving reasons to convince them he should leave first

- En gives reason to why it can't be Kudo. Kudo just says, "Listen." and reminds them of now.

- Look at Kudo's face when he says that. The guy knows what he's doing when he cuts off En, and would probably be a horrible liar. He might as well be pulling this out of his ass.

He's said "The world will end" "You have to or else" "Five minutes" "You're going to die" a few times in this fight already. DUDE STOPPP

(Terrible liar and a guy who purposely eggs you to torment? What a great friend he would be [yknow, when u make ur friends freak out by being ominous or reminding them of stuff. Like Toast to Lilypichu in a game of Observation Duty])

- "Too."

- Bruce's trust in him, but knowing when to pull Kudo back from going too far

Also, when he's transferred, he smiles to Midoriya. He knows he's about to die again, but the last thing he does for Midoriya is

1) Take away the recoil of his existence as a Factor on the boy

2) Reassure him that it's okay, so it doesn't weigh on his conscience

Even if only in thought, STILL!

KUDO LOOKED SO PROUD OF MIDORIYA!

I bet Kudo is suuuch a sentimental fool

> [Be me and watch your new friend die]

> [I have Yoichi's Factor]

> [It's like I carry his will now]

> [Have a glint of opposition in my eye that drives the Demon Lord and my comrades (Bruce) crazy]

> [Hey Bruce, let's figure out how it transfers]

> [Bruce's common sense VS my rabid ideas]

> [I win]

> [Bruce was unwilling the whole time and still ends up with the Factor]

> [The Factor is named One For All, after something in Yoichi's favorite comic book series]

> [We pass it on to the future to carry forward]

> [Even as everyone else and me dies, I make sure Yoichi and his will are safe from his Demon Lord brother that locked him up]

> [Decades later, my sweet vaulted friend reminds me of when we met]

> [I turn around and give my whole-hearted support to believe in some 15-year old boy because Yoichi believes in him too]

SEN - TIM - ENT - AL!

When Shinomori was stolen by AFO, Shinomori pushed everyone away before they could really notice the invader. Kudo called out for him.

Everyone is in shock, but I don't think it's a mistake that the text bubble calling out for Shinomori is pointing from Kudo.

All For One made it through and is ready to steal them, but the first thing Kudo did was call out for the one at the very front.

[On the post I made that mentions Shinomori pushing everyone away] What if Kudo wasn't pushed away? What if this was him at the front, realizing the danger and turning around, but being unable to do anything for Shinomori when he saw?

Like Bruce, Kudo communicates. He doesn't expect you to just follow or understand him. He actually lays it out and makes sure you keep up.

He explains

- the transfer of vestiges, and why he should go first

- his Quirk

- why Quirks are Quirks

- reports to Midoriya what's happening and what's next

- to Yoichi why they couldn't trust in a delusional boy. In a way that wasn't Bruce's roundabout "we lived in a terrible era and a leader gathered us"

When En panics, he barks at En to keep up. By barking at him, rather than any other way he could've used his tone, it shuts up En in his frantic babbling. Kudo also lets Vestige Might put in his thoughts to understand better, and uses it.

Eye reflection. Kudo can really see people for who they are, and understands others, and himself.

I can't repeat the pics cuz image limit, but look at previous panels here. For example, Kudo saying Yoichi's will lives in him, and when AFO reflected in his eyes

It's something I learned from Re:Zero. When a person in reflected in one's eye, something something that person can see the true core of you, of what you really are underneath everything. The eyes are the window and mirror [glass] of the soul. I finally see the true you.

AFO never reflected anyone.

But Kudo reflected AFO when the man accidentally killed Yoichi. He saw that AFO wasn't seeing anything, so later, Kudo smiled and mocked AFO at his own death.

"Yoichi?"

"He's gone."

"You killed him, Demon Lord."

And AFO hated that reminder.

Kudo was reminding him of what the truth was. Kudo saw it himself, and AFO blocked it out from the get-go. Kudo already knew what AFO was, what he was seeing, what he was doing to himself by blaming Kudo instead of himself.

And then, Kudo's eyes reflected his own hand when he realized Yoichi's Factor was in him.

Kudo clearly saw himself, and in himself, Yoichi. Nothing distorted it. It really was a clear mirror.

He really perceived Yoichi's will was living on, and was right. Otherwise, his eyes wouldn't have shown it.

Kudo was right about AFO. It's even implied back when he and Bruce had their backs turned; Kudo knew what AFO's real goal was. That was back when AFO preached unity and division under him.

Kudo could always see right through AFO. He really understood people from the start. And he never tried making up truths to justify what he was seeing, facing it head-on.

Kudo's lying about the world being black and white.

Kudo and Bruce saw the world as black and white. This was mentioned in the void.

Kudo also says, "Victory meant life. Defeat meant death."

But it's the Resistance. It's when Japan and the world was at their lowest. The world wasn't black and white; there's lots of gray.

Kudo and Bruce would've seen this. Kudo even admits that there's gray, just not directly.

Kudo says Yoichi knows, how he killed and trampled so many lives, to get back at AFO. He knows it wasn't right, or an amazing choice. Later, he says that when your back is against the wall, you have to make callous judgements. These hint at gray moments.

Kudo and Bruce have faced and been in the gray. But it's too hard to make the right choices, and there are times there is no right answer.

Historically, soldiers would convince themselves the enemy were monsters. They wouldn't be able to fight and kill them otherwise. They wouldn't be able to live with themselves without believing in this so badly.

Kudo and Bruce had to have been the same way. They were Meta Humans [Monsters] in a time they were viewed as diseased humans. The monsters were real. And they had a Demon Lord. Kudo and Bruce literally dressed up as soldiers.

Even if they were monsters to society, being Meta, Kudo and Bruce were still human. They knew this. The ones who tried believing in only black and white were inhabitants of the gray itself.

But they have to protect themselves. Kudo is so adamant that the world is only black and white, because he can't stand the gray. What it makes him do, what it means, that he's too weak to do anything.

Yoichi is an example of that gray area. The mortal enemy's younger brother, was actually locked up and sickly. He's just a comic book nerd. And it humanized the other side Kudo opposed so vehemently.

Kudo says victory is life and defeat is death. And Yoichi asked why he reached out to him then. He reminded Kudo of that gray area, and Kudo opened up.

Kudo might avoid the gray area because it's a matter of the heart and a moral dilemma, but it's what makes him human. When there's no right answer in the battlefield, he decides on his feelings instead.

He wishes the world was black and white, because it'd be so easy. But it's not.

Yoichi reminded him of how entering that gray area led to OFA ("when you reached out your hand to me"), and it had been the best choice in the end. The gray area is real, and Kudo's left a bare man with only his emotions when he's there.

Kudo is actually really kind and understanding. He's too soft for his own good. Thanks if you made it this far, I hope it makes sense (tag and image limit)

[rawliverandgoronspice]

Gantober #6 - Eyeful

I have SO many frames that are just. Ganondorf's insane eyeliner game.

(It's the "drawing eyes in the corner of my highschool notebook" part of me rearing its ugly head I suppose u_u tho actually it's not just for that there's a thematic reason, but also his eyes are insanely fun to draw and drawing eyes mean not drawing anything else so that's a win win in my book babeyyy!!!)

[floralovebot]

okayokay here are my Thoughts that no one asked for aljgdh

i LOVE bloom's boots and her wings!! the hair will definitely grow on me. i don't like her outfit though. i do see what they're going for! it's very reminiscent of her og magic winx and one of the earlier promo designs we saw but to me, this doesn't feel very,,, bloom. it's so sharp, there are so many angles and layers (which feels like the Theme rn for most of them). IF they're going for more of a dragon warrior vibe for her then i can def see it, but the stiff fabric just isn't doing it for me. i do like the shoulder guard look though! idk there are aspects i like and i can see the vision, but i'm hoping the final design is a bit more refined and feels more like Bloom

like i said before, aisha's design feels very one-note compared to the other girls and i think it's because she's basically wearing one color. i love that they put her in blue!! but i hope they introduce a secondary color like her og green or yellow/purple to help balance her out. as for the actual outfit, love the boots! it feels more believix to me but i concede that this transformation is meant to feel more modern so i'll deal. the actual outfit,,, not the Best. the cuts are interesting, there's a lot of symmetry which is weird to see on aisha since most of her transformations before were very asymmetrical. i'd love to see more flowy fabric with her! the little hip things just aren't doing it for me. i like her wings! but they do look a little too similar to bloom's for them to really stand out. i love the gold on them though!! AND HER HAIR >>>>> best part!!

LOVE musa's hair!! it's so cute i'm crying :') i feel like the hair is definitely a strong point of these designs!! i think the wings will grow on me once i see them in action. right now they feel a little awkward but i see the vision. i think so far musa's whole design is looking really good. Very similar to her og winx with just enough of a new change to not feel exactly the same. and her boots!!! LOVE seeing that more edgy side of musa reflected in her clothing! idk i think this is one of the stronger designs good for her!!

we didn't get to see the bottom half of stella's look so i'm not sure what that's going to be like! i love the sun ray collar but i will say it def feels more Fairy Warrior so,, i like it but i would want to see that reflected in the actual fighting and plot too. if it's not then it's not the Best design choice imo. her wings,,, like musa, i think they'll grow on me once i see them in action. it's lovely to see blue on her! not sure how i feel about the hair but since stella's ponytail is in her casual look instead, i understand why they didn't put it here too. i'm looking forward to seeing more of this design!

we also didn't get to see the lower half of tec's design so,, idk but i think it'll end up being pants going by the look of her boots? i don't Love the boots, but again, i see the vision and i do think it'll look better animated. her wings,, i like them but i would've liked to see a more interesting overall shape! the design on the inside is great, but tecna's wings were always sooo interesting and didn't feel like generic fairy wing shape. idk,,, we will see.... LOVE the hair, love the glowiness. it's like a solid 6/10 for me. i think there are certain things they could still play around with to enhance the design but it's going in the right direction

okay,, first, LOVE the braid!! she's finally beating the "never changes her hair" allegations good for her. and the little flowers in her hair are MWAH the wings are cute! they look good with the design. love the petals on the top! it def blends more and isn't as overwhelming as the previous design. the flower arm bands are also a classic. the skirt is really where it loses me. i like it In Theory - i understand the goal. it's very flowery, very much like petals, it reminds me a lot of a tulip. so i get it! However, the layers,,, idk man it just looks off to me

it Def looks better in action! it's not as stiff, the edges are going up, there's an overall more graceful, flowy vibe to it. but the layers,,,, i Get it but i don't love the execution. but to fair, i don't really know what would make it look better so maybe this is the best they could come up with

OVERALL, i do think it's going in the right direction in regard to pleasing old fans and appealing to newer, younger audiences! i do think a lot of the fabric looks really stiff rn But seeing flora's animated transformation is giving me hope that it will look better in the actual show. the 3D rendering just looks off when it's a standalone piece. so far, i think the best designs are musa's and flora's. they feel a lot more balanced, capture the winx vibe, And still feel true to the characters. imo the other designs are missing one or two of those elements.

bloom's design needs to feel more like bloom. aisha's needs more dimension. stella's is nice in theory but doesn't quite match her more carefree, fun-loving attitude and feels more like a Royal Warrior thing so it really depends on how she's being characterized i guess. tecna's is good but i want to see the whole thing lol also i think her wings should be more unique

Now. as for the casuals.

tecna looks great i think we can all agree on that!! very boss babe i love it!! aisha,,, i think her pants should be baggier. the tight fit and hip cuts just,,, i see the vision but i think they need to reel it in and make it more Aisha. stella's skin is way too light she looks sick. her outfit,,, Bad. her entire design just feels so pale and desaturated?? like just up the saturation on everything and it'll look ten times better even with the wacky outfit choice.

musa's is okay. i get the vibes - i understand the choices. but like aisha, i think her design could just use a little more thought. it's similar to her og outfit but kind of in the wrong way imo? like it has the same sort of look and cuts, but it's also tight and uncomfortable. musa's og look was very much about comfort over fashion so this feels a little,, hhhrrrrmmmm yknow? i do like the direction though! i think for me, it really is the top part. like why is she wearing a skin tight bodysuit. who told her that was comfortable for day to day wear. it's very much aesthetic over comfort which isn't Bad but it doesn't feel very s1 Musa yknow? she loved her baggy, comfy clothing for normal days

flora's is okay too. again, i like the direction. i don't love it as her Official One Casual Look for the season; i think i would've preferred it as a secondary look for one episode. but it's not the worst! it Is very flora so i concede lol

[flaskoflethe]

the Rusty fight atop the Xylem is such a good penultimate fight for in the Fires of Raven ending. You've seen him as an unknown, rivling you in the attack on the wall. He's flown alongside c4-621, fought against you. Betrayed his supposed colleagues, served alongside them against his own beliefs. All in the name of liberation from the PCA and life under the corporate scourges. And then, Ayre. You fight against you closest companion, who has been forced into the same place Rusty was. The literal guide in your head, a savior...

And don't get me wrong, they're both decent fights! There's some room to cheese them down, but if you know how to play around their zones both can be beaten with skill - an achievable amount of it, not "play 900 hours to finally reach the skill floor" - and by any build.

Walter's hound, through and through. A bitch for whoever's got the chain. What a fucking villain arc.

[kuromi-hoemie]

having vague thoughts about E3 and the current state of AAA game development in general..

like yeah direct promotions have had more of an impact than Big Events for me, and the main thing I'd want to see out of E3 are trailers for new games or the conversations that follow online - but a few points on that

I can just as easily look up “new games for [platform] [year]” on youtube

Something about the way AAA games are built these days makes me get bored of them ⅔ of the way through, if I even make it that far, on top of them charging more for less content and hiding away the rest behind multiple DLC packs

I've mostly been buying indies the past few years and have gotten a lot of fun out of them; they continue to deliver a nearly unrivaled experience of fun gameplay mechanics and interesting/emotional stories at a ridiculously low cost

I also have emulators for going back and playing old games I really liked so I'm not exactly desperate for new games

and idk!! weird to see E3 officially ending but I also think the landscape is very different these days including the game companies themselves. I'm not a game dev so I can't rly speak to what the change has looked like on their end over the past 10-20 yrs.

[avionvadion]

Ryūno: the Great River King, Guardian of the Depths and the Raging Tide.

Fights with a gilded halberd, buuuut I'm horrible at weapons and I don't feel like drawing it, lol. His design has been almost totally revamped! I made his skin darker, colored the top of his horns, gave him a tail, changed his outfit entirely save for his shoulder armor, made his scales more a dark turquoise instead of a light green, and gave him a few extra stripes to go along with the ones he already had. I also made his eyes more blue. And added lots of yellow. Man is new and improved and prettier than ever!

Would you marry this demon? I would.

Ryūno's expectation: Diana

Ryūno's reality: Irene

He is much confused.

[kaidanalenkosprmanager]

THE BEST OF ATTICAN TRAVERSE: KROGAN TEAM

Featuring: Cmdr. Sophie Shepard, Lt. James Vega, EDI, and Urdnot Grunt With: Urdnot Wrex, Dr. Mordin Solus, Primarch Adrien Victus and The Rachni Queen I don't need luck- I have ammo. Mass Effect 3: Legendary Edition (2021)

[kaxenart]

I've managed to die many times in my first 4.4 hours of Armored Core VI, but the only one interesting to draw is cat interference

I haven't settled on a 621 design.

[hauntingmiser]

It's day 23!

I give you undyne as a sea bunny jackalope

[doodledex-project]

Doodledex - #705-A Hisuian Sliggoo

While there's no outward change to the Goomy that lived in Hisui, the same can't be said for their evolution! Thanks to exposure to high concentrations of iron in the water there, Hisuian Sliggoo are Steel/Dragon types and have developed a large, round, metallic shell! (And yeah, this technically makes them snails instead of slugs.)

However, unlike normal snails that only keep their organs in their shell, Hisuian Sliggoo holes its entire body up in there, with only its head and arms sticking out! It seems like this would make it awkward to move around... but when it needs to go fast it will retract all the way into its shell, stand itself up on its side and roll away!

[uselessgaywhovian]

the problem with playing D&D is you have ships 'n' blorbos that only 4 other people know about

[wyldblunt]

i rly loved reading the tags on my other commander profession post so here's another one!! ranger specific this time: to what extent do you work your rangers' pets into their lore? do they actually own/have a bond with one of every species you have unlocked for them ingame? do their pets travel with them? do they have stables or kennels or something at home?