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hellfirecvnt · 7 months ago

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Hallelujah, What a Payday

Baby Billy Freeman x Fem!Reader

Summary: Baby Billy's on the search for his next co-star.

Warnings: Sex with that weird, old man (at the very end.) Religious trauma but with zero detail at all. If I refer to anything as "nonsense" or whatever, that's not about any religion and is only about the silly Gemstone activities.

Notes: Tiffany just doesn't exist here. I love her too much to write that she got left or something. This should've been two parts, but I promised we were gonna fuck him, so. We're also gonna ignore the Baby Billy body-double pp they show in the first episode. Don't even fucking act like that dastardly old man isn't packing.

"Five minutes, Y/N!" The angry stage manager screams backstage. You perfect your lipstick in the mirror and stand to straighten up your ensemble. You sing a few nights a week at a local lounge/venue for extra money. You're a local hit and it pays the bills.

Across the entire building, a man pays his way inside, tired after days of wasted effort. He sighs as he takes a seat, alone in a VIP booth. They're not cheap, but even if he hadn't sat there, anyone can tell he has money just from the way he dresses.

"Ladies and Gentlemen, tonight's entertainment." A smooth voice vibrates over the intercom. You gracefully file out onto the small stage, illuminated well by a single spotlight amongst the mood lighting throughout the lounge. The tired man taps a finger on his table, watching with boredom as he waits for his drink to arrive.

"I'm all out of hope. One more bad dream could bring a fall..." Your voice rings through the air like honey sweetens tea. The lone man at the VIP booth nearly gives himself whiplash with the rate at which he turns to face the source of the illustrious talent. You continue to sing your cover, and slowly he begins to recognize the song.

Your eyes meet his, as you do at every show to engage with the audience.

"It's easy to deceive. It's easy to tease," you slide your hands down your sides, swaying back and forth sensually for this verse. "But hard to get release."

The pianist serves as backup vocals, delivering the iconic lyrics: "Les yeux sans visage."

"Eyes without a face; got no human grace. You're eyes without a face." Your vocals swell and the man stares at you, inspired. His mouth hangs agape with a hopeful smile.

After you finish your set of five songs, you take a small bow and excuse yourself to the bar. The well-dressed man all but trips over himself as he scrambles to meet you over there.

"Double vodka cran, please, Henry." You tell the bartender and he nods, starting your order.

"That's some voice you got there, darlin'." The man appears next to you, smiling a large, white, evangelical grin.

"Thank you, I'm glad you enjoyed the show."

"Well, I more than enjoyed it. You got yourself a gift, now." The man extends his hand. "I'm Baby Billy."

"Baby?" You look at him, perplexed. He explains his backstory a little, insisting you should at least know who his sister is.

"You ain't never heard of Aimee-Leigh Gemstone?"

"Of course I have, I just don't listen to a lot of gospel." You shrug, truthfully hoping the conversation could end there.

"Well, darlin', do you ever sing gospel?" His eyes twinkle in the dimly lit bar area.

"I don't think that'd fare well for me here. This place looks fancy, it's costly to get in, but it's just a bar at the end of the day. No one wants to be preached to." You take a sip of your drink and he watches you closely, noting the pout of your lips as you press them to the glass.

"No, not here. Here." He lies a pamphlet out in front of you, sliding it closer along the bar. "I'm the head preacher at the new church in Locust Grove. Opens in a month."

"A man of God, huh?" You mumble as you skim over the pamphlet. "Does this gig pay?"

"God never asked us to exploit our talents for free." Baby Billy grins. You look him up and down. He's a walking red flag, but it's clear he's got money and as a broke woman on your own, you can never have enough.

"I'm free on weekends. I'll adjust my availability when I know you're serious." You say, stone-faced. Baby Billy hands you his card, passing it smoothly between his index and middle finger. You take it and stand from the bar, walking away, and disappearing into the green room to prepare for another set in an hour. He watches you, still sporting a wide smile as you stand. His eyebrows twitch in short-lived confusion. He pushes all that aside, only one thing matters now. He has his co-star.

Friday afternoon rolls around and Baby Billy attends your show, beaming at you from his expensive, empty VIP booth. He's practically got dollar signs for pupils.

"Friday is a weekday, Billy." You call over your shoulder as you excuse yourself to the bar.

"Baby Billy," he corrects, clinging to his childhood fame with all he has. "It's a brand, now. And who said I'm here for work? Can't a man just enjoy the show?" He follows you to the bar, taking a seat next to you.

"Well, did you enjoy it?" You turn to him with an amused smile. "The show?"

"It was even better the second time around."

"Thank you, Baby Billy," you say, with a knowing emphasis on 'baby.' "I guess I'll be calling you tomorrow, then."

"I'll be ready when you are, darlin'." He smiles warmly and you begin to wonder if you'll ever see him without that goofy, toothy grin stretched across his face.

Saturday morning, you're up, bright and early. You think nothing of the process of getting ready, throwing on a T-shirt and jeans along with various accessories you only get to wear on your days off, so you take every chance.

"This ain't a repeat of that... Lost soul you brought in last time, is it?" Eli settles back in his seat. He's sitting in one of the thousands of seats in the Gemstone Auditorium along with his three children, Judy, Jesse, and Kelvin. Baby Billy stands before them.

"No, damn, Eli. She's perfect for the job. She's got the face, she's got the voice, and most importantly, she's got stage presence." Baby Billy makes a grand case, convincing the Gemstone family that he's found an angel on Earth. Which is why it's all the more shocking when you walk in looking like an entirely different person than the woman he met at the lounge.

Everyone falls silent, they turn to face you as you walk through the door. The second you come into clear view, Judy Gemstone does a poor job of stifling a hateful chortle. Baby Billy meets you halfway, keeping you off to the side before you're front and center in front of everyone.

"The fuck you look like that for?" He asks with a peculiar sense of genuine confusion/ curiosity.

"I'm sorry, I didn't think it'd be a dress rehearsal." You narrow your eyes, placing a hand on your hip.

"When you called me this morning I thought I made it clear what kind of... Environment you might find yourself in." He waves his hands around as he says this.

"Is this an audition or did you scout me out?" You ask with a smirk, looking him up and down.

"Well, hear me out, now. Because if it were up to me, you're hired. But you need to hop up on there and prove to these assholes that I know what I'm doing."

"Playing dress up costs extra," You whisper. Without leaving time for him to respond, you walk ahead of him and confidently offer a handshake to Eli. The two of you become acquainted and he welcomes you to the stage.

As you step out onto the grand platform, it's awkwardly empty. You find yourself almost nervous, which is out of character for you. You've been performing since you were young.

"What am I singing for you today, Dr. Gemstone?" You ask, sensing a little bit of decorum could go a long way here.

"Looks like she's about to start blasting Rob fuckin' Zombie," Jesse, the oldest Gemstone son, quips under his breath. You narrow your eyes at him, clocking his appearance on the spot.

"I think I know what you wanna hear," you smile politely, pointing directly at Jesse. After a quick speed walk to the sound tech, you queue up the track for the song you've chosen. The music starts, and the two youngest Gemstone siblings burst into laughter. Even Eli chuckles.

"Hello, Darlin'. Nice to see you," you start. "It's been a long time, you're just as lovely as you used to be." The joke about Jesse's appearance quickly fizzles away as the Gemstones take in your voice. Baby Billy stands off to the side, gauging their reaction, absolutely elated.

"I told you he was trying to be Conway fuckin' Twitty," Judy whispers to Kelvin.

"Come back Darlin'. I'll be waiting for you..." You finish your song and take an unserious bow. You secure the job, and Eli even commends Baby Billy for finding you. After researching the Gemstones a little bit the night before, you quickly begin to realize how much money you could potentially make here.

"That was fantastic! That old fucker didn't think I could do it," Baby Billy gushes.

"And what did you do, just now?" You side-eye him.

"I found a star." He emphasizes his words with his hands. He's a charismatic and handsome man even given his older age.

"What's next? I'm sure this next month will be pretty busy with rehearsals." You laugh, already contemplating quitting your recurring lounge gig.

"Well, sure. We'll put in the work and all, but," he looks at you expectantly.

"What?" You ask, but he only gestures with his hand as if you should've caught on by now. "Oh, Baby Billy. I don't know if I'll be attending church tomorrow. I'm um, not a Christian."

"Huh," he says, dryly. You scrunch your nose, awaiting an uncomfortable lecture. "You work in this industry for so long, you forget some people aren't religious." He shrugs and you feel a sense of relief.

"I'm not busy today. Care to show me around the Locust Grove church? It's nice to know what I'm going into." He holds the door for you as you step out into the bright parking lot.

"I'd love nothing more." He grins.

At the Locust Grove location, you're wowed by the remodeled mall-turned-megachurch. He gives you the grand tour, specifying that you'd have your own area to get ready before each service.

"This is... A lot," you laugh.

"You're about to make it much more, darlin'." He ushers you up to the stage with him. "Let's give it a go, see how we sound together."

"What song are you thinking?"

"You don't know any gospel?" He peeks over his glasses at you.

"Not really," you shrug. "Well, I know Angel Band and I know Down to The River to Pray from that movie I like."

"Good fuckin' God." He sighs. "Down to The River." He counts off and starts the first verse. His voice is southern, crisp, and clear. You quickly decide in your head what fashion of singing would best compliment his. The chorus approaches and you ready your breath.

"Oh, sisters, let's go down. Let's go down, come on down," your voices melt together pleasingly. You can tell by the look on his face that he likes what he hears. The song ends for the two of you after that first chorus, that's all he needed to hear.

"It's about time something worked out for ol' Baby Billy," he shakes his head. "Now, the next matter to discuss is... Wardrobe."

"Yeah, I figured 'sunday best' would cut it, right?"

"Well, not quite." He leads you to a room past the storage area full of broken, useless mannequins. He walks up to a large armoire and pulls it open. Inside is one dress. It's wrapped in a layer of protective plastic that's done wonders to preserve it. It's campy and dated, though you can tell it was high dollar fashion for its time.

"Baby Billy, I'm not wearing this." You look at him, as if hoping he'll tell you he's joking.

"What? Why not? Now that was Aimee-Leigh's favorite dress," he glances back and forth from you and the dress.

"Okay and it's beautiful, but it looks like it's a hundred years old." You look at the striking piece of clothing again. "This is helpful, though. If this is the kind of look you wanna go for, I think I can make it work."

The two of you spend the rest of your time in the unopened church getting acquainted. You find him charming and entertaining. He finds you beautiful and unintentionally hilarious. You make him laugh often. It's like his own personal ray of sunshine on his shoulder.

It's late when you head to leave. You hardly noticed how long you'd been there. As you open the door to the dark parking lot, you turn to bid Baby Billy goodbye.

"Well, hold on, now, darlin'. Let me walk you to your car." He follows you out the door and to your vehicle. You roll the window down to thank him for the job, pulling your seatbelt over your head.

"I'll see you...?" You wait for him to tell you what day he plans to start practice.

"Monday afternoon, if you can make it." He places a hand on the roof of your car. "Now, listen. I know you ain't the religious type-"

"I will see you Monday, Baby Billy." You interrupt before he has the chance to invite you to church tomorrow. He shrugs, waving to you as you drive off.

That night, as you shower, you wonder if you were too rude with your rejection of his invitation. After all, you grew up going to church. Certainly not a mega church, but a church regardless. It's not a chapter of your youth and adolescence that you hold dear, hence your inclination to stay away from it all.

You set an alarm and wake up early Sunday morning... To get ready for church. You take this outing as a chance to demonstrate to Baby Billy and all the Gemstones that while your personal style may not mesh with their vibe, you've always had a way of blending in.

You put on a white dress with statement sleeves. Something to play off of the whole "voice of an angel" shtick. After perfecting the rest of the look, you leave with a satisfied smile.

You walk through the large double doors to the "Gemstone Worship Center" and look around. It's needlessly gigantic and overwhelming to take in.

"Y/N, is that you, darlin'?" Baby Billy's voice grounds you back on Earth. You turn to face him and he raises his eyebrows, shocked by your range of appearances. "Don't you look pretty this morning?" He grins, admiring your pearly glow in the white garment. He's elated to see you there. Not because he thinks you need church, but because he wanted to see you.

He introduces you to a few colleagues, and even Eli Gemstone reintroduces himself, shocked to learn you're the same woman from yesterday.

"Who is this with you today?" A tall, bald man with a thick African accent asks with a warm smile.

"Now, this is my girl, Y/N," Baby Billy gestures to you like a grand prize. Something about the title "his girl" makes your stomach flip, and you're not sure how you feel about that. "She'll be performing with me at Locust Grove."

The theatrical, pretentious service is long, loud, and feels uncomfortable the entire time, so it's hard to keep your mind and eye from wandering to anything else. Often, you glance at Baby Billy. He's brought you to his seats in the front area, so it's hard to drown the music out entirely, but everything does seem to muffle when you're staring down the white-haired enigma of a man before you.

After service, Baby Billy invites you to join the family at a restaurant called Jason's. You're hesitant at first, but Eli insists. When you arrive, the Gemstones are escorted to a level above the restaurant to a private section for their own VIP dining experience. It's frivolous to you, but it's nice to do something different for once.

After church lunch, the entire group congregates in the parking lot, saying their goodbyes and making promises to see each other next week. You smile politely, though a bit awkward, as you don't really know anyone besides Baby Billy.

"Nice get up, Rob Zombie." Judy Gemstone appears beside you, seemingly complimenting you, but she's just as confused as you are.

"Thank you, Judy. I just wanted to show that I know how to fit into a crowd."

"Yeah, well. You're not so bad, up there, on stage." Her tone sounds like she's accosting you, but her words sound genuine. As if she's not sure how to... Just be nice without intimidation tactics. "Singer to singer, don't let Uncle Baby Billy ride your coattails too hard." She struts off, linking arms with her husband and loading up into their lavish vehicles.

You feel a sense of comfort now, knowing Judy is just like that. It's nice to know you have another woman in the mix that you can look to as an acquaintance. Slowly, but surely, you find yourself melding into the atmosphere that follows people like Baby Billy around. You begin to feel more comfortable around the rest of the church leaders, though you realize rather quickly that there isn't much talk about God. It's nice.

As the weeks go by, you meet up with Baby Billy for practice every day. It's not the schedule you meant to give him, you just find yourself wanting to see him more and more. You delight in the strange way he talks and his charming mannerisms. You also think it's really funny when something goes wrong and he's suddenly not grandpa sunshine anymore, and he's kicking a speaker calling it a dick.

As the rehearsal window comes to a close, you and your co-star are inseparably close. On more than one occasion, one of you has slipped up and gotten a little too comfortable.

"Baby Billy, why does the mirror say something about washing my hands keeping me safe from Satan?" You ask, returning from the restrooms.

"That was song lyrics from back in mine and Aimee-Leigh's day," he laughs.

"Well, how do clean hands keep me safe in the eyes of the Lord?" You furrow your brow, in disbelief that anyone could believe this. Baby Billy is tinkering with the stage lights as they two of you converse.

"Well," he says, still messing with the light. "Just like those hands can commit sins, they can be washed clean by his mercy." He chuckles as if he already knows he's going to overstep. "Those look like sinner hands to me, darlin'." He winks.

"Sinner hands?"

"Ain't you ever done anything with those hands? Something the Lord might not smile upon?" He continues with his back to you, finally flicking on the light after his adjustments. Your face is hot and red with the realization of what he meant.

"Oh, yeah. I guess so." You shrug. Baby Billy turns to face you, taking a few steps closer. He's a good deal taller than you, so his lanky frame looms over you in a way that makes your stomach flip. He's barely a foot away, smiling down at you.

"You guess so," he repeats, tilting his head and grinning, letting the silence thicken for a moment. You give up on trying to fight back the blush in your cheeks, there is no way around it.

"Well, I guess let's get back to it," you clap your hands once in front of you as if to break up this moment and you take your position. Baby Billy just laughs and leaves you with a lingering confusion. The rest of the day, you can't seem to keep your head clear. A flip has switched and you find yourself lusting after this televangelist old man.

The two of you wrap up rehearsals for the day, but instead of leaving, you linger behind a little longer. You're unsure if it's nerves telling you to practice more, or if it's just you wanting to be around him.

"Next week is opening day," Baby Billy grins. The excitement is clear on his face with that brilliant, big smile. He takes a seat next to you and you both face the large, beautifully lit and decorated stage.

"That fast, huh?" You chuckle, trying to laugh away the knot in your throat so you don't have to swallow it.

"You're gonna be great up there," he says, catching you off guard. He seems to have mistaken your unexpected attraction as pre-show nerves. "Right next to ol' Baby Billy Freeman. This is a big break for you."

"Oh, it is?" You laugh.

"Look, I'm serious, now. The right ears hear us and we're signed and touring," he snaps his fingers. "Like that!"

"You sure you could handle being on the road with me? I'm kind of a diva," you joke. "If I don't get my beauty sleep, I look like a dead bug and I'll hit someone." Baby Billy bursts into laughter.

"I don't think a lack of sleep or even a semi-truck could deter what you've got goin', sweetheart."

"What do you mean?" You ask through a laugh.

"You're a looker, darlin'. You walk into a room and draw everybody's eye." His hands are animated as he speaks.

"Oh, yes. Flattery will get you everywhere," you laugh, lightly shoving his arm playfully.

"I mean it, now. You the prettiest girl I know." He shrugs.

"You're not so bad yourself." You smirk, leaning closer to him than you realized. He notices the closing gap and can't help himself, he leans toward you as well. Time seems to slow down just for a moment as you two share this closeness.

He glances at your lips, and then back up to your eyes. Your heart begins to race before the sudden, loud crash of the stage light Baby Billy messed with hitting the stage with great weight. You both sit up, startled by the sound, jumping away from the close quarters you'd just been in.

"Oh, uh," you regain your grip, realizing what poor business practice has just nearly taken place. You've fucked your boss before. You know it doesn't end well... "I should get going."

You stand and readjust your skirt, smiling nervously as you start toward the door. Baby Billy stands too, hopelessly searching for his next sentence, but for the first time in his life, he seems unable to find the words.

"Same time tomorrow, darlin'," he calls out to you as you step out the door. He takes a step over to the stage, sitting down and exhaling a big breath. What an old fool he'd have to be to think you'd want anything to do with him when you're so young-spirited and beautiful? Will that stop him? No. It won't.

The last few days leading up to the grand opening are full of those small, close encounters. One day, you tripped during dance practice and practically landed in his arms. You two locked eyes and it would've been done for right then if a janitor hadn't walked through the stage door. Another time, you were high up on a ladder, making Baby Billy hold it steady out of fear. The entire time you're above him in your dress rehearsal skirt, he can't seem to fight the perverted urge to glance up. When he does, he nearly loses his bearings. His face ignites red and he can't help but smile ear to ear.

It's no secret to either of you that some kind of tension has been brewing. Even the Gemstone siblings share a look of confusion when they see you two forget anyone else is in the room. Neither of you seems to notice how long your eye will linger on the other.

The Sunday of the Church's debut sneaks up on you after the last few days of having nothing but Baby Billy on the brain. You're less nervous about performing and more nervous about seeing him again. It's as if every time you two come together, the palpable tension in the air becomes thicker. You're certain you'll lose the ability to breathe the air around you if it gets any worse.

"You ready to make some magic, darlin'?" An excited Baby Billy startles you as he intrusively enters your dressing room.

"My God, don't you knock? I could've been naked," you laugh, perfecting your makeup in the mirror.

"I don't think you'd hear any protest from me, sweetheart." He winks and makes a quick getaway. To be honest, he wasn't quite meaning to say that part out loud. You're left red-faced and pleasantly shocked. The comments between the two of you have been growing more bold by the day, but that one takes the cake... So far.

You get dressed in your opening night outfit. It's a bit different than the one you wore to rehearsals. It's nicer, fancier, flashier, without all the dated glitz of Aimee-Leigh's 80's-esque dress that Baby Billy attempted to lend you.

It hadn't occurred to you that Baby Billy hadn't seen this outfit of yours. But his beaming, smiling face when the two of you step out in front of the crowd from opposite ends of the stage gives you a needed stroke of your ego. He holds an arm out to you, inviting you to his side as he introduces you and himself. It was established early in the arrangement that he'd do most of the talking, so you put on your best "quiet and pretty" act. You clap when the crowd claps, and you throw your hands up in "praise" when it seems appropriate.

Anyone who'd met you before this performance is genuinely confused by who they're watching right now. They expected you to give a hell of a singing show, they didn't expect you to play the full part so well. As you told them, you know how to blend in. The surge of energy that comes with any performance this in-depth carries you throughout the whole service.

With each song you sing, with or without Baby Billy, you cannot stop yourself from looking at him, over and over. Fuck the tension, something is building up inside of you and the adrenaline of the stage is only making it worse, for both of you.

Baby Billy bids the crowd farewell and you give a gentle wave as the two of you exit the stage, arm in pining arm. The very second the stage exit door closes behind you, muffling the sounds of the cheering and dispersing crowd, you and Baby Billy fall still, silent, and stare at each other for barely one breathless second and then your lips are on his. You both stumble for a moment before he steadies you, pressing you up against the nearest wall.

"God damn, Y/N," he whispers between hungry kisses. You pull away for just a second, just enough time to ask a question.

"My dressing room or yours?" Baby Billy answers that inquiry by reconnecting his lips to yours and guiding your intertwined bodies to his dressing room. It's the closest. The two of you stumble through the door and straight to the lengthy couch meant to make the room look more glamorous. He lies you back on the cushions and his two careful hands begin to wander.

"Darlin, you look incredible in this get-up," he huffs. "But I can't wait till I get it off of you." He quickly unfastens the buttons of your blouse and groans roughly just at the sight of your lacey bra-clad breasts. Soft, breathy moans escape your lips over and over as he gropes at you and grinds against you. "Now, you don't mind where this is goin', do ya?"

"No, shut up," you chuckle, pulling his mouth back to yours. Your hands rake through his hair and find their way down to his expensive, flashy belt buckle. He sits back on the couch, legs hanging off with his Italian leather shoes resting on the floor. He spreads his knees and you take your position between them. You're breathless with excitement as you free his erection from his slacks. The moment you wrap a hand around his shaft, you feel him still growing harder in your hand.

"God damn it," he sighs, tossing his head back against the couch. He wraps one hand in your hair, guiding your lips toward the head of his cock. "Come on, now. Don't make me beg for it." You chuckle at his eagerness, but you do as he says, wrapping your lips around his tip. Baby Billy sighs with relief as you slowly welcome him into your mouth. He gasps as you press your nose to his waist, taking his full length in your throat.

You bob your head up and down, still riding an adrenaline high that's enough to power through even the worst of neck cramps. He calls out small exclamations and whispers sensual praise, all of which makes the heat between your thighs burn hotter.

His moans become more and more vocal until he roughly pulls your head away, jerking you by the hair. You gasp at the pain, but it only fuels your fire.

"Get on up here, now. Let an ol' man get his kicks," he quips, helping you out of the floor before you take your place, lying before him on the couch. He buries his face in your neck, kissing away up and down your flesh as he continues undressing you. He unfastens the rest of the buttons on your blouse, slipping a hand under your bra and squeezing your breast eagerly.

"Come on, don't make me beg for it," you mimic his words, sliding your skirt up your legs, and exposing your panties. They're wet with arousal and he grins at the sight.

"I might just like to hear a pretty young thing like you beg to get fucked by the pastor." He grins deviously, pressing a gentle hand to your clit over the panties. "All this for me?" He chuckles, basking in the effect he has on you. After what feels like ages of teasing and edging, he slips the drenched underwear from your legs. The white-haired man stares in awe at your throbbing core, extending a hand to play with you.

He slips one digit inside you, earning a filthy, needy moan from your chest. Your mouth hangs agape with a gasp as he pumps his finger in and out of you, staring deeply into your shining eyes. He shakes his head, amused by his power over you and also in disbelief at the position he's in at this moment. Just a month ago you were a stranger with a beautiful voice on a stage he'd never taken a second look at. Since then, you've been the object of all his desires. How could he ever imagine you'd feel the same?

"Oh, my God! Please," you whine, arching your back as he fingers you. He chuckles, unsure how he's holding himself back. It must be how much he's enjoying the show.

"Shhh," he whispers, adding another finger. Guttural moans of heated pleasure pour from your lips like a waterfall. He eats up every second of it.

"You're doin' real good, now, darlin'." He positions his twitching erection at your aching entrance, playing with your arousal with the head of his cock. "Keep being good for me," he says as he slips himself inside. A long, needy cry escapes you as he slowly sinks to his hilt.

You stare up at him, locking eyes as his mouth hangs slightly open. He's breathless as your tightness squeezes him just right.

"Aw, damn, sweetheart," he groans, pulling back only to quickly slide back in. "You're somethin' else." He grunts and moans as he thrusts in and out of you, hastily picking up his pace. For an older man, he's incredibly virile. He fucks you for what feels like hours but is surely only a handful of steamy minutes. You squirm and whine beneath him as he steadily guides you to your climax.

"I- I'm-" you try to speak, but it's too late, he's fucking you into oblivion, riding out your high with a bright white, goofy smile on his face. He loves watching your face contort as you soak him with your orgasm.

"I hope you ain't done yet, sweetheart," he chuckles, sliding out of you. "Flip on over, now, darlin'. Let me get a look at that perfect ass you got." His praise ignites a wave of goosebumps across your skin. You do as he says, turning over and assuming a position on all fours, presenting yourself to him perfectly. He releases a breathy laugh, slapping both hands down on each ass cheek.

Baby Billy tightens his grip on your glutes and fervently tugs at you until you're lined up with his swollen cock. He slips inside you again, thrusting away at maximum pace. Your ass jiggles as he slams into you and he's hypnotized by the sight. His goofy grin has fallen to a serious expression as he chases his climax. He mumbles curse words and praise under his breath while pressing your back downward to amplify your arch.

"God damn, just look at you," he huffs, coming closer and closer to completion. "Whatever you want, Y/N, just say the word," he grunts between heavy breaths. "And it's yours, darlin'." You laugh at the way he offers you the world just from how good he feels inside you. It's a high compliment.

"B- Ba-!" You attempt to beg for mercy, but he's quick to cut you off.

"Shh, shh, now, sweetheart. Just... A little more," he groans, quickening his thrusts as he ends his sentence. He slams into you impossibly hard, incredibly fast, with both hands hooked around your waist. You release sensual cries of pleasure as he chases and finally catches his climax.

He withdraws from you, breathless and sweating. A string of lusty moans drips from his lips as he strokes himself until he finishes all over your ass. He stutters out a grunt before collapsing back on the couch. You're breathless, fucked out with your face buried in the cushion. The two of you fall silent for a moment as you catch your breath.

"Baby Billy?" You break the silence.

"Yeah, darlin'?"

"Could you pass me, um, a towel?"

"Oh!" He scrambles to his feet, tucking away his softening length. His unfastened belt jingles as he makes his way across his dressing room and grabs a towel from the neat, little stack of hand towels. "Allow me," he whispers, still catching his breath, as he wipes your skin clean, allowing you to comfortably collapse as well. He joins you on the couch, buckling his belt and straightening up his suit.

"That was... Amazing..." You sigh, somehow a little shocked at how well he just fucked you.

"It certainly was, Y/N. It certainly was." He lies back on the couch, allowing his eyes to fall shut. A hand reaches up to fix his disheveled hair. "Let's get them drawers back on you, now. We're late for Church Lunch."

You regain your composure and fix your clothes, sliding your panties back up under your skirt. After fixing your hair and your smudged makeup, you're ready to head to Jason's. You and Baby Billy arrive a few minutes after everyone else, and you take your seats next to each other. The table seems to grow quiet when you two join.

"Don't everybody start talkin' at once, now." Baby Billy looks up and down to both ends of the table. "What'd we miss?"

"From the sound of it, you didn't miss anything, Uncle Baby Billy," Judy scoffs. Baby Billy gives you a knowing look, grinning at you sweetly.

"No, Judy, I did not." He beams, proudly, placing an arm around your shoulder and planting a kiss on the side of your forehead.

•••••

Taglist: @justme12200 //

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dorkynerd23 · 3 months ago

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Why Green Eggs & Ham (GEAH) Is The Best Dr. Seuss Adaptation.🍳💚 (Analysis)

Hello Everyone!! Hope you're all doing good and well and everything's going well for you all. ♥️ Wanted to come here and discuss about a show, an incredible show that even after it's release and end, it's still a well-made and amazing show that still great all these years later, and the show I'm talking about and referring to is Netflix's Green Eggs & Ham, I'm gonna discuss about how it's the best Dr. seuss adaptation to date.

Now, before we discuss and talk about Green, Eggs & Ham, we need to talk about and mention the past Dr. Seuss adaptations and dive deep into them real quick. Now when it comes to adaptations to Dr. Seuss's work, most of the time it's either hit or miss, mediocre or just flat out terrible and awful. One thing I've gotta mention is that Dr. Seuss beforehand wasn't very open to adaptations to his work, with the reason being that he was worried and afraid that his characters would be used in context for things he didn't 100% and necessary didn't agree with. But that eventually changed when he came to the cartoon adaptations that we all know today and overtime would loosen up his views and allow more adaptations of his work. And the first adaptation of his work was an animated short called "Horton Hatches The Egg" (based on Seuss's book of the same name and this book came way before Horton Hears A Who, btw) which was released back in 1942 and going forward, Dr. Seuss would later begin working very closely with the adaptations to make sure they stay true to the book, to the source material and in 1966, Seuss would authorized eminent cartoon artist, Chuck Jones himself (who was a close friend of Seuss as they also served in World War II together) to make a cartoon adaptation short based on "How The Grinch Stole Christmas" which would become the Christmas classic we all know and love to this day, Chuck would also go on to eventually direct + produce adaptations of both "Horton Hears A Who" (1970) and "The Cat In The Hat." (1971)

Dr. Seuss sadly passed away and died at the age of 87 from cancer on September 24th 1991 and from that point until her own death in 2018, his widow, Audrey Seuss would have full licensing of her husband's work and eventually gave in to the temptations of hollywood adaptations of Seuss's work which would be the movie adaptations. Let's start with "How The Grinch Stole Christmas" which was released back in 2000, so to basically recap this film although I loved it as a kid and still kinda do, I see it as a guilty pleasure (now as an adult) and rewatched the movie not that long ago and I don't believe it's aged very well honestly.

There are some good things to this film such as Jim Carey as The Grinch himself, which is perfect casting and the makeup effects on him are incredible, you truly by him as The Grinch, there are some funny moments, I'll still watch it here and there around the holiday's and the set design is pretty good. But when you take off the nostalgiatic googles you can see the problems with the film, now..as I said, this film does have a good set design, but it's hidden underneath all of this murky colorless filter to the point it looks so dull to look at honestly, like there's not much life. Along with that, the movie is just incredibly meanspirited, almost everyone in Whoville is terrible (besides Cindy) and unlikeable, soulless and just care about materialism which I get is the point of the film, but it just goes against the message of the book, The Grinch shouldn't have to explain and spell out the message for the who's, HE'S the one who's supposed to learn the lesson not the other way around, but the movie just gets it totally backwards.

Now, although this film hasn't aged the best and there are so many issues with the film, there are some good elements to it, it's definitely not the worst Dr. Seuss adaptation and I'll still watch it sometimes around Christmas, but it just hasn't aged the best, but again..It's not the worst Dr. Seuss adaptation, no that goes to the next one we're about to discuss.

Alright, so in 2003 another live action Dr. Seuss adaptation was released, that being "The Cat In The Hat" starring Mike Myers. And I'll keep this short and simple as I wanna get this one out of the way, I also rewatched this film not long ago too and it still sucks years later, there is really nothing good about this film honestly. From the set design, to the acting, (especially from Myers himself) the makeup, especially the makeup and CGI. The jokes are also abysmal and this film doesn't capture anything from the source material and almost feels like a slap in the face and say what you want about The Grinch, at least SOME effort and decent stuff was added in that film, even not done the best exactly. But with this film, it's just awful and bad..you know a movie is terrible when Audrey herself said that her husband would've despised the film and prohibited any further live-action adaptations of Seuss's work because of how bad the film was. This film itself is honestly why Dr. Seuss was so hesitant and nervous to allow adaptations of his work and I still believe there is the worst Dr. Seuss adaptation to date, luckily the next few adaptations of Seuss's work (mainly when it came to the film adaptations) would be done in computer animation instead of live action.

So, after the disaster and failure of The Cat In The Hat, we ended up getting some more film adaptations of Seuss's work which would all be animated and those being "Horton Hears A Who", (2008) The Lorax" (2012) and "The Grinch" (2018) and we've got another adaptation in the works based on Cat In The Hat that'll be released in 2026 by Warner Bros. But for now, let's quickly discuss the other film adaptations and I won't dive super deep into them, I'll just quickly go over as I don't exactly have a whole lot to say about them, honestly. Alright, so "Horton Hears A Who" was the next adaptation and was released back in 2008 and it's the debatably the best Dr. Seuss movie but that's not really saying a lot, and I'll definitely say that it's definitely decent but there's not much to it, there is some charm to it but overall it's just a fine film. It's not bad or god awful, but not all that great either, the film kinda feels all over the place with its story and humor especially but mostly as a whole as it seems to be struggling to turn a short story into a full length film which that's a criticism you can say for the other Seuss movies as well. Sure the animation is nice and often pretty to look at and there are some jokes that land, but this film is just alright and is watchable. I'll definitely say that this film AT LEAST does understand the message of the book and the animation has I said is great and pretty and actually does lend itself well to the Dr. Seuss world, but overall this film is okay, it's definitely better than Cat In The Hat and it's not insulting garbage but there are better films to watch, but I'd say give this a watch if you're curious and haven't seen it.

Let's move on and discuss both The Lorax and The Grinch which were both made by Illumination, instead of giving these two their own sections I'm gonna to just to discuss them in their own paragraph here, so hopefully that's fine, lol! Alright, so when it comes to The Lorax...overtime, it seems to be kinda decisive especially over the years with some either hating, loving it, or just not caring about it. I'm more in the hating and not caring for it category, now in terms of adaptations, this isn't the worst one over what we've discussed so far, but it's still a bad and not very good film. First off, this film clearly has cooperate studio meddling written all over it, and I'm not just talking about the product placement in the film's marketing, (which btw, is counterproductive and goes against the film's message!) but I'm also referring to the big hollywood actors casting and pop songs, and just trying just so hard to hip and not understanding the source material in the slightest, this film kinda feels like it was made so make money and just never to be talked about again, and also feels dated as well too. That's not the only issues with the film, there's also other problems as well from the casting like I've mentioned, and I know star casting has become a huge problem and talkative subject over the years but the casting for this film feels off, I mean you've got Zac Efron playing a 12yr and Taylor Swift, and no offense to these two, but they were very miscasted and you can tell they only got these two to appeal and become they're famous, and not only that, there's also how they wrote The Onceler and just 100% redoing his character and just making him into this emo guitar player, Ect. This film is another Dr. Seuss movie that doesn't understand the message of the book, the book didn't try to oversimplify the environmental message by simply, "Yeahhh, man and humanity sucks, ahhh!!" It just was never that simple, it's NEVER that simple even in real life, and the book did a great job starting a conversation rather than simply pointing a finger at someone. I'll definitely say that the animation is gorgeous and it's colorful and seems to capture some spirit of the world of Dr. Seuss but it just feels wasted on such a weak story, weak characters, a genetic cooperate villain that's there for the film's message and nothing more rather than a fleshed out character, and overall a forgettable experience. Again, although this film is a mixture of bad and mediocre, it's still not as bad as Cat In The Hat.

And now we finally have The Grinch from 2018, which was greenlit by Audrey before her passing. And I'll say that I do remember watching this film in theaters with my mom and thought it was decent for what it was, but after rewatching the film for this analysis, I'll say that while the film has some flaws, it's definitely decent for what it is, the film does leave out some of the best parts of the original book and ended up changing the message of the story in general, it's not like the message they were trying to teach was bad or anything, the intension is there and this film still is fun and very colorful and I can see some heart and decent soul put into it , it's definitely a decent and alright film, and I can understand why some loved and enjoy it and think it's a fine film and think it's a lovely sendoff to the Dr. Seuss movie adaptations. (For now, at least)

ALRIGHT!! Now we finally move on to the adaptation that this whole post is all about, let's finally discuss the latest Dr. Seuss adaptation that's been released out to date, that being Netflix's 'Green, Eggs & Ham' that was released back on November 8th 2019. Now, I'll honestly say that I remember going into this show I didn't exactly have many expectations as knowing how past adaptations have been in when came to Dr. Seuss and his work, I didn't know what to expect and thought this show was be really bad or mediocre at the least, but I remember hearing positive things about the show and seeing images and clips of the show got me rather interested and curious, so I remember going onto Netflix and checking out the show and after watching all 13 episodes of the first season I was pleasantly surprised by how damn good and well made this show is/was, like everything about this show is incredible from it's talented voice cast, from it's animation, (the show looks great especially since tv shows that are based on movies don't have the same budget as the films) from the characters, the story and just everything. You can clearly see all the hard work, love and dedication that went into this show and could tell that the ones working on the show truly cared about Dr. Seuss and his work and wanted to make a show not just for kids but something for almost everyone can enjoy. Everything thing in this world when it comes to the show just looks, breaths and 100% feels like Dr. Seuss, I also love and appreciate the references to other Dr. Seuss books and while the other Seuss tv shows and even the films themselves (except for Cat In The Hat) they were also able to capture nail the look of Dr. Seuss but something about Geah feels different, it truly nails the spirit and world of Dr. Seuss and it's just a beautiful looking show on every level, the animators really poured their love and soul into animating this show.

And it only gets better from here, there's also other amazing things about the show especially when it comes to the writing, characters and the story itself. And with this show, instead of 100% focusing solely on the story of the book, this show instead decided to change the story up and intertwine the original story into this new one. So, in this show, Guy-Am-I (played by Michael Douglas) is an inventor and who's very down on his luck mostly due to his inventions and dreams always blowing up right in his face, after one of his inventions fails his chance to going to Meepville, Guy decides to quit inventing and throw away the towel. Eventually, Guy runs into Sam-I-Am (played by Adam Devine) who's this chipper, loveable ball of sunshine who stole a creature known as The Chickeraffe ("Mr. Jenkins") that intends to return it to its natural habitat and have it reunite with its mother. But after getting their suitcases mixed up and when a mysterious agent duo known as "BAD GUYS" show up and attempt to take the Chickeraffe, this results in both Guy and Sam teaming up together in order to get to Meepville to save Mr. Jenkins and get him home. Now, while this story especially with its main characters, we've seen this type of storyline a million times before as it takes two characters with different personalities and putting them together as they learn to get along and know more about one another, being another typical buddy road trip formula. But it actually works very damn well with this show, throughout the first season, we see that Sam is able to have a huge impact on Guy and his life, in the beginning, Guy starts off as a closed off, grumpy frustrated individual who's very down on his luck and doesn't like anyone. Meanwhile Sam on the other hand, is very upbeat, loves life and is sweet and kind to almost everyone he meets and likes everybody. Again, while we've seen this type of thing many times before, this show does this type especially many other tropes that are shown in this show pretty well, and throughout the first season we actually see the characters grow, we see Guy starting to be more open and confident and even becomes more happier and even starts doing more with his life and trying new things such as inventing, friendship, family, love, ect.

And I think what also makes this formula work is the believable friendship and dynamic between Guy and Sam, it's incredibly well written and you truly do believe in their friendship and their dynamic and interactions is great!! The two clearly have an impact on another one another but Guy especially and while the first season was mainly focus on Guy and his journey, the next season gives a lot of focus on Sam when it comes to him wanting to find and reunite with his mom, but we'll get slightly more on that a little later! But Sam is also another great and well developed character and he's an example of an annoying character done right which can be a very tricky task, he's a character who's annoying but not annoying to the audience. Sam has such a likeable and loveable presence and charm, with some of that coming from Adam's wonderful performance, but I was never at all annoyed with Sam one bit and loved the depth they gave in S1 EP10 and showed his connections with Green, Eggs & Ham which felt powerful and heartwarming. And the Green, Eggs and Ham aren't there just to just be mentioned here and there, and to teach the message when it comes to Guy trying them, but also represents and shows just how important and strong Guy and Sam's friendship truly is. ❤️

There's also other memorable and great characters in this show, we've got characters from the book such as the fox, the mouse, and then you have the goat, in this show they're all changed and are good in their own right. First you have the fox, named Michael, who's this an eccentric guy who's basically obsessed with green eggs and has a huge crush on a green chicken named Sandra, and it's just incredibly hilarious as hell and pathetic in a way but just funny, then you have the mouse who's basically a parody based on "Jean Valjean" from Les Misérables and the running gag with him is that whenever he talks, basically nobody especially Guy and Sam can't understand him and only hear squeaks, he also has this huge song that dives into his backstory and it's supposed to be sad but you can't help but kinda laugh at it. And then you have the goat himself, who's basically this unhinged, nonsense badass bounty hunter sent by Mr. Snerz and will pretty much stop at nothing until he gets and captures the chickenraffe. He speaks with a strong spanish accent and he's kinda like an antagonist but he's extremely memorable and fun, he also this pretty fun and great fight scene with Mr. Jenkins in S1 EP9 up on a snowy mountain and not only does the animation sand out during this scene but it's indefinitely entertainment, it's interesting that a Dr. Seuss adaptation of all things would have things along with other great things in this show.

Let's also talk about the other characters they added in this show, that being "The Bad Guys" and "Michellee and E.B." and the main villain of S1, "Mr. Snerz." These characters weren't in the original book and are entirely new characters but similar to the other characters, they're good in their own right. We've got the agents themselves, McWinkle (played by Jeffrey Wright) and Gluntz, (played by Jillian Bell) we've got Mcwinkle who's the serious guy who's on his last mission and wants to get the job done as soon as possible, while his partner, Gluntz is basically the optimistic rookie and basically the opposite from Mcwinkle. And again, while this show does use tropes that been done to death that get tiring, that's kinda the point and this show does new things and does these tropes well that it doesn't exactly bother me all that much, honestly. Mcwinkle is a good and interesting character, although he might seem cold-hearted and serious he does care about his job and also despite his gruff persona, he does care for animals and others and just wants to keep everyone safe and both he and Gluntz aren't bad people, they're just doing their jobs and are just flawed almost like all the characters. Meanwhile with Gluntz, she's just the absolute and I love the hell out of her, although she can act serious and tough, but she just so fun-loving and chaotic and she's the best girl. Really do love Gluntz though, she's plucky, sweet, and just hilarious and some of her moments of the show are my favorite!

Now we have Mr. Snerz, (played by Eddie Izzard) who's the main villain of the first season and he's basically this famous rich businessman who wants to have the chickenraffe and mount it to his wall, and he doesn't want him dead and want his head on the wall, no he just literally wants him tied to the wall so he can keep the chickenraffe there for the rest of its life so it can never escape, and Snerz did that with all the other creatures he owns. Now, I didn't have many opinions about Mr. Snerz in the beginning and thought he was fine but also thought he was gonna be this typical one dimensional bad guy who wants to steal creatures for money and all that jazz, the same type of villain we've seen before. But, he's not exactly like that, he can be just as funny as the other characters at times and has a interesting solid motive for doing what he's doing and it's shown through his backstory.

And then you finally have Michellee and her one and only daughter, E.B. Now, I'm gonna dive deep into these two the best way that I can especially with Michellee as I feel she's been hated for wayyy too long (especially by some certain shippers and fans in the Geah fanbase) and deserves so much better and I'll show that she's not as bad as some try to claim she is. Now, Michellee is very overprotective and cautious who wants her daughter to be safe and okay, while E.B. is a rebellious kid/teen who wants to explore and have fun and do things that kids around her age do. And again like before, while we've seen this done before, just like the show itself and both Sam and Guy themselves, Michellee and E.B. are great and developed characters and their relationship is very well done, they're also on their way to Meepville only for Michellee to enter a literal bean contest and they end up meeting with our main duo multiple times throughout the first season and we get a nice bond between the four main characters. Both Sam and E.B. form a sibling type dynamic/friendship meanwhile both Guy and Michellee form a relationship of their own, now..I'll definitely say that one of the flaws with this show was the ongoing misunderstanding when it came to Michellee and Guy which became frustrating and repetitive, and it doesn't help that most of Michellee's moments kinda resolve around this and I really do think it could've been handled better.

But the way I've seen some of these fans especially when it comes to GuyXSam shippers, say that Michellee is a awful and terrible person is just frustrating as hell and ridiculous. It reminds me when it came to The Owl House, some tried to claim that Camilla was a terrible mom, which is downright not true and it shows people don't get it. While yes, Michellee was overprotective and her being too clingy only caused her to push her daughter away and feel alone, but the point of the show and the story itself is to NOT judge something or someone before giving it a try, without giving it a chance and these characters DO ACTUALLY GROW AND DEVELOP!! Over the course of the show we do see Michellee slowly learning to get out of her shell and try new things, and allowing her daughter to have fun, we learn that Michellee used to be a painter years ago but when her husband unfortunately died (when E.B was very small) she gave up her dream and moved on and this is possibly why she started to become more protective of her daughter, as she didn't wanna lose her either. Michellee clearly loves and cares about her daughter with all her heart, she's not perfect and she's very flawed (just like all the other characters in the show) and we do see her starting to be more open and by the end of the season, and even through some moments of Season 2, we see she's developed and has grown. Michellee isn't a bad parent, NOT in the slightest, she's a caring and loving parent that only wants to keep her daughter safe but she doesn't realize that doing so only pushed her daughter away and made her feel alone, and I really do by the mother/daughter relationship between her and E.B. and find it believable, like all the other characters, they are very flawed and the point of the show is for them to change, grow and give new things a try! (^-^)

Meanwhile with Guy and Michellee, although the two didn't get along and hit it off at the start due to Michellee being unimpressed with Guy's inventions due to them literally exploding, as the show went on and the more times the two met up one another one they start seeing that they actually have some things in common. Both are quiet, keep themselves, along with being reserved, and despite the annoying and cliche misunderstandings and writing choices when it came to how their dynamic was done in during some points from the first season, the relationship between both Guy and Michellee is honestly rather sweet. It's nothing too deep or groundbreaking, but they definitely are cute, adorable and just wholesome together and you do genuinely believe that the two do love and care about one another, both Michellee and Guy go through the same character arc's only with slight different circumstances, with both characters starting off not trusting the world or anyone around them and wanting to be left alone but both eventually learn the importance of not being afraid to try new things! 🙂🩷

Now, I'll quickly mention the second season real quick and while this season definitely isn't as good and amazing as the first one was, it's still a decent nice watch and there are some elements of the second season that I did enjoy. Firstly the animation is still incredible and well done and there is still clearly effort and love poured into the show even if this season wasn't as good as Season 1. And I did love some of the new characters they added such as Looka and Pam (Sam's Mother) and thought they were interesting and fun enough characters and I did love what they did with Pam. Although, she does follow into a trope we've seen before, what they did with her was still well down and you can clearly tell that she does love and care about Sam and similar to all the other characters, she's flawed just as them and isn't perfect, but she's not a bad parent or a bad person either, and while with Looka, although I don't have a whole lot to say about him exactly, I still really liked him and found his relationship and romance with E.B. very cute and adorable and I really do love their dynamic with one another and ship them, but as for the other characters I do think they could've been handled a little bit better but they're still fine enough characters on their own and I do think the route they went with the story also could've been handled better and could've been a little darker especially as the story they went with for S2, was based and took inspiration from another Dr. Seuss book called, "The Butter Battle Book" which was an anti war book that was written during the Cold war and I think they really could've done something different and make it more darker, but what they went with was fine and okay for what it was, but I think it could've been handled better and now certain characters act and are underutilize was also an issue with the second season, but for what S2 was its definitely a decent effort and they could've done something so much worse, the soul and heart of this soul is still there even if it lacks in some places, it's still a good season and I like it for what it is despite its flaws and issues, I still enjoy it. 💙

Overall, Green Eggs & Ham is an incredible and wonderful show that's very underrated and should be discussed and talked about more, this is a show that truly understood the message of the book and the source material itself. This show took inspiration from a short book and expanded upon the message and fits perfectly to not just the Green, Eggs & Ham but also to the characters as well too as we see them try new things and develop over the course of the show and I think the lesson of the book can apply to all of us as well too honestly. Live life to the absolute fullest as it's filled with many opportunities and about discovering new things but in order to that, you'll have to get out there and do what you love and just give new things a try and don't giving up and keep trying, even when life is tough, difficult or feels rather pointless, keep pushing forward and trying things! You can tell everyone who worked on Geah, truly care about Dr. Seuss and this book and wanted to do the show justice and they 100% succeeded. Even after the show's conclusion, this show is still amazing, delightful and just absolutely wonderful, it's filled with so much love, passion, it's well crafted and it's just a masterpiece honestly and it's most definitely the best Dr. Seuss adaptation!

If none of you haven't seen this show before or even heard of it, I'd highly recommend this show as it's a great and fun watch and it's 100% worth your time. This show is for everyone and even if you aren't that familiar with Dr. Seuss, you'll still very much love and enjoy this show. Please everyone, give this show a try and check it out, it's worth it. 🫶🩷

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