#Adam White

[dame-de-pique]

Adam White - A popular history of Mammalia, Imprint: London, Reeve, Benham, and Reeve, 1850

[transformers-mosaic]

Transformers: Multiverse #25 - "The Connection - Part 2"

Originally posted on October 2nd, 2013

Story - Adam White Art - Joe Teanby Colours - Laura Holy Letters - Franco Villa

deviantART

wada sez: The declining energy bar on the left of the panels confused readers into thinking the final panel takes place chronologically last, when in fact it’s just Ratchet’s memory. White explained: “I just wanted to show that Ratchet gave Jazz respect and (a belated, silent) thanks before Prime does that awfull moment where he talks a whole half dozen words at the top half of Jazz's corpse before just dumping the body off screen. That, I always found, stuck in my throat! Panel 6 is what Ratchet is carrying with him in panel 5, his personal thoughts while Prime swings around Jazz's carcass like a cheap prop. Yes the energy bar goes down all the way through the panels in a measured manner, but I liked the tones Laura chose and it's steady progress to nothing just works for me. I also wanted to explain why Barricade wasn't about, so it made sense to link the characters.” Check below for clean inks and the Italian translation.

[vonlipvig]

oughh there he is. the luckiest loser. the king of new york. the most important boy everrr.

[flashfuckingflesh]

Tonight's Next Guest is EVIL! "Late Night with the Devil!" reviewed! (Second Sight Films / Limited-Edition 4K UHD and Standard Blu-ray)

Check Out the Package on Second Sight’s Latest Limited Edition – “Late Night with the Devil! In the golden age of late-night television shows, Jack Delroy was one of the hottest late-night comedians and talk show hosts of the early 1970s, only to be beaten out by inches by rival talk show host Johnny Carson every year.  By 1977, Delroy’s viewers and popularity on his show Night Owls was slipping…

[daily-spooky]

Them >>>> 🖤

[kafkasapartment]

Trees and Snow (Pine Forest and Snow), 1933. Ansel Adams (1902-1984). Silver print.

[turnipoddity]

if romeo was goofy or whatever the fuck

[zxmbigirlfriend]

oh no! i have to saw (2004) my foot off!

[disease]

"SHEEP AND HOUSE" (MENDOCINO COAST) ANSEL ADAMS // CALIFORNIA, circa 1962 [gelatin silver print | 10 5/8 x 10 3/4"]

[cowboyshit]

[avargskeletorium]

The Mandela Catalogue stuff

[allelitewrestlings]

[transformers-mosaic]

Transformers: Multiverse #24 - "The Connection - Part 1"

Originally posted on September 13th, 2013

Story - Adam White Art - Joe Teanby Colours - Laura Holy Letters - Franco Villa

deviantART

wada sez: On deviantART, Joe Teanby explained this strip’s place in canon: “Adam's story is fantastic as not only does it fill in / add to the story of the first movie, but he fleshed out the characters. He also decided to give the robots a more recognisable look, and in doing so created a merging of the different Transformers universes.” The name of the location of the movie’s final battle, “Mission City”, has been changed to an anagram, per Villa: “Simmion City instead of Mission City is a writer's choice to make clear that this is an alternate universe.” Adam White offered a more extended commentary, which I’ve mirrored below alongside the clean inks and an Italian translation. Check back tomorrow for Part 2!

This was never written as a "what if" alternative reality (as much as any other stories I have seen here) but I ended up changing the city title as I figured the art choices had forced the story into that direction. . . . .  but the reality of the writing is a bit different. . . . and this looks like a good enough thread to explain those artistic choices.

When I thought up the story, I immediately envisioned the standard movie-verse, with all it's quirks and visual traits. The problem was that the two leads I had for this were arguably amongst the most throwaway of the Autobot movie characters and, unlike movie-Megs, lacked that depth of character for me to care about that incarnation of them. The cons? They seemed to have stronger elements to them. . . . so they were left to anchor the story more in Bay-land.

The reason fans got so (rightly) annoyed about Jazz's treatment was because they weren't responding to "a movie bot" dying, but a mix of what Jazz means to them (g1/animated/g2/comics/so on) and, when I started to sketch out my hideous roughs, that mix of incarnations popped up in what I actually assumed was his movie look.

So I then gave Joe and Laura the huge challenge to blend those rather characterless designs for movie Ratchet and Jazz, with G1 elements. I was amazed at what they did, and gained so much from seeing how they got their heads around that and ended up with just the right balance.

As much as I am overjoyed with the results of the team, I am even more thrilled that everyone seems to have excepted these hybrids for the characters they are. Yes, Ratchet looks different, but you can also accept its a movie-Ratchet because of the situation he is in. A credit to the team, I think!

A final note on the name. I actually hadn't added a location ident to the start of the script and Franco kindly added one during lettering. Seeing it reminded me 1) How much I hated the bland name 2) How much I really hated the dumb name. . . . . so I tweaked it in the same style that the character designs had been. :-)

[endlessblackclouds]

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Arkadaşlar rica etsem yorum yapabilir misiniz? :)

[flightybuttlass]

together at the very end

[coquinaclutch]