#the others just need to feel more like themselves for me to like it
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felassan · 2 days ago
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DA:TV spoilers under cut.
The Felassan Files (DA:TV-specific post)
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Post will be updated if/when needed as I go. This post is a WIP. :)
Please let me know if you have found a codex entry or note etc that I have missed in this post.
DATAMINING
“GENERAL FELASSAN AGE RANGE: 40 CHARACTER DESCRIPTION: The second in command of a resistance army. You’ve an elf who’s fought against the tyranny of your gods, cruel despots who’ve enslaved your people. You’re practical, level-headed, and have good sense for what other people are feeling, which makes you well-suited for your role. Your leader is an elf called Solas, a powerful mage who isn’t quite the people person you are. You respect him, and are there to help him with whatever he needs - especially when he needs guidance about being the face of a resistance.”
“BETRAYAL OF FELASSAN CHARACTER DESCRIPTION: A powerful undead born from Solas’s regrets and betrayals (in this case, Solas’s murder of his friend Felassan by stabbing him in the back).”
[original source, original post]
Betrayal of Felassan is an undead - a revenant - embodying one of Solas' greatest regrets, his murder of his friend.
CODEX ENTRIES
Codex Entry: Introduction to the Lighthouse
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"Introduction to the Lighthouse Once, the Lighthouse was a place of learning, with tools to study the secret workings of great magic. When Solas rebelled against those who call themselves our gods, the Lighthouse became his center of operations, with tools to study the best ways to free ourselves from the tyranny of the Evanuris. You are safe here, both those of flesh and those of Fade. Any who wish to help are welcome. The magic of the Lighthouse will provide for your needs, see to your comfort, and even help you understand different tongues, for those who escaped here from distant parts of the empire. Should you have any other needs, ask for the Slow Arrow, and I will help. --Felassan"
Codex Entry: The Dread Wolf's Eluvian
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"The Dread Wolf's Eluvian Most of us have only traveled through the eluvians at the whims of those who called themselves our gods. We know them as mirrors that always go from one to another, a bonded pair linked no matter the distance. Solas has outsmarted the so-called gods. If we used normal eluvians, they could track us to our lair. Solas has improved upon June's work by creating a mirror whose singing stone can change its tune to take us to any eluvian and not just its bonded partner. Thus, we can travel wherever this rebellion needs us, with no fear of pursuit. Travel is as safe as a normal eluvian. If you have questions, ask for the Slow Arrow, and I will guide you. --Felassan"
Codex Entry: About the Freed Slaves
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"About the Freed Slaves We got word from the warding sites. Many dead, far more than the casualties we inflicted. The story being spread is that we killed everyone. Andruil's servants made examples of a few and claimed the Dread Wolf is trying to weaken Arlathan by attacking servants and destroying the wards. It's hard to tell what people really believe now. I know you're likely berating yourself reading this. Just remember the faces of the people we saved. We can't control what the Evanuris do. And yes, we have to keep playing up the Dread Wolf. The people need someone they believe is strong enough to protect them, or they'll never join us. Don't worry. I promise to mock you viciously if you ever start believing those stories yourself. --Felassan"
Codex entry: Aftermath of Disparaging the Gods
[codex entry is from game files]
"Aftermath of Disparaging the Gods You were right. The Evanuris did not like the insinuation that they need protection. The good news is that public sentiment has turned against the lyrium knights, and our agents got information that let us destroy one of the sarcophagi. The bad news is that Andruil and Ghilan'nain made a big show of putting down a protest in the east personally instead of sending the knights. Andruil left a crater where the town stood, and Ghilan'nain is using the people taken prisoner as fodder for her experiments. This isn't your fault, but still, this is exactly what I was worried about. It's not enough to be right about these things. We have to think about the consequences. --Felassan"
Codex Entry: Felassan's Concerns about the Dagger
[codex entry is from game files]
"Felassan's Concerns about the Dagger I'm keeping calm in front of the new recruits, but you've been dodging me for weeks now. We need to talk about the lyrium dagger. Yes, it's powerful. So is an erupting volcano, and nobody would try to harness that for power. (Well, maybe Andruil, but do you really want to be compared to Andruil?) We need to stop the Evanuris, but I'd rather we didn't destroy the world in the process. If you're certain you can control its power, tell me that. In those words. No equivocating. Also, you and I both know what this dagger means to you. I don't cast my best spells when my spirit is unbalanced. Do you? (That's a real question. Maybe you do!) I'm with you no matter what. --Felassan"
NOTES
Note: Mirrors Upon Mirrors
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"MIRRORS UPON MIRRORS This place is amazing. June's normal eluvians function with twinned lyrium fragments. One always leads to another. Solas somehow talked the Crossroads into making Fade-eluvians that override them. His own network to run our rebellion. Provided you ignore all the old stories about holding mirrors up to mirrors and getting caught in the infinite reflections. - Felassan"
Note: An Unknown Artifact
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"AN UNKNOWN ARTIFACT What are the Crossroads doing? “The spirits of the Crossroads do as they must, Felassan. As do we all.” Thank you, Solas. That's incredibly useful. Really helps your old friend pull together a rebellion against the Evanuris. - Felassan"
Note: The Blighted Tree
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"THE BLIGHTED TREE This is a holy place. The tree draws strength from the earth, just as the first elves did. Some younger elves grow trees in the cities to honor their ancestors. Roots have a tendency to dig down and gnarl up, then twist around things they aren't supposed to, though. Hoping that metaphor doesn't stick. - Felassan"
Note: The Cathedral of Roots
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"THE CATHEDRAL OF ROOTS When we first started, this was a safe place for spirits who joined our cause to find peace from the stress of battle. Now... I don't know. Not a lot of spirits use it any longer. Have they grown stronger, or has the fight against the Evanuris made demons of us all? - Felassan"
Note: A Refuge for Mythal
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"A REFUGE FOR MYTHAL Solas always thought Mythal would join us eventually, that she was better than the rest of the Evanuris. He made this place so she'd be comfortable here once she joined the rebellion. Now it's too late. Solas has sealed this place off out of grief. He won't let me in. I'm sorry, my friend. There was something left for the war to take from you after all. - Felassan"
Note: Calm Before The Storm
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"CALM BEFORE THE STORM I come here sometimes when I need to be myself. Not Solas's friend Felassan. Not the Slow Arrow of the rebellion. Just me. He hasn't been right since what happened with Mythal. He's planning something with the dagger. And if it were a good idea, he'd have told me. Damn it, Solas. I'm with you as long as we're protecting the innocent from the powerful, but you make it hard sometimes. - Felasan"
Note: The Empty Forest
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"THE EMPTY FOREST This place used to be full of spirits who flocked to Solas's cause. When his ritual went wrong - when everything went wrong - he vanished, and the spirits stopped coming. Where are you, my friend? You stopped the Evanuris, but broke the world. Please tell me you didn't leave me to fix all this alone. - Felassan"
Note: Faded Note
[this note is not explicitly signed as being by Felassan, but it seems likely to me]
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"FADED NOTE Look at this place. We planned a rebellion here once. Said we'd change the future of the elves, throw off tyrants, and we did. Now the path outside is fractured. It'll be hard rekindling all the eluvians. Solas, if you see this: I'll be looking for you, out in this world and in the mortal one. Don't cause too much trouble before I get there."
FELASSAN'S RUNE
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"FELASSAN'S RUNE The power of Felassan's Rune is based on how much of the gods' influence you drove back in the Crossroads. Equip Felassan's Rune at the Character screen, and use [buttons] to activate it. This rune can only be used against Elgar'nan."
Close-up of the image of the rune from the pop-up above:
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The rune comes in three different strengths, each with a differing design. The design increases in complexity as the rune's strength does. Image of the Ultimate version of the rune, called "The Ultimate Salvation of Felassan":
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The design of the carvings of the Felassan runes btw are shaped like arrow-heads, very fitting for the Slow Arrow... :)
I think the two weaker versions of the rune are called The Lesser Salvation of Felassan and The Greater Salvation of Felassan respectively. The appearance of the "Lesser" version is the one shown in the close-up image from the pop-up. And the appearance of the "Greater" version is:
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Morrigan's dialogue when she gives Rook the Ultimate version of the rune:
Morrigan: “‘Tis a difficult battle you face, but you are among more allies than you know. You have purified the Crossroads, uncovered ancient truths lost for ages, and earned the essence of Mythal. You are truly the champion of the Fade. Take this. Should your fight against Elgar’nan grow desperate, invoke the memories of the Dread Wolf’s rebels. For you, they will stand against tyranny one las time.”
Rune effects info boxes, explaining what the Ultimate version does in gameplay:
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DIALOGUE (this section is a WIP)
The boss "Betrayal of Felassan" has the following lines of dialogue, said as combat barks during its boss fight:
“His back, turned.”
“A story, unfinished.”
“For the Wolf.”
“For freedom.”
These lines of dialogue refer to Solas' murder of Felassan as depicted in Dragon Age: The Masked Empire (and his regrets around this), Felassan's role in their rebellion, and Felassan and Solas' relationship.
MISC
Voice actor: Chris Gordon [IMDB]
Hair: I think Felassan's in-game hairstyle is available in the CC - Hair 47
Vallaslin: Mythal's (as was known before DA:TV released), specifically I think it's Design 34 from the CC
Armor: I think Felassan's in-game armor is available as an appearance Rook can have for theirs. The name and description of it are as follows -
"Arlathan’s Fall (Arlathan) Appearance The harder they hit you, the stronger your resolve. Crafted from ancient Arlathan alloys."
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transformers-spike · 2 days ago
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"Is this why the Autobots are fond of humanity? To indulge their sweet heat cycles? How many human mates has Optimus taken for himself? It seems as though their motives to protect them were never altruistic, much less noble." PLEASE, PLEASE GIVE US A SUB-STORY WHERE THIS TIME IT'S OPTIMUS AND A HUMAN SO IN THEIR HEAT CYCLE PLEASEEEE
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Idk am I creating a humans in heat universe for the TF Fandom? I know people like making the bots go through it but I think the humans being affected is so much funnier. Just begging these massive robots to fuck us lmao
How must it feel to burn from the inside out? Betrayed by your own body, rendered unable to function by the fire in your core. You described it as an aching, an insatiable need to appease the hormones overtaking your nerve endings. A mere touch is enough to worsen the ache, it’s what your body dictates in the throes of a heat cycle.
Cybertronians are forged by Primus Himself, their interfaces exist for recreational pleasure and bonding, but your species is biologically programmed to reproduce, like most of the fauna of your planet. It’s a systemic sacrifice, one rendered obsolete by the sentient status of your species. Drugs have been produced to suppress your heats, or at least lessen the effects. Unfortunately, among a dozen varieties of medication, you are either allergic or completely immune to them, leaving you susceptible to your hormonal whims. He is sorry. You must go through so much pain every few months, but you barely show it, brushing off his concerns with a laugh, saying “it is what it is” and moving on as though your body isn’t on a timer. He admires you for it. In spite of your discomfort, you haven’t given up. Once, you told him: “So what if they don’t work on me? I just gotta roll with the punches and hope for the best, it’s been my M.O. since I got the damn thing.” Meeting them for the first time… was turbulent to say the least, but you’re safe and sound, relocated to Jasper, having adjusted to your new life with the help of Agent Fowler. You’ve told them many times you’re infinitely grateful to be in their lives (barring the near death experience at the servos of an Insecticon). For them it’s a pleasure to ease your burden. You’ve eagerly established your consent, although only Arcee is the right size to properly take care of a human. Digits and glossas can only do so much compared to a spike. He tries not to pry, your privacy is yours to divulge at your leisure, but he cannot ignore the charge building up behind his interface when he sees you with the others. Yes, he is an occasional participant, but he will rather cover shifts and allow them some well-deserved respite in your berth. They deserve it. He dares not imagine Arcee’s spike pumping in and out of you, satiating your aching body, filling you to your limit as you beg for more. 
Your scent lingers in the air, caressing his sensors, a gentle hand tugging him along by the servo, pulling him in your direction. They try to keep it to themselves, but his team is beyond a doubt intoxicated by your presence alone. Thankfully, it has (almost) never impeded their judgment during missions; perhaps it has even served as motivation to make it back to base in one piece. He tries to ignore the gleam in his old friend’s optics after quelling your urges, if only for a night. Or Bumblebee's praises coming to you as a slow stream of beeps while he nuzzles your face. Or Bulkhead cradling you to his chassis like a precious artifact as you discuss what late night movies you should watch. Or catching Arcee kissing you over the mezzanine and pulling back with a smile she hasn’t worn since Cliffjumper’s death. You bring them together in your own special way, even if you blush and sheepishly deny it, claiming you should be thanking them instead  Recent discoveries have yielded an impressive increase in energon and brought forth new opportunities. With unparalleled quantities at their disposal, they can now mass displace. The transformation is no small feat, it exhausts their system and rapidly drains their energon level. But he will not forbid Bumblebee from using it to play with the kids as long as it’s not in excess. Nor to join you during heat cycles. Much like Bulkhead. And Wheeljack. And especially Ratchet. Primus forbid, his old friend has every right to enjoy himself to the fullest after all of his back-breaking work. He’s been meaning to pay you a visit, but he hasn’t found the time until now. In the temporary abode you set up in the base, away from the prying eyes of the kids, you prepare yourself for another heat. Some refurbishing was done to meet your needs (in no small thanks to June Darby and agent Fowler’s financial help); the mattress and the mini fridge was a given, but you’ve added a variety of personal belongings and entertainment; a television, a writing desk, a few “bean bags” here and there, and a pile of old magazines to scrapbook. He wonders if you consider this place your home more than your actual house in Jasper. You greet him while downing a bottle of water, holding up your hand to signal for him to wait. Once emptied, you place it next to the mini fridge, among a wide array of bottled water crates. That would explain the groceries June had brought in with Arcee’s help. As a medical professional she’s especially fretful over your condition, doing her best to prevent the risks of heat cycles, bringing you plenty of calorie dense fuel to combat the massive loss of nutrients. He has not forgotten the fear they experienced when they found you shaking from the deficit, having completely overlooked your hunger in a midst of desperation. In this form, he can appreciate the full extent of your body without fear of hurting you, kneading the supple flesh beneath his digits as you giggle and pull him into you. He does not tower over your reclined form as much as he encases you in a careful hug, hearing the rapid thrum of your human spark directly against his audials; he may sense your pulse rate, but experiencing it is a new wonder of its own. You tell him you missed him and you wish he would let himself go and come out to “obliterate your pussy” more often. He nods and apologizes for his absence even as you shush him and insist he enjoy himself as well. He is… the largest Cybertronian you’ve taken, you remark while adjusting to his size.
“Except maybe Wheeljack,” you add cheekily, already bucking into him. Your composure evaporates as he works you up, not to say that he is much better. He steadies himself over you, charge trickling down his interface as your walls clench around him in a vice-grip. You beg him for more, plead that he frag you until you can’t take it anymore, but he has grown used to your requests and knows when your body has reached its limit. You whimper and claw at his back plates, flush against his frame yet dragging him closer as though to merge your human spark to his.
If only he could.
Slow and steady, he frags you through your overloads, each one adding a new surge of spark down his frame until he comes to his end. You are small and shaking, but in this form he can properly hold you against his chassis and comfort you through the afterglow, bringing you another bottle of water and a Clif bar (chosen for the human scaling a mountain with “If you eat this you can kill God” in big bold letters).
You stir and sit up on shaky knees to accept his offerings. Halfway through your meal, you eye him up and down.
“Are you going to stay some more?” you ask with hopefulness, still chewing on the “ultimate nuts and banana power” concoction advertised on the packaging.
“I’m afraid not, Ratchet has been hard at work deciphering Decepticon encryptions, I will be taking on his duties for the night,” he tries to break it gently, expecting crushed expectations, not your bemused expression looking up at him.
“So you’re sending him my way?” You give a chuckle. “Wish we could have spent more time together, but work is work. Just…” you crawl into his lap and hug him as tight as you can, head resting against his chassis. “Please come back tomorrow. Or after tomorrow. I miss seeing you this way. I won’t get between you and… whatever you have going on, but please visit me more often. You have no idea how nice it feels to be around you.” His gaze softens, glowing faintly against your hair. “So I’ve been told,” he says, a smile on his lips. “As long as it lightens your burden.”
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forgot-my-line · 11 hours ago
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By actively making posts that put people down and make a public space feel unsafe, unwelcoming or not open/accepting of someone, you are doing the exact same things they are. If it's bad when they do it, it's bad when you do it. It's not a one-way street. You are being just as bad as they are.
I completely agree that we don't owe them Respect. They didn't show us any. I do, though, wholeheartedly believe that there isn't a single person ever who doesn't deserve basic human decency. That includes feeling safe in spaces that are open to literally any and everyone. And yea sure, most aren't helping, but what about the ones who are at least trying? what about the trump voters who are donating to trans health donation centers? or the trump voters who didn't get a say (for personal safety or other reasons) or were spoonfed misinformation, who are trying to right things now? Do they not count for something?
I'm also not saying we have to coddle anyone. I'm saying if we could stop making public spaces unsafe for some people, regardless if you like, love, hate or despise them, that would be just peachy. These spaces are where some people go to escape other oppressive forces, don't add to the list of people they have to avoid. Actually, in fact, don't coddle them. That won't help. What won't help either though, is isolating them. If we isolate people, we do the same thing as the people you are so against. You are being just as bad as they are.
Not every person who voted againt Harris is a bad person. I apoligize if this fact is upsetting to you. Some trump voters, as touched on ealier, weren't in a position where they could vote how they wanted to. I am well aware that this is a very hard subject to come to terms with. Not everyone has to see things like abuse or manipulation first hand but that doesn't mean it isn't a real thing that actively affects choices and decisions. Sometimes the only thing they could do to avoid voting for Trump, was to withhold from voting or vote third party. They didn't get a choice so why make them feel worse about it.
It's been made more than clear that these are the consequences of what happened at the election. Not only has it been spelt out for everone, their dead grandma, and their pet fish, but it's been spoonfed to each and every one of them. Repeating the same things over and over and over again only make people sick of listening to you. They'll see and hear how upset you and everyone are regardless
As for standing up for what's important to me, Unity has to be pretty high on my list. Sorry if my standing behind that ideal upsets you. Change isn't gonna happen if you stand alone, acting as if the entire world is against you. Rome wasn't built by a single person, just as it wasn't built in a single day. You need to have people in your corner.
As you said, Change doesn't magically happen. People work for each and every change that has happened, big or small. Shaming and tearing people down doesn't have to be a part of that work. I'm not saying shaming people won't get the results you so desperately want, I'm saying that there are much better ways of getting people to realize they are wrong and/or need to change than making public spaces an unsafe space to be and to make people feel worse about themselves than they already do.
It wasn't just this particular post that was the issue, but the fact that no matter how many political opinions and posts I ignored completely and scrolled past, posts like these still showed up on my dash. My passion is my compassion and ability to care for everyone. I'd much rather live in a world where every single living thing feels safe, at least in my presence, than getting into silly arguments with random strangers on Tumblr dot com. Responses like these are not only condescending, they actively miss the entire point I was making.
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ahqkas · 3 days ago
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Hello hello! I just discovered your blog and I adore how you capture the batboys (Jason is my favorite >//<) air and vibe so well. It is like you're in the room with them! I'd like to request a little fic or blurb about reader and Jason being besties and both of them are comfortable with one another so they are touchy with each other. In a non-sexual way. Like, hugs and holding hands or leaning on one another. I'm a very touchy, but only with people I'm very fond of and I think Jason would be the same way. I think i'd be so cute if they do it without even realizing it. It is like they are magnets. Reader will walk in the room and migrate over to him and loop their arms and lean her head on his shoulder. Or vice versa. They would be standing in line at a shop or they are cooking dinner together and Jason just drops his head on her shoulder, hunching over to feel her warmth. They love to drape themselves over each other to recharge or simply be close. Even linking pinkies makes them happy. Maybe they don't notice they are in the same room, but still find themselves brushing shoulders before smiling once they notice who it is. I think Jason would make you feel so safe and comfortable too. He is so much bigger than you that you just want to hide in his presence. Like a giant teddy bear. (I'm shy too. So he is like the perfect shield to unexpected social interactions.) I got off topic! No matter where they are, walking down the street, sitting on the couch, going to a bookstore, eating dinner, they always find a way to touch one another. Maybe even light kisses on the cheek in greeting/goodbyes. They just can't help it! It is so bad (but good though ofc) that people assume they are married. His family loves to tease him about it, if they even know about her. Anyway, that is my idea! Love your work! <3
JASON AND YOU DIDN’T THINK ABOUT IT MUCH—how easily you gravitated toward each other, how natural it felt. It wasn’t something you planned or discussed; it just happened, like the way a flame seeks oxygen or tides chase the moon. It was a rhythm you fell into without even realizing it.
Like tonight. You’d just walked into his apartment after a long day, shrugging your jacket off as you searched for him. You didn’t need to call out or knock; Jason always left the door unlocked for you, a silent reassurance that you were welcome anytime. You spotted him in the kitchen, sleeves rolled up, chopping vegetables with the kind of precision that made you wonder if he’d learned it from Alfred or while cleaning weapons. He glanced up, a slow smile spreading across his face as you drifted over to him.
Before you knew it, your arm had looped around his, head resting against his broad shoulder. His warmth radiated through the thin fabric of his shirt, and the steady rhythm of his breathing grounded you in a way no amount of solitude ever could. “Long day?” he asked, voice low and rough, like he was talking more to the air around you two than directly to you.
“Mhm,” you hummed, closing your eyes for a second. “You’re too tall for this to be comfortable, you know.”
Jason huffed out a soft laugh, setting the knife down and turning slightly so he could press his chin to the top of your head. “And you’re too stubborn to just sit down and let me cook. So, here we are.”
It was always like this. Subtle touches that felt as natural as breathing. Standing in line for coffee, Jason’s hand would find yours, linking your pinkies just because. Or you’d be out walking, and you’d lean into his side, not realizing you had done it until you noticed how his shoulder dipped to accommodate your height. Even when you weren’t actively seeking each other out, there was this unspoken pull. A brush of shoulders, a casual hand on the small of your back when he guided you through a crowded room, the way he’d rest his arm across the back of the couch when you watched movies, his fingers absently playing with your hair.
People noticed, of course. The teasing from his family was relentless whenever they caught wind of it. “So, when’s the wedding?” Dick would quip, smirking as Jason scowled but didn’t deny anything. Even Alfred had raised a knowing eyebrow the one time you’d stopped by Wayne Manor, Jason’s hand firmly on your lower back as he led you into the room.
Jason never seemed bothered by it, though. If anything, he seemed more protective afterward, like he was daring anyone to say something more. And you couldn’t blame them for assuming. The way Jason looked at you when he thought you weren’t paying attention—like you were the only safe harbor in a world full of storms—would’ve convinced anyone.
But for the two of you, it wasn’t about labels or explanations. It was about the quiet comfort you found in each other. The way Jason could hunch over and rest his head on your shoulder after a long day, letting you feel his weight and warmth as though he trusted you to hold him steady. Or how you could slip into his space, no matter how crowded or chaotic, and know that his presence was enough to make you feel safe.
You were magnets, constantly drawn together. And in a world that often felt too loud and too harsh, Jason was your soft place to land. Your best friend who made the world seem a little less intimidating, one touch at a time.
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ADDITIONAL NOTE! hi lovely !! i’m sorry if this is too short but thank u sm for the request <3
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retroaria · 1 day ago
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♡ "All the little things..."
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⟡ itoshi rin | oliver aiku | michael kaiser ⟡
summary: gn!reader, things that they’d look for/love in a partner! pure fluff! (i do describe something as ‘sexy’ but it really isn't that serious)
˗ˏˋ written for arias 1.5k follower event! ˎˊ˗
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he’d never admit it, but rin would want a partner who can take him down a few notches. someone to calm his nerves and balance out his animosity. he can come to you at the end of every match and immediately release all tension and frustration. but also, someone to ground him and his ego a bit off the field. someone who can remind him to take things slowly and relax when he can and should.
he’s secretly very attracted to kindness. it’s a weird thing to be secretive about but rin is a weird guy what can i say. it makes his heart flutter to see you treating others with such grace, it even tugs a small smile at the corners of his lips which he quickly tries to pull back down into his usual blank expression.
rin tends to be a more private person himself, and he likes others that can keep their peace in that same way. he wouldn’t want to tell the whole world about your relationship, not because he wants to keep you a secret, but because he feels like you’re relationship is even more special the more it exists only to serve the two of you. he likes the idea of having you all to himself.
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as a runner up for sassiest man of the year (lost to kaiser lol), oliver tends to find that same snappiness attractive in other people as well. he loves someone who can speak their mind and be confident about it, someone who can stand their ground and not let themselves be belittled. he thinks it’s hot, sexy even.
he likes people that are more outgoing then he is. while oliver doesn’t usually shy away from any fun, he can tend to back out of things because he feels it may be “too much” or an over exertion. he wants someone who can push him out of his comfort zone and get him to try new things that he wouldn’t have otherwise done on his own.
out of the whole cast, oliver is probably one of the most comfortable in his own masculinity methinks. he loves doing self-care and other beautification rituals (lol) with you! would let you do his eyebrows, dye his hair, make him smell like a strawberry shortcake; he fucking loves it. “Can’t turn down a bit of TLC and relaxation” he’d say. he totally does call a lot of it “goop” and “slime” or “sticky stuff” and can only remember to categorize it by color. “Babe, come feel my face, that pink goopy stuff made it so soft.~”
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similar to mr. aiku, kaiser also loves a bit of sass in his partners, in a more subtle way though. sarcasm and brutally honest humor make him wanna bark like a dog. he loves it. he’s like the girl in a romance manga that falls in love with the cold and stoic upperclassmen. wants to break your hard exterior, but also wants to be the only person who ever could.
he loves being on the receiving end of ‘acts of service’. if that’s your love language, he’s all for it. he already thanks you just for putting up with him on a daily basis - considers that an act of service lol. making him food or planning a date for him would make his heart swell to the point of explosion.
physical and emotional intimacy need to be a huge priority for him. similarly to how rin likes things to just be between him and his partner, kaiser also needs certain things to be private, though he's more than happy to let the whole world know you're the person he loves. as long as he gets to have those quiet tender moments with you, wrapped in each others arms, he's a happy boy.
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dividers: @cafekitsune vv cute :3 | header by me !!
@bllk-tv
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drdemonprince · 3 days ago
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ok fine cis men aren't the bad gender it's all men and we're all exactly like that anon who admitted to having abused women even if we don't know it. are you fucking happy now? is this the solidarity you want us to feel with cis men, that we're all just as mich rapists and murderers of women as they are? you have some fucking nerve to be throwing vague jabs while calling an admitted abuser "brave"
Normally I don't platform asks like these, but I'm moved by the genuineness of your emotional reaction here. I think you're hurting, and you've been hurt, and that the belief that abuse and violence are located within one gendered group (to which you don't belong) has felt like a way of organizing your world that has helped you make sense of things, and given you guidelines for how to act and whom to trust that have helped keep you safe. I think a lot of assault survivors feel that way when they're not cis men and their attackers were cis men.
As someone who has experienced a ton of sexual predation at the hands of cis women, cis men, and even other trans people, I don't feel the same way. There is no "bad gender" I can chalk up my abuse to. I find there are no easy means of categorizing entire people as abuser or as victim either -- I have known so, so many people who have occupied both roles depending upon the power they wielded and the social context of the moment. Hell, one cis lesbian that I knew who was infamous in her community for raping trans men would always tell her victims that her acts were those of "trauma recovery," of her "reclaiming" her power after men had stolen it away.
Even she, I don't think, is irredeemable or ontologically evil.
I'm an abolitionist. That's a core value through which a lot of my political action and beliefs flow. If you're not on board with the project of abolitionism, you'll find much to object to here, and most of your objections are things I will refuse to entertain, because I do not believe human beings are disposable no matter what they do, and I don't believe that anyone should have the authority to deem another human being as disposable.
An abolitionist politics is incompatible with the idea that some people or some groups are inherently bad. It's incompatible with the belief that abuse and violence comes from evil. It's a worldview that holds that people do harm because of social structures and networks of power that must be destroyed -- systems like the patriarchy, cissexism, anti-Blackness, ableism, capitalism, and more. And I think one of the ways that we conquer such oppressive systems is by raising the consciousness of all the people trapped under it -- so that we can topple it together. I want trans men and cis men alike to realize they have some skin in the game.
You don't have to associate with the men you don't want to associate with. If, because of repeated abuses at the hands of men, you can't ever trust them, well, those are your feelings, that's your life, that is your business. But when your personal feelings of safety are used as a justification for developing and promoting a worldview with transphobic, transmisogynistic implications, I'm gonna talk shit about that on my stupid little blog. And I'm gonna continue conducting my life in the way I feel I should.
And for me, that means forging common ground between trans men and cis men, and pushing both groups to take women's concerns seriously (especially trans women's concerns) and to stop centering themselves in feminist dialogue. There's a place for both trans men and cis men in the gender revolution, but we gotta do a lot of work on ourselves to stop getting in the way. It's work I'm emotionally equipped to do and find rewarding, and it's fine if you don't. There are lots of other people who need support that you can focus your energies on -- other survivors of abuse and assault that you perhaps find it easier to relate to. That's important work too, and I wish you well in doing it. Just make sure you're not excluding trans women in that work or I'll continue to be annoying about it on my stupid little blog.
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copperhawks · 42 minutes ago
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You're not the first person to make this comparison on this post, but when I wrote this, I hadn't done a re-read of SOTL yet (and the last time I'd read In the Hand of the Goddess was... a LONG time ago, so I couldn't really make a good comparison between these two scenes), but I have now and I've been sort-of thinking this over and have some thoughts on it.
For me, this isn't so much an indication of them being similar so much as it is just an unusually similar narrative beat. A character chooses to disobey an order about not crossing a border during a war in order to go save someone who has been captured and, in so doing, takes out a major antagonist that leads to the end of the war.
But the MOTIVES behind the two actions seem very different to me. Jon goes to save Alanna because he's in love with her and can't bear to lose her. Kel goes to save the refugees because she's responsible for them and takes that extremely seriously. She does CARE about the people, obviously, it's still being done out of love, but she's not doing it because she can't stand to live without them so much as that she's INSANELY duty-driven. She goes up to save Lalasa for similar reasons after being told that a noble's duty to their servants is basically sacrosanct. Kel goes across the border because she believes it's the honorable thing to do. Jon's motives aren't about honor and are, arguably, somewhat more selfish in origin.
So while this is obviously a very similar storyline, I don't find that it's an example of these two characters being similar to each other.
Kel is willing to give up EVERYTHING out of a sense of duty to the people she's responsible for. While Jon is someone who does a LOT of things for his people and spends a lot of his time and energy making life better for them, I can't recall a moment where Jon is ready to give up everything he wants and everything he's worked for just to save his people. Jon actually tells Kel in Squire that he and Thayet work pretty hard to keep themselves OUT of that kind of danger whenever possible, that's the point behind all of the compromises. All of the arranged marriages for his kids are to try to ensure peace through political connections and stop fighting in wars.
This is where they DO differ because Kel feels like someone who, at least at this point in her life, is willing to die to protect her people. But Jon is someone who will do whatever it takes to LIVE for his people for as long as possible. Jon understands that, in his position, it's more beneficial for everybody for him to make compromises in order to stay alive so he can keep making changes that will make people's lives better in the long run. This is a lesson that, while we do see Kel LEARNING it a little during Lady Knight, isn't one that really plays into the final conflict of the book. It's possible that Kel will end up being even more like Jon in this way as she gets older, more willing to stay back herself and trust others to do what needs to be done in her place, but by the end of Lady Knight, that just isn't who she is yet.
And maybe that's what's interesting about the comparison. Kel isn't all that much like Jon YET, and she's certainly not all that much like Jon when HE was 19, but Kel shows signs of being a lot more like Jon as he is during HER series as she gets older and gains more experience. Kel is very righteous, very inclined to just act and get things done, but over the 9 years we get to know her, she has to learn more and more about when to act and when to WAIT. She has to learn when to push and when to bend a little.
As a woman, she's going to be held to different standards than her male counterparts like Raoul or Wyldon, she'll be dealing with different limitations and setbacks than they ever did. And so her approach to leadership will, by necessity, have to be different than theirs was. She does look to them for inspiration, but in execution, I think she'll likely end up far more like Jon. Jon is obviously not a woman himself, but as King he's ALSO held to different higher standards than his compatriots and he was very young when he took the throne and has been very progressive throughout his reign which means he's dealing with certain limitations and setbacks that more conservative people might not.
Kel has strong opinions and firm ideas of what the world SHOULD be like, and that's going to lead her down a similar path of trying to CHANGE things, but she'll be dealing with all of the same limitations that Jon is, which will force her to approach things the way he does. She's going to have to compromise, she's going to have to bend, she's going to have to learn when a fight is worth having, she's going to have to learn to give a little in order to get a little later.
Kel would probably not have crossed the border for just one person. If it had been Neal, for example, and Neal alone, she may not have decided to take that risk. Neal is a trained knight like herself and probably won't thank her for giving up everything to come save him. Kel could probably have been convinced not to cross the border for him, as much as it would've pained her. And Jon I think would not necessarily give up everything to save a few hundred people the way Kel did, even though it would pain him to have to make that choice.
Kel IS like Jon and will likely become even more so as she ages, but crossing the border just isn't one of those places where their similarities are showcased to me.
The funniest thing to me about Kel, and maybe one of the most interesting because of how understated it is, is that Kel becomes a good commander in the end, not by emulating Wyldon who was cold and implacable and insensitive, or by emulating Raoul who mostly only disobeys orders out of principle or because he has an issue with what the order says about his personal relationship with Jon, but by emulating JON.
Kel doesn't even LIKE Jon, she BARELY respects him as a person. He's a good enough ruler that she's willing to fight for him and swear loyalty to him and to at least mostly believe that he wouldn't work with Blayce to make his own killing monsters, but that's as far as it goes for Kel. If he's kind to her, she finds it uncomfortable and almost untrustworthy because she assumes he doesn't care about her and so his kindness and respect towards her must be fake.
But from the outside, as readers, we know just how much Jon fought for Kel. We know how much he does respect her right to be a knight. Jon is the sole reason that Kel DID get the opportunity to prove herself, if he'd capitulated to Wyldon completely, she just wouldn't have ever been allowed to join. Kel doesn't KNOW THAT, obviously, but we do. We know that Jon did everything he could to find a way to convince Wyldon to let Kel become a page. While Wyldon claims later that the reason he chose to let her stay at the end of the probation year was because his better judgment convinced him she'd earned it, I'd be willing to bet that part of that better judgment also included knowing if he couldn't prove to JON that she needed to go, then he'd be in trouble. Kel was training and working in front of plenty of other trainers and teachers who could easily contradict Wyldon's lies if he'd tried it, many of whom are closer to Jon than they are to Wyldon.
Kel's experiences and feelings about that experience are entirely valid, and she doesn't have the knowledge we do about how hard Jon fought for her, so it's not shocking that she's upset with him for a good portion of her series. She never even discovers this truth by the end of her series, even though she does get a lesson from Jon and Thayet (and Raoul to some degree) about how politics and compromises work in order to make changes happen. So her opinion of him by the end is boiled down to the quote from Squire: "good kings weren't always good men." It makes sense for her to think this, but because Kel's knowledge base is so limited (and her worldview so black and white for much of her series), it makes her an EXTREMELY unreliable narrator about this particular issue.
Kel believes that while Jon generally does his duty and keeps the peace, he doesn't actually care all that much about his people as individuals. But in their only meaningful conversation in Squire, Jon is able to point out that he (and Thayet, who is actually equal to Jon in power, something Kel either doesn't know which would be a failure in her education or just tends to ignore so she can focus her ire on Jon) has to make a LOT of compromises in order to get ANYTHING useful done at all. Sometimes, often, it means making deals with people he doesn't like or people he just fundamentally disagrees with, because it's the first step in a multi-step plan to help more people in the long run. He also points out that just throwing his weight and authority around in order to be able to change everything he wants to change immediately regardless of what anyone else thinks about it is a great way to get himself and his family killed. Because even if he had good intentions, that would be tyranny. It does make Kel think a little, but she doesn't tend to like him much still afterwards, her resentment from her page years will always color her opinion of him a little.
However, then she gets to Haven and she's suddenly tossed into a position of leadership over a lot of other people, many of whom disagree with each other or disagree with her or both. And all of the sudden, Kel has to make compromises. She doesn't LIKE the way the sergeants often treat their men, especially the sergeants whose men are convicts, but there's very very little she can do about it without really pissing off those same sergeants and that's not something she can afford to do. There's a moment when Neal starts getting frustrated about the treatment of the convicts and she takes him out to vent to her so he doesn't vent to the sergeants, something that the sergeants would then take out on their men. Kel's reasoning as she does this is that she "preferred to avoid battles with them now so she would have authority with them later if she needed to use it." Later, Kel is talking to Daine and she says "That's all this job is... Trying to please everyone and pleasing no one. And it will only get worse, not better."
Both of these moments showcase Kel choosing to make compromises. She may not like the way the sergeants treat the convicts, but she needs to stay on the sergeants' good sides because she doesn't have enough resources to butt heads with them nor enough authority to just force the issue, and even if she DID, it could cause the sergeants to become troublesome or take out their frustration with her on the men in ways she can't see as well. But staying on the sergeants' good sides might mean letting some of their maltreatment slide if it's not physically harming the convicts. And even setting that aside, she's dealing with nearly 500 refugees eventually, all of which are from different towns in the area and have different needs, not all of which she can accommodate. This requires compromise. Sometimes she can please some of them and not others, but mostly she probably just ends up not pleasing anybody because that's often how compromises WORK.
She never makes the active connection to Jon and his lesson on leadership from Squire while she's in Haven, but that quote up there about how this job (aka being a commander) is all about trying to please everyone and pleasing no one? It sounds a HECK of a lot like "good kings weren't always good men." You can try your best to help others, but often doing the right thing can involve making everyone unhappy. You can't be everybody's friend if you're going to get anything done.
Some of this she might've learned from Raoul's style of command, but Raoul commands a fairly small amount of people (at least in comparison to a King), and so we see him able to be pretty friendly to the people he commands in a way that Jon is perhaps unable to do. And she might believe that she learned some of this from Wyldon, but Wyldon had a tendency to be very unfair and biased due to his raging bigotry and conservative values, as well as the fact that he doesn't actually even LIKE being a training master and that likely impacted the way he treated the pages (he's almost never that kind to the pages, whereas we see him capable of being quite kind with the refugees later, which is where Kel comes to the conclusion that he hadn't enjoyed being a training master).
But Jon makes an entire speech about how he (and Thayet) have been working THEIR ENTIRE REIGN to change laws that help people. He explains how they have to consider the needs of merchants, nobles, farmers, street people, priests/priestesses, and mages. They have to consider not only what these people might need or want, but also what they could do when they feel sufficiently offended and how that could impact not just the royal family or the nobility but the realm as a whole. Jon points out that they HAVE made changes, for the better, and that just because they don't always succeed at everything or because they have to compromise sometimes, doesn't mean they aren't working at making changes or that they don't care about helping people. Not everyone you have power over is going to be your friend, they might not even be someone you like. But if you're going to take on the job of leadership, that's something you have to be willing to accept and work with, which often means making compromises with people whose needs and values are contradictory to your own.
Jon probably knows when he makes the compromise with Wyldon that it will likely impact a lot of people's good opinion of him. Alanna is right there and clearly angry, and we know Thayet doesn't like the decision, either. And it's entirely possible that Jon knows in the moment that Kel herself will put the blame on him because he's the King. But he also knows that if he insists on Kel being allowed to be a page without trying to compromise with Wyldon, Wyldon will quit over it and he'll end up with ten DIFFERENT problems that could cause a lot bigger issues to far more people than just one girl. So he makes the compromise. He sacrifices Alanna and Thayet and even Kel's good opinion of him in order to ensure that Kel gets the opportunity to become a Knight without turning all of his nobles against him which could ultimately lead to a civil war. Is it fair? No, and he knows it. But it's the best option he has in order to get the outcome they all actually want which is just for Kel to have the chance to prove herself.
Kel has to make similar choices once she's finally in a position of leadership of her own. And whether she realizes it or not, without ever even spending more than a few minutes with Jon, she ends up emulating his leadership style more than anybody else's because it WORKS and it works WELL. She'll probably never admit it, she might never even realize it herself, but she's so much more like Jon than any of the other men she sees as role models. And I love that. I love the dramatic irony of that, that the one person Kel only barely respects because of a compromise he made on her behalf that she'll never even know about, is the person Kel ends up most resembling. Jon is the reason she has the opportunity to become the Protector of the Small in the first place, Jon is the person who created that environment that allowed her to nurture those values, and she'll probably never even really be able to acknowledge that, because sometimes that's what being a good leader means.
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slowcinnamon · 2 days ago
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let me love you
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bangchan x f reader
words counted: 9927
warnings: alcohol use, public tension?, oral sex (f rec), fingering (f rec), unprotected sex (dont!!!), daddy kink (soft), praise kink, a bit of emotional manipulation?? softdom!chris - let me know if i forgot smthing plsss
genre: romance, angst n smut
summary: chris and you have been best friends for many years, slowly beginning to have feelings for each other but you two had never confessed it for fear of rejection, although you know how you both felt about each other. his birthday was almost there and you wanted it to buy a nice and original gift, so with all your savings, you ordered a silver necklace that you had completely designed.
author's note: hiiiiii!!! this is my first fic, hehe. constructive comments are accepted :P hope you like it !!! :3
ฅ/ᐠ˶> ﻌ<˶ᐟ\ฅ
At this point in your life, it was no longer a secret that you and Chris liked each other.
You two had been best friends for years, each slowly developing feelings for the other and, although you never confessed it because of each other's fears and problems, everyone knew it, even you both.
Neither of you had ever said anything to the boys, but they themselves quickly realized when your looks and moments together went from being sweet and innocent to having deep meanings; those intimate and intense looks, the too long touches or the way you had to be close to each other in all situations, even unconsciously.
You yourselves began to realize each other's feelings due to the constant teasing of the boys, the way you missed each other or the deeply sincere conversations that you always shared about your life or emotions although you was never completely honest with him because of your own fears and issues; fears based on not being enough for him and lacking everything he was. He was an idol and you were just an ordinary person. The issues of the constant comparison with the people around him, always telling yourself that he needed someone like him, someone from his world so that he wouldn't lower himself. You loved him, deeply, that's why you pushed him away every time you could.
Therefore, being his best friend and keeping things platonical already seemed enough to you and your feelings.
It had been a few hours since Chris's birthday had started and you were with Changbin and Hyunjin, the three of you waiting for the bartender to finish preparing your fourth mojito of the night. For the occasion, and after having Hyunjin, Felix and Jeongin at your house for two hours discussing what you were going to wear, you decide to be totally faithful to your style.
"I don't know why I listen to you, honestly. I feel out of place with what I'm wearing" you murmur while once again, letting out a sigh while you continue resting your back on the bar counter and take another quick look at the huge room that Chris had reserved for his birthday, which was completely full with famous people in their expensive clothes.
"You're always exaggerating, there are plenty of people more dressed down than you," Changbin says as he takes a sip of his drink, also looking around the room. Changbin’s dresses in a black suit and Hyunjin has a white suit on, with a few buttons of his white dress shirt unbuttoned.
Hyunjin nods with a small mischievous smile, "Oh, yes. Look at that one..." while discreetly pointing his head at a girl who’s dressed in a red dress and yellow heels, he murmurs, then suppresses a giggle as he takes a quick sip of his drink, "She's the female version of the McDonald's clown." you nudge him gently, trying to suppress a laugh as you listen how Changbin can't contain himself and bursts into laughter along with Hyunjin.
Hyunjin's laugh begins to grow louder and he covers his mouth with his hand, almost choking on his drink as he watches the girl from afar. Changbin also laughs at Hyunjin laughing and pats his back, "S-stop it, bro. You're going to die from laughing." Hyunjin holds his chest before breathing a bit, "Oh God, I can't stand it. And she looks so happy in that dress."
You can't help but make a comment too, “Maybe she thought it was a costume party,” still suppressing a giggle and Changbin laughs again, this time, covering his mouth to avoid spitting out his drink.
Hyunjin nods and takes a big sip of his drink, trying to calm himself down, "The only thing that's missing is that she starts distributing hamburgers to everyone. That would be the cherry on top." he laughs after saying it and you two burst out laughing at Hyunjin's comment.
Changbin then pats Hyunjin's back again and lets out a sigh, "God, you're going to make me pee myself from laughing as hard as we are right now."
"I didn't know Chris had friends who cosplayed," you say again, unable to stop making comments while turning your back on the girl to start laughing.
Hyunjin and Changbin burst into laughter again, the tall one puts his drink down on the counter to keep himself from choking on it. When the two finally stop laughing, Hyunjin stands straight and leans against the bar counter again, taking a big sip of his drink before he speaks again, "At least we're not the only ones laughing, I saw Felix and Jeongin dying of laughter a few minutes ago."
Changbin chuckles and takes another sip of his drink, leaning casually against the bar counter as well, "I'd be concerned about Chris but he seems to be having the time of his life," he motions to glance over at Chris, who can be seen chatting and laughing with multiple people around the room.
You and Hyunjin follow Changbin's gaze, watching Chris seem to be enjoying himself. Your gaze stops to observe how he laughs, showing his dimples before you lower your gaze to his clothes, beginning to drool internally at seeing him once again in that black suit with a couple of buttons undone. But before you start to eat him with your eyes, the voice of the bar waiter tells you that your drink is ready, breaking you out of your trance and taking your gaze away from Chris to direct it to the waiter, thanking him before picking it up and carrying the straw to your lips to sip the mojito.
As you take a sip of your drink, you notice Hyunjin and Changbin sharing a knowing glance between the two of them before Hyunjin speaks once again, "So..." he begins, raising his eyebrow as he glances at you, "Have you given Chris his birthday gift yet?"
Changbin raises his eyebrows a bit and takes another sip of his drink, his eyes also on you as he silently listens to the conversation while Hyunjin waits for your response.
"No, not yet," you answer as you look at them a little excited, making both raise their eyebrows, then you gently bite your lower lip, leaving the drink on the countertop and looking back to where Chan is, "I wanted to give it to him earlier but it seems like he doesn't get tired of talking and talking and I don't want to cut him off." you look back at the boys to shrug, downplaying it, "I'll give it to him later." Hyunjin and Changbin's curiosity only grows more as they continue to look at you.
"You seem excited," Hyunjin teases with a smirk and Changbin nods as he smiles.
"Yeah, a little too excited.” he narrows his eyes, “What did you get him?"
“Uhm... I asked a jeweler to make a necklace I had designed for Chris a reality.” you murmur a little shyly, feeling your cheeks take on a slight pink tone and then pick up your drink and take a small sip, “So a personalized and... unique necklace in the world?”
Hyunjin and Changbin exchange a glance between themselves, both of them impressed at the amount of effort you put into Chris' present. In front of the intrigued looks of the boys, you decide to show them the gift before they start asking. You set the drink on the countertop and open your bag, pulling out a small black satin box, which you open to reveal its contents.
The necklace was made of silver with eight small stars, representing SKZ, on the sides and a cross similar to the Chrome Hearts' design in the middle but with the difference that in the middle of it, was a small black diamond.
You let Hyunjin's hands take the small box so the two of them could inspect the contents as they both stare down at the necklace, speechless and both impressed with how good the necklace looked.
"Damn, that's... beautiful. I didn't know you were putting so much effort into this."
Hyunjin nods in agreement, his eyebrows raised in curiosity, "Let me guess... was it expensive?"
“Kinda.”
"God, I knew you were going to do that." Changbin says as he shakes his head, "Of course you were going to spend all your savings on him.”
You roll your eyes as you gently shake your head and Hyunjin hands you back the box, which returns to your bag before you close it, "It's the first time I've bought something expensive from Chris. I'm a bit uneasy in case he gets all 'I don't want you to spend money on me' mood."
Hyunjin and Changbin both agree with you at the same time, "He's definitely going to do that," they both say, and you can't do anything but snort a bit as Changbin continues speaking, "That idiot doesn't like people spending a lot of money on him but he’ll put it on as soon as you give it to him," they both keep their eyes on you for a few more seconds before Changbin glances back at Chan and murmurs, “You’re never going to ask each other out, are you?"
You feel heat start to burn in your face as you hear Changbin's words, a small smile settling on your lips. Even though you had never confessed anything and both of you continued to silently suffer, you were well aware that the two boys knew about it. And that makes you feel a little embarrassed, because honestly, you hated having to talk about it and having to repeat the same answer over and over again. You hated their speeches about your emotions and the attempts to 'make you open your eyes'.
Deep down inside you knew that your actions only caused immense pain to Chan, who wanted to shower you in all his love and make you see that you were more than enough for him, but your fears had always controlled your life.
“Never,” you murmur in response while shaking your head and they both sigh as you leave the glass empty and you call the bartender's attention, "A vodka with lemon, please."
After your second glass of vodka with lemon, your senses began to become blurred. You had continued talking to Changbin and Hyunjin but you didn't remember a single thing that had come out of their mouths, just the way you kept giggling as you continued ordering drinks.
At some point, Chris stopped talking to the group and approached you, laughing at your jokes and enjoying the company and due to your state, you couldn’t help but begin to navigate towards the territory that you had forbidden yourself. The party was at its peak, with most people drinking and dancing while enjoying themselves, but you still hadn't given your gift to Chan.
Hyunjin was trying to explain a joke but between how he slurred his words and how he laughed while explaining it, no one understood him, you were just laughing at the scene. Changbin, who was the most sober of the group, watched the scene with a raised eyebrow while laughing until he saw how you and Chris were looking at each other while laughing and spoke when a comfortable silence fell among the group after the laughter, "Are you going to give him the gift or what?"
"Oh, yes, yes..." you murmur with your pinky cheeks due to alcohol. With slightly shaky hands, you open your bag for the second time that night, pulling out the small box and reaching your hand towards him so Chan could grab it.
"I hope you like it," you murmur excited and nervous, taking a quick look at his hands before focusing on his face.
His hand slowly reaches out, taking the box from your grasp as his eyes continue to stay focused on you, "You didn't have to-"
Changbin huffs from behind and interrupts his sentence, "Just open it, Chan."
He can feel your gaze staring at him which only causes his own body to become tense and his heart to palpitate a bit more than it already was and you chew on your lower lip nervously as your eyes watch him open the black box, his eyes almost widening a bit surprised as he processes the contents of said box.
"Holy shit..." he murmurs as he stares down at the silver necklace in complete awe, his eyes tracing every single little detail that was on the jewelry.
He delicately takes the necklace out of the box, almost handling it with the same care he would handle a newborn baby, examining it closely and you start to grow even more nervous. As he turns the necklace around, you feel even more anxious at the idea of him hating your gift and your breath gets stuck in your throat when he finally looks back at you with his doe eyes.
"You don't like it?" you speak quickly, making your words slur a little as you look at him totally embarrassed and take another step to take the necklace from his hands, "I-I can change it, you know? I can tell him th-"
"No, what? No" Chan's immediate response, quickly as yours, interrupts your thoughts and he tightens his grip on the necklace, not giving you the chance to take it from his grasp, “I do like it. I actually love it.”
Your body relaxes when you see how a small smile begins to widen on his mouth, perfectly showing his dimples as he once again stares down at the silver necklace in his grasp, making you let out a small sigh of relief. You know he's not lying when he says he loves it; his ears begin to turn crimson.
"I just..." he starts again as that smile he has on his face never falters, "I just wasn’t expecting this... How much did it cost you?”
"It doesn't matter" your response is immediate, noticing how a small frown creases Chris’ forehead as he begins to open his mouth again to probably start a monologue, but so before he can say anything, not wanting to hear him say the same thing over and over again, Hyunjin chimes in.
"Can I see it?" Hyunjin cuts him off before a word comes out of his mouth, leaning in to get a better view as he puts a hand on your shoulder, a silent and discreet way of saying 'I've got you' and Chan nodds. “Damn,” Hyunjin says, feigning surprise and looking at the small jewelry on Chan's grisp as if he hadn't seen it before, “I always knew you had a good taste. It looks cool.”
You smile a bit when you see him helping in the situation, but your attention then goes back to Chris, who continues to stare at the piece of jewelry in his hands with a frown on his mouth.
“I…" Chan starts again as he tightens his hold on the necklace a bit, almost as if someone could take it from him, "I really do love it... But you shouldn’t have-"
Again, Changbin steps between the interaction, “Yeah, yeah. Can’t people do anything without you lecturing them all the time, goddamnit?” his tone is a bit annoyed as he rolls his eyes at his friend, "She just wanted to pamper you for your birthday. Just accept the damn gift, Chris,” he lets out as he lightly slaps at the leader's shoulder and Chan lets out a sigh. You have to suppress a chuckle at the scene before you, knowing that Changbin was speaking for everyone with his words. Chris's grip relaxes on the jewel and his gaze returns to you, searching for words to appreciate the gift, he knows he should just be thankful but that feeling in his chest prevents him.
"Don't worry Chris, it's okay," you try to reassure with a small smile and your shoulder receives a squeeze from Hyunjin before he returns to his previous position, leaning on the bar. Chris raises his hand, his eyes flickering between it and your face, offering you the necklace as he asks, "Can you… can you help me put it on?" you nod.
Your heart fluttered in your chest at his request as you took a step closer to him, and Chan’s heart practically leaped into his throat. Your hands carefully take the necklace from him and with slightly shaky fingers, you place the necklace around Chris’ neck; the cold metal of the necklace coming in contact with his skin and making him shiver slightly, making him hyper-aware of every movement, touch or breath. He can’t help but lean into your touch just a little bit, relishing in the feeling of the proximity of you and your face.
You fastened it and made sure it was sitting properly before moving it around his neck, making the necklace clasp stay at the back of his neck. But even though you have just closed the clasp, you stay where you were while you lower your hands to your sides; not separating yourself even a centimeter from him and he doesn’t dare to move or speak either.
Chris's cologne come directly in with every breath you took, along with that look in his eyes; that look that beggs you to let go for once and finally give in to your desires repressed for years made your mind go back to the fine line you have been avoiding all night when he returned to your side.
But as quickly as the moment came, as quickly it leaves when you hear Hyunjin’s whisper to Changbin, which has come out louder than he wanted.
You finally look away from his eyes, and Chris does the same, avoiding eye contact to try and hide how red his face and ears have become, causing an awkward silence to hang in the air. You turn to look at the guys, who look at you both with a clumsiness look in their eyes and Changbin glances at Hyunjin before grabbing his arm and pulling him away from the bar.
"I... I think we’re going to go find Han," Changbin quickly says, not wanting Hyunjin to disturb any longer between you and Chan and begins to move away from you, dragging the highest, "See you... later?" both you and Chris murmur a soft "yeah, see you later" as you watch the two boys leave, hearing a “good job, dumbass” from Changbin.
After the two boys leave, an uncomfortable silence fills the atmosphere around you and Chris. You can feel a lump in your chest, probably the alcohol mixed with your own emotions; your breath falters a small bit, and your heart pounds with a force you didn’t know you could feel, you feel your skin burn with desire.
With your eyes focusing on the floor in front of you, you bite your lower lips, the taste of vodka on your tongue. You know that you shouldn’t look up. You know that if you look up, you won’t be able to look away.
As if your head was on autopilot, you slowly lift your gaze, letting your eyes travel up to his face. The necklace was perfect on him, the silver contrasting perfectly with his skin and the black of his clothes. His eyes immediately turn to yours, as if he was already waiting, as if his focus had never left you. You feel your heartbeat get faster, your breathing labored as the alcohol running through your body makes everything more intense.
"Uhm... It looks good on you," is the first thing you think of saying to try to reduce the awkwardness. You try to look back at the necklace, at something other than his eyes, but you can't, feeling the alcohol take over every one of your senses, the sound of the people having fun in the background muffling, everything feeling distant, like if you were trapped in a bubble only the two of you can see. His own eyes are roaming all over your face too, the desire and hunger in them making your legs feel like jelly, as if he could take you right there.
"Yeah?” he murmurs in response, his voice slightly low, almost a soft caress that makes your senses go even crazier. He takes a small step towards you, invading your personal space without even caring, reducing the space between you almost completely, "You like how it looks on me?"
He is trying to be cheeky, and you can see it in his eyes. You bite your lower lip, your brain screaming to look away, to not get carried away by the intense gaze of the man in front of you. You know you’re a couple of seconds away from starting something, but you still don’t look away from him, chewing your lower lip again and a lucid idea comes to your mind; it was as if he...
"You've been waiting for us to be alone."
“Maybe.”
"How drunk are you?," you ask carefully, knowing that you two are starting to not think rationally.
"Honestly? Pretty drunk" he confesses, his words coming out slightly slurred, but even then, you can clearly hear the desire in his voice, “You?”
“Same. Enough to regret tomorrow”
Both of you stare at each other, analyzing, feeling that same tension coursing through the air. You didn’t need to say much, you didn’t need to speak with words, each of you knows what the other is thinking, each of you are aware of the fine line of the situation and the alcohol is making everything more intense. The look in his eyes, the way he keeps staring at you without blinking an eye,his cologne flooding your senses in the best and worst way possible. It’s all too much, and yet, it's still not enough.
"Chris, no- we're not thinking rationally," you mutter, slurring your words a little because of how quickly they come out of your mouth, "We're supposed to have a line, remember? And we're about to cross it-”
“Then push me away,” he almost dares you as he cutt you off, his hands slowly slide next to your arms as grabs the edge of the countertop, pinning you against the counter of the bar, “Tell me you don't wanna and I swear I won't do it again.”
“I…” you murmur under your breath, trying to think of anything to stop both of your brains from fading into the drunken lust.
“You what? You’re scared?” he asks rhetorically, raising an eyebrow and then letting out a quiet sigh, “Don't you realize that we can't continue like this? I like you, you like me. Why don't you let me love you?”
You both looked into each other's eyes with an intensity that revealed all the feelings that you did not let come to the surface and tried to bury. You look into his chocolate brown eyes as if you’re bewitched by them and the way his eyes seem to almost stare into your soul. The closeness creates as if the world around you were a simple blur that makes you feel even dizzier.
His mind is clouded with all the things he wants to say and do, but the words are stuck in his throat for the way you were looking at him, making him feel like he’s the only person in the world. Chan's eyes darts downwards to your lips for a brief moment before quickly flicking back up to your eyes and he swallows, his Adam’s apple bobbing slightly, when he found himself leaning just a millimeter closer to you, lips almost brushing yours.
“Let me love you, please…” he whispers in a low tone, making the words sound like a breathless prayer on his tongue.
You know it's wrong, you'll regret it the moment your mind becomes fully conscious again but your body simply can't keep up with the self-imposed prohibition nor even the same beg look in his eyes, so you just lock your lips with his.
With your soft, sweet permission as you close your eyes, Chan allows himself to move the hand he has on the edge of the countertop to place it on the side of your neck, cupping it and immediately closing his eyes at the contact.
The party, the people, the loud music, everything, disappear as a lost train that never returns. It feels like every nerve in your bodies is ignited as you both savor the taste of the other; every bit of non-talked emotions replaced by an overwhelming wave.
Chan kisses you with a sweet intensity as if he’s trying to make up for the years of suppressed feelings. He pulls you closer to him, his other hand finding your hip and resting on it as he deepened the kiss, his tongue gently requesting entrance between your lips, which you gave it to him with delight as your hands travel to his shoulders.
You open your mouth slightly and Chris doesn’t waste a second entering it, causing your right hand to slide to the back of his head, grabbing his hair between your fingers as if your life depen on it. Chris lets a guttural sound escape his throat and buries his fingers hard into your hip, which you respond with a soft gasp.
His tongue explores your mouth eagerly, tasting and claiming every inch, leaving the two of you in a moment of undeniable connection and raw emotion and with a shudder; he gently pushes you against the countertop, tilting your head a bit to give him better access to your mouth, making you moan quietly in response.
Chris swallows the sound of your moan, feeling a wave of desire wash over him as he pushes you harder against it and his body against yours, pinning you between himself and the cold surface behind you.
He pulls back, both of you breathless, just enough to trail kisses down your jaw and throat, his nose pressing into the soft skin of your neck as he drank in the scent of you and taste of your skin, leaving hot kisses along your neck as he slowly makes his way to your lips, also leaving a quick there before separating his face from you.
Chris rests his forehead against yours as he, despite the desire coursing through him, can’t help but admire the sight of you; eyes shining while looking at him, lips parted and in a reddish color.
His eyes linger over your messy figure for a few seconds, his tongue moistening his lips as if he could still taste you in them, as if you could still melt in his mouth, "Let’s get out of here.”
“But your birthday party-”
“Fuck it."
He took a step back, reluctantly releasing his grip on your hip, but his other hand grabbed yours, lacing his fingers through yours and started to lead you inside the club and towards the exit.
"And the boys?"
"I’ll text them later."
Not even your mind responded clearly anymore, so clouded by the taste of his mouth and the desire for his hands to run over your body that you couldn't articulate any denial.
Chris hailed a cab and in the blink of an eye, you two were at your apartment, your lips locking againg once he closed the door. Everything happened so quickly as you walked blindly to your room, leaving your pieces of clothes and shoes along the way.
You realize you were both only wearing underwear when your back hits the soft sheets of your bed and your head the pillows, with Chris on top of you.
Chan breaks the kiss briefly to trail his mouth around your throat for a few seconds, trying to contain the desire that was coursing through his entire being as he tastes your skin and hear your gasps in response, and he move his mouth down to your collarbone, leaving open-mouthed kisses over your chest and then going down to your stomach, his hot tongue leaving a hot stripe of saliva as he continues to go down until he reaches your hip bone, suddenly felt your fingers tugging the strands of his hair.
Chris stops immediately to raise his head a little, looking at you with doe eyes, captivated by the image in front of him. His hands travel from your hips to the edge of your panties, slowly lowering them as you raise your hips a little to help him and throwing them somewhere in the moonlit room.
He lets out a gasp as he looks at your exposed wet pussy, and you see his Adam's apple bobbing as he swallows in an almost greedy way. His eyes seem as if he's admiring some kind of rare diamond, and even if you want to hide and feel self-conscious about your body, the look in his eyes makes you shiver, the intensity with which he looks at you makes you feel like the most beautiful girl to step on earth.
"Tell me how bad you want it" he whispers, almost in a daze, as his hands travel again to your thighs, feeling your skin like a delicate fabric, tracing patterns over your inner legs, to which you respond by lowering a bit his head until his nose and lips brush against your folds, “Use your words, princess.” his breath directly against your cunt causes a cold shiver to run down your spine, anticipating the pleasure and you let out a quiet gasp.
“Please…” you whisper in a tremulous tone, feeling your cheeks burn with desire and perhaps a little bit of embarrassment for the intense look of the man in front of you and you bite your lower lip as he brushes his nose over your folds again, enjoying the way you squirm under his touch; your response to his pleas makes him feel a wave of satisfaction and heat in his stomach, “I-I want it so bad, please Chris”
"There we go" Chris praises you quietly, a satisfied smile on his lips, "You're doing such a good job for me, princess, I know you can do better." He gives your aching pussy a quick lick, making you whine, as if he was analyzing your reaction, and then wets his lips to speak again, "Tell me how you want me to touch you, I need to know, yeah?,” you eagerly nod and he slowly, gently pushes your legs a little more apart and he leans in a little more between them, his breath warming your core before he buries himself on your pussy.
Chris starts soft, even gentle; moving his tongue up and down and sucking your bundle of nerves with his gaze fixed on you and your reactions to know if you’re liking his work, but with every whimper or moan that comes out of your mouth, he increases the intensity, reaching to the point that he’s eating you as if it was his first meal in years. The obscene sounds his mouth makes while sucking your clit and the way you squirm under him fills your room, together with the light of the moon coming in through the slightly open window and shining a light on Chris, making his eyes shine, are the only things your head can focus on right now. Every nerve of your body is connected to his mouth and there’s nothing more delicious, making you clench your fists in his soft hair.
“Fuckfuck, Chris, Chris-” is all you can manage to murmur in a soft moan, not feeling yourself in control of your own words as his chocolate glossy gaze’s still fixed on you, “Fingers, fingers please.” The sweet, impatient plea makes him feel proud; proud to have you moan and shiver like that, to have you writhing under him so nicely and a sound that’s between a satisfied moan and a soft, low laugh comes from his mouth as soon the word ‘fingers’ leaves your mouth. Chris immediately obeys, “Yeah, baby, I got you” purrs against your wetness, leaving a wet kiss before pulling himself away as he takes his right hand from your right thigh and bringing his middle and ring fingers to your folds; rubbing them to catch your juices mixed with their saliva and bring them to your lips. Chris doesn't have to say anything for you to open your mouth and start sucking his fingers as if it was the most important mission of your life.
“Such a good girl, mh?” he praises you again, watching intently with his pupils dilated the way you seem to enjoy savouring the mix, “I would never have guessed you were that nasty.” he teased, tilting his head slightly before slowly removing his fingers, now wet with your saliva, from your mouth and bringing them to you core. He moves them down your entrance, mocking you as you can feel how you clench around nothing and without any notice, slides them in a smooth motion, feeling how tight and warm you are.
Your eyebrows furrow at the sudden intrusion and you look at him with your mouth open, unable to say a word when he begins to move them inside you, curving them to easily hit your sweet spot, “Did I make you that excited?” he asks in a teasing tone while leans towards to place his lips on the crook of your neck, biting softly without looking away from you. A whiny “Chris- fuck yes” comes from your throat, one of your hands grips his wrist tightly; feeling in your grip how his muscles tense and relax as he moves his fingers and you close your eyes, still with your brows furrowed. "Keep… Saying my name, you sound… So pretty," he mutters between bites, his eyes fixed on your expressions as he picks up the speed of his fingers, "Will you keep being a good girl for daddy?”
Daddy. Daddy. Daddy. It echoes through your mind and you involuntarily cum around his fingers, making you both moan at the action at the same time that your fluids ran down Chris's wrist. Chris stops his work on your neck to raise his head and look at you carefully, a teasing smile on his face, "Did you just cum on my fingers because I called myself ‘daddy’?” his fingers lower the intensity, riding your orgasm and bringing you out breathless gasps.
Your eyes flutter, face completely flushed as you catch your breath from your sudden orgasm, not being able to articulate many words. When your eyes finally lock with his, his satisfied and teasing smile pronounces, “Don’t look at me like that,” you murmur as he brings his wet fingers to his mouth for a quick taste before licking them clean with one of his eyebrows raised. “You look cute,” Chris responds once he removes his fingers and slides his hand down your throat until he brings it to the side of your neck, cradling it while his mouth approaches your jaw to begin a route of kisses to your mouth, "But answer me."
“Yeah, yeah, I did,” he continues his path of kisses up to your mouth, gently biting your lower lip, “I thought so… Does it make you feel good to have daddy taking care of you?” he asks in a sweet tone, completely contrary to the weight of the phrase, before leaving a small kiss on your lips. You can’t help but purr softly a “Yes… Daddy,” that makes him kiss you again, smiling against your lips. Chris sits on his knees between your legs, still with his face close to yours and he takes your wrist in his free hand, bringing it to his black design boxers, letting you feel his thick hard cock under them, “You think your tight little pussy can handle me?,” you swallow, already imagining how it looks, but the moment he lets out your wrist and pulls his boxers down, leaning up straight for you to see him, your mouth and pussy wets again; a big red tip monster. You look at him with slightly widened eyes and he chuckles, “Small packages have big surprises, babe.”
The view in front of you is magnificent, to say the least; broad shoulders, muscular arms with some veins popping, delicious and big pecs that make the necklace you gift him look simple, abs where his hard cock collides with and that teasing look as he bites his lip, capturing all your reactions. Your skin crawls while you entrance clenchs again around nothing and you unconsciously open your legs more, to which he responds by pulling down his boxers completely and throwing them away.
Chris looks at your dripping pussy for a few seconds, swallowing the lump in his throat, “Liking what you see, princess?” asks with an arrogant smile, “You look delicious while mouth-watering yourself”. He leans over you again, slowly approaching the warmth of your body, lowering his head to press his lips to the sensitive skin of your neck and leaving a trail of small kisses until he reaches your ear. “Let’s see if daddy can make you mindless, shall we?” he whispers as his fingertips ghosts the skin of your thighs until he reaches your knees and grips them to lift your legs, placing them on his shoulders.
His grip loosens and his left hand lowers to his throbbing dick, pumping himself before lining himself up to your wet entrance as he rubbs his tip on your juices, "Tell me if it hurts, okay?" he whispers again against your ear, grabbing your waist and slowly pulling his hips towards you, entering his tip. He continues to bring his hips closer to yours until he fully enters and feels the way your walls receive him; squeezing him and in turn, soaking him. Both of you moan due to the new sensation and Chris lets his forehead rest on your shoulder, taking the opportunity to leave a love bite on the skin of your collarbone.
“You’re so tight… Fuck,” he says through his teeth while he feels your body adjusting to him and he lifts his head from your shoulder to lock his gaze with yours. His hair is disheveled and his eyes are slightly glossy, making him look more beautiful than usual. Your hands wander up his arms, going up to his shoulders and digging softly your nails, “Y-you can move,” you say in a plea and he didn’t need further instructions to start moving his hips at a slow pace, although it didn't last long.
The sticky sounds and skin crashing filling your ears as his dick goes in and out of your pussy at a speed your mind couldn't handle. He leans back to take a better look of you, his ego boosting at the way you’re under him letting out loud sounds. The moonlight seep throught the window, bathing his toned body, making the sweat on his skin almost shine as you look at him as if he was a god to worship. His hair falls over his forehead and eyes, which are still staring deep into yours when you arch your back by the new position. “C-chris- daddy? Fuckfuckfuck,” you mutter under your breath while he brings his right hand to you, putting his index and middle finger in your mouth, “Suck. I know you like to play with your mouth,” he commands to let a guttural sound out of his throat when your warm tongue embraces them and you start sucking.
He hums in satisfaction before taking his fingers out of your mouth and running them over your skin to your neck, leaving a trail of drool that makes you gasp at the sensation. Chris leans towards you again, his lips brushing yours, as he grips on your neck thightly, “Your little pussy needed my cock that bad?” he groans breathlessy, almost sounding like a growl, picking up his pace and starting hitting your sweet spot directly, that's where you can swear he's eyeing at you like you're his prey.
His breath hits your face while he bites his lip and you try to let out a word but he’s feral while his tip bullies your sensitive spot, so only moans come out of your lips that are getting louder and louder. Your grip on his shoulders begins to shake as you dig your nails harder into him and he brings the hand on your waist to your lower stomach, gently pressing down and making sure you feel everything as you squirm more under him. “You like that, mmh?” he groans again and you begin to feel how the overstimulation of sensations gathers in you, legs beginning to tremble, lips already open and walls that squeeze him with more force, you’re so close. Chris seems to feel it and picks up the pace again, bringing his face to the crook of your neck to start licking the hot sweaty skin, “Daddy, I- gonna c-” you try to say but he cuts you off with a soft “Cum, yeah? Cum on daddy’s cock, baby, I know you can- That’s it, good job. Good job, princess” he praises in a sweet tone as you reach the edge with the last loud moan, closing your eyes tightly and releasing your nails from his shoulders to let your arms fall to the mattress while gasping slightly.
Chris's grip on your neck loosens as he continues to crash on your body, quickly reaching his orgasm as well with a guttural moan. For a few seconds, everything else disappeared, and all that existed were you two and the feeling of the world exploding around you.
Then, slowly, reality began to creep back in, and with his tremblous touch he takes your legs off his shoulders to gently place them on the mattress before collapsing on top of you, burying further his face in your neck and wrapping his arms around you. The room was almost silent, save the soft noise of your breathings mixing together. It isn’t until Chris speaks that you could notice the faint sound of the cars and the traffic from the streets outside the building.
“Have I been too hard?” he mutters against your skin, his voice a little winded as both of you try to get yours heartbeats back under control. Your hands move to the back of his head, slowly stroking his hair as your bodies sank in sweat and heat that slowly ceased to exist, “Mh, no, everything was fine, Chris”, you assure with a tired smile, your own voice breathy and soft. He slowly moves from you just enough to raise his upper body and look at you, his chin gently resting on your chest as he does. Chan’s eyes run over your eyes, from your messy hair to your rosy cheeks and your shoulders where he can see the marks from his bites.
He moves one of his hands to push his hair back as his lips pull into a lazy smile before he separates himself from you, getting up from your bed to look for his boxers and put them on quickly, “Don’t move, I’m gonna clean you up… The towels are in the bathroom, right?” you nod while you watch him move in the dark towards the bathroom and return with a small towel in his hands. He picks up your panties from the floor before getting on the bed and start gently cleaning you, “You treat me like a baby,” you murmur to him between giggles as he puts your underwear back on and throws away the towel, looking at you with a smile before lying down next to you and covering both with the sheets, “That’s because I like babying you”.
Chan’s now lying on one side, his head resting on one of his forearms and the other hand absently drawing patterns on your bare belly as you lie on your back, “I’m sleepy” you complain as you move sligthy to lie on your side and face Chris. He moves closer to you, moving one arm under your neck to put you closer to him, pressing your chests while nuzzling your face in the crook of his neck. His right arm envelops your waist tight as a small yawn leaves his lips and he lets out a sigh, “Mmmh, I could get used to this,” he muses with a sleepy voice before leaving a small kiss on your head, and you feel how a wave of reality hits you, hard.
His words make your stomach stir, the realitzation of what has just happened between the two of you being too big to be real. You swallow with some difficulty and you close your eyes, suddenly too aware of his touch, his body around yours as he continues to run his hand affectionately up and down your back while your heart aches at his words; not because you didn’t feel the same, but because he loved you and you were going to break his. You can't help but feel guilty after everything that has happened; yet you can’t stop yourself from snuggling closer into his chest, as if hoping that by doing so you could bury it all to the back of your mind. Chan's hand moves to gently card through your hair, "You know I love you, right?" he mutters against your head, still in an almost sleepy tone, "I've been in love with you forever" he whispers as his lips nuzzle into the crown of your hair while his other arm hugs you tighter to his body, as if he also didn't want to let go.
You bite your lower lip hard and try to be as strong as possible so as not to start crying right there, in his arms, "I know... I've always been in love with you too." your voice is sincere, feelings transparent like a mountain river that has not yet been contaminated but still trembles a little. “Good... Because I’m not planning to give you up,” Chris murmurs, and even if you can’t see his face, you can feel the soft smile through the tone of his voice, still with his head burrowed on your hair. It’s impossible not to feel guilty and undeserving when he cuddles you so affectionately and whispers so lovingly into your hair.
In a short time, you began to feel Chan's soft breathing in your hair, indicating that he had fallen asleep and had left you alone with your internal storm, likewise, it did not take you that long to follow him and fall asleep in his arms, with your body heat.
The faint ray of light coming through the window together with the snoring of the body by your side woke you up, feeling groggy and slightly cold. You opened your eyes, finding yourself glued to Chris’ back, your nose burying in the back of his nape and your hand on his belly. He was like a little furnace that still irradiated heat while being sound asleep, and you could feel the muscles in his abdomen move when he breathed heavily; even under your hand. You carefully left his side, getting out of bed to open the closet and grab the first pajamas you found, feeling how your body gradually began to warm up in the cold morning.
You made your way to the bathroom to remove your completely ruined makeup and wash your face, noticing the marks on your neck and shoulders that had been completely ignored by you at night. You left there starting to feel disappointed again and totally guilty of yourself as you went to the kitchen to prepare breakfast, your head felt like it was going to explode, your heart hurt like never before, and you couldn't walk very well. While the coffee maker fills your cup, with your head in your hands while your elbows are on the counter staring at the cup, you feel Chris’ arms around your waist from behind, burrying his face in your neck, murmuring a groggy “G’morning,” voice thick from sleep, to which you reply with a soft, "Morning".
His embrace around your waist is warm and comfortable, but you can't help but tense against him. In his still foggy mind, he doesn't seem to notice that something is wrong, "You smell nice," he mutters in your ear, before leaving a sleepy kiss on the crook of your neck, and that action only made you feel worse, as if the world was crushing you. Chan leaves another small kiss behind your ear before asking, "Did you sleep well?"
"Yes, yes, everything’s good, Chris, and you?" you say quickly, stopping the coffee maker to remove your cup and separate yourself from him. You sat on one of the chairs at the dining room table with your cup, completely ignoring the look of confusion that was beginning to form on his face, resting your elbows on the table again to put your head in your hands, "Make yourself a coffee if you want".
Chan walks over to the coffee machine and starts preparing himself a cup, but you can feel his gaze on you from time to time; even if you keep ignoring him. He then goes and sits across from you, in complete silence, his eyes studying the way you were avoiding his gaze to the point of not even looking at him, and then you can hear him take a deep breath before asking, “Is this the part where you tell me 'What happened yesterday shouldn't have happened and that it was a mistake’?”
Your heart clenches at how low and hurt his voice sounds, as if he’s already prepared for the worst, and it makes you feel more than terrible but unable to explain to him at the same time. You can’t see his face, but you’re sure his eyes are beginning to look at you with that dejected expression and it makes it very hard for you to hold your own facade even a second longer, “I… I can’t do this, I’m sorry. I told you I would regret it in the morning, and I am. I've been doing it since after we went to bed”.
The silence that follows your words feels like an eternal torture in which you can’t help but think of what Chris’ feeling, what he thinks of you. After a long minute, he finally speaks, and you can hear in his voice that he is holding back every emotion that runs through him to say something more, “You know… You were the one that took the first step last night. If you told me you would regret it after it, why... Why did you do it?,” but before you can answer, he continues, a dissappointed tone in his voice, "I know you think you’re not enough for me… But this is going too far, don’t you think? I’ve been chasing you for forever and when I finally get you, you do this to me? I- I just don’t understand you!" your stomach twists hearing the way his words start to crack at the end as he speaks, the frustration he feels towards you seeping through every syllable.
Chan stands up in a rush, almost knocking over his chair in the process, running one of his hands through his hair as he walks with short quick steps around the kitchen while the other rests on his hip, “God… I don’t even know what I expected after I saw you avoiding me the first thing,” he mutters, and you’re sure it wasn’t for you to hear, but you did anyway and it makes you feel like you’re shattering, and then he stops in front of you, “Look at me.” You know you have to face the consequences of your own actions, so you slowly raise your head, meeting his eyes for the first time since you woke up. His facial expression was a mixture of frustration and hopelessness, with a gaze you’ve never seen in him before. He takes a few seconds to just look at you as if trying to get some answer to the dozens of questions circling in his mind right now, and then he speaks again, “Why, after everything that happened last night… why are you pushing me away like this? Is it that hard to accept that I love you?” his question makes your heart drop to the pit of your stomach because it’s hard, excruciatingly hard to accept that the guy in front of you is hopelessly in love with you.
His words make you bite your lip to hold back a wave of tears as you finally let out a trembolous sigh, “I want to hear it from your own mouth. Why?” he murmurs with a stern but pained tone. You’ve never hated yourself as much as you do in this moment, seeing his beautiful eyes pleading for an answer, a reason, a damn explanation. It feels like a nightmare, like a cruel punishment, and the only thing you can do is keep staring at him silently as he continues, frustration growing in his voice, “You were the one who initiated everything; the first to move, the first to open up and let me in, and now you’re pushing me back again because you’re insecure?-” “You don't understand anything!” you cut him off, raising your voice and feeling a big ball form in your throat.
“You don't know how much it hurts to constantly compare yourself with all the women next to you, knowing that each and every one of them is better than me in every aspect. I don't want you to be with me! Can it get into your head?” the words come out of your mouth so fast that you don't know if Chris’ understanding you, “I already know that you don't love others, I know that you think that I am enough but can't you understand that I don't see myself like that? I already know it's my problem. That I’m the problem but I can't help but think like that.” At this point you’re standing up, both of your coffees going cold as you look into each other's eyes, sharing a different pain but same intensity.
Chan stares at you with a mix of hurt and confusion, his heart breaking with every word that falls from your lips. He has seen your doubts and fears before, but he didn't think they ran this deep, "I… I don’t understand why you would think this way…" he stutters, his voice quivering, "I've told you countless times how much you mean to me-". “It’s not about what you say, Chris. You can tell me I’m the most important thing in the world every day and I would still believe that I’m not!” you snap, your voice rising again as frustration, guilt and pain bubble over inside you, “I don’t know how many times I have to say I’m not good enough for you to get it” you continue before looking away from him, “So please… Leave.”
Chris falls silent at your words, a pang went through his chest like a dagger, the air in his lungs ceasing to exist and his entire being felt as if it was imploding. Your words echoed loudly in his mind and his eyes widening slightly, "What?" he mutters in an almost disbelieving tone. You avoid his gaze, your mind and heart in turmoil. You know you’re making a mistake, pushing him away like this, but yet, the crippling fear and doubt gnaws at your insides, “Leave,” you beg, in a pleading whisper, still refusing to look at him, “Just go.”
Chan’s completely and utterly stunned as realization sinks in. His eyes widen even more, and his entire body tenses as if hit by electricity. You’ve never seen this expression before, and it makes your heart sink into your stomach. For several seconds, he stays frozen in place, with a completely bewildered expression on his face, his mind trying to process your words, to believe what you just said. And then, softly, he whispers, “Are you seriously asking me to leave?” his voice is so low that it’s a contrast to the loud beat of your own heart. Your stomach twists painfully hearing his pained, disbelieving tone. You know you’re hurting him. That you just made the biggest mistake of your life. Still, you can’t find it in yourself to take it all back and apologize, your fear and insecurity still making you believe that this is the best for him, best to keep him at a safe distance away from your mess. So, you keep looking away from him, fighting to keep your voice steady as you answer hoarsely, “Yes, I want you to leave.”
There’s another second of complete silence. Even your own breaths sound too loud in the quiet of the kitchen, and you swear you can hear the sound of your own heart breaking along with his. Then, his voice, still low, said, "Why are you doing this to me?” his voice sounds broken as he steps closer to you, “I’ve done everything I can to show you how I feel, to prove you wrong… and it's never enough, is it?" he stops right in front of you, but he doesn't try to touch you, just staring at the top of your head.
“I’m sorry, Chris, really.”
Chan keeps staring at you for several more seconds, the silence growing heavier with every moment passing. He closes his eyes and takes a deep, shuddering breath, and you can almost feel the turmoil of emotions in him; his heart bleeding with each passing beat, the pain of your words stabbing through him like a knife. After what feels like an eternity, he opens his eyes, and speaks again, his voice quivering, “Will you look at me?” you can hear the raw pain in his voice, the way it’s cracking, and it makes you want to run your fingers through his hair, hold him tight to your chest. But you don’t do any of those things. You raise your gaze slowly, almost unwillingly, and almost regret it the moment you look into his face, seeing his beautiful face twisted with an expression of pure suffering, his eyes glittering with restrained tears that break your heart even more, and you almost have to bite your tongue to hold back the tears rising in your own eyes as you see the way he’s looking at you.
He’s trying, with all his might, to keep it together. To hold back tears, to keep his own emotions inside him. But he can’t. He can’t stop the corners of his eyes from dampening, the way his bottom lip quivers, or the way his voice breaks when he speaks again,
“I love you. Please, don’t forget it...”
You saw in his eyes how he hesitated whether to kiss you or simply hold your face with his hands but he didn't do any of that. He looked at you, giving you the best smile he could give you at that moment before leaving you alone in the kitchen.
You heard him getting dressed in your room but everything was like a distant noise and muffled by the way you began to cry silently.
The sound of the front door closing was the trigger for you to start sobbing, realizing that you were now totally alone.
In your apartment and in your life.
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princessbrunette · 3 days ago
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I don't know if you had already answered this on your blog, but I was wondering would any of the girls be friends? Like I'm talking kitty, puppy, deer, lamb, and bunny. In my head I always pictured Kitty and Puppy being best friends and Bunny being more of an outsider because she's with Rafe.
this is interesting !! let me dissect all of ‘em <3
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bunny:
you’re right — no one really wants to be friends with the poor girl because she’s rafe’s ride or die, and well — who trusts rafe? on first glance, they all would assume she’s just as wicked and evil as her boyfriend, but it would only take one interaction with her to know she’s not at all. i think with all the girls, their view on bunny shifts from being suspicious, to being pitying very quickly. whilst i don’t think they’d even get close enough to be friends, the general consensus of her would be “shes so sweet, idk what she sees in rafe.” or “we need to get her out of there!”
if she’s gonna make an unlikely companionship with anyone, it would be a universe where lamb!reader is dating one of the pogues. her and lamb come from similar kooky upbringings, and their complete opposite ways of presenting themselves would make for an interesting and hilarious dynamic. bunny teaches lamb about all the girl things she’d been deprived of, and lamb applies biblical meaning to bunny’s life lessons. she also thinks rafe is the devil but that’s a story for another day.
kitty:
whilst kitty and puppy would be a funny dynamic — and it works, as traditionally pup is with john b and kitty is with jj, my favourite friendship pairing might have to be kitty and deer. kitty feels less responsible for deer like she might with puppy, and as they both have super niche interests and ways of being, they’d have a lot to talk about.
my favourite thing about their dynamic would be the way they handle confronting situations. they’re both big people watchers, often silently floating around, wide eyed and unnervingly observant — however when the attention is drawn to them in a negative light, deer is quick to flee — upset and terrified of confrontation, whereas kitty will stay, tense up and run her mouth protectively of herself and her friend. she may be quiet but she can be lethal when provoked.
puppy:
puppy would get along with anyone, as she’s super friendly and sociable. in the most versatile way, she adapts to the needs of her friend — meaning if she’s hanging out with deer, she knows she’ll be doing a lot of the yapping whilst deer listens and observes before giving advice or an opinion. with kitty, it’s a yap off, the two of them always having alot to say. i can’t really see pup and mouse crossing paths, and i don’t think lamb would particularly take to her.
i am aware i said bunny wouldn’t be around many other readers, but other than lamb, if anyone will break through it’s pup. she and bun have the same energetic, sexually charged ditsy ways, so i think around eachother they’d be able to unapologetically be themselves and treat the world as their playground. their friendship would be less about sitting and talking and more about running around getting into chaos and spending money on rafes card. in another world they’re f4f gfs.
mouse:
i’ve spoken of this many times, but an underrated yet unstoppable duo is mouse and kitty. they enable eachother in the worst ways, mouse teaching kitty how to not get caught when shop lifting, kitty teaching mouse how to fuck, smoke cigs and mouth off (shes too shy to do the last, and lets kitty fight many of her battles)
they spend alot of time together, perhaps to the point of being completely codependent, never seen without the other. kitty was even there the first time mouse had sex, holding her hand. they bicker, but it’s because they care about eachother.
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planetsstarsandmoons · 15 hours ago
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Synastry observations (partly) based on personal experience, part 6:
(18+!!)
(Back after a year! Lol🌜🌛)
Moon conjunct mars: can be one sided asfuhck. I’ve seen it play out. Fully accepting that deeply personal intimacy of having someone’s sex aspecting your deepest emotions and/or the other way around is a sort of intimacy that some people just.. don’t…. want with that other person. This comes as a shocker because to most people, having a synastry aspect automatically means you have to like that with the other person, but Some people are just not into the other person like that! Or have trouble with intimacy. And even though the very primal emotional bridge between (possible) intensity of emotions and (possible) intensity of sexuality really ‘clicks’ and hits like no other, it doesn’t mean that the emotions or sexuality of both of the people will be intense within themselves… or that they will be seen in the same way. Many times I’ve seen this aspect play out in two people who worked really well together, were natural kissers and such, had almost iconically amazing fullfilling sex together, but one person wanted to marry and move into the other person and the other person simply did not want that, got the ick maybe, or simply closed themselves off from that meaning to the connection that one party attached to it but they themselves could not get in touch with, and either abused that power dynamic as much as they could or they ran away. Meanwhile thatother person, and I’ve seen both the moon and the mars person in that situation, is left completely addicted and insecure and an unstable mess because of this, because this aspects didn’t cause them so much to be in love, it caused them to have an addiction to this perfectly fullfilling passion and intimacy that they fundamentally lack in their life. They wanted to marry this person because of that. A friend (the mars person) of mine once puked when they saw their recent mars-conjunct-moon-synastey ex (it was a 1,5 month relationship) walk into a room. He later discovered that for some reason, that extremely intense feeling heartbreak didn’t really have anything to do with her, but more about the affection he lacked from an absent parent in his childhood, and the (obvious to everyone else) fact that he was bordering on a complete burn-out. He desperately needed that dopamine and those endorphins. Meanwhile the moon person was nowhere near in the headspace to have that kind of emotional intimacy so fast in her 1st relationship, so she started finding him less and less attractive, and then it was over. I once had an international student (moon) I think fall in love with me (and later stalk me) after 2 dates. He was a lonely international student in this Nordic country and his mother was sick in Egypt. We could not hold an interesting conversation on our own if we tried, but we were -very good kissers-and the almost-sex was extremely good. I didn’t want to cross that line, because for lack of better words I felt like it would go on to mean too much, be too emotional and too intimate and the thought crossing that border with him gave me the ick/ a fight or flight response, like I would just let this man be wayy too intimate with me if it happened, so I cut it off 🤷‍♀️ All the hormones of interpreting yourself to be totally ‘in love’ are there in the synastry, but it’s not *really* that, and most people in the sorry position even secretely know that, even though it’s confusing because they forever remain adamant that there here was something bomb in their connection.. because there was. But imagine: the moon feels emotionally hit in their core by mars’s… sexuality/attractiveness. Mars sees the deepest inner emotions of the moon and feels… turned on. You see where I’m going with this? The intensity and intimacy is great, but for a real love connection you need synastry on things that lead to mental, spiritual and emotional connectivity too. Can you even have a good conversation with this person for longer than 25 minutes? Do you even.. care about them? and vice versa? Would you love them if they were a worm? I have even more stories but they’re for another time 💆‍♀️
Moon trine mars: so. This one is kind of different. What do I mean? Well I believe that in synastry aspects, planetary influence comes to exist in the context of the aspect. Mars conjunct a planet will get all of mars. Mars square a planet will get the worst/most challenging side of mars (brought out by both). Mars opposite will get the antihero kind of mars -the conjunct mars on a possible (and needed) character delevopment journey if you will- and mars trine and sextile will get the harmonious benific, kind of ‘angelic’ sides of mars. He becomes the Aiden from Sex And The City, the soft woodchipper. This mars is in relation to the moon person a 10th house oriented, responsibility taking man who makes you laugh in the form of making you smile. The moon person becomes enamored with the mars person’s standing for something, his way of solving problems, overcoming obstacles, his professionality and his energetic form of taking action. The mars here becomes the kind of mars that is serious about protecting and heartily keeping what he feels is hitting his mars, instead of fighting with it or having sex with it necessarily. The moon’s emotional being becomes like his healthy objective, that he will protect and will fight/work himself up for in a way that he can control. A trine is harmonious which is kind of how you’ll see the mars person get into that civilised and gentlemanly role (to the emotions of the!!👌) moon partner. Where mars squaring the moon is like a mean alcoholic to the moon, the mars trining the moon will be a driven, shaved man in a suit or a spencer, kissing his wife goodbye before going to work. The moon in this aspect is different too: like water, the moons energy decides to flow depending on the factors and tides of the environment: If the moon has no reason to feel stabbed all the time, the moon won’t act overly sensitive or insecure or reactive to every little thing. Being shown the harmonious and safe/secure part of such a powerful planet like mars, the moon person will let their guard down big time. Typically, in this aspect, the moon person opens up, becomes very emotionally comfortable and shows their real and raw private selves to the mars person in a way that even surprises the mars person. There will be lots of oohs and aahs from the mars person who is *absolutely thrilled* to discover that the moon person is actually way softer than they come across in their personality, or more insecure than they wear on their sleeve, or are actually way weirder than anyone would expect. This is like an emotional theme in the relationship for mars. Granted to mars, it actually is a kind of odd way of special, because Real selves are often only shown to others in despair, crisis, moments of survival, very few deep talks, or during sex, but here the moon person is comfortable being their quirky and complete and utter selves with the mars person just during ‘daylight’ so to speak, as if they were alone in their room doing a talk show monologue in the mirror. It’s because mars made themselves this safe haven but is also a good reason to get excited and happy. So this aspect isn’t so much about physical/primary (so sexual attraction) passionate intimacy as you see, it becomes a personality thing of more mental and earthy(?) substance imo. In couples this aspect creates a forever-kind of ‘fondness’ of each other. In this relationship it’s the sex that becomes the highest feat of romantic bonding, not commitment to each other or affirming affection like with the conjunct or the square, which needs those components to make or strengthen the connection as a romantic one.
Mars conjunct mercury: best friends aspect! Being able to talk for hours, do any activity together, spend an entire day doing stuff together or going to a daylong event with just the two of you without it ever being awkward. Being able to do groceries together for a pregame with each other before going to do an activity that you’ll also be doing together. Energy, jokes, and things to talk about never run out. Mars’s energy lets mercury’s thoughts and mind race through multiple subjects and important comments at once, and mercury’s thoughts excite slash fire up mars’s energy. Their response becomes fuel for mercury again and so fort. I know two best friends who have this in double whammy almost exact and they are *always* together. Like in the same day, they would hang out, go to do something else/hang out with someone else, then go hang out with each other again, then in the evening one would visit the other at work. I have this aspect with one good friend that I can talk for hours with. Catching up is never awkward and we constantly learn from each other, plus we’re interested in the same things, because his mind/daily thoughts/the things he pays attention to and tells me (his mercury), fires me up and consistently happens to catch my fixation (mars). And what I *do* in my life, the things that were motivation by nature of taking action, triggers his insight! Isn’t that the perfect combination? This aspect makes you very good and close friends, but this alone doesn’t grant an emotional bond. Those two best friends I talked about lacked in moon connections, so they kept surprisingly much of their feelings and what went on in their life/emotional world private from one another, including crushes they had on mutual friends 💀 like how was that possible?
Moon square moon: a link is a link, an attachment is an attachment, so moon square moon is that too. You will ‘see’ each other for who that person emotionally is from the inside. You will acknowledge it, you can even understand it, but trying to emotionally ‘relate’ or connect to the other’s emotional world causes a short-circuit. This sounds like a finished deal, and marriage it often is. This aspect imo means kind of sacrifing a part of crucial understanding of the other partner. But there is another important part: some people do not have moon to moon aspects in their partnerships. Some people can connect with a moon through their sun mercury venus and mars for example, but not be able to deeply feel the other person next to them with their own moon, like what’s possible in a moon to moon aspect. With moon square moon, the two people deeply *see* each other. It’s hard not to because the friction of the square makes them very neon noticable to each other. One moon person might not be able to touch or soothe the other moon person from and with their own emotional angle, because through the square it will inherently cause a (n immediate often) frictive disconnect, but their presence will be enough. They will learn from each other and with enough respect for the other, (seriously) they will be able to teach themselves how to manually get their moons to relate, by in their empathy intuitively touching and patting to learn what the other person feels, and sleutelingen on their own emotional patterns. With the man I had this with. I completely saw and understood how he was. We, to each other’s emotional automatic ways of thinking, understood each other, but could never relate, so in our most intimate conversations we saw each other raw, but were also like.. damn,, you live like this? you do you! 😂
Male Venus conjunct woman’s moon, but the man has venus square moon natal: so this is really too specific, I know, it’s from my personal life, but the observation is such an almost lawful rule that it needs to be said. So the man has a problem with women in a romantic or otherwise emotionally intimate sense. He either sees them as charmless but safe, emotional, and boring ‘kin’, who fullfills his emotional needs but in a way that cannot fullfill his romantic wants, because they fundamentally clash, or he sees them as these charming, pretty, sexy sensual creative people or muses that fullfill his wants and desires, but cannot fullfill his emotional needs because they fundamentally do not mesh/are able to ‘melt’ with each other. So men with this aspect are doomed to have a lonely romantic life where they deeply hurt a lot of women but in the long run also themselves. This is ofc unless the man is capable of self reflection and is willing to do the work and *respect* the challenge that squares require, but since misogyny is a thing that challenge and perceived radically different worldview of the woman practically never gets respected, found interesting/compelling enough for the man to study, or romanticised like the way in which women will handle a natal moon square mars for example. BUT! If a woman’s moon conjuncts that squared venus, they kind of crack the code in a weird sense!? And become sort of “the only woman that can tame this man blabla that he actually respects”. Because the woman becomes like a domineering mother to him. In his moon square/battle/tension her moon, so where his emotional ‘needs’ are challenged by another person’s needs, his moon yields to the woman’s moon because his venus is enamored by the woman’s moon emotional world. You will get two people who are weirdly intimate friends, because both square moons emotionally ‘acknowlegde’ each other’s emotional life and wavelength, in a kind of bizarre to witness way that will have the woman wear the pants and the often so misogynistic and macho guy follow her and her needs around like a (doggo)💀, acting like each other’s bf/gf, but sitting too close to each other?? Kissing? The thought of having s**?? Will make them revolt. From an astrological standpoint, this may be the most significant planetary relationship with a woman that this man will ever have in his life.
A woman’s venus conjunct that sort of man’s moon I have never seen, only conjunct other planets, but I imagine it would be the same but the other way around at the same time. I think she would be only possible romantically intimate partner for the man, the only girlfriend to exist, only girl that he can wholeheartedly register as ‘girlfriend’, who will hold that *romantic* muse place forever, the only one to forever fullfill his emotional needs like a romantic partner does and can, but he doesn’t like her as a person, he couldn’t be friends with her, can’t talk with her, was never even his type, wants to cheat on her, can’t admire her really. This female venus is the sexual but disrespected girlfriend to the female moon’s sexless but elevated wife. If that man ruled the world and had all the money and the woman who marries him would win the universe, these were both equally bad but extremley solid places you would want to be in, because you’d be one of the only two women that he will ever seriously consider in his life.
Venus square jupiter: I have this with almost every man I get involved with, because their venus is in that way also conjuncting my scorpio sun and mercury. I’ve found with these people that they are confused if they should be charmed by the grand/optimistic/philosophical side of me, or cringe. Either way they are overwhelmed. Venus in crush-mode will be especially interested in jupiters views and opinions and outlook on situations and jupiter is enthusiastic about the romantic muse that they see in venus and become a kind of a philosophical rant-y person near them, in a good way, because they see venus as an equally inspiring and interesting and beautiful (big ideas and emotions) creative peer of their outlook on life. Venus listens and is in awe. Jupiter is like a positive-energy bomber to venus and venus can be confused, overwhelmed, but gets all the butterflies and wants to be swept in. This is an aspect where the other knows or can relate to what the other is feeling the least, because jupiter is making venus live in their own world and venus is in their head thinking out loud. Astrologers say this easily dies out because of it, like an inflated balloon, but I don’t agree. Don’t let your relationship completely ride on this aspect alone and you’ll be fine and it won’t end with a big bang, but stay flickering like smoldering fire like any other venus or jupiter aspect.
Saturn conjunct moon: saturn wants to snatch moon off the market and moon is like “yeesssss”
Mars overlaying 8th house: it’s true what they say… i won’t elaborate 😶‍🌫️ just kidding I will of course. Having been the 8th house person, it’s actually very straightforward: whenever we talked about serious matters like trauma, (lost) finances, our heritage, and our secrets, fears, that’s when I became most attracted to his masculine/sexual side. Those were the moments I would find myself like ‘daym’, just like a 7th house having mars overlay there would have that during moments of romance and partnership
Moon opposite mars: I talk about this aspect a lot because it just fascinates me. Moon opposite mars in the context of all the other mars aspects is almost funny because in the beginning, when the insane kind of unsettling attraction is noticed between two people, mars doesn’t really want to be in this situation and moon doesn’t like the fact that it exists at all. I feel like it’s a karmic aspect for mars and somewhat for the moon. Moon will feel every single jab from this aspect but because that jab fundamentally hits them in their *feelings* they will just think: “what was that, what even is that? Who is this mars person making me feel single intense emotion at once?” Even typing this synastry aspect out is making me laugh. It’s moon doing what? Opposing. Oh god. And the lucky planet it’s being opposed is… mars 😂🤦‍♀️🤦‍♀️! Imagine the moon one day going like: “f*ck you! And you, and you, and you,” then pointing to mars “and ESPECIALLY you!” Mars turning around and saying: “what are you saying f*ck me for?” looks at moon, boom, falls in love. Kind of disrespectful, but it isn’t meant that way? Which can in short make the connection even more uncomfortable for the moon, or the completely the opposite. The intrigue in this aspect lies in how fundamentally foreign (because they’re opposites!!) these people are to each other. This aspect is an up and down and up and down one, because to have the closeness that they both desire and even need, they have to do the work and understanding to become closer and win each other’s trust and affirmation. Mars is challenged to channel powerful frictive energy from the fixation that the opposition creates into creating an environment that caters to the moon’s emotional needs. It challenges itself to encompass all of mars’s qualities, both the ying (harmonious) and the yang (not necessarily that) in a hyperaware manner, and that’s one of the reasons he comes to have like ‘multiple personalities’ in this aspect. It doesn’t help that mars always manages to come across the wrong way to the moon person, can hurt the moon unintentionally, but can also in a burst of martian energy try to fight with the moon when aggravated (caused by their opposing natures), can come across too sexual and disrespectful by the moon person when they intensely show their attraction and preferred treatment to the moon. When Mars tries to be nice, it doesn’t come natural for them to do that imagining what the completely opposite person would want. When mars succeeds, a very real and mental bond is created that is extremely raw. In the healthy romantic version of this, the moon isn’t really easy sex for mars like I’ve seen male astrologers describe it. I’ve seen men describe it as ‘deer’, which can create reaally different outlooks depending on your respect and goodwill to the more vurnurable person. Goodwill especially can make or break this aspect. I feel like this can either be one of the most pain-in-your-stomach disrespectful cortisol aspects, or the sweetest and most genuine and wholsesome emotionally intimate aspects.
A little story I wanted to share: an astrologer on 27th november 2023 gifted me a moon badge on tumblr and I only opened it on 21th november 2024, because I thought it the little pop-up present on my home page was a tumblr advert 🥲 I almost cried because it was such a lovely present around my birthday and as it goes I didn’t say thank you or acknowledged it for a year even though it was an awfully sweet gesture and I really appreciate her 🩷🩷🩷🩷🩷🩷🩷🩷❤️❤️❤️❤️❤️❤️❤️❤️❤️❤️
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candy-cloud-system · 10 hours ago
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Guess who’s back speaking their shit ! This guyyyyyy ! . Allow me to write a long ass paragraph explaining everything about why I am NOT going to take back what I said.
First off. Comparing anything I said in that paragraph to racism is wild. Not ONCE did I mention race, and it was a completely irrelevant and honestly just false comparison. Hating someone for being downright ableist is SO much different than being racist. And I can guarantee you, I will never hate anyone for their skin color or race. That is something they are born with, and cannot change. And the diversity of human beings is single handedly the most beautiful thing to me.
Now. A more accurate comparison, if you will, would be saying something along the lines of this: imagine you broke your leg because of someone else’s actions, and it causes you a lot of discomfort, pain, and changes the way you have to function. Often you get frustrated with things you’re unable to do the same as someone without a broken leg, or even get super angry at the person who was the cause of your broken leg, sometimes finding yourself daydreaming about how much better your current state would be if you hadn’t been around them or left the situation sooner. Now imagine the next day you see someone else with a cast on their leg, and you think “oh! Someone who may have a similar experience and understand my struggles!” Just for them to tell you their leg was never broken before and they simply “wanted” to have a broken leg.
Imagine the pure frustration that would give. All the thoughts of everything and all the pain and regret and rage you face daily now being mimicked by someone who woke up and decided to claim they had it simply because they wanted to. THATS what it’s like seeing an endo.
I will say this now. Plural means the exact same thing as a system. There is NO difference. There is no such thing as “systems have trauma, but if they say they’re just plural then they aren’t claiming to have a disorder!” Because that’s bullshit.
Endos cause a lot of harm to our communities, even if they aren’t aware. The misuse of terms and stealing of terms from cultural practices, invading our spaces sometimes with purpose to harm us, convincing actual systems their repressed trauma or even remembered trauma doesn’t exist or wasn’t bad, and wide spread misinformation highly effects people like me who have to live with the actual disorder.
I’ve seen a lot of systems (myself included) who are uncomfortable calling themselves plural. Although it is a correct, and sometimes more used in medical settings term for systems; the association of the word with endos who think slamming another label on themself justifies blatant ableism has made that term unbearably difficult to use on ourselves. I’ve seen the same with the words headmates, host, fictives, and other system terms.
“Tulpa Systems” are stealing a cultural term, AND misusing it at that. Tulpamancy is a term from Tibetan Buddhism. Original concepts of it found in the Buddhist Niramāņakāya, and later came into traditions of Mysticism. It is NOT when a 14 year old on tiktok decides they want a serious mental health condition and “creates an alter” for themself. Tulpas are part of a culture. And are spiritual practices.
Invading spaces that aren’t made for you can be very harmful. Even if unintentional or seemingly “harmless” those spaces are MADE for certain people. Those certain people need places they feel comfortable being themselves with other people like them. That’s very important. Something I’ll compare it to is this; I get very uncomfortable when an abled body person gets in the school elevator with me. The elevators at my school are made specifically for disabled individuals and those who cannot walk up stairs. It with the exception of escorts, when someone who is perfectly able bodied gets on, it creates a tension for me. They’re invading a space made for me and people like me, simply because they wanted to. I feel it’s unfair to me, because I’m not able to fit in comfortably in their spaces, I cannot walk up stairs with ease, yet they can, the elevator is a space where I can feel comfortable and capable with the abilities I have, and I feel very uncomfortable when that’s invaded by others. And it’s the same with system spaces. I’ve ranted to my friends countless times about how I never feel comfortable in the online system community. My spaces get invaded constantly by people who think they have a right to steal what should be a safe space for trauma survivors. I have grown accustomed to the reality that I will never have a space online that I will be completely safe from ableism in this community do to endos. Even in real life I have faced people in the eyes who faked my disorder just because they thought it was cool. They faked and copied my real struggles, lied about experiences and made me miserable. And I feel like i don’t even have to speak about the endos who come into spaces to harm us. We can all tell that’s fucked up.
CDDs are a trauma response. And something it does, and it’s whole point, is to hide your trauma. A lot of people with CDDs will not remember what happened. It’s what makes it so tricky to cope with and heal from. I’ve had a very close friend of mine ignore their plurality and not take steps to heal due to them being convinced they didn’t have trauma or wasn’t enough trauma and they were an endo. That is so incredibly harmful. I cannot stress that enough. Telling people they can have a CDD without trauma, even putting that option of being plural without trauma is SO harmful. Because young people who may realize they have a CDD and not be educated on them will brush it off as being an endo, spread that misinformation, and most dangerously; not be able to take the proper steps to heal. Lucky for me, I understood that it was a trauma related disorder, so I was able to get into therapy, get on medication to help myself combat my depression, and find coping skills that were healthy for me to work on growing and coping with my CDD and other disorders. Convincing someone their CDD isn’t serious, or that it’s not trauma related takes that away from them. It takes away the realization of the need to heal, it takes away the chance for them to cope with serious trauma. And it can even worsen it. People with trauma who categorize themself as endo or are categorized by others as endo may be even more effected, feeling like trauma is now a competition or that they aren’t enough to have a CDD that they may actually be struggling with and wanting help for. I hope you understand how harmful that is.
The spread of misinformation is WILD. One of the first things usually brought to me by my friends at school who don’t know much about DID is usually some misinformation they saw from an endo. And of course I don’t mind educating them properly at all, but it honestly hurts me a bit to see some of the crazy things I’ve seen them believe because of how much misinformation people spread on the internet about this disorder.
CDDs aren’t fun, they aren’t quirky. They’re serious trauma stemmed disorders formed to help someone survive. It’s not “having silly characters I like in my head”. It’s NEEDING them to keep you alive and as stable as possible when in horrible conditions whenever you are in the most vulnerable stage of your life.
Blah blah. Internet rant. Blah blah. I can already feel the comments calling me a loser and telling me to blow up or something 💀 like ima lowkey be mean for a sec but do y’all ever shut up? Learn to literally educate yourself instead of believing a 13 year old who wants the entire cast of Hazbin Hotel in their head cus they think it’s quirky (no shade to actual systems with hazbin alters)
Get ur ableist asses outta here fr 💀💀💀💀😭😭😭 making my life hell
Tw: syscourse ,
Endos DNI with this post.
Hot take; I shouldn’t have to be terrified to read / like posts. I should have to read the tags to make sure it’s not posted by an endo trying to infiltrate our spaces. I shouldn’t have to fear that the thing I’m gonna read is going to send me into a spiral because it’s gonna be some stupid ass shit about how “traumagenic systems are losers” or whatever the other stuff endos say about us is.
WE SHOULD NOT HAVE TO HAVE AN ALTER WHO SITS OVER MY SHOULDER EVERY TIME I OPEN THIS APP THAT CAN PULL ME AWAY INCASE SOMETHING GETS BAD.
THAT SHOULD NOT BE A THING I, A TRAUMATIZED SYSTEM, SHOULD HAVE TO DEAL WITH WHEN LOOKING FOR COMFORT OR SILLY CONTENT TO CHEER ME UP REGARDING THE TRAUMA FORMED DISORDER THAT WILL FOREVER MAKE MY LIFE DIFFICULT.
“Endos don’t hurt anyone🥺🥺🥺”
yes they fucking do.
- Sharkbite
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deerspherestudios · 3 days ago
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I’m super curious about Atom!!!! Firstly, they’re so cute :(((( I would be so nice to them right off the bat. I could match that energy (maybe not the…liquefying people part, but I can Definitely meet the upbeat “get to know you” energy!!!!)
But I’m also curious about their little “worm transform-y” ability. There are a TON of implications to what they said about it, and I’m very interested to know which of those implications are true
So maybe I’m taking Atom too literally, but I’m pretty sure at one point they said “I can make your air.” Which, they WOULD need to make MC air, if they were to keep you in space forever. Air is limited.
But you can’t breathe in worms. So that means Atom’s worm (body?) transformation legitimately BECOMES whatever they will it to. Not just imitates. That dog food wasn’t worms, it was dog food. And the air isn’t worms, it’s air!!
And then that stretches into other questions. Could Atom take any form they wish? What would happen if they transformed all their worms? Can they feel when their worms (body??) are being transformed?
You don’t have to answer that slew of questions at the end lmao—maybe I’m reading too much into it. But!! I LOVE Atom and all the implications that their existence holds. I had a lot of fun playing the game :DD
Aaa I'm really glad you like Atom as much as you do!! I don't know if it's just new blorbo energy but I get excited to talk about them, especially in detail like this haha! I'll try to explain below the cut about their ability to create things (tw// it's long!!) but to keep it short, you're actually correct!
TLDR: Atom reconstructs their worms into different forms of matter (whether solid/liquid/gas) to produce whatever you need to survive. Because, uh,,, science. <3
Here's the lengthy explanation of what Atom can do. I'm not smart enough to explain it but I'm stealing this from another website:
Transmutation or nuclear transmutation is a process that involves a change in the nucleus of an atom. When the number of protons in the nucleus of an atom changes, the identity of that atom changes as it is turned into another element or isotope.[1] This transmutation process can be either natural or artificial.
Simplifying it further for my character, when Atom talks about being better than a planet, they kinda are! They can make anything as long as they know what it is (I've yet to come up with 'how' they discover new elements,,, it's implied in-game but I wanna flesh it out more; ask me again later keheh), and the worms that make them up is an unlimited resource/material for those exact transmutations. And if something turns into waste, like the rejected dog food, they just crunch them up to be re-used all over again.
Remember what they said about being your 'angel'? Not to be too on the nose but in a way they turned the Bidadari into your own personal terrarium, with it being the ecosystem keeping you alive in space. Which, in my personal opinion, makes the ending much more terrifying.
Here's a lightning round to answer your questions because I don't know when I'll get these kinds of questions again!!
Could Atom take any form they wish?
Nope! They're still just worms! When they 'make' something it's no longer a part of them.
2. What would happen if they transformed all their worms?
Highly unlikely to happen, but let's say for experimentation's sake Atom is forced to use up all their worms and the end result is separated from it so they can't absorb it back into themselves like the dog food. It has to leave one single organism behind, but it can't really do anything. That single organism eventually will multiply all the way back to its former (mass wriggling) glory.
3. Can they feel when their worms (body??) are being transformed?
Nope! They don't really feel anything, at the most they feel pressure and temperature changes but that's it.
THANK YOU FOR COMING TO MY TEDTALK HAVE A NICE DAY! HERE'S YOUR REWARD <3
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purinfelix · 12 hours ago
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hiii, i love your writing so freaking much, can i please ask for a Franco fic inspired on Gold rush by taylor swift? he just literally gave me that vibe and I NEED to read something like that, please and thank you <3
everybody wants you ‧₊˚✩ - franco colapinto
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summary: when your best friend since birth finally joins you in formula one, it's safe to say that you're excited - though when it becomes apparent that he's the more favoured one, you start to doubt things, including your feelings w/c: 2.8k
a/n: oh anon i love this idea but also this was my first time listening to this song so i hope i interpreted it the way you hoped and did it service !!! <333
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You hated how cliche it was. 
The two of you were childhood best friends, together for as long as you could remember. You always credited yourself for getting into karting first and Franco, always eager to stay by your side, followed suit. The track only gave the two of you another domain to be inseparable in, with every race ending with both of you on the podium - and it never mattered who was first, only that you were both there, together. 
There was an unspoken understanding in your hometown that the two of you were never to be separated, which you initially revelled in, but the older you got the more you felt yourself developing a feeling towards your friend you couldn’t quite explain. Somewhere in the realm of jealousy, just beyond admiration and reaching just short of a childhood crush.
It came in waves, flowing whenever you were reminded of just how different the two of you were, and how inadequate you felt next to him - with his charismatic personality and curly brown hair that always fell perfectly into place, always drawing more and more people towards him. The more time you spent with him, the more you found yourself wondering why he had chosen you of all people to stick so close by, even if he never gave you a reason to doubt it. 
And so when you decided to move away to pursue racing, it wasn’t shocking that Franco would too. The two of you set off, after many tearful goodbyes to your friends and family back home, to brace the world, hand in hand. 
You stayed racing for the same teams, always getting promoted or signed at the exact same time - almost as if the universe had heard the same unspoken understanding of your town, and knew that you worked best together. And whilst it helped to see each other during practices, debriefs, and even wearing the same uniforms, it was far from the only thing that kept your friendship strong. 
Away from almost everything else the two of you knew, you clung to each other tightly and came to know absolutely everything about each other through it. Hushed midnight conversations, early morning snack runs, and even visiting landmarks as you grew and travelled countries - all the while with Franco by your side. 
Strangely enough, it never did occur to you to see the boy beside you as more than just a friend - no matter how much the other girls you befriended seemed to think otherwise. Whenever they would sneakily whisper to you, asking whether you were sure the two of you were just friends you would always roll your eyes shooting back something along the lines of Ew? Franco? No, we’ve known each other forever - which typically made them happy to pursue him themselves, even if they strangely never succeeded. 
All this came to a screeching halt in the summer of your second year in Formula Two, however, when you were met with a contract deal from Alpine Racing. A racing seat for one. 
“You’re taking it right?” his voice is excited as the two of you sit in the stuffy hostel room you’re sharing with about eight other strangers, all too broke or cheap to pay for anything better. Franco was the first you had told, before your coach, before your family, before anyone. 
“I don’t know Franco, I mean-“ 
“What? Why wouldn’t you?” 
You chew your bottom lip as you fiddle with the bedsheet below you, not able to look him in the eye. “It means we won’t get to race together you know,” you sigh. 
“Well you don’t know that, maybe you race alone for a year but once I make it into F1 we’ll be side by side again! Plus you’re stupid if you think I won’t be visiting every one of your races anyway.” 
You watch his green eyes scan your expression, searching for a clue to how you’re feeling. 
“It’s just a big step, I don’t know if I’m ready for it.” 
“I think you’re more than ready,” he insists, though you don’t feel convinced. 
When you finally speak again your voice is tiny, “I’m scared, Franco.” 
In that moment, he gives you a sympathetic look before pulling you into a tight hug and even though neither of you spoke about it again that night, you knew exactly what it meant - I know you’re scared, but I’m here for you. 
And you aren’t ashamed of the fact that it was his reaction alone that pushed you to make the decision to take up the deal, and you couldn’t have been happier that you did. At least, that’s how you felt for the initial months of your contract which was filled with cocktail parties, race suit fittings and media interviews. And despite what you had expected, and as selfish as it might’ve been, having Franco not by your side for once felt like a breath of fresh air you hadn’t known you needed - it filled you with a lone sense of pride, having ‘made it’ without someone being right there for you to be compared to. 
It was perhaps this sense of pride that helped you manage to score points on your debut. You still remember running up to where Franco was waiting for you in the garage, the biggest smile on both of your faces as you jumped into his arms - and it felt, just for a moment, like this euphoria might’ve been what you had spent your whole life waiting for. 
But perhaps you had spoken too soon, since your progress saw a steep decline causing you to lose not only the chances to score points and impress your team, but also the confidence you had spent so long working on. 
And one night, just when it seemed like you were at your lowest, after a weekend full of DNFs and near-crashes - the most unexpected thing happened. A singular text from Franco, halfway across the world, excitedly explaining how he was going to be filling a position in Formula One, in a different team to you. 
There wasn’t a single word to describe the millions of emotions you felt rushing through you in that moment. For one, surprise at the mid-season switch as well as a certain sort of selfish disappointment that you would no longer be the only one in the highest form of the sport you both loved. But above all else, a thrumming excitement about being with your best friend once more - to see him at the paddock, catch up with him during sessions and not have to trek all the way into grandstands just to see his face. 
It didn’t take you long to realise though, that you were far from the only one who felt this way. It was almost like the moment Franco stepped foot on the paddock, donning the blue of Williams for his first race weekend, the world fell in love with him. Online, conversations about him blew up to the point where you couldn’t go moments without being bombarded by clips of his interviews or edits of him. It was strange, one part of you felt proud that the world was finally waking up to the treasure that was your best friend, but another felt the strong urge to hide him away, for him to be all yours. 
A small part of you had expected this, having known Franco and his personality since before you could put it into words - but what you hadn't expected was for him to also back it up with amazing performances. Now, it was him who was scoring points and impressing everyone - and you who was left to do little more other than celebrate with him, for your own results paled in comparison. And once news got out about you being childhood friends, through a couple of grainy leaked photos of the two of you smiling proudly in your tiny karts, the comparisons started up again. 
It was like salt in the wound, agonisingly so - seeing your best friend adored him doing well in the sport you got into first, while you were left to, weekend after weekend, fail to make it into points range. And to make matters worse, the media frenzy that cropped up around Franco did little other than make you come to a realisation you might've spent your whole life running from - that you were jealous, not of Franco, but of those who loved him. That maybe your desire to constantly stick by his side was more than just a childish habit, and that your jealousy of his achievements was just a reminder that you’d never be more than just a friend, one that was always a little behind, a little worse. 
Despite your best efforts, the two of you began to drift apart, each achievement he got driving a deeper and deeper wedge between you. It hurt a lot, race weekends beginning to bleed into each other - a plain blur of failed races, celebrations from other teams, and Franco's adoring fans.
It all seemed to come to a head one weekend, a minor crash in an earlier lap winding you up in the Alpine garage - sweaty, irritated and extremely exhausted. Yet you continued to watch the race, not so much for anyone else, but more so that you could keep a close eye on the blurry blue car, and its driver.
And before you knew it you were watching it cross the finish line in third, Franco’s first podium - right in front of your eyes. 
You weren’t sure why, but your first instinct was to hastily get up from the fold-out chair you were sitting on and rush away to your driver's room, like a child throwing an immature tantrum. You knew Franco well enough to know he’d come looking for you but knew yourself enough just as well to know you couldn’t face him right now. With everything that had been going on, with the constant stream of less-than-kind comments you were getting online and the extreme dip in your performance, the last thing you wanted was to be reminded of your inadequacy. It was extremely selfish, sure, but you convinced yourself that you were actually doing Franco a favour since you knew your acting skills were too poor to convincingly put on a show as he celebrated right in front of you. You always had been a faster runner than him, at least, that’s what years of playground tag had told you. 
But it had been a while since then and before you could make it to your room you heard an all-too-familiar voice call from behind you. 
“Hey!” 
“Not now Franco,” you huff, so close to the door of your room that you’ve got one hand on its handle already. 
“What? C’mon, I just got a podium and that’s all you have to say?” You pause at the handle, the hurt tone in his voice pulling at your heartstrings. 
“Yeah, I saw, good job but I just can’t right now.” 
“Can’t what? You’re joking, right?” His voice rises in volume a little, and he sounds in disbelief - you’re glad the garages are mostly empty so that no one can see the scene he’s making. 
“No, I’m not,” you shoot back firmly. You’re still facing away from him, arm hanging limp from the door handle - you can’t remember the last time you felt this defeated, this tired. 
“Seriously, what is going on with you lately? It’s like, you were so excited for us to race together but now we barely talk even though we see each other every day.” 
“Franco,” you say, quietly. 
“We’ve known each other forever but this feels like the first time where I truly have no clue what is going on in your head, why don’t you ever talk to me anymore? You don’t think I don’t notice you avoiding me?” 
“Franco, please.” You feel tears pricking up at the corners of your eyes, and it doesn’t help how accusatory he sounds. 
“Please, what?” 
“Please, just go celebrate.” 
“No! If you think I’m just going to leave now without you, you’re seriously ridiculous. I mean, this is what we always dreamed of, isn’t it?” 
At that, you turn around to face him - looking him in the eyes for the first time in what feels like months. You watch his brows unfurrow immediately as his expression softens at the sight of you, tears welling up in your eyes which are surrounded by dark circles, marks left from your many sleepless nights. It’s clear that he notices how small you look as well as you hunch into yourself, barely having the energy to stand up straight. 
“Woah, hey,” he says, his tone gentle now. 
“Don’t do this Franco, don’t talk to me like we’re still children,” you say, instinctively defensive. 
“Aren’t we?” 
You let out a laugh, soft yet cruel as you struggle to hold in your tears, “Everything’s different now, isn’t it? When was the last time we were on a podium together or even spoke face to face like this.” 
“What are you even saying?” You feel a pang of pain in your heart at the look in his eyes, a little anger mixed with disbelief. 
“I’m saying, that maybe being friends isn’t going to work if we’re racing against each other anymore. Have you seen the way I get compared to you relentlessly? Everyone loves you, everyone wants you, and I’m just, there! Do you have any idea what that’s like? To have no one backing you?”  
“You’re my best friend, I’m right here, backing you!” 
“Franco,” you say, just above a whisper. 
There’s a moment of silence, and you can see Franco working up the courage to say something, his hands fiddling with the fireproof mask he’s been holding this whole time. You feel a couple of tears finally make their way down your cheeks and you do your best to wipe them away, eager to not embarrass yourself in front of him anymore. 
“I love you.” He finally says. 
“Don’t say that, please, don’t say that.” You’re about to turn away, ready to just shut yourself in your room. 
“No, like, I love you.” You hear him take a couple steps closer to you, to the point where he’s right behind you. 
“You don’t mean that,” you sigh. 
“I do,” he says, barely above a whisper, “I have, for years.” 
You pause, silently turning around to face him, and it feels like the breath has been knocked out of you. He looks at you, nervously waiting for a response though trying to put on a face that tells you how serious he is about what he’s just said. 
“And I know that you probably don’t feel the same but I need you to know this because I can’t keep going on like this, barely seeing or talking to you and-” he begins to ramble, and all you do is let out a relieved sigh as you lean forward to rest your head on his chest in silence. However, it’s clear this confuses him as he stops talking immediately. 
“I love you too, Franco.” 
“Wh- really?” 
“Yes,” you say, the smile audible in your voice. 
“Like, seriously?” 
“As serious as a heart attack.” You lean back against the door with a smile of relief, or as much a smile as you can muster up figuring that you feel like you’re about to collapse right there and then. 
“I’d kiss you but,” he gestures to his face and hair which is drenched in sweat. 
“Oh shut up and come here,” you say quietly, looping your arms around his neck as you pull him close to you. When your lips meet his arms wrap around your waist as he pushes you up against the door of your room, and even though you couldn’t care less, you’re once again glad there’s no one here to see the two of you. No cameras, no fans, no other drivers - just the two of you, and the years of history between you. 
When you part, his face is flushed as he offers you a shy smile, his arms still around your waist. “You have no idea how long I’ve waited to hear you say that.” 
“I could say the same for you.” 
“So, what now?” he asks. 
“You go celebrate your first podium,” you reply excitedly. 
“We,” he corrects, finally unlooping his arms to take you by the hand and lead you out of the garage - and whilst your beaming smiles might’ve seemed to many the results of his podium, the two of you knew they were part of something much, much bigger. 
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taglist: @spreadyourwings-my-smiling-angel @alelo23 @scill-a @multifan-idk @presleycaudle
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court-jobi · 2 days ago
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hi! i love your works so much!!! i was wondering if i could request a hawks x pop princess f! reader?
like he does security for her groups concert and hes like “pffft im number 2 why do i need to be here”. then he watches her during sound check and is like okay i need to know more about her. so while shes getting ready hes just hovering backstage trying to talk to her. after the show she finally gives him her number (def against her companies wishes) and hes like trying to be suave and flirty and shes like “oh my god why is this working”. just a lot of hawks being a lover boy and sending gifts to her company anonymously and cutesy stuff like that lol. they have to keep their relationship a secret bc her company has a very strict no dating unless we agree rule. can be pre or post war hawks btw! you can take this wherever you want with it as well! can be nsfw or not.
im sorry that was so long! i was trying to make sure my thoughts were coherent lol.
Ooooo I love this idea so much, what a lovely dynamic to picture: a fanboy Hawks for a change, perhaps?? ~ this was a fun one to work on! @strwbrrykthv i sure hope this one was worth the wait and that I've done it justice!
You all are seriously the best readers a gal could ask for, and these requests are ✨giving me life✨~ Keep 'em coming!!
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Who Has the Mic
Words: 4.3k
Rating: T
Warnings: Pro Hero!Hawks x popstar fem!reader, forbidden romance, flirting, mostly FLUFF, mentions of canon-typical threats, protective instincts, Hawks is a little shitTM, we love him your honor
for my My Hero Academia Masterlist, check it out here!
Read on Ao3
Hawks falls prey to a special thrill out of extending favors to others. 
‘I owe ya one’-- such a simple nicety that in the beginning, he doubts anyone would truly come to collect on it. It makes him sound agreeable, charming, starved for connection even before the height of his inevitable fame. 
Then he rose and rose in the hero rankings, securing himself into the very visible and wildly popular top spot, in terms of viewer popularity. 
It’s now that the redemptions of Hawks’ pro-hero favors have come rolling in… The unexpected keeps him on his toes and entertains him for the most part; and if it’s all for the sake of protecting others, then why not have a little fun with it? 
Once upon an overbearing press conference, back when he was first tiptoeing into the public scene… Hawks begged a makeup artist on staff for a spot to hide out in the green room and sneak a snack or two (or ten). He was granted pity for a teenager expected to take a seat at the table of an albeit boring Commission presentation. Well, it seems that particular makeup-artist rose within the talent realm themselves, and ended up reaching out to “that flyboy kid” back for a surprising accommodation: 
Top tier talent warrants top tier security.
Hawks takes a call at his agency and soon finds himself ushered in for the Tokyo opener of the reigning top-of-the-charts pop star with a voice of gold. The first meeting of old acquaintances led the Pro-Hero to tour the brand new, sky-high facilities, then return for the load-in day of the stage. Again for first dress, and each night of the week-long residency.
He carries his presence on the stealthier side, far above the stage floor in the scaffolding. Up here, lights are rigged with steel supports running every which way, where he executes perfect balance while walking in a straight line atop them. He’s checked -double and triple- that each outlet is free from hazard, each line of multi-ton equipment has been secured and safe, so that even his ‘adventuring’ from up high is not a risk.
He’s happy for the variety of work he faces as a hero- but right now, he’s bored. He shouldn't be feeling so dreadful, especially on the job, but he is. It’s not his style to be so down, after all. But Hawks has checked into every nook and cranny of this place and for the sake of an understandably hypervigilant security team, has an eye for which points of entry and exit could use a bird’s eye view come showtime.
His muscles are used to far more fast-paced antics and time-sensitive chases; not traipsing around like a literal vulture ready to swoop in at any moment. Surely he’s needed elsewhere.
But the threats have been rolling in… as they do for all of these larger-than-life musician types who found their way into the spotlight. They’re at risk of going in blind if they don’t have a good team around them to help them see.
So here he is, playing guardian angel to do his part and make sure all goes smoothly. It's a big operation by his count; there’s sixty members on the tech roster, plus the venue stage manager and their contracted staff, then all performers, and of course the headliner. Now where she is, he’d like to know– for not so selfless reasons.
He’d know her music by heart, given how much of an earworm and personal anthem her songs have become for him. It’s rare that the tables are turned, where Hawks is the fanboy and someone else is the idol. That dream is his dangling carrot for completing this mission successfully: he has the most sought-after bodyguard duty in the nation, and as good as a front row seat to her show.
Yet in a weird sense, Hawks also kinda hopes he never meets her. Doesn’t want to crush that bubble, ruin the allusion of the woman he’s got set as his ringtone.
So, he just runs his headcounts on all bodies supposed to be present at the top-of-show meeting to busy his mind. All is in order. ‘Cues’ are rounding up the pre-show acts, each in plainclothes for this rough stumble-through. Still doesn’t see the little starlet yet, and he gets the residual feeling that this might be typical behavior of ‘the talent’ to show up whenever she damn well pleases. 
Though funnily enough, he spots a pretty thing down there sporting some Hawks merch! Always nice to see a supportive fan in the most unlikely places… 
It's a well-fitting quarterzip sporting his red feather blades down each arm, an item he vaguely recognizes from this season’s newest launch. She’s got headphones on and subtly bopping about in her own little world, perhaps running through tonight’s set under her breath, if her self-contained taps of the fingers are an indication of her keeping beat. 
Hawks’ curious attention to that girl on the fringes of the stage is pulled when he hears the strict timbre of the stage director he’d met on day one take center stage.
“Ok, time to rein it in. As we covered in the email from Sec-Eng- which I’m assuming you gen-z’ers have read,” the bossman snarks to the younger members of this crew down below, “we’ve got some additional eyes in the sky pulling security for this leg in the tour. So, I want to give you all a chance to get your excitement out -along with your thanks- to our equally chart-topping hero, Hawks~ who’s… somewhere around here.”
Hoodie girl blanched– as if she’d been told she’d need to share her internet history to her grandmother. Immediately, she tosses off her headset and starts frantically stripping herself of the jacket she wore. While enthusiastic heads all fly around in every direction in search of the hero, Hawks chuckles at the sight of her alone. 
“...//Well, he’s probably checking the perimeters anyway//. How bout we all just send a big thank-you, eh?”
The couple of ‘Hoodie’s fellow dancers were poking fun at her -poor thing still flushed and clammed up- while the group gave a loud, singsongy ‘thank you!!’ up to the stage doors, assuming the Pro-Hero might be busting in, grand entrance fashion on command. The love-laden response from the dancers makes Hawks roll his eyes lightly, but he appreciates their praise all the same.
They giggle about in jazzed excitement with one’s voice carried out squealish and feminine, despite their professional assembly,
“Oh my god, you must be in HEAVEN!! He’s gonna be watching you ALL NIGHT!”
‘Hoodie’ looks downright mortified. The others have seemed to gather around spouting nothing but encouragement to this little fan girl who's doing her best to put on a poker face. Adorable. 
“Now we also need to make some edits before the crew breaks for lunch, everyone, so we are gonna start today with opening of Set 5 instead- hold.. Hold on… WHO HAS THE GOD MIC??”
The mics table scrambles for the one handheld microphone with omniscient audio range to the house. Surely it's the one thing they wouldn't lose and should hand straight to the Stage Manager, right? 
Well, said mic was sitting unattended there on the cart earlier… all for the Winged Hero’s taking when he was making his preliminary sweep earlier. 
From his inner jacket pocket, Hawks catches his lip in his teeth as he remembers where to turn the thing on. Once his throat cleared and the mic blinks red in sync with the soundboard, he amplifies a little trademark bird whistle: for each and every soul in sight to hear. 
The stage erupts in excitement, as planned. ‘Hoodie’ immediately teeters over to one of the props hideaways and stows said jacket away. 
Hawks chuckles with the mic at chest level– only to call her out from his perch,
“Saw that, dear~”
Seems logic caught up with the poor thing, as she -finally- pieced together the true vantage point of her idol’s presence, and looked up. 
Sparing her too much embarrassment, Hawks simply cocked his head on a folded up fist and gave a little wave of some fingers to her. 
Despite her clear shock and surprise, she did smile brilliantly back and gave a little signed ‘thank you for being here’ rather than a scream like all the others.
The stage manager followed her line of sight to where the hero stands in wait, ready to dismount and return his bit of cheekily stolen equipment. Despite some bewildered aggravation to Hawks’ antics, he gestures with the exhaustion of a high school teacher.
“There now, see kids? That's how you protect your voices before a show!! Better than belting your way to the doctor’s office. Our star here sure leads by example now doesn't she–” 
In rare form for the hero, it's Hawks’ turn to be stunned. His fangirl: it’s you.
Everyone else may be calling that first call time your lucky day… but you were intimidated to the point of feeling ill. Thank goodness for your poker face; because locking eyes with Hawks’ stunning crimson canopy and giving you that wink and a grin about sent you into a heart attack. 
You're starstruck. The absolute heartthrob of an idol you revere as your favorite Pro-Hero has been standing over 150 meters above your head, watching for every sign of danger that could threaten you for the last week. 
That near guarantee of safety would trump your fleeting nerves– if you hadn’t given the first impression of a closeted fangirl like you did!!
Nothing short of awe crossed your mind when you so much as think of the hero. A very vocal fan whenever he came up in the news or your social feed amongst your inner circle. Hawks is a household name for you, who you were incredibly fond of… both in how he handled massive crowds or charmed in intimate, one-on-one interviews. 
You know the role; you suck up for cameras, too, as it's all in the optics. But for every PR-guided response you know is crafted by easy-going smiles or a disarming tone, you remember to see past the spectacle of Hawks and look for ‘him’. Remove the wings and hero getup: who is he? Can you spot the tells on camera like your mom can when she watches you? No matter how big of a global phenomenon her baby girl gets, she can still tell when you have a headache while having to give an appearance on a talk show. 
The man you spot on screen has to have a series of faults and slips. Even battle-ready heroes put their shoes on one at a time– just like everyone else. He’s sure to have a favorite lunch spot, a favorite pen to use for autographs, a favorite singer, even… 
Surely not you, but a girl can dream.
There’s a glazed-over glint in Hawks’ eyes when he very subtly checks out when being spoken to which gives you the strong suspicion you two may not be so unalike. And that list of little mannerisms has grown exponentially– with every day that's passed:
Hawks has difficulty staying still, you've learned. He’s also much younger than people assume. Carries a crafty habit of popping up unexpectedly in a way that’s youthful– and borderline cheeky. From atop a stack of amps, to a crowdless green room, to the rigging of lights where you've stunned the crowds for the last four nights, he’s perched out of sight from your thousands of fans. 
Though each little comment thrown here and there in praise has floated down to your ears in sweet jest, things come to a head when the last night of your show arrived: where the crushing realization sought to dampen your mood. 
After tonight, you wouldn’t have your angelic, crimson-winged shadow anymore. 
But Hawks surprises you once again. 
You nearly miss it, too, once your final round of ‘surprise songs’ is revealed and you are snuck down to your assigned hideout to get ready to leave the venue. It’s back in your can-lit dressing room that you’re making double takes down the hall looking for any sign of your security team; especially the one to whom you owe a hefty ‘thank you’ to for all his efforts.
-but as your half-redressed form has donned your beloved Hawks hoodie once more, you’re not so spooked to hear a familiar whistle from behind you this time.
Headphones slung back down around his neck and wings slimmed down to a more presentable manner for tight hallways like these, Hawks slips into your prep space with a speedy uptick of steps. A knowing whisper to ‘shut the door fast so no one notices’ eeks out of him, eliciting a smile from you.
Each one of your suspicions are confirmed with that one comment alone; he knows this game well. Still, playing along with his dance of keep-away from any prying eyes (or cameras) doesn’t mean your heart isn’t  hammering away in your chest at the knowledge of getting your hero all to yourself.
So here, Hawks traipses around your makeshift room with unbidden interest– which, for such a small space, is cute to know how many little details pique his curiosity. Your various outfits still hang all facing the correct way, your personal backpack sits beside it on the end featuring your mess of pins and collected patches from the locations you’ve toured thus far. The run schedule is still taped on the wall, and below it, your laptop has your notation software open and idle onscreen.
“Well, now,” Hawks chimes in with a little crouch over the back of your empty chair, “Surely I’m not looking at our next chart-topping hit in the making, am I?”
“Maybe!” you chuckle, joining his side to quickly save your work before you forget. “It’s getting the lyrics and melody to marry right that’s the hard part. Working out the latter right now, and it’s kinda kicking my butt.”
“But you’re doing it! Look at all this– wait. Is this what you were dancing to earlier?”
Damn his powers of observation. You’d been testing out the rhythm of the hook this week– when you’d been caught under his attention.
“...M-maybe?” you hedge again.
“I knew it-” Hawks beamed, “A stunning starlet and a mastermind. What can’t you do?”
Flattered beyond belief, you answer honestly, 
“Keep myself outta trouble with my managers. Trying to, at least,” you close the laptop to conserve its power, “but between the shows and speaking engagements, it’s left me a bit starved for time to actually make the music.”
“N’why would writing get you in trouble?”
“It takes me away from all the other things I ‘have to do’,” you sigh easily. “They can bring in anyone to make the music and keep pitching songwriting teams to me to take the load off. Just think something’s gotten a little out of balance.”
Without meaning to, you held Hawks’ attention– enough to make him sit back on the armrest of your couch and listen with undivided attention while you explained your creative process more. While most J-Pop performers would be thrilled to have outside writers create the work and easy into a performance schedule with pre-set work to learn, you loved to have a hand in the writing process too. As an art form, it’s personal when you have to perform season after season. 
You’ve chatted quite a bit here and there over these last several days, though not this extensively. He was interested in so much about this whole operation, to the point where you wondered if he’d ever met any of the performers who you knew presented at some of those hero galas he went to. Apparently not, by the way he’d lock onto your every word when you spoke. Either your timekeepers (or his) would inevitably interrupt you, so back to work you two would fly off to.. though you’d seem to circle back to one another and chat about anything and everything if given the chance- little spurts of talk that always left you wanting more.
He’d commiserate with you on that front as well– the balance of stardom and freedom. Bogged down by meetings and public appearances wore on him just as much as you. With every roadblock you described about your recent album development, Hawks nodded along with expected understanding. 
The revolving issue of personal safety might have brought him into your employ, but you know more and more cases like yours filled up his day-to-day life in ways you couldn’t imagine… but he even shed some light on that as well to you. He’d burst the bubble on hero work as an industry through little asides with you offstage: comments he’d likely get reprimanded for if he ever spoke them in a public statement. 
But you’d keep his secrets safe. What happens on set stays on set.
So even now, as he’s tucked himself into your dressing room while you puttered around chatting about your true dreams of getting a new concept album wrapped by the end of the year, Hawks tuned in with genuine interest that only made your heart skip a beat for him more.
“I haven’t always gotten the time to work on it lately… though this week, I’ve had a clearer head to be in here rather than under lock and key with a security force breathing down my neck– which is largely thanks to you, Mr. Hawks.”
“Oh please,” Hawks scrunches his nose and teases, “Mr. Hawks is what the lawyers call me. Just Hawks is fine!”
You exhale, squishing back any girlish outburst from your voice at how fussy he looked. 
“All the same, thank you for your help this week,” you pressed, “It’s -uhm- not often I get to meet my favorite Pro Hero on the job…”
A pleased smirk lifts Hawks’ cheeks, though you spot a funny kind of shyness in them when he studies your sleeve rather than look you in the eye-
“Favorite, huh?” Hawks smiles, “ n’here I thought I was the lucky one, sweet’eart-” he taps his headphones for emphasis, “One day I’m listening to you on repeat on my morning commute– and the next, I’m standing two feet from you!”
“--You’re kidding.”
From his pocketed phone, Hawks challenges you with a press and hold on the speakers to boost the volume as high as it could go. Faintly, you caught your own pop vocals from your second ever album casting from Hawks’ headphones. 
You can’t believe your luck– he’s really a fan? Of yours?
The mix of sentimentality and surprise must be palpable on your face as you grasp exactly which song has Hawks spellbound before he cocks his head with a sheepish grin of his own, 
“Believe me now?”
Words fail you, but you shudder out a little giggle that speaks volumes. He tests with a smile,
“Soooo guess you wouldn’t mind if I asked a horribly stereotypical favor and snagged a selfie while I’m here?” 
Eyebrows shot up to the sky as Hawks dangled his phone between you, you immediately pause. No one on your Communications team is still backstage (to your knowledge), but the engrained warning about checking your professional list of partnerships before posting comes to mind… annoying as it is. All you want is a pic with him, too!
“Nothing for socials-” Hawks assures you with a gloved hand, “If your handlers are just as pesky as mine, they’d never let me live it down. Just– something to keep me grounded, on the hard days.”
That reasoning… it almost broke your heart just as quickly as your potential disappointment had been earlier. 
With a knowing smile, you nodded sweetly to Hawks- he’s charming in a whole new light to you.
“Only if you send it to me too, hm? Favor for a favor?”
“ ‘Course!”
Sliding up into his open space, Hawks clearly knows his best side but keeps you right in the center of his shot. That smile he makes… you are going to keep this proud glint in his eye and sight of his hand around you locked into your mind forever– even if he forgets to send it to your insta handle after this. 
It’s too brief of a moment, watching his wing curl around you though the phone’s front-facing camera burgeoning you close, head tilting gently against yours. Keeping a close-lipped smile seared into your mind when you think of him now.
Then in an even more lightning fast moment, while he’s fussing with a weird flip of his bangs, you reach to tap the shutter as you sneak a kiss onto his cheek. 
He’s stunned by the move, but by the even brighter muted smile, you stand by with pride double checking his photo gallery that the shot made it. It surely did. 
“You have a hard job, Hawks; harder and more dangerous than anyone I know,” 
You step away casually.. Though the need for distance is more for your sake than just optics of your forwardness. 
“... Thought you deserved more than one lil selfie. Hope that’s ok?”
“H-okay?” Hawks breathes out, studying his camera roll with reverence, “Better’n ok..”
Outside a muted feedback from the PA system is calling for Exit team to assemble– get staged for your departure from the venue at last.
“That’s me. Better bounce-” Hawks piped up after a small clearing of his throat. You’re nearly too shy to look at him after this-
-but when a kiss greets your hand, lifted imperceptibly fast and squeezed just as fleeting as his words grace your ears- you couldn’t look away if you tried.
“- a pleasure, dear.”
And before you can utter any further word of thanks or manage something other than a shocked smile, Hawks slips out of the room and off to hand the reins back to your team. You can barely hear from the still-live walkie talkies that your security detail is back at their regular stations, and your Pro-Hero is off for his final step of his hired work. Soon he’d be relieved of his station and off to save someone else from an unsavory fate.
He doesn’t forget to send you the photos; and you now have his private insta handle.
The photo where you snuck a peck onto his cheek would be set as your internal screenshot if it weren’t for your niece’s constant borrowing of your phone when she visits you on set… 
But now, you’re back for a month-long stay at the studio– your reward for a successful first half of the Tour.
Encouraged by your protective muse’s spark at the thought of your new music, you decide to take that energy back to Chichibu. Your headphones might as well be glued to your head, with how much you’ve head-dived into your sound mixing apps and sampling library. In fact, it’s that unwavering attention to your music that you nearly miss the most obvious sight walking through the lobby of the unassuming recording studio. Almost.
But how could you really– when the largest floral arrangement you’d ever seen is gracing the reception table? That stunning piece looks like it costs more than the linoleum flooring the desk sits on. 
A few aides have been distracted by the sight, studying the typed message attached and racking their brains for any sign of a calling card. One of your cutting room techs was currently rounding the base of the standing arrangement for some tucked note, which made you giggle how intently she was studying the thing. 
You know the sound booth manager best out of this group of other visiting accompanists,
“Lucky, lucky girl~” she reels you in excitedly, plucking the card from the other’s sights and handing to you directly. “Sorry to say there’s no hint who it’s from… but it’s for you, little bird!”
You hedge at the pet name once again– the nickname stuck unwillingly not only for your melodic talent, but the association with your clear celebrity (heroic) crush. 
However, as you read the note, the immediate assumption that this may have been another gift from a venue host was thrown right out the window…
This was a personal gift:
To keep my genius company while she makes her magic~ No one can give us the stories you can; don’t ever  let them take your voice. It’s the most beautiful thing I’ve heard. Can’t wait to hear the new demo!
“No matter how high or low I am.. a piece of me will be here with you. It’s- where I'd rather be... Till next time…”
“Next time? Wait, who sent these again?!”
“It was just the delivery guy, from that really flouncy place downtown~” the receptionist answers with interest.
“Nooo, I mean on the card! Who signed the card?
“There's nothing– no initials, nothing..” you confirmed, still reeling over the message. But as you trail off over the cascade of tropical flowers, the flecks of red blooms catch your eye and bring you to study harder. 
Then- tucked under some deep green curls- a spot of red hides. A quill amongst the mossy padding of the arrangement- not unlike a surprise found in a nest.
Sifting through under the guise of feeling tender petals, you grasp the soft, downy feather which bears a small post-it flag on the underside with a sequence of numbers on it. 
“Do you have any idea who?”
Balling it carefully in your fist just as quickly, you answer, “Couldn't tell ya. But the pop of red sure is pretty, isn't it?”
In your booth -set up with your sticker-laden laptop and butterflies in your stomach- you hold the sticky note in one hand, pinching the crimson feather precariously in the other. 
Face warmed and unbelieving of your luck, you think on what to send first to your mic-stealer…
To be continued?
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wemlygust · 1 day ago
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It's also reinforced by countless published authors and scriptwriters all saying that people should, "make your villain relatable! Don't make them just evil for evil's sake. The reader should be able to understand why they're doing what they're doing. A tragic villain doing the wrong thing for the right reasons is more compelling and more interesting than a flat villain being evil because evil." People take that advice. And they overdo it and make the villain's reasons make too much sense, oh no, we have to make it evil somehow... Okay also they kill babies! See! Evil! Which, funnily enough, undermines the original goal of making the villain relatable/realistic/interesting/not-evil-for-evil's-sake, because it's literally making the villain evil for evil's sake, except also they have good ideas sometimes. So the remaining, accidental, moral, is just that villains can be right about some stuff. And that the heroes are heroic even if, having delivered passionate speeches about how the villain's methods are unacceptable and how they're doing all the wrong things even if it's for the right reason... they continue to do nothing whatsoever about the underlying problems that inspired the existence of the supervillain in the first place (accidental realism there). My Hero Academia is especially frustrating in this regard. I love that show, don't get me wrong. But it comes SO CLOSE to actually addressing the villains' arguments - which largely about their society's and government's deep inequality problems - seriously, and then just... doesn't. Like. The villains in MHA are all social outcasts for reasons beyond their control. One was raised by a villain. Another is a trans woman (who is fridged pretty early on, but also her teammates use the right pronouns and correct people who misgender her much later on in the show, which is still a surprising/unusual inclusion for a anime/manga, especially for shonen). Another just looks like a lizard and has been discriminated against for that. Multiple were born with powers that, without proper support, can accidentally cause harm, or which other people are alarmed by. They are absolutely intentionally a band of rejects from mainstream society who have been in many ways pushed into becoming villains. They get an entire villain season/arc that *focuses on their perspective and follows them instead of the heroes*. And even after aaaaaall that.... the show STILL never actually has the heroes confront the problems that the villains are very clearly very correct about. It's so frustrating because there are so many points where it feels like it gets so close to that. To maybe having superheroes realize that their society - which they themselves absolutely benefit from in the form of fame and money - has deep flaws that need to be fixed so that the society stops creating villains in the first place. To maybe going in interesting directions with that. But it DOESN'T. It's SO FRUSTRATING ARGH.
... Still a great show though. Anyway I really think a lot of neigh-universal writing advice tidbits like that "make villains' motivations make sense and be relatable, doing anything else is flat and boring" just tends to create 1) a new wave of same-y fiction that all does the same thing and becomes boring after a while, and 2) unintended consequences of various kinds, like this one. (granted this issue with the portrayal of supervillains as "makes a lot of good points but also kills kittens for fun so we can just ignore everything they say I'm sure it's fine" is also deeply rooted in the history of the superhero genre, American media's portrayals of cops (including the in-media-acceptability of cops spying, breaking and entering without a warrant, torturing people and having that be effective), and so on. /rant
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sulatni-flerida11 · 2 days ago
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flames
inspired by wild life session 5 + some headcanons of the fandom :]
The moment Jimmy hears thunder strike – not from the wild card of the session, but from a fallen player – the joy that fills him quickly turns into something… burning. It doesn’t hurt, (in fact, it’s very pleasant), but he’s surprised about the sudden change. His teammates can’t offer him any advice about it, and he doesn’t dare to ask Grian at the moment as he’s still grieving.
He comes to the next person “best at handling problems” he knows, who also happens to be the one “best at handling fire.”
The sudden concentration of heat outside his not-so-flammable-anymore base made Tango raise a brow. The session is over, and though he can think of reasons to be on the receiving end of arson from this session, he doesn’t know why anyone would bother.
“Tango?” a familiar voice calls out. “Are you here, or?...”
He calls back as he fixes his belongings, “Hey Jimmy.” He hopes his smile is audible. His soft spot for the avian never faded away since they were soulbound, and they’re both sure whatever they’re feeling for each other has nothing to do with that mechanic.
“Could I… Mind giving me advice?”
“Give me a sec, hold on –” Tango finally secured his goodies from the Trivia Bot.
He walks out to greet Jimmy, (though he is also a bit confused as to why the other didn’t just walk in). “What do you need, songbird -”
He stops in his tracks.
Jimmy’s feathers are burning.
“What –” Tango approaches quickly, waving his hands around as an attempt to pat the flames down.
Jimmy laughs. “Tango, that’s unnecessary -”
“It’s unnecessary?” Tango feels himself heat up in anger directed at whoever caused this. “Jimmy, who am I killing next session -”
“You literally can’t do that. You’re green. I’m the one that needs the kill.”
“Then who am I helping you kill next session -”
“Tango!” Jimmy moves to grab Tango’s arms, and the latter moves away quickly.
“I’m running hot right now, Jim. You don’t want to touch me -”
“The flames don’t hurt me anymore.”
That stops Tango. “What?”
Jimmy flaps his wings, showing how the fire on the tips of the feathers continues to burn brightly. Even the few feathers on his face have sparks, and Jimmy isn’t flinching a single bit. Little puffs of smoke come out of it, similar to Tango’s flame of hair (if you can even call that hair).
Moving again, Jimmy finally grabs Tango, who snaps out of his shock the moment physical contact is made. His immediate reaction was to pull away, but Jimmy keeps his grip firm but gentle.
“I… I don’t think I’m quite a canary anymore.”
Slowly, his golden feathers envelope both of them. Tango watches carefully, instincts telling him to run, run, you’ll hurt him, but no signs of pain reveal themselves on Jimmy’s face.
“You’re like… a phoenix now,” Tango whispers in awe. The golden feathers look molten and bright with the fire, warmth seeping into his bones despite already being warmer than usual.
“Seems like it,” Jimmy laughs once more, and void Tango wishes to capture the vision in front of him for life. “I came here to ask how you handle your fire, since you were born with it and all, but…”
He motions between them, the gap closer than ever before without fire resistance potions now they don’t have to be cautious about Tango’s heat.
“... this is nice,” Jimmy finishes with a smile.
“Aww,” Tango groans fondly, “I don’t want to let go of you now. Mind me stealing you from your team?”
Jimmy slaps him lightly on the chest, “Don’t you dare! Unless you want Scar to come here and destroy your base again.”
“Fair.”
The two laugh, enjoying each other’s company and warmth.
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