#Additional Tag: Canon Related

[harry-potter-archive]

A Very Potter Musical by Team Starkid

Description: Youtube Playlist (23/23 Videos)

Summary: Harry and his pals are in for adventure when the Dark Lord returns from the dead to take revenge on The Boy Who Lived! So take a ride on Voldemort’s flying machine and get ready to go back to Hogwarts!

Published: Youtube; 2009 Last Updated: 2016

Cast: Harry Potter - Darren Criss Ron Weasley - Joey Richter Hermione Granger - Bonnie Gruesen Ginny Weasley - Jamie Lynn Beatty Draco Malfoy - Lauren Lopez Quirinus Quirrell - Brian Rosenthal Lord Voldemort - Joe Walker Albus Dumbledore - Dylan Saunders Severus Snape - Joe Moses Bellatrix Lestrange - Britney Coleman Cedric Diggory/Cornellus Fudge - Tyler Brunsman Cho Chang - Devin Lytle Neville Longbottom - Richard Campbell Vincent Crabbe - Julia Albain Lavender Brown - Sango Tajima Gregory Goyle - Jim Povolo Pansy Parkinson/Molly Weasley - Lily Marks

Crew: Director - Matt Lang Assistant Director - Nick Lang Writer - Brian Hoden Music - Darren Criss & A.J. Holmes

[ryssbelle]

Poppy for N2 au, it took me so long to make her design cuz I didn't really know what I wanted to do only because I feel like her design is pretty perfect.

But then I just thought about fun outfits to give her or outfits that I would find comfortable if I was wearing them and it all came together.

Poppy here is pretty much the same as here movie counterpart, as nothing really changes on her end of things other than having more insight on Branch through his brothers, and through Lief. Shes also a bit more understanding a bit earlier on because of it but it doesnt do much to change her own character arc I would say.

Bonus

Part of Poppys design was based off a design I had made for previous rulers of Troll Village/Tree

Namely Queen Protea who I designed as Poppys grandmother

Named after the Protea flower which part of her design is based off :D

In the context of this Au Protea was the one who conceptualized the tunnels while her son, King Peppy, was the one to follow through after her death

[butterflysnowflake]

man can I just say how adorable Wolf's interaction with Delia in the wedding scene is? When she's explaining her situation he gives her the most understanding looks and it's because they both effectively had the same cause of death. Delia turned her mourning of Charles into part of her performance art, and died from being scammed with asps who were NOT defanged. Wolf wanted to deliver the most authentic performance possible and died from presumably a negligent armorer who didn't bother to check if the grenade was live or not before shooting. both of them were quite literally killed by their art (not by their own faults to be fair but from someone else's irresponsibility). and it's kind of lovely Delia got such a sympathetic escort back to the netherworld who knows her situation firsthand probably better than anyone else

it's weirdly wholesome and empathetic even as their situations were both played for morbid laughs, and if Delia didn't have eyes only for Charles (what's left of him) and Wolf wasn't in a committed relationship with Janet I'd even say I could have seen things going somewhere between them

[kerink]

in light of people's confusion over cecil's longevity in @sexymanotd i wanted to document a bit of his history for those unfamiliar or nostalgic

welcome to night vale is a podcast written by joseph fink and jeffrey cranor. cecil gerschwin palmer is the main character and voiced by cecil baldwin.

it debuted on june 15, 2012 it reached its peak in popularity in 2013-2014

despite this, wtnv has been one of tumblr's top fandoms since staff started tracking fandom-related data in 2014

for the longest time the only thing we knew about cecil's appearance was: "He is wearing a tie. He is not tall or short. Not thin or fat." and that wasn't until episode 19 which aired march 15, 2013. for almost a full year we had no idea what cecil looked like. so tumblr's collective unconscious kicked into high gear and we did what we do best

we created a tumblr sexyman

from know your meme: "Defining traits of the archetype include skinny body type, trickster or villain role and dapper clothing."

know your meme identifies wheatley (portal 2, 2011) and the onceler (the lorax, 2012) as being likely tumblr's first sexymen. and the onceler fandom was at its peak in 2012-2013, the same time as wtnv. in addition to this, the hannibal fandom has been cited as one of the contributing factors to wtnv's success on tumblr.

so tumblr had created an archetype that worked and the wtnv fandom was made up of mostly hannibal fans - the foundation for putting cecil in a suit was there. and honestly? cecil's at work in the show, why wouldn't he be well dressed?

however, while this explains his attire it doesn't explain some of cecil's more unique sexyman features, namely the tentacles. for this we have to return to the 2014 fandom review analysis where you can see the most popular fandom at the time: homestuck

haven't you ever wondered why almost a quarter (189/923 at time of writing) of E rated wtnv fics on ao3 are tagged tentacles or tentacle sex? why cecil having tentacles for a dick is such a seemingly popular headcanon? well look no further then homestuck cultural hold over.

throughout all of this, the development of the sexyman archetype on tumblr and the rise of homestuck, one creator really stands out: kinomatika

kino was one of the most popular homestuck artists on tumblr at the time, popular for their eridan fanart. if you google image search "welcome to night vale" kino's art is still one of the first results you'll get

their design was so popular in fact it was featured in wtnv related articles from the time

and yes there were absolutely other artists giving cecil tentacles and moving tattoos at the time, but it can't be understated the reach kino had and the influence their homestuck roots had on their design choices

i recommend going through the archive of @nightvaleartclub to see how cecil used to be portrayed back in the early days. unfortunately the earliest fanart i've been able to find is july 2013 and i find it hard to believe it took tumblr a year to draw him. although, i started listening at episode 5 and didn't start drawing him until then myself so who knows...

cecil has had tumblr's heart in a vice grip since episode 1, with "20,000 posts, 183,000 blogs and 680,000 notes using the #Night Vale tag" during its first week. tumblr's love for wtnv has always been fairly genuine, from the impact the writing has had on tumblr humor and future story telling, to how wtnv paved the way for lgbt+ representation in indi media, to how it popularized podcasts as a medium for story telling, to the little comforts some of cecil's quotes still bring people today

cecil is not only a founding father of tumblr culture, but also a blorbo of the people. cecil the character in canon has a tumblr account where he posts his art and slash fanfiction.

although cecil's character has developed over time and we've come to see what a ditzy, eccentric, brat he really is, changing his status from sexyman to babygirl, cecil is absolutely a character you should embrace. and you know what... despite what i've said in the past

#cecilsweep

[ID: Images one and two are Google analytic graphs for the search terms "welcome to night vale" and "wtnv" between June 15, 2015 and January 27, 2023. They both depict very sharp spikes around 2013-2014 until the lines decrease greatly over time.

Image three is a drawing of Cecil from Welcome To Nightvale. He is white, with white hair, glasses, a third eye on his forehead, and he is wearing a suit. In the background is the silhouette of a neighborhood from the WTNV official art, a galaxy, and a moon. It is tinted purple. Image four is the always has been meme. Instead of the earth is the tumblr logo, and the text is: “a wtnv fansite?” “Always has been”. End ID] id thanks to @princess-of-purple-prose

[ao3org]

Tag Changes are Coming to The High Republic

Hello! In the very near future, the Star Wars wrangling team is going to be doing what people have been asking for: we’re making The High Republic novels into series instead of individual book fandoms.

These fandoms are going to be:

Star Wars: The High Republic: Phase I - Various Authors

Star Wars: The High Republic: Phase II - Various Authors

Star Wars: The High Republic: Phase III - Various Authors

Read on for more details about this decision and all the related tag changes we’ll be making to help ease this transition.

Why is this change being made?

People have been using Star Wars: The High Republic: Light of the Jedi - Charles Soule as a makeshift series tag, and we want how we wrangle these fandoms to reflect actual tagging practices. Also, the High Republic books are much more intertwined than wranglers initially foresaw.

Why did you split the fandom into phases? I wanted a single THR tag. :(

The problem with making a single tag for all the books is that the High Republic era is 400 years long and if we make one tag, then every book that takes place from 500 BBY to 100 BBY would be part of it, even if they have no relation to each other. These series tags are only going to contain the novels announced as part of this initial multimedia project, ending with the books published in Spring 2025. There might not be any THR books after that, but we live in hope. (Novel about Yord and Osha as padawans, anyone?)

If it makes you feel better, you can imagine that the separation between Phase I and III is Marchion Ro's fault. The Occlusion Zone is so powerful it extends to affecting AO3.

What about the comics and Tales of Light and Life?

Due to the fact that AO3 tag wranglers generally no longer make new AO3 fandoms that mix media types, the comics will remain their own fandoms, and any books that span more than one phase (such as Tales of Light and Life, which contains stories set in Phase I and Phase II) will remain their own fandoms, and won’t be renamed. These fandoms won’t be connected to the phase tags in any way. This also extends to Young Jedi Adventures and The Acolyte as well as its related tie-in media.

What will happen if I just tag "Star Wars: The High Republic" without specifying a phase in the fandom field?

Your story will only appear under "Star Wars - All Media Types", which is what currently happens. We’re able to move the majority of tags currently synonymous with the Star Wars - All Media Types to the era that best represents the majority of the works tagged with them, but Star Wars: The High Republic remains synonymous with Star Wars - All Media Types, as its usage is too mixed between phases.

In instances where a generic High Republic fandom tag that doesn't specify a particular phase of this era is used, it’s likely that wranglers will make that tag a synonym of the fandom tag that best represents the content of the majority of the fanworks tagged with it. Consequently, there may be at least a few works showing up in a phase they seemingly don't belong in, because they've made use of a generic High Republic fandom tag.

I still want tags that tell my readers what book the fic is connected to! What do I do?

You can still keep the fandom tag currently on your works if you want! There’s absolutely no need to edit your works. However, if you want to tag the books in freeforms/additional tags instead, we’ve got you covered with these canonical tags you can put in the "Additional Tags" field:

Books now part of Star Wars: The High Republic: Phase I - Various Authors

Book: Star Wars: The High Republic: Starlight Stories - Various Authors

Book: Star Wars: The High Republic: Light of the Jedi - Charles Soule

Book: Star Wars: The High Republic: Into the Dark - Claudia Gray

Book: Star Wars: The High Republic: A Test of Courage - Justina Ireland

Book: Star Wars: The High Republic: The Rising Storm - Cavan Scott

Book: Star Wars: The High Republic: Race to Crashpoint Tower - Daniel José Older

Book: Star Wars: The High Republic: Out of the Shadows - Justina Ireland

Book: Star Wars: The High Republic: Tempest Runner - Cavan Scott

Book: Star Wars: The High Republic: Mission to Disaster - Justina Ireland

Book: Star Wars: The High Republic: The Fallen Star - Claudia Gray

Book: Star Wars: The High Republic: Midnight Horizon - Daniel José Older

Books now part of Star Wars: The High Republic: Phase II - Various Authors

Book: Star Wars: The High Republic: Quest for the Hidden City - George Mann

Book: Star Wars: The High Republic: Convergence - Zoraida Córdova

Book: Star Wars: The High Republic: Path of Deceit - Tessa Gratton and Justina Ireland

Book: Star Wars: The High Republic: Tales of Enlightenment - George Mann

Book: Star Wars: The High Republic: The Battle of Jedha - George Mann

Book: Star Wars: The High Republic: Quest for Planet X - Tessa Gratton

Book: Star Wars: The High Republic: Cataclysm - Lydia Kang

Book: Star Wars: The High Republic: Path of Vengeance - Cavan Scott

Books now part of Star Wars: The High Republic: Phase III - Various Authors

Book: Star Wars: The High Republic: Chronicles from the Occlusion Zone - Lydia Kang

Book: Star Wars: The High Republic: Escape From Valo - Daniel José Older and Alyssa Wong

Book: Star Wars: The High Republic: The Eye of Darkness - George Mann

Book: Star Wars: The High Republic: Defy the Storm - Tessa Gratton and Justina Ireland

Book: Star Wars: The High Republic: Temptation of the Force - Tessa Gratton

Additional canonical tags will be added as more books are published.

(From time to time, ao3org posts announcements of recent or upcoming wrangling changes on behalf of the Tag Wrangling Committee.)

[iikisa]

heres more teacher rin au!!!!

ill have some more deets under the cut about this hehe

Welcome back aoex fandom… I’ve decided for this AU to be called “Tightrope”!!!! Haha,, yeah it’s definitely not what i was saying earlier in that ask..

But yeah!!! I’ll be tagging any post related to this AU under a tag from now on! ;)

(The rest of this will contain spoilers from the manga, but then again this whole AU has been spoilers..)

Alrighty, this time we’re going over the reason for Rin’s appearance… Just as in the manga, Rin becomes “unstable” through Yukio breaking his sword, except in this tightrope au, their relationship was much more rockier than it was in the manga. So much stuff that wasn’t cleared up, lots of avoidance, not so much emotional stability.. There’s a whole background to how Yukio and Rin’s upbringing would’ve happened in this AU because of their little aged-up situation— some events are interpreted differently to fit and others are just completely new, you can assume— so obviously things happened differently between them without Yukio being the cram school’s teacher and Rin actually attending said school to begin with…

So, now that Yukio left Rin for Illuminati, leaving him completely lonely and without a proper purpose to live for in life… Rin’s demonic nature is left in a “tightrope-like” situation.

See how the title relates? And boy does it apply for many other things too.

Where is Mephisto to help with all this you ask? Oh he tried to offer Rin help by going into the past, but even after learning of his origins (I don't think it helped his self-esteem much tbh) Rin still finds himself unable to "restabilize". Like in the manga, it's not until Rin truly accepts both sides to himself is he able to truly stabilize. This AU is obviously more heavy on the twins terrible communication and relationship, so obviously this will be harder for Rin.

For as long as he can remember, Rin's always thought of himself as a nuisance to his family. And with Fujimoto's death, everything seems to be Rin's fault and he's not stupid enough as to not notice the pattern. Unfortunately, this really eats away at Rin, especially with how distant Yukio was with him. So until Rin can learn to accept the uglier parts of himself, he won't be stable. And Yukio is the most important part for him to realize that.

Now… time for the appearance explanation.

When Rin first "unstabilizes" his hair, ears, and eyes change (other smaller details like his canines as well as the newest addition of little nubs on his forehead). The more "unstable" he is, the more prominent these features become—his hair is wholly whitish-blue, his ears and canines are pointier, his eyes are sharper and more vibrant, and his little horns get bigger.

After becoming a not-so-substitute-teacher for the cram school, these features start to become smaller or fade away!!!! Depending on Rin’s emotional state—negative emotions lead to instability and positive emotions leads to stability— his appearance changes. The happier and healthier he is, the more his black roots take place (his original hair color) and the duller his other features become!

Now as for his flames.. I think some logic may be off canon for this but it’ll be fine! He can freely use his flames like he does during the final war-against-satan arc, however, his state of stability changes how precisely he can use them. The more unstable he is, the broader and rougher the attacks. When he’s more stable, his attacks can be more precise and controlled, such as shaping his flames into weapons and other uses.

Anywho, I’ll have to start on making these differences more noticeable for the Rin’s I’m drawing out, because I do like to draw him at different times of his life (if you take note of his hair,,, its one of his best indicators ahah). But yes. Now that I’ve written this concept out (after I drew these sketches whoops) I’ll be showing off a little more of the story once some heavy inspiration hits me. I hope you guys enjoy hearing about this AU as much as I love writing and drawing it!!!!! I’d love to hear feedback or any fic recommendations..! They are my fuel.

Thank you for listening to the end, much love <3

[i-hate-accidents]

i hate accidents: the ball

femme!reader x benedict bridgerton, femme!reader & the bridgerton family, femme!reader & penelope featherington

summary:  the adventures of a working class femme who befriends a fellow writer, a boisterous family, and a bewitching second eldest son

sections:  I. the beginning / II. the between / III. the ball

y/n:  bipoc, she/her, afab, nonbinary femme, queer, working class, of immigrant parents

content warnings:  classism, mentions of financial survival, microaggressive sexism, microaggressive gender assumption, intersectional low self-image of y/n, positive/supportive families, nondescript mention of gagging (not related to self-image) in [III.iii], sexually charged 18+ interactions in middle to end of [III.iv]—minors dni, please stop at the end of the paragraph that begins "you repeat his words with sped up mockery"; you may resume at "you jut out your hip"

word count:  15.7k (of 38.8k)

story context:  everything in s1 and s2 of the tv series is canon for this story except for the s2 epilogue with the bridgertons.  this story takes place leading up to and into the 1815 season. 

additional notes:  this story is incomplete. scenes that are not written are described in chevrons <> with third person pov or are delineated by isolated ellipses. additionally, the author has only watched s2!  she has not watched any of s1 aside from clips, and they have not read the books aside from quotes used in edits.  they have not yet watched queen charlotte.  the author kinda knows the gist of an offer from a gentleman; they are familiar with sophie beckett (and are excited to meet her/them in the tv series!).

author’s note:  this is the first time the author has written fanfic in 13-15 years.  :)  it is her hope that they have made some progress since her pre/teens.  additionally, this fanfic has been written, on and off, over the course of two years.  the author sincerely hopes you find some sort of joy in it, especially the readers who maybe hope to see themself a little more specifically in the world we so love.

tagged: @omgsuperstarg @stvrdustalexx @bedobeeeee @crazymar15 @kahhorri @mayalopes @benedictbridgertonss @athensflower @02wrldz @queerlavalier @merlslrem @pillsbury-doughgirl @lamourdure3ans and all who have read either/both sections one and two—thank you. <3

𝄆 ⚘ ✸ III.i ✸ ⚘ 𝄇

“you look like a princess, y/n!” hyacinth squeals in delight.

“i regret not being of age yet to attend balls,” gregory sighs.  “i would have been honored to ask you for your first dance.”

you beam at the youngest bridgertons with all the fondness in your heart.  judith, an elderly maid of number five, had attempted to dispel hyacinth and gregory from the room as your hair was done, but you had asked her to please allow them to stay.  the two kept you at ease throughout the foreign process, and their sweet sincerity kept you grounded amidst the anxiety that still floods your veins.

“you are both too kind.  and fear not; tomorrow morning we will have a ball all of our own,” you lean in for a whisper, them following suit to listen.  “and perhaps we will need the talents, and bravery, of a young sorceress and a young knight to save the guests from the intrusion of an unruly wyvern.”

“you promise?!” hyacinth and gregory yell at the same time.  you hold out your pinky finger, just as you used to do with your siblings, and the two young ones wrap their pinkies around yours.

“i promise.”

“you are all done, miss y/l/n,” says alice, placing the last pin into your hair.  she steps back and curtsies.  her formality towards you renders you uneasy; she treats you as above her but you are of the same world.  you school your facial features from showing your unease; you do not want to upset her or have her wrongly think that she has done something wrong.

“no need to call me ‘miss.’  i am simply y/n!”  you grin at alice.  “a friend.”

she smiles, albeit a bit sheepishly. 

“of course, y/n.  are you ready to see yourself?”

you shudder in a breath.  you had asked not to be prepared in front of a mirror.  to have seen your transformation so readily reflected at you at every point of this process—

you exhale frantically.  the maids and genevieve had graciously accommodated your wishes, both going so far as rearranging this room and her fitting room to avoid any lines of your sight with a potential reflection; you were, and are, utterly grateful.  

but i am unable to delay the inevitable any longer.

standing up and squaring your shoulders, you give alice a feeble nod.  she bows her head in response, a small, encouraging smile on her lips, and leads you to the mirror as hyacinth and gregory turn in their seats to watch you cross the room.  

it is just a dress.  it is just a tiara, and just some jewelry, and just some gloves, and just some shoes, and just a bit of makeup.  it is just you.  it is still you.  be the courageous person you are, y/n.

or—

just before you see even a miniscule bit of your reflection in that accursed mirror, you shut your eyes tight.

—be a coward.

you continue step by agonizing step, approximating where the mirror is, and shudder in another breath.

perhaps i am being too dramatic.  perhaps i can faint and feign illness.  perhaps i shall run away by way of the nearest window.  perhaps i—

“the mirror is to your left, y/n; whenever you are ready,” coaxes alice.

you exhale once more.

or perhaps, i should open my eyes.

and so you do.

oh.

“oh,” you say aloud.

the person you see in the gilded full-length mirror is, somehow, a complete stranger and entirely you.

the one time you’ve worn makeup before was for your elder sister’s wedding:  a bit of your mother’s rouge on your cheeks and lips to have some color to your otherwise dull face.  now, your cheekbones glow with a blush much more complimentary to your complexion than a mere red as your lips shine with a gossamer of a similar shade.  entirely new to you are the glimmering minerals on your eyelids that magically bring attention to your eyes and make them shine like starlight.

your eyebrows have been plucked (much to your initial pain but your current appreciation), maintaining their shape and fullness but now without strays.  

soft tendrils of curls frame your face, and your hair—normally worn down when not working—has been pulled back into a loose coiffure and styled with sprigs and small blooms, the crown of your head graced with a silver tiara.

“this,” violet smiled fondly when she first set the tiara on top of your head, “is the tiara i wore to my first ball after my presentation.  i had insisted on keeping it, thinking i could pass it on to my daughter when her first ball had come.  but daphne was resolute on having her own tiara, and eloise was resolute on not wearing any,” violet laughed, her eyes shining when they connected with yours, “i see now, though, perhaps it was always meant to be yours.”

“violet, i— i cannot wear this.  it is too— it’s too—”

sumptuous?  opulent?  regal?  

no.

well, yes, the tiara is all those things.  but those were not what had concerned you then.  it’s too—

“beautiful,” you admitted quietly.

something as beautiful as that surely does not belong on the head of someone like you.

“well,” violet smiled, “then you are merely proving my point, my dear.  it perfectly suits you.”

you hold out your hands, flare out your fingers, and stretch out your arms, examining the dark forest green of your long satin gloves, mesmerized that a muted color with such depth and richness could be achieved through dyes.

moving your hand, you touch one of the small rosewhite pearls adorning your earlobes and, with your other hand, touch the inky oblong pearl that shimmers violet, indigo, and green as it hangs from the thin, black velvet choker around your neck.

“my dear,” mama appeared in your doorway one evening as you wrote at your table, “do you require jewelry for your occasion?”

“oh.  i suppose i do?  i hadn’t given it much thought.”  jewelry had been the last thing on your mind of things that terrified you of the impending ball.

“well, if you have not been offered anything by the bridgerton family yet, i thought— i thought perhaps you might like these.”

she approached you, a small wooden box in her hand, and placed it on your table.  taking the box into your hands, you looked at it and then up at mama.  she smiled at you but something of her countenance seemed strained.  nervous.  you offered her a smile in an attempt to assuage whatever concerns preoccupied her mind and, turning back to the box, unclasped it open.

“these are the earrings and necklace i wore when i married your papa.  they were gifts from your grandmama that were gifts from her mama.  i had tried giving them to your sister when she was to be married, but she thought…  they are plain, nothing like what those fashionable people wear, i am certain; but if you have nothing else, i—”

you shot up from your seat, throwing your arms around your mama, feeling how she reeled from the ferocity of your sudden embrace, as you clutched onto the box of her wedding jewelry.

“they are beautiful, mama,” you said quietly but emphatically as the vehemence of your emotions tried to trap your words in your throat.  “they are the most beautiful things i have ever seen, and i am so— i am so honored to be bestowed with the blessing of wearing them, and of wearing them proudly.  thank you.”

you heard how mama sniffed her nose, and how she tried to hide it, as she gently rubbed your back, as she always had in your moments of vulnerability.

“i love you, my child.”

“i love you, mama.”

you then touch your exposed shoulders.  the neckline of your dress, nowhere near your neck, follows the curved peaks of your breasts to meet and form a small v-shape in the crevice of your bosom.  

“where is the chemise?” was the first thing you had said when you first tried on the gown at the modiste.

genevieve grinned.

“there is none.”

your jaw dropped.

“then what of a stay?  what sort of stay would be worn with this?”

turning slightly, and noting your rather bare upper arms in the process, you angle your exposed back towards the mirror.  another v-shape, its furthest point down a third of your bare spine.  

“my dear, both you and i know that you already know the answer to your inquiry.”

“oh, my good g—”

never, in your life, has the expanse of your upper body been so naked and on display than in this ball gown.

“i do not mean to doubt your artistry, genevieve; truly!, the dress is magnificent, but—” you turned to kathani, who had exclaimed and clapped with immense delight upon seeing you in the gown, “is this—— permissible?”

the viscountess had arched an eyebrow at you then.

“y/n y/l/n, concerned with the rules of society?  and of high society, at that?”

“no— no!” you yelled all too loudly as genevieve chortled and placed pins for final alterations into the dress.  “i just, i just do not want to embarrass you and your family, is all.”

you had not meant for your voice to come out so quiet and small.  the older women’s faces softened immediately.

“you could never embarrass us, y/n,” kathani stated with such tenderness.  then she smiled.  “you look beautiful.”

the off-white base layer of the dress feels luxurious against your skin, the fabric hugging your upper body, puffing out at the sleeves, and, from the underbust, flowing and falling into a cone silhouette for the skirt—but what truly awes you is the artistry of the outermost layer.  a cream translucent silk, the piña seda (you recall genevieve proudly naming it as) of the outermost layer glistens while you sway and turn your body, light shifting and transforming the ever beauty of the dress, the swish of the skirt moving like how waves are described in the passages of your books and in the reminiscing of your parents’ memories.  lined at the underbust begins the intricate thicket of embroidered foliage, painstakingly threaded with innumerable shades of greens and blues, a shimmering teal threaded throughout to gleam in tandem with the sheen of the fabric.  the embroidery of foliage then grows and thickens as it cascades down the middle of the dress and comes to an encircling end a few inches above and around the floor-length hem.  in the negative space of the piña seda are spread out, small ivory embroideries of floral motifs.  

it is a dress deserving of someone most beloved in titania’s garden court. 

“indeed,” genevieve affirmed, a smile on her lips akin to kathani’s.  “those in attendance will not be prepared.  you will look the most beautiful of all.”

and perhaps…

perhaps you should be unnerved by how different your dress will be from the others’ of the ton.  perhaps you should be unnerved by how easily you will stand out from the crowds.  perhaps you should be unnerved by the attention, the whispers, the stares you will inevitably receive with your dress, with your appearance, with your presence, with your very existence.  but, instead— 

“i do look like a princess,” you say finally.  quietly. 

you do look beautiful.

like you could belong amidst the ton.  

like you could belong with the bridgertons.  

like you could belong with him.

𝄆 ⚘ ✸ III.ii ✸ ⚘ 𝄇

“are you anxious, y/n?”

you turn to gregory at your side and see the swell of worry in his eyes.

“what gives you that impression?”

“you are shaking terribly,” hyacinth comments from your other side, replacing her usual pluck and wit with a worry akin to her brother’s.  

the two had volunteered to escort you from the dressing room that you had been prepared in to the grand staircase of number five.  with their arms hooked around yours, gregory on your left and hyacinth on your right, the youngest bridgertons have been walking you down the corridor.  your heart aches with anguish:  you know you have failed when the children are the ones to care for the adult.

“i am sorry to have concerned you both.  yes, i— i am anxious.”

“it is reasonable to be anxious.  but there are a great many cakes at these balls, or so i’ve heard, so you can eat one, and then another, to help ease your nerves!”

“how is that of any help, gregory.”

“it is plenty of help!”

“to eat and eat when she is already uneasy?  the last time you were uneasy, you nearly—”

“do not recount that in front of y/n!”

“why not!”

“it is not— it is not proper!”  gregory’s voice jumps in pitch, causing a swift blush to form on the apples of his cheeks.  hyacinth snorts.

“why does your voice do that?”

“i do not know!  kate said it is natural for bo— for young men to experience such a thing!”

“aren’t young men meant to be tall?”

“i am an inch taller than you now!”

“you are not!”

“i am too!”

you laugh.  the youngest bridgertons halt their dispute and look at you. 

“i must say, your usual squabbling is keeping me much at ease,” and you offer a sympathetic smile to gregory.  “i am sorry that it seems to be at your expense, however.”

his eyes shine.

“you need not worry about me!  i am glad to see you smile.”

“i as well,” hyacinth adds.  you turn to her and see how her eyes shine too. 

“i am most grateful to you both for being at my side on such a night.”

“we are most grateful for you, y/n.”

“that is something, and probably the singular thing, hyacinth and i can agree upon.”

you plant soft kisses on the tops of their heads, just as mama and papa and your elder sister had done when you were their ages.  gregory and hyacinth nestle their heads into your upper arms and only part from you when the three of you reach the top of the first set of steps.  

“are you ready?” 

though you wish to say ‘no,’ you brace yourself with a deep inhale and nod.

your heart quickens with each step as time around you slows.  your mouth has gone dry, and your body feels entirely numb, sensation only returning to you when you feel hyacinth and gregory unhook their arms from yours.  turning your head, you see them stepping backwards, away from you, leaving you at the center of the landing to the rest of the grand staircase.  you face forward once more, and ahead, below, you see the gentlemen and ladies of bridgerton house, waiting for you, looking at you.  

you swallow. 

for the very first time, in your dress, by yourself, you take a step forward.

breathe, y/n.  shoulders back; tilt your chin up, but not too much; just as kathani had taught you.  and just, breathe.

but it is hard to breathe with all eyes on you.  with—

i must control myself.   i must not seek him out.  i must not seek out his face.  i must not seek out those o—

you step on the hem of your dress and feel yourself start to fall forward.  thankfully, god, for whatever reason, has blessed you with enough dexterity in this very moment, and you manage to catch yourself from tumbling down the steps as you hear gasps from above and below you.  you mumble an apology (you don’t know why; it is not nearly loud enough for anyone to hear) and offer everyone a smile.  upon seeing their relaxed shoulders and reassured expressions, you continue to descend the staircase.

stupid benedict.  distracting me in remembering how to walk, and how to breathe, and how to— 

oh.  

i am doing it again.

shit.

goddamnit, stupid benedict!

somehow, you reach the landing of number five’s entrance hall without any additional accidents and, approaching the bridgertons, immediately look to the viscountess.  as if knowing you seek her approval, kathani nods her head; a beam illuminates her countenance.  you feel yourself ease, your shoulders relaxing (that you promptly square again; you are, after all, pretending to be a lady for the night), your heart racing less, if only minutely, and manage a smile.  you feel someone take hold of your gloved hand and, turning to face the source, see violet gazing at you. 

“beautiful.”

it is all she says, but with such tenderness in her voice, it makes your heart swell.

“the importance of appearance,” rasps eloise, causing you to turn to her, “and the lengths gone to achieve so-called perfection of such, especially for those of feminine disposition, is an entirely antiquated, offensive concept that must be eradicated from our, and all, societies—— but you do, look, beautiful, y/n.”

you grin. 

“we’ll eradicate it together; and with help along the way, i am certain.”

when she responds in kind, you turn to the gentlemen, and, to your mortification, colin and anthony bow at you.  the high society etiquette directed towards you from your friends overwhelms you with an embarrassment that you cannot even begin to fathom; they haven’t performed such formalities towards you since your first meeting all those months ago.  but, in spite of your horror, the sincerity of their intentions, as well as their countenances, touches you deeply.

“madame delacroix and the maids have outdone themselves,” remarks anthony.  “as mother and eloise have said, you look beautiful, y/n.”

“indeed,” colin beams.  when he turns to benedict, however, his smile transforms into an expression befitting of a fairytale creature; one with mischievous intentions.  “what say you, brother?”

you follow his line of sight and connect with ocean eyes.  the flood of self-consciousness and the tempo of your heartbeats magnify hundredfold under his gaze, the butterflies within you fluttering the most violently they ever have, and you feel as though your entire body has been set ablaze.

anthony, with what looks like a smirk, nudges his brother with his elbow.  as if suddenly aware of where he is, benedict hastily bows at you and, returning his ocean eyes to yours, says,

“you look— well.”

you hear eloise snort.  turning your head towards her, you see she has completely sucked in her lips.  to her left, kathani smiles massively.  to kathani’s left, violet remains ever poised but with wide, sparkling eyes.  you still feel self-conscious but are infinitely amused by whatever is happening to the bridgertons and, with a playful smile on your lips, return your gaze to benedict.

“thank you, mr. bridgerton.  i had felt uneasy with an unnerved stomach earlier, but i am glad to know that my health appears to be in proper order.”

and you deeply curtsy at him. 

from above you hear the sweet giggles of the youngest bridgertons.  ahead, in your periphery, you see how anthony closes his eyes as he sucks in air through his nostrils and how colin, with an unabashed laugh, clasps his hand onto benedict’s shoulder.

“well!” anthony booms, attempting to control his smile on what ought to be an authoritative expression. “i believe we have a ball to commence.  shall you lead the way, viscountess?”

and with an expression both equal in authority and warmth, kathani declares,

“i shall.”

𝄆 ⚘ ✸ III.iii ✸ ⚘ 𝄇

you had grown ease of mind knowing that you would not be asked to dance.  not only were you a stranger to everyone in the ton aside from the bridgertons and penelope, you were also not handsome like the debutantes flitting about the room, swishing prettily in their gowns, strategically but delicately fluttering their eyes at a gentleman with which they wished to dance.  with anonymity and a plain face, you enjoyed the haven of people observing, snickering at the artifice and smiling at the sincerity.  kathani chatting with her guests.  anthony standing by her side.  penelope dancing with colin.  eloise hiding behind a plant.  violet beaming at her family.  (you tried to convince yourself that you had not noticed the absence of a particular person.)  your nerves have finally begun to calm, finding content in your station at the margins of the dance floor.

when colin bridgerton approaches you, hand outstretched in your direction, with a twinkle in his eyes.

“miss y/l/n, may you do me the honor?”

“i’m sorry, what?”

he laughs.

“will you dance with me?”

you gape at him.

“you’re mad.”

“my mind is perfectly intact.”

“this is unwise.”

“this is the best decision i have made this night.”

“i shall surely step on your toes.”

“i have worn my sturdiest shoes for the occasion.”

the corners of your mouth tug down into a moue at the third bridgerton’s stubborn charm.  his grin merely widens as your eyes narrow to slits at him.  penelope approaches from behind the beguiling imp and smiles warmly at you.

“it will be fun,” she encourages. “i promise.”

penelope!  no!

“et tu, brute?” you bemoan.

she shrugs.

“what is a ball without dancing?” penelope offers.  sweet innocence colors her voice, but the delighted glint in her eyes reveals her true duplicitous nature.  she knew exactly how to play the game of this conversation, no doubt a devious plot concocted between her and her beau.

you sigh.

“fine,” you huff, slapping your hand into colin’s palm.  “i would be honored, mr. bridgerton.”

the diabolical duo laughs at the sarcasm that drips from your words as colin leads you to the lineup on the dance floor.  

–

“how is the dance treating you, miss y/l/n?” 

“i hate you.” 

colin guffaws.  (you see in your periphery how heads shift towards him and how eyes narrow at you.  the partner you had just left looks at you with particular scrutiny.)

“if your hatred towards me is the cost of you enjoying the ball, then it is a burden i shall carry, and happily so.” 

“has anyone ever told you how infuriating you bridgertons are?” 

“no, but we very well know that we are,” he grins, “and we take immense pride in it.”

you groan, throwing your head back.  (you hear murmurs around you.  not ladylike.)

“are you truly not having fun?”  the gentleness in his voice makes you look back at him.  his expression is soft.  sad.  guilty.  “we can leave the lineup, if that is what you would like.” 

you consider his words and his offer.

“i am having fun,” you reply truthfully.  his eyes light up at that and your heart warms at the sight.  “it is just— being in a circumstance so wholly unfamiliar— it’s overwhelming, is all, i think.  but…” you feel a smile form on your lips, “knowing that you all—as infuriating as you bridgertons are—are here with me, by my side, wanting me to enjoy myself, wanting me to be happy, it makes all the overwhelming feeling worthwhile.  i am happy.  you all make me happy.”

colin doesn’t say anything.  he just stares at you as the two of you dance still.  you are about to inquire—

“i am grateful to call you my friend, y/n.  becoming your friend has been one of the greatest blessings to have been bestowed upon me and my family.”

you suck in a breath. 

as is becoming yours has been one of mine.

but another thought also lives in your mind.  so, on the exhale of your breath, you smirk.

“only second to falling in love with penelope, yes?”

he laughs, an uncharacteristic shy smile forming on his lips as he looks at his feet and then back at you, eyes shining incandescently.

“i hope you do not take offense to being second.”

“being second to penelope is truly, sincerely, still a victory in of itself.  you are very blessed, indeed, to be her premier.”

you did not think colin’s eyes could shine brighter than they had mere moments prior, but you suppose— no, you are certain that this is the effect that the love of penelope featherington has on the third eldest bridgerton:  the light in colin’s eyes is absolute radiance.

“‘very blessed’ is to put it very lightly.”

with unabashed grins, you and colin continue to dance.  you have to walk most of the steps, often keeping good on your promise and stepping on his toes, but your partner is deterred neither by your incompetence nor by his injuries.  the two of you laugh (drawing leers from the other guests, you notice but brush off) and end your dance with exaggerated flourishes of a curtsy and a bow to one another.

“you underestimate your dancing skills, miss y/l/n,” colin remarks with a beam.

“see if you feel the same after tending to your bruises, mr. bridgerton,” you beam back.

“colin bridgerton!”

you both whip your gazes to the call of colin’s name and see a man fastly, eagerly approaching.

“hastings!” 

hastings?  why does that sound familiar? 

colin and the absurdly handsome man embrace, smiles broad and sincere. 

“i was uncertain you would be joining us on this occasion.”

“we would have seen to arriving early, as we had intended, but augie is proving to be quite unpredictable with his tantrums as of late.”

“he must take after his uncles,” colin smirks with odd pride.  that makes the other man chuckle.

“unfortunately, it seems to be so.”

he then shifts his gaze onto you.  his expression is curious and— sweet?  kindly.  you feel yourself become rather self-conscious as you notice, in your periphery, colin assuming a posture of gentlemanliness.

“my apologies for my dreadful manners.  simon, this is miss y/n y/l/n.  y/n, this is simon basset.”

simon bows most graciously at you.

“good evening, miss y/l/n.  it is a true pleasure to finally meet you.  i am simon basset, daphne’s husband.”

daphne?  

as in daphne bridgerton?

you recall the day you and benedict toured the art gallery:  a portrait, a fairly recent one, it seemed, of a beautiful young woman and a beautiful young man—the duchess and the duke of hastings, the plaque read.

your jaw drops.

“you are the duke!”  you remember the etiquette kathani taught you.  “your grace!”  and you sloppily curtsy.

simon laughs.

“that is hardly necessary.  please, if you feel comfortable in doing so, call me simon.”

“yes— of course!, your— simon,” you compose yourself.  “and you may call me y/n; i would prefer it, actually.”

simon grins.

“then, y/n, may i have the honor of having your next dance?”

your jaw drops again, your composure completely falling away.  you look at simon, who is utterly amused by your reaction, and then to colin, who is utterly delighted by the turn of events, and back to simon.

“that is a mistake.”

that earns guffaws from both of the men.  (you feel stares falling upon them and, once again, scowls falling upon you.)  

“i am more than willing to make that discovery for myself, if you will allow it.”

you throw back your head (ignoring the additional glares shot your way) and, with a sigh, whip it back to look at simon with a fatigued, but earnest, smile.

“i shall allow it.”

colin bows his head at you, his grin having never left his countenance since the end of your dance together, and steps to the side as you place your hand into simon’s outstretched one and are led to the next lineup by the duke.

–

“has the duchess accompanied you to the ball this evening?”

“while it is poor courtesy to speak on behalf of my wife when she can speak for herself, i can say, with confidence, that she would much rather you call her daphne.”

“kathani had taught me your society’s etiquette in preparation for the ball, in the event it would be necessary,” you roll your eyes.  “while i find it all utterly ridiculous, and entirely unnecessary for me in particular, i want to honor the knowledge that my teacher has bestowed upon me as a way to honor her.”

simon grins.

“you are a dedicated student.  indeed, she is in attendance.  the last i had seen her, she was tending to benedict.”

your heart sinks.

oh no.

“tending to benedict?  is he unwell?  did something happen?  is he all right?”

you hear how your voice rises in pitch and grows louder and more frantic with each word.  (you try not to care for the stares that you feel on you.  they are not of importance right now——or ever.)

is that why i have not seen him all night?  because he is in poor condition?  shall i leave the ball?  shall i see where he is being tended to?  shall i—

“y/n?”

oh.  yes.  you were having a conversation with simon.

“sorry, what did you say?”

“i had said that i did not mean to worry you,” simon says sincerely, but there is something in his smile.  not suspicious, neither mocking nor teasing.  it is as if he is withholding the full expression of his emotion.  “i simply mean that she is speaking with him and— encouraging him, is all.”

you feel the entirety of your body, mind, heart, and soul ease; but now, you are perplexed.

“encouraging him?  whatever for?”

“i had not stayed with them long enough to hear the details of their conversation; i had sought you out rather immediately.”

“me!”

the dance had timed perfectly that upon receiving such information, you are forced to turn to another partner (who is unnerved to have you as a temporary companion).  when you reunite with simon, his chuckling has mostly subsided.

“indeed.  the viscount had encouraged me to ask you for a dance.  the viscountess then stated that you required the practice.”

“i—— am utterly lacking in words in how to respond to that.”

“if it is of any comfort to you, it was something i had already intended on doing.”

“that is, rather strange?”

he grins.

“i can see how that is so from your perspective, yes.  but from mine,” and it surprises you how suddenly simon’s countenance softens, “i had to find out for myself how wonderful this y/n y/l/n is to have so easily won the affections of all the bridgertons at number five.  daff and i, as well as francesca, were becoming quite jealous that we did not have the good fortune to spend time with you as the rest of the family has had.”

“the family has… spoken of me?”

“in these past months of knowing you, you have become their most beloved topic of conversation.  hyacinth and gregory idolize how resplendent of a storyteller you are.  eloise adores being challenged by your intellect.  colin aspires to your ferocity of quick wit.  kate cherishes every discussion you share together.  anthony reveres your unwavering resolve.  violet becomes overcome with delight at every recounting of a memory in which you are involved.  and benedict…”

you swallow.

“yes?” 

you hear how feeble and quiet your voice has become.  

“never stops speaking of you; so much so that it would be impossible to abridge what he loves in you.”

you shut your eyes closed at the words “he loves” and attempt to control the tears that threaten to flow at the word “you.”  

the love he has for you is not the love you have for him.

“i— i did not know that they held me in such high regard,” you whisper.

you flutter your eyes open, grateful that no tears have fallen, and are greeted by the gentlest of smiles from simon.  it assuages your soul.

“the highest of regards.  they care very deeply for you.”

“and i care very deeply for them,” you declare softly.  you then feel yourself break out into a smile.  “i cannot say the same for you, yet, but i can see it forthcoming.”

simon throws his head back with a loud laugh, your smile transforming into a large grin (as you ignore the scowls that fall upon you).  simon whips his head back to you, and he too wears a large grin.

“i am honored that you see the potential within me.”

with a final spin, you and simon release the other’s hand, ending the dance in a curtsy and a bow, both of your grins non-faltering.

“thank you for bestowing me the honor of dancing with you.”

you snort.  (you hear scoffs and other suppressed noises of disapproval.)

“i fail to see how much of an honor it is to have someone incessantly knock into you, but if such is your feeling,” you curtsy with much theatricality and, upon your rise, let out a sigh of relief.  “now, i shall retire to the margins once more.”

simon, once again, looks as if he is withholding the full expression of his emotions, but in it you detect— delight?  you narrow your eyes.

“what?”

“you are not meant for the margins, y/n; please forgive me,” and with that, simon bows, his smile still non-faltering, and turns to leave you in the middle of the dance floor.

you are about to call out his name, curious and agitated by his vagueness—

“y/n?”

you turn around to the familiar voice and are greeted by a smiling anthony.

“oh no.  are you going to ask me for the honor of having my next dance?”

the viscount looks as if he is about to howl with laughter and attempts to mask it, poorly, with his absurdly elated smile.

“is the idea of dancing with me truly so appalling?”

“the idea of dancing more is what i find so appalling.”

“i shan’t force you to do anything you do not want to do.”

“but how will your pride take it?”

this time anthony fully howls (earning looks of confusion at the host and their looks, predictably, turning to glares when they trace the impropriety back to you).

“i am always working on humbling myself,” he says, his expression softening.  “i assure you that i, as well as my pride, can manage your rejection if it means that you are happy.  you need not worry about my well-being.”

these damned bridgertons, and their damned charm, and their damned sincerity.

despite your internal accusations, you smile.  you offer your hand (hearing a gasp or a few around you), and beaming, anthony takes it.

–

“you look like a princess, y/n!”

the saccharine words of hyacinth echo in your mind.  with the transmutative magics of your fairy godmothers in mama, violet, kathani, genevieve, judith, alice, and the maids of bridgerton house, the impossible was made possible:  you look like a princess.  but it is not until this very moment, after descending a regal staircase, after entering this enchanting ball, after dancing with two dashing gentlemen and now a third, that you feel like a princess.  you recall how you and your siblings played imagination; how you often asked to be the princess; how you did it so often that mama sewed you a dress from scraps of fabric and papa crafted you a crown out of discarded branches and your elder sister announced you as princess y/n whenever you played and your younger sibling waltzed with you around the first floor of your home.  it makes you elated with childlike wonder how fortunate you are to be here and how lovely it is to be here, how strange and wonderful it is that imagination has become real life; as if it is all a wish for which you did not know you had wished, a wish that you did not know you had wanted to come true until it came true.

but—

“is there something on your mind, y/n?” you hear anthony ask, sometime after returning to him as your partner.  “you seem pensive.”

“ah, yes.  despite my gripes with you, and your brother, and your brother-in-law insisting on dancing with me—”

“i gave you an option not to do so!”

“i am not finished speaking!”

he huffs out air through his nostrils, waiting with what seems to be a morsel of patience for you to continue.

“despite my gripes with you, your brother, and your brother-in-law insisting on dancing with me—” anthony gives you a tired look that of an older sibling; you grin, “i am enjoying myself.  i just wish, i just wish my family could be here with me, to enjoy it too.”

anthony’s expression softens immediately, and it makes your heart tighten.  you know with what gravity, duty, and love he looks after the entirety of his family; you have witnessed it at every given second since becoming his friend.  if someone were to be with you as you navigate this pain, you are glad that it is anthony.

“we shall invite them to the next ball we host,” he declares.  your jaw drops.  “it was a lack of foresight on my part for not doing so for this occasion, and i shan’t make that error again.”

you try to do rough estimations of what costs that would entail for the bridgertons— dresses and coats and shoes and four to six sets of two abstained days of work at least.

“anthony, i cannot possibly ask you to—”

“you did not ask,” he grins.  “i offered.  and i do so wholeheartedly.  it shall not be a trouble for us, just strategic planning as kathani and i work the books.  and before you protest—” you frown, both disappointed and flattered that anthony could sense your retaliation, “it is something i—as well as the rest of the family, i am certain—wish to do.  if you won’t consider it for yourself and your family, then perhaps consider it as a gift to us selfish bridgertons.” 

that makes you laugh loudly as you feel tears form in your eyes (whispers of you be damned).  expression turning gentle once more, anthony continues,

“it would be an honor to finally meet your family.  if they are even an inkling like you, then they must be truly wonderful, indeed.”

with a small sniffle of your nose and all the gratitude in your heart, you smile.

“they are.  they are truly wonderful.  i love them so much.”

anthony smiles in return with a nod of his head.

“then it is settled.”

“you are a good brother, anthony.”

you have wondered often if that is something anthony knows.  while the bridgertons’ love for one another is apparent in all that they do and say and breathe, you haven’t heard them say very complimentary things to one another, particularly to the eldest.  it is typical of families to tease and to jest, you know that intimately, but you also know how important, then, it is to tell your family what you truly think of them, how you truly feel of them.  they ought to know just how much they are loved.

though his overall demeanor is composed and dignified, the softness in anthony’s eyes reveals his true emotion.

“and you are a good sibling, y/n.”

< their dance eventually comes to an end.  someone approaches them. >

“good evening, brother,” benedict turns his ocean eyes to you.  “good evening, y/n.”

“good evening, benedict.”

you vaguely hear something in your periphery.  you turn to it and see a brilliant grin lighting up the viscount’s countenance.

“huh?”

“i had said that the viscountess is calling me over to her.  i must pardon myself.”

“oh.  yes.  farewell, anthony.”

his grin broadens, dimples forming in his cheeks, and he bows.  you see how, as he brings himself upright, his eyes shift towards his brother, the delight in his grin never leaving but something in his eyes… softening?  before you can fully process it, he has turned and now walks towards kathani.

you turn back to benedict.

“i—— good evening, y/n.”

“good evening, benedict.  though, we have already greeted each other this night, just moments ago.”

“ah, yes— that—— that would be correct.  and— is… correct.”

he is anxious.  your heart aches at the sight, and you want to reach out and touch him, comfort him, ease whatever his concerns are—but you refrain.

benedict clears his throat.

“are you— are you enjoying yourself?”

while heavy by benedict’s current state, your heart cannot help but glow brighter at his question.

“yes, tremendously so.  the dancing has been plenty fun, despite how horrendous i am at it.”

that makes benedict laugh, and relief floods your body, mind, soul, and heart.  it is good to hear him laugh.  to see him smile.

“i do not think you are as horrendous as you think you are.  your form has been quite good.”

you cock your head, feeling the scrunch of your eyebrows and the smirk on your lips.

“you have been observing me?”

his jaw drops, his body stiffening again.  suddenly shy, he looks at his shoes and, with a cough, looks back up at you, and you attempt to hold in your gasp.

how.  

how is that, after all this time, he makes these butterflies within me flutter still.

“i— i do not have a clever diversion for that.  yes; yes, i have.  i suppose i have been building the— the courage within myself.”

“‘the courage’?  the courage for what?”

he swallows.

“to ask you to dance with me.”

oh.

“oh.”

he looks… he looks scared.  exposed.  vulnerable.

you feel them within yourself, too.

he offers his hand.

“may i dance with you, y/n?”

you place your hand in his.

“yes.  yes, you may, benedict.”

i am terrified of nothing else and would love nothing more than to dance with you.

benedict leads you to the floor, his ocean eyes never leaving yours, your eyes never leaving his.

the quartet starts up, and you detect how it is music for a waltz.  of all the dances you were taught, even you can admit that you were best at learning the waltz.  

…

you curtsy as he bows.  benedict places his hand on your waist, and you try not to elicit your gasp from feeling his touch.

< their dance commences.  they are silent.  a lot of staring and shit.

< notably, y/n is not cognizant of the ton’s perception of her while she dances with benedict as she had been with her previous partners.  it seems her sole focus in this moment is dancing with benedict, being with benedict.  her heart, mind, body, and soul is with him.

< y/n’s mind goes Rampant when benedict places his hand on her exposed shoulder. >

do not close your eyes, you reprimand yourself.  if you close your eyes, you will indulge.  you will indulge in this sensation.  in this touch.  in his touch.  in benedict’s bare hand on the expanse of your exposed skin.  in imagination.  in fantasies.  in thoughts.  in other thoughts on other parts of your body that you so, so very much want him to—

“i had not spoken properly.”

you try not to shudder a gasp upon hearing his voice.

“pardon?” you say, a bit breathless.  the dance calling for it, benedict twirls you, and you are now face to face again.

“earlier; when i had commented on your appearance, i had said you looked well.”

you snort, recalling the peculiar word choice, and that earns a smile from benedict.

“what i had meant to say is—“ he swallows, “you look beautiful, y/n.”

“i think,” you respond perhaps too swiftly, “that is testimony to genevieve’s skill and not to my appearance.”

“i think genevieve only enhances what is already there.”

you want to change, you don’t want to change— you do want to change the topic.  you cannot handle whatever— whatever benedict is insinuating.  the indecipherable, intense, attentive gaze of his ocean eyes on you.  it is so much; it is too much.

“she spoke of you.”

shit.  why did i say that?

his face immediately falls, ocean eyes transforming with it.

shit.

“genevieve spoke of me?  with you?  why?”

“kathani had accompanied me to the modiste, and i had shared with genevieve how i became acquainted with penelope and the bridgertons,” you half-truth.  “talking about the family, and then you, was a natural consequence.”

“what did she say?  about me?”

you try not to wince at the urgency in his voice.

“she shared how you and she had— an intimate and passionate acquaintance,” you divulge, using the words your friend had to describe the artists’ relationship.  perhaps you imagine the sensation, but you feel benedict wince as you dance.  “and that it was brief and no more.”

“she said that?  ‘brief and no more’?”

“indeed.”

he sighs.  you detect relief in the exhale, but perhaps you had, once again, imagined it.  you always had an active imagination; trying to bend what you perceive to what you wish was real.

“i see,” is all benedict says.

“do you care for her?” you inquire.  it is truly masochistic, what you are doing.  but you cannot help yourself.  it is something you often do when benedict is near.  when you and he are so close.

there is a small silence.

“i did.  at least, i think i did,” he shares. “i was hurt when our— acquaintance came to an end, but i was not heartbroken.  i had known nothing of heartbreak, not until—”

and he suddenly stops speaking, sucking in his lips.

“until?”

“nothing.  nevermind.  forget i had said anything,” he says all too quickly.  you laugh, and he scrunches his face in adorable disapproval at you.

“well, that only makes me the more curious, benedict!  the mystery of it, and your very clear blush, indicate it must have been quite the event.”

“i am not blushing!”

“you cannot lie about something i can literally see.”

“you are infuriating.”

“and what do you think you are?”

benedict just pouts at you, though you see the twinkle in his ocean eyes.  you want the twinkle to be of affection, but you will settle for amusement.  for friendship.  you take pride in how you can elicit this reaction out of him.  you take joy in how he can elicit this reaction out of you.  you love him, and you are grateful that is something you can say and know and feel.  even if he does not love you as you love him.

“the first time i felt heartbreak,” he begins, finally giving in.  you perk up in anticipation.  “was when— was when you had walked out of the house after i had crumpled the paper to the floor.”

you nearly stop in your tracks, halting your waltz with benedict entirely, until you find a way to recover and continue the steps with him.  he is looking intently at you, waiting for your response.  you inhale a breath and on the exhale say,

“oh.”

it is a pathetic response, but it is the only one you can muster at this moment.  breath has entirely left your lungs, your heart palpitates at a maddening rate, the lightning of benedict’s touch and proximity magnifying at every passing second.

“i had hurt you, this person whom i—” he swallows, “whom i care for, deeply and completely.  i was, and am, ashamed of my deed and the arrogant thoughts and beliefs that led me to do it.”

“i have long forgiven you for that, benedict.”

“it is something of which i am not deserving.”

“you cannot tell me what to think or do,” you challenge, arching an eyebrow at him to add levity to the conversation.  benedict smiles, despite himself, and it makes your body flood with relief and joy. 

“i would never dare.”

“as you shouldn’t,” you grin, then inhaling and exhaling through your nostrils.  “you need not flagellate yourself for what you did.  that accomplishes nothing, and guilt is entirely useless in the structures that be,” you say resolutely.  more softly, you continue.  “my forgiveness is something i gave you willingly because it is what i truly wanted.  because i knew, and know, how you wish to do better.  i see that in everything you do; in your art, in your character.  it is something i admire in you.”

benedict simply stares at you, his ocean eyes impossible to decipher again.  his gaze is overwhelming, but you refuse to break it.

“i was about to say how undeserving i am of your compassion,” he says, “but then swiftly realized you would have just admonished me.”

you laugh.

“you were correct in thinking so, yes.”

he looks at you still, his expression still impossible to decipher, but there is something soft about it.

“thank you, y/n.”

the butterflies within you flutter once more.

“and if you ever wish to discard your paper again,” you diverge from your feelings, “simply hand it to me.  i am always in need of more.”

he laughs fully, the corners of his eyes crinkling with delight, and you feel the flutterings violently rage within.  perhaps diversion was not the wisest choice (or perhaps it was, if it meant that you were the one to make benedict laugh like that).

“i have gotten quite good at maximizing the amount of negative space on a sheet, but nothing would delight me more than to support your writing.”

“i am most grateful for your patronage, mr. bridgerton.”

benedict makes something of a gagging noise, and you snort loudly.

“you are making it strange with the master-servant relation, y/n.”

“ah, so you are learning,” you comment with a sagacious nod of approval.  it is now benedict’s turn to snort.

“what can i say?” he grins.  “i have the greatest of teachers.”

“they have done quite well; please give them my regards.”

“i shall.”

and with the music coming to an end, you turn to face one another, wide and wild smiles on your faces.  you curtsy as benedict bows.  

“may i fetch you a drink?” he inquires after you are both upright again.

“is alcohol served at these occasions?”

benedict laughs.

“champagne it is.”

he gives you one more bow, lingering a moment more with one more smile, before taking off to retrieve your drink.

you try to bite back your smile, but it’s entirely useless.  you twirl in your spot, feeling the swish of your dress in the spin, for you cannot help yourself.  you cannot help how much joy radiates off of you in this moment, how giddy you are.  it feels like a fairytale.  you look in the direction benedict took off and feel your smile widen.

it is dangerous what you are doing— indulging in this.  but you do not care.

this is undoubtedly the most wondrous night of your life.

“so you’re the pauper that the bridgertons have invited to their ball.”

you freeze.

“how else would you have been asked to dance by the host—the viscount and a bridgerton, nonetheless; his two brothers; and the elusive duke of hastings?  it is an endearing sight, really.”

her posse snickers.

“the bridgertons have always been so kind and thoughtful in that way, extending their hands to the less fortunate.  why they chose you, however, remains a mystery.  if it were a pretty face that appealed to them, i perhaps could have understood, but you are simple at best.”

“you are cressida cowper,” you state.

penelope and eloise had warned you about a cruel creature amongst the ton, and the young woman before you matches all of the criteria they had described:  icy platinum hair, draconian eyes, and a haughty disposition that ought to be reserved for the royals.

cressida daintily gasps and smiles at you with what seems to be all the mockery she can muster.  

“i see that my reputation precedes me!  though, only those of my standing can refer to me as such.  cannot have my name tainted by the mouths of the lowly.”

you feel the gazes of other guests on you.  you hear muffled sneers.

this is entertainment for them.

you should say something, stand up for yourself— against cressida, against her posse, against the ton— but you don’t.  you can’t.  your mouth has gone dry, your mind has gone silent, your body has gone numb.  you have never, ever felt more powerless.

“your dress— did the bridgertons pay for it?  of course they did.  pity, though, for their wealth to go to waste on such an offensive thing.  allow me to assist you—”

and she pours her drink onto you.

you try not to gasp at the chill of the liquid making contact with your skin.  looking down, you see a reddish purple stain seep into the cream fabric of your ball gown as it continues to travel downwards.

you hear cressida giggle.  you look up.

“better,” she simpers.  “beautiful at last.”

her posse sneers with delight.  the guests who had tried to suppress their laughs do nothing to hide their mirth now.  

this is entertainment for them.  my humiliation— it is entertainment for them.

you step into cressida’s space, eliciting a stunned gasp from her as the others follow suit, and shove your face as closely to hers as possible.

“if we were not in your domain, i would rip out your delicate hair and strike my hand across your pretty little face.  but i am a lady—not in blood nor in title, but in character.  and with your words and your deeds, you have shown just how utterly undeserving you are of such a title with your complete void of morals, compassion, and integrity.  i do not care what you think of me, cressida, or what drinks you pour on me because i can rest easy in my sleep and waking hours knowing with perfect certainty that i am nothing like you.  i bid you good night.”

and maintaining the ferocity of your glare on her horrified eyes, you muster up the most mocking, deep curtsy you can, turn, hitch up your skirt, and run away.  you cannot care for the booming silence from that creature and her posse, for the murmurs and glowers of the ton thrown your way.  you cannot take time to process what words a flutters-inducing voice snarls at cressida.  

no. 

you must simply run away, quickly and efficiently, because you refuse to give into these monsters’ satisfaction of seeing your tears.

𝄆 ⚘ ✸ III.iv ✸ ⚘ 𝄇

the cool air of the night whips your face as you run as far and as deep as you can into the gardens.  you curse your damned shoes, for they are slippery and nothing like your sturdy boots, and they make you realize even further how much you have fucked up in allowing yourself to get this far.  in allowing yourself to go to the ball, in allowing yourself to dance, in allowing yourself to fall in—

feeling your shoe catch on something, you fall forward and throw your hands out in front of you, your gloved palms digging into the bark of a tree trunk as you attempt to steady yourself.  you attempt to control the staggered rhythm of your breath, the sobs that choke out of your throat, the palpitations that threaten to collapse your heart.

why did i allow myself to get this far?

“y/n—”

you snap your gaze over to the call of your name as your stomach knots, somehow, even now, with flutterings upon hearing his voice.

“benedict, no— just— no,” you manage to croak out, stepping away from where he approaches.  you hold up your hand, as if it is a magical force that will push him away.  it does not.  “just go, please, just go.”

“i refuse to leave you, y/n, you are hurt—”

you cackle, sniffling the snot that tries to escape your nostrils.  you push your remaining hand off the tree and turn towards him.  

“hurt?  what gave you that impression?  is it the tears?  they are just water, benedict, they will dry.”

“this is not the time to jest!”

“then what do you want of me!”

“to allow me to help you!”

“why!  why do you care!  why do you care for some, some low status person like me!”

“that is not how i see you!”

“THAT IS WHAT I AM.”

he freezes.  you feel yourself clenching your hands into fists, your nails digging into your palms through the satin of the gloves that were bought for you.

“you are the son of a viscountess, a brother to a viscount.  i wonder every day if my family will have enough food to eat at our one meal.  we—” you gesture between the two of you, “—are not of the same world.  and maybe, maybe it should have stayed that way.  to, to have stayed in our own worlds.  we should have stayed in our own worlds!”

“and is that what you want?” he shoots back.

“what?”  you snark.

“is that what you want?  for us to stay in our own worlds?”

you fall silent, words suddenly failing you, breath suddenly leaving you.  he huffs out a breath and continues.

“if that is what you want, i shall stay away from you.  i shall never bother you.  i shall never hurt you as i have.  we shall—” benedict swallows, “we shall forget each other.  if that is what you want, y/n, i shall give it to you.”

you do not respond to him.  you stare into him as he stares into you.

“is that what you want?”

you shake your head as you feel fresh tears rush to your eyes.

“then what do you want?” he softly asks.

you flutter your eyes closed and breathe in.  on your exhale, you open your eyes to the tear-blurry sight of benedict still looking at you with such tenderness in his ocean eyes.

“i want you,” you whisper.

you barely have time to process anything else when benedict surges forward and wraps his arms around you in a crushing embrace.  tears fall even harder than before as you cry into his chest and wrap your arms around him.

benedict pulls back from the embrace to look at you, to cup your cheek, to wipe away the tears that fall so quickly from your eyes.

“i want you, y/n.  i want to be yours.  i want to be in your world, i want our worlds to be one.  i want to go wherever you go.  i want to make you laugh and to make you smile every day and every night; i want to do everything with you.  i want to be with you, to share this life with you.  from the moment i met you, from the moment you intended to shake my hand, i have wanted nothing more than to share all the time i have on this earth with you.  i do not care for balls, i do not care for the ton, i care— i care for you, y/n.  these are not the circumstances in which i wanted to confess this, with you crying and us yelling at one another, but i must be true with you.  i—”

“benedict?”

“yes?”

“may i kiss you?”

benedict’s jaw drops and you laugh at his shock, sniffling your nose as you beam at him.  he quickly recovers, breaking out into the smile that has always made you flutter with butterflies, the smile that you always secretly hoped, dreamed, wished was reserved for you.  and you begin to think that, after all this time, perhaps it is.

“good god, please, yes—”

he barely completes his ‘yes’ when you jump forward to crash your lips into his.  benedict practically trips backwards with the force of your eager leap, the two of you laughing into your kiss at the messiness of it all, as he holds you both steady.

this is your first kiss.  you are so glad that it is benedict.  

and somewhere within you blooms the hope that he is your last first kiss.  

you have no idea what you’re doing, or what you should be doing, but you are far too much enjoying having benedict’s lips on yours, your hands on his cheeks, his hands on your waist, and your bodies pressing more and more into each other to give the slightest care.  and the smile you feel against yours makes you think that benedict doesn’t mind—at all.

you pull apart to breathe, but your lips do not move far from one another.

“i love you.”

“i love you, too.”

“and i am sorry.”

“for loving me?”

you feel benedict jump back as he holds you, his face absolutely crestfallen, panic flooding his eyes, and he’s about to open his mouth to speak when you giggle and peck his parted lips with yours.

“i’m teasing you, my love.”

benedict’s eyes soften but quickly glint with mischief.  you’re curious about the expression when you feel him tickling the sides of your waist.

“okay, okay!” you gasp with laughter as he tickles on. “i— i yield, i yield!”

benedict grins victoriously, his tickles fading into him softly rubbing circles on your waist.

“i am sorry for saying that is not how i see you, when you spoke of your social standing.  i had not meant it that way, but i understand now how it was understood, and i should not have said it as i did.  i know that i have lived a life of unfathomable ease with the wealth and circumstances into which i was born.  the privileges i hold are not things i had reflected on, really, until— until i met you.”

you soften at his earnestness, by the way he humbles himself before you.  but you cannot help the giddy mischief that bubbles from within.

“did you only reflect on your privileges as to win a femme’s favor?”

benedict’s jaw drops again, but you see how his ocean eyes shine with like-minded playfulness. 

“do you truly think so lowly of me?”

you grin.  

“perhaps.”

you feel benedict teasingly threaten his hands into tickling position onto your waist, and laughing, you shoo them away.  he grins and softens his gaze once more.

“what i wanted to say to you earlier is— i wish you did not speak of yourself so harshly.  as if you are unworthy of care from me because of your status.  i care for you, i love you, y/n,  as you are.  as you were, as you will be.  with all your circumstances, all your experiences, all your deeds, all your words, all your thoughts, all your feelings.  for your heart, for your mind, for your soul.  i love you because you are you, and i wish for you to see that, for you to see you as i see you.  as so many of us see you.”

“i— i do not know what to say.”

“you do not have to say anything; just to, if i may ask of you, seed my words into your heart and mind and soul and know them to be true, wholly and completely,” a playful smile forms on his lips.  “though, i must say, i am rather pleased with myself for rendering a writer with ferocious conviction speechless.”

you roll your eyes, but your voice is soft.

“you have had that effect on me for quite some time, benedict.”

benedict swallows and gently rubs circles onto your waist again.

“i love you, benedict.”

“i love you, too.”

< y/n and benedict, hand-in-hand, start to walk towards the house; they are taking their time. >

“are you certain you want to return the ball?” benedict inquires.  “we can stay here in the gardens and wait until the last of the guests have gone.”

you hum.

“i would like to dance.”

“ah, was there a gentleman or a lady who caught your eye, miss y/l/n?”

“oh, loads.  i hope it won’t make you terribly jealous, mr. bridgerton.”

“it will, but i shall simply stare at them maliciously if their hands are to roam.”

“yes, my form is reserved for your hands and your hands alone.”

you exchange grins.

“indeed.”

benedict nuzzles his face into the crook of your neck, and you laugh.  he lifts his head and plants a soft kiss on your temple.

“are you certain?  i do not mean to doubt you or your wishes to dance.  we can dance out here, under the bright light of the moon.  i want you to feel content and safe.”

“i do feel content and safe.  with you.  with the family.  within myself.  i shan’t let the ton or cressida ruin my first ball.  though, the idea of dancing in the moonlight is quite enticing.  perhaps another night?”

“you have my word,”  and bringing your hand to his lips, he kisses your knuckles.  a serene silence falls between you two until benedict makes some sort of a noise in his throat, as if to clear his voice.

“i, uh, must say,” benedict begins, “your confrontation with cressida was, uh, quite— alluring.”

you stop, letting go of his hand, and stare at him.

“alluring?”

a delicious blush colors your love’s face.

“indeed.”

a newfound bravery blooms in you.

you step into his space, not breaking eye contact with his blown out pupils, the ocean of his eyes mere outlines.  you sneak your lips towards his ear and hear a soft whimper emit from his lips.

“is that something of interest to you, mr. bridgerton?” you murmur, your bottom lip barely grazing his earlobe.  you feel him shiver and inhale.  “when you see someone be put in their place?”

he exhales frantically.

“it is something of interest to me when— when you do it,” he admits, as if out of breath.  you smile, pressing your bottom lip softly into his earlobe.  he does nothing to hold back his moan as you do everything in your power to hold in yours.

“that is good to know,” and quickly rip away from him.  

in your step back, you take in benedict’s state—flustered, expectant, ruttish—and wink at him.  you turn and walk away at your leisure, putting on a performance of superiority as you hide your own arousal.

it is only a few moments later that you hear benedict follow you.

“you,” he says, voice still fraught with desire but full with love, “will be the death of me.”

you look back at him and grin.

“and what would you like me to put on your epitaph?”

“benedict bridgerton, he who, in life and in death, loves the best soul to have ever existed.”

you cannot help your giddy self and close the distance between the two of you once more, grabbing his face and pressing your smile into his.  benedict happily obliges as he places his hands at the low of your waist and pulls you closer into him.

< they get into it! 

< y/n takes off her gloves so that she can touch benedict; she is about to throw them on the ground. >

“wait—”

and he takes your gloves.

“hm?”

“your gloves.  they were costly to make,” benedict states as he stuffs them into the inside pockets of his jacket.  “i don’t want to be flippant in letting them be discarded to the ground.”

you gape at him.

“you concern yourself with the cost of my gloves?”

“why, yes, of course, it is something i—”

you clutch onto the lapels of benedict’s jacket and push him backward into a nearby hedge, his mouth now agape and his pupils dark with a desire you very much want to satisfy.

“i find your consideration quite alluring.”

in the midst of his apparent arousal, benedict giggles, and that makes you grin.

“what is it?”

“a hedge, y/n?  of all things to anchor me against?”

you roll your eyes.

“it was this, benedict, or the bark of a tree.”

“ah, so i should be grateful then.”

you repeat his words with sped up mockery, making him laugh and the corners of his eyes crinkle in the adorable way that is so very distinctly benedict, and you capture your love’s lips again to shut him up, smiling and laughing into the kiss.

…

“what do you want?”

“you.  whatever you want, benedict, i want it.  please.”

“are you certain?” he breathes into your ear.

“god, yes, benedict, please, yes.”

“then—”

benedict positions his head downward, burying his face into the crevice of your bosom, and before you can even begin to tease him for his absurdity, you feel the wetness of his tongue flat against the curvature of your right breast.  your gasp of surprise quickly transforms into an ungodly guttural wail, feeling yourself dig your fingernails into benedict’s back, arching into him to steady yourself, as he painstakingly drags the flat of his tongue from your right breast against the expanse of your exposed chest to the length of your right shoulder.  dazed and euphoric, you feel how benedict sneaks towards your ear, hovers it, panting ragged breaths,

“i’ve wanted to do that since you descended the stairs in that dress.  and—”

taking your left hand, benedict pushes your middle finger and forefinger fully into his mouth.  he methodically works his tongue against them as he guides your hand to pull and push in him, his blown out pupils never once leaving your intoxicated stare.  you feel the desperate urge to throw your head back at the incandescent eroticism that throbs from your fingertips to the rest of your body, but may god smite you if you willingly tear your eyes away from the divine sight of benedict’s almost oceanless eyes gaping into you as his gorgeous mouth sucks on your fingers.  just before you feel as though you are to fully blank out and ascend into the heavens, benedict rips your hand out of his mouth, the action creating an obscenely delicious ‘pop’ sound, and, wrapping his hand around your wrist, pulls you back into him, your face finding respite just below his shoulder.

“i’ve wanted to do that since first drawing your hand.”

you laugh-cry into his jacket.

“shit, benedict.”

your love laughs and nudges his head into yours and rests it there as he softly rubs circles on your back with his thumb.

“please—” good god, breathe, “please remind me to ask you more frequently what you want.”

“did you enjoy it?”

“no, benedict, i quite plainly hated it.”

“i’d be glad to accept your critiques.”

“i know you would,” you smile into his jacket and, lifting your head, are greeted by your favorite sight:  benedict, with his soft smile and his gentle ocean eyes.

“i have never felt like that before,” you admit in a whisper.

“nor have i,” he whispers back.  that shocks you, and you must have made your reaction visible because benedict emits a laugh through his nose, soft smile and gentle ocean eyes unfaltering.

“but you have been with others before; you’ve had similar experiences, yes?”  

you had assumed that your exhilaration must have been, apart from it being benedict, rooted in your lack of experience in such things.

benedict brushes a loose strand of your hair away from your eyes and tucks it behind your ear, his hand moving down to cup your cheek, his thumb gently rubbing it.

“yes, but those were different.” 

you cock your head in response.  he smiles, as if it is apparent.

“because they are not you.”

the sweetness of benedict’s ocean eyes are quickly replaced with shock then delight and then you don’t know what because he closes them as you crash your lips into his.  whatever you had just felt before, you want it again.  you want benedict.  all of him.  and you want all of him to feel what you just had.

you lick his teeth, and granting your wish, benedict opens his mouth more, groaning, bringing his hands to the curvatures of your ass, pushing your bodies even closer together though no space left exists between the two of you.  you move your hand to the back of his head and, gripping a tuft of his hair, pull it roughly just as you capture his tongue with your mouth and suck hard.  the sounds that benedict produce in reaction are entirely inhuman, but you vaguely deduce he is trying to say your name, and you’ve never attended a concert but, my god, nothing will ever sound as harmonious as the symphony that is your name gutturally trapped in benedict’s throat.

continuing with the work you’ve done to undo benedict thus far, you take your other hand and start to rake it against his body, starting at the base of his throat, taking time and leisure to explore, lowering and pressing into his chest, wondering wildly what beauty exists behind his damned shirt, lowering and feeling the firmness of his stomach and trying not to completely undo yourself with the sinful, transcendent thoughts of putting your tongue there, lowering and lowering and touching something curious and unfamiliar and hard and—

when he pushes you off of him.

“benedict, i— i am so sorry,” you panic, “please, what did i—”

“no, no,” he swallows, “you did— you have nothing to apologize for, my love, you were— uh— you were doing quite——” he clears his throat, “you were doing quite well; very well, actually…”

you continue to frown, still concerned.

“then why are you so tottery?”

“because— because if we were to continue, i do not think— i know i would not last for— um, for very much longer.”

you jut out your hip, putting the knuckles of your fist on it, and furrow your eyebrows at him.

“benedict bridgerton, i still do not understand what you are trying to convey.  speak plainly.”

“we should stop.”

your jaw drops, as does your hand from your hip.

“why?” you practically whine.  you should be embarrassed by your desperation, but to be entirely frank, you couldn't care less.  benedict huffs out a laugh, still breathless, and, stepping towards you, lays a tender kiss on your forehead.

“as much as i would love for us to continue, i think being in the family gardens with a ball being held a few meters away is hardly an ideal location for the more— involved aspects of such activities.  the aspects i’d like to explain to you,” he takes another step into your space, lowering his voice to an unfamiliar but enrapturing gravel, “the aspects i’d like to show you.”

you swallow your whimper.

“i—— i would very much like that,” you manage.  and then you grin, “though, exploring such aspects in the family gardens sounds like it would be quite the adventure.  a calculated risk, if you will.”

the alluring tone of benedict’s voice is completely replaced with a giggle, and your grin broadens as you press even closer into him and nudge your nose against his.  benedict rests his forehead against yours and flutters his eyes closed.

“what did i do to have you love me back?” 

you flutter your eyes closed.

“you were you.  you are you.”

𝄆 ⚘ ✸ III.v ✸ ⚘ 𝄇

< ahead, y/n sees kathani.  she makes the connection that kathani must have accompanied benedict as a chaperone so that y/n wouldn’t be “disgraced” by having a man by himself chase after her.  

< as the two approach the viscountess, kathani recognizes how disheveled y/n and benedict look and promptly fixes them to look more presentable. she takes some hedge leaves out of benedict’s hair. >

“i see that you are well, y/n?” inquires kathani.

“never better, actually.”

she laughs, a smile falling on her lips.

“i am sincerely glad to hear that.”

< they walk closer to bridgerton house. >

“you are fortunate that it was not anthony who volunteered to chaperone.  he would have not reacted well to his loved one being dishonored, as he would say, particularly on family grounds.”

“oh dear,” you say, nervous and suddenly self-conscious.  you do not want to be the target of the eldest bridgerton’s wrath.  “what have i done to dishonor—“

kathani laughs.

“i wasn’t referring to you, chellam.  i was referring to him,” and she juts her chin out at benedict.

“me!”

“anthony will be furious when he finds out that you have been— private,” she says, gesturing to his newly tidied appearance, “with y/n in the gardens.  not very gentlemanly of you.”

“he won’t find out!” benedict pauses. “he won’t find out— right, kate?”

kathani just makes a face of feigned deep thought and you chortle.

“kate!”

“i do not keep secrets from my husband, benedict.”

“but what if it’s for love?” he implores.  he says it facetiously, but you feel with what conviction he exudes his true feeling.

kathani’s expression softens as she looks between you and benedict.  you offer a small nod and a smile, confirming her thoughts.  she beams at you but then narrows her eyes at benedict.  there is no heat to her gaze; she is, however, having the most sublime time making her brother-in-law squirm.

“i do not keep secrets from my husband, benedict,” kathani repeats.  benedict groans, throwing his head back like a disgruntled child, and you belly laugh at him.  

“i hope you are ready for gregory to be your second,” she continues.

you almost double over as benedict snaps his head forward to look at his sister-in-law.

“gregory!”

“indeed.  it is a shame as well— anthony’s accustomed second being the one he has to duel,” she sighs dramatically.  “oh well.  colin will make a fine replacement.”

“this family is ridiculous,” you declare, grinning like mad.  “gregory seems a tad young, though.  what about eloise?  i am sure she would be a more than suitable second for benedict.”

“oh, i have no doubt,” grins back kathani, “but i would not dare involve a woman in the idiocy of men and their ludicrous concepts of honor.”

you and kathani laugh loudly, delighted by how much you are enjoying yourselves, untroubled by benedict’s moping.

“it has been wonderful being in love with you, benedict,” you state simply.  “it’s a pity that it has to come to an end so soon."

kathani snorts.  benedict stops in his tracks and gapes at you.

“you think i would lose the duel!”

“anthony is more stubborn; he would let it fuel his will to live.”

“i think you underestimate how much i love you and how that fuels my will to live.” 

you smile.  in your periphery, kathani smiles. despite his current displeasure with you, your love smiles.

“i suppose i do.”

𝄆 ⚘ ✸ III.vi ✸ ⚘ 𝄇

< upon returning to the ball, y/n, benedict, and kathani see how anthony and violet are ensuring that the cowpers are leaving.  before the family leaves, y/n approaches cressida. >

“i do hope to see you at another one of these events.  if you find a way, of course, not to have yourself kicked out.” 

and you curtsy.  you turn to your love, his mouth in a wide smile and ocean eyes sparkling, and offer him a wink. you hear the quartet start up. 

“i believe it is time for another round of dancing.  care to be my partner?” 

“i would love nothing more.”

< they dance.  it is sweet, silly, romantic, and delightful.  both y/n and benedict touch each other beyond what is considered proper, like hands laying too low on the waist or eliminating the space between their bodies, but they truly do not care.  their unabashed joy is abundantly evident to everyone in the ballroom, but they are only focused on one another.  they are in their own world.  they giggle, they grin; it is the happiness they both deserve.  

< they dance the next set.

< after her and benedict’s third dance together, y/n makes eye contact with violet, who is at the margins of the dancefloor, eyes wide with joy. >

“as much as i love dancing with you, my love,” you beam, “i think i am in need of a new partner.”

< y/n approaches violet and with a bow asks her for the honor of being her next dance. though delighted, violet remarks how she is too old, and y/n says that the youngsters can learn a thing or two from her wisdom and skill. >

“we would need permission from the host,” offers violet.

“from anthony!  you birthed him!  you granted him permission to exist!”

that makes violet laugh.

< violet agrees, and they walk hand in hand to the dance floor.  in this dance, y/n and violet are partnered, benedict partnered with penelope, kathani partnered with anthony. >

…

“you’ve told each other."

“has anyone remarked how keenly insightful you are, violet bridgerton?"

“no,” the dowager replies with twinkling eyes, “but it is something of which i am well aware, and take great pride in.  i am happy for you both.”

“i am so glad to have your approval.”

“oh tosh!  as if a mother’s approval or disapproval can get in the way of real, true love.”

“perhaps so, but it is affirming to have the blessing from someone you so dearly love in a matter such as this.”

“you make it easy to love you, my dear.”

< the dance calls for a switch in partners.  y/n becomes partnered with penelope, and violet becomes partnered with benedict. >

“thank you, pen.”

“whatever for?”

“for bumping into me at the markets.”

penelope laughs.

“accidents are quite good, are they not?”

“i despise them, actually,” you declare with a grin.

< penelope reveals that benedict shared with her why he was not seen for the first three dances of the night. >

your jaw drops, and penelope merely titters in response.

“is that why i didn’t see him!  because he was lurking in the crowds to prevent men from approaching me?”

“it has been my discovery that the bridgerton brothers do not handle their jealousies well.”

“do you think gregory shall be the same?”

“oh, i am entirely certain.  he shall likely be the worst of all.”

the two of you snort as you are sent back to your partners, penelope with benedict and you with violet.

“and what has you and penelope in such giggles?”

“making barbs at your sons.”

violet laughs.

“they make it awfully easy to do so, do they not?”

< the dance comes to an end.  violet plants a soft kiss on y/n’s head.

< turning, y/n connects eyes with benedict who wears an incandescently happy expression. >

how could you not see it before?  how in love he is with you.

< tired but elated, y/n takes a break from dancing.  she reunites with the rest of the bridgertons at the ball.  y/n finally meets daphne, who remarks that she has heard so much about y/n.  eloise shares how the family wished to check in on y/n when she had returned to the ball to see that she was well; in a rare smile rather than a smirk, eloise shares that, upon seeing her dance and dance again with benedict, that she looked quite well indeed. at some point in the conversation with the bridgertons, y/n inquires when she can meet francesca.

< time passes, and joy is had amongst the bridgertons, penelope, simon, and y/n.  y/n cannot believe her happiness.

< the last dance is called.  benedict approaches y/n. >

“may i have the honor of being your final dance of the night?"

“you aren’t tired of me yet?”

“i shall never tire of you, y/n.”

upon taking your hand, benedict twirls you once then twice as he leads you towards the dance floor.  giggling and grinning, you decide to do the same to him, causing him to giggle and grin right along with you.

< they dance a fourth time. >

𝄆 ⚘ ✸ III.vii ✸ ⚘ 𝄇

< the guests have made their leave from the bridgerton ball.  colin, eloise, and violet have gone to their respective bedchambers.  

< anthony, benedict, kathani, and y/n walk up the steps of the grand staircase. anthony has his hand clamped on benedict’s forearm and pulls him up the steps with particular determination and quiet fury. >

“i know where i sleep, brother!  i have slept there since we were children!”

“i am well aware of that, benedict, and i am also well aware of how you— roam when enticed.”

benedict looks at anthony, to you (you just shrug as you look on at the exchange with excitement), and back to anthony.

“do you people really think so little of me!”

“i do not think little of you, brother, i just know you.”

benedict’s shock deepens incredulously, though you see the smile underscoring it all.

“i am a man of honor!  i am a gentleman!”

“yes, as am i, as is colin, as was father; all bridgerton men are, and all bridgerton men are idiots around the persons for whom they have affections.  now, go into your bedchamber,” anthony finishes as he shoves his younger brother into the room.

“you are a nightmare!” you hear your love shout from within.

“and you are to stay here for the remainder of the night!” he shouts back, leaning forward to grab the knob to benedict’s bedchamber and pulling the door shut with a loud thud.  he turns to kathani, composure returning to his senses. 

“my dearest, may you call samuel and lawrence, please?  i shall have samuel stationed here and lawrence stationed outside benedict’s window.  they will be paid double their wage for these extemporary responsibilities.”

you laugh with your whole stomach and feel tears sting your eyes.  you have no concern in hiding your howls until you remember hyacinth and gregory are asleep and promptly clamp your hand over your mouth.  your hand succeeds in muffling your laughter, but marginally.

kathani rolls her eyes at her husband and deeply sighs.

“i shall,” she replies, smiling at her love’s antics.

pleased with her answer, anthony right about turns at benedict’s door, places his hands behind his back, and stands up tall, taking his temporary duty as guard with the utmost gravity.  something then eases in his posture, and he turns to you.

“i hope you have enjoyed your night, y/n.”

your heart swells.

“it was wondrous, anthony.  thank you.”

he beams, brilliant delight in his eyes.

“i wish you good rest.”

and with a bow of his head, anthony turns away from you and assumes his station once more, gravity and perfect posture and all.

the viscountess turns to you, her smile having softened, and says, “let me escort you back to your bedchamber.  i shall help you prepare for bed.”

–

“despite his many flaws,” kathani says with all amusement and fondness in her voice as she removes the pins from your hair, “anthony is, indeed, a man of honor and honesty.”

“i never had my doubts, but—” you snort, “that has certainly proved it.”

“it is because he thinks so highly of you,” she shares, looking at you in the mirror.  you turn around in your seat and connect with her eyes, eyes that are filled with so much warmth.  “he cares deeply for you, y/n.  anthony is only that overbearing and overly protective when it comes to his family, and he sees you as our family.  we all do.”

you suck in air through your nostrils, feeling the swell of your heart.  how did you get so fortunate as to be so loved by this family?  

though, you detect something in kathani.  her words are sincere, of that you are not doubtful, but they do not seem complete.  it is as if she wants to say more, if the blossoming twinkle in her eyes is indicative of anything.  but kathani does not elaborate.  

instead, she picks up the brush on the vanity and gently brushes your hair.  it reminds you of when your elder sister used to brush your hair before bedtime.  you close your eyes, humming.

“i see you all as my family, too.”

𝄆 ⚘ ✸ III.viii ✸ ⚘ 𝄇

< the next morning, late morning.  the dining room. >

“you are infernal,” benedict deadpans to anthony, staring at his brother and taking his seat next to you.

“you are incorrigible; i was correct,” anthony responds, his eyes not leaving his paper.

“correct about what, brother?” hyacinth asks.

despite their current rivalry, benedict and anthony both freeze.  kate speaks on their behalf.

“your eldest had deemed it necessary to have lawrence stationed outside below benedict’s bedchamber window in the early morn and was proved correct in doing so; your second eldest had attempted to escape by way of that route.”

“stationed outside his window?  why would that be necessary?” gregory inquires.  he turns to benedict.  “and why were you trying to leave through your window?” 

in his periphery, benedict sees you whipping your head.  you seem to have suddenly found some interest in the painting on the wall faced away from the current scene.  he notices how you hide your smile behind your fist and how you attempt to suppress the convulsions of your laughter.  kate, on the other hand, unapologetically laughs.

“i am certain you will learn in due time, gregory.  it is something of a tradition, it seems.”

“will i get to participate in this tradition?” hyacinth enthuses.

“NO!” benedict and anthony shout in tandem.  they look at each other, and the elder gives a ‘see!’ face to the younger.  benedict just rolls his eyes.  

his eyes eventually land back on you:  you have now totally hidden your face in your hands with elbows perched on the table for support, any attempts at hiding your laughter now entirely gone.  your entire body vibrates as you somehow squeak and guffaw into the palms of your hands.

“ugh, why do adults always speak in such vague statements!” hyacinth grumbles as she slumps in her chair and crosses her arms.  she then suddenly shoots back up and looks at you.  “y/n, you only speak in riddles when we play!  may we play now?”

“yes!  may we play now?” gregory pipes up.

“please!” the two youngest plead in tandem.  benedict looks to you, and wiping away your hands to reveal your face red from laughter, you say,

“i would be— i would be delighted to do so,” you take sharp breaths in between attempts at controlling your laughter.  “perhaps—” you full on snort, and it makes benedict break out into a grin, “—perhaps, after the young sorceress and— and the young knight slay the wyvern, they— they will save the— the—” you laugh hard again, “the princess, captive and forlorn in her tower.”

gregory and hyacinth shout their joy and take off from the table.  

“you haven’t been excu!— oh, nevermind,” anthony grumbles in an uncanny, childlike resemblance to his youngest sibling.

benedict watches as you use your forefingers to swipe at the corners of your e/c eyes, fits of laughter still bubbling out of your mouth.

i love her, and she loves me, he thinks in awe.  it has been on repeat in his mind since you confessed to one another in the gardens just the night prior.  she is mine, and i am hers.

“your lordship,” you giggle still as you look at anthony, and benedict snickers, “may i be excused to play make-believe with your youngest siblings?”

anthony rolls his eyes with much theatricality, but his smile at you is sincere.

“you are not my sibling,” he states, but benedict catches how his elder brother quickly glances at him with eyes that say ‘yet,’ “you need not my permission, but yes, you may.”

you bow your head in dramatic gratitude, causing kate to titter and anthony to look to the ceiling, and you lift yourself up from your seat.

before you follow after his siblings, benedict reaches out and gently takes your hand.  you look at him, and he feels how his stomach flutters when his blue eyes makes contact with your e/c.  just as it did the first time, just as it did every time after.

benedict feels you softly rub three circles on his hand.  he softly rubs four circles on yours.

“good day, princess,” you say with a wink at your love, slowly slipping your hand away from his and then turning to walk out of the dining room.  benedict stares at you as you leave.

i love her, and she loves me.  she is mine, and i am hers.

“when do you intend on proposing, brother?” anthony smirks as he puts his teacup to his lips.

benedict smiles, looking off at where your laughter is heard. 

“later this afternoon.”  

anthony chokes on his tea, and kate, patting her coughing husband’s back, arches an eyebrow at her brother-in-law, amusement dancing in her eyes. 

“without a ring?” 

benedict turns to look at the couple and grins.  

“who said i don’t have a ring?”

“you are joking,” anthony says matter-of-factly.  “we all are excited at the prospects of y/n officially joining this family, but you just confessed your love for one another not even twelve hours ago.  we are still breaking fast!  there were guards at your door and your window!  how could you have already procured a ring?”

benedict smiles, digging into his pocket.

“i do not jest, brother.”

and, with pride, he holds up a thin band made of twisted paper.

“now, if you will excuse me,” benedict announces, lifting himself out of his seat, giving a kiss to the top of kate’s head, and ruffling anthony’s hair.  “i must be going.”

“and where are you off?” anthony demands as he straightens out his hair.

“do you think i am going to propose to y/n without asking her family’s permission first?  would not be very gentlemanly of me if i did.”

“how do you know where she lives!”

“that is what you were asking penelope last night,” kate answers.  anthony looks at his wife, incredulous and in awe.  benedict grins.

“exactly so, sister.  i’ve always known you held all the intelligence between you two.  i would have seen to it sooner, but—” 

an image of e/c eyes and ink-stained hands flashes in his mind, the flutterings in his stomach intensifying.  butterflies— that is what he will paint next, he decides.  

after he finishes his portrait of you.

“—i was held captive in my tower.”

[just-a-funny-little-brain]

A Tag Wrangler's Guide to Tagging on AO3

Tags on AO3 can be confusing and hard when you don't know what you're doing. There are also a lot of misconceptions about how the Archive works behind the scenes, so here's a guide with tips, tricks, and explanations from a writer and tag wrangler (me)!

DISCLAIMERS:

I'm a tag wrangler volunteer, but anything I say here is my own personal experience and opinion, not that of the archive.

I am not: a coder, ao3 support, a wrangler of your fandom (probably), or responsible for that one author who annoys you.

I'm using well-known examples, not things I necessarily write or ship. Don't come at me for your shipping wars.

Image descriptions for screenshots are in the alt text!

With that out of the way, let's get started!

1. Fandoms

TL;DR - Use full words, the Archive will take care of the rest.

This is perhaps the most straightforward field. Enter the name of the fandom that your work relates to. If you start typing, the field will auto-suggest fandoms for you!

You'll have the best results with full words. The Archive doesn't know abbreviations!

If you've tried full words and nothing shows up, it might be the first work for that fandom! Congrats!! You can type the name of the fandom and press Enter or Return on your keyboard, and it'll appear just as any other fandom.

~~

2. Relationships

TL;DR - Relationships will auto-suggest based on what you enter in the Fandoms field!

Once you've entered a fandom, the "Relationships" field will auto-suggest as you type with relationships that have previously been tagged* in that fandom.

An ampersand (&) indicates that a relationship is platonic. A slash (/) indicates that a relationship is romantic or sexual.

Similar to the Fandoms field, full names are going to work best here.

Some things to note:

Tags suggest based on how closely they match what you've typed, then by how much they're used

Characters are alphabetized by last name (usually)! The order of names has no other meaning, like who tops, the Archive's favorite character, whatever. It's just the alphabet.

You can leave it blank. If there are no significant relationships, you can leave it empty!

If you want to note that a relationship is background, endgame, anything like that, you can indicate that in the Relationships field, but that's better for the Additional Tags field.

If your relationship isn't showing up, congrats! It might be the first time it's been tagged (or a wrangler hasn't gotten to it yet). Hit Enter and the tag wranglers will do the rest!

~~

3. Characters

TL;DR - Characters auto-suggest based on fandom, and tags are usually their most common name.

This field is to tag the characters who appear in the fic. Character tags will use the most common name in canon or fandom (ex. Tony Stark, not Anthony Edward Stark).

But I don't know if they're a big enough character to tag!

A good rule of thumb is: Would you be disappointed if this was your blorbo and you were looking for fics with them in it? Note: This is a rule of thumb that I, the author, use, and not an Actual Rule anywhere.

If your blorbo is a canonical character and they don't have a tag, it's not personal! They just haven't been tagged yet (or a wrangler hasn't gotten to it yet). Hit Enter and the tag wranglers will do the rest!

If your blorbo is not a canonical character, then I can't guarantee anything. Most fandoms need a non-canonical character to be tagged by at least three separate people before wranglers will make it into a tag. So recruit a friend or two!

~~

4. Additional Tags

TL;DR - Anything and everything else!

This is the field people struggle the most with. So much so that there are three archive tags for it: How Do I Tag, I'm Bad at Tagging, and Tags Are Hard!

This field can tag for anything and everything else that wasn't covered in the Fandoms, Relationships, and Characters fields. Think of it as bright colors on an animal -- it warns some away, and it entices others.

Here are some ideas:

genre/tone (fluff, angst, murder mystery, slow burn, etc)

relationship modifiers (background X & Y, endgame X/Y, X and Y are exes, etc)

character modifiers (mentioned X, werewolf Y, trans Z, etc)

tropes (there was only one bed, fake dating, etc)

any other warnings not covered by the Archive Warnings section (panic attacks, sad ending, nightmares, etc)

alternate vs canon universe?

when in canon? (missing scene, fix-it fic, pre-canon, etc)

If there's smut, any kinks

meta tags about the work (POV, verb tense, drabble, one-shot, etc)

If something doesn't show up, try a synonym; it may be phrased a little differently. And if a tag doesn't exist, make it! Wranglers will link it to where it needs to do.

~~

Wrangling FAQ!

Why do some characters have parentheses after their name and some don't?

The parentheses are used to reduce ambiguity between characters. "Steve" is just some guy, but if I type "Steve (Blue's Clues)", now we both know which Steve I'm talking about.

Why doesn't my canonical blorbo have a filterable tag yet?

If your fandom is very busy, the wrangler probably hasn't gotten to it yet. Be patient! If it's a fairly small fandom, it may not have a wrangler. There's only so many of us, and there are a truly mindboggling number of fandoms on the Archive.

Why isn't my tag "Blorbo is gay and Blorbette is trans" a filterable tag yet? They're gay and trans in canon!

Tags that have multiple concepts are almost never going to become filterable tags. That's because wranglers can only link a tag to one other tag with the same meaning. This tag would have two meanings: "Blorbo is gay" AND "Blorbette is trans".

Just because something is the case in canon doesn't mean that it automatically gets a filterable tag. Ao3 is an archive, not a wiki!

I don't want anyone changing my tags!

Then you're in luck, because we don't! Wranglers don't and can't change the tags on a work. Tag wranglers work on the backend, linking related tags to each other.

Do wranglers really see every tag?

Yup! But no need to be embarrassed. I promise you that your tag is not the weirdest thing your wrangler has seen.

I think a tag has been wrangled wrong!

Feel free to let Support know! Please don't come into my inbox and ask me to do something bc I can't if it's not my fandom.

I'm still confused! Where can I find more information?

Check out the Wrangling Guidelines! They're available for anyone to look through, and they're what guide the filterable tags that you see. They also have a lot more information and caveats for strange circumstances that I didn't cover in this post.

[flufftober]

🍂 🍃 Hello and welcome to our third annual Flufftober 🍂 🍃

We’re so excited to be back and to once again have you here!

As always, let’s fill the month of October with as much fluff as possible 🥰 and for that to happen, we not only have 31 prompts for you, no; we also have something special this year...

Prompt Extras

Last year's Prompt Substitutes were very well-loved and a lot of you used them to replace some prompts from the original list. You're more than welcome to do this again if there's a prompt that doesn't work for you for whatever reason - no explanation needed.

Once again, we offer you last year's top five fan favorites (as voted in the end survey). In addition to that, we also offer five scenario prompts.

If you don't want to replace any prompt from the original list but still love the additional ones - or you simply want to challenge yourself - you can also mix them all together!

So in whichever way you use these Prompt Extras, have fun with them and go wild 💚

Below the cut you'll find all our rules, posting info, all the prompts in writing, as well as some explanation for prompts we feel might need clarification. If you have any more questions, please feel free to send us an ask 🥰

We hope you like these prompts, and now

Happy Creating 🥳

Standard Blog Rules & FAQ

No inc*st or p*dophilia - we can’t keep you from writing it or creating art for it but it won’t be reblogged. See further down for clarification.

No hate or ship bashing - we’re all different and we all love different things. As long as it doesn’t go against rule #1, it’s allowed.

Tag correctly! Trigger warnings (including cheating!), ships, ratings, (pure) smut, etc - it’s all fine as long as you tag it.

There’s absolutely no word count restriction, write as little or as much as you like.

In regards to art, anything goes: drawings, paintings, collages, mood boards, gifsets, videos, playlists… the sky’s the limit (though not really…)

While we can’t force you to write fluff or create fluffy art, please try to keep in mind that this is a fluff event 😉

You can start writing and/or arting as soon as you see this - but please refrain from posting before the respective day.

You can participate on as many days as you like, even if it’s just one; you can also create multiple entries for the same day.

You can replace prompts from the original list with either or all of our prompt extras; you can also mix them with the original prompts or create for them in addition to the 31 original prompts, that's completely up to you.

It’s okay to write one story/a series for all the prompts as long as it’s separated into chapters and the respective chapter/work is posted on the given day.

You do not have to stick to one ship or even one fandom - switch as often as you like to or even write for multiple ships for one day.

The ship does not have to be a romantic one! Friendship and family feels are more than welcome (but this is not a way to get around rule #1!)

This event can be combined with other events as long as the other event allows it.

Late entries are always welcome, even if it is months later.

All fandoms and ships are welcome - fanon and canon - as long as they’re of age (in case you want to add smut) and not related.

Since this has often been asked in previous years, please let us clarify the no inc*st or p*dophilia rule:

No inc*st: This rule does not apply to distant cousins and such, as you might find in the LotR fandom (or basically in all of European Monarchy). The line we draw is at direct blood relations (siblings, parents, kids) and/or legal guardianship.

No p*dophilia: This rule does not rule out fandoms that feature teenagers such as Harry Potter, Heartstoppers, Hunger Games, etc. It also doesn't mean you can't write about their time together as teenagers! It was mostly aimed at ships in which one is a minor and the other is not - but since even that got complicated over time, the rule is now this: if you keep it SFW, all is good and allowed, we don't care; if it turns NSFW, be mindful of the legalaties of the world/society/times your characters live in.

Posting

Posting to tumblr

Please use the tag #flufftober2023

Since tags are sometimes wonky, make sure to also add @flufftober in your post

We will try to catch them all, but please don't be mad if we miss a post or if it gets reblogged a bit late

If you're absolutely certain a post has slipped past us, feel free to send an ask with the link to your post

To make reblogging easier for us, make sure to add the following tags: #flufftober2023 #day [xy] #[fandom] #[ship and/or main character(s)]

If you're using a prompt extra tag it as #alt [number]

Posting to ao3

You can add your creation to the collection flufftober2023 or flufftober_2023 (yes, we've once again claimed both)

Late entries are always welcome, on tumblr as well as the ao3 collection! Neither will close - but like always, reblogs will become less regular the more months have passed...

Prompts (and explanations)

1. “I’ve got you”

2. Family, Friends, Loved Ones

3. “Wait you love me?” - “I always have”

4. Cinderella Moment (the "ugly duckling" gets their moment to shine)

5. x + 1 (can be a classic "5+1 things" [or any number you want] creation or literally a plus one for an event or really anything else you can think of)

6. Corn Maze

7. Porch Swing

8. Rainy Day

9. (...) at first sight (think "love at first sight", "enemies at first sight"...)

10. Love of my Life (even this does not have to be romantic 😉)

11. Sweet Tooth

12. Fire & Ice

13. Wrong (...) (think "wrong number", "wrong train", "wrong person"...)

14. “I hate it” - “No, you don't”

15. Emergency, Confession, Adventure

16. Singing one another to sleep

17. Encouraging someone to achieve a goal

18. “Did you plan for this to happen?”

19. Keeping someone safe

20. Pumpkin

21. Swoon

22. Picking (think "picking flowers", "picking up someone", "picking out a dress", "picking a song for the wedding"...)

23. Trinket

24. [melting emoji] (does anyone even know what this emoji stands for? No? We neither but we would love for you to get creative with it 😉 but also, think "melting in the heat", "melting from embarrassment"... also, I would've loved to add it here but tumblr doesn't have this emoji yet)

25. Nook

26. Fireplace

27. Outdoor Event (think "hiking tour", "concert", "picnic"...)

28. Soothing Touch

29. “Hey, wake up!”

30. Self-Worth / Self-Love

31. Dreams Do Come True

Prompt Extras

Last Year's Favorites

Alt 1: Hot Chocolate

Alt 2: “You’ve told your parents?”

Alt 3: Wearing Each Other’s Clothes

Alt 4: Candles, Lanterns, Fairy Lights

Alt 5: “Oh no, you’re a Morning Person!”

Scenarios

Alt 6: Reverse all the Roles

Alt 7: Create a Fairytale Retelling

Alt 8: Give your character a new occupation

Alt 9: Create a crossover of two or more fandoms

Alt 10: Have your characters share the last table at a café

[harry-potter-archive]

Potter Puppet Pals: The Mysterious Ticking Noise by Neil Cicierega

Description: Compelte (1 Video, 02:06)

Summary: Upon hearing a ticking noise, Snape decides to sing to it; other characters join in until the source of the ticking is found to be a pipe bomb, which subsequently explodes.

Published: Youtube; 2007 Last Updated: March 24, 2007

[aclassitag]

Announcing Krem Week!

#kremweek2024 — 22-28 July 2024

background art credit: @xfreischutz [link to original post]

*text prompt list under the readmore

This year will mark 10 years since the release of Dragon Age: Inquisition! In celebration of that anniversary and the game that gave us our first trans character, here is a prompt list - and dates - for any who would like to participate! All sorts of creative content is accepted so long as they are not A/I generated. (See examples below)

*If you want to portray Maevaris Tilani instead, that is also fine!

Please read the guidelines!

If you have any questions, reply to this post and I will do my best to answer :)

Prompt list:

1 — Anniversary 2 — Euphoria / Expression 3 — Casual / Formal 4 — Family / Love 5 — Respite / Fight 6 — Play / Satiate 7 — (Free space!)

Guidelines:

Use the tag: #kremweek2024 (@ this blog is fine too) — If you want to portray Maevaris Tilani instead of Krem, that is also welcome! Please @ me so I can rb :) For non-Tumblr folks that somehow got here: You may post submissions, please link your socials. You may choose one of two prompts in a day or do both. You may also combine as many prompts as you want from any or all of the days into a single work, just mention it somewhere.

Types of content allowed:

Illustration and writing are the most obvious forms of art allowed, but they're not the only ones! Literary arts fanfics, drabbles, poetry, plays, lengthy headcanon/meta posts (for headcanon and meta posts, minimum of 100 words+) Visual arts doodles, paintings, graphic design, photoshop memes, photography, animation, tiktok skits, abstract, fiber arts (embroidery, knitting, etc), ceramics Audio art fanmixes(curated playlists), original or cover songs Other crafts are also welcome! e.g. culinary, resin, woodworking, etc etc ..essentially, whatever type of art it is, I'll accept it so long as it falls within rules and is related to Krem or Maevaris :) For things that are more abstract, do include an explanation of your thought process on how it relates to Krem. E.g. you made Krem's Seheron Fish Wrap or Rice Pudding, take photos of your cooking, and post that (with the explanation that it is Krem's recipes) - that's an acceptable submission! You're allowed to explore different mediums everyday! You don't have to stick to one form of art for the whole week. I will be attempting to schedule reblogs in the 'prime time' for engagement, and in the interest of fairness, things like headcanon posts, fanmixes, and WIPs will not take priority in that time slot over fully rendered illustrations or complete fanfics. They will still be reblogged, but scheduled for other time slots.

Content Rules:

No A/I generated content. (Specifically GenAI content) As above, any and all forms of art is welcome. It must be human made, and by you. The whole point of working off a prompt is to explore a creative process, anyway - do yourself a favour and just enjoy making something! It doesn't have to be pretty! No reposting of other people's works. This must be your own creation. Obviously, no transphobic content. No harrassing others over their specific headcanons - be it in regards to any trait or quirks that come with being a person. People come in all sorts of wonderful variety, please respect that. In addition to above: No whitewashing, racism etc. Please note that Krem is not pale-skinned in canon, and I will not be reblogging content of him being portrayed as pale. 18+ works need to be labelled. On this blog, its tagged as "#adult art". Please add content warnings as appropriate. (E.g. portrayal of binding with bandages should have a warning label of "cw: unsafe binding", etc.) If your post/submission is lengthy, please insert a read more. This helps readability on the dashboard. Progress / WIPs are fine too!

General tips:

First and foremost, do what you are able to! Don't feel pressured to complete a full week if you need to take care of yourself first. Some people work on the prompts before the week even begins, and only post it day of. You are not required to do this, but if you really want to fill something for each day, this helps reduce stress day of.

Mod things:

The mod isn't from the Americas, so due to timezone differences, there may be a delay in reblogging people's works. Either way I will not reblog the moment that it's posted in order to screen properly. Posts will be queued between 30mins-1hr apart, if there are multiple entries being submitted at the same time. All submissions will also be requeued after a week for later perusal :)

[richonneevents]

Richonne Fictober 2024 Rules, Guidelines, & Calendar

Richonne Fictober 2024 is a 31 day challenge for fanfiction writers/creators to write/create and publish a Richonne-centric story or related content everyday for the month of October.

Fics should be between 100 and 5,000 words. Rick and Michonne must be the main pairing. Richonne is an interracial pairing, so be mindful of tropes and language that perpetuates racism and misogynoir. Rick is a canonically disabled character, so be mindful of using tropes and language that is ableist. Fanartists should be mindful of not whitewashing Michonne, Andre, and RJ in their pieces.

Please tag @richonneevents and use the tag: #richonnefictober24

Be sure to tag your prompt and which day you are filling.

In addition to Richonne-centric fanfiction, creators are encouraged to make fanart; playlists; edits; moodboards; rec lists; graphics; podfics; gifsets; photo sets; fanvids etc.

WEEK 1

Day 1: Making Caramel / Candy Apples

Day 2: Seasonal Shopping (Clothes, decor, etc.)

Day 3: “The leaves are changing!”

Day 4: “Pumpkin spice...what?!”

Day 5: Autumn Breeze

WEEK 2

Day 6: Overcast Morning

Day 7: Bobbing for Apples

Day 8: Pumpkin Patch Visit

Day 9: Rainy Day

Day 10: Scarecrow

Day 11: Haunted Hayride / Haunted House

Day 12: Horror Movie Marathon

WEEK 3

Day 13: Jumping in A Leaf Pile

Day 14: Warm Apple Cider / Hot Chocolate etc

Day 15: Corn Maze

Day 16: By The Fire(place)

Day 17: Candles 

Day 18: Flannel

Day 19: Nestled Under Blankets

WEEK 4

Day 20: Festival 

Day 21: First Frost

Day 22: Kissing In The Rain

Day 23: Baking Pies

Day 24: Cemetery Stakeout 

Day 25: Black Cat

Day 26: Dead-End

WEEK 5

Day 27: Underneath The Sky

Day 28: Full Moon

Day 29: Carving Jack o’ Lanterns

Day 30: Costume Party

Day 31: Trick or Treat

[ma1dita]

SET IT UP!

spencer reid x HRT!reader (gender neutral)

(set between cm seasons 3 & 4, inspired by the netflix film 'set it up')

MINI-SERIES MASTERPOST

synopsis: (gender-neutral reader, nickname: ripley)

Everybody just wants to be good at their job—and you are, despite what your FBI-issued therapist says on her reports. It’s been two rotations since your mandatory medical leave and you’re itching to prove that you deserve to be back on the Bureau’s elite Hostage and Rescue Team (HRT).  After a run-in with Dr. Spencer Reid over a cup of shitty coffee, it’s clear that he’s in a similar test of will with the newly-returned SSA David Rossi. The both of you put your big brains together for some matchmaking and mayhem; and with a lot to prove and your jobs on the line—you’ll get what you want, whether anyone believes it or not.

status report: chapter 2 (in progress)

[case details]

warnings: brief depictions of drug & alcohol abuse, ptsd, grief, some gore related to cases/missions -> sfw, additional tags to be added -> canon compliant/inspired by movie 'set it up' on netflix & follows cm season 3&4 -> HEA! any works, updates, thoughts, musings, etc about this series will be tagged under #ripley!verse ! playlist character study : spencer reid character study: ripley (hrt!reader)

the four steps of marksmanship

i. ready your position [3x9: Penelope] ii. take your aim [3x16: Elephant's Memory] iii. breathe in, breathe out [3x20: Lo-Fi / 4x1: Mayhem] iv. give it your best shot [4x3: Minimal Loss] v. bullseye [epilogue; 4x24: Amplification]

a/n: biting the bullet here... not abandoning the trouble!verse but reminding yall i can write for other characters lmfao everyone thank @hotchfiles for enabling me

comment to be added/removed from taglist!

@the-tpd-bau @anomiatartle @koressecretidentity @marvelescvpe @iliketopgun @theadventuresofanartist @sarai-ibn-la-ahad @pleasantwitchgarden @person-005 @the-sylver-dragon @inlovewithfictionalppl @sp3ncelle @sunny747 @un-knownperson @ficmeouttahere @sweetpeterparker

[destinationtoast]

Hi, I would like to know how to make a list of all the ships in a fandom on AO3. For example, I use the Tag Search on "Transformers - A Media Types", but it shows that Jetfire/Starscream is the most popular with 641, but it is actually only the 6th with 1074. Furthermore, it quickly drops to showing Relationship with a single digit when I know that there are dozens of Relationship with hundreds of Works! Why don't most Works appear? Do you know of a way to find All the ships of a fandom on AO3?

Hey! Sorry for the slow reply... I was traveling and then covid knocked me flat for several weeks. :P

So let's talk about AO3 Tag Search. In general, I'm very excited about recent improvements to this feature... There didn't used to be any way to find the top ships (or characters, or freeform/additional tags) across all of AO3. But now you can* by doing a tag search and sorting by uses (descending order):

*In practice, though you won't exactly get a trustworthy list of top tags (and, as you pointed out, in some cases tags may even be missing! we'll get to that later). You will get a list where the numbers are not correct, sometimes to a bizarre degree:

For example, when you click through on the Derek/Stiles tag, you find far fewer works using the tag (note that these are the public works -- if you're logged in, you see a somewhat higher number, but not as high as in the above screenshot):

I will be posting some stats soon that show different numbers (and a different order) for all of the above top ships. But why is there the discrepancy? Here are several guesses about why some works are wrong in Tag Search (and then I'll get to why some ships are missing and what to do about it):

TAG INFLATION #1: The above numbers probably include tags used in AO3 bookmarks, which increases some of the numbers quite a lot. [Evidence: if you search for top freeform tags, you get tags like "To Read" high on the list, and authors don't use those tags.]

TAG INFLATION #2: The above numbers seem to include draft works. [Evidence: I just tested this out by finding a rare tag with only one use... I created a draft of a new work using that same tag, and even though I didn't publish the work, Tag Search now showed 2 uses of the tag.]

TAG DEFLATION: The above numbers do NOT seem to take tag wrangling into account. Some AO3 tags have a lot of synonyms or subtags, but I think only exact uses of the tag get counted in the above list. [Evidence: I found at a tag with only one use according to tag search, but two works when I clicked the tag (Peter Gabriel/Mike Rutherford). I found that one of the works contained a synonym of the main tag ("Mike Rutherford/Peter Gabriel (Imagined)"). That would match with Tag Search only listing one of work for "Peter Gabriel/Mike Rutherford." And when I created a new draft work that used the main tag, it increase the count in Tag Search for "Peter Gabriel/Mike Rutherford" -- but when I created a new draft work that used the synonym tag, it did not.]

There may also be other factors affecting the overall Tag Search numbers.

Okay, so I suspect #3, tag deflation due to no tag wrangling, is (helping to?) create the unexpectedly low numbers you are seeing for ships like Jetfire/Starscream. I suspect that many people do not use the full canonical tag "Jetfire | Skyfire/Starscream (Transformers)", and those other uses don't get counted in Tag Search. The only way to address this issue is to click through on a tag returned by Tag Search and find out how many works the tag has once you look at its list of works.

But why aren't some ships showing up at all? That's a different question. Here, I suspect the answer again is related to tag wrangling. Every (?) canonical ship tag has at least one parent tag that is a fandom tag (as well as the relevant character tags). You can see the parent tags for Jetfire/Starscream on its tag page:

Skyfire (Transformers), Starscream (Transformers), The Transformers (Cartoon Generation One), The Transformers (IDW Generation One), Transformers (Bay Movies), Transformers (Dreamwave Generation One), Transformers (IDW 2019), Transformers (Marvel Generation One), Transformers - All Media Types, Transformers Animated (2007), Transformers: Armada, Transformers: Beast Wars (Cartoon), Transformers: Cybertron, Transformers: Cyberverse, Transformers: Energon, Transformers: Prime, Transformers: Shattered Glass, Transformers: The Headmasters, Transformers: War for Cybertron (Video Games)

Jetfire/Starscream has "Transformers - All Media Types" as a parent tag, and I suspect that is why it shows up in the Tag Search for that fandom. I would guess that some of the bigger Transformer ships do NOT have that broad fandom as a parent tag. Let's check the parent tags of Megatron/Optimus Prime:

Megatron (Transformers), Optimus Prime, The Transformers (IDW Generation One), Transformers (Bay Movies), Transformers Animated (2007), Transformers: Armada, Transformers: Robots in Disguise (2001), Transformers: Robots in Disguise (2015)

Megatron/Optimus Prime does NOT have "Transformers - All Media Types" as a parent tag. I suspect that's why it didn't show up in your tag search.

So what can you do? Unfortunately, I think the only way to be sure to find all the Transformers ships is to do a Tag Search within each of the different Transformers subfandoms (and I know there are a lot) and then combine the lists of ships you find for each. And then be sure to visit the tag works page for each resulting tag to get the actual number of works, as discussed above. I also discussed other ways to get the find the top relationships here, but I think they're all either less reliable or more arduous than this method, at least for a big fandom like Transformers.

Best of luck!

[cin3maa]

☆Everything seems to be in order...☆

✽ ᡣ𐭩ˋ°•*⁀➷ 🌸

Ah! Welcome, may I see your authorization? 🌷

✰✰✰ Everything seems to check out! Now, what was it you said you were here for again..? Right! My name is Cinema, but you can just call me Cinna or Cin. Please keep all personal belongings put away and we can begin with the tour of The Greenhouse! ✰✰✰

౨ৎ ⋆｡˚

As FishCity's botanist, I am set with the wondrous task of ensuring habitability and tending to the many plants. No, no.. They aren't for sale. Anyway! Feel free to explore on your own now if you'd like!

quick disclaimers and important info:

-i can and will draw selfship with my wife rise!donnie so if you dont want to see that, unfollow/block OR block the tag #selfship and you wont see any of it!

-my art requests are open

-interact with me! i swear i dont bite..(,,¬﹏¬,,)

Additional stuff to check out:

My pronouns and what to call me! 🌸 What's playing in my headphones? 🎧 700 DTIYS 🎨 #rottmnc - more coming! 🐈 #tmnt cin - me! 🎬 Donnie with other purple characters! 💜

Important people to know in FishCity:

The Mayor

The Train Conductor

Friend tags! (More TBA)

#corrupted file 📄- @mr-urple (big bro!!!) #ocean documentary 🪸 - @atomic-rattz (little bro...) #sweet n sour 🍋 - @hahawasabi #alien sighting 🛸 - @reddbug27

Navigation:

#rolling 🎥 (my art) #backstage 🎭 (my refs) #previews 🎞️ (ask replies) #talking during the movie {yapping) #5 stars 🌟 (reblogs) ------ #gifts 💌

boundaries and other stuff! ⇩(PLEASE READ BOUNDARIES BEFORE INTERACTING)

-> requests

i probably wont draw your oc

i wont do canon x YN requests unless i specify otherwise - i will deny/ignore you if you request it anyway. i understand you like the characters (i really do) but i just dont want to draw this kind of content as of now and i ask that you respect that.

...please dont beg or be pushy/send multiple asks with your request

if i havent responded to your request, i probably just dont want to do it or i do and am getting to it when i feel motivated

id prefer requests be primarily (rot)tmnt but if you want to request something related to any of my OTHER interests i wont mind（• ∇ ＜)

i am very obviously not going to be doing nsfw.

my commissions arent set up at the moment

the way that i personally do requests is that i get to them when i get to them. im most likely not ignoring you!!! i work at my own pace.

-> art usage

feel free to use my art as a pfp/banner etc (credit appreciated<3)

i dont mind if you repost as long as you credit me

do not edit/modify my art

do not use my art in edits

um.. i dont think this should be an issue but dont sell my art?

you can draw any of my designs but id prefer you didnt claim them as your own haha..please @ me if you do use anything id love to see it <3

-> boundaries

t/cest in/cest & proshippers fuck off. seriously, block me. this includes casey jr x turtles. dont joke about this shit either

^I do not count april but i probably wont draw any april x turtles anyway (he's married to me)

vivziepop (hazbin/helluva etc)

if you send me your art in my inbox and it doesnt pertain to me (like it just has nothing to do with me, just using me for clout?? idk its happened) i will probably answer privately. i love ur art but you cant just use me as a way to post it! if you want to show me something(again, if its just something unrelated and you want to show me)id prefer you tag me

i do not support ai art. if you support it or are neutral please block me. if you want to start making real art but dont know where to begin or need free resources, check out this post. (or this resource post)

if we're not close be mindful of what you send in my ask box lol. i am a minor. it makes me uncomfortable if youre sending me suggestive images or something like that (especially if i dont know you very well)

DO NOT VENT IN MY ASK BOX. i dont really know how to respond.. im witewawwy just a girl im not your thewapist im sowwy💔💔

i frequently call rise donnie my wife/bf & draw selfship (sometimes) so if that bothers you im sorry ;w; when i do draw selfship i try to tag it properly so it can be filtered !!!

im still an inexperienced artist, so i probably wont be able to give very good advice if you ask (ᵕ—ᴗ—)

feel free to tag me!

dms are open

-> other interests!

project sekai (if you want to play just ask for my id<3 im almost always up to it! i main jp but i do have en.)

vocaloid/utau/synthv & jpop

^ i am kakizaki yutas #1 fan !!!! listen to his music right now

hoyoverse (genshin, star rail, zzz, hi3)

little nightmares

skullgirls

YTTD

osomatsu san

metal family

bee and puppycat

jshk/tbhk

tadc

psych

ddlc

ptp

mitm

sotl

breaking bad

heathers the musical

...and more but this list is already getting long

stuff in here is subject to change! thank you so much for reading! (youd be surprised how many people dont)

[i-hate-accidents]

i hate accidents: the between

femme!reader x benedict bridgerton, femme!reader & the bridgerton family, femme!reader & penelope featherington

summary:  the adventures of a working class femme who befriends a fellow writer, a boisterous family, and a bewitching second eldest son

sections:  I. the beginning / II. the between / III. the ball

y/n:  bipoc, she/her, afab, nonbinary femme, queer, working class, of immigrant parents

content warnings:  classism, mentions of financial survival, microaggressive sexism, microaggressive gender assumption, intersectional low self-image of y/n, positive/supportive families, retelling of recurrent microaggressive homophobic experience with y/n’s family member in [II.vi], short description of almost throwing up (not related to low self-image) in [II.vii]

word count:  9.1k (of 38.8k)

story context:  everything in s1 and s2 of the tv series is canon for this story except for the s2 epilogue with the bridgertons.  this story takes place leading up to and into the 1815 season. 

additional notes:  this story is incomplete. scenes that are not written are described in chevrons <> with third person pov or are delineated by isolated ellipses. additionally, the author has only watched s2!  she has not watched any of s1 aside from clips, and they have not read the books aside from quotes used in edits.  they have not yet watched queen charlotte.  the author kinda knows the gist of an offer from a gentleman; they are familiar with sophie beckett (and are excited to meet her/them in the tv series!).

author’s note:  this is the first time the author has written fanfic in 13-15 years.  :)  it is her hope that they have made some progress since her pre/teens.  additionally, this fanfic has been written, on and off, over the course of two years.  the author sincerely hopes you find some sort of joy in it, especially the readers who maybe hope to see themself a little more specifically in the world we so love.

tagged: @omgsuperstarg @bedobeeeee @stvrdustalexx @anisas-nonsense @crazymar15 and all who have liked the story so far: the author extends her gratitude for your engagement with the first section. <3

𝄆 ⚘ ✸ II.i ✸ ⚘ 𝄇

“have i told you that you are the best model who has ever sat for me?”

it has become a common occurrence.  whenever you read while in the drawing room, benedict asks if you can be his model for his hand studies.  you oblige, seeing how you are already so still while reading aside from the occasional page turn, and—more so—you want to support how benedict progresses in his craft.  today, you and benedict are sat at a table as hyacinth plays a solitary game of cards on the floor and kathani and anthony sit at a couch with some delicious smelling tea.  you had come over to meet eloise and penelope first thing but were soon informed that the two young ladies were still at the markets with colin.  that made you smile; your loud friend is, no doubt, inserting herself emotionally and physically in between your two friends in love.

you feel yourself scrunch your eyebrows at benedict’s comment.

“surely you are exaggerating.”

“hyacinth was my last model; she was horrific.”

you hear an aghast gasp and do nothing to hide the amusement in your smile.

“it is difficult to sit still!”  the youngest bridgerton yells.  

“hyacinth, it is not becoming of a young lady to ye— ow!”

you see somewhat in your periphery how kathani puts the hand she used to thwack her husband’s arm back on her teacup handle, smiling.  benedict, in the meantime, groans and seems to be focusing even more intently on his sketch as not to make eye contact with his youngest sister.

“yes, i understand it is difficult, but you did not sit still for even eight seconds.”

you have not shifted your position in the past half hour or so as not to ruin the angle of your hand for benedict; but you need not visual confirmation to already know that hyacinth has rolled her eyes in response to her brother and returned to her game.

“well, what about the art academy?”  you continue.  “there must have been very good models there for you to draw.”

and very beautiful ones, at that.

“it is true, there were; but,” you see him smile as he smudges his paper, “none are comparable to you.”

you feel your cheeks light aflame and, with a cough, focus even more intently on your passage.

“then i ought to give up on my profession as a basket weaver and put in my request as a model at the art academy.”

“you do realize that you would have to pose—” you see how he pauses his drawing, looking to see where the youngest is in the room, and lowers his voice as he leans forward towards you; (you attempt not to roll your eyes), ”—nude, in order to be a model there, y/n.”

“yes, and what issue is there with that?”

you look away from your passage to benedict to make a point with your stare and are startled to see how startled benedict looks, the familiar ocean of his eyes almost entirely gone and replaced by the black of his pupils.

“nothing.  there is no issue.  no issue at——” he coughs, scratching the back of his ear, no doubt smudging it with charcoal, “would you like to see my progress so far?”

𝄆 ⚘ ✸ II.ii ✸ ⚘ 𝄇

< in the gardens of number five.  penelope, eloise, hyacinth, and gregory are adventurers looking to save the princess benedict from the banshee y/n.

< hidden behind a hedge, y/n and benedict bicker. >

“you are a middle child on a technicality, benedict.”

“what is that supposed to mean?”

“you have seven siblings.  anthony the eldest, hyacinth the youngest—and everyone in between simply a middle child?  you all could not be more different from one another, and you are at the very top; you are practically an eldest child.”

“i’ll have you know that no one, myself included, sees me as such.”

“i’m familiar.  an eldest sibling with a penchant for peculiar tea is not one i would describe with an overwhelming sense of duty.”

“how do you know of that?”

“kathani told me.  she recounted to me her first dinner with the family and how transcendently in the most literal sense you had behaved.”

“so you two talk of me?”

you feel the tips of your ears heat, but fortunately your hair hides your embarrassment sufficiently.  you roll your eyes.

“is that what you gleaned?  do not think too deeply about it.”

“i shall think about it deeply and often,”  he states with a twinkle in his eyes.  in an attempt to ignore your fluster and flutterings, you roll your eyes again and shove him.  he laughs, his nose scrunching and eyes crinkling adorably whenever he is truly delighted.  despite your best efforts (you put in no effort), you smile at him.  it cannot be helped when you are around benedict.

“now, make haste; hyacinth is about to cast a spell, and she needs a princess to save.  may i grasp your arm?”

“grasp my what?”

“your arm!  i need to pretend as if i am holding you captive, but i am not simply going to take hold of it without permission.”

“how chivalrous of you.”

“i suppose i’ve learned from a sufficient enough gentleman.”

benedict grins and offers his arm.

“i am yours for the taking.”

it is preposterous how much this man makes you want to roll your eyes.  and how much you welcome it.  in the moment, however, you refrain yourself and, instead, smile at him in return as you yank yourselves both out of the hedge to be seen by the others.

𝄆 ⚘ ✸ II.iii ✸ ⚘ 𝄇

< on a morning before she is off to number five, y/n realizes that her last remaining skirt still needs to be cleaned after she had spilt a bottle of ink on it.  (she was devastated by losing so much writing material and money in one fell swoop.)  she had been so preoccupied with work that she had forgotten to clean it. 

< in a rush, she looks throughout her house for extra skirts but to no avail; the only thing she finds that she can wear is a pair of trousers from when her father was younger.  she finds this suitable enough, puts them on, and runs off to bridgerton house.

< upon arriving at the drawing room wearing trousers, y/n hears a choking sound. she looks over and sees that benedict has somehow spilt tea all over himself.  as the bridgerton family makes comments of curiosity and support of y/n’s current attire, benedict excuses himself, y/n hearing how he mumbles that he needs to change his clothes.

< after some time, benedict returns, but y/n notices that, aside from removing his coat, he still wears the clothes he was in.  she remarks to herself:  how can he have been gone for long enough but still be in the same clothes? >  

𝄆 ⚘ ✸ II.iv ✸ ⚘ 𝄇

you gasp.

“wait!”

you do not wait to hear a response from your companions; you right about turn, swing open the door to number five, and run into the house, straight towards the drawing room.

“benedict!” you shout, “you must come see!”

“wha—“

you grab his hand, pulling him up from his slouched lounge.

“quickly!  you must make haste!”

adrenaline and joy rushing in your veins, you lead benedict out of the drawing room and towards the entrance where, upon returning, you see giles, with a large beam on his face, holding open the door.  you laugh, shooting him a quick nod and grin of your gratitude, and bring benedict outside, pass penelope and colin, pass the gates of bridgerton house, towards the road, and halt yourself and benedict in place.  

you shoot your forefinger outward, pointing towards the sky, your grin ever growing.

“look!”

benedict has been looking at you incredulously, as if you’ve completely lost your mind, and perhaps you have, but you’d be damned if you got to see this and benedict hadn’t.  he shifts his gaze and grin from you towards the sky, and as you had expected, as you had hoped, his expression transforms from gleeful confusion into complete awe.

“see?  it is just like your palette of ideas!  the oranges, the reds, the yellows, the purples, the pinks.  here it all is, made by mother nature herself, and you have already managed to capture the hues in the pigments of your paints!”  laughter bubbles out of you.  “it is amazing!  you are amazing!”

you hear a soft buzz in your ear, causing you to turn towards the familiar sound.  a bumblebee swirls about your head, and it makes you giggle.  you always had a fondness for the sweet creatures; how wonderous one has come to greet you at such a moment!  the bee lands on your nose, as if to give you a kiss, causing you to giggle even more, before it departs and flies off into the sky.

as you stare at your departing friend, as you stare into the sorcerous colors of the sunset, as your smile feels permanent in this moment, you ask benedict,

“isn’t it beautiful?”

“yes.”

you turn to benedict, expecting to see his side profile tilted towards the sky when, instead, you connect with his ocean eyes.  gazing at you.  

your smile fades away as you quietly suck in air through your nose.  you feel a soft caress at your hand, and looking down, you see that you are still holding hands with benedict, him gently rubbing the side of your hand with his thumb.  you look back up, and with indecipherable ocean eyes and a soft smile on his lips, he still gazes at you.  butterflies flutter maddeningly within you.  the way he looks at you, it makes you feel scared.  but you’d be damned if you allowed your fear to tear yourself away from benedict.  so, instead, you smile back and gently rub the side of his hand with your thumb too.

“well!”

you and benedict reel back from one another, letting go of one another’s hands.  as you feel the loss of his touch, you whip your head towards the voice and see a smirking colin, by the side of a smiling penelope, both approaching the two of you.  

“while i hate to get in the way of two— friends in the midst of a conversation, i must fulfill my duties and escort miss featherington to her home.”

you roll your eyes as you promptly ignore the fire that burns on your cheeks.

“you rich people and your escortings.  penelope lives across the way!  she would have already been home if you would have let her, colin.”

“yes, that is true,” pipes up penelope, “but then i would have missed out on such a beautiful sight,” and instead of gesturing at the sunset as her words imply, she keeps her eyes locked on you and benedict.

menaces.  i am friends with menaces.

with smugness in their smiles and delight in their eyes, penelope and colin nod their heads in farewell.  as they move past, you feel a soft squeeze on the side of your arm and see penelope giving you a wink.  you stare off at the couple, penelope featherington and colin bridgerton, your absolute menaces of friends who have left you and benedict stunned in spot.

benedict.

benedict!

you turn your head to face him.  he must have realized at the same moment as you, for you are greeted by an equally speechless expression.  feeling yourself staring into his ocean eyes a moment too long, you cough and look away.

“right, i suppose— i, going— i should be going.”

“of course— yes, that is— right, yes, very good—— not!  you going!  you going is not— not good!  i— we— are more than glad to let you stay!— not let you, but!  but have you stay with—— us!  stay with us!—”

“benedict,” feeling the instinct to touch his hand again, you hesitate and, instead, touch the side of his arm.  you offer him a smile to his (adorably) flustered state.  “i understand what you are trying to convey.”

he huffs out a breath and smiles warily in return, and it is truly absurd how beautiful he is when his suave falls away.  when he takes off the façade he performs to the world and is just himself.  not a bridgerton, not a second eldest son, not a gentleman.  just— 

benedict.  

the one you—— care for.  

the one you care for.

the one i care for.

“thank you, y/n,” you hear him say, “for sharing this with me.”

“of course.  you were first to come to mind when i saw it.”

“shall i— shall i escort you home?”

you snort, inadvertently breaking whatever odd energy has grown between the two of you, and he grins in response.

“goodness, no.  i am fully capable of walking there myself.  besides, it is too far from here, unlike miss featherington,” you intonate the last of your words with mockery.  you will battle colin bridgerton one day.

“i enjoy a long walk.  and with such a beautiful sight, it would be much more a blessing than a burden.”

“daylight is fastly fading; the sunset will not last another eight minutes.”

“yes, the sunset.  because that is what i was referring to,” he says as he stares at you with a lopsided grin.

rolling your eyes, and feeling the violent flutterings in your stomach, you shove benedict by his shoulder, which causes him to laugh and throw his hand up in mock surrender.

“good evening, benedict,” you finalize as you walk away, a smile quickly forming on your lips once out of his sight.

“good evening, y/n,” and you hear the smile in his voice.

𝄆 ⚘ ✸ II.v ✸ ⚘ 𝄇

“it is here!”

you had just begun to cross your writing when you look up and see kathani enter the drawing room, paper in hand.

“what’s here?” you inquire.  the viscountess smiles.

“perhaps you should be the first to see,” and she hands you the sheet.

taking it into your hands, you are immediately struck by the ornate illustrations of flowers and foliage ornamenting the borders—they are printed on! rather than hand drawn.  you run your fingers against the paper to test your observation.  you’ve only seen such a feat in the books you’ve borrowed from the bridgertons, so it impresses you (though perhaps it shouldn’t surprise me, you remark to yourself) that kathani has found a press to accomplish this feat for her printing. 

you then take in the lettering and read,

a ball in titania’s garden court

“come, now a roundel and a fairy song.”

the company of

is requested at bridgerton house, number 5 in grosvenor square, on thursday evening, jul. 6, 1815 at 9 o’clock p. m.

“you helped inspire the theme,” kathani remarks.  you look up from the paper to her; her eyes are intently on you.

“me?  how so?”

“with our reading of his work, and our conversations with eloise and penelope, he was naturally on my mind when planning for the ball.”

you beam.

“how wondrous!  your first ball in the city, and you are bringing the fairies to it,” you turn to the others. “you must tell me how it goes!  i’d be delighted to hear what the dresses were like, with the theme and all, and if any larks ensued.” 

you note to yourself how penelope will likely know of all of the latter far better than any of the bridgertons, but it would be intriguing, nevertheless, to hear their perspectives.  you turn to the viscountess once more, “it is a brilliant idea, kathani.  i’m honored to have had some part in it.”

you see her open her mouth in response—

“oh good!” 

—when you hear anthony’s voice at the entrance of the drawing room.  

“you’ve accepted!  that is wonderful news.”

you furrow your eyebrows as he approaches.

“accepted?”

“the invitation.  to the ball.”

“what?”  

anthony looks around the room to his family and then back to you.

“i— am beginning to think that is not what you were responding to.”

“how quick of you, brother,” deadpans colin.

“i have just entered!”

“and have proceeded to make a fool of yourself,” eloise counters.

“it’s appropriate for the theme, really,” colin turns to kathani.  “sister, perhaps you might change the dress to costumes?  anthony would make an excellent bottom to your titania.”

“i am—” you start, “still lost.” 

kathani gently nods her head to the paper in your hand.  you look down again.  previously neglecting it for the printed words and illustrations, you now read what is clearly in the viscountess’s handwriting between ‘the company of’ and ‘is requested’:

miss y/n y/l/n.

“this is an invitation.  for me.”

you look up from the invitation and are greeted by kathani, and the rest of the bridgerton family at number five, expectantly staring at you.

“but—— but—”

“now, i understand that this might be quite overwhelming,” begins kathani, “but after speaking with the family, we all agreed that it would be most wondrous if you were to attend the ball.  we would make certain that you felt prepared, beforehand, with lessons in dance and etiquette, hence why i’ve prepared the invitations earlier than customary.” 

“not!  to assume that you are not already competent in these,” adds colin.  “you certainly have more grace than eloise— ow!”  and he rubs the part of his arm eloise just smacked. 

“but if it would appease your mind,” violet interjects, “and help with your concurrence, then we would be more than elated to offer them, and to do them with you.”

“your attire would be paid for,” anthony states simply, “and we would pay the business of your employment their missed earnings for the days in which you will be preparing for the ball and resting from the event’s happenings.  and, if you shall allow it, we would support you and your family from your abstained days of wages.”

“balls are dreadful,” asserts eloise, “but!” she continues swiftly, and exasperatedly, upon seeing her family’s reaction, “with your presence, this one would certainly be more bearable.  pleasant!, even.”

“we,” hyacinth gestures to herself and gregory, “cannot attend the ball, but we will help you in any way we can before then!”

“and we will be there on the morning and afternoon of, if you would like!” gregory exclaims. 

kathani was wrong.  

this is not quite overwhelming.  this is overwhelmingly overwhelming. 

you do not even know where to begin in processing all of the information with which you have just been bombarded.  the wages, the etiquette, the paying, the attire, the dancing, the days off, the ball itself.

but what strikes you most of all—

“you all… agreed?  of wanting me at the ball?”

you look around the drawing room.  your friends’ countenances are illuminated with beams.  all, but one.  you turn to him.  he was the only one not to have stated his case in the family’s proposal. 

before you can start to ruminate on the implications of such, he offers you a smile.  small, but enough for those stupid, stupefying butterflies to flutter within.

“we did,” benedict says.  “we do.”

you exhale.

“then,” though weary from the turn of this day, you offer a small smile in return, to benedict, to the family, “then yes.  i shall go to the ball.”

hyacinth and gregory nearly knock you over in the chair you’re sat in by the sheer power of their hugs.  violet, clapping her hands, laughs with delight at the sight.  eloise exclaims something about penelope finding out.  anthony states he shall begin the ledger.  colin, for whatever reason, starts talking about the cakes that will be there.  kathani remarks that there is much to do and that she, and all of the family, will be there every step of the way.

and benedict smiles.  still small.  still enough.  with those damned ocean eyes.

i shall never understand the absurdity that is this family.

and how delighted you are by that.  how grateful you are for them.

𝄆 ⚘ ✸ II.vi ✸ ⚘ 𝄇

“your rehearsal partners will be myself and gregory,” states the viscount.

you try to withhold your sigh.  you have been dreading this day since kathani first told you of it.  you are utterly delighted to be a student under the tutelage of the viscountess; you are utterly petrified of being a dance student.

“and why do benedict and i not have the privilege to dance with y/n?”

it also does not quell your petrification that the entirety of number five has decided to be present for your lessons.

“because, colin, you two are unmarried men; i am a married one; and gregory is a child.”

“i have just entered my adolescent years!”

“precisely,” anthony grins, “a child.”

“kathani and hyacinth can be potential partners,” you suggest, diverging as not to join hyacinth in her laughter at gregory’s disgruntlement.  despite the anxiety that somehow both swells and knots within you, you are resolute on being intentional and present during your lessons.  “the former is married, and the latter is a child.”

anthony opens his mouth to respond but suddenly closes it shut.  he blinks.

“why have you not considered eloise?”

“because she is unmarried.  i am assuming that you do not want me to partner with colin or benedict, for fear of some sort of— romantic attraction forming.  so i’ve applied the same logic to eloise.”

there is a small silence.  you can see how anthony (and perhaps the rest of the room, you sense) is busily processing within his mind (and theirs) what you have said to him.  

kathani pats her husband twice on his back and smiles at you.  

“that is an excellent idea, y/n.  we will rotate your partners amongst myself, anthony, gregory, and hyacinth.  let us begin.”

and so you do, and it is quite horrendous.  or rather, you are quite horrendous.  

kathani is, unsurprisingly, a marvelous teacher, but not even she as a guide can prevent you from stepping on her, anthony’s, hyacinth’s, and gregory’s feet.  you apologize profusely each time you do so, and so you apologize frequently and often, but each of your partners still smile at you without a drop of deceit or regret in their expressions despite their winces.  they encourage you in all their particular ways.  kathani gently knocks the foot you stepped on her to where it ought to be placed.  anthony pacifies that you are doing well.  hyacinth recounts how she had struggled as you when she first began her lessons.  gregory assures that you are not nearly as heavy-footed as eloise.

even those who aren’t your partners encourage you.  eloise confirms gregory’s statement, not once peeking into the book she holds in her hands.  colin claps his hands to help you keep the tempo of the steps.  violet, at the pianoforte, enthuses how much progress you are making with each passing dance.  penelope, who joined the drawing room part way through a rather disastrous cotillion with anthony, begins to clap her hands excitedly upon seeing you.

the only bridgeton you haven’t heard from the entirety of your lessons is benedict.  while rehearsing a sequence in a quadrille with hyacinth, you notice the vacant spot next to eloise where he once sat.  you try to feign to yourself that your following misstep is due to your ineptitude in rhythm and nothing else.  certainly not the lack of presence of a particular someone.

after you curtsy and kathani bows upon finishing a scotch reel, she beams at you.

“i believe that is enough lessons for today.”

you sigh with every bit of your lungs, your attempt at perfectly squared shoulders immediately slumping in relief.  the family chortles in response and gives you a pleasant round of applause.  you feel your cheeks go flush with embarrassment, completely unbelieving that your horrific display of dancing deserves any sort of praise, but the sentiment warms your heart.

“i would like to pardon myself, if that is all right,” you request towards kathani, “for a moment, is all.”

“yes, of course,” and she takes your hand.  “and we do mean it, y/n.  you have done well today.  you should be proud.”

before you can respond to her, she gives a gentle squeeze of your hand and turns to walk towards anthony.  blinking, you shake your head out of your thoughts.  the bridgertons and penelope seem to respect your want of excusing yourself as they grin or nod their heads in your direction but make no move towards you.  you take a moment more to look at the family and then turn to leave the drawing room.  you cannot help the smile that blooms on your face as you cross the entrance—

when a hand catches your wrist and pulls you further away from the drawing room.  you are about to scream when you see benedict, with furrowed eyebrows and pleading ocean eyes, swiftly put his forefinger to his pursed lips.

“fuckin’— benedict!” you whisper-yell, attempting to honor benedict’s unspoken request for your silence.  “are you mad?  and why are you out here?  have you been here this entire time?”

“may i speak with you?  in private?”  

the urgency in his whisper stupefies you, any frustration felt within fading away.

“of course you may.”

he slides his hand down from your wrist to take your hand—

“follow me.”

—and, with haste, leads you down the corridor and up a set of stairs.

“are you certain this is all right?  the last time we had spoken alone together, you were scolded by your brother.”

“i am more than willing to take that risk with you,” benedict says sincerely, with a smile, but it is strained.  it is a subtlety, but with knowing him for as long as you have now, it is something you have noticed in his expressions.

“are you all right, benedict?”

he promptly ignores your question.  it is unlike benedict, to ignore one of your inquiries.  to retort with a snarky quip, yes; to make a particularly theatrical countenance, yes; to respond with uncertainty, yes.  but never outright, deliberate evasion.  it makes your heart swell even more with worry.

you and benedict arrive at a set of grand doors.  turning the gilded knob, he opens the door and, in true gentlemanly fashion, holds it for you to pass.  such etiquette would have caused you to roll your eyes, but with benedict’s current distress, you will yourself to refrain. 

just as you enter the room, benedict enters too, turns around, and carefully closes the door shut.  he reaches into his pocket and, after some shuffling about, retrieves a key.  you hear a click of the door, and before you can comment on the absolute peculiarity of this situation thus far, benedict whips himself around and faces you.

“do you have attraction to both sexes?”

“i— what?”

“do you have attraction to both sexes?” he repeats with impatience.

“to all persons,” you correct with equal impatience.  “and yes, i do.”

benedict blinks at your response but shakes his head out of his thoughts.

“and how long, how long have you known?  of your attractions?”

“‘of my attractions’?”

“i am asking a question, y/n!”

“you are being strange, benedict!”

“i am!—” and he turns away from you, running his hands through his hair, sucking in air through his nostrils.  he turns back to you and it startles you—how frustrated his countenance is, and how vulnerable his ocean eyes are.

“i am merely trying to ask a question.  i am trying to understand.  please, y/n,” benedict begs.  “please.”

“i— all right,” you try to soothe.  “i, i don’t know how long i have known.  i suppose, since i was a child?  or, perhaps, truly in my adolescent years, when i found myself gazing at those with names like emily and andrew and how i—” you swallow, suddenly feeling exposed, “how i held my breath around them, whenever they were close, when— whenever they were near.”

“and do you still feel that way?”

“pardon?”

“do you still feel that way?  around people?  for people?”

just for the one.

“i, i do.” 

after staring at you a moment more, benedict turns away again, and you quickly exhale a breath—when you’re stricken with a sudden fear.

“does this change your opinion of me?” 

benedict turns back to you, frustration still in his features but confusion slowly seeping into them.

“when i—” am i crying? “when i told my sister how i felt for a girl in our neighborhood, she did not—” you try to shake your head of the fog that starts to fill your mind at remembering, “did not look at me for weeks, and when she did, i felt like, like—— like a monster.”

his face falls.

“no,” benedict states, fastly approaching you, “no, no, no, y/n.”

“i am sorry,” you choke out as he places his hands on the sides of your arms.

“why are you apologizing?” benedict whispers, applying pressure to where he holds you steady.  you had not realized you’ve been shaking.

“you had asked me questions, these questions of importance to you, and i— i have made it about myself— i am so sorry, benedict.”

“you have nothing to apologize for.” 

you shut your eyes close, feeling your face contort in the way it does when everything simply becomes too much for you to bear.    

“you were, and are, so much more courageous than me.”

benedict’s gentle voice and strange statement rouse you to open your eyes.

“i do not understand?”

“you have told another person about your attractions to both— to all persons.  i…”

he goes quiet, unable to finish his thought aloud.  you scrunch your eyebrows in confusion, but staring into his ocean eyes a moment more—vulnerable, scared, hurting—it dawns on you.

oh.

benedict.

your heart blooms as you shake your head.

“it is not about courage, benedict, i do not think.  with my sister, it was about trust.  i thought i could trust her with my feelings, with— well, with me.  and she had proved me wrong.”

“and you have proved me right.”

“why are you speaking so vaguely today?” you manage to jest.

benedict rolls his eyes, a small smile resting on his lips.

“and you have proved me right in that i could trust you.  and i do, y/n.  i trust you with— with me.”

perhaps you should have thought better of it, but your emotions move faster than your logic, and your emotions call you to reach out your hand and cup benedict’s cheek as you see tears line his ocean eyes.

“as i trust you with me.”

you do not mean to do it; perhaps it’s the intimacy of your conversation, perhaps it’s the proximity of standing so close, perhaps it’s the way you can feel his bated breath mix with yours, but your eyes flicker down at benedict’s parted lips and, swallowing, you look back into his piercing, indecipherable ocean eyes and breathe,

“benedict—”

when a loud sequence of knocks thud at the locked door.

“oh god!” and you take off, running away from benedict and looking about the room when your eyes fall upon a wardrobe.

“what are you doing!” benedict whisper-shouts at you as you hasten towards your destination.

“i am trying to prevent you from being in trouble again with a certain eldest brother, and you ought to be doing the same!”

you open the door to the wardrobe, hop into it, and, grabbing the door’s edge, look at benedict and the adorable shock on his face.

“answer the door as i hide in here!” before he can babble out a response, you whisper-yell, “go!” and promptly, quietly, shut the wardrobe.

before long, you muffedly hear the clicking of the door and it being opened.  there is a bit of quiet until gregory’s voice asks—

“what happened to your hair?” 

“what of it?”

“it is a mess.  it has not been that messy since—”

“nevermind my hair!  what is it that you need?”

“have you seen y/n?”

“what?  why would i know of y/n’s whereabouts?”

“do not play foolish, brother.” 

“i am not playing foolish!”

“you two are always together!  you and y/n are like eloise and penelope, anthony and kate, colin and food— you never see one without the other, and she hasn’t been seen since her lessons.”

“i have not seen her; does that answer your inquiry?”

“why are you so on guard!  ugh, never you mind.  hyacinth and i will look for her on our own, with no thanks to you.”

before benedict can retort, you hear footsteps walking away from him and down the corridor.  there is another moment of quiet before you hear the shutting of the door and the turning of the key.  you slowly open the wardrobe, and when you see a disgruntled benedict and benedict only, you hop out and walk towards him, unable to contain the growing smile on your face.

“you shouldn’t be so harsh on gregory.  he was, after all, merely asking a question.”

“you’re taking his side?”

“of course i am.  he, along with hyacinth, are my favorite bridgertons.”

“and where do i fall on this list of yours?”

“eighth,” you reply easily, and benedict’s jaw drops, “but that’s merely on a technicality— i have yet to met daphne and francesca.”

“what have i done to be thought of so little in your regard!” benedict’s expression is aghast, but you see the ghost of a smile on his lips (that you certainly do not stare at for another moment too long).

“do not mistake your low ranking in how i care for you,” you tease but then soften, unable to keep up the lark over your truth.  “i care for you, benedict.  for all of you.  precisely as you are and what you feel and who you—” you swallow, “whoever you love.”

the jest and play fade away from his expression.  benedict simply stares at you, ocean eyes once again indecipherable.  before he can say anything, you step into his space and tidy his hair.

“you ruined your coif earlier,” you whisper.

“what fortune i have for someone to care for me so.”

his smile is so sweet, his voice so sincere, his ocean eyes so gentle.  it is too much, it is so much. 

“if you weren’t such a mischief maker,” you diverge, “you wouldn’t need such fortune.”

that makes him scoff, and you grin, quietly glad a new emotion begins to overtake your overwhelming one.

“wise words coming from a mischief maker herself.”

“a mischief maker who knows how to handle her trouble,” you respond pointedly. “speaking of which, i must be going,” and you turn from benedict and head towards the windows.

“and where are you going?” you hear the befuddled amusement in his inquiry as he follows you.  you unlatch a window.  

“i must leave by way of window and make it appear as if i have been out in the gardens this entire time,” you carefully open the window and peer outside.  no one in sight.  pleased, you turn around and are greeted by an adorably perplexed benedict.  “how else will we deceive the family into believing that we were not alone together?  particularly after gregory inquired after me and found you here.  it would not help our situation if we left the same room, even if at staggered times.”

“this is not the first time you have escaped home,” he declares matter-of-factly.

“of course it’s not.”

“yet another thing we have in common.”

you snort but then cover your mouth.  you turn around and peer out the window, hoping, willing that no one has heard you.  no one in sight still.  you sigh in relief and turn back to a grinning benedict.

“you are compromising my meticulous plans.”

“then you ought to be going.  i shan’t compromise you any further.”

you roll your eyes deeply, ignoring the double entendre (and the flush you feel creeping across your face), but soften.

“will you be all right?  are you all right?”

benedict inhales deeply and exhales equally so.

“i—— have much to think over.  of myself.  to myself.  but, it is a comfort to know that i am not alone in this.  in this experience, the feelings themselves, as well as in the navigation of them,” the corners of benedict’s mouth tug into a gentle but most radiant smile, his ocean eyes incandescent with joy.  “thank you, y/n.”

the butterflies flutter violently within.

“i, i have done nothing.”

“you have done more than you know.”

unable to withstand the intensity of his gaze, you turn back to the open window and steady your hands onto the sides of the frame, leveraging your weight against the ledge to lift yourself up.

“be that as it may,” you assert perhaps too forcefully, “i truly must be going now.” 

you carefully but easily shift your body over the ledge and place your boot against the exterior side of bridgerton house to start your descent.  you should just go—leave and neglect the violence of feelings within you.  but you do not.  instead, you look up and are greeted by the sight of benedict at the window, hands also steadied on the ledge, body leaning towards the outside and downwards, beaming at you, the afternoon sun casting light upon his now even more beautiful countenance.

shit.

you will yourself to focus.

“if you need or wish to speak again on this, you will let me know, yes?”

he still smiles but you see the subtlety of his ocean eyes transforming, from delight to… something else.  you don’t know what, benedict’s ocean eyes ever indecipherable in moments such as this, and it does nothing to quiet the flutterings within.

“i shall.  and hopefully in a manner that does not require your escape.”

“oh, this is nothing.”

“of course it’s not.”

you smile broadly, a particular burst of fondness and play and courage overcoming you—

“farewell, princess.”

and you begin your descent down bridgerton house.

𝄆 ⚘ ✸ II.vii ✸ ⚘ 𝄇

< kathani and y/n make a day of getting y/n a dress for the bridgerton ball.  they meet first at bridgerton house early in the morning, before the rest of the family is awake.  they break fast together, and kathani teaches y/n how to make masala chai.  y/n remarks that how kathani speaks of indian drink and food reminds y/n of how her parents talk about their drink and food from their home country.

< the conversation then grows into talking about how much the ocean intrigues y/n because of how her parents have talked about it, especially in their stories of emigrating to england by ship.  the mystery, beauty, comfort, fear, and joy of the ocean all in one entity.

< the conversation then shifts to kathani and y/n talking about the scrappiness of making do with what resources you have access to.  it makes y/n recount a memory with her mama when she had offered to give up buying ink, quills, and paper to support the family once her elder sister had married and left their family home. >

“it is a hobby, mama, it—”

“it is important,  she says pointedly.  “it is your passion.”  and she smiles.  “we have managed once with just my and papa’s wages, we shall manage now.  you need not worry, my child.” 

< eventually, kathani and y/n finish their breakfast.  they leave bridgerton house and hop into a bridgerton carriage to go to the modiste.  it is the first time y/n is in a carriage and it is a surreal, lovely experience.  it feels like a fairytale. >

–

< after arrival at the modiste and introductions, kathani decides to roam the markets of the neighborhood as madame delacroix tends to y/n in the back of the shop. >

“madame delacroix—”

“clients call me madame delacroix,” she interrupts.  you feel shame flood your body.  of course.  you are not a client.  you are a charity case.  at the whims of this wealthy family that has bestowed their pity on you.  how else would you be in such a position, in such a shop, before such a talented artist revered by the upper echelons of london.  you’re a fool, you wish to run away, you must go when you hear what madame delacroix says next—and she’s smiling.

“friends, however, call me genevieve,” she remarks with a wink.

…

“now, y/n, how would you feel about me being,” genevieve flourishes her hand in the air, “experimental with your dress?”

a combination of fear and excitement perk up within you.

“how do you mean?”

“the ton are quite—” she seems to fight hard not to roll her eyes but admits defeat to a sigh, “—conservative in their fashion—”

“you mean dreadfully dull?” you chime in.  genevieve laughs warmly.

“exactly, my dear,” she grins. “you, however, are anything but.  i see the french silhouettes more fitting to your character, to your personality, to your spark.”

you feel overwhelmed by the kindness of words that flow easily from the mouth of your new friend.  you have not known each other for more than ten minutes, and she seems to see something within you.  it makes you feel self-conscious, undeserving, and incredibly proud.

“i would be honored to be graced with the true magnificence of your artistry, genevieve.”

your friend’s eyes shine with joy, and you cannot help but feel utterly delighted that you were the one to ignite such happiness within her.

“my dear, the ton will be green with envy at the sight of you.  with your natural beauty and with my vision, you shall be an unstoppable force.”

you furrow your eyebrows at “natural beauty.”  you open your mouth to comment—

“is there any person you are looking to,” she hums, looking for the right word while looking for her measuring tape, “impress?”

“no,” you lie.  “i would not know anyone aside from the bridgertons and penelope.”

“ah, yes.  miss penelope,” the modiste says with much fondness in her heart. “she is quite brilliant, is she not?”

you beam.  “she truly is.”

“though,” genevieve ponders, wrapping the tape around your waist, “she is rather besotted with the third eldest bridgerton.”

“oh, yes, it is very appar— wait.  why do you say that?”

genevieve shrugs, but you give it more thought.

“are you implying that i have affections for penelope?”

you love penelope.  she has come to be one of your closest friends, and my god she is beautiful inside and out—but you have never felt an inkling for her beyond platonic love.

“i imply nothing—i’ve just said she’s besotted with the third eldest, did i not?” genevieve plays coy with a smile.  “and the viscount, he is very in love with the viscountess.”

“are you now implying that i have affections for anthony?” 

you feel your entire body shudder.  the idea of having any sort of love for the eldest bridgerton beyond one that is platonic makes you want to—  the very thought—

you put one hand to your mouth and the other to your stomach.  genevieve laughs, delighted by this game she’s inflicting upon you and entirely unperturbed by your potential sick in her shop.

“so,” she continues on, “with mister colin and lady kate and their beaus eliminated, unless you are of the temptress kind—”

“no!”

“then,” laughs genevieve, “that leaves three—”

“what do you mean ‘three’!”

“y/n, please, you are a terrible liar.  you have affections for one of your friends, that is clear.”

“i do not!” you lie again.  she tilts her chin down, looking at you pointedly.

“as i was saying, that leaves three.  there is miss francesca, miss eloise, and mister benedict.”

you feel yourself take in a small breath through your nostrils as you hear his name, and you pray that genevieve does not notice.  

“aha!” she declares.  your prayer has failed.  there is no god.  “ah, yes, mister benedict bridgerton.  the second eldest.”

you hold back a groan, not wanting to give your friend evidence to her (very much correct) claim, so instead you lift your head towards the ceiling.  when you snap it back down to look at her, you are startled by how her delighted expression from a mere moment ago has molded into an expression you cannot figure out.

“y/n, you must know,” she states, with so much sincerity in her tone.  you are entirely confused by this shift in genevieve, and your confusion only intensifies when she gently takes your hand into both of hers.

“benedict and i... we had been acquainted— intimately, at one point.”

oh.

“oh,” you respond pathetically.

the words should not affect you.  they should not affect you.  they should— not— affect you.

but—

you huff out a laugh.

“genevieve, why are you sharing this?  it’s all ri—”

“i share this with you,” she replies in earnest, “because while intimate, and yes, even passionate—” you try not to wince, “—it was brief and, most of all, not of depth,” she sighs. “but i can only speak for myself, can i?”

you swallow, hoping it will cure your dry throat, and with a smile say, “he is very lucky to have won your affections.”

“my dear.”

genevieve removes one of her hands from yours and brings it to the side of your face, softly wiping away a tear on your cheek.  you hadn’t noticed you had started crying.  you close your eyes, weak by and ashamed at the frailty of your heart, as you lean into the comfort of your friend’s hand.  

after a few moments, you feel her hand leave your cheek and feel your chin held between her thumb and forefinger, lifting up your head.  you open your eyes.

“anything i felt for him, i feel for him no more, y/n.  he is lucky to have your affections,” genevieve declares.  “and if benedict is an intelligent man, he must feel the same for you.”

you laugh.  

“benedict is a beautiful person who attracts beautiful people.  i am not a beautiful person.”

it is peculiar, how genevieve’s eyes flood with hurt as if you have offended her.  what did you say that has hurt her so?  you were only speaking of yourself.  before you can think further on it, the modiste steels her expression, fire suddenly blazing her eyes.

“well!  then i must prove to you what you fail to see, my dear!  i dare you not to feel beautiful in the dress i make for you.  and if you doubt your beauty,” she peers at you, “will you doubt my artistry?”

you laugh, this time sincerely, radiating gratitude for your new friend.  

“it would be foolish to doubt your artistry.”

genevieve beams.

“exactly.”

𝄆 ⚘ ✸ II.viii ✸ ⚘ 𝄇

you kick your feet off again, swinging yourself back and surging forward as you look up at the stars.  you try not to make too much noise.  you know it’s not proper to ambledly hang about your host’s back garden at night as they all slumber.  you feel as though you are taking advantage of the bridgertons’ kindness in allowing a pauper like you to stay the night at their home, in allowing you any time to stay at their home since making their acquaintance, in allowing—— you sigh again.  you could not sleep.  restlessness has entirely consumed you, and you had decided that some fresh air and some childlike fun would be exactly what you needed to calm your nerves.  while the cool air and the beauty of the night have been a welcomed reprieve, your heart still pounds and your mind still races with anxiety over the ball tomorrow night.

“couldn’t sleep?”

you slam the heels of your boots into the ground as you hear the familiar voice, doing everything in your power to ignore the flutters of butterflies in your stomach upon hearing it, and fall over onto your knees, planting your hands into the dirt so as not to completely and embarrassingly plant your face there instead.  you hear the body of the voice rushing towards you, offering his hand in your periphery.  you look up as benedict’s soft ocean eyes stare into you.  feeling your cheeks flood with warmth, you take your dirtied palm into his, promptly ignore the lightning that shoots out from the touch to the rest of your body, and lift yourself up with benedict’s gentlemanly assistance.  you murmur your thanks as you dust off, in vain, the dirt on your nightdress.

“i did not mean to startle you.”

“well, you have very clearly failed at that,” you remark.

after one last whoosh about your knees to clear off the excess dirt, you look up at benedict and are startled by the utter sincerity of his concerned look.  he looks as if he is about to say something, as if he is about to apologize, when you offer him a smile.

“i’m teasing you, benedict.”

he blinks once before breaking out into a smile, a smile that forcefully summons the butterflies within you to flutter about once again, and laughs.  you cannot help but smile and laugh with him.

“may i have the honor of sitting with you, miss y/l/n?”

you roll your eyes.

“it is your home after all, you need not my permission.”

“am i to ignore the privacy a lady wishes to have?”

“a lady’s privacy, i am sure, is something you wish to have for yourself,” you retort, alluding to your lack of such a title.

he swallows.

“that is something i cannot deny.”

something shifts in the air as benedict stares at you.  you feel yourself holding your breath and, in an attempt to shift away the energy from whatever this— this is (and how much it thrills and terrifies you), you playfully curtsy as you gesture to the swing next to the one that you had occupied.

“i would be delighted by your company, mr. bridgerton.”

the overwhelming gentleness of benedict’s expression transforms into an amused smile, and he follows along with an exaggerated bow of his head.  you take a seat at your swing as he takes his seat at the other on your left.

“i couldn’t,” you say in reply to his first question.  before he can ask why, you hastily jump into your inquiry.  “and why are you up?”

“i was sketching.  i had an idea for a painting and wished to lay out the preliminary work before it escaped me,” he sighs heavily, turning to look out to the rest of the garden.  you feel the loss of his gaze.  “i was frustrated with the results and thought some fresh air would do me some good.”

“what is the idea for your painting?”

he hesitates.

“a portrait,” he seems to admit carefully.  feeling how benedict wishes not to be pressed further, you simply hum an affirmation in response.

“i am certain that your sketch is not nearly as horrendous as you think it is.”

“i appreciate your kindness, but it entirely lacked their spark.”

“you seem quite fond of this person,” you huff with a bit of a laugh, jealousy starting to pool in the pit of your stomach.

benedict smiles.

“i am.”

and he turns to look at you.

you swallow, averting your gaze from soft intense ocean eyes, and kick your feet off the ground to begin a gentle swing.

“you should continue with the portrait,” you rattle on in a hasty attempt at diversion.  “not only are you blessed with natural talent but you are also fueled with such a passionate determination to ever improve your skill because that is how much you love your craft.  an undying devotion to something for which you so deeply care.  it is admirable and extremely apparent in all that you do.”

“and what of you?”

“and what of me?”

“of your passions?”

you scoff.

“my passions?”

“your writing.”

you halt your swing and whip your head to benedict.  he is grinning with stupid satisfaction, and you would find a way to wipe it off his stupid (beautiful) face if you were not so aghast by the situation.

“how do you know of that?”

“well, whenever you are not reading or conversing with eloise, penelope, and kate; or playing make-believe with my youngest siblings; or squabbling with colin and anthony, you are busily writing in a folded quarto.  or, rather, crossing in a folded quarto.  crossing twice, if you can manage.  you are quite the prolific writer.”

you gape at him, and he continues to grin.

“eloise also told me.”

“she told you!” you shriek.

“indeed.  it is, after all, how you met penelope, apparently.  and penelope is how you met eloise.  and eloise is how we— how you met the rest of us.”

you slump in your swing.

“i feel betrayed.”

benedict laughs heartily, and you shoot him a glare.  he holds his hands up in mock surrender.

“she was merely sharing a fact.”

“she is merely a traitor.”

benedict laughs once again, and you summon all the strength within you not to choke it out from his lungs.

“you seem not to handle perception of yourself very well, y/n.”

“when you are me, it is easy not to be perceived,” you mumble, still reeling from the traitorous nature of your loudmouthed friend.

there is a small silence.

“i do not think that is true.” 

you turn to him, once again surprised by the gentleness of his sincerity.

“i see you,” benedict declares in a quiet but steadfast voice.  his ocean eyes, indecipherable once more, gaze into you.

you feel yourself hold your breath, unable to stop the truth from ringing out in your heart, mind, body, and soul.

i love you.

you shoot up from your swing.

“i must be going, it is quite late—”

“y/n, wait—”

“thank you, benedict,” you say sincerely, turning to him.  “i— i really enjoyed our conversation, as brief as it was.”

he blinks and offers you a small smile.  i must control myself, you reprimand as you feel the butterflies viciously flutter within.

“as did i.”

“good night,” you whisper.  with all the self-control you can muster, you turn away from benedict and hasten towards bridgerton house.

“good night, y/n,” you vaguely hear him say from the swings that brought you together.  you attempt to tune out the wistfulness that you hear, that you imagine you hear in his voice.