#Aizawa Shota critical

[bibibbon]

I don't think a lot of Aizawa stans realize or care about how all-take-and-no-give his relationships with Mic and Midnight are.

I read somewhere that Mic and Oboro were friends longer than either of them had known Aizawa, and Aizawa's over here acting like only he lost him. Mic canonically put his own grief on the back burner to be there for Aizawa, and how is he thanked? By constantly being told to shut up and being belittled.

Midnight (maybe?) gave Aizawa the teaching position at UA to help with his grief. Now, she shouldn't have done that, especially since Aizawa had made it clear that he didn't want to teach, but he could have put his foot down and not taken the position! Instead, he makes an ass of himself to everyone around him - his students in particular. In a setting where common sense exists, this would give Midnight a bad look, but you know Aizawa doesn't care about that. He doesn't even seem to care that Midnight DIED, though that's mostly due to her death being purely for shock value 🙄.

Again, in a setting where common sense exists, Mic and Midnight would have called him out on his bullshit a long time ago and probably would have asked themselves, "why are we still friends with this guy?" It's especially upsetting, since he's compared to Kakashi so much. Kakashi has plenty of his own issues, but he's way more of a genuine friend to Guy than Aizawa supposedly is to Mic and Midnight.

Hi @nutzgunray-lvt 👋

Iam not sure if it is canon that present mic and oboro have been friends for a longer time but if it is thats not a good look on aizawa.

From the little we see of the rooftop squads friendship a lot of it does consist of present mic and midnight giving to aizawa than aizawa giving to either of the two.

For example, present mic was there for Eraserhead after the first war arc and present mic was also there for eraser after the usj arc. Midnight did recommend and nudge aizawa into becoming a teacher at UA and in the vigilantes manga it was thanks to her that oboro, mic and aizawa got an internship at a hero agency.

However, this begs the question what does aizawa do for his friends?

Nothing. (Or well canon doesn't show us that he does anything. Do correct me if Iam wrong of course)

Now sure you can definitely point fingers at horikoshi and say that he simply didn't actively include present mic and midnight in his story and that they were mainly there to prop up or almost be tools for aizawa and his development and to that I do agree but it doesn't change the fact that this is the dynamic that canon seems to establish between these characters.

I suppose you're talking about this scene when aizawa interrupts present mic telling him that midnight died and also present mic expressing his grief.

Now I won't deny that this is incredibly rude on aizawas part and that if aizawa were to listen and offer support it would at least show that he does give back to his friends but I suppose horikoshi thought it would be more important to give us "dadzawa". Personally, I do believe that there could of been a balance that we could of indeed received present mic expressing his feelings and aizawa offering support while having them talk and debrief about the entire situation yet we didn't get that.

I have seen the rebuttal that aizawa only did this because he didn't want to hear that midnight died and that he was also burying his emotions but I do suppose that's up to interpretation. My main problem is that midnight's death doesn't get brought up again after this moment between this duo/trio (if they count kurogiri).

In the end even after kurogiri dies due to bakugo it all feels empty and it's not properly talked about between mic and eraser who witnessed this moment.

I think that the kurogiri/oboro reveal really could of shown us more of all the characters sides. It could of shown us then caring and supporting eachother and also seeking comfort in eachother. There were many moments where we could of seen aizawa comfort or give to his friends but we don't and I really don't think that's supposed to be intentional writing from horikoshi.

[doodlegirl1998]

I don't get the hate all might recieves from this fickle fandom while Aizawa gets praised over the moon.

Yes All might have told izuku to give up first but I don't see anything wrong now or even when I first watched season 1. The man has more experience and has already seen his fair share of cruelty over the years. He knows the difficulty of being a Hero with a quirk and even with all of that power, It took him losing his stomach to beat AFO. All might was being realistic here. He didn't want to be reckless & give false hope or encouragement here. Also he didn't laugh or outright tell him to quit. He told izuku who had no power to try other ways to become a Hero which was being a policeman.

2nd what did izuku do before meeting all might?. Absolutely nothing. On top of being quirkless He didn't have a strong physique to back it up. Sure he wrote analysis on quirks, heroes and villains but that's not gonna help in the longer run. All Might wouldn't know what Izuku would've gone through in life till this point. He doesn't know izuku was suicide baited. I'm not bashing Izuku but trying to see this from AM's side as well. Maybe he could've seen Izuku's behaviour to determine that the kid was abused but then again the man was also in a hurry and probably wasn't in the right frame of mind after displaying his long kept secret to a middle school kid.

Still All Might fckin apologized for his earlier comments and approved Izuku. He helped izuku get in shape, and gave his quirk. Encouraged him time and time again positively.

Wtf did Aizawa do? Ridiculed Midoriya infront of everyone. Never apologized. Never once supported him and always put izuku's abuser on a pedestal. Heck izuku should've been in top 10 in the apprehension test. He had better physical stats than Denki, Jiro, uraraka ( yeah she wasn't OP with her quirk during that time and had a lot of stamina issues), Koji, Mineta, Toru, Ashido to name some. Are we sure Aizawa didn't rig the exam?. Narrative protected that POS. Never once encouraged Izuku, never helped him when he was struggling with his quirk. Never even bothered to train his students in quirkless combat but went out of his way to tutor Shinso. His only good points are being a good hero and a good gaurdian for Eri but that ain't enough for getting this much praise. He knew Iida was going after Stain but didn't do anything.

All Might has flaws being a teacher but he at least tries his best to help Izuku with his problems and always been there for him. He encouraged his students every time. Trains them and has always been there for them unlike a certain someone.

All of All Might's good points outweigh Aizawa's by a higher margin.

End of my rant, i just see this as too unfair how fanfics bash All might for no fuckin reason while it coddles Aizawa. Especially the Dekuverse fics. Heck Hori himself treats All Might like shit in canon. The Izuku solo arc is a good proof.

All Might deserved better both in Canon and in Fanon.

Hi @bakutrash 👋,

I get it in the sense that the fandom follows suit of what the story itself is doing - AM gets critiqued more than Aizawa by the narrative (since Aizawa is Hori's favoured mouthpiece) and the fandom follows suit.

Dadzawa as a trope is also largely wish fulfilment. The wish to see 1A as a family and the wish to see Aizawa as the 'stern mentor/ father figure with a heart of gold' archetype. When Aizawa is not this - especially not to Izuku.

If anything All Might is Izuku's key mentor / father figure in the story. He made his mistakes in regard to Izuku but made up for them and apologised. AM also does his best to learn how to be a teacher and be supportive to Izuku and take care of him. Aizawa never does and Hori parades all of his actions as logical so the fandom (at large) doesn't critique him for them.

All Might is traumatised but Hori rarely focuses on it (unlike Aizawa's trauma), so it gives him less sympathy and exploration from it by the fans.

All Might fought a battle only his power in OFA could win. It was quirkless Izuku acting to save Bakugou that made All Might aware that Izuku had potential and that he shouldn't have been so hasty to judge him. All Might also didn't know Izuku took to analysis and suggested alternatives to heroics he felt more suited to a quirkless person.

Adding to this, All Might also began Quirkless himself so it's unlikely he would actually hold extreme Quirkist views like I've seen in some bashing fics (actually looking at Canon Aizawa displays more quirkest attitudes than All Might*.)

Yet the majority of the fandom focuses on All Might's intial refusal of Izuku's dreams and scapegoat him for Izuku's lack of self worth. - The narrative does this too, disgustingly through Bakugou's mouth, not acknowledging once that Bakugou and poor Teachers to Izuku (like Aizawa) are the cause of it.

Did Aizawa rig the exam? I think (and a lot of others critical of Aizawa) think he did. As you rightly pointed out Izuku should have been higher in the quirk apprehension test than he did (especially since he trained religiously and followed a training plan made by the Number One hero for months!)

Unironically, Aizawa at the beginning of the story seemed to dislike Midoriya, and consistently he has favoured Bakugou over him (more on this point later.)

He also viewed Bakugou's bullying as a "rivalry."

Why is this?

Other than the actual reason - Aizawa is Hori's Mouthpiece and therefore have him be Bkg's biggest simp to try to make us like him - there are two options.

1) Aizawa is either not as observant as he thinks he is (supported by him falling asleep all the time - so obviously by doing this he would miss things.) 2) OR Aizawa is malicious and thinks Midoriya needs to toughen up and deal with his bully like he did.

Neither of these options make Aizawa look particularly good. But 1) has room for growth and 2) does not.

Where is the logic in the Quirk Apprehension test? It favours those quirks that Aizawa claims he dislikes that the entrance exam favours - those flashy and combattive quirks such as the ones that belong to Bakugou, Todoroki and Yaoyorozo.

Additionally, singling out Izuku like that, on the first day would be realistically massively damaging to a student and to the classes morale overall.

Would you be comfortable with a 'third parent' (as these homeroom teachers are meant to be) or a teacher in general who does that to a classmate or to you the second they show they need some help? I wouldn't be...

Where is the logic in favouring Bakugou (who essentially a worse version of Aizawa's bully at U.A - Sensoji) or Shinsou who didn't work for his dream of Heroism and only attempted to skate in on his powerful quirk? These should both be characters that Aizawa (from what we are narratively told about him) dislike. Yet Hori does not allow this to occur as Aizawa is Hori's favoured mouthpiece and Hori wants him to have a mini me in Shinsou.

*- There appears to be a degree of quirkism ironically at play here. Bakugou is favoured because he is confident and has a quirk that is "perfect for heroics".

Whereas Shinsou is favoured because Aizawa sees someone like himself. The other students - Aizawa isn't shown to care all that much (aside from the additional to the story artworks.)

And as for Eri, Aizawa seems to care for her but honestly we don't see her nearly enough to judge whether he's actually a good guardian. There's also the fact of Aizawa seeming to struggle to take care of himself and how he treats his students so realistically, would he be a good guardian to her?

In universe, in spite of all logic, Aizawa has apparently been teaching as 'hardass ExpellZawa' for years without consequence - against himself or UA as an institution .

And Aizawa has never once reflected on the long term damage that all of his trauma response methods would do on all his students - not just the ones he expelled.

Hori never even had Aizawa question himself at any point - because the fact that he's Hori's mouthpiece means Aizawa is never meant to be wrong so he never believes himself to be. That stunts him as a character.

Even the revelation of Kurogiri as KurOboro didn't make him do this.

Aizawa, as he is in canon, is heavily traumatised, too set in his ways and too much of a mouthpiece for Hori. Hori also either doesn't see the point of or the interest in having Aizawa grow from his mistakes and heal from his trauma - which is a shame.

Whereas All Might, as he is in canon, is also heavily traumatised, has been crapped all over by Hori but is shown to do his best in learning and growing from his mistakes - both as a teacher and mentor to Izuku.

Final thoughts:

Sorry I responded with a rant of my own!

Personally, I find Dadzawa fine in a fic, as long as it has DadMight too OR has Aizawa make up for his mistakes to the class and grow as a mentor.

However, as time has gone on and I've got more into MHA, I find it really irritates me to see a fic bash All Might. Especially using Aizawa to do so, when in canon Aizawa has done much worse as a teacher - especially to Izuku and his past classes.

I stand by the opinion that although Canon!Aizawa may care for Class 1A as he currently acts - he should not be a homeroom teacher or have his trauma responses be praised as 'logical teaching.'

[thr0wnawayy]

Midoriya's Delusion

This is post that builds upon my previous one, I've copied many of the points I made there to here. Albiet with some corrections and tweaks.

To summarize, I have a bit of a crack theory that chapter 430 isn't as real as we've been led to believe. (As for when this actually takes place, that's up to you but I like to imagine the start of his third year marks the beginning of his mental decline.)

(As an update, I find it dubious whether 8 years have actually passed or if that's also a part of the fantasy. I can see Midoriya becoming so attached to the lie that his reference of time begins to warp)

This theory mostly comes from some inconsistencies in regards to the hero rankings and some other things I've found.

Corrections:

It's left ambiguous whether Best Jeanist and Endeavor are still active. However the fact that people view these two in a postive light (especially after Dabi and the war) still seems absurd.

2. Midoriya wasn't outright abandoned, rather their busy schedules make it hard for their days off to coincide. This falls apart when you look at this panel

"The rate of new villains keep decreasing and the number of heroes have stabilized"

Besides Ochaco who's funding a quirk counseling project, the rest of the class should be able to make time. Again it's stated that they aren't actually fighting.

There's no real threat to face. Besides PR and Community Service there's bot a whole lot else (besides the occasional natural disaster)

One could argue it's because the scope of what heroes do is increasing, thus keeping them busy. But again, we see heroes doing exactly what they did before, PR, Advertising and (implied) Showboating.

This leads me to believe that the lack of contact is based in reality, to some extent.

Whether it was by choice or forced by their (1A's) respective PR teams to preserve their images (can't be seen around the "freaks" for too long, now can we?).

The lie comes in the form of busy schedules.

Now whether that's what Midoriya tells himself or what he's been told, I cannot say for certain.

Disturbia:

For those of you who didn't read my last post, you may be wondering, so what's going on?.

Simply put:

Midoriya's having a breakdown fantasy to cope with the fact that he won't be becoming a hero due to the loss of his quirk.

Im aware it sounds crazy but consider the following:

1. Midoriya subconsciously knows the way he's been treated was wrong.

This manifests within the escapists fantasy in Bakugo's drop in the rankings + the attitude surrounding him (as well as his damaged hand never fully healing)

He meets a kid who just so happens to be in a near exact same position as he once* was (and still is to an extent). One could take this as his mind's way of trying to cope and heal itself, by having Midoriya do what he does best and help others, henceforth working though his trauma by using the kid as a stand in.

*Even the kid's "bully" seems to be a warped version of Bakugo (perhaps this is how Midoriya tries to fool himself into believing how it was)

2. We see Kota.

I believe that here, Kota serves as what Midoriya thinks he could have been had he not failed. Kota is the idealized version of Midoriya here, the unobtainable.

3. A lesson ignored

Apparently people forgot the connection between Endeavor and Shoto. You'd think this would be a good thing as Shoto would be able to become his own person.

This falls flat when you remember that also includes people forgetting the reason and happenings behind Shoto's existence, it feels like Midoriya is trying to have his cake and eat it too

To elaborate, this is a major copout, it allows Shouto to be unaffected by his family's past bith career wise and emotionally. While also feeding into Midoriya's rather toxic belief that forgiveness is required to be a good person.

(The fact that killing Tomura violated this only adds to my theory that this whole thing is an escapist coping mechanism.)

(You can also add the idea that Tomura didn't forgive society for what they did to him and his friends. That likely broke all the "rules" that Midoriya knew.)

4. The Mech Suit is a massive cope, it's the dying whimper of Midoriya's childish hope that All Might will save the day.

This time there's no magic quirk, no garrish mech suit, no plot twist.

No. There's only Midoriya and the consequences of his, his classmates and hero societies actions. It doesn't matter how shiny and seamless the illusion, how sweet the lie.

You can't hide the blood.

Concerning Aspects:

That was mostly the revised stuff, let me introduce you to some new points

1. A Frozen Lake

Something I noticed was certain characters seem to be almost frozen in time, as if someone tried to continue a story using scraps of the original text.

The curious case of Rei Himura:

This scene seems almost stagnant, what was most noticeable was Enji's bandages still being on and Rei still being there.

It's as if Midoriya hasn't seen them in years (or perhaps doesn't want to acknowledge what happened). So his mind uses what he last saw/heard of them, creating a sterile, static scenario. Little better than props.

Those surrounding her (with the exception of Hawks) also seem to be stuck in the past.

It's definitely strange.

2. See No Evil, Hear no Evil, Speak No Evil

Shigaraki is a representation of Midoriya's repressed guilt and his fears. I believe deep down Midoriya knows that, inevitably the cycle will repeat, so long as the system is allowed fester and wallow in it's complancy.

I find the fact that he's behind Midoriya to be ironic, as if to say: don't look back, don't think about what you've done.

A Symbol of Stagnation:

I should warn you that it does get lengthy from here, however I think it's important to get the full picture. Even if I tend to ramble here.

It's implied here that Lemillion's the top hero. This is awful for a variety of reasons. Mirio is a horrible symbol.

All Might was flawed for a variety of reasons, but a majority of these were byproducts rather than directly being his own doing.

Mirio on the other hand, has such a cancerous philosophy that it actively harms all who interact with it.

Mirio is a follower, he follows orders first and asks questions never.

Eri is the best example of this. Even after Nighteye's death, Mirio never truly reflects on the damage his actions could have caused ( only saved by the narrative, seriously it's a miracle Eri trusts anyone besides Midoriya after being abandoned like that)

You see, the difference between Toshinori and Mirio lies in their actions and principles.

Mirio left Eri to die, all for the sake of the "mission".

For all the heroes knew, Eri could have been a trafficking victim and either have been killed or relocated. But no, appearances and "gotta catch em all" take priority even after knowing Eri is in the Yakuza's clutches.

Lemillion made the worst decisions possible. He followed a known murder into a secluded, restricted area (with a hostage mind you) bringing his pupil with him.

Willingly ignored blatant signs of abuse (just look at the girl) and played hooky with thre leader of a criminal organization, who is known for his short fuse and willingness to kill.

He did all of that, when he could have easily detained Overhaul at any point (his quirk being a direct counter)

Toroshinori would fight tooth and nail in that situation. Consequences be damned if it meant saving Eri.

Part of the reason Toroshinori was so effective as a hero was 1. His sense of justice and 2. His compassion.

Mirio is a symbol that can be controlled, a weapon if you will.

The fact that Mirio is at the top shows that things haven't changed and are even beginning to decline. So this brings me to my next point

You may be asking, if Midoriya's losing it in his own mind, what's the outside world look really like?.

Allow me to set the stage.

4. Speculation

Within Midoriya's muddled mind, Lemillion represents both his toxic optimism and a subconscious understanding that nothing has changed. It represents denial and acceptance, a dysfunctional middle ground that's easy enough for Midoriya to stomach.

The truth of the matter is, delusion or not, the reality is soon to sink in.

Something that I don't see discussed is the lack of reactions from other nations or really any insight into how they were affected by everything that happend.

Here's the idea: Most likely they are foaming at the mouth.

Particularly it's the countries who suffered under Imperial Japan in the past (Korea, China, Singapore etc), however this also applies to every nation Nedzu brow beat into aiding with the rebuilding efforts, albiet their reaction would be latent.

Not not only is the attitude painfully reminiscent of how Japan handles it's past atrocities, Japan has had them clean up their messes. seen below:

(you cannot tell me Big Red Dot over here is having a good time)

From an outside pov. The Commission never told anyone about AFO, rather they suppressed any information, locked him up in Tartarus and then sat on the whole situation until it blew up in their (read: everyones) faces.

He then proceeded to: kill over 8000 people (+ those killed during the Blackout period), kill the top hero of one of the world's most powerful nations and incite mass panic. Destroyed massive amounts of infrastructure and transport nationwide, broke thousands of criminals out of prison, destroying those prisons in the process.

Meanwhile the heroes:

Abandoned civilians in mass by quitting in the middle of a war.

Left the public in the dark for months and allowing crime and paranoia to grow rampant, even (forcibly) bringing someone they knew was being targeted by AFO and his forces to the one place they could find shelter.

Mutilated a seven year old girl. Who has a history of being mutilated for the gain of others and patted themselves on the back. (Also having no holdup on how that may effect her physically via her quirk or mentally via her trauma)

Mic: tried to kill a docile prisoner who could be considered in comatose, based off of his emotional attachment to a dead man + viewing it as justified if it meant Spinner couldn't get to him.

Used hospital staff and patients as meatshields (Central Hospital) during a riot.

Most had no qualms supporting a child beating eugenicist and implied marital rapist, even with his one of his victims exposed him and citing it as his main reason for turning to villainy.

Held an illegal questioning* with said abuser while ignoring his main victim (Rei, who is probably the most reliable source of information there)

(*which effectively is like conducting an investigation on yourself and declaring you are not guilty)

And so much more! (But this post is getting too long)

My point is by the time everything was said and done, it seemed everyone but Japan was paying for it.

It's outright stated that the US president risked national security by sending every hero they had to help Japan. (Impeachment worthy if you ask me)

Endeavor's little plan to kill himself and Dabi in a blaze of death ended up disrupting the weather. Very likely it'll end up resembling an El Niño phenomenon, only vastly off schedule and even more destructive than normal.

For Reference [https://oceanservice.noaa.gov/facts/ninonina.html]

Very likely it'll lead to an agricultural drought in the northern America's and mass flooding in southern America's, likely starting at the west coast and bleeding inland. Leading to a domino effect where cost of living surges due to the sudden displacement of people and the rapid loss of products.

Worse still, because the US had no heroes (likely for months on end), crime has likely surged in the America's, which will further impact the rest of the world.

The rebuilding efforts likely emptied the wallets of most participating countries, leaving them unable to help anyone, including themselves.

Also keep in mind that Japan incriminated themselves with the Business Course footage. I don't think the general public (outside of Japan) is going to take too kindly to a known murder and abuse apologist being in charge of a system already known for it's corruption.

The end result is likely be a world that detests Japan, either from a moral perspective (Rei's treatment + the treatment of those society abandoned), a financial perspective (we can't afford shit and you contributed to that) or historical perspective (you do this everytime and ignore the consequences).

A world divided by struggle and united by an immense loathing for the Commission's Japan and the culture surrounding it.

Oh, don't forget there's no finding left for quirk research. Meaning that it's very likely no one will be prepared for quirk singularity to start manifesting in the upcoming generations (Thanks Nedzu).

_______________________________________

Update: Can I just say that Aizawa's lack of ownership infuriates me even though this is likely a fantasy and not grounded in reality.

Like what the fuck do you mean "with the way he talks, it was pointless" Fantasy Aizawa.

Because "Hey Asshole", You deliberately ignored his attitude and offenses!. And what? Now your just gonna shrug it off like it wasn't your fault. To hell with that you had two years, most teacher are said to only get one. As you so graciously mentioned at the start of this shit show of an epilouge.

Heres the moment I'm referring to btw:

While we're at it. Are you telling me it was too hard to get Momo some proper attire all three fucking years she was at UA for.

Not to mention Toru is still naked, how the fuck hasn't she died yet, she is literally exposed to the elements (and lord help her of she gets a cut)

Kirishima's costume is still his biggest liability considering it exposes his chest and back (also seeing as even when hardened he can't repell bullets)

Does Denki still fry himself with his quirk?

Before we move on Aizawa. How's that daughter you neglected, her horn still broken?.

Speaking of which let's look at the rescue team:

What the hell is this!?

Let's see, we got a guy who can only do damage (and his sweat detonates on contact, destroying whatever it touches.)

A brainwasher who only got into the hero course via nepotism and who can only brainwash people who directly respond to him!. A person trapped underneath rubble either frantic or groaning in pain isn't going to be able to respond or even just give consent.

(On a side note what are the laws regarding mind control quirks, does some sort of waiver have to be signed, can a person sue for being controlled against their consent?)

Oh, but wait there's more.

Midoriya running headlong with experimental tech that has, very likely never seen the light of day. Let alone preform in an actual high stakes situation before.

You're trying to carry someone and oops! Something malfunctioned or was miscalculated, now there's an even bigger mess (hooray!)

Who could forget Mezo "they'll come for your kids" Soji. Who climbed the ladder and pulled it all the way up.

Yeah forget that Heteromorph's were getting hate crimed long before the war, ignore the fact that you yourself were maimed by an angry mob after doing one of the most heroic things a person can do. Dismiss Spinner's comment about being sprayed with Pesticide for walking in public.

Nah screw it, let's all sing Kumbaya while the Creation Rejection Clan runs wild outside the reach of the cities, then ignore that the discrimination still is prevalent in the countryside and it's only a matter of time before somone gets fed up and takes matters into their own hands. (talons, claws, you get the picture)

But your a hero now Soji, you got your's. So fuck the rest of 'em

And don't even get me started on Hawks. Congratulations you ignorant bastard, way to kill time and by that I mean for everyone but the heroes.

"Yeah life is great!, everyone hates us, we're rapidly falling into debt from all that rebuilding 8 years back."

"Speaking of which some of those buildings are staring to fall apart due to being rushed to meet deadlines set within the month they were started."

"Social darwinism is on the rise and people are becoming more complacent that ever before due to heroes applying bandaid solutions on decade long, deeply ingrained problems."

"All so the average person doesn't have to think about what's festering beneath society's floorboards, so thank you Safety Commission. Here's your star of positivity ⭐️." - Some random anti-hero civilian

So much for greatest heroes, huh.

_______________________________________

UPDATE 2:

A dark thought I just had, is that the main reason Izuku killed Tomura was because Tomura broke the rule of "Forgiving Your Abusers makes you Good".

When Tomura refused to relinquish his hatred, when he stood his ground, that is when Midoriya decided he had to die. If not to "stop" him, then to preserve Midoriya's perception of the world .

Shigaraki + The LOV by their very ideals went against everything Midoriya has had beat into him by Bakugo and Aldera over the years.

Makes me wonder how'd he react to a person refusing to forgive their abuser. If he interacted with Natsuo or Rei, I could see that delving into a complete mess.

Now that I think about it, The Midoriya we know now, he would have never tried to hold onto Eri back when they first met.

Ironically, he became what he named himself after, a Deku. A puppet attached to thorns of liquid gold, glistening and burning hot.

A slave to his own biases and belief system, now trapped in a stage of his minds own making.

First bound by his past, then by legacy and finally, now by his own hand.

木偶.

[nutzgunray-lvt]

I knew I wasn't going to like the ending, but I wasn't expecting it to be so underwhelming and just ugh.

- Izuku and 1A fell out of contact once they graduated... but the "Deku Squad" goes and makes their own hero team while Izuku's over here talking about how LONELY it is that he's not a hero while everyone else around him is. Then when he gets to be Iron Izuku, they get back in touch. Yeah, found family my ass.

- The hero ranking system hasn't changed at all, despite it causing so many problems in the story. In fact, it's even WORSE now that heroics is solely concentrated on those with strong Quirks due to the low crime rate. Again, anyone can be a hero, but only if they have not just A Quirk, but a strong one at that. Eventually, another AFO or Shigaraki will rise up, and they're back to square one.

- Bakugou dropping in the ranks due to his aggression and attitude is both surprising and welcomed. I'd been dreading him being #1, but again, it shows that he's received NO character development in 8 fucking years. He'd be in his twenties at that point. Grow the fuck up.

- I guess Aizawa's "apology" to Izuku amounted to absolutely nothing, and Midnight might as well have never been Mic and Aizawa's friend, given how they don't acknowledge her death.

This series had so much potential and a lot of things that I liked about it, but I'm glad it's been put out of its misery. I just wish it could have been told by a better author.

[yonkokraven]

Horikoshi is a terrible writer

God, I wish I was kidding, these last couple of days I've been analyzing the whole damn manga and I finally understood where this guy is going with it and how it fails.

I'm going to make the post with spoilers and talk in random order about different things that he fail at, because honestly it's unthinkable to make an order in this manga chaos.

The League Without Goals:

I really can't understand how people look at this group and say "they have a plan" or "they're good antagonists" when neither of those things are true.

The league was founded by Tomura wanting to show the world that they live in a false peace, at first he wants to kill All Might for being the symbol that brought this false era of peace...

The claim is fair, I'm not going to lie to you, but after the Stain arc, instead of reflecting on how he can show the danger to society, he goes a step further and decides to destroy all the heroes, and the league "adopts" Stain's mentality with its new members.

You think it could improve, I mean, here they should tell us the reasons of the new members of the league about their mentality towards the heroes, but no, nothing, absolutely nothing.

Dabi introduces himself stating that he's there for Stain, Toga too, Spinner obviously too, but they don't reveal why they agree with Stain.

As time goes by we see glimpses of everyone's personality and past, and the first thing that comes to mind when I think back to the entire history of the villains, is that they don't have a group spirit here, in fact, not even a hint of personalities, Dabi and Toga are serial killers, Spinner is a mutant and Compress is a thief. Twice is a disturbed guy who lost his place in society by no longer being able to control his quirk, but he also has no qualms about kidnapping and killing children and god, Magne, Mudstard, Muscular and Moonfish are forgettable

The league's goal changes from "Show society the false peace" to "Let's do whatever we want" after the liberation army arc, here there is no direct reason, but Tenko says that he wants to destroy everything that breathes.

They show us their pasts but there is not really a more appropriate answer to "these people are crazy"

Spinner, who is the one with his head on his shoulders, should question why but he doesn't, He don't tell us what he wants to do other than "follow Shigaraki", and then in the final war they put him almost into a Nomu and leading an army of mutants without any plan of what to do when the world is his, there are no community plans, nothing, just find Kurogiri and destroy Japan.

Toga was deprived her entire life of living the way she wanted and she wants to do that, but when Twice dies she wonders if the heroes don't see her as a person when she can't even wonder why the heroes would see her that way, she kills people and animals without any shame and is plotting to destroy the world.

Dabi wants dad's attention, that's why he's going to destroy everything dad built including his mother and siblings, but he could go one by one, first Natsuo, then Fuyumi, then Rei, then the "Masterpiece" Shoto, or better yet, broadcast the video of Endeavor after the battle against High-End Hood, but instead he waits for the damn climax of the story to try to detonate himself. Not only could he have saved Twice and didn't, but he also has reasons to follow Stain but still sticks to "let's kill whoever gets in our way"... and that's it.

Tomura already came to this story in an extremist way and has reasons to hate society, at the beginning of the story I thought his motivation was going to be to reveal the imperfections of civilians and heroes, but his motivations grow to commit acts of terrorism to ACADEMY STUDENTS. And they are not even varied, it is the same academy and the same damn class

And when I thought that Horikoshi could not make it any emptier, AFO reveals that he always planned to take his body and orchestrated everything that happened to Tenko. AND THE WORST THING IS THAT HE DOESN'T EVEN REFLECT AFTER THAT, IF IT WERE UP TO HIM HE WOULD DESTROY EVERYTHING ANYWAY.

How do Hori expect me to feel bad about their defeats and deaths? They literally grew up in the opposite way to how they should have, and that's when I realized: Hori didn't want to give this group of clowns any redemption at any point.

Before you ask me "then why did Horikoshi make Midoriya, Uraraka and Shoto want to save them?"

No, here Horikoshi is writing 2 things, but he writes them so badly that the fandom interprets something totally different:

1-A hero is a human being, and villains born in their mistakes: The members of the league, if we look at their origins first, arise from the fault of people (not just heroes

Toga must be one of many who has their biology affected by their quirk, at no time do we have reference to the fact that there are specialized centers to help this type of people, because if that were the case, her parents would have accompanied their daughter in that way instead of repressing her.

Spinner is a mutant, so he hasn't grown up in a conventional way (as we're told, he was always alone). But that's the incomplete picture, being a mutant and following Stain's ideology, you add 2+2 and notice that Spinner suffered mistreatment even from heroes, but it's something he doesn't mention, and Horikoshi didn't delve into either his history or the mutant plot.

Dabi is the son of an arranged marriage (know how to differentiate it from a forced marriage) and that's already a lot to say, but his origin resonates with Stain's words about heroes only seeking fame and power. If the top heroes didn't exist or worked differently, things in the Todoroki family would have been different.

Tomura is the mark of an imperfect society, as his problems are not only his own, they come from generations ago. His grandmother left his father for adoption after his grandfather's death, and there is already a big red flag about the safety between heroes.

Then, his father grows up hating heroes because he never knew about the danger that his mother and he were in. And he hits his son every time he says the word "hero" just because he never knew how to properly deal with his father's death or his mother's abandonment.

And after what happened to his family, people look the other way hoping that a hero might appear, when that is not the job of a hero, it is something that everyone can do. Tomura marks the total and combined result of a society that has made heroes into nothing more than a service instead of people, while people simply go on with their lives.

Society in general after the dawn of power remains the same: discrimination, power and ignorance continue to be the daily life of people.

The biggest problem? is that Horikoshi shows us the league at first wanting to point out these injustices, but little by little they get to "let's destroy everything because Tomura is upset."

2- The origin of true heroes

The arcs that resonate the most with the soul of the manga are Uraraka and Hawks' arcs, two of which in my opinion are the best in the work

Uraraka enters the academy with the wrong intentions, but her heart is in the right place, she wants to help people and little by little she realizes something that many people ignore, that heroes and villains are also people.

Hawks is trained directly in the commission as a human weapon, but he does not fight against this because his desire is to be a hero, as he grows up between so much training and work, he realizes that despite being a hero, he is not allowed to be a person, and this is reflected in all the other heroes thanks to his phrase "I just want a world where heroes have free time"

Uraraka is the one who initiates the change to society by asking the civilians to let Midoriya rest in the academy, the civilians are scared but notice for the first time that the heroes are not in good shape either.

And they are not even heroes yet, they are children who still have the spirit to stand in front of the bullets when they should be crying for what happened, they lost teachers and classmates, in addition to being mutilated by people older than them.

In these epilogue chapters, civilians and heroes began to work shoulder to shoulder after this event and the battle in which Midoriya gave his all to prevent everything known from disappearing, and he succeeded by very little.

In chapter 429 we see a child who escaped from hell, and for the first time a civilian helps someone without having to request support from a hero, and it is the same woman who did not help Tenko years ago who still carries the guilt.

But what is the problem with this point?

Two small details, one being that Horikoshi isn't giving dialogue to those who started this change, and if he did, he did it incorrectly.

Uraraka feels bad for not being able to save someone who didn't want to be saved, when she doesn't reflect on how Toga got to that point of no return, or what made the heroes get to where they are now

Midoriya calms her down by telling her that she's his heroine (which isn't bad at all) but it's a very short dialogue for two characters who saw through all the flaws of this system and fight to change that same system for the better.

and Hawks is in a position to restructure the hero system for the better based on the things he knows, taking a correct step in creating a Top that is defined by the actions in the place of power... BUT YOU DIDN'T ELIMINATE THE OLD TOP? ARE YOU SERIOUS?

And now I know why he doesn't do it, because of someone who has taken up more than enough pages in this work, the damn Katsuki Bakugo, another damn symbol of the old society that glorifies power over heroic actions.

Horikoshi himself didn't know what to do with the character beyond the first tests arc and HE SHOWS IT, because it is so contradictory with this character and everything that surrounds him in a disgusting way and the fandom doesn't want to accept it.

He literally doesn't get any attention when he does wrong, when he attacked Kurogiri with Kirishima, when he acts arrogant at the sports festival, when he hits Midoriya at the final exams and verbally abuses him in front of everyone, when at the camp he ignores Mandalay's instructions.

There is only one consequence for him in the manga, ONE, AND THAT IS THAT HE FAILS AN EXAM AND THAT'S IT.

Then he has a nervous breakdown saying "it's my fault that All Might retired" when he doesn't reflect on the danger he put his teammates in or the way he acts.

Here everyone is useless when it comes to Bakugo; Aizawa lets him go with a pat on the arm when he tries to attack Midoriya, 13 should have reported Bakugo and Kirishima to the principal after Kurogiri, Aizawa justifies Bakugo's behavior to heroes who are obviously outraged by his attitude during the festival, All Might ignores that his disciple bled from a punch from Bakugo and also that Bakugo almost killed him in the team tests.

When he is kidnapped, no one points out that he disobeyed a direct instruction in an emergency like the camp, instead Aizawa grabs a microphone and says "He's a great hero."

And in the provisional license exams, the Commission should have intervened and called him to attention, or at least Aizawa, but NOTHING.

Horikoshi makes him absent for a couple of arcs and then Bakugo reappears at the cultural festival where he doesn't change a cent, he just plays the drums, then he passes the provisional exams making the minimum effort possible while Todoroki, Utsushimi and Yoarashi do all the work with the children, and he tells the leader of the children "don't be an idiot" and that's it.

Then the Endeavor arc, he sneaks into Midoriya and Todoroki's internships and disrespects half the world, again without consequences and his appearance in this arc is to justify the disaster of power increase in the next arcs, wasn't it that he had already mastered his quirk? wasn't he a prodigal?

Then there's the war and he only serves as a human shield, receiving a lethal wound and SURVIVING to then wake up in the hospital and ignore that everyone is injured or in mourning and start screaming.

Then in the Dark Deku arc he mocks Izuku who is at his lowest point and makes the emptiest apologies I've read in a manga, with an apology comes a change and HE doesn't change.

His death and resurrection is totally useless to the plot other than to nerf (not kill) Edgeshot, who turns from a paper man into a surgery man to repair his heart and vital organs that are shown to have EXPLODED BY SHIGARAKI'S PUNCH.

He gets up and fights All For One at his weakest point and eliminates him, which has no real value because AFO then possesses Shigaraki anyway. And to make this more regrettable Bakugo KILLS KUROGIRI WHO WAS ON HIS SIDE.

What makes me the most angry is that Izuku is losing OFA and HE IS THE ONE CRYING

At this last point Midoriya has already completely lost the spotlight because Horikoshi never tires of inflating the Gary Stu that is Bakugo. And God forbid Midoriya to do even a little of what Bakugo did.

Midoriya at the end of each arc has no recognition, in fact, the recognition that Horikoshi gives him is reduced as the arcs go by

The story started with Midoriya saying that this would be like him "he became the greatest hero" and in the last arc he changes it to "we all became the greatest heroes" and it doesn't feel like a true victory once they achieve it, because Midoriya is not even the shadow of what he was.

With Horikoshi's decision to preserve the previous Top of Heroes it is obvious that he will give it to Bakugo, it is a worthless title because it is not defined by heroism, but by statistics that come from power and solved cases.

and this last one ruins Endeavor's ending even more

Speaking of Endeavor, he doesn't have his family anymore, he already lost his position, he's disabled and his money won't be his anymore, since he's going to put it at the disposal of his children. I was wondering if Horikoshi would make him face something legally but with everything that's happened I think it would have been the same result, with him paying monthly damages to his family.

and his family, god, what a family.

Rei needed more introspection and perspective on the situation, especially with Shoto and Touya if she was going to be included in the final battle. And yes, she stays with Endeavor, good for some and bad for others, but I want to know what led her to that, Horikoshi didn't justify it.

Fuyumi was fired not because of Endeavor's abuse, but because of the things Touya did. Again, this information is useless without a proper explanation. What information do you want to leave me with, that she got a new job? Will she work at the UA library or what?

Natsuo will be a Kotaro 2.0 because of his attitude, and honestly I never really liked him, especially because he didn't put any energy into getting to know Shoto or trying to reconcile with Touya after the final battle.

Shoto... poor Shoto, it feels like he was orphaned after the last family talk. In fact it feels disconnected from the story since the Dark Deku arc.

Well, I only have to talk about Eraser, because I already pointed out everything, empty villains, Midoriya's lack of introspection, Bakugo Katsuki's superfluous character... and there's this incapable who must be Horikoshi's self-insert.

Shouta Aizawa, aka Eraserhead, underground hero and the worst teacher in the known universe.

This guy never knew what he did, and just like Horikoshi, he tipped the scales towards Bakugo in every situation he could. He forced his students to give their all, but he didn't help at any time in the evolution of their powers... WHILE HE WAS TRAINING SHINSO.

He's not a teacher, he's just a security measure in case a quirk gets out of control, nothing more, and he even does wrong, he ties up students with his capture weapon and attacks them with his quirk threatening expulsion in any situation that bothers him

Present Mic points this out and many other things but is continually silenced by Aizawa and the fandom, even worse

The Fandom ships them.

and since we're mentioning the fandom, this is one of the worst fandoms in the universe.

90% of them seem to have gotten the story wrong and don't have a cent of criticism towards Bakugo or the league, and don't value the moments of the manga in the proper way.

There can't be a second without them believing that this is Shoujo, because they focus on Bakugo and Deku in the same panel and take it completely out of context (a bad habit that Rukasu created by translating the leaks absolutely wrong on purpose).

Now everyone is angry with Horikoshi not because he wrote a story in the most absurd way possible, but because the league of assassins did not have a happy ending and they just discovered that this was never a shojo.

Horikoshi was right to fear that the manga would be cancelled, because he clearly excels at drawing, not writing. Now we're getting a fan-made Attack of Titan Requiem 2.0 of Bakugo and the league making this twenty times worse than it already was.

I've also noticed that there are some creative people who are writing arc by arc either on tumblr or ao3, which gives me some faith that this nightmare is bearable.

Well, I read opinions, but not from fans of Bakugo, BKDK or the League of Villains.

[sapphic-agent]

Let's Talk About the Bakugou Problem

I've been enjoying the Bakugou slander here on Tumblr, but I haven't come across anyone that gets to the root of the problem with Bakugou's character yet. I think it goes further than him having anger issues, being annoying, or even how violent and abusive he is. Why I think Bakugou is a bad character is due to the effect he has on the plot, world-building, and the rest of the characters. There's a lot of layers here, so I'd like to take the time to talk as in-detail as I can while typing on mobile.

*Note: I'll be following the anime as it's easier for me to follow and pick specific examples. Manga readers if you have anything to add I'd love to hear it, even if it's against what I've listed here*

*Note: Bakugou fans you're more than welcome to read, though I warn you might not like what you see. I tried to keep this as constructive as I could without letting my own biases seep in (whether I succeeded is up for debate) so that everyone could read it whether you like Bakugou or not. I'm fine with criticism towards my points, I only ask that you remain respectful. I won't engage with anyone who disrespects me or other users*

1. Consequences

This is a big one among Bakugou critics, so I think it's a pretty good place to start. Bakugou has almost never faced actual consequences to his actions (there's a difference between something bad that happens to happen to him and the world around him not accepting his behavior). There are two instances that I can think of that there was a direct ramification to something Bakugou has done. The first was during the Deku vs Kacchan fight where Bakugou does get suspended for four days while Izuku gets suspended for three days. The other is when he and Todoroki fail the provisional licensing exam. However, there's a problem with these two instances I mentioned.

With the D vs K fight, Bakugou was the one who goaded Izuku out of the dorms and instigated a fight. Izuku was trying to get him to go back to the dorms so they could settle their "issue" under adult supervision. He was trying to do the responsible thing. For Izuku to only receive a day less of punishment seems unfair. Though, you could make the case that he should have ignored Bakugou, it's still very clear that one was way more at fault than the other and there was barely a difference in their punishment.

The provisional licensing exam actually did well with failing Bakugou. It was almost a great lesson; that he can't say and do whatever he wants and expect the world to roll over for him. Unfortunately, it's undermined by Todoroki failing as well. Yes, Todoroki failed because of Inasa. But a) Inasa attacked him first which should have resulted in disqualification (what was Todoroki supposed to do, not fight back when he was being assaulted?) and b) Inasa's entire character seems shoehorned into the story. He doesn't really add anything to Todoroki's character as most of his problems with Todoroki were already resolved back in season 2. He also contributes nothing to the overall story. Shindou, for example, has a hand in testing 1A and forces them to work together congruently. Inasa seems like he was put in the story simply to make Todoroki fail. Why does Todoroki have to fail? Because Bakugou does.

It seems like Horikoshi always softens the blow for Bakugou in a way, if he's dealt any blow at all. By not allowing Bakugou to face consequences on his own, he might as well not be facing them at all.

Why are consequences so important? Because Bakugou's privilege is a problem.

I don't think I've seen anyone address this. The root of Bakugou's behavior comes from the fact that he was allowed to do all those terrible things because the world around him was tolerant of it. Teachers turned a blind eyes when he bullied Izuku because he had a great quirk and Izuku was quirkless. He's allowed to do and say whatever he wants because he has a great quirk. While people seem to be harder on Izuku because of either having no quirk or not being able to fully control his quirk. This is a huge part of the story that was set up in the beginning, but was almost never addressed despite being persistent throughout. And it's the most present with Aizawa.

Bakugou attempts to attack a fellow student the first day of class? Simply restrained, no repercussions. Bakugou uses excessive force against a classmate despite his teacher telling him to stop? Nothing more than a few not-so-nice words. Bakugou assaults his partner and refuses to cooperate? No words at all.

Now look at Izuku. Doesn't have full control of his quirk? His teacher attempts to humiliate and expel him in front of his classmates on the first day of class. Saves a classmate in an admittedly risky rescue mission? Said teacher proclaims he lost his trust and labels him a problem child (despite the orchestrator of said mission- Kirishima- being in the same room and not getting spoken to at all).

(I don't know if Aizawa's projecting, but pandering to the kid with the strong quirk while simultaneously disliking All Might isn't a great look.)

Even before UA, Bakugou is praised by the heroes for his strong quirk against the sludge villain despite the fact that his quirk made everything worse while Izuku is scolded even though they were the ones who did nothing while he did what he could to save someone.

"All men aren't created equal." That's one of Izuku's very first lines and a central point of the story. It's something you expect it to address multiple times, especially in regards to Izuku and Bakugou. But Bakugou being spared from consequences every single time he does something terrible means that the statement is validated, but the problem still persists and is never rectified or solved. Even if you think Bakugou "changed," that doesn't make his privilege go away.

2. Plot Compensation

The story goes out of its way to make Bakugou seem like a better person than he is.

My first example is the Sports Festival, specifically his fight with Uraraka. In this fight, Bakugou is met with booing from the audience for not going easy on her. And right off the bat, this is weird. Because not only have we never seen this attitude toward women heroes before or after this, the show is trying to tell us something when Aizawa tears the crowd down. Almost as if saying, "The crowd is dumb and wrong and if you think like the crowd, you're dumb and wrong." Aizawa claims that Bakugou is treating Uraraka like a real opponent by not going easy on her.

...is he though?

Because we never see Bakugou stand still in a fight like he does with her. Bakugou's fighting style relies a lot on mobility. During his fight with Tokoyami, who he knew he had an advantage over because of the light from his quirk, he isn't standing still. During his fight with Todoroki he isn't standing still. He only does this with Uraraka. Because this isn't Bakugou showing respect, it's him still looking down on her. He doesn't see her as a serious opponent, just an obstacle in his way.

And I know this sounds like a bold claim. But if you recall, Bakugou immediately confronts Izuku after the fight and accuses him of giving Uraraka the idea she used during their match. He assumes it was a ploy from Izuku, implying that he didn't think Uraraka capable of coming up with a plan with the potential to work against him. This isn't respect for an opponent.

(Note: the only thing in Bakugou's favor is it's probably not because she's a girl. He just naturally looks down on everyone who doesn't immediately stand out to him with a show of power like Todoroki)

Then we have the revered scene with the League or Villains.

This scene is praised because it "subverts expectations." That the violent, angry kid doesn't want to be a villain. He wants to be a noble hero. Aizawa- again- silences claims against Bakugou, citing that he wants to win and he knows he can't do that if he's a villain.

My thing is, however, the League targeting him in the first place. Why would they do this? Bakugou clearly has a heroic quirk. He scored first on the entrance exam. If they did any research at all beforehand, they would know that Bakugou was at the top of his class before UA and is in the top five currently. And they'd know he has wealthy parents.

(You would think Dabi especially would draw parallels to Endeavor and would be aware that Bakugou's ambition and heroic quirk don't make him similar to the League who have been discriminated against, shunned, and abused for most of their lives. Even with his behavior at the Sports Festival, Endeavor isn't the noble and kind type like All Might and most other heroes. So I'm not sure why Bakugou's behavior immediately screamed villain potential)

Nothing about him suggests he's had a hard life like most of the League. Nothing about him suggests he'd want to leave his comfortable life and secured future to become a villain.

This scene sets up Bakugou's redemption, right? It leads us to the Deku vs Kacchan fight and All Might's advice is what makes him take on his "save to win" mentality.

But not only does this seem like a convenient plot device, it decidedly ignores the uglier part of Bakugou's decision.

Bakugou rejected the LOV because he saw them as losers. But what if they hadn't been losers? What if they had been doing as well as they were at the end of season 5? Merging and becoming the MLA front, organized teams, wealthy, successfully recruiting members right under the heroes' noses.

Maybe Bakugou wouldn't have outright joined them. But at this point before shifting his perspective, his answer might have been very different.

But the story goes out of its way to hammer in Bakugou's scarce good traits to take your focus away from his overwhelming bad ones.

3. Bakugou's Character Shift "Development"

The way Horikoshi wrote Bakugou in the beginning is very different to how he is portrayed later in the show. No, I don't mean his development. I mean the major shift in his character between seasons 1/2 and season 3/4.

Bakugou in the beginning of the show is cruel, meanspirited, and violent. And he's still all of those things throughout the show. The one difference is that it's played for laughs in later seasons.

Bakugou's actions and words in seasons 1 and 2 are portrayed a lot more serious than in later seasons. He's an antagonistic force, one that Izuku has to strive to overcome not just to be a good hero, but for himself as Bakugou has been one of the most prominent obstacles in his strive to become a hero.

Look at his behavior during the battle trials. It's something serious, something that has even All Might worried. Bakugou knew he could have very well killed Midoriya and didn't care. It's brutal and almost hard to watch because at this point in the show Midoriya is weak and tiny (visually, we know he's never really been weak) compared to Bakugou and can really only outsmart him to win.

We never see Bakugou display anything close to this level of violence in later seasons. Not in the Sports Festival or 1A vs 1B or D vs K or the licensing exam or even against literal villains. Season 1 went out of its way to show Bakugou's cruel behavior even using it as something Izuku has to learn how to overcome even if he has to risk everything.

By season 3, the perspective has changed. Bakugou name calling people, belittling people, yelling, and his acts of violence are now exaggerated for comedy. None of his actions are taken as seriously as they were before, despite some being almost or just as bad.

(It's worth mentioning that this was also around the time Bakugou began to get popular among fans)

A great example of this is in season 5 when he throws his headpiece at Izuku and makes him bleed. His casual act of his aggression towards his lifelong victim is present to make the audience laugh, despite the fact that Izuku was bleeding and the 1A boys are (rightfully) horrified.

(I'd like to add that there was no real reason to do this. Nothing he was saying would have exposed OFA and even if it had, he was done talking by the time Bakugou threw it)

If Bakugou had really changed at this point, this would have never happened in the first place. I can't call this changing or development, I call this his actions shifting into comedic relief and away from the serious connotations they previously held. By taking that away, it allows Bakugou to continue to do the same things he has all his life while under the guise of development. It undermines what's supposed to be his redemption arc.

4. Other Characters

Bakugou isn't the only one who gets a character shift. It's approximately the moment that Bakugou begins to get more attention that the other characters lose the substance they had at the beginning of the show.

The ones hit most notably by this are obviously Uraraka and Iida. They were Izuku's first friends, his original trio. More than that, they are set up as interesting characters with their own arcs and paths for becoming great heroes.

Even though I did have my complaints about her fight with Bakugou in the Sports Festival, it does turn Uraraka onto improving past her goal of becoming a rescue hero. She wants to become better in other aspects of being a hero so that she can succeed and keep up with her stronger classmates. She proved herself capable of this during her fight with Bakugou and it was the catalyst of her character development.

Iida was not only resolving himself with caring for Midoriya as a friend as well as being his rival and wanting to surpass him. There's also this darker side to him that no one expects from goody two shoes, straight-laced Iida that had so much potential for exploration.

Both of them are tossed to the side in favor of Bakugou. I would even go as far as to say that after season 2, they're almost irrelevant until season 6 and even then they're limited (before season 6 Uraraka's only character trait is that she ignores he feelings for Midoriya to become a better hero, which came out of nowhere and does nothing for her character). And they barley ever get moments with Izuku during time despite being his first friends.

Todoroki is a similar yet very different case. At the beginning of the show, he was intense and has strong feelings. (An interesting parallel is that if Iida was his friend becoming his rival, Todoroki was his rival becoming his friend and both relationships speak to Izuku as a character) Even if he didn't express them, we as the audience knew they were there. But as times passes he becomes flat and dull. Even though he's supposed to be part of the new trio, he's barley present (the dynamic between the three of them is uninteresting all around as it's basically Bakugou yelling at Izuku with Todoroki in the background. They never have any deep or heartfelt moments nor do they have good chemistry) and barely gets any one-on-one interaction with Izuku despite them being very good friends.

(I can't blame this all on Bakugou as the show also shifts from focusing to Todoroki to focusing on his own abuser which is part of the issue with his lack of character, but Bakugou's character does contribute to this problem of making the abusers more sympathetic than the victims)

Most if not the rest of 1A fade into the background after this, save for a few who have notable moments sprinkled in throughout the show. You can take this as a Bakugou prevalence problem, or it can be seen as Horikoshi just not knowing how to balance characters.

However, the character that suffers the most because of this is Izuku himself.

I don't think it's a bad thing that Izuku admires or looks up to Bakugou. I don't think it's a problem that he doesn't see anything wrong with Bakugou's behavior against him. Izuku grew up in an environment where that was normalized. That he's worthless because of his lack of quirk and Bakugou deserves to be on top because of his great quirk. Of course he internalized that, even though he knows that a quirk doesn't determine someone's worth. He was never given the tools or the means to beat that mindset.

What I despise is the fact that everyone around him enables it.

As I stated above, Aizawa is definitely the worst when it comes to this. Not only shoving Bakugou and Izuku together and making it Izuku's job to get Bakugou to cooperate, but hardly if ever condemning Bakugou when he lashes out against Izuku. Even without their history, what Bakugou does is wrong and should be treated as such.

Unfortunately and even though I love All Might, he's also guilty of this. It's true that he might not know the full extent of their toxic relationship, but All Might sees Bakugou instigate a fight with Izuku and decides it's okay to tell Bakugou about One For All. Bakugou did nothing to earn this honor: he hasn't shown Izuku support and hasn't been a reliable ally he could depend on. But even disregarding that, Bakugou had just been captured by villains who work for All For One. He was the last person on Earth who should have been entrusted with this secret.

The adults in Izuku's life enable and reward Bakugou's bad behavior and urge them into forming a relationship and partnership that frankly shouldn't exist (and only does to make Bakugou a better person and hero, it does nothing for Izuku). It's to the point where almost Izuku's entire character revolves around his relationship with Bakugou and how he improves because of it and how he helps Bakugou improve. And he further projects this when he "subtly" implies that Todoroki should forgive Endeavor, which feels like a justification towards the audience of his own feelings towards Bakugou.

5. Accountability

I mentioned consequences as my first point. But what many who want this miss, it goes hand-in-hand with accountability.

Unlike consequences, Bakugou more or less does take accountability in the form of his apology. But the apology was lackluster for a couple of reasons. The main thing is that it feels like a list of excuses rather than simply owning up to the fact that he was shitty and there's really no good reason for it. But simply explaining why you hurt the person you hurt isn't giving them the apology they deserve. It's making it about you.

Another thing, though, is that the apology is very scarce. It skips over the worst of Bakugou's actions. Nothing he said was anything 1A didn't already know. They don't know about the s*icide baiting which is one of the worst things he's done to Izuku (and that's only what we saw, who knows what Bakugou's been saying for years?). It also ignores everything he did in UA, which was a very big part of the problem. He treated Izuku poorly months prior to the apology and that shouldn't be ignored.

As far as accountability goes this apology isn't that great. But it's something. No, what's worse is that the other characters don't hold Bakugou accountable.

The other characters more often than not turn a blind eye to Bakugou's behavior. We've already covered Aizawa, but the rest of 1A is guilty of this too. No one says anything about the Battle Trials. Hardly anyone condemns Bakugou when he attacks or insults Izuku. Sometimes they'll chime in like Uraraka or Kirishima, but other than that no one outright tells him off. This is out of character for Iida in particular because he's such a stickler about rules and courtesy for others (he literally told off a six year old when he punched Izuku and tried to stop Mineta from perving on the girls, why wouldn't he do the same when it comes to Bakugou?). It's almost like the characters are blind to Bakugou's behavior.

What's weirder is that Mina and Kirishima- who were both stated to hate bullying- are friends with him. Why would the show go out of its way to tell us this only to saddle them into the "BakuSquad?" It doesn't make sense.

It's hypocritical that everyone in 1A is so tolerant of Bakugou but get annoyed with others; like Monoma for example. Or even Mineta because as much as I dislike him he's constantly being called out by 1A. It means that they know certain behavior is wrong and/or shouldn't be entertained, so we know they aren't completely unaware. But the fact that they largely ignore Bakugou's behavior and condemn Monoma's is so weird. You can't excuse one and not the other.

Conclusion

There's certainly more than this to my dislike of Bakugou. But I think I've mostly covered his negative impact on the story. Doing a deep dive into his awful personality is something I wouldn't wish on anyway. Many others have done that anyway, so I'm content to leave it out. But I hope you liked my little breakdown!

[theloganator101]

The Great BNHA Review: The Finale

So in the end... where does this leave us?

A society that really hasn't changed that much, Izuku was alone once again because his hero friends are too busy, and it ends with Izuku being handed a suit to fight alongside them... Reinforcing the fact that Izuku couldn't be a hero on his own without someone handing him something to make him a hero.

What a lackluster and rather bleak ending when you think about it. Because they still have the ranking system so it's once again enticing heroes to compete in a popularity contest to be known, which is why Bakugou is doing poorly and Aizawa admitting that he didn't do shit to curve this behavior.

(Points at Aizawa) Teacher of the Year everyone 🙄

So with the story now completed, what I hope to eventually happen in a few years is for people to truly see the series for what it is. A poorly written story where the main character never grows, the worst anime character hogging all the attention away from things that should be important, and contains harmful messages for preteens-teens if we were to take this at face value.

So let me ask this: Was this story worth telling?

I'm only asking because since it's known that Hori just got tired and wanted to be done and over BNHA as soon as he could. Which I know WOULDN'T have happened if he just pulled a Yana Toboso and just put the manga on hold to truly figure out what he wants to do instead of working on it continuously with only a handful of one week breaks.

His story couldn't explore the themes it established, and what it DID covered, was handled poorly.

And if you want a piece of media that explores what BNHA tried to do, here're some of my recommendations .

The main character being the odd one out? The Owl House.

Family Issues? Gravity Falls.

Discussions on justice and the grey area of good and evil? Death Note.

Hell, Glitch Productions does a better job at developing the romances of their characters than this anime series did in it's entirety!

And trauma being handled in a tasteful manner?

But back to the topic!

The thing is why couldn't we explore these themes and topics that was promised to us? Was anyone REALLY asking for Endeavor to make amends with his family? Did anyone RELLY think that Endeavor's redemption was worth screwing over the Todoroki family members?

This series just wants to have it's cake and eat it too! We want to have cool fight scenes and root for the heroes to win, but we would also want to explore the world they live in and how it functions. And since considering the badly handled topics of the story and the characters themselves are as interesting as caricatures of the tropes they embody to where there's no depth or complexity.

Then you just have a story that GOES NOWHERE!

How much of Hero Society has really changed at the end? It only beckons for the same events that happened throughout the series to happen again! And the people who were horrible, I.E Bakugou and Endeavor, get they want without consequences! None of the major characters go through significant development so it makes it hard to see that they've grown at the end!

So overall, BNHA is an Anime Series that crashed and burned. Something that I hope more people will start to recognize and call it out for both the mistakes of the series and Kohei Horikoshi.

And with that, my career of criticizing BNHA has come to an end. Thank you all for liking my rants and posts, and I truly do hope you'll keep following me for whatever's in store.

So now that's done, I can finally move on to something actually good...

[rewrittenmha]

Quirk Apprehension Test Arc

I think I am gonna go hardass Aizawa route, but one who treats his students equally. He'll still be an asshole, but I think I'm gonna set him up to get called out.

His introduction doesn't change much. He's still in his sleeping bag and still does the QAT instead of orientation. But he has the 1A do two separate tests; one to test their quirk usage and the other to test their physical ability. And he doesn't threaten to expel them (that was never a stipulation of the test), this is just a way for him to find out what needs to be worked on.

Izuku does well on the physical tests, but struggles a lot with the quirk tests. The ball scene still happens, but Aizawa a) doesn't threaten to expel Izuku and b) tears into Bakugou about using his quirk irresponsibly and against his classmates.

Class Ranking for Physical Test (the Quirk Test ranking stays the same):

Eijiro Kirishima

Mashirao Ojiro

Mezo Shoji

Rikido Sato

Tenya Iida

Mina Ashido

Shoto Todoroki

Katsuki Bakugou

Fumikage Tokoyami

Izuku Midoriya

Momo Yaoyorozu

Koji Koda

Tsuyu Asui

Denki Kaminari

Hanta Sero

Ochako Uraraka

Minoru Mineta

Toru Hagakure

Yuga Aoyama

Kyoka Jirou

So, the reason I had Aizawa do a physical test too is because I find it so weird how quirk oriented he is in canon. Someone who literally erases quirks and isn't given any physical advantage from his should be aware that a) heroes should be proficient without relying on a quirk and b) a strong quirk isn't needed to be an efficient hero. He should also have a distaste for people who are reckless with their quirks (which he does have for Izuku but not Bakugou?? Weird). This is where him being inconsistent really comes into play.

(It's like Horikoshi goes out of his way to have canon reinforce quirkism, it's weird)

Don't get me wrong, he's still an asshole. He still thinks Izuku was being lazy with his quirk and he still thinks that Izuku is also to blame for him and Bakugou's awful relationship. But he's way harder on Bakugou than in canon and disciplines him more. Like I said, he's going to get called out for his judgmental behavior and arrogance.

To add to this, Iida and Uraraka seeing Bakugou about to attack Izuku is the start to both of them really disliking him. Iida already didn't like him because of his feet on the desk (based Iida, I can't stand people who do this), but Uraraka, who grew up poor, can't stand his entitled and privileged attitude. She tries to see the good in everyone, but Bakugou makes it hard. She hates that he looks down on others and thinks he's better than everyone else. She would love to knock him down a few pegs.

(foreshadowing)

[anti-katsuki-lounge]

Anime idea: a ripoff of MHA where the protagonist is treated with respect by the author, the themes of abuse are tackled with the utmost care, the abusers face actual consequences, teachers are actually competent, and the author doesn’t lust over the underage characters.

[theinfinitelibrarysystem]

bnha/mha, my criticisms.

the order in which i put them does not imply I think some of these issues are worse or not as bad as others, it's just the order I think of them in.

1- bakugou katsuki. a bully who doesn't change, but gets worse. from suicide baiting, to attempted murder, and is consistently forgiven and encouraged by every character in the entire story and the fandom.

2- the sexism in the story and fandom. (I went on a whole rant about this but I don't want to write too much about it because it enrages me)

3- fanservice. and the fact that when a male character is used for fanservice it empowers them (male characters uniforms being broken, exposing muscular chests, while female character's exposure does not flaunt their strength, just beauty and sex appeal, even teenagers.)

4- THE FACT THAT THE ONLY TRANS CHARACTERS ARE EITHER A VILLAIN WHO DIED OR A SIDE CHARACTER.

5- character annihilation for the sake of the plot. fuck the plot. characters matter more.

6- eraserhead's shitty teaching and how the fandom sees him as a good teacher or even a father figure.

7- quirkless discrimination and how unadressed it was and how izuku just got over it after a bit in high school even with his lifelong abuser there.

8- 1-A abandonning izuku and before that forcing him to come with them to UA, endangering those sheltering there.

9- Eri being rescued from those who used her only to be used in a different way but it's fine because using a child for her quirk is moral if the heroes do it. 10- bad representation of teenagers and children.

11- HORRIBLE representation of people of colour. mirko is an angry and violent character who is blunt in her words. Rock Lock is also an angry character, and any very reasonable suggestions and remarks he has are ignored. it is a very common trope to have black characters always be angry, and while yes they can be, it speaks a lot about the writer that your only black characters fit the stereotype.

11- idolisation of america.

12- endeavours "redemption"

13- lack of quirkless characters (what happened to 20% of the population?)

14- mineta's entire existence

15- shit pacing

16- shit plot

17- shit characters

[bibibbon]

@mimez-meme: So Aizawa told Mic in the light novels that he looks forward to a future without him.

Me: ...I'm sorry. HE FREAKING WHAT!!!???

Hi @anartisicandautisticstararcher 👋

I wanna say Iam surprised about this but Iam not actually I remember hearing about this a while ago.

Also it is incredibly canon that aizawa really isn't a good friend towards either mic or midnight (such a shame he could of developed into a great character though)

Someone gets mic better friends and a proper arc!!

[doodlegirl1998]

As a story writer, BNHA is an utter insult to story telling in general. And it sickens me that people literally praise it as peak story telling.

Other anime series like Death Note, Madoka Magica, and Dragon Ball has similar themes and character arcs and did them a MILLION times better than this series ever did!

I'm one who greatly values the rule of "show don't tell" and building up believable chemistry between the characters that I just don't get from this series.

1-A say they're connected and can work together as one but we never get any scenes of the class just hanging out and only talk about subjects that are happening right now. We don't know any of their likes or dislikes, their hobbies, what they like to do and more.

Izuku is forced to be miserable and alone so it can be misery for the sake of misery or played up for poor tasting comedy. And to be forced away from his first true friends to be with the Cash Cow Triplets because that apparent pairing makes the most money.

And that's... the saddest thing about the whole business nowadays.

Telling a good story isn't a priority anymore, it's adding things that'll make them the most bank.

Sorry for this rant I just wanted to get that off my chest.

Hi @theloganator101 👋,

I agree as someone who likes to write fics and read a lot of stories myself I do see where you are coming from.

MHA is built on a strong foundation, interesting premise, world building and loveable characters (eeehhh mostly...) yet as time has gone on really prominent cracks have begun to show in MHA.

Particularly, Hori's "tell don't show" method - an inverse of the good writers advice "show don't tell." For example - so many characters kiss Bakugou's ass, call him a prodigy, a "manly friend", a "hard worker", "the best", "has grown a lot" when with how this kid acts he should be LOATHED. By everyone, staff and students alike.

Aizawa is one of his most staunch defenders despite Bakugou being the type of student he should (from what we are told about him and see of his backstory) despise.

Kirishima is his self proclaimed best friend yet Bakugou is the type of person (from what we are told about him) he should also hate with a passion.

Shoto expresses the desire to be friends with Bakugou yet from his upbringing, he should instantly see Bkg is a POS (a mini Endeavor in a lot of ways) and hate him on principle - especially because of how Bakugou is still acting openly hostile and abusive to Midoriya.

Midoriya still calls him "Kacchan" which implies closeness yet Bakugou viciously bullied him mercilessly for year's. He should from what we see also loathe Bakugou or grow to do so yet he never does.

All of this creates a strong sense of cognitive dissonance and dissatisfaction throughout the story.

Class 1A say they are connected but are they really, and is Aizawa their defacto father figure? I would say no. Despite Hori telling us otherwise - he doesn't make the effort to SHOW us.

Class 1A can show they care what Bakugou feels like being rescued but hound Midoriya and drag him back to UA without a care in the clusterfuck that was Class 1A vs Izuku.

Class 1A can rightfully dunk on Mineta for all the times he acts a disgusting pervert yet look on as Bakugou takes his aggression physically, verbally and in an explosive manner out on Midoriya for the 100th time. Even Midoriya's friends (Ocha, Iida, Tsyu, Aoyama and Shoto) and his mentor All Might look on with a fond smile at the "rivals."

I am disgusted at the abusive mockery of a rivalry... a rivalry is Sasuke vs Naruto - or even Shigaraki vs Izuku not Bakugou (abuser) vs Izuku (his victim.)

There was a moment in the war arc, where Izuku shouted to AFO!Shig that losing their homeroom teacher, Aizawa would be the worst outcome of the battle. And, as it wasn't the argument of Eraser the tactical asset being lost that would be the worst outcome but him as a teacher, I was left thinking - Izuku, why do you think this?

Hori gave us no moments where a bond between Aizawa and the rest of the class was built up to see him as this defacto father figure to 1A - especially not with Izuku - in fact Hori did the opposite by making Aizawa behave like he has.

"Problem Child" - is not a fond nickname from Aizawa to Midoriya to me. To anyone who thinks it is I would like them to consider that it is coming from an expell-eager hardass of a Teacher who has never been shown to like Izuku.

Realistically, the repercussions of Aizawa's actions here written without plot armour, Midoriya would be an anxious wreck being called this by him and would be wondering when he actually will get the boot out of U.A.

So again, there's the cognitive dissonance and here's Hori's favourite "tell don't show"... UGH.

There's so so many other examples of this style of writing in MHA - all the simping for Endeavor, Aizawa and Bakugou done by other characters because we are meant to like them now.

Side note - Rei simping for Endeavor is just baffling to me and not in a good way like 🤮. It was such a poor narrative choice it made me wonder if this poor woman was actually being treated in that mental hospital or just brainwashed to be more ammendable to her abusive husband. What good Doctor would let their patients abusive husband's manipulative presents through? Fuck right off with that Hori.

With your concluding statement I agree - making a good story and concluding it at the right time isn't a priority anymore. In general, just look at the MCU. That francise should have naturally ended with Endgame yet Disney is still trying to drag it on to milk out the dollars until it becomes unprofitable.

With MHA, narratively it has gone down the toilet. Hori's heart isn't in it anymore and we can all tell. He (and his editors) placed Izuku at the heart of the cash cow triplets to bring them in the money. And it has worked.

So, Izuku will always be miserable with Bakubitch always around like a cancer sucking out all Izuku's joy and growing over what was meant as his story. I don't expect a happy ending for Izuku anymore. I just hope he isn't dead at the end of all of this and manages to save Shigaraki - which is the most I can hope for him at the moment.

To conclude, don't be sorry for the rant I responded with one of my own. :)

[venting-corner]

Continuing with All Might appreciation, I made memes :)

[thr0wnawayy]

Dissecting the Jaku General Hospital Disaster and MHA's failures with complexity

Ahhh, The Jaku Hospital Raid. The point where MHA's story went from it's ever increasing decline to throwing itself right off a cliff.

(boooring)

I think most can agree this event was a travesty writing/plot wise, but how about all of those in regards to MHA's setting. Well that's what I'd like to discuss.

Point 1: A Goal Without a Plan is a Dream

The plan summed up is "fuck around and find out".

The heroes came in to uncharted enemy territory relying soley on brute force, broke a bunch of equipment that did God knows what (for all they knew, it could have been lethal*).

Then they proceed to shoot themselves in the foot by getting too cocky, despite knowing that Shigaraki was undergoing some sort of procedure. X-less shoots a machine that for all he knew could have been a bomb or generator. Why?, because he had a "bad feeling".

* I'm talking potential toxic fumes, gas leaks, accidental combustion, etc

Now let's focus on the evacuation effort...

Oh.

Oh FUCK!

That's it!?. A couple hundred dozen heroes and a select handful of first and third year's.

One of whom, mind you, is strictly combat oriented by the (extremely niche) capabilities of his quirk. What can Bakugo actually do here?, in the worst case scenario (being Shigaraki's awakening) he's limited to one arm and two legs (maybe his mouth?). That will further drag him down due to his quirk relying on both hands to be viable.

And we see this!

Moving along.

Another thing they didn't count on was outside help. The moment Gigantomechia arrives, it throws another curve ball. With the only reason for their survival being Dues-Ex-Machina Best "Dirty laundry" Jeanist.

They failed in the end anyways because a large portion of the LOV+ the MLA escaped.

Point 2: Organisms Used for Nefarious Means

I will keep this section brief

Nomu are in my opinion one of the biggest wastes of potential MHA produced. Going from being unnatural goliaths capable of striking dread into the hearts of even the long standing No1 Hero, to being undead cannonfodder that heroes can beat up so the audience doesn't question their ethics or (lack of) morality.

It is a sheer miracle that the Nomu didn't leave the heroes worse for wear. This is again more due to Hori relying too heavily on "convince" and not enough on in-world solutions, but I digress.

The Nomu should have been the biggest threat and again, the heroes failed to account for this. They had no way of knowing, sure.

But they should have accounted this early on. What about the civilians, evacuating them isn't enough as seen in Hosu. I mean they were walking into a lab and they had dealt with Nomu facilties before (Kamino)

Were there inpatients during the raid? and if so were they evacuated or did the Heroes say "fuck it." Given what eas allowed at Central Hospital I wouldn't put it past them.

Point 3: A civilians point of view.

I want you to imagine for a moment: You're a civilian and your whole life, you've been told how wonderful heroes are and how they'll always be there, after all they're heroes.

Sure, they may dictate what quirks are "in" and maaaybe they have a tad to much influence over your average person but they're licensed and your not.

Why question it?

Then one day everyone and everything you've known is just blown away. Heroes barge into your house and begin scrambling to get you and your family out of your house before something happens, they dont tell you what.

It is a sloppy and hurried effort, your life's belongings tucked into a small carryon if you're lucky and some plastic bags if you're not. They tell you it's probably only temporary and you'll be back to normal shortly.

Then the nearby Hospital blows up. You and your family can only watch as heroes flee from the scene, some rising into the sky, others sprinting like hell. You barely make it out alive yourselves.

Within minutes everything is gone and it's not until the fightings iver that you hear it. You hear people (you think it's your neighbors) pleading in pain underneath the rubble, a little girl can be heard sobbing somewhere in the torn landscape.

Everything's been torn upside down.

And the heroes, the poeple you've depended on your whole life...

They quit. They say they need to find another line of work.

Is that what you are to them!?. Just another line of work, a number on a tally!?.

Worse still. The NUMBER ONE HERO has just been exposed by his presumed to be dead son for being a child beating, wife trafficking, eugenist with an implication that some, if not all of his children were made against the mother's will.

The current Number 2 murdered a man for the "greater good" (what even is "good" anymore).

The people who were supposed to protect you are quitting in droves, leaving vast portions of city to fall to villains and are refusing to take any responsibility for their negligence and poor planning that made an already bad situation worse.

Oh, also the single most dangerous villain in history has broken out of Tartarus and multiple prisons have been destroyed leading to further destruction.

This is then followed by a "blackout" period. Heroes give zero insight into what they're doing or what their plan is. Mutant discrimination is running wild, support gear is flooding the streets and any protests are being silenced.

So I'll ask you again, how do you react?.

Point 4: Hubris

Over all the entire operation was a complete and utter failure. I see alot of people giving the civilians flack for their strong reactions, but honestly I can't blame 'em.

The issue is Hori paints the narrative to minimize the damage towards the heroes. (For example he characterizes one of Enji's critics as a snobby shut-in surrounded by trash bags). We only ever see the worst aspects of the civilians because Hori has consistently failed to delve into anything beyond surface level emotion/themes.

Eri is a good example, she should be a very different character. She should be allowed to show her trauma and all the "ugly" emotions and baggage that come with that, we as the audience should see the lasting impact being killed repeatedly has had on her.

For example, Eri should be very adverse to touch. A problem that started with her father and was worsened by Kai.

She should be expressing her trauma through play (think reenacting her "surgeries" on dolls)

She should be distrustful and even cold (especially after Mirio abadoned her).

Her inability to smile might stem from a lack of viewing her self as equal to others, viewing herself as more of an object than human being.

But do we ever see this. No.

Because Hori doesn't let us. He simply as a writer, cannot appropriately handle or even seem to grasp complexity and every part of the story suffers because of it.

With the civilians it's no different and as a result Hori whether intentionally or not, twists the narrative to make them seem unreasonable.

This doesn't help when from what we've seen a shocking amount of MHA's main cast are drenched in hypocrisy. The only experiences we've had with the civilian population is through Shigaraki's backstory (bad) Toga's parents (very bad).

It's just not a good look.

Conclusion:

Over-all, the Raid and by extention the war was a mess in every aspect and I personally think the story would have been better off doing something else.

The time wasted here could have gone to any number of things (how about fleshing out the non existant world building) but I honestly believe that it would have been subpar regardless, it's all to apparent Hori had no idea where he wanted the story to go. That can be seen as far back as everything post MVA.

Just, what a mess.

[nutzgunray-lvt]

I will FOREVER be salty about how Hori paints his characters with valid criticisms against the status quo as in the wrong:

Monoma - hates Bakugou, therefore hates 1A by association and is painted out to be some over the top arrogant asshole who freaks out every time they so much as breath (Monoma's not my favorite, but he's 100% right when it comes to Bakugou).

Rock Lock - doesn't want the first years (maybe also the third years, idk?) involved in the Shie Hassaikai raid due to how dangerous it is and due to having recently had a newborn son, is painted as someone who's being overprotective and unfair to these heroes in training.

Inko - isn't comfortable with Izuku continuing at UA after the Forest Camp Attack, is painted as being overprotective (I have my issues with Inko, but she had an incredibly valid point here).

The media - rightfully criticizes UA's utter inability to protect their students and reign in Bakugou's behavior (the hill I will die on), is painted as trying to unfairly persecute UA/Aizawa.

Present Mic - uses common sense to deduce that there's a traitor in UA's midst, is portrayed as being a shit stirrer who's quick to distrust his colleagues and students (another hill I'll die on).

Gran Torino (a minor one) - calls Aizawa's high expulsion rate as what it is: nasty (showing that even he has standards), is immediately corrected by Present Mic that the expulsions are "only on paper" and Aizawa truly cares deep down (which actually makes it WORSE since it stays on their permanent records regardless).

Other students taking the Provisional Exam - call out Bakugou for being an obnoxious asshole, are immediately painted as "not understanding how hard he works."

Pro Heroes and Present Mic - call out Bakugou for not taking Ochako seriously in the Sports Festival, are told to RETIRE for not understanding how Bakugou clearly works harder than anybody else to be a hero (but then Bakugou proceeds to get the second highest amount of internship offers, so idk what the fuck point Horikoshi was trying to make here).

Vlad King is a weird one because while his one-sided rivalry with Aizawa/1A is obnoxious and unprofessional, he IS a better teacher than Aizawa is and it's a point not focused on aside from an off hand comment by Aizawa. You'd think this would make him examine whether or not his beliefs are truly benefiting his students or have Nedzu call him up and say, "what's up with your class consistently underperforming against 1B?"

Best Jeanist is perhaps the ONLY Pro-Hero to see Bakugou's behavior for what it is and takes him as an intern to rectify it... but proceeds to focus on all the wrong things (his style being the main one) and not really get to the core of his goal.

Society as a whole doesn't trust heroes for a myriad of reasons (some unreasonably, some for extremely valid reasons) and are painted as being unfair and incredibly biased against heroes as a whole.

Izuku leaves UA due to AFO having Ragdoll's Quirk, is essentially ganged up on and beaten/shamed into submission by Class 1A who completely disregard his POV (I don't agree with him putting himself in this position, I'm just pointing how it makes sense narratively).

Me, trying to make sense of all of this -

Like... how is your story supposed to be nuanced and your characters three-dimensional if you paint the complainer as always in the wrong?

[yonkokraven]

If it's true that Mineta and Aizawa are Horikoshi's self inserts, then it would explain why they're so favored by the narrative 🤦

The narrative is going nowhere in this story, Aizawa shows that he is there to make the students miserable and reward the misfits:

-Aizawa has expelled students for not meeting his expectations... Mineta, of all people in all his classes, has that potential?

And even if he did, are you going to tell me that Aizawa ignored what Mineta did to the girls at the sports festival? That's the beloved "teacher" of this fandom?

-as for Bakugo, he let him get away with 13 getting hurt because of him, he let him get away with his attitude at the sports festival, he let him get away with facilitating his own kidnapping, he let him fail the internship exam horribly, he let him get away with inciting Midoriya to fight, he let him get away with indulging in a card game (and banned card games for everyone) and MUCH MORE

While he represses students who commit heroic actions... really, idk what was in hori's mind when he wrote himself in all of this, but Aizawa either is Quirkist, Corrupt or Incompetent, and Mineta is a creep, not just a pervert, a damn creep.