#Action Comics 1000

[batmancurated]

batman & superman by clay mann

[comicchannel]

DC Multiverse Superman Action Comics #1000 - McFarlane

Link para compra BR: https://amzn.to/3MUhZHb

Buy here: https://amzn.to/3mIkBgD

[comicsclex]

[whywoulditho]

has anyone ever written a no capes DC AU where Jason's pit rages are switched into OCD/intrusive thoughts?? because that's a concept i literally can't get out of my mind. i tried to write a pit rage once and i noticed the way i'm describing it is a literal projection of my intrusive thoughts back when my ocd was that awful. so i thought i might try to write something like an OCD!Jason fic but if anyone's read something like that before please let me know!!

[splatsvilles-fashionista]

The appeal of One Piece

I know everyone's a bit sour on One Piece after the clown stunt tumblr pulled, but with the live-action series out and the anime popping off on social media, there's more eyes on this goofy pirate story than ever, and I've been dying to talk about it, so now's the time.

A lot of the conversation around One Piece is steeped in hyperbole, and it's hard not to be hyperbolic when you're talking about a work of almost unprecedented length and popularity. With that in mind, I wanna try to explain what makes One Piece so good in a way that is concise, spoiler-free, and that will give you an idea if this might actually be a story you'll enjoy.

And I do actually think a lot of people who would enjoy One Piece are currently writing it off, and I think a lot of the blame lies on assumptions people have about shonen as a genre. One Piece is no doubt a shonen, with young and teen boys as the primary demographic, but it is also first and foremost an adventure story about a group of quirky outcasts setting out to follow their dreams, despite (or often in spite of) the crushing weight of reality.

But you can't have an adventure story without a world to set that adventure in, and what a world Eiichiro Oda has crafted. One Piece manages to feel like it has fully realized an entire planet, with every island we travel to having a very distinct sense of culture and visual identity. A lot of care has gone into building the history and politics of these places, and the mechanics by which their more out-there elements, like the sky-high ocean geyser or the mountain with an upside-down waterfall, function. As such, it is a setting that afford its story a lot of variety, while also being able to tackle a lot of very heady topics like authoritarianism, racism, and abuse in intelligent, nuanced ways.

But just as important as all of islands we visit are the wonderful characters we meet. A lot of people aren't into One Piece's exaggerated cartoon aesthetic, and I respect that, but it does lend itself to a lot of very unique faces and body types that make its cast of 1000+ characters a joy to behold. This is admittedly less true of the more conventionally attractive women, many of whom look very similar, but this is does not extend to their writing. Oda is very good at imbuing his characters with life, pulling on their histories to give them personalities and quirks that are often as funny as they are sad. Everyone I know that reads One Piece has a side character that they stan hardcore for, be it the lovable klutz Donquixote Rocinante or the petulant ghost girl Perona.

And all of this is especially true for our protagonists, the Straw Hat Pirates, each one of which is a deep, multifaceted character whose drive and dreams can be traced back to their often heartbreaking origins. I know I mentioned it at the top already, but at its core, One Piece is ultimately a story about a group of hurt, lonely individuals who find in each other not just friends, but a family that will support and protect them as together they chase their dreams in the face of a world whose systems have been built to squash them underfoot.

All of this is brought together by Oda's exceptional artistic skill. While as mentioned earlier, One Piece's cartoony artstyle isn't for everyone, it's by no means an accident. One Piece is a story set in a cartoon world, and Oda is able to give even his most ridiculous characters and places a tangible sense of physicality, making everything feel real within the confines of the page. While Oda has a team of assistants to help him, he still does the brunt of the art himself, and his dedication to his craft means the comic is full of panels that are breathtaking in their complexity and visual density.

But it's not just his technical skill that makes the art of One Piece so good, it's that Oda is also very good at letting his art speak for him. Compared to a lot of other big shonen manga, One Piece doesn't lean as heavily on the dialogue to give the readers all the necessary information, but can convey a lot of what is happening and how characters are thinking and feeling through its artwork. There's some sections where this doesn't hold as true (and they are frequently less well-liked as a result) but it makes One Piece a far lighter read than its soon to be 1100 chapter-count would make you believe.

But the thing I think makes One Piece the most exceptional of all, and what makes me recommend it despite its length, is that as a story, One Piece has a remarkable clarity of vision. One Piece has a stance and a worldview that it does not waver on, and it is present from the very beginning. It's is romantic story, about the power of faith and dreams, about people's right to be free and be who they want to be, and about how the beauty and wonder of the world makes its worth its danger and uncertainty.

One Piece knows what it wants to be from the very beginning, and because of that you don't have to wait for it to get good. A problem that a lot of longform media struggles with is that the opening hours are a slog to get through, because it doesn't show you its hand early enough for you to know if it's something you'll like, and that is not a problem One Piece has. It is exactly what it is going to be from the beginning, only in a simpler, cruder form that it is going to expand upon to become the sprawling pirate fantasy epic it has grown to be. This clarity of vision also makes One Piece very rewarding for attentive readers, as it frequently hints at future places and characters, and plants story seeds that it pays off hundreds of chapters later. It does a lot to make the world feel big and interconnected, and makes One Piece very fun to re-read as you pick up on things you missed the first time around.

It is frequently recommended that new readers start with the initial 100 chapters, the East Blue saga (which is what the live action series adapts, for the record), to see if One Piece is right for them, and that's the note I am going to end this post on, as well. East Blue uses its 100 chapters to tell a fairly self-contained story that introduces the first half of the core cast, setting the stakes and building its world while giving you plenty of interesting places, bizarre creatures, and wacky action all the while. It is One Piece showing you its hand, with the promise that if you like what you see, it'll have so, so much more in store for you

[comicsclex]

Motifs in Clark and Lex's relationship:

Stargazing (Birthright #7, Action Comics #1000 "The Fifth Season", Last Days of Lex Luthor)

"Shut up and fly!" (Superman #282, Superman vol 4 #35)

Clark crushing the phone upon hearing Luthor has escaped (Superman #135, 416)

“Thanks for everything!” (Superman's Girl Friend Lois Lane #23, Superman #416)

"Our city" (DCeased #5, Superman vol 6 #3)

The Rocky Mountains (Superman #230, Superman Annual #12)

Freefalling together when depowered/compromised (Superman #282, #653, Action Comics #986)

Lex pointing out they're both outsiders (The Secret Years #2, Action Comics #1050)

[colleendoran]

Neil Gaiman's CHIVALRY: From Illuminated Manuscripts to Comics

One of the many reasons I wanted to adapt Neil Gaiman's Chivalry into graphic novel form was to create a comic as a bridge and commentary re: comics and illuminated manuscripts.

We're often told that the first comic book was Action Comics #1 featuring Superman, a collection of Superman comic strips that morphed into comic books as an art form.

Sequential art predates Action Comics #1.

Action Comics popularized sequential art book storytelling that had already appeared in other forms in fits and starts throughout history. Comic books didn't take off as a popular medium for several reasons, not least of which was the necessary printing process hadn't been invented yet and it's hard to popularize - and commercialize - something most people can never see. 

You find sequential art in cave paintings and in Egyptian hieroglyphics. I've read that comics (manga) were invented by the Japanese in 12th century scrolls.

And sequential art appears over and over again in Western art going back well over 1000 years, and in book form at least 1100 years ago.

The most obvious example of early sequential art in Western art - as a complete narrative in sequence - is the Bayeux Tapestry. 

At 230 feet long, this embroidered length of cloth was likely commissioned around the year 1070 by Bishop Odo, brother of William the Conqueror. It depicts the Battle of Hastings in 1066 and the invasion of England by the Normans. (The tapestry was made in England, not in France, but it is called the Bayeux tapestry because that's where it is now.)

Imagine what a task it was to embroider this thing. Whew. And you thought it was hard learning Photoshop.

This work of art is important in the history of sequential narrative, but the Norman invasion is also important to the legend of King Arthur - and another important English legend - for reasons we'll get into later. 

It's complicated.

All this is why you see this art in the background of this page of Chivalry.

Using the Romanesque art style of the tapestry in panel 1, I've added the Latin phrase "Rex Quondom, Rexque Futurus" - "The Once and Future King", the final words of Sir Thomas Malory's Le Morte d'Arthur as inscribed on King Arthur's tomb, and the title of T.H. White's famous Arthurian novel.  (EDIT) and it has been kindly pointed out to me that QUONDOM should be QUONDAM, which is hilarious and annoying and this is how history gets rewritten by accident.

My original intention was to draw this Bayeux Tapestry scene out and juxtapose it with shots of Galaad interacting with the children, but the two page sequence I imagined didn't really work as well in reality as it did in my head. 

Foremost among my concerns was that the tapestry reference might be too obscure for most readers. I wanted to weave the visual meta-text of Chivalry into the story (For further reading on this project and my use of visual meta-text, symbolism, and history in Neil Gaiman's Chivalry, go HERE. And HERE. And HERE. And Yet again HERE.) in such a way as it would enhance the experience for people who "got" the visual meaning, while not dragging things down for people who didn't. So I cut this scene down to one panel.

The tapestry is a complete, long form comic strip created over 1100 years before some people claim comics were invented. So, I loved being able to reference it here.

But even more interesting to me are the sequential art sequences that appear in illuminated manuscripts - comics in book form.

I once got into a rather vicious argument with an academic who insisted illuminated manuscripts were comics. I said no. She said yes. Then she insulted the lowly comic artist and blocked me on Facebook.

Whatever.

My point was not that you can't find sequential art in illuminated manuscripts. My point is that an illustrated book isn't de facto a comic. Most illuminated manuscripts are illustrated books. Some illuminated manuscripts contain sequential art.

Just because opera is music, that doesn't mean all music is opera.

Just because comics books are books that doesn't mean all books are comic books.

And just because some illuminated manuscripts contain sequential art, that doesn't mean all illuminated manuscripts are sequential art.

But one is.

Let me show you it.

One of the earliest examples of an illuminated manuscript with comic art is The Bible d'Etienne Harding which you can see in this really bad jpg here, sorry, best I could find.

Created around the year 1109, property of a French Cistercian monk, it combines sequences like this with pages of text and illustration.

Not a comic book IMHO, but an illuminated manuscript with sequences of text, illustration and sequential narrative.

It's no more a "comic book" than a newspaper is for having text, illustration, and comic strips in it.

IMHO, academic lady.

And here's a look at the Old English Hexateuch (hexateuch refers to the first 6 books of the Bible) which I think is far more visually complex and interesting work, and comes much closer to the illuminated manuscript as comic, but still intersperses large sequences of text and illustration with sequential storytelling sequences. So I don't consider it a comic, but a book with sequential work in it.

Now this work below is a different matter. This is from the Holkham Bible Picture Book, circa about 1330.

This thing is genius. It measures a little larger than a modern comic, around 8"x11", and almost every page of it is like this spread here. 231 pages of beautifully rendered art, with repeated use of banderoles - "speech scrolls"  (basically word balloons) -  and captions, and (mostly) real sequential art. I've never seen anything else that comes even close to it, and by all accounts, neither has anyone else. 

It may not be a modern comic book - but it's a comic book as far as I can tell. I don't think there's any other illuminated manuscript that is as complete, sophisticated, and innovative a sequential storytelling work.

If this were printed and seen by more people, the comic book medium would have taken off centuries earlier, IMHO. But it wasn't. It was tucked away in a monastery somewhere and few people ever saw it. It ended up being forgotten for centuries until it popped up again around 1816 when a banker sold it to an avid book collector, Thomas Coke, Earl of Leicester, who inherited Holkham Hall and its library and set about restoring and expanding it. 

The banker wrote, “a very curious MS. just brought here from the Continent. . . which I think one of the greatest curiosities I ever saw”.

Sequential art got invented over and over and over by one artist after another until one day centuries later, some teenaged boys found their newspaper strips gathered together in a cheap format, and suddenly comic books were popular and like new.

And then a lot of people who didn't seem to realize that books had had pictures in them for centuries got all up in arms about the harms of books with pictures in them.

I think it's funny that it is called the Holkham Bible Picture Book. There really was no "comic" art language when this work was created or when academics began to catalogue this sort of thing. Will they change the name now?

Who can say.

Anyway, another Holkham Bible Picture Book reference for you.

Look familiar?

I referenced it in this scene in Chivalry.

One of the fun things about the Holkham is that it opens with a discussion between a friar who has commissioned the work and the artist. The friar admonishes the artist to do a good job on the project because it will be shown to important people. And the artist responds, "Indeed, I certainly will and, if God lets me live, never will you see another such book."

He wasn't kidding.

You can see the entire manuscript HERE. 

Sponsored by my Patreon. Thank you.

[cryingalexanders]

Source: Smallville s2e17 "Rosetta" & s2e18 "Visitor"

Source: Superman: Birthright #6, #8

Source: Action Comics #1000

Source: Last Days of Lex Luthor #1

[toorurii]

if you had to make a dating sim of your ocs who would be in it!!

oh my god anon you don’t even know......... I am the dating sim / otome guy of like 11 years this is my REALM!!!!!!!!!!!!!!! Tbqh I have a little side project on the backburner of making a mini gimmick-y dating sim so initially the answer is like. All of them (though I do plan to make an entire new round of ocs for it so nothing weird happens) but lets see if I can whip up a cast real fast

Basic loverboy route would be Vlad! He's the classic quirky sweet guy with no crazy skeletons in his closet. His route could have a little angst / hurt-comfort in it though on his end bc he does have an aversion to seeing people bleed if anyones into that (hes a vampire so....the math)

Slightly meaner would be Sachiko! She's not purposefully mean but definitely pretty aloof and blunt, sort of like the '🙄 gosh ur so hopeless' type of vibe but she loves u. It's very slowburn with her and a big thing is getting close enough for her to share HER love as opposed to just taking (She's a Demon god, specifically Greed!).

GENUINELY mean route for the tsun-likers out there is Mateo! He's like NOT nice but he's very comically mean and entitiled in a way where it's funny / almost pathetic. She's more actions speak louder than words though so while she's spewing venom she'll still stick around through thick and thin! There's also so much repressed mess with her so the layers need to be peeled back

sorry that it's a sketch and 5 whole pixels I’m revamping her rn but Biancas the more mysterious and dangerous route (only for the girlies)! She's like a top notch assassin so I can imagine setups where either the MC is her mark or MC witnesses something they Shouldn't. The way to her heart is to get under her skin bc she's very guarded with a nonchalant front which makes talking to her a minefield

Final 'True' route would be Dizzy I feel! They're shrouded in 1000 layers of nuance, symbolism, and mystery and they're sort of a freakazoid at first glance (and just sort of unpleasant / mean-girl-esque... they're also very fast to throw the first punch a lot) but in the end they're a lover through and through and it becomes clear at some point that they would do Very Heinous Acts for love.

anyway... ty for asking I have a problem ❤️ There are def more ocs I could have included bc I have a bajillion of them and also some ocs that cannot be near a relationship with a 10 ft pole but I still want them (Miah.....Agape.......... Basile.... Harlem...)

[rei-ismyname]

X-MEN #7 From The Ashes

Possibly the biggest downside to the circular, repetitive nature of X-Men comics is that real life is awful enough. Jettisoning the hope of the Krakoan age for the misery porn of From The Ashes feels kinda callous and depressing in a world where there are multiple ongoing genocides and the USA just said yes to fascism again. Nevertheless, join me in some light escapism - a little Magneto goes a long way. Spoilers for X-Men #7.

I've also been spelling Jed Mackay's name wrong. Sorry

Running throughout this issue is Magneto's flashback to The Iron Night. The 'this is Logan behaviour' exchange from the previews has been all over my dash and it's great to get more of this dynamic. It's fantastic to see someone in universe say it out loud - Logan is a whiny little bitch, often a hypocrite, and can be blind to his immortality privilege. Scott knows that better than anyone - his wife's boyfriend throws a tanty like no other. They love him, but it's another reason why he's not the best Wolverine. I hope 'Logan behaviour' sticks around in the fandom.

This is Logan behaviour, Idie

I appreciate the informal nature of the Piper discussion. For one, you don't want to scare the kid or make her feel unwelcome. Idie said that she 'couldn't wait for you (Cyclops) and Magneto' re: Idie - having Psylocke be the one to spell it out for her is effective. The X-Men IS a team and the stakes are incredibly high. Besides, as Beast said in my first screenshot they have a Cerebro. This test could have been done from afar without the risk, and it's implied that it was.

I'm enjoying seeing Idie behaving compassionately, but it looks like she's got some serious anger and mistrust of authority (both justified) from Krakoa. It's great she's getting this kind of character focus and I hope it's followed up on. So many threads and beats have been setup that are likely to be disrupted by the Raid on Graymalkin event kicking off next week, but I'll reserve my judgement on that for when this first arc is concluded.

This is Logan behaviour, wild sentinel.

Gotta love Max and Scott's friendship being shown as they drink crappy beers and bask in Magneto rhetoric. I don't want to question the expert, but is this sentinel Wild or wild? It's clearly not an ORCHIS Iron Man model, but Wild Sentinel has a very specific meaning.

Okay, clearly Wild. It's not attacking either of them, though. Kind of Cyclops to spell out the Star Trek Borg adaptive schtick they've got going on. This is the action scene of the issue, the mandated violence.

I don't mean that entirely pejoratively either. I'm just as susceptible to the Magneto and Cyclops power fantasy as the next person, though it's a bit of a dirty trick to wait until issue 7 to show it.

This is NOT Logan behaviour, Magneto.

Sigh. I love your sense of drama Magneto. Play to the crowd, old man. I hope your monologue doesn't become ironic. Oh wait, we already know it has. This could have been a clever moment.

Uh oh, looks like his knees are weak and arms are heavy. Vomit on his sweater already...

So we see the moment Mags' powers start to shit the bed, right after a Wild Sentinel attack. I'd be suspecting Cassandra Nova's involvement just off these two data points tbh. Which idiot resurrected her anyway?

Oh, fuck off. Logan behaviour, Mackay.

R-LDS sounds like horse shit to me. Scott says 'we don't know that for sure' so how does this speculative condition have an acronym already? Mags is speaking as if it's a fact, but he doesn't even have the same body The Five resurrected. Maybe he has Umari-Key-Waiting Room-Brashear Portal Syndrome. Obviously he's scared but this feels like an idiot ball moment, and a cynical jab at Krakoa. The Five was something they got right, even with Sinister in the mix. The implications would be insane. 16 million Genoshans were resurrected, 250k Krakoans (give or take), a whole bunch of vulnerable human children via The Phoenix Foundation, Captain America, and 1000 fucking years of Sinisterized clones etc that had nothing of the sort.

No, there's way too many data points that apply to Magneto alone to make seriously considering The Five's resurrections as the source of patient zero's malady. It would be scientifically irresponsible to get to the point of naming it and then an acronym for that. Mags is good enough at science to know this, and Beast is too. I'm no scientist, but it manifested during a fight with a Wild Sentinel. I assume they have better resources than the Marvel wiki I'm using, but that robot/Cassandra Nova is my prime suspect - the lady they know for certain to be involved in ongoing genetic fuckery - activating X-Genes. Though not Piper Cobb...

Or yes Piper Cobb? Smash cut cliffhangers aside, this would be a great time to retcon Homo Sapiens Superior right the fuck out of existence. It's never made sense, and not just the 'Superior' part. Again, I'm not a scientist but I'm certain that's not how phylogeny works. They're mutated humans, but I don't live in 616 which canonically operates on impossible physics, so idk. My fingers are crossed but my expectations are nil.

That is Logan behaviour, masked kidnapper

Okay, we'd known from solicits that Beast would be getting beat down in captivity at Graymalkin. I had speculated he'd give himself up to get inside, but the ol' bag over the head works too. I dig his outfit.

X-Men #7 is worth reading IMO, and it's one of the better ones based off Magneto content alone. Last issue I wrote that the formula was becoming easier to spot, and I stand by that. A handful of character moments, some new information about one of the ongoing mysteries but it piles more questions on top of half answers and speculation. For example, we get to see Scott and Max fight a sentinel and be friends. There's new information there but a LOT more questions. The characters are at the point of absurd speculation which raises tension but doesn't make them look very competent. To kick off the event 'Raid on Graymalkin' they went with a final page bag over the head instead of any choice and comic book events notoriously derail everything so friends can argue and punch each other.

All that said, it's only *just* acceptable in my opinion - and that's the best I can say for the rest of the line too. We know that there's been ongoing issues with writers simply not knowing major Krakoan plot points, though they probably have the excuse that they were writing before FOTHOX/ROTPOX ended. Surely there's someone in charge of overseeing all this, like Hickman was as Head of X. *Looks at the credits* Tom Brevoort - Conductor of X... That's a fancy way to say 'line editor/hatchet man.' I'll stop there and save it for the From The Ashes piece I'm doing, but spoilers: I'm not impressed with how this guy keeps failing upwards.

What did you think? Thanks for reading.

[mjdrawsalot]

Jon Kent (pretty much) Complete Reading Order

Compiled first for my personal use and tidied up for @jonkentweek ! Goes up to June 2024 and includes every appearance of this character that I could find. I used ComicVine's archive to track these down, which is both fallible and constantly being updated, so there might be some mistakes. Also, I did my best to highlight the occasions where Jon was a significant character in a story and to skip the ones that were just a non-speaking, one-panel cameo, but those were personal judgements and your mileage might vary.

Color key (and apologies for the eye strain): Red are issues in which Jon is a central character, not just a cameo, Blue are crossover events, Orange are stories that take place in alternate universes/are non canonical

Optional stuff you can read for historical context:

Whatever Happened to the Man of Tomorrow? (1997) a classic possible future story, which is, to my knowledge, the 1st time a character named Jon who is Superman’s kid appears

Son of Superman (1999) a self-contained, now AU, story about a teen Jon Kent, very classic 90s young adult comic with all the tropes that come with that, but enjoyable as the proto-iteration of Jon as an idea

Canon appearances start here

The Final Days of Superman crossover event: Superman (2011) 51-52, Batman/Superman (2013) 31-32, Action Comics (2011) 51-52, Superman/Wonder Woman (2013) 28-29 (This is the origin story of the Clark, Lois and Jon that the comics follow in Rebirth. Largely ignored by writers, as it was written to patch up New52 weirdness, but there are occasional references that might be confusing if you skip it completely.)

Convergence (2015) 5, 8

Superman: Lois and Clark (2015) 1-8 (Establishes Jon and his family in the DCU)

Superman (2016) 1-11, 13, 17-28, 30, 32-36, 38, 40-45, Special 1

Action Comics (2016) 957-972, 974-978, 980-983, 985, 987, 989-1000, 1002, 1005, 1016, 1022-1035, 1042, 1045-1048, 1050-1057, 1059-1060, Special 1, Annual 2023

Justice League (2016) 3-6, 15, 18-19, 22, 28

Trinity (2016) 1-6, 16

Super Sons (2017) 1-16

Dark Nights: Metal (2017) 3, 6

The Man of Steel (2018) 1-6 (central from issue 4 onwards)

Superman (2018) 1, 4-12, 14-16, 20, 29-32

Adventures of the Super Sons (2018) 1-12

Justice League (2018) 9, 23-25, 34, 52, 75, Annual 2022

Super Sons/Dynomutt Special (2018)

Super Sons: The Polarshield Project (AU trilogy of graphic novels)

Supergirl (2016) 8, 30-33

DCeased (2019) 1-6 (what if DC but zombies?)

Super Sons: The Foxglove Mission

Lois Lane (2019) 3-4, 6

Legion of Super-Heroes: Millennium 2

Legion of Super-Heroes (2019) 1-12

Dark Knight Returns: The Golden Child

Green Lantern: Blackstars 2-3

The Terrifics (2018) 25

Teen Titans (2016) 15, 43, 45-46

DCeased: Hope at World’s End (2020) 1, 4-5, 9-15

Robin 80th Anniversary 100-Page Super Spectacular (in the short Super Sons story)

DCeased: Dead Planet (2020) 1-7

Super Sons: Escape to Landis

Batman/Superman (2019) Annual 1

Challenge of the Super Sons (2020) 1-14

Dark Knights: Death Metal The Last Stories of the DC Universe (2020) (in the Superman short story)

Dark Knights: Death Metal The Secret Origin (2021)

Dark Knights: Death Metal The Last 52 War of the Multiverses (2021) (in the Superman parts of the story)

DC Nation Presents Future State (2020) (intro, information and behind-the-scenes for Future State)

Future State: Superman of Metropolis (2021) 1-2 (Future State is another possible future, meaning that it’s not necessarily canon, but it takes place in the future of the main canon, not in a complete AU, like say, Dark Knights of Steel. Technically not necessary to understand main universe stories, but a few popular characters and characterizations were brought over to the main universe.)

Future State: Justice League (2021) 1-2

Future State: Superman/Wonder Woman (2021) 1-2

Future State: Kara Zor-el, Superwoman (2021) 1

Future State: Legion of Super-Heroes (2021) 2

Infinite Frontier (2021) 0 (establishes the main universe status quo from this point on, feat. a synopsis of Jon’s life up to here)

Challenge of the Super Sons (2021) 1-7

Superman: Son of Kal-el (2021) 1-18, Annual 1

Shazam! (2021) 1

Superman Red and Blue (2021) 6 (in the short story The Special, but this mini series in general is cute and I recommend it)

Justice League vs. The Legion of Super-Heroes (2022) 1-6

Superman & Robin Special (2022) 1

DC’s Round Robin (2021) 2 (in the short story Superboy: The Man of Tomorrow)

Nightwing (2016) 89, 91-92, 101-104, 110, 112-113

Earth-Prime (2022) 2 (story based on the CW show Superman and Lois)

DC Pride (2022) (in the short story Super Pride)

Justice League: Road to Dark Crisis (2022) (in the short story Team Up)

Dark Crisis (2022) 1-7

Dark Crisis: Young Justice (2022) 1

Dark Crisis: Worlds Without A Justice League: Superman (2022) 1

DCeased: War of the Undead Gods (2022) 1, 4-5, 7-8

DC’s Terrors Through Time (2022) (in the short story Trick or Treat)

Dark Crisis: The Deadly Green (2022) 1

The Death of Superman 30th Anniversary Special (2023) (in The Life of Superman short story)

Dark Crisis: The Dark Army (2023)

Superman: Kal-El Returns Special (2023) (in the short story Distractions)

Lazarus Planet: Assault on Krypton (2023) (in the short story Electric)

Batman (2016) 131-132 (in the Tim Drake Robin chapters)

Superman (2023) 2-3, 9

Lazarus Planet: Omega (2023)

Power Girl Special (2023)

Adventures of Superman: Jon Kent (2023) 1-6

Superboy: The Man of Tomorrow (2023) 1 (edited version of the story in Round Robin)

DC Pride (2023) (in the short story My Best Bet)

Titans: Beast World (2024) 3-4, 6

Titans: Beast World Tour: Metropolis (2024)

Trinity Special (2024) (taken from the backups of Wonder Woman 2023 plus some extra)

[comicchannel]

Hellboy Action Figure 30th Anniversary Edition - 1000 Toys

Link para compra BR: *Possível importar pelo Link abaixo

Buy here: https://amzn.to/47iiKlH

[cassandracain52]

The Batfamily on a roadtrip:

Bruce: The Driver. You really thought his control freak ass was gonna let someone else drive? Be so fr. Has a migraine the size of the WatchTower and has been seriously contemplating pulling over, getting out of the car, and just walking. Not anywhere particular, just walking away. Has already had to pull over twice to swap seating arrangements around and they've only driven 3 1/2 hours out of 11. (They will do this at least 3 more times before they reach their destination)

Barbara: Shotgun. Declared that as second oldest and second most experienced vigilante that the front seat was her birth given right. No one contested it(successfully anyway). Has been helpfully navigating the fastest route much to Bruce "I know where I'm going" Wayne's annoyance. (Her way was in fact more efficient and she is incredibly smug about it.)

Jason: Behind the Passenger seat. Wanted the front seat but wasn't willing to physically fight Babs for it which was what she assured him it would have taken to get her to move. Brought a backpack full of nothing but snacks that he is only sharing with people that aren't actively annoying him aka Cass. Keeps playing words with friends with Roy on his phone and is Kicking Ass

Cassandra: Middle Left. Volunteered for the middle seat because she wanted to sit next to Jason aka the Snack Source while still being close enough to comfortably talk to Babs and Steph. Is one of the few enjoying the drive and just in general living her best life. Somehow painted both her own and Steph’s nails perfectly while the car was in motion. No one is sure how she did this and they were watching

Stephanie: Middle Right. Was originally sitting Middle Back next to Tim but caused the first seat swap when she got bored and decided Tim made suitable entertainment(imagine like in Detective comics #1000). Bruce declared the car a "No Flirting Zone" shortly after. Pouted for all of thirty seconds before she realized she got to sit next to Cass and abandoned Tim without a second thought. Is also the person pointing to the window and going “cows!” Whenever they pass some

Dick: Behind the Driver's seat. Chose his seat while everyone else was fighting for shotgun because he wanted to be able to see Babs during the drive so they could talk without shouting.(he knew good and well she was winning that fight). Has had a few arguments with Jason but they didn't last or get out of hand with Cass between them. Did manage to steal a bag of chips from Jason’s snackpack while he was on his phone. The roadtrip was his idea and he refuses to admit it was not well thought out.

Tim: Back Left. Was thoroughly betrayed when Steph abandoned him to be left with the two youngest bats and said so at length. Only quieted when Jason threw a pack of gummy worms at his head with a demand for silence. Brought an abundance of handheld electronics despite knowing he gets car sick. He threw up on the side of the road 90 minutes into the trip and Dick confiscated anything that had a screen until they reached their destination. He is his own worst enemy. Has since resorted to playing the license plate game with Duke

Duke: Back Middle. Was originally in between Cass and Dick but had to move to sit Back Left next to Damian when Steph took his spot. He stayed there for exactly 45 minutes before Damian caused the second seat swap when he attempted to strangle Tim with his headphones because he was "breathing obnoxiously". Is now a human barrier and he hates it. Jason offered him a small amount of sympathy by offering him some Sour Patch Kids. Duke accepted them. Bruce was more sympathetic and gave him DJ control. Is mostly just talking with Tim who is bored since his electronics were taken.

Damian: Back Right. Attempted to attack Stephanie with a pillow because he “couldn’t listen to her and Drake anymore and she was closer” before the first seat swap occurred. Did not regret his actions in the slightest. Warned his father that nothing good would come from him sitting directly beside Tim, was ignored, and then moved when "nothing good" did indeed come. Despite these to things, he actually spent the majority of the drive with his headphones on full volume and messing around on his phone while he pretended to be anywhere other than there.

Alfred: In The Car Following Behind Them. Yeah there was no way he was getting in that car. He knows a recipe for disaster when he sees one. Didn't hesitate to "offer" that he would happily transport all the luggage and supplies and meet them there. Was already loaded up and ready to go in a separate car before anyone could question him. Somehow got there first and had made dinner for them when they all finally showed up with half the car at war with the other half. Peace was made only in the name of Alfred’s cooking

[distort-opia]

https://www.tumblr.com/distort-opia/693230466074132480/top-10-gayest-things-batman-has-uttered-about-the

Literally screaming reading this. Show this to my friend, they don't even ship batjokes but even they acknowledge how gay it is. A part 2 maybe?

Ah yes, I love that post too. Sorry to have taken so long, but here's a Part 2 to "Gayest things Bruce has uttered about or to Joker"!

11) “It's me you want -- it's me you've always wanted. Free her and I'll let you have me. [...] All the bullets in all their guns won't stop me from reaching you... the adrenalin of all the years between us will carry me straight to your throat, Joker... and when the bullets finally bring me down... I'll drag you down with me.”

-- Detective Comics (1937) #532

12) “...but that isn't my mission here. It's him. I'm just as obsessed with him as you are.”

-- Batman (2016) #135

13) “Does he recognize me? Does he know who I am? I may never know. I'm feeling a terrible sense of finality... We've been linked to each other for so long, neither of us truly understanding the bond.”

-- Batman: A Death in the Family (1988)

14) “Don't you understand? I don't want to hurt you. I don't want either of us to end up killing the other. [...] It doesn't have to end like that. I don't know what it was that bent your life out of shape, but who knows? Maybe I've been there too. Maybe I can help. We could work together. I could rehabilitate you. You needn't be out there on the edge anymore. You needn't be alone. We don't have to kill each other.”

-- Batman: The Killing Joke (1988)

15) “Joker, you need to remember who you are, you just need to take my hand, and you'll remember your old life... [...] Joker! Take my hand! [...] We can beat this. Together.”

-- Batman/Teenage Mutant Ninja Turtles III (2019) #1

16) “I was afraid of what he'd do... when I was gone. [...] I wish he were still alive.”

-- Batman: Damned (2018) #3

17) “I made this wretch... I'll have to mind him.”

-- Batman: Lovers and Madmen (2007)

18) “Is he mirroring my broken psyche with his fake smile? Is the Joker... broken too?”

-- Batman (2016) #128 (I Am A Gun)

19) “If I beat you long enough, hard enough... You'll tell me.”

-- Action Comics (1938) #719

20) “I'm trying to figure out what the Joker was doing naked... does he always remove his clothes first?”

-- Detective Comics (2016) #1000

[paladin-of-nerd-fandom65]

What are your favorite Superman moments?

Thank You 😊

I have no select list so I’ll just bring up some that are favorites of mine

Cause you can’t ever go wrong with moments with Chris and him XD

Then there’s this classic from All Star Superman

Then you got this one moment from the very first Action Comics that somehow feels more cathartic in its relevance today than I think it did even back then

Yep that’s Clark straight up taking down a domestic abuser (ignoring that tiny ‘Jian’ edit in this scan)

Then one more from the Golden Age a Rather big huge double whammy

Yep that’s Clark taking on and straight arresting both Hitler and Stalin at the same time…..Somewhere out there Steve Rogers shed a tear of joy and doesn’t know why XD

Now back to modern panels or at least modern in that they’re drawn by one of my favorite artists, Patrick Gleason XD

From Action Comics #1000, an Amazing Tribute to the Golden Age

And two from the first Rebirth Arc with a a blue suit they somehow works in spite of that dominant color scheme

This really is what I can come up with for my favorite moments at the moment (like I could probably list so many of the panels from Superman Smashes The Klan or heck even the Grant Morrison one in the New 52 if I have my thoughts together lol) because there’s frankly so many but this was fun

Thanks @confusedhummingbird XD

Up Up And Away!

[nitpickrider]

Knowing what I know about cats. There is no fucking WAY Streaky only has one descendant 1000 years in the future. Action Comics 287